#the rise of fascism I guess...

[aroaessidhe]

2024 reads / storygraph

Bang Bang Bodhisattva

mystery set in a near-future cyberpunk future

follows a trans hacker who does random gigs to get by, but is on the verge of losing her apartment

and an ex-cop PI who takes her along on jobs sometimes - and when they’re investigating his missing ex-best friend they find him murdered instead

along with her new crush mysteriously disappearing - she’s dragged in the middle of a mystery with few leads

trans polyamorous MC, ace MC

[hazardsoflove]

finding out jackboot jump is hozier’s least streamed song is crazy

[pyrrhiccomedy]

sometimes I spend time socially with normal people and I'm reminded that "if you could go back in time to change one historical event, what would you do" is actually not a normal question, and when they're all like "idk I guess I'd kill hitler" nobody wants to talk about how little that would have done to suppress the rise of fascism in Germany

also nobody wants to talk about my plan to prevent the assassination of tsar alexander ii in 1881. they are for the most part not interested in the possible long term implications of a Russia that modernized before wwi

[infiniteglitterfall]

I guess this might be why the UK seemed to go so antisemitic so quickly

I'm researching the 1947 pogroms in the UK. (Actually, I'm researching all the pogroms and massacres of Jews in the past 200 years. Which today led me to discover that there were pogroms in the UK in 1947.)

From an article on "The Postwar Revival of British Fascism," all emphasis mine:

Given the rising antisemitism and widespread ignorance about Zionism [in the UK in 1947], fascists were easily able to conflate Zionist paramilitary attacks with Judaism in their speeches, meaning British Jews came to be seen as complicit in violence in Palestine.

Bertrand Duke Pile, a key member of Hamm’s League, informed a cheering crowd that “the Jews have no right to Palestine and the Jews have no right to the power which they hold in this country of ours.” Denouncing Zionism as a way to introduce a wider domestic antisemitic stance was common to many speakers at fascist events and rallies. Fascists hid their ideology and ideological antisemitism behind the rhetorical facade of preaching against paramilitary violence in Palestine.

One of the league’s speakers called for retribution against “the Jews” for the death of British soldiers in Palestine. This was, he told his audience, hardly an antisemitic expression. “Is it antisemitism to denounce the murderers of your own flesh and blood in Palestine?” he asked his audience. Many audience members, fascist or not, may well have felt the speaker had a point. ...[The photo of two British sergeants hanged by the Irgun in retaliation for the Brits hanging three of their members] promptly made numerous appearances at fascist meetings, often attached to the speaker’s platform. In at least one meeting, several British soldiers on leave from serving in Palestine attended Hamm’s speech, giving further legitimacy to his remarks. And with soldiers and policemen in Palestine showing increasing signs of overt antisemitism as a result of their experiences, the director of public prosecutions warned that the fascists might receive a steady stream of new recruits.

MI5, the U.K. domestic security service, noted with some alarm that “as a general rule, the crowd is now sympathetic and even spontaneously enthusiastic.” Opposition, it was noted in the same Home Office Bulletin of 1947, “is only met when there is an organized group of Jews or Communists in the audience.”

The major opposition came from the 43 Group, formed by the British-Jewish ex-paratrooper Gerry Flamberg and his friends in September 1946 to fight the fascists using the only language they felt fascists understood — violence. The group disrupted fascist meetings for two purposes: to get them shut down by the police for disorder, and to discourage attendance in the future by doling out beatings with fists and blunt instruments. By the summer of 1947, the group had around 500 active members who took part in such activities. Among these was a young hairdresser by the name of Vidal Sassoon, who would often turn up armed with his hairdressing scissors.

The 43 Group had considerable success with these actions, but public anger was spreading faster than they could counter the hate that accompanied it. The deaths of Martin and Paice had touched a nerve with the populace. On Aug. 1, 1947, the beginning of the bank holiday weekend and two days after the deaths of the sergeants, anti-Jewish rioting began in Liverpool. The violence lasted for five days. Across the country, the scene was repeated: London, Manchester, Hull, Brighton and Glasgow all saw widespread violence. Isolated instances were also recorded in Plymouth, Birmingham, Cardiff, Swansea, Newcastle and Davenport. Elsewhere, antisemitic graffiti and threatening phone calls to Jewish places of worship stood in for physical violence. Jewish-owned shops had their windows smashed, Jewish homes were targeted, an attempt was made to burn down Liverpool Crown Street Synagogue while a wooden synagogue in Glasgow was set alight. In a handful of cases, individuals were personally intimidated or assaulted. A Jewish man was threatened with a pistol in Northampton and an empty mine was placed in a Jewish-owned tailor shop in Davenport.

And an important addendum:

I've read a whole bunch of articles about the pogroms in Liverpool, Manchester, Salford, Eccles, Glasgow, etc.

Not one of them has mentioned that the Irgun, though clearly a terrorist group, was formed in response to 18 years of openly antisemitic terrorism, including multiple incredibly violent massacres. Or that it consistently acted in response to the murders of Jewish civilians, not on the offensive. Or that at this point, militant Arab Nationalist groups with volunteers and arms from the Arab League countries had been attacking Jewish and mixed Arab-Jewish neighborhoods for months.

I just think the "Jewish militants had been attacking the British occupiers" angle is incredibly Anglocentric.

Yeah, they were attacking the British occupiers. But also, that's barely the tip of the iceberg.

Everyone involved hated the Brits at this point. If only al-Husseini and his ilk had hated the Brits more than they hated the Jews, Britain could at least have united them by giving them a common enemy.

[qqueenofhades]

I also think leftists view liberals and centrists as worse than right wingers because liberals and centrists maintain the status quo, thus prolonging capitalism. In the case of accelerationists, they think a revolution is only possible if people are desperate enough to want one and so they often align themselves with right wingers who they know will make things worse (see MAGA communism as one example). To them it doesn't matter if the fascists will take power because they believe fascism always fails and communism will naturally follow. All the deaths will be worth it in the end.

I hit ask before I finished. I meant to add in parentheses that all of that is of course an oversimplification, but those are pretty much the arguments I saw in multiple leftists subreddit, on tumblr and twitter in the past few months. I know leftists irl are more normal.

See, this is what I mean when I point out that Online Leftists have become just as much of a zero-sum radicalized death cult as the MAGA Trumpists. They're willing to embrace any atrocity, global disaster, terrible people, and massive death toll as long as they think it'll bring their Shining Ideology (TM) to fruition, and then of course this will last a thousand years and never be changed and humans will bow down as a group to this Shining Ideology and destroying everything will be Worth It In The End. Apparently. This is complete ahistorical genocidal nihilistic gibberish, where any progress to fix the world and make a better future for the billions of people alive right now is actually Bad because What About the Glorious Revolution?!?! It is Totally Real! It Will Work! O Bow To Us Great Keyboard Warrior Dipshits! If You Don't Want to Violently Die With Everyone You Love, You Are Part of the Problem!!!!!

Now, I don't know about you, but I sure as fuck don't feel like sacrificing everyone and everything is a great tradeoff for whatever Communist Utopia these cosplaying pissbabies think would be the ultimate fruition of their labors. It's lazy, it's dangerous, it's stupid, it excuses them from ever having to do any effort to make the world better right now, and it feeds into the worst impulses and movements of humanity and the same mistakes that have been repeated in history over and over. This is basically what the late 19th-century and early 20th-century Communists thought: people would rise up in a Great Socialist Revolution, overthrow capitalism and fascism and every other bad thing in the world (which would somehow never ever come back, I guess) and then the future would be bright and shining forever. In practice, it resulted in tons of bloody and pointless deaths, a lot of failure, and some communist regimes that were absolutely zero improvement whatsoever on the oppressive systems they had replaced (and often were in fact MORE oppressive, but online leftists don't listen to people who actually grew up in these regimes and are not eager to see them come back). And guess what? Capitalism and fascism were not actually defeated Once and For All Time! Because yet again, you cannot just Violently Revolute your way to Ultimate Morally Pure Power once and for all, kill the Right People (aka everyone) and then everything is fixed forever. If it was ever going to work, it would have already done so. It has not. This fallacy is the cause of pretty much all the evil in human history. So. Yeah.

[girlfriendsofthegalaxy]

tuesday again 8/13/2024

i think i'm going to take a break from scifi written by men for a bit

listening

Ahmed Malek's Les Vacances de L'inspecteur Tahar, from the 1972 film of the same name.

if i can be really really real for a minute here the only thing i've listened to more than twice this week is GUESS by charli xcx but i don't want to have the same tuesdaysong twice in a row. this would make for an annoying end of year playlist.

i got an ad for a collected set of Ahmed Malek's Algerian jazz music on instagram. a session musician in Algiers, he made his name as a soundtrack composer with this comedic detective movie and was in demand for the rest of his life-- he's still really beloved in the African jazz scene, his works are super collectible, and his daughter gifted all his masters to a tiny record company so they could rerelease and preserve them.

it sounds exactly how you think a 70s cop movie should sound. impeccable example of the genre. instantly evocative. i wonder if it influenced the wider cop drama soundscape or if it's just an early example?

-

reading

many books disappointed me a great deal this week.

thank you philip.

the only comic i did like was Marauders (2019-2022), trying to get a little bit more into the xmen since my bestie has decided we're watching all their movies. this is really fun bc i knew who kitty pryde was, and she's a privateer captain who looks beat to shit the whole book. extremely fun and gay and swashbuckling, i placed holds for the other volumes already.

the two rogue and gambit books assumed i knew more about those characters than i already did, and had a heavy reliance on flashbacks and references to other issues.

the magic order was insufferable and did not stick its landing. made me worry about the characters and then feel really fucking stupid for worrying about the characters. i don't know why i keep trying mark millar books and thinking i will like them.

HOTELITOR had a very fun concept (mech hotel), but was a little more middle-grade than i was expecting, even from a teen book. very calarts visual style. very power of friendship will undo an evil corporation, which, i wish.

this little mermaid manga was not for me. and that's fine. most manga isn't for me.

we have to take a brief detour into how i store my books (poorly). these big middle shelves hold an unsorted mass, mostly of stuff i'm not sure i want to keep. i'm trying to be more thoughtful about which books i keep bc realistically i do not reread very often (if at all) and i am running out of space. as much as i love weird little scifi and fantasy paperbacks it would be cool if they all fit on one shelf.

here are four books i rapidly cycled through this weekend that are going to be donated.

Michael Moorcock's The Black Corridor, 1969, about a man slowly going insane in a spaceship fleeing a politically violent Earth with his friends and relations in cryosleep. not a very beloved Moorcock book among the Moorcock fans. this has a heavy focus on the rise of British fascism and i'm not now, nor will i ever be, in the mood for this. a shame bc this slim hardcover has proportions that were very nice to hold.

Thomas Burnett Swan's Where is the Bird of Fire?, 1970, three not quite short stories but not quite novellas about mythical creatures at the founding of Rome, Xerxes the Great's empire, and Britain near the fall of Rome. states very clearly exactly what it is on the tin and delivers it, unfortunately i don’t like any of the flavors on offer. every single one of these has the half-coy kind of sex scene common in historical fiction, where in order to represent the past accurately and with full verisimilitude we Must convey that they fucked nasty and had fun doing it. many times. unfortunately a middle aged man wrote these and our erotic sensibilities are Very far apart.

Glen Cook's Cold Copper Tears, 1988, a noirish urban fantasy. there are fourteen books in this series so clearly people like them. i found a lot of the Noir Similes a little tortured. "but kay isn't that the point--" yes but these annoyed me. also there's a rape joke i didn't enjoy on the fourth fucking page. i have very few hard outs in fiction and one of them is on-screen or on-page sexual assault or rape jokes in chapter one. i am slightly less likely to drop a book if it has rape jokes in chapters that are not the first but like. it’s still almost a flat line at 100%.

and the only one i got two-thirds of the way through, and which i partially liveblogged here,

Eric Kotani and John Maddox Robert's Between the Stars, 1988, the third in their Island Worlds series. it stands alone fairly well, which is impressive.

this book is good at differentiating a very large, very clannish cast, which is a hard thing to do in a political opera. people are often differentiated by little physical movement quirks, which a spy later uses to identify someone. it’s a lovely bit of business and definitely the authors’ strong points.

also props for two of the most capable people, an ill-liked matriarch/scientific genius and a femme fatale Russian, for being two of the most interesting characters with the most screen time, both on their own and in other character’s thoughts. unfortunately, with such a large cast and so many factions, the action is often split and meandering. racist in the very specific orientalist way cyberpunk eighties fiction often is, but uncommonly, they remembered Turkey existed and included in the orientalism?

severely suffered from a second act where it tripped over its own feet a lot instead of continued forward motion, quite honestly i got bored and tired of being hit over the head with various points. a very whedonesque quality of needing to comment on the political implication of something the instant after it happens.

this is not a subtle book, and it smacks less of an urgency to get a point across in as few words as possible and more an uncertainty in the authors of getting their point across at all. this is confusing to me bc this was their fourth book together and the third in this series. have some more confidence in your writing abilities. like, if you've already established your baddie as a fascist torturer who literally owns slaves and plans on taking over earth, you don't need to have him also say "Hitler was much-maligned" at a dinner party he's holding in a room full of hunting trophies where the only things on the table are red wine and whole game birds. you've more than established him as evil. the whole book is like this. it's exhausting.

not a book for me! many such cases!

-

watching

my brother was really singing the praises of vampire hunter d's animation and i was like, postapoc roaming vampire bounty hunter? say less! im already getting in!

i watched the 1980s version with some bemusement until he was like "why did you watch that and not the 2000 version." well that would have been so cool of you to be more specific, my boy!!! vampire hunter d (1985, dir. Toyoo Ashida) was still fun but clearly had way less of a budget than Vampire Hunter D Bloodlust (2000, dir. Yoshiaki Kawajiri)

i enjoyed bloodlust a little more bc it had a postapoc style i enjoyed a little more: showed me big manta rays that hide under the sand, big ruined radio dishes, and lots of beautifully ruined skyscrapers and fucked up highway overpasses. every time you see me post about a BIG!!! FUCKING!!! DISH!!! you should hear this schoolchildren "YAAAAAY!" sample from Jet Set Radio

-

playing

nothing much to report, a lot of grindy genshin impact shit as i try to clear all my map markers before the new nation drops at the end of the month.

-

making

the girls have three litter boxes available to them (laundry room/spare bathroom/utility closet), all in the correct and recommended locations, all with good sightlines and escape routes and all out of the main hustle and bustle of the apartment, all open top, all with the same kind of litter and the same kind of litter mat. they only use the one in my laundry room. since phil has had free roam of the house she has not used the one in the office bathroom. i asked my vet about this and sent her pictures to make sure i was doing everything right and the diagnosis was "yeah that's a little weird of them". can we spread the wear and tear out a little more, girls? so i don't have to deep clean the same litterbox every week?

[triple-mayday]

There’s hella theories floating around about the reason behind Tucker Carlson’s sudden divorce with Fox News, but there’s one that I love the most.

Its the sexiest, pettiest, most delicious bullshit to ever be conceived. Behold:

We know for a fact that Tucker got bitch slapped across New York City by Rupert Murdoch himself. Not only that, but baby boy was laid off sometime on Friday and notified only on Monday, when he came to work. So, this unforeseen development was like a kick in the balls. For the uninitiated, Rupert Murdoch is the name of the demonic entity responsible for the creation of Fox News.

Tuckerson and Rupert had a special relationship. According to Tucker himself, the now ex-host was “100% [Rupert’s] bitch” (we love a proud sugar baby). Tucker was basically a glorified court jester - he cosplayed for daddy Rupert as a pro-worker, anti-elitist, anti-establishment, Christian, relatable everyman that broke republicans could relate to. That was, of course, a load of horseshit. As said by Tucker himself.

You see, back in Mesozoic Era (circa 2008-2011), our boy was an active participant in shock radio programs where he paraded himself as an open and proud elitist and a self-admitted trust fund baby.

All of this deliciousness speaks for itself. Tucker Carlson is a chameleon that changes his face depending on what’s resonating best with his conservative audience. Which brings us to the nearly orgasmic culmination of events that could have possibly led to Tucker’s current unemployment.

Tuck roleplayed as a hardcore Christian for quite some time. On that fateful Friday night, he turned it up to 100 for his speech at the conservative think tank Heritage Foundation’s 50th anniversary gala. Bubba was popping off, calling abortions “child sacrifices” and demanding daily prayers. The audience loved it. Rupert? Not so much.

The thing is, for Rupert business comes before fascism. Grandpa worships money, Jesus is merely a profitable business strategy. For a businessman, the rabid fundie shit was already incredibly off-putting. And Tucker’s villain monologue just happened to be the last drop in the bucket that was already filled to the brim by Murdoch’s ex. That’s right. The chair of Fox News broke off his recent engagement because his fiancée was a Jesus freak.

Now onto the good shit. Rupert’s ex had a favorite show. Guess what that show was?

Tucker Carlson Tonight

The woman in question even had tête-à-tête chit chats with her favorite TV personality, thanks to her connection to Fox News CEO.

Tensions were rising in the Murdoch household. The ex-fiancée’s obsession with Tucker only added fuel to the fire. The woman went as far as declaring that Carlson was a messenger from God. One day, Tucker had a dinner at his boss’ estate. In the middle of dinner the Jesus lady pulled out a Bible and began discussing the book of Exodus with Carlson.

Rupert just sat there like 👁️👄👁️

In the end, the man was too freaked out by Christian fundamentalism and kicked Tucker out after his particularly awful speech. It was also a cute little fuck you to his ex cause now her favorite show got canceled

This is just one theory, but it’s my favorite, so I prefer it above all else, and now you get to experience this beauty with me

God, I adore American politics

[sumquiasum]

A crazy spell puts all of the riverdale characters in separate decades. What decade do you put each character in, and how are they fairing?

1900s: Cheryl. Turn of the century, between the old and the new, industrialisation in full swing but not everywhere. More of a clash of the centuries. She would fare alright, though she wouldn't thrive.

1910s: Archie. Trench war-fare 2, electric boogaloo. Guess how he's doing.

1920s: Veronica. She'd THRIVE. She already owns a speakeasy in canon.

1930s: Kevin. US-American reaction to Nazi Germany, rising fascism in the US as well. Kevin's complicity turning into refusal as he realises the leopards would 100% eat his face too and finds community with other marginalised people. He doesn't thrive. (Alternatively: Jughead gets to be one of those Great Depression authors.)

1940s: Betty. Rosie the Riveter but it's Betty. Charles is fighting in WW2. The Coopers mysteriously always have meat. Unrelated, sometimes people disappear without a trace around Riverdale. She'd be doing alright.

1950s: Fangs. Rockstar Fangs was pretty fun so let's do it again.

1960s: Jughead. Cold War. Conspiracy theories. He also gets to get involved in civil rights in a very 2x11 way where he learns racism exists, is outraged by it and becomes a fierce ally for a week before getting distracted by space aliens or something.

1970s: Toni. Free love, black power. She is THRIVING! Also maybe she'd get an afro.

1980s: Tabitha. She's just having fun living a John Hughes movie, but more diverse.

1990s: Josie. Disco revival. Need I say more.

2000s: Reggie. Partially responsible for the economic crash. Scammed a lot of people out of a lot of money. He's thriving.

[itwasntimethatdidit40]

Hey there!

I wanted to post that for a while so, here we are.

Wondering who’s behind this blog?

Here’s something about me under the cut:

• I identify as a woman, my pronouns are she/her

• Born and raised in Italy, I still live there.

• I’m 141 LOL but according to people I still look like I’m in my 30s so let me indulge in that, thank you very much.

• I don't think there's anyone who makes me more feral than Joel Miller. I just can’t help it. My (un)holy Pedro characters triad is Joel, Oberyn and Peña 💕 (immediately followed by Frankie)

• I have a little elephant pendant that I always wear, no one knows what it's about *wink*

• I’m Leo Sun, Libra Rising and Aries Moon. You scared? I promise I don’t bite, unless explicitly requested 😏

• I’m Bi/Pan as fuck, always been obviously but I realized only last year. LOL, better late than never i guess. I only have problems with cisgender white males because I mean… they’re the worst, okay, I don’t make the rules.

• Single, unmarried, not interested in having kids even a little bit, I prefer to be the cool auntie.

• I love cooking and I'm quite good at it, I had good genes from my Italian grandmas 😌

• I can’t function without coffee, especially in the morning. I take my coffee bitter with just a little bit of milk.

• I can’t stand lies, the phrase “oh I didn't tell you so as not to make you suffer” (UGH, no you didn’t tell me ‘cause you’re a fucking coward and that’s it, my friend), misogyny, racism, fascism, homophobia, bi-erasure, any other form of verbal or physical violence towards LGBTQIA+ people, injustice in general, if you are any of the above you are not welcome here or in my life.

• I love dogs. I have a poodle named Brienne after the GOT character, she’s 5 years old so that means she got me through pandemic and she’s my love and joy. Isn’t she adorable? Yes, she is.

• I’m unfortunately allergic to cats (yep, like Pedro) and can’t pet them unless I wish for an asthma attack. That sucks, I know.

• I have deep brown curly hair, brown eyes and I’m short (158 cm).

• I have a lot of freckles, you could go on a treasure hunt following them.

• I’ve been to more than 100 concerts in my life including some festivals abroad.

• I currently listen to Hozier and Chappell Roan on a daily basis. I also love Billie Eilish, used to be a big Muse fan (listen, their first albums were great, okay) plus I’m a sucker for ‘90/‘00 music ‘cause that’s the music I grew up with.

• I love beer more than wine.

• I love reading, I used to read all the time, I have less time to do it now and it bothers me so much. I’m still reading fanfiction though. 🤭

• I’m a sucker for True Crime Podcasts, I only listen to Italian ones for now so unless you’re Italian you don’t know my faves and it’s a pity ‘cause they’re really good.

• Cults scare the shit out of me but at the same time they’re one of the things that makes me more curious ‘cause my mind can’t really comprehend what happens in people’s mind when they get sucked into them.

• Some tv series I love in no particular order: The Last of Us, Breaking Bad, Better Call Saul, Lost, The Handmaid’s Tale, Bojack Horseman, GOT (until seasons 7 & 8 happened 💀), Sense 8, Jane the Virgin, Grace and Frankie, Narcos, Only Murders in the building, The Bear, Succession, The Morning Show, Friends, Stranger Things (mostly because Jim Hopper is there, certainly not for those z*onists, you know), Mad Men, Gilmore Girls (Luke Danes *cough*), Mindhunter, Peaky Blinders (huge Tommy Shelby’s slut, don’t look at me like that, okay), My Brilliant Friend, The Affair, Black Mirror (until last seasons happened but it used to be one of the greatest things ever), The Walking Dead (got bored halfway through season 9, I recently started a rewatch and I hope to get to the very end of it lol), Fleabag, Normal People, When They See Us, Hill House, Bly Manor, Midnight Mass, Chernobyl.

• Films I love in no particular order: Parasite, Aftersun, Past Lives, All of Us Strangers, Brokeback Mountain, Almost Famous, The Goonies, Stand By Me, The Breakfast Club, The Killing of a Sacred Deer, The Lobster, The Neon Demon, Midsommar, One Day, When Harry Met Sally, There’s still tomorrow, Strange Way of Life, Prospect, The Banshess of Inisherin, Coco, The Emperor’s New Groove (so underrated), Mommy, The Virgin Suicides, Girls Interrupted, Saltburn, Promising Young Woman, Little Women (1994), Gone Girl, Shoplifters, Bin-Jip 3 Iron, Love Me If You Dare, The Piano, Fried Green Tomatoes, Notorious, Some like it Hot, Rear Window and you can ask for my Letterboxd account for more.

• Bad weather makes me sad and melancholy.

• I obviously love Italian cuisine with all my heart but I also love to try new dishes especially when I’m abroad. I love chocolate and I have a sweet tooth in general but there’s nothing I crave more than good carbs (I can be happy with a slice of good bread or focaccia). I love spicy food but I can't handle it when it’s very very spicy.

• I love bags, I have so many bags and I still want more lol

• When I was a kid I wanted to be a writer or a journalist. What do I do now? I’m a secretary LOL (I also have a second job not related to writing as well)

• As a friend, I’m loyal to the bone, I could do anything for you if I love you. If you betray me real bad though don’t expect a second chance, I mean I could try but I know i can’t ‘cause you’re changed forever in my eyes.

• I have so many kinks, you can ask if you want to know, okay. Also, so many authors here are responsible for giving me new ones. I love you deeply.

If you want to know more my asks and dm are open!

Here’s a little bit of me, byeeeee.

[wonderfulworldofmichaelford]

Michael Before Midnight: "Houdini" by Eminem

Eminem is one of the most controversial rappers of all time, and this reputation isn’t entirely undeserved. I mean, the man has an entire song that’s just six straight minutes of him acting out violently murdering his ex. Uncontroversial artists do not make songs like that. But I think people do give him a lot of shit and really try to underplay his genuine talent too, mainly because of how a lot of his work just hasn’t aged great.

You have to understand the time and place Em rose out of. The 90s was all about being nasty and politically incorrect, and the rap scene reflected that. The rise of gangster rap had guys talking about how cool the thug life was, and there were all sorts of vulgar tunes being cranked out (“Pregnant Pussy” is from the 90s, if that tells you anything). As a white boy in a cutthroat industry where black men are the kings being taken under the wing of the man who produced “Fuck tha Police,” Marshall Mathers really wasn’t gonna do anything other than assimilate into the culture of the time to survive. And it worked; he’s pretty much the only white rapper besides maybe the Beastie Boys who has kept a long and generally well-liked career. He played by the rules, made sure to acknowledge his place, kept his ego in check outside his songs, collaborated with the right people, and boom! Rap has its token white boy.

But the edgy violent white boy schtick that made Slim Shady so funny and… “endearing” back in the day is not really something people like in 2024. Since the 90s, edgy white boys like the Slim character have shot up schools, sexually assaulted women and gotten away with it, openly supported fascism, and whined about queer people and black people being in Star Wars. No one fucking likes a Slim because they’ve been ruining our world for a while now, so this character who was once a beloved aspect of Em’s career just doesn’t sit right with the people of today. Add onto the fact that he’s a middle aged man, and he can’t just be doing the same crap all these years later without looking like the cringiest man alive, a rapping Elon Musk. With all that, and the fact his upcoming album is called The Death of Slim Shady, you’d think maybe he’d drop a single to showcase how he’s evolved over his career, how his sobriety and fatherhood have changed him, and how the Slim persona is well and truly in the past.

Instead he released “Houdini.”

For better or for worse, this is a return to that classic late 90s/early 2000s Slim style, with everything that implies. Get ready for lots of references, offensive jokes, and more, cuz I’m going line by line to talk about the content of Slim Shady’s final comeback. And while I am going to analyze some of the lamer and more questionable jokes, I want to make it clear that I understand the Slim character is satirical and whatever. I'm not fucking dumb, and I've been listening to Eminem for 24 years now. Being satire is not an excuse to be unfunny.

After an ominous skit where Em’s manager Paul Rosenberg tells him he’s own his own for this album, we have an intro to kick the song off:

Guess who’s back, back again? Shady’s back, tell a friend Guess who’s back? Guess who’s back? Guess who’s back? Guess who’s back? Guess who’s back? Guess who’s back? Guess who’s back? (Da-da-da, da, da, da, da, da, da) (Da-da-da, da, da, da, da)

As should be obvious to anyone with a passing knowledge of Eminem, this is a reuse of the intro of his classic “Without Me.” This is a double-edged sword; on the one hand, it is a fun little callback to his earlier career and helps once more establish that he’s bringing it like he did back then. But on the other hand, you’re reminding the audience of one of your best songs right off off the bat, so if this one doesn’t live up to that, you’re in for a world of hurt.

Now’s also a good time to mention that the song heavily samples “Abracadabra” by the Steve Miller Band. From what I’ve gathered, a lot of people find that song unbelievably corny… but that’s why I love it. And I mean, the song’s called “Houdini,” so why not sample the massive smash hit song that’s named after the famous magic words? Again, for me at least, sampling a song I already love means you’re gonna have to really kick it into high gear to make me want to listen to yours over what you’re sampling. There’s about a million songs that sample “When the Levee Breaks,” but how many of those do you think I’m putting on over Led Zeppelin, y’know?

Well, look what the stork brung (What?) Little baby devil with the forked tongue And it's stickin' out, yeah, like a sore thumb (Bleh) With a forehead that it grew horns from (Look) Still a white jerk (It's him), pullin' up in a Chrysler to the cypher With the Vics, Percs and a Bud Light shirt Lyrical technician (Yeah), an electrician (Yeah) Y'all light work (Haha) And I don't gotta play pretend, it's you I make believe (What?) And you know I'm here to stay 'cause me (Why?) If I was to ever take a leave (What?) It would be aspirin' to break a feve' (Yeah)

So far it’s been pretty solid. It’s pretty clear Em’s still got it, great flow, delivery, subtle nods to his past work, boasts about his skills, talking about how he started from the bottom… It’s nothing really groundbreaking, but it’s at least continuing the idea that Slim is back, baby! I sure hope he doesn’t derail his momentum in the next couple of lines with a stupid, cringeworthy jab at a woman who literally never did anything to him!

If I was to ask for Megan Thee (What?) Stallion if she would collab with me Would I really have a shot at a feat? (Haha) I don't know, but I'm glad to be back like

So a little context here, for those not in the know: In 2022, rapper Megan Thee Stallion accused fellow rapper Tory Lanez of shooting at her feet and saying, “Dance, bitch, dance” like he’s a comic book mobster. The case was taken to court, where Lanez was found guilty and then sentenced to up to 22 years in jail. Now, the two have shouted out each other before—Em interpolataed the hook of Megan’s song “Body” in 2021’s “Killer (Remix),” while Megan referenced “The Real Slim Shady” on her feature on Lil Nas X’s “DOLLA SIN SLIME”--but I’m not really sure the two are close to the point where it’s cool for Em to jokingly reference the time some psychopath acted like a Batman villain to her. The fact Megan’s 2024 diss track “Hiss” referenced Mariah Carey’s “Obsessed,” which was about Eminem, does make me side-eye this bar.

But hey, one corny, cringey joke is whatever. Let’s see how the rest of the song goes:

Abra-abracadabra (And for my last trick) I'm 'bout to reach in my bag, bruh (Like) Abra-abracadabra (And for my last trick, poof) Just like that and I'm back, bro

So this is the chorus, and I have to say it’s incredibly lazy and boring. It’s just an Eminem-themed parody of the original chorus, and it’s not especially interesting. That being said, by token of being a chorus of a song I already like just with lyrical alterations, I don’t think it’s bad either. I just expect a little more cleverness from Eminem.

Now, back in the days of old me (When?) Right around the time I became a dope fiend (Oh) Ate some codeine as a way of coping (Mm) Taste of opiates, case of O.E. Turned me into smiley face emoji (Woo)

Here, now we’re back on track! Em is reflecting on his old self and talking about his drug-addled early career! Surely he’ll stay the course here and dig deep into his manic persona that was partly created by his addictions, and not veer off into alt-right talking points and child abuse jokes!

My shit may not be age-appropriate But I will hit an eight-year-old in the face with a participation trophy 'Cause I have zero doubts That this whole world's 'bout To turn into some girl scouts That censorship bureau's out to (Shut me down) So when I started this verse It did start off lighthearted at first (Hmm) But it feels like I'm targeted

Hoo boy, we’re whining about how “sensitive” the world is becoming and how censorship is coming to get you! Eminem is going full boomer now. But hey, maybe he has a point! You can’t sing songs where you violently murder the mother of your child and then abduct said child anymore, because of woke. You can’t rap about mass shootings right after they happen either, also because of woke. Whatever, grandpa. Let’s see if you have anything of actual substance.

Mind-bogglin' how my profit has skyrocketed Look what I pocketed Yeah, the shit is just like y'all had been light joggin', and I've been runnin' at full speed And that's why I'm ahead like my noggin', and I'm the fight y'all get in When you debate who the best, but opps, I'm white chalkin' when I step up to that mic, cock it then "Oh my God, it's him! Not again!"

Just some pre-chorus boasting topped off with a throwback to his song “As the World Turns.” It doesn’t completely erase the bad taste of his whiny boomerisms out of your mouth, but it’s at least something.

Sometimes, I wonder what the old me'd say (If what?) If he could see the way shit is today (Look at this shit, man) He'd probably say that everything is gay (Like happy) What's my name? What's my name? (Slim Shady)

Em’s had a long, troubled reputation with queerness. He came under a lot of fire for homophobia back in the day, but then his friendship with Elton John happened. There’s also his brief appearance in the Seth Rogen movie The Interview, where he plays himself as a closeted gay man. Even still, he’s often used queerness as jokes in his songs, mainly as an attempt to emasculate his opponents (something he even did to an actual queer rapper, Tyler the Creator). As a bisexual man myself, I do find it tasteless in general, but in the context of this song I thing it’s ok. Like yeah, the homophobic crackhead Slim Shady persona would call the world we live in gay. The line still feels a little weird, though; is the Slim persona actually singing this song, or is this Em reflecting on the Slim persona? It kind of muddies the water, and makes it hard to figure just how seriously we’re supposed to be taking everything here.

So how many little kids still wanna act like me? (Haha) I'm a bigger prick than cacti be (Yeah) And that's why these (What?) Words sting just like you were being attacked by bees (Bzz) In the coupe, leaning back my seat (What?) Bumpin' R. Kelly's favorite group (Uh), the black guy (Guy) pees (Pees, haha) In my Air Max 90s White Ts, walkin' parental advisory

Verse three starts off pretty good! The R. Kelly joke is extremely juvenile and crass, but that’s the sort of thing I enjoy from Slim. It may be low-hanging fruit, but that’s the fruit you wanna grab the most. Now what wacky sort of humor is Slim going to bring to this verse next? Surely he won’t make some incredibly stupid and corny joke that isn’t funny in the slightest and derails the whole song!

My transgender cat's Siamese (Why?) Identifies as black, but acts Chinese (Haha)

According to Genius, this line might actually be a reference to a Dave Chapelle bit from 2019’s Sticks & Stones. If that’s the case, I really don’t need to say much more. There’s no way to read this line in anything other than the worst possible light.

Like a motherfuckin' Hacky Sack, I treat (What?) The whole world 'cause I got it at my feet (Yeah) How can I explain to you (What?) That even myself I'm a danger to? (Yeah) I hop on tracks like a kangaroo And say a few things or two to anger you

So he does openly admit he says fucked up stuff to get a rise out of people. Going in to the song, I knew this. The guy’s a provocateur, it’s what he does, and the Slim persona has always been about being as flagrantly offensive as possible. But the thing is, even the stuff here I’m taking issue with doesn’t make me mad; I’m more disappointed than anything, really. Like he has to know that times have changed and people really aren’t all in on this sort of humor anymore, right? What is the point of bringing Slim back to a world that has evolved beyond him, even if to finally kill him off? If that’s what he wanted to do he could do it without trying to showcase the dated humor. This is the musical equivalent of watching an 80s sex comedy like Porky’s or Revenge of the Nerds. Like maybe it was funny way back when, but looking back at it through a modern lens it’s just really gross and unpleasant and full of terrible messages.

But fuck that, if I think that shit, I'ma say that shit Cancel me, what? Okay, that's it Go ahead, Paul, quit, snake-ass prick You male cross dresser (Haha), fake-ass bitch And I'll probably get shit for that (Watch) But you can all suck my dick, in fact Fuck them, fuck Dre, fuck Jimmy, fuck me, fuck you Fuck my own kids, they're brats (Fuck 'em) They can screw off (Yeah), them and you all (Uh) You too, Paul (Punk), got two balls Big as RuPaul's (Woah) What you thought you saw ain't what you saw (Nah) 'Cause you're never gon' see me Caught sleepin' and see the kidnappin' never did happen Like Sherri Papini, Harry Houdini I vanish into the thin air as I'm leavin' like

The rest of the final verse, save for another tired shot at cancel culture, is fine. I might even say it’s a bit funny; I like him taking at shot at Dre, himself, everyone he’s worked with, his own kids… That part is where it is really obvious the whole thing is tongue-in-cheek, because he is by all accounts a good and loving dad. Making fun of RuPaul and Papini are fine in my book too.

So I’ve been pretty critical of this song and rather unamused by a lot of its jokes. This must mean I hate it, right? Well… no. I can’t say I love it, but I really don’t think this is awful. Trust me, I’ve heard awful Eminem and this isn’t it. “Just Lose It” and “We Made You” are light years ahead of this song in terms of awfulness. On top of that, this is also the first single off of an album that’s all about killing Slim—I don’t really have the full context. For all I know, this could be part of an overarching concept of the album, Slim’s last ride before his inevitable death, and in that regard this is definitely a perfect modern take on the classic Slim Shady song, warts and all. We just live in a world where his kind of humor doesn’t age badly, it just ends up dead on arrival more often than not.

If nothing else, it still showcases Eminem has great flow, great wit, clever writing… and that’s what he should stick to instead of making tired, unfunny boomer jokes about cancel culture and queer people just to rile people up. Hopefully that’s what the rest of the album will be like when it drops. I doubt I’m going to review every single song on it since I’m no Todd in the Shadows and my musical knowledge is very casual, but maybe I’ll give my opinions. Until that time, though, I think I’ll just listen to “Venom” again.

[quasitsqueeries]

Space Marines are not your friend Part II

I keep thinking about this, and apparently a lot of other people keep thinking about this, because the conversation keeps happening. I think I didn't get it quite right the first time round, which is normal and we should embrace being wrong and changing our minds with new information.

So, sometimes you say the Imperium is Fascist and you learn form some dude online that actually they're a dictatorial theocracy or something. This is called splitting hairs but I think there's potential here for a more interesting conversation. It may come as a surprise but Warhammer 40,000, a game about spending whole Sunday afternoons moving little toy soldiers and tanks around on your dining room table with lore written by a whole bunch of different nerds over the last 35 years doesn't have a coherent political narrative.

We're not going to get the answers we're looking for by going over every bit of lore with a fine-toothed comb. Also please don't ask me to do that, some of the writing is really terrible. I've talked before in, I guess, Part I about how Warhammer 40,000 draws on the aesthetics of Fascism and I think this is what's really important. It really doesn't matter if the Imperium fulfils all of Umberto Eco's characteristics of Fascism or if you can find some other political ideology that you think fits better. The fact is that Warhammer 40,000 is a piece of largely visual media that draws on the imagery of Fascism, the same way it draws on the imagery of Feudalism and the Catholic and Orthodox churches.

There's a lot of talk lately about how people like Rick Priestly and Brian Ansell (may he rest in peace) and Richard Haliwell weren't really trying to make statements with their games but just wanted to sell miniatures, and they borrowed liberally from things like 2000AD because it was cool. I think that in itself says something about the game's ideology. It was developed and written in the context of Thatcherite Britain and I wonder if in that context there was an idea that it wasn't necessary to have the thing make political sense (and maybe that's naïve in hindsight, idk?). I don't know for sure but I wonder if 40K comes out of a time when you could be like "hey these cops are Fascists" and wouldn't need to expand on that. People would just get that you were painting in braod strokes and wouldn't demand that you prove that their brutality wasn't justified. I think it's fair to say the writers didn't foresee how big their game would get, or its popularity among military bros, or the rise of Fascism in the Anglosphere in the 2010s.

So, what do we do with this? I think it's important to recognise two things. Firstly, the Imperium isn't just a Fascist state. It's also a Theocracy, and Feudal. More than one of these things can be true. But secondly, we tend to assume our political concepts are universal and timeless. They're not. Here's an interview where Corey Robin situates the Left and Right historically for Adam Conover:

The point being that the Right isn't just authoritarian, it's a movement to reestablish the power of ruling classes in response to modern Democratic movements. Similarly, Fascism is a distinctly modern concept. It's an attempt to return to the idea, as identified by Robin above, that certain people should rule over everyone else, and it's a reaction against a move towards Democracy and people having freedom from authority.

So, political systems are historically constituted, I think it's fair to say that 38,000 years in the future our politics will be unrecognisable to us now. So like, does Fascism exist 38,000 years in the future, would it even be possible when you're trying to govern a billion worlds, is it "necessary" when state control of humanity is total, and Democracy, Socialism and Trade Unionism aren't even distant memories? Maybe the answer is it doesn't matter. I don't find that terribly satisfying.

The Imperium's political system isn't not Fascism. Rather, the writers of Warhammer 40,000 depicted a political system that's a sort of aggregate of political systems that are recognisable to a modern audience (and particularly pertinent to an audience living in Thatcherite Britain), and Fascism plays a major role in that aggregate.

So the upshot is, if you want to call it Fascism, you are correct, and if someone calls it Fascism and you want to say actually it's this extremely specific political thing you've just come up with to disprove them, consider shutting up.

[niobiumao3]

also the condescending attitude a lot of SW fans have about 'omg did you not expect the bad batch to be gritty and dark this is war' is just

that take isn't as fresh and hot as you think it is and I'm really fucking over it. gratz, you 'knew' it would be bleak, sorry if some of us are exhausted by war and the rise of fascism and a fucking pandemic and would like something not-bleak for a change. I guess you win, enjoy your 'I am fine with grimdark media' trophy.

[scarlet--wiccan]

Wait, the Marvel wiki says that Atlantis fell like 20,000 years ago, around 18,000 BC, and Agatha was alive atleast 5000 years before that… does that not seem a bit too old? Even for her? Like that would make her thousands of years older than Apocalypse and Selene combined.

Yeah, it's pretty extreme. I'm guessing that it was mostly unintentional-- the writers might not have realized just how long of a timeline they were setting up until it was too late. She also used to be a more comparatively minor character, so I don't know if anyone was necessarily putting as much thought into her background as they are now.

But I do agree that it seems too old for her, just based on how she speaks and behaves. Compared to other immortal or long-lived characters in the Marvel canon, Agatha acts more like someone who's been alive for centuries, not millennia. And that's okay-- she doesn't need to walk around with the gravitas of an External to be interesting or impressive.

Based on the character's primary motives and interests, I think Agatha works just as well, if not better, as someone who was born in the Common Era and witnessed the rise of Christian hegemony in Europe. Her primary motives have always been protecting witches from persecution; serving and preserving the natural balance of magic; and fostering young magical talent. I don't like to mythologize the history of witch-hunts or the persecution of so-called witches-- we all know it's more complicated than that, and in real life, had very little to do with actual magic-- but it is true that polytheism and folk magic were pushed to the margins, and I think it would make a lot of sense if Agatha was somebody who grew up watching that happen in real time.

The three main things we know about Agatha's history are that she was part of a coven at Mount Wundagore that came under attack in the 1400s; she led a secret enclave of witches out of colonial New Englad to form the hidden village of New Salem; and she's shown up throughout American history to aid rebels and freedom fighters and, on at least one occasion, fight Nazis. Say what you want about Agatha's morals, but I think it's fair to say that she's someone who is committed to protecting her people and opposing fascism, although I wouldn't necessarily say she's anti-colonial.

michelle_visage.jpg

Personally, I would believe it if you told me that Agatha was born in the late 14th/early 15th century and that the events and Mount Wundagore in Midnight Suns were during her "original" lifetime. It would be an obvious retcon, but I think they could get away with it, since her distant past hasn't been mentioned for some time. She's written as if she's younger and far less experienced during the 1400s, which doesn't really make sense if she's already several millennia old. The only indication that she is older than she looks is the white streak in her hair. I kinda feel like they should have given her a full head of dark hair in the flashback, and then let her keep the streak after being de-aged in the present.

[damndroid]

Fionna and Cake: The Escapist Fantasies of Suicide and Apocalypse

One of the first things just about everyone noticed during episode 1 of the new Fionna and Cake miniseries is the incredibly dark lyrics of the opening theme, "Not Myself".

I'm not really feeling like myself today

Hated every job I've had

What's wrong with me?

Everyday's the same

Painfully mundane

'Cause I'm running from my feelings

And my fear of sudden change

Every time I leave my room I wanna die

Even when I'm with my friends

I'm alone inside

'Cause nothing really matters

And I don't know what's sadder The fact I even try

Or that my hopes and dreams are shattered

I'm not really feeling like myself today

Ay ay ay ay

We see another take on the same theme with Simon. As himself, he is incapable of helping Fionna. Losing himself to the madness of the crown in order to be useful again isn't just a sacrifice, it's a suicide.

It strikes a chord, but I initially struggled to see how these themes expanded through the rest of the show. I also struggled to reconcile why, if Fiona is struggling with suicidal ideation, the culmination of her arc in episode 10 is her realizing that the world she lives in, while flawed, is worth fighting for.

And then it hit me: suicidal ideation and apocalyptic ideation are fundamentally the same escapist fantasy.

When I've struggled with suicidal ideation, it has often been through the lens of a release from the responsibility of being part of the world. When you struggle with the constant tasks of keeping yourself fed and clothed, the responsibility you have to the people in your life to be kind, communicative, understanding, and supportive seem out of reach. You begin to feel like, well -

But damndroid, you whimper. What's apocalyptic ideation? What does that have to do with this?

Well, the fantasy that Fionna entertains for most of the series isn't suicide. She wants to replace her world with a magical one full of adventure and promise.

It's only over the course of the series that she realizes that the realization of this fantasy means destroying the world she knows and the people in it.

This kind of fantasy of being able to let go of a mundane, doomed world is something that I think most people in my age group are familiar with. Our media landscape has been saturated with apocalypse for decades. We love stories about sad dads in a world where civilization has collapsed figuring out how to help their daughters (Simon included). This is a reflection of the fact that our world feels doomed. Climate change, the perpetual economic collapses of late stage capitalism, the endless wars of imperial domination, the rise of a new global wave of fascism. It's too much.

If the world is going to die, it's certainly a lot more fun and easy to think about adventures in the aftermath than about the complex process of its death and what we have to do now. This is the core of apocalyptic ideation: the problems that we have a responsibility to help solve seem insurmountable and out of reach. It's easier to imagine a world where we have already failed.

In her superb video essay The World Is Not Ending (please watch it please pleasepleasepleaseplease), Sophie touches on this idea, primarily though a criticism/extension of Mark Fisher's famous quote "It is easier to imagine the end of the world than the end of capitalism." Sophie continues this thought:

"If we are trapped by the conviction that we cannot possibly win, imagining others remaining idle is the thing keeping us stuck. If we want to come unstuck, we need to have confidence in each other…the sooner we fight back, the better the world gets to be as a result”

I guess this whole spiel is an excuse for me to say this: we only get one world.

It's not dying. It's being killed.

And not fighting back is suicide.

[bitterkarella]

Midnight Pals: Fatality

Ross Douthat: [wearing hat with PRESS tag] why are kids today so depressed? Douthat: I, Ross Douthat, serious thinker, take a hard look at the question in today's new york times Douthat: because sometimes even the grey lady needs a break from cheerleading genocide

Douthat: could it be that they live in a soul-crushing panopticon with no hope for the future amid rising fascism, climate catastrophe and unchecked disease? Douthat: or it it be Douthat: cell phones?

Douthat: kids today, all they want to do is look at their cellphones! Douthat: and while i'm at it Douthat: [shaking fist at cloud]

Douthat: why are kids today so obsessed with cellphones? Joyce Carol Oates: maybe it's because you're a boring little bitch Douthat: Douthat: [FATALITY! appears on screen]

Poe: did you guys hear? Joyce bodied ross douthat! Barker: Joyce? our Joyce? Barker: Joyce Carol Oates? Poe: yeah Barker: damn King: how's her foot doing? Poe: well she still has it Poe: so i imagine it must be doing better

Mary Shelley: sup fuckers Poe: joyce carol oates just killed ross douthat Shelley: huh Shelley: [putting away shiv] well guess i won't need this today

[chronometricals]

the other day out of curiosity I was looking into Unitarian Universalism because I didn't know anything about it and I had read that a lot of people who leave [redacted] but who still want a church community or connection with God find what they're looking for there. so I read through one of the recent sermons of a local church (it was about the dangers of the rise of fascism and taking steps within the church to give oppressed people a voice and embracing lgbtq people), and I've been thinking rip Herman Melville you would have loved Unitarianism. well guess what