I love how the faux-politeness of MDZS' climax takes its themes to its logical conclusion. All throughout, we've seem how sects and cultivators prioritise their reputations, seeking glory and status even when real lives are at danger, keeping up their appearances. We see that in the unwritten rule that major sects won't intervene in problems unless the prey is dangerous; we see it in how Lan Wangji is unique in the way he prioritises helping others over seeking glory; we see that in how the Wen situation plays out, with Wei Wuxian confronting the Jins about a concentration camp while they're focused on having a banquet.
So of course in the Guanyin Temple, even when Jin Guangyao is directly threatening people's lives, the interactions are polite! We're seeing what has always been present – the absolute disconnect between the actions and world of the Jianghu, and the real harm that real people are suffering through (both intentionally and not) as a result.
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One of my biggest pet peeves is the assumption that something has to be sad for it to be tragic.
I've always been a big believer of the 'Apollo has an awful love life'/'Apollo is plain unlucky with love' line of thinking but it does bother me that the general reasoning for that statement is given to the concept of 'Apollo is somehow undesireable and thus rejected' (Cassandra/Daphne/Marpessa) or 'his lovers die young and thus their love is unfulfilled' (Cyparissus/Hyacinthus/Coronis). I personally think that's a very unfortunate way of looking at things - not only because it neglects the many perfectly cordial entanglements and affairs Apollo has had, both mortal and divine - but because it presents a very shallow interpretation of the concepts of love and loss and how loss affects people.
Apollo can still grieve lovers that have a long, healthy life. The inherent tragedy of an immortal who knows his lovers and children will die and cannot stop it does not stop being tragic simply because those lovers and children live long, fulfilled lives. The inherent tragedy of loss does not stop being tragic simply because someone knows better than to mourn something that was always going to end.
What is tragic is not that Apollo loves and loses but that loss itself follows him. Apollo does not love with the distance of an immortal, he does not have affairs and then leaves never to listen to their prayers again. He does not have offspring and then abandon them to their trials only to appear when it is time to lead them to their destinies. He raises his young, he protects the mothers of his children, he blesses the households that have his favour and multiplies their flocks that they may never go hungry. He educates his sons, he adorns his daughters and even in wrath he is quick to come to his senses and regret the punishments he doles out.
Apollo loves. And like mortals, there will always be some part of him that wishes to protect the objects of his affections. Apollo, however, is also an emissary of Fate. He knows that the fate of all mortal things is death. He knows that to love a mortal is to accept that eventually he will have to bury them. There is no illusion of forever, there is no fantasy where he fights against the nature of living things and shields his beloveds from death. Apollo loves and because of that love, he also accepts.
And that, while beautiful, is also tragic.
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there's a video on instagram of a man kicking his partner's door in. the top comment is (with over 4 thousand likes): "how about you tell us what you did to make him that angry?"
barring emergency, nobody should be kicking anybody's door in. many of us lived in houses where it was always, somehow, an emergency. there is a strange, almost hysterical calm that comes over you in that moment - everything feels muted, and you almost feel, however incongruently, like you should be laughing. you are living inside of "the emergency." oh my god, you think. i am now a fucking statistic.
there is another comment with 2.8 thousand likes: "if this was a woman doing it to a man, nobody would give a shit."
do people give a shit now, though?
barring emergency, the door should remain standing. the emergency should be panicked, desperate - "i'm coming in there to protect you." many of us know what it feels like when the emergency is instead "i'm coming in there to get you."
1.5k likes: "and yet you post this for notes. glad to see being the victim has become your whole personality."
hysteria is a word connected to womb, from greek. what you're experiencing is so senseless and inhumane that you (a rational creature) try to find any ground within what is irrational and cannot be explained. one of the most frustrating things about staying in bad situations is that we also lie to ourselves. we also ask ourselves - wow. what did i do?
women can be, and often are, also abusers. abuse is not gendered. abuse is not just a "straight person" problem. abuse does not have a face or figure or sexuality. you cannot pick an abuser out of a crowd. an abuser could be actually anybody.
and then so many people rally behind the man kicking the door in. here is something nobody should be doing, right? you want to ask every person that liked that first comment: do you ask this because you side with him? do you ask this because it helps you feel safe from this ever happening?
in some ways, you're weirdly sympathetic to the top comment, because it is the same logic you see frequently. the idea is that the average, normal, sane person doesn't just break down a door. doesn't just shoot up a school. doesn't stalk and kill women. doesn't threaten sexual assault. doesn't run over protesters. doesn't shoot an unarmed black person. doesn't scream at underpaid walmart employees. doesn't just "lose it". something had to have happened, right? because the default (white. straight. cis.) - that is someone who is always, you know. "sane."
(right?)
on a podcast, you hear a sane, normal, rational person. "if you piss me off, i'm going to need to hit something. sorry but i'm not apologizing. that's just who i am that's how it is." his voice almost sounds like he's laughing.
you think of the door, and how you were almost laughing behind it, too. ironically, every real emergency in your life has almost felt peaceful in comparison. fire, car accident, flash flooding - these felt quiet, covenant to you. you'd stood in all of them, feeling them pass over and up to your chin, never actually overwhelming.
but when the door was coming down, you had felt - is there a word for that? there has to be, a word, right.
surely one of us has figured out the word for that, i mean. it's such a large fucking statistic.
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