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darlingofdots · 3 days

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What is a romance novel, really?

So far, the response to this post has mostly shown me that a lot of people don't actually know what a romance novel is, and that's okay! I don't expect everyone to know! However, for my own peace of mind, I am going to do my best to explain what we mean when we talk about romance novels, where the genre comes from, and why you should not dismiss the pastel cartoon covers that are taking over the display tables at your nearest chain bookshop. Two disclaimers up front: I've been reading romance novels since I was a teenager, and have dedicated the majority of my academic career to them. I'm currently working on my PhD and have presented/published several papers about the genre; I know what I'm talking about! Secondly, all genres are fake. They're made up. But we use these terms and definitions in order to describe what we see and that's a very important part of science, including literary studies!

The most widely used definition of "romance novel" to this day is from Pamela Regis' 2003 A Natural History of the Romance Novel, in which she states that "A romance novel is a work of prose fiction that tells the story of the courtship and betrothal of one or more [protagonists]."* People also refer to the Romance Writers of America's "a central love story and an emotionally satisfying and optimistic ending" and another term you will see a lot is "Happily Ever After/Happy For Now," which posits that the protagonists must be in a committed and happy relationship at the end of the novel in order to count as a romance novel. That's it. That's what a romance novel is.

Of course it's a bit more complex than that; Regis also posited the Eight Essential Elements which describe the progression of the love plot over the course of the book, and there's a similar breakdown from Gwen Hayes in Romancing the Beat that is intended more as writing advice, but both of these are really useful for breaking down how this narrative structure works. My personal favourite part of the Eight Elements is that the romance opens with a definition of the society in which the protagonists exist, which is flawed in a way that oppresses them, and then the protagonists either overcome or fix it in a way that enables them to achieve their HEA. A lot of social commentary can happen this way!

It can also be a bit difficult to pin down what exactly counts as a "central love story" because who decides? A lot of stories have romance arcs in them, including dudebro action movies and noir mystery novels, but you would never argue that the romance is the central plot. A lot of romance novels have external plots like solving a mystery or saving the bakery. A useful question to ask in this case is whether the external plot exists for its own sake or to facilitate the romance: when Lydia runs off with Wickham in Pride & Prejudice, it's so that Lizzie can find out how much Darcy contributed to saving her family from scandal and realise her own feelings for him. The alien abduction in Ice Planet Barbarians happens specifically so the abducted human women can meet and fall in love with the hunky aliens. There are definitely grey areas here! Romance scholars argue about this all the time!

I have a suspicion that a lot of people who responded to the post I linked above are not actually romance readers, which is fine, but it really shows the lack of understanding of what a romance novel is. I have a secondary suspicion that the way we have been talking about books has contributed to this miscategorisation in a lot of people's minds, because especially with queer books we will often specifically point out that this fantasy book is f/f! This dystopian novel has a gay love story! This puts an emphasis on the romance elements that are present in a book when a lot of the time, the romance arc is just flavouring for the adventure/uprising/heist and we are pointing it out only because its queerness makes it stand out against other non-queer titles. It makes sense why we do this, but there is SUCH a difference between "a sci-fi book with an f/f romance arc" and "an f/f sci-fi romance." I could talk for hours about how the romance genre has evolved alongside and often in the same way as fanfiction and how there are codes and tropes that come up again and again that are immediately recognisable to romance readers, even down to phrases and cover design, and how romance is an incredibly versatile and diverse genre that functions in a very specific way because of that evolutionary process. The same way that dedicated fantasy readers can trace the genealogy of a given text's influences ("this writer definitely plays a lot of DnD which has its roots in the popularity of Tolkien, but they're deliberately subverting these tropes to critique the gender essentialism"), romance readers are often very aware of the building blocks and components of their books. These building blocks (that's what tropes are, lego pieces you put together to create a story!) often show up in other genres as well, especially as part of romantic arcs, but that doesn't make every book that features Only One Bed a romance novel, you know?

Romance is an incredibly versatile and diverse genre and I really highly recommend exploring it for yourself if you haven't. I personally read mostly Regency/Victorian historicals and I've been branching out into specifically f/f contemporaries, and there are so many authors who are using the romance framework to tell beautiful, hard-hitting stories about love and family while grappling with issues of discrimination, disability, mental health, capitalism, you name it. The genre has a very specific image in a lot of people's minds which makes them resistant to it and it's not entirely unjustified, but there is so much more to it than Bridgerton and repackaged Star Wars fanfiction!**

*the original text said "heroines" but Regis later revised this. There is a very good reason for the focus on the heroine in the first couple waves of romance scholarship, but that's a different post!

**neither of these are a bad thing and part of that genealogy that I mentioned earlier.

#dottie rambles #romance on main #romance novels #dottie academes

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cazzyf1 · 2 days

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The other day on my tiktok I created a simple post about how James Hunt is more than just the Playboy persona that is associated with him. This flew over someone's head who commented about how he was a Playboy. I responded explaining the point of the video but instead they doubled down saying that James didn't care about F1 only about partying.

So today I went through some of my books and gathered a load of quotes to show the James Hunt that most people do not know about, the one outside of the Playboy perception. I've posted it on tiktok but figured I'll upload it here as well so the true James Hunt can reach more people and slowly we can dismantle the reputation 'Rush' gave him ❤️

TW: Depression, unhealthy coping mechanisms/addictions

When you think of James Hunt you think of the 'playboy'. The guy who partied, drank lots, took drugs and slept with lots of women. Its true he did that, and a lot but to dismiss him as just that is wrong. He was a good driver, a person who tried his best, a kind man who cared for human & animal rights.

The next few slides I've compiled quotes from a few books and website to show what kind of person he actually was and what he went through in life and that less people will dismiss him as just a Playboy.

James Hunt's first marriage was rocky because James was already very involved in his addictions and he knew he didn't love Susy because he felt that he wasn't capable of love. But he felt responsible for her and wanted to look after her. Here is his own opinion from his book ->

"It was really THE problem. I thought that marriage was what I wanted and needed to give me a nice stable and quiet home life, but in fact it wasn't and the key mistake was mine. I really wanted to go racing on my own, and it wasn't much fun for Susy to sit at home and wait for me all that time. It was also a terrible hassle for her to come racing because race meetings were probably the most relaxing time in my schedule. The rest of the time you tend to be leaping on aeroplanes once a day and that made it even worse because it's bad enough organizing one person to get on an aeroplane. Organizing two gets to be twice as much hassle. It got to the point where it was a problem for Susy to come travelling and a hell of a deal for her to stay at home. It was making life miserable in the extreme for her and since I felt responsible for her it was making me miserable too. So we had agreed to split up and then Richard Burton came along and solved all the problems. We had had an immensely successful marriage because I learnt an awful lot about myself and life and I think Susy did too. We all ended up happy, anyway, which is more than can be said for a lot of marriages" - p14 Against All Odds

Much is said about James Hunt and the ladies he kept company, and without knowing anything about James you might assume the worst, but here's some quotes about what he was actually like with the ladies ->

"I don't usually have sex before a race because I am very definitely concentrating -I find that it is the communication between two people that makes it worth- while, and before a race I am pretty uncommunicative. However, if say I have an hour or so to spare before dinner on the night before a race then I can enjoy the physical release. But I will only do it with someone who is fully understanding" - p15 Against All Odds

"He was always attentive to his partners needs. Indeed much of his satisfaction came from giving pleasure. The only problem, some of them confessed, was that his desire to please often out-stripped their needs" - p264 James Hunt: The Biography

"I was sure he was gay, because he never made a move on me for so long" - p278 Jane Birbeck, long time partner, James Hunt: The Biography

"He missed the actual skirmish - he was inside getting drinks at the bar - but had to be forcibly restrained from going after the policeman who hit his girlfriend" - p284 James Hunt: The Biography

James Hunt had many affairs in his time, because he had become an addict to many things including women (more on this later) He was aware of his and it plagued James that he couldn't control it ->

"One evening she returned to their London home to find James in tears. He was tormented by feelings of guilt caused by his lust for other women. He confessed the full extent of his unfaithfulness, that it was unfair to her and that for her sake they couldn't remain a couple. It wasn't that he was bored with her, but that his desire for other women was insatiable and uncontrollable. He held Jane in his arms and they both wept" - p320

One thing that helped James in his life time was his love for animals especially his pet dog Oscar. Here are some quotes about his love for animals and how far he would go to help protect them ->

"I think in a way Oscar was the child James never had at that stage. He was a remarkable dog, no question, but James thought a lot about animals and their requirements and was very concerned about their needs. He gave Oscar the very best treatment and also was keenly intrested in the welfare of other dogs. He would look at a dog, wonder if it's owner was treating it well and bringing it up properly and if the dog was getting everything out of life that it could" - p281

"Before he came to know James better, the journalist Nigel Roebuck was pleasantly surprised by an incident involvinged stray dog. It was late in the evening after a Grand Prix and tha teams were packing up to leave when James, while talking to Roebuck, saw the dog wandering around the paddock, shiver-ing and obviously very hungry. Roebuck, also sensitive to the needs of an animal in distress, went with James to several of the team motorhomes where they got food and fed the dog. But that wasn't the end of it as far as James was concerned. He insisted that they should take the dog up to the race control centre.

Roebuck: 'He took the dog in there and would not leave until he was sure it would be looked after. James actually made this official sign a piece of paper saying he would take care of the dog and see that it was housed and properly cared for. I was very impressed with this. James was probably one of only a handful of people on this entire planet who would even give that sort of thing a second thought." - p281

"He also thought the wild animals residing on his estate should be left alone. If vermin had to be controlled it should be done in the most humane way possible, and he strongly dissaproved of blood sports. The very thought of fox hunting he found horrible and he vowed not to allow it on his property" - p308

James was also incredibly caring towards the young people in his life such as his sons and his younger siblings. Here’s an extract from his first GF about James and his siblings ->

".. the way he expressed his concern for the emotional youngest members of his family:

He really enjoyed looking after them, and just seeing the way the behaved with his little brothers and sisters you knew was instinctive in him. He was always going to be a good father.

One evening he invited her home where he was babysitting Jo Jo, Dave and Tim. When James had tucked them in he left Ping to read them a bedtime story. When Ping came downstairs James asked her if she had helped them say their prayers. When I said no, James said: "Right. You've missed out hugely there. Come on, we'd better go and do it." So they did. His attitude was that he was taught to do that by his parents and it simply had to be done.'

But he also practised what he preached, and he believed in the power of prayer. In the troubled years to come James would pray to God for strength and help, and he eventually passed on the bedtime prayer ritual to his own two boys, to whom he became completely devoted.

During his time with Ping he had talked about having children, and she thinks fatherhood earlier in his life would have prevented James from sinking into his period of decadence.

I felt so sorry for him then because I knew underneath it wasn't the real James doing this. I think he was trying to make life happy, the wrong way. If he had settled down earlier, had a more normal home life with children of his own when he was younger, one could have seen a totally different James.' - p26

James Hunt cared for human rights especially taking a stand against the Apartheids in South Africa. The Apartheids in short was a system of racial segregation. In protest most sports were not going to South Africa but Formula One still was, and James Hunt made it clear his thoughts

“We were once covering the South African Grand Prix during the days of apartheid. All of a sudden, and for no particular reason, he launched into an attack on apartheid.

“It was nothing to do with the Grand Prix, nor would it do British-South African relations any good. Our producer pushed a piece of paper across saying: ‘Talk about the race!’

“And then James blurted out on air: ‘Thank God we’re not actually there!”

But simply calling out Apartheid on the air wasn’t enough for Hunt. He sought to have his race commentaries blocked from being broadcast in South Africa, but was unsuccessful.

When that didn’t work, he instead — and secretly — gave financial support from his income as a race broadcaster to groups struggling to end Apartheid in South Africa."

"His deeply compassionate and loving nature was something that, unfortunately, wasn't adequately conveyed to the public, who only ever heard about the sensational side of James Hunt" - p282 John Watson

As mentioned earlier James Hunt was an addict. His playboy lifestyle was his addictions and this is all rooted back to the fact that James Hunt had depression which grew stronger and stronger. He relied on his additions to get rid of his depression which meant he kept doing more and more. Here are some quotes about his struggle with it and eventually how he overcame it ->

"At home James became increasingly introverted, uncommunicative and reclusive. He gave up golf and spent more and more of his time in the aviary tending his budgies. While the parties continued he would often leave the guests to Sarah and closet himself in the aviary for hours on end.

It became obvious that James was very troubled, but only Sarah and his closest friends knew the full extent of the anguish and despair James suffered during his bouts with what he called his 'dippers'.

Black dog' was the term Winston Churchill used for the recurring 'depressions which afflicted him throughout his life. Bubbles Horsley thinks James was 'born with a "black dog" on his shoulder. His racing pushed the "dog" away far enough so that it was no longer visible. But underneath that wonderful joie de vivre, the laughter and enjoying life, he was given to black moods. He was fearful of them and maybe it was that fear that drove him on. Perhaps without it he would never have been World Champion.

'And I think after the initial "honeymoon" of retirement from racing the black dog came and sat on his shoulder and wouldnt go away. So he became more fearful and sought distraction in various ways, through sex and drink and drugs and rock and roll, as it were." - p323

"At home Sarah watched her husband's condition worsen and desperately sought to help him. She thought his depressiond might partly be due to a chemical imbalance that James was born with, a theory that James explored himself. Then, too, to keep his dippers at bay he consumed too much alcohol and marijuana, both of which can temporarily bring relief but over the long term on have depressive effects.

Like others, Sarah felt that another reason for his 'dippers' might have been because he cut off his emotions early in his life and never learned how to open up to people, or to need them. He was essentially a lonely man and his inability to form close relationships made him despair. His depressions further deadened his feelings, and when he was unable to respond emotionally to marriage and children he grew progressively more despondent.

Sarah: 'He was at war with himself. His depressions became Intolerable and towards the end he stopped trying to fight them coming on because he knew they would take over for two days or week. His face would go black and he would take to his bed and stay there, even on Christmas Day. He'd gone to bed two days beforehand and we had Christmas stockings for the boys. I said, Come on, Beast, the boys are waiting." And he said, "Beast, i can't do it." And he was crying" - p333

"When James felt a "dipper" coming on he would go on two- or three-day benders, mostly drinking vodka. He would just keep going and going, which was always a bit terrifying, and after these deep, dark blank days he would suffer real self-loathing. He could forget his trouble with drink, but it always came back.

For many years trying to get rid of his depression was his major concern, which is why he got the budgerigars. He thought it would be such a huge amount of effort that it would distract him and they became an obsession rather than a hobby. He would sit in the aviary for hours, but he would come back still in the grip of gloom. And for a long time he was so down it was very hard to even converse with him." - p326

"He tried different treatments acupuncture, Chinese herbal medicine and looked into every possible theory. He went to different healers, therapists, psychologists, psychiatrists, psychoanalysts, the lot, to try and find the root of his depression. And in the end he cracked it" - p337

"He began to become more diet-conscious and to eat healthy foods. He also consumed information, in books and magazines, on overcoming addictions, and sought more professional help.

He knew he should stop smoking cigarettes and reduce his marijuana consumption, and he told some friends he thought he might be an alcoholic. He worried that his need for women was another form of addiction and feared he might contract AIDS and infect someone else.

John Hogan: 'So he stopped it all. Straightened himself out by absolute willpower. The strength of character of the man enabled him to get out of it. He cut out the cigarettes, the dope and drugs. the booze and the womanising and his sense of priorities became more well-balanced.' - p338

As he started healing himself of his addictions he became serious about F1 again. He always cared for the sport, doing everything he could to race when he was younger and now though he was retired he still commentated and took part in other ways to stay close to the sport ->

"James became serious about strengthening his position in the media side of Formula 1 racing. He took on an internationally syndicated newspaper column and spent many hours gathering information for it. Working with a journalist he applied himself conscientiously to making sure that every word was written to his satisfaction" - p338

James started to heal his relationships as well, becoming an amazing parent to his two boys and finally meeting a woman who helped him feel loved and be able to love after so long of not being able to ->

"The boys were real handfuls to look after but he was awfully good with them and he really fathered and mothered them extremely well. He was always up early in the morning cooking their breakfast and then the four of us would go off salmon fishing. James would fish properly and I would fool around fishing with the youngsters. And then in the evening we used to settle down and he would tell them stories." - p343

A letter James sent to his girlfriend Helen:

"I went to the parents' 50th in a totally negative frame of mind, feeling very much an outsider and wanting the floor to swallow me up. As the day went on, although I remained 'out- side', I could see and feel lots of generous, undemanding love around me. Something changed for me there with my family. Everyone was exuding love and I saw the wonder of it and want to be part of it, but firstly with you.

I realise now that the feeling of not being loved as a child made me close up to any incoming love projected onto me. I do see that I cannot live on without love. You brought it home to me when you pointed out how well I'm doing with the boys. Well I have had to work at that and I've got better at it and I have to do it with you. You are the girl of my dreams. Without you I have no future. I want to make you happy and continue to do so until I die.

All my love for the love of my life,

James"

- p350

Finally James was happy. He was healed from his addictions, in a healthy relationship, had two lovely sons and a job he loved. And best of all he was able to be open with Helen ->

"James confessed to Helen that he was unable to be faithful to anyone in the past because sex was for him just another addiction and he needed women to get his highs. He disliked social gatherings and only had parties or went to them to pick up women. Helen was willing to forgive and forget what went on before, but told him she wouldn't tolerate it in their relationship and he agreed to be faithful to her." - p350

Helen went away on a girls holiday before her and James were going to start trying for children. James proposed to her over the phone on the holiday to which she said yes. But she would never see her finance because he passed away from a heart attack. Unfortunately the previous life he lead caught up to him.

Thank you for reading all of this and I hope you now know more about James Hunt than you already did! It's sad that James is best known now for his unhealthy coping mechanisms for his depression, especially with the film 'Rush' romanticising it. But even if just one person reads all of this it means one more person knows the truth of James Hunt and that makes it worth it ❤️

#classic f1 #f1 #formula one #formula 1 #vintage f1 #james hunt

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bumblebeehug · 1 day

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Nursing home au… Natsu and Lucy meet as old people, Lucy lived a life of regret and wishes she had lived more — she always wanted to write a novel. Natsu, who’s captivated by Lucy’s eyes and her big personality, and the way she’s friends with everyone in the building, he tries to impress her by telling her all of his great adventures. Some are exaggerated, but they’re never lies. Lucy loves it, she often sits and waits for him at every meal so he can tell her more stories. In fact, she gets so inspired that she starts outlining her own adventure — written this time, with her in it (it’ll naturally become the Fairy Tail as we know it hehe).

They spend their days like this, but at some point Natsu gets curious about Lucy’s life: how did a pretty, successful woman like her end up in a nursing home alone? Lucy tells him, though she prefaces it by telling him that her life wasn’t nearly as fun as his: she grew up rich, her father fixed an arranged marriage for her as soon as she turns 18, and she spends her youth learning all about her husbands business. She admits that it wasn’t a happy marriage but it was civil and she had a child with him. She, however, refused her father’s traditional treatment. Her daughter was to see the world, experience all the things she never got to see. By the time her child was an adult and moved out, her husband died. Young, sadly, but in Lucy’s horror she realised that for the first time ever, she was free of worry. So she spent her time dedicated to growing her late husband’s business, and one day she got a letter from her daughter that told her all about her new family on the other continent. They seemed happy, but Lucy didn’t know their language so when she realised that she had a hard time managing normal household tasks, she left her mansion and went to this nursing home. Surprisingly, she tells Natsu that it’s now her life really felt like it started. No longer chained to her past, talking to people in a normal manner, hearing the amazing lives other people led — she even sneaks in that she wanted to be a journalist for a while, but that she never got around to it.

In return Natsu told his life story. He too had a rough start, abandoned in the woods and picked up by an odd community, but that he quickly found ways to make pocket money. When he had his money he realised that there was nothing stopping him from seeing the world — and that he did. He admits to never actually finding anyone to settle with, other than this cat he had in his youth, but that he had a couple of flighty romances before he went on to the next place. That if there’s anything he regrets it’s not stopping and smelling the flowers. He feels as if he was running from something his entire life, from commitment. But in the end his body begged for mercy, and after a couple of friends’ coercion he agreed to finally land. Nursing home it was.

Lucy felt for him, she really did. She had used her business to escape her world, too scared to leave it completely, but too fed up to feel attached. Natsu knew that she would have switched places with him in a heartbeat, but he also knew that he had wanted to meet her earlier. Maybe if they met as young he would have settled down. He could have appreciated the slow life, the type of life where he came home to a safe embrace and warm food on the table, and in exchange he’d bring her to as many adventures as she wanted.

One day the workers find that they’ve both passed. Likely at the same time. As they clean out Lucy’s room they find a note, written in Natsu’s old, shaky handwriting: “let’s go on adventures together”.

#woah I got carried away #but just imagine them living a whole life without each other in regret #and then they meet and share their lives and suddenly they can’t believe there’s been a time where they didn’t know each other #and the agree to go an all kinds of adventures in their next life #soulmates that were a bit too late #soulmates in the afterlife #fairy tail #lucy heartfilia #natsu dragneel #nalu #fairy tail nalu #nalu headcanon #fairy tail headcanons #modern au

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nyaagolor · 11 hours

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Once again I have Rosa Umineko on the brain. We know that the VN is just saying doing "self reflection through the other" all the way down, but I feel like Turn (aka Sayo's vent session) and the way she characterized Rosa is really reflective of her darkest thoughts. All the matriarchs represent being trapped in different cycles, self-inflicted or otherwise, but Rosa stands out to me among them for being the best representation of inevitability. Rosa's abuse of Maria is visceral, upsetting, and more importantly tied directly back to her own abuse at the hands of her siblings.

Rosa in Turn is a cog in the cycle of abuse, and probably the character portrayed as the least likely to actually escape from it. Maria is the witch of origins, creating something out of nothing, but Rosa is the witch of inevitability. Rosa has been abused to a degree that Sayo struggles to articulate, only to enact that same abuse-- almost identical as shown in the manga-- on her daughter. Rosa is (allegorically speaking) Sayo's worst outlook, the inevitability of passing on hurt to the people you care about.

As far as Turn is concerned, Rosa is destined to enact violence. She represents someone so beholden to their trauma that they are doomed to repeat it. Rosa is an exploration of Sayo's worst, most violent impulses. There is a reason that Turn is filled with gore and mistrustRosa, to Sayo, is an inescapable fate. Rosa is the person who couldn't move on from trauma, someone doomed to pass it on to everyone they love, a child in a woman's body who cannot be more than the violence inflicted on her.

When Sayo starts writing, she feels like Rosa-- and Rosa has never been someone that could have a happy ending. Sayo always tried to tell her stories through other people, to explore herself through their narratives and have everyone start to understand her through empathizing with the women she makes heroines. These narratives also serve as ways to understand herself, to reflect her own traumas and deepest feelings onto other people and learn how to feel about herself via proxy. That's why I always found it fascinating that Confession effectively confirms Turn to be one of the first things she writes.

Rosa is Sayo's capacity for violence, her hopelessness, the crying child she sees inside of herself. Rosa is a representation of a Sayo who can't heal-- who doesn't know HOW to. But this is one of the first people that Sayo tries to explore, to empathize with, to find herself in. Sayo has always been writing with the idea of a happy ending-- maybe they can solve the epitaph, maybe they survive. If Rosa can be happy, Sayo can be happy. But we know how Turn ends: she can't. Gold in hand, the person she loves most in her arms, she falls to the sea anyway.

Turn, to me, has always been the rawest feelings we've seen from Sayo. This is her writing her own pain, trying to find happiness in the person she sees as an inevitable monster. In the end though, she can't-- the wolf is doomed to kill by its own nature

#umineko #umineko spoilers #rosa ushiromiya #sayo yasuda #mod vex #textpost #meta #analysis

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oswildin · 14 hours

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Debated making this, but oh well, here we are…

I rewatched the Loki series.

Going to add here quickly that I have been a fan of Loki since 2012/2013, and I personally relate to his character for a multitude of reasons.

Now, I enjoy the series, but I wish they made it more character focused than they had. I do feel like they prioritised story in terms of making it fit the next phase over exploring and expanding on Loki’s character to some degree (a lot of it was surface level).

For example, I would’ve loved to have seen:

Exploring Loki’s Jotun heritage, even if it was a variant of him in the void that embraced it, dropped his aesir form, a conversation between Loki and his Jotun variant as they explain why they chose to embrace it, giving a different view to maybe how our Loki sees himself/the Jotuns. If ‘What If’ could have a frost giant Loki variant, why couldn’t the show?

Expanding upon what happened to Loki during that year after his fall from the Bifrost. The reason for this is self explanatory really, it would add more lore/depth to his experiences/actions during the Avengers. Maybe address the trauma he has from it.

Loki fighting with his so-called ‘desire’ for a throne more. By this I mean, I felt he flipped pretty quickly from his plan to overthrow the time keepers to just following along with Sylvie - which is fine, but I kinda thought there would be more push back from him. I get it was a life or death situation and Loki’s whole thing is ‘survival’, but it would’ve added to their dynamic and the fact the writers clearly wanted to push how Sylvie was different to other Loki’s.

Exploring Sylvie’s backstory more. It really did feel like it was an afterthought, which is a shame. I suppose they left it ambiguous for certain reasons, but I think they should’ve had more flashback scenes of what Sylvie could remember. I think it would’ve helped people understand and relate to her more. (I do love her though).

Actually showed Loki’s gender fluidity & shapeshifting ability more. Again, self explanatory really & important to his character, plus the whole implied only ‘woman variant’ thing with Sylvie should’ve not been a thing, like at all.

They should’ve given Loki more time to process everything. This show really should’ve had 8 episodes each season, I get that’s not the writers fault, likely Disney/marvel’s doing. Perhaps then the shift in his character wouldn’t have felt so jarring, especially considering he’s 2012 Loki. I do agree they wrote him as if he was Ragnarok!Loki, and that’s not necessarily a bad thing, but it just felt jarring considering the last we saw of this Loki was Avengers. But then I could also argue that maybe he thought ‘what’s the point of it’ because the TVA know everything about him, but I digress.

Used Sylvie more in S2. It did feel like they didn’t quite know what to do with her, her and Loki clearly just needed to sit and discuss the citadel fight, but the closest thing we got is in EP3 where Sylvie says ‘this is all rather familiar, isn’t it?’, referencing their different/opposing opinions on the TVA/He Who Remains. And also maybe the pie room scene, but it’s very vague/not directly addressed.

Explored the fact that Mobius is not a good guy more. Because, he isn’t. And that’s okay. To me, the whole point of the show is based on Loki’s quote of ‘no one good is ever truly good, and no one bad is ever truly bad’, and whilst they do reference Mobius’ own morally grey actions/traits, they don’t particularly make it clear and most just see him as this ‘happy go lucky old man who likes pie and loves Loki variants’. In fact, I actually really liked the scene where Sylvie confronts him - which is a very unpopular opinion to have it seems, lol.

Delved into the psychology of Loki further than surface level/what we already know about him. Yes, we know he’s the God of Mischief. Yes, we know he isn’t evil. Yes, we know he is redeemable. Yes, we know he’s cunning, manipulative and selfish. We get that he projects this ‘illusion’ of himself, but it was only really mentioned in S1 EP1, maybe slightly EP2, before it’s never really mentioned again. I suppose S2 does this to a degree with the bar scene and EP5 of S1 in the time cell with Sif - also I think they tried to take the narcissist angle from the pov that it’s because of his low self-esteem as to why he needs validation and it’s a defence mechanism, but they didn’t particularly make that clear and made it seem like he just thinks highly of himself.

I know it seems like I have a lot of issues with the show, and I do, but I still enjoyed it. It’s okay to be critical of a piece of media and still enjoy it.

I do prefer S2 to S1, mostly because I prefer the direction they took it in and whilst I, of course, wanted better for Loki, I can’t deny S2 EP6 is a stunning finale. I sobbed so hard during the ending and still feel the grief that I actually lost someone I knew personally. But I also have hope that this means Loki is now a main player in the next phase (am I delusional? Maybe).

I enjoyed the dynamics, the back and forth/chemistry, the story was interesting, the set & costume design, the acting, the directing/colour grading, the music (Natalie Holt, you are genius), the emotions, the fun, the characters…

So this is not a hate post by any means, I will once again state, I enjoyed the show. But, I do have issues with it, and that’s okay too.

Please, dni if you’re just going to be argumentative or confrontational. I also don’t want to hear that just because I enjoyed the show that I’m ‘not a real fan’ lmao. I’m sorry, but I’ve been a Loki stan for over a decade, and I will not have someone tell me I’m not a real fan because of a piece of fictional media. Also, please do not mention anything regarding ships on this post, I do not care for it because it always ends up in arguments and I am a multishipper so I don’t tend to fight for any side. Thank you! :) /gen

#loki #loki laufeyson #loki marvel #loki mcu #loki series #media critique #marvel #mcu #loki disney+

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weirdsht · 3 days

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(Un)Attainable - Alberu/Fem! Reader

notes: the og prompt for this was suppose to be super angsty, but I'm not so mean that I would make you guys cry the second I have the time to write. Also I notice a lot of people are using "Alver" now but I just can't, I'm so sorry huhu

tags: female reader, vague novel spoilers, forbidden love(?), lovesick Alberu if you squint

English isn’t my first language so there will be grammatical errors

Pls don't repost my work anywhere without my permission

Constructive criticisms and any kind of interaction are more than welcome

Requests are currently closed but my ask are still open (read pinned)

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Alberu’s first priority will always be the Roan Kingdom and its citizens. He will always put the welfare of his people before his own wants. Alberu is the type of crown prince who is willing to play as the villain just to see his citizens prosper. Even when no one will be able to appreciate his sacrifices. All for the sake of his selfish desire to see his people thrive.

That’s the simple fact the people around Alberu know.

They know that he has no time for love. No time to indulge in such things when he has a kingdom to run. Alberu Crossman has said so himself several times in the past.

But oh, what is this feeling blooming in the crown prince’s heart? Could they be feelings of romantic affection?

Could the prideful prince be eating his own words of not taking in a spouse in the future?

Maybe, or perhaps not.

He does know one thing though…

It’s the fact that he's charting into dangerous territory.

Not only was he dumb enough to fall in love. That wasn’t enough.

No no no

The quarter-dark elf was stupid enough to fall for the one person he couldn’t get.

Adin’s fiance, the soon-to-be crown princess of the Mogoru Empire. The empire of the Sun God Church. The one place where his chances of his dark elf bloodline being discovered is higher.

But can anyone blame him and his beating heart? How could he not fall when she’s so sweet, so ethereal?

So undeserving of that bastard Adin.

She was so good. So kind, so strong, so smart, so compassionate.

And Adin was… a scumbag, for a lack of a better word. Someone undeserving love.

Despite that, Adin was still her fiance. Adin and not Alberu.

“I’ve known him since we were kids. Our engagement had been decided from the moment the emperor found out I was a girl. They said I was the perfect wife for him. That I can strengthen the royal bloodline.”

She had confided one night. Her dignified yet soft voice had a tinge of longing in it. As if longing for the life she could’ve had outside of being Adin’s bethroed.

“Your Highness [Name] has your time with Prince Adin made you grow some affection for him?”

Alberu hopes that the answer is no. That despite the headstart Adin had, [Name] hadn’t fallen for his charms.

That instead she’d fall for Alberu’s charms.

He’s the better choice. He could give her so much more than Adin could ever. Alberu will make sure that she will have the chance to showcase her talent to the world. He will make sure to treat her like the princess she is. This crown prince won’t treat her as if she’s a mere trophy whose sole job is to be bragged around.

[Name] was so much better than that.

She has wits that can help run a kingdom. She has the compassion for her citizens. The heart that screams and begs to aid her people. She has a strong persona that has so much more use than just being shown around to nobles.

Alberu Crossman can see that she’s worth more than Adin displayed her to be— no, in fact in Alberu’s eyes she’s worthless. No system of measurement can gauge her worth.

“No amount of time spent with Adin can make me grow affection for the man. Whether it’s platonic or romantic.”

The quarter-dark elf almost let his shoulders sag. He was so relieved that he nearly conveyed his true feelings.

He has a chance– Alberu Crossman actually has a chance..!

Alberu was so happy that he nearly didn’t catch [Name]’s next words.

“That man is so awful, hence why no amount of time with him can make me tolerate him. But I’m sure you already know of such things. As a matter of fact, my trusted handmaiden is on her way to make negotiations with your dear commander.”

Roan Kingdom’s rising sun had to double-take, unsure if the words he was hearing were correct.

“I’m not as dumb as the world thinks of me.”

Alberu must have had a stupefied look on his face for the lovely lady in front of him to make such a comment.

“No, no my lady, that’s not what I meant. I am well aware of your wits and capabilities. It’s just that my commander and I had been ready to do everything in our power to turn you over to our side.”

To turn you over so that you’ll be in my arms instead– of course, Alberu said no such thing. Only letting such degenerative thoughts run through his mind.

“My lady is highly intelligent, highly perceptive. You are also close to Adin, you are a core player in taking such a man off his high horse.”

[Name] had an incredulous look on her face. Like Alberu was flattering her too much. However, he wasn’t. The poor prince had only been telling the truth.

“I didn’t think that the future king of the Roan Kingdom was one to… get brownie points.”

“You wound me, my fair lady. I was merely stating the truth. Nonetheless, since we’re on the topic… do you mind people who try to get brownie points?”

Alberu isn’t sure where he got the guts to be so coy. But he was glad he did because [Name]’s expression was better than he’d hoped for.

“Hmm well, I guess I don’t mind. If it’s from a silver-haired prince maybe I wouldn’t entertain it. Luckily, blonde seems to be my type… or was it brown?”

[Name] had a knowing look on her face and oh god can Alberu fall any deeper. He should be scared, should be nervous that another person seems to know his secret. But no, instead, he feels himself falling deeper in love.

“Don’t worry your highness your secret is safe with me. I wouldn’t do my potential lover dirty like that.”

Yeah… safe to say that Alberu’s in too deep now.

#trash of the count's family #lout of the count’s family #tcf #tcf x reader #lcf x reader #tcf fic #manhwa x reader #lotcf #totcf #alberu crossman #alberu crossman x reader #alberu x reader #x female reader #x fem reader #female reader

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justalovelyblackgf · 3 days

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BEING NEIL FAK’S

GIRLFRIEND

HEADCANONS

pairing: neil fak x blackfem!reader

fandom: the bear (2022—)

i feel like no one really writes for fak and i love him as a character, so why not?

summary: neil fak has a girlfriend, but the guys think he’s bullshitting until she shows up for the opening night of the bear.

contains: lots of words, fluff, richie being richie, cursing, two people who love each other, hating ass motherfuckers, insecurity, fear of rejection.

• it was 2 weeks before the bear’s grand opening.

• neil, carmen, richie, and marcus were all having a smoke break outside in the back just kicking it.

• the guys were talking about various topics until carmy started asking for relationship advice.

• of course richie and marcus are putting in their two cents until they hear….

• “to be honest my girlfriend and i wouldn’t even have to go through that shit. we’d just talk it out and stuff our face afterwards! you and claire bear should do the same.”

• there was a deafening silence from the other men because that came from…fak. neil fak!

• what the guys didn’t know was that neil fak has been in an relationship with you for almost 2 months now. he’s been keeping it under wraps because he knew the guys would shit on him for it, but he had to come clean eventually. you always raved about him to your friends because you’re proud of the adorable, loyal, hilarious neil fak, so why shouldn’t he show the same energy?

• he was still a bit in denial that a woman is actually…attracted to him.

• marcus is like “whoa whoa whoa. hold the fuck up. fak…you got a girl?” he genuinely questioned. now, he was curious!

• carmen was confused as well, but he shrugged it off tbh. as long as fak was happy with someone he genuinely connected with.

• richie doesn’t hesitate to think it’s straight up bullshit. fak can’t talk to a woman without crashing out or making a bumbling fool out of himself. let alone being in a relationship!

• ouch! harsh, richie. fak inwardly cringed because he genuinely thought the same thing. he never really felt like he was good enough for that type of thing, but that sinking feeling disappeared at the thought of you when marcus asked how’d you guys met and got together.

• neil could recount that day a million times if he had to.

• you were living it up in your new apartment until your damn refrigerator broke. you didn’t want to go through the hassle of ordering a whole new one, so before doing that you decided to have someone to fix it.

• the only person you ever make an interaction with is your best friend, sydney adamu. you’ve been hyping her up as she goes through the trials and tribulations of rebranding the former restaurant known as “the original beef” to a new type of place.

• you called her up and explained your dilemma.

• “hey, syd. i got a stupid question.”

• “there are no stupid questions, (n/n).”

• you both chuckle at your inside joke, before informing her about the broken refrigerator and asking if she knew anyone who could fix it without charging an arm and a leg.

• “i might know a guy…he’s a bit of a character, but he’s got a heart of fucking gold and he mainly gets the job done. his name is neil fak, but we just call him fak at the restaurant. i’ll see if i can get him to come by tomorrow to look at it. if not, i’ll beat the shit out of him by denying my best friend’s broken fridge.”

• syd’s dry and chaotic humor never fails to make light of the shittiest situation. you quickly agreed because there’s no way you’re gonna let your food rot.

• the next morning, syd sent you a text that fak has accepted the job. you silently cheered and replied by sending her a time and your address to pass on the message.

• fak had been approached by sydney for a side job in the city. he accepted without any question because he could use the extra cash! he told sydney he could go over to your place asap once he knows the time and place. sydney did just that before he gathered all of the necessary equipment before making his way towards your home.

• he went up the stoop and pressed on the doorbell and waited about 10 seconds before he was beheld a vision. a vision with the most alluring, brown eyes and deep bronze toned skin. your natural hair was in the style you desired to be and it looked amazing! not to mention your inviting smile and melodious voice when you introduced yourself.

• “hey! you must be neil fak, right? i’m f/n l/n, i’m a friend of sydney’s.”

• you held out your hand for him to shake. to say that neil was nervous was an understatement. he stammered a bit before getting himself together, giving you an introduction of himself and shaking your hand. something occurred as you two touched hands. fuck, fuck, fuck! he thought as that touch alone made him feel— warm, tingly, safe? but what had him stressed was that his hands tend to get sweaty as shit when he’s nervous.

• “a-ah, y-yeah! i’m neil fak. just call me fak! um, so, uh, you have a broken fridge. let me say this if my fridge ever broke down like that, i personally think that i would fucking explode.”

• you stood there in silence for a millisecond before you burst out in laughter. fak took the words out of her mouth. she couldn’t deny that it was such a huge inconvenience especially to her love of snacks. “i know that’s right! you’re real for that. sydney has told me some good things about you, neil-er, fak. my bad! but seriously— i believe her when she said you’re a trip, but good people. you’re hilarious! ah, damn, i’m rambling. please come inside.” you stepped back to let him in and lead him to the issue in the kitchen.

• you couldn’t help, but catch a pleasant vibe from the mustached man that was rumbling through the inside and back of your refrigerator. as he was working, you guys just conversed as if you two weren’t strangers. you just clicked instantly!

• to some, fak may have looked like a sleaze with his loud voice, numerous tattoos, interesting fashion choices, short stature, and his bushy stache, but his qualities as a person overshadowed all of those things. deep down he’s caring, sensitive, outgoing, and sometimes he has his moments, but who doesn’t? he also wasn’t making any type of insensitive remarks or jokes (ifykwim).

• once he successfully fixed the fridge, you were so hyped that you gave that man a hug and an enthusiastic handshake thanking him for his help. you asked how much he charged and what payment method worked for him.

• he didn’t want to charge you that much or at all because your constant laughter at his stand up material was filling his heart more than his pocket. he really wanted your number, but he didn’t just want to ask for that without looking stupid, so he suggested apple pay and gave you a discount! smooth move, fak.

•you put your number in his phone, sent him the payment, and let him know that you were saving it because you would like to see him again more often whether it’d be for his services or not, so in a way you urged him to keep yours saved in his phone also.

• fak was crashing out on the inside. did you just say that you want to see him? more often? whether he’s fixing something or not?

•he kept his cool, gathered his equipment, and went on home. from that moment fak felt he found someone and someone found him. not just fixing things or cracking jokes, but for genuine company.

• from that day on, you and fak have been texting each other non-stop. checking in, sending memes, having deep conversations about the most insane topics, and laughing out loud late at night on the phone. sometimes he would come over to play a card game, watch a movie, or just kick it with some good food. you’ve never realized how much in common you and fak share. it was just the chemistry that drawn you too closer.

• ya’ll have been talking for about 3 weeks now and you can’t help but to admit that you care for neil…so much! you two are totally different people and to some, you’re built like you’re out of fak’s league. well, fuck whoever says that! looks doesn’t define who you want to spend your time with. everyone’s got their beauty. you could give 2 fucks if people talked about your connection with neil. you were just wondering if he felt the same.

• you invited him to your place to watch a jim carrey double feature of the mask and ace ventura: pet detective. you and fak have always agreed that jim carrey is a comedic genius.

• as you both sit on your couch and watch the credits roll, fak announces that he’ll leave, so that you can get some rest. you can’t sleep knowing you got these feelings and there’s this opportunity right in front of you. you hold on to his hand before he could take another step out of the door. your eyes not pulling from his. he raises his eyebrows as his pupils glint with expectancy, yet worry. he asks you if everything is okay and you swallow before you make your declaration.

• “fak…i need to ask you something. what do you think of me? do you think of me as just a friend? someone to kick it with? or someone to listen to your jokes, fears, hopes, and insecurities? am i someone that you would be proud of the way i’m proud of you? do you see more than just what’s on the outside?” you squeezed his hand.

• you paused to take a breath before you finish.

• “i don’t care what people say about our connection. i need to know because i can’t fucking take it anymore. neil fak, do you care about me the way i care about you?”

• neil was frozen. he absorbed every single syllable that came out of mouth. he has always had those same exact thoughts whether he’s helping to fix an appliance or you two are out trying a new restaurant that one of you recommended. fak thought he was too much of a chickenshit to even cross that line with you. he wanted so badly to express that you mean everything to him. you’re a fucking goddess to him and he’s just…fak. he can’t help, but get a little envious when richie, nat, and carmen had their respective partners while he was although happy for his friends, he was the 7th wheel.

•he’s calmer. he tries to see things with more of an open mind. hell, because of you he’s got a skincare routine! he feels ♾️ % with you if that makes sense. you don’t try to change him because you don’t need nor want to. you just want neil. that loveable person who doesn’t judge you. not just fak the comedian or the handyman.

• f/n…you’re so, so much more than that and i’m so fucking sorry that i didn’t say any of this sooner because i’ve been feeling like this ever since i’ve fixed that refrigerator. i want you to be happy and i want you to laugh a lot. i’ve never really been into this kind of thing before, so i don’t know what exactly i’ll be able to do for you, but i’ll always be by your side…if-if you want me to—mmph!”

•that was all you needed to hear before you pulled him for a kiss. it took him a moment to melt into it, so you started it off gentle and sweet as you wanted to take this relationship one step at a time, so you and neil would always ride the same wave together.

• after fak finishes retelling his friends how you guys came to be. they started bombarding him with all sorts of questions.

• “is she hot?” “what’s her name again?” “what does she do for a living?” “ have you guys fucked?” “do you have a pic of her?”

• fak was overwhelmed trying to answer each question except that fourth one which earned richie a whack to the head by carmen for asking some personal shit like that. “have some fucking class, will you?”

• fak refused to show any pictures you two share together. it was definitely not because he thought you were unattractive. fuck, no! you’re the most gorgeous woman he’s ever had the pleasure of breathing the same air with. like he thought before, the guys (especially richie) would think he’s got the pictures of the internet or some shit. he had a way better idea than that: he was going to invite you to opening night to watch him work and make these fuckers eat their words. he told them to watch for the girl in the red dress and the name for the table is f/n.

• 2 weeks til open has passed and the bear is now ready to welcome the community with open arms.

•everyone was shitting bricks, but they’ve worked their asses off for this vision and they can’t pussy out now.

• fak had tingles from head to toe.

• you and him usually had casual outings, so it would be the first time you saw him in his brown suit and you in that red dress you ordered from fashion nova for this event. it looked good on the model of the pic you sent, but fak’s round face flushed with red envisioning the clothing on you.

• the doors flipped open and the patrons for the first night of many are greeted by fak or richie then escorted to their tables as their meals are being meticulously prepared.

• richie’s eyes are perusing around the place before they stop on a feminine silhouette and— holy fucking shit. who is she?

• the red satin accentuated her body. highlighting every bump and curve. the dress had spaghetti straps and was low-cut, exposing the shimmering, melanated skin of her arms and chest. her hair was curled and styled to perfection as the amber hue in her pupils are made noticeable by the violet eyeshadow that was applied on the lid as well as her full lips were painted like a red candied apple.

• goddamn, she was like a fucking…real life jessica rabbit, but hotter. if it wasn’t for whoever the lucky bastard is with her, eva would’ve had a new stepmom a-fucking-sap!

• his trance is broken from a female voice. “excuse me, i have a reservation under the name, f/n. my boyfriend works here actually. i think i see him right over there!”

• cue the record scratching. richie may forget alot of things, but he never forgot when fak told him and the guys about this mysterious girlfriend of his named…holy fuck!

• the girl in the red dress. f/n. it’s you! you’re the one who stole neil fak’s heart. richie was feeling like the biggest idiot in the universe as he saw fak catch your glimpse from across the room before excusing himself from a table and power walking in your direction to take you into a loving embrace before you plant your ruby lips on his mustached ones.

• you just couldn’t help yourself! you know he’s at work, but he looks so cute and professional in his brown suit and slicked back low ponytail. he’s also wearing that new cologne you randomly gifted him and now you really don’t want to leave his side. your man, your man, your man.

• neil took it upon himself to escort and seat you at your table. he enthusiastically explains tonight’s menu with such confidence and passion as you peer lovingly at him through your lashes with a palm under your chin. if it were physically possible, you would have literal hearts in your eyes.

• don’t you just love it when your partner is in their element? he was made for this and you were so proud.

• fak excuses himself back to the kitchen to find richie already crashing out to carmy and marcus.

• “guys! it’s fak’s girlfriend. she’s fucking real…and hot as fuck! look out there at table 9, the broad in the red dress. that’s all fucking fak!”

• fak lets out an exclamation for richie to cool that shit down, but deep down he was eating it up as carmy and marcus peered out to see the hype at table 9 and what they saw had them gagged.

• marcus’ jaw dropped and his heart thumped at the sight of you. “oh…”

• carmy’s eyes looked upon you, his eyebrows raised as his cheeks fluttered with red, finishing marcus’ sentence, “shit.”

• he already felt bad considering the fact that he has a girlfriend. (not for long after tonight)

• neil grinned as the guys gave their envious, but sincere congratulations to him before they got too distracted to get back to work.

• neil fak was indeed blessed as he waved at the woman in red at table 9. his abdomen rumbled with butterflies when you waved back and blew a good luck kiss in his direction.

• yes, you were all fak, but fak was all you too.

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tr1nd2de · 11 hours

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Justice League & Captain Marvel

I was watching some fanfics about Captain Marvel with the league, and I thought what if the captain didn't lie to them?.

Usually this situation between the league and the captain is portrayed in a way where the captain lies to the league.

but what if it was the other way around, what if he decided to tell the truth or at least part of it.

In another end of the league meeting, and in another normal conversation about family and personal life.

Superman: Jon is doing well on the Titans, and is behaving himself after running away on a mission with Damien. Speaking of which, how is your son Bruce?

Batman: As always, not seeing the problem with this, he thinks he executed the mission very well, with some setbacks. But in the midst of all this trouble I'm happy that he's making friends.

Flash: My nephew Wally is doing very well at the science fair and is getting faster and faster, one day he will pass me, but what about you J'onn, how is your niece?

Martian Manhunter: She's doing well, her relationship with Conner is helping her adapt to Earth. But what about you, captain? Is there anything interesting happening in your life?.

Captain Marvel: Oh not really, my best friend has a family now so I'm just kind of lonely.

Green Arrow: Your best friend? You never told us you had a best friend. I mean, you never tell us anything about yourself.

Captain Marvel: I don't say anything about my life because there's nothing interesting to tell.

Green Arrow: Are you sure? Could you tell us where you live?

Captain Marvel: I don't have a house, I live on the streets actually.

wonder woman: on the streets!?, Where do you sleep then, I mean do you need to sleep?

Captain Marvel: I usually sleep in some abandoned building, when I'm not in a building I'm on the Rock. And no, I don't need to sleep, but I like to feel human.

Flash: Wait, do you at least have a job?

Captain Marvel: No, for a long time it was because I wasn't old enough for it, then it was because I had no education, then came the powers and wisdom of Solomon. Finally I could have a job since I know a lot of things now, but I don't wear a mask so it wouldn't work. But hey, the work of a hero and champion doesn't stop so I'm fine.

Aquaman: So you don't have a job or a home, Captain, do you have a family?

Captain Marvel: They died in an accident at work, my father, my mother and sister, they all died I'm only here because at the time my grades were bad and I got sick. I was left with my uncle who stole my parents' inheritance and threw me out onto the streets.

So I went from foster home to foster home, one worse than the other, then I ran away and lived on the streets for a long time, then I started the wizard and he gave me his powers... the end.

Captain Marvel: Anyway, I'm going to Fawcett now, my life story has been told and your curiosities have been satisfied. Have a good day.

Flash: Fuck...

#Shazam #Billy Batson #Justice League #DC #Captain Marvel DC

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autistichalsin · 2 days

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My chapter-by chapter analysis of The Hunger Games, chapter 1

Disclaimer: this and all future chapter analyses will contain spoilers for all the books.

What really strikes me about this chapter is what a masterpiece it is; a masterpiece of foreshadowing, establishing moments of characterization, worldbuilding and more, all without ever feeling like we're actually getting infodumped on. This is accomplished with Katniss's stream-of-consciousness storytelling. I've heard it criticized so much, but even aside from the very salient point that it fits her characterization as an emotionally stunted, traumatized, poorly-educated teenage girl, it still helps the story in moments like this. We feel Katniss's inner chaos, and it makes the story that much more immersive.

On to the spoilery part of the analysis:

When I wake up, the other side of the bed is cold. My fingers stretch out, seeking Prim’s warmth but finding only the rough canvas cover of the mattress.

There was a post, a while ago, that I can't find but wish I could. In it, the OP talks about how Prim is literally doomed by the narrative, not "heavily foreshadowed death," but literally doomed by the narrative, and this paragraph is the first sign, because Katniss reaches for Prim and feels emptiness instead. And re-reading this, I agree. The first thing we see Katniss do is reach for Prim, and find nothing. This time, it's temporary, but by the end of the series, it won't be. We've been warned, even if we don't realize it yet: Prim is doomed.

Scrawny kitten, belly swollen with worms, crawling with fleas. The last thing I needed was another mouth to feed. But Prim begged so hard, cried even, I had to let him stay. It turned out okay. My mother got rid of the vermin and he’s a born mouser. Even catches the occasional rat. Sometimes, when I clean a kill, I feed Buttercup the entrails. He has stopped hissing at me.

Katniss loves her sister and will do literally anything for her. Katniss also has no moral qualms about drowning kittens. With just one paragraph, we learn what a simultaneously harshly practical yet beautifully caring, loving person Katniss is. She has no room in her life for useless things like pets, and drowning strays probably helps the people of 12 in the long run by leaving vermin to be eaten by those on the verge of starvation. But her sister wants to keep Buttercup, and so she will. Katniss will sacrifice anything to keep Prim happy.

Foreshadowing. Prim is doomed.

Entrails. No hissing. This is the closest we will ever come to love.

STILL more foreshadowing, for different themes: both for one of Katniss's biggest complexes (I'll get into details about this later) and for the theme of love. Katniss doesn't truly love anyone but Prim. Her entire world, we know, is going to be shaken when she does finally feel that for someone else again. Once again, we are being introduced to the recurring themes of love vs practicality and the classic question, "how much pain is love worth?"

Katniss is going to answer this question again and again: for Prim, there is no amount of suffering too great. For others... she'll find different answers. Eventually.

My father knew and he taught me some before he was blown to bits in a mine explosion. There was nothing even to bury. I was eleven then. Five years later, I still wake up screaming for him to run.

The first hints of Katniss as a deeply traumatized girl emerge. Sometimes, when you're traumatized enough, thoughts can segue into The Event with no warning, just by proximity. And through the combination of blunted language and stream-of-consciousness leaps, we can see just how broken this has left Katniss. Unfortunately, this is only the start of Events for her.

My father could have made good money selling them, but if the officials found out he would have been publicly executed for inciting a rebellion. Most of the Peacekeepers turn a blind eye to the few of us who hunt because they’re as hungry for fresh meat as anybody is. In fact, they’re among our best customers.

A brilliant bit of worldbuilding. The Peacekeepers are working off of deeply corrupt laws, which they ignore because they too are being mistreated and systematically starved, even if they aren't as at risk as the people of 12. The system doesn't care about the very same people it safeguards to enforce its rules. This is the first hint we get that the system isn't sustainable, and it comes before we even fully understand what kind of hell this government is.

The theme of "bread and circuses" is going to be hammered down to us again and again that this is how tyrannical governments, including this one, pacify the masses. But when only the bourgeoisie are being given the bread and circuses, well.... the proletariat aren't going to take it forever.

The book hasn't shown itself to be the anti-capitalist masterpiece it is yet, but this is the first hint that we're reading a tale of class warfare.

“District Twelve. Where you can starve to death in safety,” I mutter. Then I glance quickly over my shoulder. Even here, even in the middle of nowhere, you worry someone might overhear you.

I have seen criticisms that this is an egregious case of showing and not telling, with Katniss constantly talking about the dangers of badmouthing the government while never facing them. But in truth, it's the opposite. Yes, Katniss hasn't been caught despite repeated statements that she could have, but we'll learn, here and in future chapters, that 12 has been receiving a sort of tradeoff with other districts; their more severe poverty places them below notice. No one thinks them capable of causing real trouble, and even their district specialty- coal- is later proven to be basically useless, busy-work. So they get ignored... for now. Until the oligarchs start seeing what the proletariat can actually do and crack down all the harder to ensure they keep their cheap labor.

Are you seeing the resonance with the real world yet?

Even at home, where I am less pleasant, I avoid discussing tricky topics. Like the reaping, or food shortages, or the Hunger Games. Prim might begin to repeat my words and then where would we be?

Here we see the dual themes of parentification and sacrifice. Katniss will be the adult, even though she ISN'T an adult, for her sister. She will keep quiet on things that hurt her, and upset her, to set a better example for her sister and keep her from getting hurt. Prim gets to have the normal and safe childhood Katniss never had, because Katniss has invested everything into ensuring she does.

We are taking a step up the ladder of self-sacrificial acts, here. In other words: more foreshadowing. Katniss will give everything for Prim. Prim is going to die, because Katniss is going to lose everything she cared about in the process of protecting everything she cared about.

In the woods waits the only person with whom I can be myself.

Katniss can't be a teenage girl. She has to be Prim's mom. She has to be tough. She has to be a provider. She has to be a trader. An advocate. She so rarely complains about it, too. But it shows here just how much she's given up. Only one place, and one person she can be herself with, and yet...

Gale.

Isn't this ironic. Because we are about to see, throughout the entire series, that this day is going to be the last time Gale actually lets Katniss be herself (and even here, there are strong hints that Gale wants Katniss to be something very different).*

*Disclaimer, because it seems important: my opinion on the Katniss/Gale vs Katniss/Peeta ship war is "team nobody." I think both of them were very bad for her in different ways. Any comment I make that seems like it is favoring one ship or the other... isn't.

“Hey, Catnip,” says Gale. My real name is Katniss, but when I first told him, I had barely whispered it. So he thought I’d said Catnip. Then when this crazy lynx started following me around the woods looking for handouts, it became his official nickname for me.

Maybe I'm overanalyzing, but I feel like this sums up the Katniss/Gale relationship so much. Katniss tries to speak, and Gale doesn't hear or understand her. Gale projects something onto her, and Katniss rolls with it. Sure, in this case it's a cute nickname, but it represents so much more to me.

Gale doesn't understand Katniss. Fundamentally. He understands the Katniss he wants to exist. The one who will run off with him and play house in the woods and indulge his little fantasies. He doesn't know very much about the real Katniss, at least as long as he's looking at her through a romantic lens.

“Look what I shot.” Gale holds up a loaf of bread with an arrow stuck in it, and I laugh.

Despite what I just said, I do love Gale and Katniss's friendship, and it breaks my heart that their friendship was as doomed as Prim. (Hint. Hint.) Katniss needed someone who understood the unique pain of parentification due not to abuse, but poverty- the kind where you aren't 'allowed' to feel angry at anyone within reach. Which is the worst kind of injustice. Getting mad at someone who harmed you is one thing, but getting mad at a system you can never (... yet) hope to change is different.

She must have really loved him to leave her home for the Seam.

It's said in a casual and sort of admiring way here. But Katniss is going to learn firsthand about the intersection between love and sacrifice. With the generational mirroring as a theme, especially between Katniss and Peeta, we're being given more foreshadowing that Katniss has self-sacrifice "in the blood."

I try to remember that when all I can see is the woman who sat by, blank and unreachable, while her children turned to skin and bones. I try to forgive her for my father’s sake. But to be honest, I’m not the forgiving type.

Another little glimpse into Katniss's pain and trauma. Her mom wasn't there when Katniss needed her most, and Katniss and Prim both almost died as a result. It wasn't her fault, and we see later that she regrets it deeply, but this still leaves scars. Your parents, above everyone else, are supposed to protect you. Katniss's mom didn't, Katniss nearly died, and because of that, Katniss had to sacrifice what remained of her childhood to become Prim's mom.

Katniss and Prim's relationship never goes back to just normal sisterhood after this. From the moment Mrs. Everdeen's trauma rendered her catatonic onwards, Katniss and Prim's relationship was infused with a mother-child dynamic that never left, not even when Mrs. Everdeen became well again.

It's so painful, all the more so because it's so real. I lived this with my little brother, albeit with stakes maybe 1% this high, when my mom became an alcoholic and my dad was too busy just trying to survive to really do anything. I was the one to take care of him emotionally, to show someone cared, to provoke my mom's anger so he wouldn't be hit, to make sure homework got done and he didn't skip school (I failed. Badly.) He still considers me more his parent than either of our parents. It never really goes away, even when you're both adults; that overdeveloped feeling of responsibility stays with you. Always.

And the worst part of it is when the parent who made you have to do this decides, on their own, that the time is right for them to come back. Katniss's mom is far more gracious about it than my own. She at least understood Katniss's pain, and didn't try to force the role on her; it happened only when Katniss was ready. But that too, as we'll see in a minute, was painfully real for me.

“I never want to have kids,” I say. “I might. If I didn’t live here,” says Gale. “But you do,” I say, irritated. “Forget it,” he snaps back. The conversation feels all wrong.

Once again, a hint that despite their sweet friendship and similarities, these are two tragically, fundamentally incompatible people. Katniss is in too much pain to think of ever having a family, and Gale is in too much pain to think of not ever having one. Katniss wants to survive the way she always has (which she doesn't realize isn't her destiny yet) and Gale wants to flee and survive literally any other way.

Both change in the end, but the underlying incompatibilities in their life approaches are still there.

And even if we did . . . even if we did . . . where did this stuff about having kids come from? There’s never been anything romantic between Gale and me. [...] Besides, if he wants kids, Gale won’t have any trouble finding a wife. He’s good-looking, he’s strong enough to handle the work in the mines, and he can hunt. You can tell by the way the girls whisper about him when he walks by in school that they want him. It makes me jealous but not for the reason people would think. Good hunting partners are hard to find.

A few very interesting things are happening here. One, we're getting another hint, first dropped during Katniss's thoughts about Buttercup, that Katniss has a pathological inability to believe others actually like her- romantically or otherwise. Part of it is low self-esteem, part of it is putting Prim on such a pedestal that Katniss feels she can never live up (and giving her more self-esteem issues) and feeling like anything she attributes to herself might take away from Prim, and part of it is just raw cynicism. And maybe a dash or two of the feeling of permanent othering trauma gives you. Especially when that trauma involves a realization that you're never going to be able to rely on others to meet your own needs. You're responsible for your needs and your loved ones' too.

(Katniss is one of the most complex and real characters of all time. I relate to Katniss an uncomfortable amount sometimes.)

The other interesting thing is that you're getting a sense, for the first time, of how much trouble Katniss has recognizing and processing her own emotions- a very common trait in neurodivergent people. She can sort-of-understand a feeling of jealousy, but can't quite put her finger on the reason, and fitting with her attitude of relentless practicality, she decides that it's the worry of losing a useful hunting partner. Because, after all, Prim is the only person she loves, she can't care for anyone else, there isn't room for that. To care about anyone else would be to "take away" something from Prim.

Katniss repeatedly raises the question of when self-sacrifice crosses the line into self-harm by proxy. When altruistic love becomes self-negation instead. It's sweet that she loves Prim so much, but the codependence... If this is the benchmark for love for Katniss, it's no wonder that she feels at this point that she can't feel it for anyone else. This isn't sustainable.

(Prim is doomed. We've been warned.)

I found the patch a few years ago, but Gale had the idea to string mesh nets around it to keep out the animals.

This is going to be a recurring theme; Katniss is too impulsive and lacking a sufficient cause-effect pathway to be a planner/strategist. Gale makes the plans now; later it'll be Peeta and Haymitch.

(Also, this is foreshadowing Katniss's lack of agency. She is about to become an audience member in her own life story. She found the strawberries, but she didn't decide what to do about them. Gale did. That's about to become her entire life.)

No one in the Seam would turn up their nose at a good leg of wild dog, but the Peacekeepers who come to the Hob can afford to be a little choosier.

There is a hierarchy still, where the Peacekeepers are starving, but not as starving as the people in the communities they're sent to. Everyone is hungry, but some are hungrier than others.

Hint. Hint.

“That’s not her fault,” I say. “No, it’s no one’s fault. Just the way it is,” says Gale.

"Remember who the real enemy is." Katniss gets told this repeatedly, by Haymitch and others, and eventually she learns the lesson in time to lead a successful revoltuion.

Gale does not learn this lesson. He will end up destroying everything he cares about in his pursuit of revenge against the Capitol and anyone associated with it.

Gale would normally say that there is a huge difference between Madge, the mayor's daughter who is pampered and comparatively privileged, versus the willfully malicious Peacekeepers; the middle class are still part of the proletariat, after all. But Gale, in his pain and fear, loses sight of it and lashes out. This time, it's just words. By the end of the series, when he gets actual power, it will lead to something far more catastrophic.

Prim is doomed to die, Gale and Katniss's friendship is doomed to end in the most bitter way possible, and Gale is doomed to be his own worst enemy.

Gale knows his anger at Madge is misdirected. On other days, deep in the woods, I’ve listened to him rant about how the tesserae are just another tool to cause misery in our district. A way to plant hatred between the starving workers of the Seam and those who can generally count on supper and thereby ensure we will never trust one another. “It’s to the Capitol’s advantage to have us divided among ourselves,” he might say if there were no ears to hear but mine. If it wasn’t reaping day. If a girl with a gold pin and no tesserae had not made what I’m sure she thought was a harmless comment.

Gale knows he's wrong to say things like that. But again, as said above, his pain and fear get the better of him, and cause pain to those around him. His normal philosophy is correct, but he loses sight of and discards it far too easily.

(Gale is going to lose everything because of his scorched-earth approach to anger.)

Also, a note: this is how the real world operates too. Culture wars to distract from class war. For an entire generation of readers, this was their introduction to the basic principles of socialism.

But what good is yelling about the Capitol in the middle of the woods? It doesn’t change anything. It doesn’t make things fair. It doesn’t fill our stomachs. In fact, it scares off the nearby game. I let him yell though. Better he does it in the woods than in the district.

Katniss is still hung up on practicality. When she rants about the Capitol, she is, subconsciously, crying for help. But venting for the sake of venting doesn't make so much sense to her, given her stunted emotions.

Another bit of characterization I really enjoy here is the realistic teenage behavior. Yes, they're the oldest in their families, responsible for their entire family and only able to support them by hunting, and they should "know better". But they're teenagers in a fascist government, with an already extreme list of traumas and corresponding problems with emotions. Of course they're going to act irrationally at times and scare off game because they're having a meltdown- even non-traumatized teens would do that sometimes!

They're teenagers. Incredibly well-written, realistic teenagers. They don't have fully developed frontal lobes with the corresponding gifts of planning, impulse control, cause-effect relationships, and other things yet. They're more mature than most, but they're still going to behave foolishly sometimes.

Prim is in my first reaping outfit, a skirt and ruffled blouse. It’s a bit big on her, but my mother has made it stay with pins.

This is probably a "the curtains are blue because they're blue!" moment, but this is another bit of symbolism I enjoy. Katniss, at Prim's age, was hunting and entering the Hob. Prim is being kept alive by both Katniss and Mrs. Everdeen. She has a dress that mostly fits. She has good meals now. She is protected where Katniss wasn't. The dress represents both the sacrifices Katniss made for her and the fact that now, Prim has the adoring mother Katniss didn't have. She has two loving people looking out for her, willing to do anything to keep her safe, healthy, and happy.

(Prim is doomed.)

To my surprise, my mother has laid out one of her own lovely dresses for me. A soft blue thing with matching shoes. “Are you sure?” I ask.

Katniss can't comprehend her mom doing motherly things for her. Both because of the parentification, and because Katniss still fundamentally can't believe that anyone, even her own mother, actually cares for her enough to want to do anything for her. Not after four years of Katniss carrying the entire family on her back. It's incompatible with the world she's lived in for the last four years.

Katniss is painfully relatable.

I’m trying to get past rejecting offers of help from her. For a while, I was so angry, I wouldn’t allow her to do anything for me.

Painfully. Relatable.

What Katniss is feeling in this scene, I don't think I can describe to anyone who hasn't been there. It's relief-bitterness-anger-hope-longing-mistrust.

"Oh great, look who's finally here to help now that things are okay again and I figured everything out on my own! I want you back. I want a parent back. I don't want to do this anymore. I can't stop it. I can't trust you not to make me do it again. I'd better keep doing it so I don't get my hopes up. How do I even live without doing this? How do I live as a person and not a caretaking robot for my family? Am I allowed to do that? What kind of selfish person would I be if I did, especially now that I've seen what will happen if you fail again? No, I'm not letting you do this. I'll let you pretend to the little one because they need a parent figure and they deserve to feel normal, but me? Hell no, do you think I'm stupid? I am taking care of myself, I already learned what it costs to trust other people to see to my needs and that is not a price I'll pay a second time, thankyouverymuch. Yeah, mom I love you. I'm glad you're okay now. And thanks for doing this for me, I guess."

It goes something like that.

But I digress.

In just this paragraph Katniss expresses so much of the pain of parentification, so succinctly yet vividly that it makes my chest hurt.

I just really, really love Katniss, okay?

“You look beautiful,” says Prim in a hushed voice. “And nothing like myself,” I say.

Ow. Just... ow. She says it so matter-of-factly. Like she's just accepted it into her worldview; Prim, the embodiment of everything good in the world, is beautiful. Katniss, the leftover, the thing that exists just to take care of Prim, is ugly. That simple.

I wish we could have seen Prim respond here; surely she doesn't like anyone, even her sister herself, talking about Katniss this way? Or maybe Prim is so used to these kinds of casual self-put-downs that she's stopped trying to talk Katniss out of it.

Again: painfully relatable.

I protect Prim in every way I can, but I’m powerless against the reaping. The anguish I always feel when she’s in pain wells up in my chest and threatens to register on my face.

Once more: Painfully. Relatable. You put so much into protecting 'your kiddo'. And then something comes along and reminds you that you're even more powerless than the useless adults in your life. It hurts. It feels like you failed. It's one thing for you to get hurt, you already know how to deal with it, but them?

Ugh. Dystopian fiction isn't usually where my inner abused and parentified child gets validated, but this series unlocked some things in my neural pathways.

Thank you, Suzanne Collins, for Katniss. I feel so seen in so many ways through her and her story.

Sorry. I know this is supposed to be an analysis, not a love letter, but damn if Katniss doesn't play my heartstrings like a fiddle.

“Tuck your tail in, little duck,” I say, smoothing the blouse back in place. Prim giggles and gives me a small “Quack.” “Quack yourself,” I say with a light laugh. The kind only Prim can draw out of me.

Sorry, I am going to try to not repeat myself so much, but once again it just... Prim gets to be a child, because of Katniss. She gets to be a normal-ish 12 year old who makes silly animal noises and can't tuck her dress in. Katniss was fighting for her life and trying to find food. And of course it's not Prim's fault- I love Prim. But there's something just so painful about this contrast. Katniss had her childhood stolen from her, first by the tyrannical government she lived in, then her father's death, then her mother's mental illness, and finally the needs of a child she never should have been responsible for.

It's no wonder Katniss spends so much of the series in that emotional state abused, neglected, and traumatized children know all too well. You're simultaneously precocious and childish. Too grown-up one minute and acting like a child the next. Katniss never got to experience linear growth, and her psychology sure as hell shows it.

Painfully. Relatable.

Also, yet again: Prim. Is. Doomed. She's the most important thing in Katniss's life, the rationale for every decision Katniss makes, the reason she gets out of bed in the morning. The one person who makes Katniss's life worth living. Precious, sweet Prim, who retains her innocence and kindness in a world that aggressively stomps out both, is doomed by the narrative in every possible way.

Anyway, Gale and I agree that if we have to choose between dying of hunger and a bullet in the head, the bullet would be much quicker. The space gets tighter, more claustrophobic as people arrive. [...] I stare at the paper slips in the girls’ ball. Twenty of them have Katniss Everdeen written on them in careful handwriting.

When you're a child, you can't comprehend something awful happening to your parents, because your life experience just hasn't shaped yet to show you that it's even possible. You don't understand that it can happen.

When you're an adult, you can't comprehend something awful happening to your child, because your life experience has shaped to show you exactly how it's possible. You know exactly how it can happen, so you can't believe that it can actually happen.

Katniss is at a stage of her life that would already be transitional in normal circumstances, where she'd start contemplating mortality- but she's already dealt with it for years.

Her own death doesn't scare her anymore. Her sister's scares her so much that she doesn't even think it's a possibility. After all, everything she's done for the last four years of her life has been for Prim. To keep her alive and give her the childhood Katniss lost suddenly and traumatically.

Prim is doomed.

Taking the kids from our districts, forcing them to kill one another while we watch — this is the Capitol’s way of reminding us how totally we are at their mercy.

We got hints of apathy and cruelty before, but now the curtain is, for the first time, being peeled back. This isn't a system built on simple oppression. It's a system built on raw sadism.

It's another sign that Panem isn't sustainable. People can endure a lot of cruelty when their loved ones are hostages, but there are limits. When those limits get pushed (hint), something will have to give.

To make it humiliating as well as torturous, the Capitol requires us to treat the Hunger Games as a festivity, a sporting event pitting every district against the others.

Bread and circuses. The poor give labor (food) and entertainment, and the rich receive them. The rich live sequestered lives full of privilege, yet ultimately just as much under the thumb as the tyrant as anyone else. But still supporting the system because they lack the empathy to want change when they benefit from the status quo more than they would from a new system, so they think. They are simultaneously disgusting and pitiful.

Like the comfortably wealthy Trump-supporting boomers we all know and loathe.

The last tribute alive receives a life of ease back home, and their district will be showered with prizes, largely consisting of food.

Our very first, incredibly subtle hint, that winning the games might be even worse than losing them. The first time reading, of course, you'll take this at face value. Later, though, you'll think of this and realize it was all only mockery and isolationism, a way of guaranteeing that the victors would be scapegoated by their District, ensuring they would never find companionship again even if their trauma didn't prevent it. And they can't complain, because, after all, they now have a life of comfort.

So many things are intersecting here; class warfare (Victors being an allegory for "temporarily embarrassed millionaires" and the American Dream) and the isolation of trauma and mental illness and more.

But suddenly I am thinking of Gale and his forty-two names in that big glass ball and how the odds are not in his favor. Not compared to a lot of the boys. And maybe he’s thinking the same thing about me because his face darkens and he turns away. “But there are still thousands of slips,” I wish I could whisper to him.

Katniss so rarely worries about herself, only those she cares for. Again; her own mortality is okay to her. It's those she protects she can't let this happen to. But since she can't even bear to face the possibility of Prim being chosen (Prim is doomed) yet, she focuses her feelings on Gale, not only worrying that he'll be picked, but worrying that he will be upset that she might be. She only spares thoughts for herself for a few brief seconds, in the next paragraph.

Katniss gets accused of being selfish so many times, but it's notable that those moments only happen once she volunteers to go into the arena, once her survival depends on a bit of selfishness. Before then, she's one of the least selfish people in the entire series, and I'd argue that even at her worst she doesn't count as truly selfish. She's a teenager trying to survive and return home to her family, not a toddler who won't share toys.

I’m feeling nauseous and so desperately hoping that it’s not me, that it’s not me, that it’s not me.

But, of course, even when you are theoretically okay with dying, being faced with the actual thing will still inspire terror. So for just a moment, Katniss lets herself lapse into worry about herself.

For just a moment, she thinks about herself- and just that fast, Prim is placed in danger.

(This is how Prim will die too, by the way; being put in danger the one time Katniss is focused on something other than her. Prim is doomed.)

Effie Trinket crosses back to the podium, smoothes the slip of paper, and reads out the name in a clear voice. And it’s not me. It’s Primrose Everdeen.

The unthinkable has happened, and Katniss's life has been changed forever.

And even though she can save Prim this time, it's only temporary.

Prim is doomed. Nothing in the world can prevent it now. Prim would die in the arena, but by going instead, Katniss has put herself in a position where any and all actions she does will spark a revolution that gives her a Pyrrhic victory.

There is no version of events where Prim lives.

Prim is doomed.

#katniss everdeen #thg #the hunger games #hunger games #primrose everdeen

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rekino2114 · 6 hours

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Can we get something where Alexis Rhodes keeps stealing her partners jacket? And it makes the relationship public cause they arent in the same dorm?

Alexis rhodes stealing your jacket

It was a particularly cold day at Duel Academy, even if it didn't really make a difference to you. As you were generally a person who didn't mind the cold, unlike your girlfriend

"Lexi.....are you wearing my jacket?"

".......sorry, it's just really cold"

"*sighs* Don't worry, I'm not mad. Just make sure to leave it here when you go back to your dorm"

"Yeah, don't worry, babe"

After you spent the following hours dueling, cuddling, and just hanging out on a date in your dorm, and when it was time to go to sleep, she left. Only that she accidentally took your jacket with her thinking it was hers.

[Timeskip to the next day]

"Hey Alexis we need to talk"

"Hm? Mindy? Jasmine? Yeah what's up?"

"Why do you have a (your dorm) jacket on?"

".........i-i do?"

"Yeah you didn't know?"

"I-i was so tired last night, I thought this was mine, *sighs* y/n is gonna be so mad at me"

"Y/n....you mean the person in (your dorm)"

"Wait, were you in their dorm yesterday?"

".....uhm"

"......you have their jacket and you were in their dorm yesterday......that can only mean that...."

"W-wait-"

"YOU'RE DATING THEM!!!"

"......."

"You have a partner, finally!"

"....You're not mad about that?"

"Why would we be? We're your friends alexis, we're so happy for you"

"O-oh, thanks so much, I thought you wouldn't like that, especially since they're not an obelisk"

"Who cares about that, if you're happy then that's all that matters"

"Thank you girls, you're great friends"

"That being said......."

"Huh?"

"WE NEED TO TELL THE WHOLE SCHOOL"

"W-what?"

"Consider this revenge for not telling us, there are a lot of people who'd like to hear the news"

"Yeah, but...."

Before Alexis could protest any further her friends were already out of the dorm, she sighed, got ready (putting on her actual jacket this time) and walked out to see a duel going on, one between you and Chazz

"Hm, hey Jaden what happened here?"

"Oh hey Alexis, apparently Chazz got word that you were dating y/n and started to battle them for you or something"

"....word got around that fast?"

"Yep but don't worry, y/n is wiping the floor with him"

"That's what I thought. Go babe!"

You look over and see that Alexis is cheering you on. That gives you even more determination to end the duel.

"Soooo how did I do?"

You're surprised by Alexis hugging you and giving you a kiss

"Amazingly babe, I'm really happy I can be affectionate with you in public now"

"Me too even if I didn't expect this to happen I can't say it's a bad thing"

#yu gi oh x reader #yu gi oh gx x reader #yu gi oh gx #yu gi oh #x reader #alexis rhodes x reader #alexis rhodes #gn reader

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rocksibblingsau · 2 days

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what’s something about the fic that you wanna share but don’t think you’ll get a chance too?

Some deleted/rewritten scenes!

One of the first scenes I envisioned was a scene of Barb singing Seven Nation Army (in regards to Branch having worries about Trolls not liking him and her reassuring him she'd fight anyone off who did), but I had Branch reveal his trauma pretty earlier on once I started writing and Barb choosing to sing a song would have been massively out of character.

The initial plan for Branch getting his headphones from Riff actually took place in the upper bowl, and would have also been when Branch met Sid, but I changed it to the coffee scene simply because it worked better.

An earlier concept of Chapter 8 had Barb gifting Branch Bobo, but to be honest Branch wouldn't have liked Bobo so he got a new plushie. I also briefly considered the idea of Branch accidentally ripping Bobo, but to be honest Bobo is so destroyed that how could you even tell if you did rip him.

There was a scrapped concept between chapters 9 and 10 that would have had him spending time and watching wrestling on TV, but that was reworked into him watching it live during their special day.

In chapters 11/12, I briefly considered Billy being the one to find Branch on behalf of Barb, but decided to have Barb find him, have a fight with him and then send Billy in.

The nickname 'Twigs' just randomly came to me and wasn't planned, but once I came up with it I wanted to make it their thing.

In chapter 14, I was torn between laser tag and bumper cars but settled on laser tag. I'm happy I did because I don't think bumper cars would have been as special or interesting, and now Branch has a thing he's good at. I also debated who the teams should have been for awhile.

In chapter 15 Branch wasn't originally going to break the CD player, and Demo would have checked over his work, but it felt more in character to me that Branch might have a more violent reaction.

In chapter 19 there was going to be a scene where a large spray of lava was going to hit Barb and Branch, and Barb would toss Branch to Sid to keep him from getting submerged. I realized half way through writing that scene that it was too close to Branch being pushed by his grandma and would more than likely have caused Branch a panic attack, and that chapter was meant to be cute so I cut the scene entirely.

Raff's personality was initially kinda different. She was a more anxious person, with a bit of a defeatist attitude. Canonically that's what she used to be like, before she got therapy.

Branch's revelation about Cooper at one point was planned for when he met Prince D, but I moved it to coming about thanks to therapy.

I cannot stress how last minute Dickory was. Part of why I added him is because Poppy's story was actually kind of depressing without him.

Before I made the plan for the haunted house to go poorly, Branch was going to go to the carnival where there would have been yet another Spider tease.

#sibblings qna #sibblings au #fic secrets

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tgmsunmontue · 2 days

Text

Season to Taste - 19/? WIP

Explicit Hangster - Celebrity Chef Bradley and Naval Aviator Jake Seresin who have a relationship spanning the globe before they realize how tightly bound they are to one another. Heading into this little world.

PROLOGUE/ONE TWO THREE FOUR FIVE SIX SEVEN EIGHT NINE TEN ELEVEN TWELVE THIRTEEN FORTEEN FIFTEEN SIXTEEN SEVENTEEN EIGHTEEN

CHAPTER NINETEEN

“I’m not calling my restaurant Leonardo’s, that sounds…”

“Like you have no imagination? Why are you trying to pretend that you have an imagination?”

“Tartaruga Blu,” Leandro supplies, and his lip is twitching like it’s a joke and Bradley starts laughing.

“Yeah… The blue turtle. Sure. That works,” Bradley says with a laugh.

“Wait, why is that funny? It’s actually not a bad name.”

“Do you know why my nickname is Leonardo?”

“I… I thought it was because it was close to Leandro?”

“No. He turn up and eat pizza, Every day. Nothing but pizza. Like hungry teenage American.”

“It was the cheapest thing on the menu,” Bradley offers, a little embarrassed remembering how he’d pretty much subsisted on one food group for a few weeks.

“And when you come to us, you are sad. Blue. Now, you are not sad. Much better.”

“Huh. Okay. Well, tartaruga is easy enough for people to say, and blu conjures up cordon bleu so fine dining is sort of implied. I think we have the name.”

… … …

He wakes up to something buzzing and he groans, shoves his head into the warmth of Jake’s neck but he’s already moving away, reaching for his phone, the source of the buzzing and Bradley makes a dissatisfied grunt and Jake, because he’s an asshole, laughs at him.

“Clearly not a morning person huh?”

He grunts again, because working late nights in a kitchen means he usually gets to sleep in. Perk of being the head chef and leaving the early morning prep to sous chefs instead. Jake, annoyingly, seems to somehow be both an early morning person and a bit of a night owl. He hears a sharp intake of breath, forces himself to open his eyes to peer in the half-light at Jake, who is staring at his phone with a broken expression Bradley doesn’t know how to decipher.

“Shit, my mom is having a good day. I have to go.”

Then he’s scrambling for clothes and Bradley wants to suggest that he maybe has a shower but he keeps his mouth shut. This is the first he’s heard Jake even mention his mom, but the good day tells him more than Jake probably realizes or meant to tell. Jake seems more happy than sad and Bradley knows it’s only a matter of time before he finds out exactly what might be going on. He still feels a little emotionally drained after pretty much running through his entire life story the day before, not really realizing how sad and tragic it might appear to an outsider. He thinks he's got a good life.

“Go. I’ll see you later.”

“Yeah. Shit. I’ll come back and pick you up. Or I’ll let you know if the plans change.”

“Of course. I’m meeting Rickard at ten. Don’t worry about me.”

… … …

Jake has a system and he sticks to it pretty strictly; he sees his mom as soon as he can after he gets home from being deployed, and then again day he leaves, regardless of what she might be like. Whether she recognizes him or not, he needs to go and visit her no matter how much it hurts. Then he spends every day in between hoping that he gets a message from his dad saying she’s having a good day. He sometimes gets two days while he’s home if he’s lucky, none if he’s not.

A good day is his mom remembering that she has six kids. A really good day is when she remembers that they’re grown and that some of them may have kids themselves. He doesn’t care what kind of good day it is, because his dad has sent him a message and he’s in his truck and driving to the house with his blood and brain fizzing, getting out of his truck and striding up the path and entering the code for the gate around the garden. His dad is sitting on the porch swing nursing a cup of coffee and Jake takes all the steps in one go, his dad is standing, placing the coffee cup on the ground and holding his arms open.

“Jake.”

“Dad, hi.” The hug his father gives him is solid and warm and Jake lets himself savor it, glad that he’s here for this good day, and not somewhere else in the world.

“Maria and Olivia are already inside.”

Jake nods, because that makes sense, they both live the closest, also on the farm. Sandra and Amanda will have kids to organize, which he expects Nicola to be the next to arrive. He takes in a deep breath and steels himself for his mom not having any idea who he is, even though he knows it’s unlikely. He steps forward and sees both Maria and Olivia smile at him reassuringly and his stomach unclenches a little. Better than just a good day then.

“Hey mom…”

“Jake! Come here and give me a hug. Oh… my baby…”

He goes and hugs her, something he doesn’t always get when he sees her, not when she has no idea who he is. This soothes some of that though, and she’s staring at him in wonder, like she can’t believe just how big he’s grown.

“Maria was telling me you’ve got a boyfriend…”

A flare of annoyance goes through him and he catches it, flashes his annoyed eyes at Maria and she at least grimaces apologetically.

“Yeah, I do.”

“Oh I’m so happy to hear that sweetheart. Do you have a photo?”

For the briefest of moments he thinks about bringing Leo here, introducing him to his mom, but dismisses it just as quickly. He’ll have to explain to Leo exactly what the deal is of course, and he knows it’s only fair but it also feels odd, thinking about sharing this with someone outside of immediate family. Introductions can happen later, although of course Maris has a photo to show her. Creeper.

It always becomes festive, gathering and celebrating the fact that they’re all there. They take photo after photo. He tries not to cry as his mom holds Lincoln and talks to Amanda about what it was like having six children all running around. He can’t help but think how cruel it is for their mom to be here, alive and physically well, but absent nearly all of the time. Maria and Olivia prepare lunch, leaving and coming back with more food.

“She’ll be very tired tonight,” his dad remarks, watching as she reads over the end-of-year school reports of Sandra’s kids.

“Yeah,” Jake agrees, because it’s a pattern now that they’re all familiar with. She has a good day and then she crashes, her brain and body just going into a reset rest-mode and she sleeps for at least twelve hours after good days. She usually starts fading around two or three in the afternoon and they’ll all feel a little emotionally raw for a couple of days.

“So, I’ll be able to make dinner tonight.”

Well shit.

… … …

He’s got so much food from Rickard he really hopes Maria won’t be insulted that he’s going to turn up with it all. He’s made the promised chocolate cake, along with a large salad because he’s a little nervous and he has to keep his hands busy.

“Hi. Sorry for running off so abruptly this morning…”

“It’s fine. Family is important.”

“Yeah. It is.”

“Everything okay?” Bradley asks, despite knowing that it’s not. Jake sucks in a deep breath and then blows it out slowly and Bradley just watches, wants to give Jake the space and time he needs to formulate whatever answer he wants to give him.

“My mom has early onset dementia. She… it started when I was around ten or eleven, and progressed pretty quickly. My dad looks after her pretty much full time, because he’s the only person she hasn’t forgotten at all. The moved back into the original farmhouse, because my mom remembers it. It’s uh… it’s a lot.”

Bradley blinks. Blinks again.

“Holy shit.”

“Yeah.”

“So today… when you said she was having a good day…”

“Today was a very good day. She remembered she had kids and that we were all adults. Good days are just when she remembers she has kids at all…”

“What a fucking roller coaster of a day. Anything I can do?”

“No. Well. Could I just get a hug?”

Bradley doesn’t even have to think, is stepping forward and wrapping his arms around Jake and pulling him into his arms, feels him slump against him almost immediately and he just holds on tighter. It’s nice to just hold him, that in just holding him he’s giving Jake what he needs even if a part of him is already sad that there are going to be times when this is what Jake’s going to need and he won’t be there to give it to him. He’ll find other ways.

“Plus my dad is now coming to dinner.”

“Uh. Okay. Should I be worried?”

“No. My dad’s a softie. Hell, it might actually help keep my sisters in line having him there. Just… it’s going to be a weird dinner maybe.”

“That’s okay. I can deal with weird.”

#Season to taste #Hangster #Sereshaw #Top Gun Maverick fanfiction #AU

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