#the series was really important to me as a kid

[ghouldtime]

*slides into the DMS*

S O. What does social anxiety for König look like through your fantastic characterization then? 👀

(Love your Alone operator series btw. Got me on the edge of my seat with each chapter!!)

(Thank you!! 💚💚💚 I'm so glad you're enjoying :D you all have been so so sweet with it and Im over the MOON so many people have liked it)

To answer this question I'm going to have to be a biiig yapper and explain why I think of him the way I do

Going to say this to start, but I'm going with the true fact that König is indeed diagnosed with social anxiety - anything else I'm saying is based off of my personal interpretation of how he acts in game as a disclaimer

I'm also going to state that personally, the König I write is in his lower to mid 40's. Sorry not sorry, I don't see him as a young dude. Especially not when it's pretty much agreed upon that he's a colonel. So he's had a SIGNIFICANT amount of life experience, and a significant amount of time to work on himself and have introspection.

To me, it makes the most sense that he was diagnosed with social anxiety earlier on in his childhood since it was significantly more obvious when he was younger. Something that severe wasn't unnoticed by those around him because some of them did care about him. It's also stated he's suffered from severe social anxiety throughout his life so that's how I took it.

I personally go with he grew up in a more rural town in his homeland of Austria, which meant there weren't exactly others around during the first few years. "Go play with the neighbors kids" didn't really work when there weren't neighbors around. It was mainly him and his parents and an occasional relative over.

What could be brushed off as initial shyness clearly couldn't be anymore when he finally was enrolled in school.

Even on the first day when it's "introduce yourself to everyone", he fucked that up so monumentally it'll be engraved forever in his hall of shameful memories that he thinks about late at night. School was an utter nightmare, quite frankly, from moment one. The whole situation was too much, too stressful, and too different from the life he had at home. He flat out refused to get up and present in front of the class and wouldn't talk in group projects just for the fear of embarrassing himself. At that time, he was hitting all the indicators for social anxiety like they're the targets he shoots at today.

He missed out on a lot of interaction with other kids initially because of how awkward he was - and having any form of anxiety never helps in social situations. Talking to others wasn't something that came naturally and his own panic amplified it tenfold. Most times, he'd either pretend he didn't hear them, avoid them, or stray as far to the edge of the group as possible to avoid it. Unfortunately this made him an easy target because kids are RUTHLESS and turned him into even more outcast as well which only worsened it.

School always sucked for him due to that, despite the fact that he was a smart kid. No amount of smarts could save you from social persecution when you had nearly no social skills to boot. [ side note but I'm dying on the hill that he's incredibly intelligent and has a bachelors degree (at the very least)].

His parents kept him in therapy to help him manage because without it, he'd be back at square one refusing to go to school and faking a cold just to get out of it. And of course, therapy is a very important tool when it comes to healing, coping, and managing severe mental disorders. The whole reason why he doesn't show such bad anxiety anymore is because he kept the skills he learned and applies them so much that it becomes his second nature.

He's had at least 35 years of this, he's good enough to mask and to keep up his facade.

Another part of why he doesn't show it nearly as much is because he joined the military and was thrown through the wringer with it. Being bullied for so long was a major motivator for joining in the first place, as he needed something to get away from the peers who tormented him so and he needed a new life where he wasn't known as target #1. But he ALSO wanted to gain actual confidence and more certainty in himself.

Joining the military really means you're not left with such things as many choices when it comes to anxiety in social situations. You're forced into quarters with others, have to work side-by-side, do nearly everything together, so on and so forth. He knew that going in but at that point for him it was like extreme exposure therapy, the last step he needed to really put everything he learned in therapy to work.

That doesn't mean he didn't suffer or loved it. No, it was terrible, intense, and nerve-wracking. But he wouldn't have done it otherwise if he didn't want that. Being in the military didn't give him the leeway to avoid what made him anxious, it taught him to face it head on and fight.

Now that he's up there in age and has considerable more experience (and leeway with having a higher rank), the ways he expresses it [look at me finally answering the question] are more subtle.

On the field, you're likely not going to notice it. Because that's him turning the little auto pilot switch in his mind to on when he has a job. The job is his focus and everything has been so engrained in his mind that it's muscle memory. He's, quite frankly, focused on not dying and getting any job done over himself. The joking you often hear him do and taunting alike is part of how he's expressing the confidence he feels when he's in his element, when he KNOWS what he is doing.

If you look closely or approach him off the field, however, it's another story. He usually tenses or straightens himself out when people approach and will hold that until they leave (unless they're someone who he truly knows). Many assume that's a taught habit of the military, but that's only half-true. He did that before then.

Unlike when he's working, he doesn't have a guide or things he knows he has to do in a specific order to best ensure survival - no matter how much talking to other people feels like the heat of the battle, you can't (legally) solve it with a gun or throw a frag and book it out of there. There's no true guide to social interactions and that stresses him out. There's no manual, no field guide, no ten step card on how to successfully navigate them.

He knows things that are normal to say, he knows sometimes what he should say - it's just a matter of finding the phrasing and how to say them. Yet it seems like whenever someone doesn't follow his pre-programmed line of thought when it comes to their talking, his mind can shut down and go blank as he stares, trying to figure out where to go or what to say (spoiler: it usually doesn't end well).

He's usually awkward to talk to because he's running over everything in his head as he tries to think of what best to say to avoid further interactions or ones that could be more targeting to him. And, as mentioned, he lacks the average set of social skills that plenty learn in childhood because he didn't have that proper socialization. He's also still not the best at talking itself and can be blunt and to-the-point, which also doesn't usually go down well.

Not to mention, he's bad at small talk and has a terrible, sarcastic sense of humor that many can't read and it quickly turns things uncomfortable very fast because everyone takes him seriously. It never helps he usually doesn't explain himself all too well, usually leaving it as is as he secretly wishes he didn't talk at all when mortification sets in. Hurrying away with an excuse of some paperwork or something else to busy himself is his go-to after those.

When possible, he'll avoid small-talk and greatly prefers gestures instead. Someone who can appreciate his greater need for silence and a lack of talking is someone who he will greatly appreciate in turn. He's a firm believer that not all silences are uncomfortable and sometimes, it IS best not to say anything at all.

Due to his childhood too, he's not really fond of being around many people and will do his best to avoid it. Unless he has to grin and bare it, he won't. He finds his mind calmest when he can just be himself without having to worry about saying the right things to appease others or to be friendly. That way he can focus on what he wants, think how he wants, and feels how he wants without second guessing himself or having to worry about existing.

He's going to avoid most public settings when possible. Though he can now suitably manage his anxiety, they're something he passes up on. Grocery store trips are something he does maybe once a week or two, if that - stock piling so he has to go to the store less is his usual strategy. Anything he can do himself, he WILL do himself, if he doesn't have a trusted person who can do it better or can help.

Notably, he also doesn't have many friends. He's like talking to a brick wall and unless you're considerably persistent and understanding of his need for space, you won't get far. A lot of people don't have the time nor patience for it, but if you do get close to him, he does come out of his shell. He appreciates anyone who cares enough to actually get close to him and get to know him despite how awkward he can be, and will be loyal to the end because of that.

Another side effect is that he doesn't sleep well. Between the massive amounts of trauma from his job and the trauma from his childhood, he doesn't sleep well as is. But the social anxiety aspect comes into play because many nights, his mind is rerunning all the interactions he's had as he chronically overthinks them. He always wonders what he could've done, how he could've improved, and what they're thinking of him (even if they're someone he may never run into again). Its very hard for him to shut his mind off and doing such usually requires him drowning everything else and making himself not think about that, or anything, any more.

[Another side note: He's an avid reader. Reading gives him new things to think about and can help put him to sleep, especially before bed. It's a good way for him to stop thinking about whatever was nagging him and shifts his mind into thinking about other things he enjoys instead)

Basically, IN SHORT this isn't my full in-depth detailed characterization of exactly who I think he is - the reason he's not presenting it as an anxious ball of pure energy who is so uwu shy and soft is because he is incredibly well-managed with his severe social anxiety at his age and that's uh, just not him. Social anxiety doesn't mean he's a blubbering mess or will cry at the slightest inconvenience and reducing him to that or treating anyone with social anxiety like they're a child because of it does not help at alllll.

He's had extensive therapy for this, he's got his methods, he can mask very well. He's a WHOLE GROWN MAN who is responsible for not only his actions but how he manages his emotions and he knows it. But if you know him and know what to look for, you'll be able to pick it up.

(Also the sheer amount of scenarios I've seen where people think he just would... cry if you took his mask off??? Him???? HIM???? König, "I can make you talk, where are they?" the skilled PMC operator? That one? That guy? Yeah no, anyone dumb enough to do that better have signed their will prior or hopefully has an intensive love for scrubbing all the floors with a single old toothbrush. He won't tolerate people harassing or hustling him or pressing on his nerves. Sure, it reminds him of his childhood bullies, but quite frankly that behavior as grown adults trying that is RIDICULOUS, it pisses him off and immediately lowers his opinion on them.)

To whoever made it this far, I hope this made sense, I took melatonin before I got the ask so I'm in another realm right now LMAO. König is one of my favorites and was the first character I realllly really loved and I just hate seeing him done so dirty. Especially as someone with severe social anxiety myself, it irritates me when it's portrayed just so... wrong and quite frankly, in a lazy, offensive manner lacking any nuance especially in relation to the character who has it. Like just making him stutter and cry isn't all social anxiety is and there's SO much depth and things to work with despite the... actual substance as far as his bio goes

[creatingblackcharacters]

A favorite character of mine is Daja Kisubo from the Circle of Magic series, by Tamora Pierce. This series is about four children who are orphaned and brought to the Circle Temple to be raised, where it is discovered that they all have unusual magic that works through crafting or the elements, called ambient magic, and follows them as they grow and become some of the most powerful mages in the world. 

(Cover art of Cold Fire)

Daja is a Black girl and a Blue Trader (ocean going) whose family died when their ship sunk in the storm.  Daja is the only survivor and so is considered bad luck and sent away to the Circle temple.  At the temple she meets the other three main characters who become her foster sisters and brother, and the two dedicates who become their foster mothers. She also discovers her own magic is in metal and fire and smithing when she meets her mentor, an older Black man and blacksmith, Frostpine.

(Art by @minuiko who has amazing art for this series and Tamora Pierce's other books too)

Daja has always been my favorite because she's strong and steady for the outside world but with her new family and mentor you can see how deeply she feels and the love and support that she gets from them. Also she's so wildly powerful and makes such beautiful crafts and becomes such a good teacher when she's older (also I got my degree in metalworking/jewelry so now we have that in common).  

The series itself has such good world building and a really excellently fleshed out magic system. The first quartet, aimed at younger readers, features the main four as the children become a family, develop their powers, and start to heal the trauma that brought them to the temple in the first place, with Daja reuniting with the Trader people and being able to reestablish bonds, even as she stays with her temple family.

The second quartet has the kids splitting up as journeymen, traveling with their teachers to develop their skills. Each of them finds a mystery to solve and students to teach. Daja's students end up being two mixed Black girls (twins) who are very different and stretch both her patience and her own skills as she has to find separate ways to teach them (much to Frostpine's amusement), as well as solve the mysterious arson cases that are on the rise in town.

In the later books, as young adults, Daja and her siblings reunite and struggle to connect the way they did so easily when they were children. We also get to see her explore her sexuality and discover that she's a lesbian, which was so awesome when it came out and young me read it back in 2005.

These books and Daja especially have always been super important to me since I was a kid, and now honestly I've made myself need to go reread them. 

Hot Chocolate: BLACK WOMEN IN FANTASY LET'S GOOOOO! I always love to see this because they have just as much right to magical powers as everyone else dammit! Anyway this story sounds WONDERFUL, I might make it the next fiction book that I read with my mother, After we read Children of Virtue and Vengeance. Anywho, the story reminds me of one of the D&D campaigns I'm playing in where; 4 of us became foster siblings and are now supporting each other, while figuring out what's the deal with our essentric and powerful king. Not to mention figuring out our place in these positions of power. Daja sounds delightful, and her power set sounds like the Orisha Ogun. I love everything about this!

[applestorms]

actually. @moonlarked you wanted someone to talk about near & light as parallels? cuz uh...

ok SO, my big hot take on near is something like this: one of the most common criticisms i see about near is that he is simply too apathetic/bored/uncaring/etc, and that because he is not as emotionally invested as L, his win against light doesn't feel nearly (lol) as satisfying as it could've been. this is a view that often frustrates me, but for a very particular reason— namely, while i think it is somewhat accurate in content, i think it misses a lot of important context (and also misses a lot of the importance of light's character arc, but we'll get to that much later).

one of the most important things to remember about the wammy's kids is that, whether they like it or not, each and every one of them is defined almost entirely through their relationship to L. this is perhaps more obvious in the case of characters like BB and mello, who are very Aware of this shadow being cast upon them and react in very overt, emotional ways (e.g. becoming a literal serial killer out of seemingly pure spite & desire to be noticed, idolizing him but in a very emotionally complicated, kinda detached sorta way, etc), but it is true for Every wammy's kid, purely because of how the house itself functions. these kids are being raised to be L's successor— the greatest (and second greatest, and third greatest) detective on the planet. this is the ultimate goal hanging over every one of their heads, and it places a constant pressure on every kid there.

oftentimes, i think (perhaps both out of story and in it, as well?) people get so caught up in comparing near to L that they forget he also falls under this umbrella— only, for near, his position is slightly different because he actually somewhat succeeds at the task? like, yeah, L never gets the chance to officially call near his successor, but between the fact that he's constantly called the #1 kid at wammy's and that he. literally does actually end up becoming the new L after kira, i think it's always been pretty clear what his path was going to be.

going back to my starting point, this is one of the main ways that near makes a really good parallel to light in my mind, specifically the light that we see right at the start of the series. in both cases, near and pre-DN light, we see a kid who has succeeded at everything they've been handed, and more notably, we see a kid who is bored out of his fucking mind looking at the prospects of what he's got.

in the case of light, this is maybe a little more realistic/easy to understand— light does well in academics, he does well in sports, he does well with people. he is likely to follow in his father's footsteps with something criminal justice/police/law related, but even if he diverges from that path it likely won't be too big of a deal, as he has shown himself to be capable in enough areas that he's likely to succeed no matter what. by all measurable standards, light's doing pretty good at the start of the series. and yet— there is something so distinctly and inherently Bland about his life before he gets the DN. i've said before that light wouldn't call the DN a curse even if he wanted to, but i think in that moment when he's telling ryuk he disagrees w/ his father after visiting him in the hospital, when he says, "I've never once considered finding that notebook and gaining this power a misfortune. In fact, it's made me happier than I've ever been." (ch.22) he's still getting at something real and truthful.

again, going back to my equating of boredom with depression in this series— light's life is pretty good by all measurable standards. he has a family who loves him, presumably more than enough money to get by with a pretty cushy lifestyle, and does well, honestly better than well, in every single system he is presented with. but even so, he's still unhappy. there is something in his soul that has not yet been satisfied. he's bored of the world, bored of his place in it, how easy it all is. what the DN really offers him is a challenge, entertainment— just the same as L, and just the same as ryuk.

near similarly suffers from this kind of boredom, though it is perhaps less overtly stated than in the case of light, L, and ryuk, and less easy to catch as it is not as realistic/common. again: near basically ends up the winner of wammy's house. he is the one to take the title of L, he's declared the smartest, bestest kid at wammy's, and he gets all the power and privilege that comes with such a title. but still— he's so. fucking. bored. much to the embarrassment of mello, this shit was never really a challenge to him. it's pretty obvious that near isn't really even all that attached to the title of L— don't forget that his first real introduction to the story involves him explicitly saying that he'd be just fine working with mello as essentially co-L successors. and this is a viewpoint that he holds onto until the very end of the series, actually, claiming that he was only able to best light due to mello's sacrifice. near doesn't really give a fuck about the rat race he's been slotted into, though it's perhaps for that exact reason that he ends up winning it anyway, and getting all the responsibility that comes along.

that being said, i think there are still two main differences between light and near:

light fucks up.

near never gets past his boredom.

in the case of this first point, i do not mean to say that near never ever makes any move/judgement that could be considered a mistake— mello killing the entire SPK is the first thing that comes to mind, which i see as blood on near's hands for the same reason that L takes at least some responsibility for lind l. tailor. rather, i mean that near never makes a such a monumental fuck-up that he has to overturn his entire worldview just to account for it in the same way that light does when he accidentally kills two people w/ the DN the first time.

it's like, if you've ever known (or been) the kind of kid who always got perfect grades in school, straights A's for K-12, only to reach college and suddenly bomb their first test and have an existential crisis as their only real achievement in life is crushed into dust, then you know light yagami. only for light, it's on a whole 'nother scale, because not only does he fucking oopsie daisy kill two people, but he kills in such a context that he can mentally manipulate it back into seeming heroic. i hate to say that suffering causes character development because that's terrible advice (it's how you react to terrible circumstances that matters, imho) but to some degree, yeah, having conflicts/hard times in life is just necessary to figure shit out sometimes. near (and L, oh goddd i need to write about L properly sometime) has so many things smoothed over and handed to him, and on top of that, he's a super genius very rarely fucks anything up, at least according to base logic. he doesn't even really consider the morality of anything he's doing until light straight up asks him in a desperate bid to keep talking at the end, it's all just logic and factors to consider.

this all leads to my second point, which is that near never really gets the chance to overcome his boredom in the same way as the others. ryuk at least gets his entertainment for a couple years, and light and L (and mello) get so invested in each other and their game that it literally kills them, but near just kinda. keeps going. he keeps being L, he keeps solving cases, he does the duty he was given and enjoys his toys... and that's it. he lies around, the only one left to live, never even taking credit for the end of KIRA, never gets another haircut, and keeps the title going. what a life, for a kid who dragged a god back down to earth.

sidenote1: toys

am i reading too into things? maybe. near's toys hold a lot of significance throughout the story in more specific ways, most notably the finger puppets he uses at the very end of the story while tracking different people's/kira's actions, though you could probably read some kind of meaning into every toy he has and the ways in which he plays with them. what i want to look at here though is more the general reasoning behind playing with them in the first place— a desire for a childhood he didn't get to have? a love of games more generally? (could track with him seeing the KIRA case, or really all detective work, as just another game.) you could also read into his toys as another source for near's apathy/detachment from reality, literally breaking every notable person around him down into a doll by the end of the story, speaking a lot to how alienated he is from the world (again, very similar to both L and light, there). i don't have much more of a point to make here, just wanted to add this in somewhere since it's one of his most striking visual character traits.

sidenote2: light's arc

going back to my point at the start of this post... light's character arc.

uhh. near winning is a good thing, actually. and i don't just mean that as a moral claim— DN itself as a story isn't really concerned with trying to answer any moral questions about good or evil or the justice system, so it makes sense & is fair to me that it doesn't try all that hard to answer anything along those lines by the very end of the story. what i mean to say here is that near winning is a good thing on the level of the character arc, specifically as an end to light's arc.

i made a post a while back while mid-manga reread talking through some of the reasons why L's death can feel kind of unsatisfying/paint the second half of the story in a less interesting light (hah) for a lot of viewers, with the main point i ended up on being that L wasn't really able to win because he never really had all that clear of a win state in the first place. i still kiiind of agree with this point, though i think there's a lot more i could add to that post... anyways. point is, i bring up that post because it touches on a similar thing to what i want to talk about here: light's character arc being a tragedy.

this is more speculation on my part, but i think another part of the reason why people get turned off to DN post-L death is not just the fact that L isn't really a playable character in the game anymore, but the fact that light's character arc takes such a dramatic twist after the timeskip. i talked about this a little bit in my little ramble on light & titles (which a lot of you liked, apparently!! ty for all the lovely comments on there, i love reading what you guys have to say ^w^), but light's character arc in DN is a tragedy to me, full-stop.

tragedies to me are cyclical— revolutionary, if you will. since all stories necessitate some kind of something to take place, a tragedy to me is all about a character beginning in one point, then continually getting hit by Event, after Thing, after Event, only to end up in essentially the exact same place that they started. any character changes or development that seem to happen throughout the story are ultimately nullified by the end— the main subject does not truly grow, does not truly reflect on their actions or traumas, does not move on. two steps forward is two steps back. even ending up in a position worse than they started is sometimes better than a true tragedy, in my mind, as at least then there is some chance they may still reflect or change or grow in the future, leaving the hope that they may still overcome this new circumstance later on. a true tragedy ends in nothing meaningful ever getting the chance to truly change, at least in the case of the main subject of the story.

light's character arc in the first half of the story is an upward, underdog kind of story. yes, light has the power of a shinigami, of a supernatural force that the rest of the world doesn't even know exists— but part of the real appeal of his conflict with L is how powerful L feels in comparison, having the wealth and respect and title to command a world's worth of forces against him. fuck, even taking down naomi misora feels like an incredible hurdle overcome, a teenager managing to charm and yap and flutter his eyelashes out of a shitty situation he was only just lucky enough to stumble across in the first place, to stop someone who could've ruined his entire plan with a few words. killing L was always going to be light's greatest accomplishment when it comes to his rise to godhood, not only because of L's great power but the comparative position of light at the time that he did so— not yet an adult, not even really out of school, perhaps barely out of his parents' house.

in contrast, light's arc for the second half of the story is a downward spiral. we see all of the consequences light has been miraculously avoiding smack into him like meteors in this half, his ever-growing ego torn to shreds as he's yanked back down to earth. and in comparison to the anime, the manga really beats this point into you, dedicating the entire second half of the story to light's fall from grace as he loses his mind and loses his humanity. like, while i do kind of prefer the manga ending to the anime, i have to admit that light's death there is fucking brutal. light goes through pages, chapters, purely dedicated to near tearing him a new asshole, only end the story bloody and delirious and crawling on his knees begging a god of death to fix everything— all just to die the exact same death as everyone else he's killed. i mean, look at these fucking pages (ch.107):

(that last fucking picture of him. clawing at the sky. it always fucking gets to me.)

it hurts to read this shit!! we spend the entire first half of the story watching this dude's rise to glory, the entire time stuck inside of his head, emotionally connecting with him even if we don't really mean to or disagree with his actions or question his morality. watching his fall back down, especially after all of that, is fucking painful— an in no way does near make the process any easier. if anything, his blunt, snarky bitchery, saying all the quiet parts out loud, calling light out for being a terrible replacement L and pointing and laughing at his failures to his face, only shoves more salt in the wound, only proves just how human he has been all this time, how meaningless any of his supposed "rise to power" ever really was. light got his fifteen seconds of fame, sure— but near is armed and ready to make sure that's all he'd ever get, that the name Light Yagami would never even be associated with the position he held for so long. six years was all he got— and it was all he was ever going to get, because light yagami did not do this for humanity, he did it for himself. all near did was collect the debt that L prescribed. he fulfilled his duty as told— nothing more, and nothing less.

i just have to wonder... is this why people hate him? because he has no sympathy for the fall? maybe. i don't know.

either way, i don't think i could ever really hate him. it's a big responsibility, being the only one left behind. but near has always been the one to hold such weights on his shoulders.

[thegaybiochemist]

Fuck jkrowling and her insanely shitty transphobic beliefs, but fuck if the news that the actor who played hagrid died didnt just punch me in the gut.

[spacedlexi]

the way the ericson group were at the outbreak just a bunch of troubled kids who made various mistakes or committed crimes and were judged by a system that punished and abandoned them instead of giving them the support and love they needed, are then nearly a decade later put into a situation where now they must judge a troubled child for the mistakes and crimes hes committed against them. and 5 to 3 vote them out 😭

[askblueandviolet]

Hey Mayor, do you have any hobbies ?

MASTER POST

Asks Start 💙

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[anotherpapercut]

I don't think y'all 2 parented people understand what it was like to be a kid who only knew 1 parent when Percy Jackson started becoming really popular. my entire early childhood I was the odd one out, constantly being asked what happened to my dad. this series changed the fucking game entirely. we talk a lot about what it did for kids with learning disabilities, which is also extremely important, but I think it's time we acknowledge the way this series normalized and even sort of glorified having a single parent in a way nothing else ever had

[goldiipond]

carrying your friends around is a love language <3

[theygender]

I love thriftbooks so much. My gf and I finally got a new bookshelf for our bedroom and there's a lot of extra space on it so I decided to try and fill in the gaps in my collection of warrior cats books from my childhood. I needed 8 books in total and I just found ALL of them in "very good" condition for a total of only $35 (with free shipping!)

[mermaidsirennikita]

me pitching Kingdom of the Wicked/Princes of Sin: what if the Sailor Scouts were demon brothers

[lesbiansanemi]

I wasn’t really planning on watching the new Percy Jackson show despite being so hyper fixated on the books for YEARS as a kid but me and my roommate were bored tonight and he’d never read them so we decided to give it a shot. I’m only like 15 min into the first episode but I’m already remembering why I liked these books so much as a kid. Of course, I didn’t know I was autistic or had adhd at the time I read them, nor was I really aware they were written for neurodivergent kids and kids with learning disabilities with being a demigod a thinly veiled metaphor for that. But even just the first few moments of watching Percy struggle with being told he’s “special” (both in a negative and positive sense) almost hurts to watch in a way, and it’s reminding me of why I connected so much with those books and Percy as a character when I was like 11

[ratguy-nico]

CAUTION

-this is a little spoiler from my work for Geneuary I dont know if this is legal but I wanted to share cause is super sweet. Forgive me, but take it as a little sneak peek-

You know geneuary is just around the corner and i haven't been able to make as much progress as i want. Specially for the holidays.

I was eager to end at least one lineart today but my niece and nephew visited me yesterday and stay until today. So I could only work while they were sleep.

This morning I could succesfully finish lineart and apparently I was pretty loud about my happines cause my niece come to see what I was doing, I tell her I was drawing (she loves to draw too and specially coloring books) She ask me how I could draw on the computer and I show her and we ended with a lil collab. So here it is. I didn't pick any color desision all was her ideas. Im proud of my kid.

Again sorry if this is against the rules of Geneuary but I wanted to share, and nobody actually see my non-art post so the secret is well keep. Still not gonna say the prompt...thou is pretty obvious

[melchinafan]

That conversation between Devinder and Jacob about Dev being inspired by Hansel and Gretel's breadcrumb trail for his Translocate device (plus his planned heart-freezing gadget) has really pinged something in my brain in the best way. It's so simple to take it as a sorta silly thing, with a dismissive "oh ha ha it's just a kid's story" and the like.

But for me, it feels like a way to show that he really Gets It.

Stories have power. It's typically more metaphorical, in that they help us internally process and understand ourselves and the world around us. They can be a way to pass on so many types of information via oral traditions. They can change how someone looks at the world. They can save lives. Long or short, silly or serious, they're transformative. They're a social connective tissue.

But Dev harnessed that power in a more literal manner. One way to approach how he did it is also fairly straightforward—that he simply used these stories as the inspiration for incredible invention(s). Which is fantastic, and good on him for using such a creative springboard for his gadgets! (In contrast, some of the alpha-vampires used local Redfall legends as their names, trying to leverage that power for themselves. They were able to use it against the locals for fear-based manipulation, but the powers they have were stolen from the Gateway, not from borrowing those names. The fae these fools are not.)

But then—and this is swinging around to Secret-World-Legends-flavored shenanigans—you can also approach how Dev used the power of stories in a deeper, more bizarre and magical way. Certain stories, certain tropes, might sum up certain "rules of the universe" that we haven't been able to scientifically quantify yet. (Sort of like how stuff such as "toast always lands butter-side down," or "you're always going to forget to pack something you need on a trip" can feel like they're unwritten "rules" of How Things Work.) It's taking the phrase to mean that stories sometimes literally explain the world around us—we just need to figure out how. And Dev's been able to pluck out some of those "rules" that have been stitched within longstanding stories, and figured out how to harness their implied power via gadgets.

It strikes that sweet chord in me of "art as magic"—or art as magitech/gadgets, in this case.

Stories have power, sweetlings.

Tell yours.

[imissthembutitwasntadisaster]

L&c is crazyyyyy to me mostly because it's such a harsh narrative but has such scope for gentleness and mercy and grace in it

[omarwolaeth]

It's such a tiny innocuous thing that really doesn't matter, but I feel like calling duel monsters a children's card game (when it's fundamentally baked into everyday life, and your social existence is judged by what you play and how you play it so very intensely, for everyone in-universe) is an absolute injustice to what it is for that universe of people.

[violetwolfraven]

God I hate Pinterest and I really need to stop reading the comments on literally any post on there

I just saw someone straight up say they’re afraid that show fans who haven’t read the books are going to take over and dominate the fandom and they’re afraid that their memories of the books are going to get overridden by memories of the show because of new show fans, and that’s a good reason to gatekeep.

Like okay, just say you’re a party pooper and go home.

Yeah this is about Percy Jackson but I’m not gonna tag it as that cause I don’t wanna get hunted for sport