#the notion of character development

[caradise1]

All hail the screenwriters and Olivia because it takes a village to make folks passionately hate a character

[poorly-drawn-mdzs]

Gaslight, Gatekeep, Girl found dead in a hidden room.

[First] Prev <–-> Next

[corvus-council]

Im in a pickle rn

Im making an interactive fiction dating sim for fun (nothing too serious, im just letting myself be whilst writing it) and now i have a problem

There are 6 characters you can romance here- 3 females and 3 males. Nothing wrong there until I SUDDENLY WANT IT TO BE A YAOI NOW

And the MC is a male bc idk how to change the gender and i am JUST learning how to code on my own

Send help

[minweber]

One way in which, I think, BG3 succeeds in emulating tabletop DND experience - though, admittedly, It may be more of an achievement of its writing rather than game design - is sending player characters down unexpected development paths.

My favorite ttrpg experience have always been the moments when you realize that through the interaction between other players' actions, your own choices and the ongoing story, your character has now developed traits that you did not originally intend for them to have.

Those really are fascinating moments, ones that have always been difficult to explain to people who never experienced them - even though the mechanic between them is very simple and non-mystical. Something happened that you did not expect, and you react in the ways you may not have expected either! It's trivial, but the result is quite magical - when you see a character escape beyond your full control, becoming something onto themselves and making you not the sole master of their story.

Anyway, shoutout to my first BG3 playthrough, where my hoity-toity noble paladin - who had a whole dramatic arc from the stock of "difficult relationship with a position of leadership that awaits him in a distant homeland" set up for him - awkwardly confessed to Karlach, got politely rejected, went off to sulk, had Lae'zel come onto him, apathetically agreed and then proceeded to have his brains fucked out so hard that it completely changed the direction of his story and had him fighting on the frontlines of a space revolution not even a full month after.

[lemonynuggets]

honestly I’m still not over the HOO Cupid scene

[six-improbable-things]

My DnD Character Spreadsheet

The only one of these characters I've played for more than 10 sessions is Rook, who just played his 25th session. And the only other ones I've played at ALL have been Zenara (2 sessions), Avra (oneshot), Asra (5-6 sessions, I think??), Asola (8 sessions), Satora (2-shot), and Cyra (3 sessions, but active ongoing campaign). Morana is technically for a pathfinder game that hasn't happened yet.

I have character sheets made up for most of, if not all of, these guys. And they all have their own character pages (in the spreadsheet) that are in various stages of completion.

[thatonequeeraunt]

Honestly don't really think putting Aziraphale in charge of Heaven is going to make a meaning change

Saw some people make the argument that he's doing it in order to make a change to help him and crowley out by making systematic changes

But the Metatron already kind of prove that that's not the point. He said that Gabriel's hearing that the fall of one Prince of Heaven makes for a good story but two would be an argument for institutional problems. And the other archangels agree insisting that there isn't.

Putting forth for the new head of heaven isn't going to change any systematic problems it's putting a blanket over the problems and insisting that things have changed

Like putting in place a better prison warden doesn't change the fact that it's a prison

[stankhead]

Mesoamerica having one of the four recognized independent inventions of writing and Europe having 0 🤭 you have to laugh

[mrchoppedslefthand]

[SPOILERS] Homicipher Is Actually Romantic, Convince Me Otherwise [Analysis/Opinion] [SFW]

Word count: 3,332

Edit: 11/7/2024

[Feel free to skip to the last objective "Individual route discussion + what made it romantic" if you want to get straight to the point]

Homicipher is truthfully a romantic (or platonic) game. It is a game that has to be looked at from a different perspective when it comes to love/romance. A game where you have to take in consideration of the characters and the nature of their 'other world'. Today's post will discuss into what I believe made Homicipher an oddly, but romantic game, despite its shortcoming and abrupt ends.

⚠️[MAJOR LORE/CHARACTER ROUTE SPOILERS] ⚠️

Discussion Objectives:

Definition of Love & how it plays into Homicipher

The nature of the 'other world' and ghosts

Individual route discussion + what made it romantic (thoughts)

What Is Love & How Does It Play Into Homicipher?

Love has many layers of definition and associations. Maybe, that is why some may deem Homicipher to be "unromantic" and some disagree on that thought. It also varies based on the type of content/exposure you had consume in the category of love [whether romantic or platonic]. Socially, from a common standpoint, love is a strong attachment or affection for someone. Often from a social standpoint associated with dates, affection, and intimacy. However, love is always changing, since it is a social script on what its suppose to be, and changes as society progresses. Some notions stay the same but some begin to change (just like how language and certain concepts begin to change in the other world, a different society from our own). For the sake of a "true" definition of love. I will be using the definition offered by the Oxford Language Dictionary. So, what is love?

Love as a noun is...

"An intense feeling of deep affection"

"A great interest and pleasure in something"

"A person or thing that one loves"

Love as a verb is...

"Feel deep affection for (someone)"

"Like or enjoy very much"

Not long after its release there had been a fair number of comments/reviews criticizing Homicipher for its lack of romance. This claim is NOT entirely wrong. From the expectations of a "normal" Otome/dating sim it doesn't necessarily meet the requirements because of its lack of intimacy, affection and interest from a HUMAN/SOCIETAL perspective. We must remember that romance/love does not necessarily equate to kissing, hand holding, and intimacy especially considering that these are the HUMAN (societal) views on what romance/love is. A concept that had become lost in the 'other world'. So how can we call Homicipher romantic if we have to cross out the influence of our society? The answer is that we can't fully avoid it, HOWEVER, we must be open to a different perspective of what 'their' version of love is (platonic love/or romantic). No matter how lacking, dense, twisted and grotesque the moments we have spent with these ghosts are. In some shape and form it CAN equate itself to love (platonic/ or romantic). I think a lot of people forget that time itself can be equate to some complicated level of love. The fact you spend time with someone, and it develops to something further for worse or better, something that even love may not be able to name, is what this game demonstrates.

Homicipher has a consistent theme, the loss of truth, the acceptance of ignorance and the concept of eternity. Which shockingly is where the romance comes from. When we allow ourselves to rot in that world. When we ignore the exit and choose to stay, is where the romance comes through. Love is complicated. What can I say?

·:¨༺ ♱✮♱ ༻¨:··:¨༺ ♱✮♱ ༻¨:··:¨༺ ♱✮♱ ༻¨:·

The Nature of the 'Other World' & Ghosts

Alot of the ghosts we encounter can be friendly, but also just as deadly. We hear it from almost all of the casts warning or discussing about how dangerous a lot of the ghosts (including themselves) roam in this world, and in different endings, succumb to this danger ourselves. The longer we stay in this world, we soon start to become no different. As we, a human, begin to slowly transform into a different entity. We begin to react more violently (though it can be argued that since our MC is a serial killer, she might have just been violent and cruel in general). When angered, or things start not to go her way, she gets filled with bloodlust and takes it out on who she's with. Killing is a common thing to do in this world, especially when experiencing anger, sadness and even boredom. The concept of death is a little complicated as they can easily regenerate themselves back to "life". As the game progresses, we learn that some of these ghosts cannot grasp certain concepts (such as love), remember their own name and self, and don't have exact words (sometimes none) for items.

When sometimes even confessing that you like some of the ghosts they question you, and state that they cannot understand you or that feeling (platonic/ or romantic). We are in a setting that is beyond the mortal realm, there aren't any exactly "ideal" dates in a place different from the moral realm... so you're going to be stuck in a scary place, having a scary "date".

However just because they cannot understand the concept of love, doesn't meant that they can't feel it. It is something that the body may still feel, and the mind not being able to put an identity to that feeling or even situation, since meanings and concepts get lost within this realm. The fact that we are allowed to spend an eternity in this realm, with our handsome casts of ghosts. Is oddly and sadly romantic. For Mr. Crawling it is his devotion and loyalty to you, it is how he worries and cares for you, it is his affection and attempts to soothe you. For Mr. Silvair it is his care for you (as research of course lol), your usefulness (which is why he is attracted to you), but even then, one of his endings he keeps you as a head, when you had become useless to him. For Mr. Gap he finds you intriguing, he wants to play and follow you around, always asking for parts of you with consent, loves to brag about himself to you. For Mr. Chopped it is his want to rely on you, to feel safe with you, to protect him, to spend time with him. For Mr. Hood it his willingness to help you for an eternity, to roam with you forever, keeping you away from danger. For Mr. Machete it is the fact you both spend an eternity searching for a home together, to suffer boredom together, to suffer within each other's presence. For Mr. Scarletella it is his obsession for you and his willingness to spend an eternity with you.

·:¨༺ ♱✮♱ ༻¨:··:¨༺ ♱✮♱ ༻¨:··:¨༺ ♱✮♱ ༻¨:·

Individual Routes + What Made Them Romantic

[Not in any particular order]

Mr. Crawling

If I had to rank who had the most "romantic" route overall, it would be Mr. Crawling. With the definition usage of love from the Oxford dictionary, verb and noun he checks all the list. Not only that, but we spend time with him the most out of all the other casts. He was the very first ghost we meet (briefly in the beginning) and got stuck with. We are like a baby bird imprinting on him because we saw him first and spent time with him the most, so of course we might feel the most attached to him compared to the others. As the game progresses Mr. Crawling doesn't fail to let us know that he cares for us and our safety warning us of the dangers that come and explaining how to navigate our way around danger. He expresses his worries when we disappeared. He seems to have some concept of love (platonic/ or romantic) as he admittedly tells us that he likes us and ask us if we like him. He expresses how he wants to follow and protect us. He also has so many cute scenes! Scenes where he pats our head, scenes where we lay together, chat a lot together. He is devoted and loyal to us, never harming us even once.

We even get a scene where he gets jealous when we called Mr. Chopped cute with the cat headband! So, he also makes an attempt to be cute too! We are always together with him, and that makes us BOTH happy. Although we don't have our traditional romantic dates like shopping, movie night. We get a bed scene and get to take him back home with us.

There are many types of romance. Platonic and romantic. You the reader/player is allowed to view it however you want. The game does not punish you for the lack of interactions with the casts. You just end up missing out on certain scenes/moments with them is all. However, for the sake of this post I will be making attempts to talk about the romantic aspect (but platonic romance can also be put into place).

·:¨༺ ♱✮♱ ༻¨:··:¨༺ ♱✮♱ ༻¨:··:¨༺ ♱✮♱ ༻¨:·

Mr. Silvair

lt's apparent that Mr. Silvair keeps us as research material and confines us in his lair. He is interested in our body, and also interested in returning our mind/intellect back to its original state. It is this interest in us that makes him "love" us. Does confinement and research count as love? Well...maybe not in terms of human definition but in the Mr. Silvair way, it's the closest thing you can get to romantic (or platonic). Afterall, the concept of love has become lost in this world.

I believe he still has some attachment to us, because in the ending A Head's Life, he still keeps you as a companion along with Mr. Chopped. He claims that you are no longer useful/capable but that it is okay, as long as danger is no longer here. When you choose to ask him why he did what he did and ask if he likes you, he tells you it was for research and that love is something he cannot understand. He also doesn't understand why you get so angry when he helped you return your intellect back. He still though has some sort of concept of empathy, because in his route when you choose to kill him and hide yourself away. He comes follow you and expresses that he's sorry and tells you a little about himself. He allows you free will, at this point, allowing you to leave him or stay with him.

·:¨༺ ♱✮♱ ༻¨:··:¨༺ ♱✮♱ ༻¨:··:¨༺ ♱✮♱ ༻¨:·

Mr. Gap

Mr. Gap always wants a piece of us, literally. Why does he? Because it's just for fun. The most interaction we get with him is through the multiple crevices within this world and the short route he gets in chapter 4. He takes but sometimes may give. However, he doesn't fail to be thoughtful. It's hilarious how in chapter 4 when he offers us a crowbar in exchange for your heart, you can just smack him for it with no consequences. He also likes to brag about himself to you which honestly is a little cute. With his ending Return, we only have him left in the 'other world'. Our comfort lies with him, although he may be a little annoying, he is the only one we have left. We maybe have become a little codependent on him, but maybe he likes that?

God his annoyed/disgusted face is so hilarious, do it again Mr. Gap! He seems to stick around with us mainly just for funsies and being nosy, and honestly, he is so real for that. But it seems he likes to stay around with us at least. In the return end he is with us, and continues to stay lurking, perhaps watching over us until he is needed. Quite handy am I right? Haha.

He is depicted as quite the gentleman, but also just as fun and teasing. There are times where he does help you with no charge, such as barging into his hole (the face he makes in that scene is hilarious). Again, when presented with beating him for your crowbar, he gets a little upset but, honestly still helps you out. He probably thinks violence is funny which is why he constantly still teases you by asking to take away your body parts. It's just too fun!

Someone had brought up to my attention that Mr.Gap tends to ask for parts that can be easy to part with as we progress. Asking for our feet, legs, and fingers instead, when he seems to still clearly prefer the heart over the other parts. He adjusts his request when he realizes we won’t give our heart.

·:¨༺ ♱✮♱ ༻¨:··:¨༺ ♱✮♱ ༻¨:··:¨༺ ♱✮♱ ༻¨:·

Mr. Chopped

Mr. Chopped is just a head; how can he possibly be or have anything romantic? Well, not necessarily to the level of Mr. Crawling but, we get to have a few small moments with him and spend some time with him. Since he is just a head, he can't help but need to rely on others. Of course, he has to be selectively about it because falling in the wrong hands devastates him.

Mr. Chopped when he gets forced into playing with the deer child, he seems happy to see a familiar face and calls us out to help him. Our poor baby was in trouble!

His ending head hunt is tragically sad but also bittersweet. MC cares so much about Mr. Chopped that she spends an eternity as an entity searching for a lost head, searching for Mr. Chopped who she failed to rescue.

During his own special route Mr. Chopped does his best to help us, but there is only so much a head can do. To make up for his lack of body though, he seems to be more expressive with his mouth and emotions. We get to take him to get a haircut and wash his hair. This seems pretty date like to me. Although our time was abrupt and short with Mr. Chopped. It makes me happy that we get this small, cute scene with him, which makes him much more lovable.

·:¨༺ ♱✮♱ ༻¨:··:¨༺ ♱✮♱ ༻¨:··:¨༺ ♱✮♱ ༻¨:·

Mr. Hood

Mr. Hood protects you from harm, and also heeds your commands. He also carries you around. He means no harm and is there to guide. He cares for your safety and seems to dislike anything dangerous or threatening towards him and others that he protects.

At the end of his route, he states how often you get in danger and takes you with him, telling you that he must protect you since you asked him to (referring to an earlier scenario when you asked him to stay with you, when you reunited with Mr. Crawling and the others, but he leaves). So I would assume he would always be by your side now eternally staying together and protecting you from danger when needed. How cute! Some people are into that. But personally, for me Mr. Hood felt more like a father/brother to me. Maybe it was because he was always willing to guide us? But some people are into the brotherly/fatherly type of men, and hey I don't judge.

·:¨༺ ♱✮♱ ༻¨:··:¨༺ ♱✮♱ ༻¨:··:¨༺ ♱✮♱ ༻¨:·

Mr. Machete

At first, I did not see the appeal to Mr. Machete, he seemed like a ghost that killed for boredom and most of the time we just followed him around aimlessly...WELL, after playing his route and letting it soak in my brain. That is entirely the whole point of his character. He is a ghost that had become bored because he had too much time on his hands and continues to search for his home. He is our tsundere dummy macho ghost, and honestly, I love that about him. He could've killed us again like how he tried earlier, but after that first attempt, he reluctantly allows us to follow him. It's funny how much he runs away if the odds are against him, and when he mocks us it's even more hilarious. Mr. Machete likes us if we are strong opponent for him, he even expresses that he thinks we are fun and likes us when we defeat Mr. Hugeface on our own.

Not going to lie, I fell for Mr. Machete right here. We were low on blood, and he just slices his hand, FEEDING us HIS BLOOD. Like OMG that was so hot, he opens our mouth forceful, and we drink his blood. He somewhat cares about us, to be doing all of that for us. After that we get a timed choice to stall or follow him. When you choose to stall he pauses with you and asks if you're okay and to catch up with him. For someone who had been reluctant and annoyed at us for following him, took a moment of his time to wait for you. He WANTED you to tag along with him. We then venture on with him aimlessly searching for his and our home. Torturing each other with our presences. But maybe, just maybe, they can slowly become that home together that they were searching for.

·:¨༺ ♱✮♱ ༻¨:··:¨༺ ♱✮♱ ༻¨:··:¨༺ ♱✮♱ ༻¨:·

Mr. Scarletella

I LOVE HIM SO MUCH. At first, he appears to be just any ghost that wants to attack us. It took me a while to warm up to him because of so little we knew about him. I thought he wanted to take our name for fun/or collection, but then it's revealed that he knows us. That he harbors some sort of love and obsession for us and believes that we love him because of all the blood and bodies we "offered" him. In a twisted way, this situation is a cute and romantic misunderstanding. Mr. Scarletella fell in love with us for providing him many blood and bodies. He wants us to spend an eternity with him. He WANTS to spend an eternity with us. He invites us to this other world because perhaps he wants us to become a ghostly being just like him, or maybe he wants to have easier access to us (since his myth that he only appears on rainy days) to meet us. Although we didn't get to have as many interactions with him, that is what makes this love toxic. It is a parasocial love, he fell in love with us from afar. When you piece everything together with your dictionary the words he proposes to you sound like wedding vows when you give your name to him. Which make it all so more lovely, even if he takes our soul away.

(My translation/interpretation of the scene, where he asks for your name)

Chapter 2, Scene 24

Scarletella: "You found your name...?"

Scarletella: "Teach me your name." (ARF ARF WRARF)

Scarletella: "I want you." (YES PLEASE)

Scarletella: "Will you give your name?" (OF COURSE)

Scarletella: "Your name?" (👁️👄👁️)

*You give him your name here*

Scarletella: "I have your name."

Scarletella: "I have obtained you." (YES YOU DID, COME TAKE ME)

Scarletella: "Let's leave together." (ARF ARF WRARFFFFFFFF)

Scarletella: "I love you"

Scarletella: "And you love me."

Scarletella: "You gave it to me...Thank you" (I'LL GIVE YOU IT ALL)

Scarletella: "Forever/eternally together..." (YES SIR)

Scarletella: "Together." (ARF ARF WRARRF ARFA)

He is quite the romancer hehe. It seems like Mr. Scarletella has some form of concept when it comes to love, which is to be together forever, even if you end up as a blood pool. Together is together.

I find it interesting how his two endings: Scarletella and Scarlet Rain parallels each other so well. In the Scarletella ending, we (mc unknowingly) give our consent to being together forever with Mr. Scarletella, but we are still alive. When MC wakes up, she sees a clear umbrella on the floor and picks it up. I believe that we have now embodied or spirited the umbrella, spending eternity with Mr. Scarletella. He owns us now.

However, in the Scarlet Rain end he becomes ours, the umbrella stays red, and we still, eternally are together forever.

[mashpotatoe]

im a white jew, i was born in israel,

ive lived there all my life and was brought up in an environment that fosters racism driven by nationalism, nationalism driven by racism.

in israel, they teach you jews and muslims (though usually, they just say arabs) have always been enemies, the same way the US deems the entire middle east as a inherent war zone, ridding them of the responsibility for perpetuating war in thst region.

they tell you "were the fair and humane side who strives for peace! its the arabs who never accept the offer!"

i remember the first time i began doubting that sentiment was in fourth grade, when we were having a discussion in class about the character of Saul from the Torah. the teacher was talking about how Saul, the first monarch of the Kingdom of Israel, used to fight the Philistines, and when she added that the Philistines were the natural enemy of the Israelites, she asked the class what group of people is their modern equivalent to which everyone very eagerly replied "Arabs!" and nevermind that there in that same class sat two arab boys, one of whom sat next to me, who i looked at and thought "but he isnt my enemy? hes just a boy in my class."

they teach you to hate arabs. sometimes they say it outright. sometimes they say it more carefully, or make a distinction between good and bad arabs, those who are with us and those who are against us.

in a state based on the idea of (white) jewish supremacy, they teach you jews are naturally superior. they use the conspiratorial narrative of "jews controlling the world" to their favor, giving their own watered down explanation for why antisemitism exists, saying that it must be driven by jealousy.

the zionist movement always used antisemitism to its advantage, either for reinforcing the notion of jewish supremacy or appealing to the real pain and trauma of generations, people who survived the holocaust, connecting them to stolen land where they are "guaranteed" safety ergo granting "justification" for the suffering of others.

its using peoples real pain that makes fear mongering so effective, and when the israeli population grows up being told all of their neighboring countries want to kill them, they quickly get defensive of the "only land where they can feel safe", but the only explanation ever provided for Why these neighboring countries are considered enemies is because theyre arabs.

and when it comes to palestine, it isnt even recognized as a country, nor identity. just a threat. ive talked to many people who are genuinely unaware of the occupation, and they arent willing to believe it either, because the media narrative has successfully shifted the blame on hamas. because "how could it be us? we want peace! its the terrorists who make us look bad! and their children, they grow up to be antisemites*, might as well get rid of them too!" they never stop to think what environment these children must grow up in to develop these "radical" ideas.

* what they mean by antisemite is really just antizionist, but the term anti/zionist isnt practiced in local dialect, being a zionist is treated as a given

any jew who stands against israels oppression is dubbed a self hating jew, but the biggest contributors to antisemitism is the people in charge of an ethnostate, because at any moment they could decide who is not white enough to be jewish, who is too jewish to be white, who stood against the current coalition government and who is an obedient dog.

israelis arent a monolith, but many of them have been won over, convinced its an "us v them" situation, when in reality it could never be the "us" that "loses"

the israeli government was waiting for an event like the massacre on the seventh of october to declare war, to have the so called "right to defend itself", so they could initiate the final steps of an ethnic genocide and displace, if not kill, all remaining palestinians. under the guise of bringing peace.

it isnt too late to call for a permanent ceasefire, to end the occupation.

please contact your representatives, attend protests and rallies if you are able. palestine will be free, and the flowers will rise again.

[fir-fireweed]

Intro Post for my new WIP, “Cantata.” If you haven’t yet read my completed IF, “Viatica,” you can find it here on itch.

Ko-Fi Link Here

A low fantasy IF loosely based on the Italian Renaissance period, with a steampunk edge.

DEMO on Itch

SYNOPSIS

The story is set in Saleste, an empire with a long history of expansionism and colonization. It is a vast, wealthy empire, very much set in notions of classism and noble privilege. And its warmongering has only grown more brazen under the current regis (monarch). Saleste is currently at a stalemate with Tinebaille, a neighboring island nation the empire has repeatedly tried, and failed, to conquer.

Within the empire, technically citizens but not, are the Iredicci. The Iredicci are as much a religion as they are a race—less like priests and more like monks or shamans. The Iredicci can hear and feel the cordis, the harmonic pulse that connects all living things, and they connect to it through song. Iredicci have excellent hearing, but their defining feature is their voice—they have an echo to their voice, a resonance of two pitches at once. The regis asked the Iredicci elders to use their unique gift to help him conquer Tinebaille, but as a peaceful people, they refused.

A simple, nomadic people, the Iredicci were traditionally welcome in all corners of the Saleste Empire. But as steam technology progressed and the push for new resources grew, a prejudice developed against them. The regis spread propaganda against the Iredicci, painting them as an inferior, uncivilized people who leeched off the empire rather than aided it. Over the years they stopped being welcome. Eventually, their travel was restricted, and the Iredicci were forced to live in settlement camps.

You are one of the Iredicci, born into such a camp. The elders sing songs of past travels and wonders you have never seen. Ever the optimists, the elders tell you to take heart. To be thankful you are among friends and family. That things can’t possibly get any worse.

Until they do.

Historians and politicians would call it The Proelium, a righteous battle against the traitorous Iredicci. What it really was, was the systematic genocide of your people. In one night, soldiers attacked every settlement camp across the empire. No one was spared—not the elders, not the children, not your mother.

It was mere whim that you snuck out of camp that evening, a mischievous escapade with a friend that ironically saved your life. You are taken in by your friend’s family and kept safe. But with survivors being hunted and killed, you must conceal your identity. So, you pretend to be deaf and mute.

Journey through the empire of Saleste and beyond. Grow from a child into an adult. Make friends, lovers, allies, and enemies. How will they react when your secret comes to light? Will you abandon your song in favor of machine? Join the rebel forces against the tyrant regis? Will you heal the wounds of the realm and restore balance? Or plunge it further into chaos?

FEATURES

Play as male, female or nonbinary—you’ll be able to choose your pronouns independent of your body type.

Customize your character’s appearance and personality.

Choose your attunement/proficiency with the cordis. This choice will heavily influence gameplay, affecting combat, weapon specialization, character interactions, and problem-solving situations. Choose wisely!

Create 2 character names: your birth name and an alias. The Iredicci have culturally unique names, so your birth name will be limited to a preset selection. But you will go by an alias of your own choosing for most of the story.

Develop your relationship with your adopted sister. Are you friends or rivals?

Romance! Or not. Romance 1 of 4 possible love interests, or choose the platonic route with the best of friends.

Save a wild animal from a hunter’s trap and gain a steadfast companion. Because fur baby.

THE MC

The game begins with you at age 7. When you are 12, your camp is slaughtered during The Proelium. With your voice and heightened hearing identifying you as Iredicci, you pretend to be deaf and mute in order to hide your heritage. The main game occurs 13 years after The Proelium, when you are 25.

ROMANCE OPTIONS

Calliope Cato (she/her)

The inventor/artificer, Calliope can build and fix any machine. She is 2 years younger than you, petite, with gold eyes, rich brown skin and black hair in multiple braids. Her hair and clothes are adorned in rings, belts, and pins which double as tools. She carries a man’s cane sword with her everywhere, which she wields in a fight along with a hand crossbow. She’s curious, optimistic, excitable, and easily distracted by her many projects, but much of that is to keep her mind occupied. In quiet moments when she thinks no one is looking, you glimpse a profound sadness on her features.

Corinne Xenakis (she/her)

The leader of the rebels, Corinne works to overthrow the monarchy and aid the surviving Iredicci where possible. She is 6 years older than you. She is tall, with long, sandy brown hair usually worn in a messy bun or loosely braided bun, hazel eyes, and beige skin tanned by the sun. Quiet, serious and aloof, she feels a tremendous responsibility for those under her command. Corinne is a contradiction—she has the grace and manners of a noblewoman, yet fights with military precision that is uncommon for females of noble lineage. She is deadly when double wielding her flintlocks or axes. While not cold, she is not overly familiar or friendly with anyone, and very tight-lipped about her past. What does she guard so fiercely behind her armor?

Vicente Aloi (he/they)

The bastard prince, Vicente is calculating, ruthless and driven. They are the same age as you, and they, too, lost their mother the night of The Proelium, though under different circumstances. But while you were adopted into a loving family, he is the unwanted son of the regis, trained to be a lethal tool. He has long, midnight blue-black hair, icy blue eyes, and high defined cheekbones. The edges of a tattoo are barely visible on his neck above the collar of his doublet… wings, perhaps? It’s beautiful. He’s beautiful, though you’d never tell him for fear he’d take his rapier to your neck simply for looking. Will your plans align with his, or are you merely another pawn in his schemes?

Bayram Durmaz (he/him)

The son of the Aydem, the matriarchal leader of Tinebaille. Bayram is 4 years older than you. He has golden-honey skin, light brown eyes, and dark brown, tightly-curled hair that he usually wears back in a ponytail or half ponytail. He is tall and broad, muscular but not toned, with a rounded edge to his stomach and chest. A sprawling, colorful tattoo, the mosaic artwork of his people, covers the entirety of his back. He is boisterous, bold, and a shameless flirt. With his young sister bearing the weight of succession, he’s been free to explore the islands to his heart’s content, and is familiar with every bay, inlet, and harbor. He is equally skilled at wielding a spear, sailing a ship, and charming hearts.

[sapphirexsolarium]

Cruel Universe

tw: angst, character death (reader), hurt/no comfort, sylus x non-mc reader, couldn't proof read through the tears :')

wc: 1.1k

a/n: i rewrote this 4 times with several different plot points and completely abandoned the original plot i had, this is inspired by a fic i read with a similar plot line but i can't find it ; A ; if any of you recognize it please let me know so i can give proper credit

The loud thumping is incessant. Your breathing is slowed and you realize that thumping noise is the sound of your raging heartbeat in your ears. It's so loud. Obnoxious even.

Through the haze of your blurred vision you see him and her running to you.

"Oh good, they're safe." You think to yourself. In the end at least you could give him this.

-

"Do you think I'm a cruel man?"

You give pause, "I think you're pretty ruthless but cruel?", thinking over your answer.

"That's good to know." He quietly chuckles, polishing his gun.

"She called you cruel didn't she?" You try not to laugh but his glare makes you burst out into laughter.

"It's a little unfounded don't you think? We were just acquainted and she's already made assumptions about me." Sylus tries to reason with you but your laughter drowns out all notions of him winning you over.

-

"So, reincarnation huh?"

"Something like that." He shrugs indifferently after revealing to you his big, great secret.

"Wow… I didn't think the universe would be so kind to give us another chance much less reunite with our soulmates." You look up at the sky, streaks of reds, orange and pinks bleeding into the night sky as the sun slowly starts to peek out from the horizon.

"It's actually a curse."

"If my curse was to find my soulmate again… I think I'd be okay with that." The cold dawn bites into your skin and you pull your jacket tighter around your body. "There's hope in your curse. You'll find her again." That stings your chest a bit when you say that.

"I didn't think you'd be so sentimental." He pokes at your forehead before placing his jacket over your shoulders.

"A girl can dream about a love that transcends space and time." You wave off his hand, eyes downcast as you try to memorize the scent of his jacket. It's warm, smokey and a little bit sweet. You stare off into the distance as day breaks. You'll hold onto these small moments now, you can't afford to hope for anything more. "I hope you find her."

-

"What will you do now that she remembers?"

"Love her for the rest of my days." He softly smiles, looking out at the city skyline. Part of you is happy that he's happy and the other part feels like your chest has been hollowed out. Miss Hunter is one lucky girl.

You're fiddling with your switch blade when he asks, "What do you dream of?"

Your brows furrow, "Like when I'm asleep?"

He lets out an exasperated sigh, "No, silly. What are your dreams? Your grand schemes? The big goal in life?"

"Probably the same as yours."

He's surprised by your answer, "What ever do you mean?"

You don't meet his eyes, you're afraid you'll give yourself away. Instead you stare up at the night sky, "Find my soulmate, tell them I love them and live out the rest of my days with them." You're not really sure if that's your dream though. Especially when the one person you wish it to be, fundamentally cannot be. He's not yours. Never was. The universe said so, right?

"Oh…" He tries searching your eyes for an answer but you refuse to look at him. Maybe that's the answer he was looking for.

"…Do you really think that there's one perfect person out there for everyone?" You quietly ask, looking down as you hug your knees tighter to your body.

"No." It was his turn to surprise you. "Even with my destiny… I still believe love, even perfect love can exist anywhere and everywhere."

You look up at him for a moment before your lips break out into a teasing grin, "I didn't think you'd be so sentimental."

He rolls his eyes but smiles down at you, patting your head. "I think I'm developing some bad habits."

"I wonder why." You look down as he pats your head, the bittersweet smile hidden from his view.

-

The roaring fire surrounding you brings you back to your senses. The bright lights and sounds of distant sirens cloud your mind but one thing is certain, Sylus was in front of you. Holding your hand, looking so concerned, so worried. You've never seen him like this. Usually he's so confident and sure of himself.

"We'll go to the islands."

You chuckle, sputtering blood between your pained coughs. "Yeah… The beach house right?"

"Right. We'll eat whatever you want." His fingers holding onto your hand so tightly, it momentarily distracts you from the pain.

"That new cafe that opened?" Your breathing begins to labor, you're slipping away.

"Yes… And… And dancing. We'll dance the night away." Sylus, for the first time sounds so unsure. "You'll be alright."

"Dancing…" You softly smile, the idea of dancing with him under the moonlight feels too generous. Like you don't deserve that kind of bliss. After all, you're pining after a man who's in love with someone else.

What kind of person does that? You should've moved on but part of you selfishly held on. You held onto those soft, warm, quiet memories and told yourself that it was enough. You didn't need more.

What was your big dream? Your grand scheme? To love him. To love him for all eternity. Selfishly and quietly.

"Sylus…?" You try to hold on for a little longer but you can't feel the warmth of his hands anymore. You wanted more time, just a little more. "I'm scared."

"You'll be alright. I'm right here."

It's slipping away too fast. Your mind is swimming, filled with only him. You love him. You love him so much. You're hopelessly, desperately and pathetically in love with him. You're so scared that you won't be able to say it.

You look up at him, your eyes pleading to the universe to give you this one thing. It's okay if you can't have him. You understand that, you do. But you're begging, pleading for the universe to give you this at least.

"I… I love…" You try to push the words out with your final breath but it falls short. You weren't given the chance. In the end, you were denied your greatest wish even in death. In the end those words will always remain unsaid.

"No, please…" He squeezes your hand harder, watching the light fade from your eyes before you can say those words to him. He cradles your body in his arms. You feel so much smaller like this. He's never held you like this before and he's ashamed that this is the first and only time.

"I'm sorry." He murmurs against your forehead before pressing a kiss to it.

Perhaps the universe is not as kind as you made it out to be.

And perhaps, he is cruel.

"I love you too..."

[sasukekys]

i can’t believe i have to make a post like this but… this is called development.

naruto and sasuke shippers don’t deny that naruto called sasuke a brother before, the point is that naruto doesn’t see sasuke as one by the end of the story. the same way naruto comes a long way trying to understand sasuke and his motivations, naruto comes a long way in trying to explain the nature of his relationship with sasuke.

naruto actually calls sasuke his friend more times than he calls him a “brother”, but that somehow doesn’t stick with people who don’t like the ship.

more importantly than naruto changing how he defines his relationship with sasuke, he explicitly denies an idea he had before. to him, he and sasuke aren’t brothers. you can’t cling onto a previous thought if that perspective changes, especially if they are literal opposites, sasuke can’t be his brother and not be at the same time. the valid idea is the last one, because characters and their perspectives change through the story, it’s called development. naruto has wondered if sasuke was like a brother to him before, but by the end of the story, he doesn’t see it that way anymore.

and it doesn’t even stop at the “friend” label.

because sasuke isn’t satisfied with that word alone, he demands an explanation, and we see that naruto has a particular definition when he uses the word “friend” with sasuke, which it is to hurt when the other is hurt. sasuke wasn’t convinced when naruto called him a brother at vote1, he wasn’t convinced when naruto called him a friend at kage summit, and not even when naruto said that again at vote2.

this is when sasuke is satisfied. when naruto’s definition isn’t tied exclusively with notions of friendship, when they are able to say they share the pain of each other’s hearts, this is how intimate they are.

as for sasuke…

he knew what was it like to have a brother, so he never saw naruto as one.

please let’s drop this discourse once and for all, the story doesn’t leave it open to interpretation.

[twstwizard]

You may not have magic, but you do have these guns💪

You're a bodybuilder/deadlifter

Type: Headcanons, SFW, Platonic or Romantic (Vargas is platonic here)

Characters: Azul Ashengrotto; Epel Felmier; Idia Shroud; Ashton Vargas

AN: Yes, let me be delusional and pretend that I'm buffer then I really am.

Epel Felmier

-This wasn't fair! Well, technically it was since you couldn't do magic but still, it should've been him! Epel is jealous, there's no other way of putting this.

-While envious of your physic, he won't go out of his way to rub it in your face that at least he can do magic. In fact he'll ask about the training routines you do and will actively seek you out as a gym buddy. Felmier won't rest until he surpasses you!

- Sooner rather then later the two of you might also develop a "student-trainer" relationship in addition to the one you already have. While the young man must listen to Vil, he wants to learn from you. All the ways you can help muscles grow, not to mention exercises, some of which he never even heard of before!

- All gyms and muscle masses aside, your presence genuinely helps Epel to feel better not only about himself, but also reminds him that his dorm is still not the end. If you built yourself without magic and keep building yourself even now, when you basically have nothing, so can Epel.

Idia Shroud

-ECK!- NOT ANOTHER TANK!

-Idia is intimidated in a best way possible, the ShutIn must tip his metaphorical fedora to the amount of time it must've taken you to build up such mass.

- During PE classes he envies you the most, while simultaneously trying to use you as a meat shield against Vargas. The young man will actually partner up with you in the class just so you could pretend to do exercises together. You must understand, he is but a Shut In, he can't do those sit ups...

- If you offer to help him get in shape the Otaku will heavily decline, even being insulted by the notion. But Dance Dance Revolution is a whole different thing- Tricking Idia into doing cardio is easier then you might think, or rather he partially allows you to. After all not only do you spend time together and do things the two of you enjoy doing simultaneously, but he also gets to win once in a while.

Azul Ashengrotto

- At first he's indifferent. It's not like some other students in NRC don't have big muscle masses. He respects the dedication and the work you put into it nonetheless.

-PE Classes are a struggle though, much like for Idia. It is comforting however, that you also are incapable of flying on the broom, even if for a different reason. Azul will try and copy the stretches and warm-ups you do, but won't actually do the exercises. He's not weak but he's not you either.

- The merman will in fact help you with meals if needed. Balanced diet is something that Azul prides himself upon, it is only natural he helps you as well. All meals will be made by Azul personally.

-Will take notes on how much you lift and how much you consume, so that in the future he'll be exercising along side you to eat more fried foods. Your more carefree consumption of foodie goods helps him to indulge once in a while without feeling shame.

Ashton Vargas

- Congratulations, you're now adopted by a competent parent and not Crowley!

[kingoftheu]

William Laurence truly has one of the funniest character arcs of all time. He does a complete 360 over the course of the series. Totally turned around yet somehow exactly where he started. He completely changed his worldview while being absolutely steadfast about it. He undergoes impressive character development while his character does not change at all. He is so damn stubborn about his preconceived notions of honor that he is willing to abandon his preconceived notions of dragons, gender, and race. He transcends the regency society he lives in not by breaking the confines of rigid values but by expanding those confines to include everyone.

[wigglesdtuff]

I think I saw you say that Robin’s post-TS hairstyle was part of her character development reflected in her design (if that wasn’t you, my bad!) and I’d love to hear your expanded thoughts on it, and how that ties in with her Elbaf haircut now! After my friend said that her post-ts was just Croc’s ‘do but longer I haven’t been able to unsee it lol

That almost definitely was me because I feel very strongly about Robin's design journey and how Oda landed on the design he did and the way misinterpretations of her character because people want her to be nothing more than a hottie baddie femme fatale and *takes a deep breath* I know it's not that serious, but it means a lot to me!

Disclaimer: This is my personal interpretation, and I'm very passionate about it so take it all with a grain of salt!

So! Without further ado!

We can infer a lot about her haircut when she's introduced. Her face is covered/often in shadow from the hat which is intended to lend to the mystery of just who this woman is. We then see her first bounty poster. She's been wanted since she was 8. That's really fucking strange! Not only that but her haircut is nearly identical.

When she joins, she explains that she's more or less been on her own since she was 8, so you can infer that she's been cutting her hair like this herself. She's holding onto that moment where she had one friend she could rely on. She's literally stuck in the past. It looks almost choppy too, which to me tells me it's a quick utilitarian thing. It does not go past her shoulders.

Until she's been with the crew!

You can tell as early as Skypiea and through Thriller Bark, but it's super noticable in Sabaody just how long it grows to me. It's gotten super long!! She's letting them in by this point, she's found her home!

So when she comes back after being separated...

That change has fully taken hold! She's no longer covering her face either with a hat or her hair! She's more relaxed, she's almost always smiling unless something requires her full attention and even then she's Most Likely to Giggle and Verbally Heart Emoji. Her face is more open, it's softer. She's. Happy. She's changed in every meaning of the word! And she did it for her friends and for herself.

It's the most apparent to me in Zou. Like look at that face. That's the embodiment of joy. She's comfortable, she's relaxed. She's not hiding anything!

Then we hit Wano!

Miss Demonio dons the same old bangs and embodies the moniker her pursuers gave her. It is. Quite literally. The best of her and the worst of her. It is what she will do for the people she loves and who she has accepted love her. That is. Incredibly complex and beautiful to me.

Then we get some huge news...

Saul is not dead. The person who saved her and gave her hope and gave her the chance to get to where she is now, safe and happy and chasing the dream she picked up from the people of Ohara, so close she can almost taste it. He didn't die. He didn't die saving her.

She has

Come full circle. She has accepted her past and she is healing! Her bangs are the same, but her hair is still different! It's still longer, but it has a connection to that little girl who was lost and lonely. She also let someone else cut it, and not just anyone, but BROOK. The man who has kept his afro safe for 52 years so HIS friend could recognize him. To me, her hair in Elbaf is incredible. I take issues with the notion that "she's back" as if she ever left. This is new, this is different, and this is beautiful.

Thank you for reading my mini essay about her hair, but I really do think that character design means something. I don't think she's supposed to be a cold, badass. That was always an act. She just wants to love and be loved and she always has, and I think that her journey is portrayed beautifully by her hairstyles throughout the years.