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#the words are from a play by shakespeare in case anyone was wondering
victoriademedici · 6 months
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QUEEN ELIZABETH II OF THE UNITED KINGDOM (1926 - 2022)
Canst thou, O partial sleep, give thy repose To the wet sea-boy in an hour so rude;  And in the calmest and most stillest night,  With all appliances and means to boot,  Deny it to a king? Then, happy low, lie down!  Uneasy lies the h e a d that wears a c r o w n .
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earlronove · 1 year
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LIFE ETERNAL & BEYOND
Forevermore has finished and all its chapters have been posted publicly! (You can also purchase an ebook or pdf version of the whole thing together with an additional bonus story!) I wanted to take a moment to talk about it since I don't usually do that and I feel like there is opportunity to discuss what went into this. So, read on if you're curious!
I'm no stranger to supplementary materials with my games. Star Stealing Prince had short stories and two sequels (following both the good and bad endings) as web novels (the total word count for both sequels are over 200,000 words!). All are still readily available for anyone to read and will remain so no matter how old or rushed the writing may be at this point. Both of those were a product of the time they were written and while sometimes I look back and regret I did not give Permanence (the good ending sequel) the attention it sorely needed, I don't think I have it in me to try again.
So, upon saying that, Forevermore was kicking around in my head shortly after I finished Life Eternal. Probably even before. It deals with the necromancer, now named Nezael because I couldn't think of a good way to leave him unnamed (we can imagine the first thing Yorick says upon raising is his name, probably the first to say it in a long time), and his chance meeting with Yorick and how that drew the poor man to becoming a skeleton you find outside his room in the original game.
Originally, he was a riff on the classic Shakespeare line from Hamlet: "Alas, poor Yorick!" because how could I not? But then after much prompting, I added journal entries for the skeletons. That made me think a little more. Why would this skeleton be outside the Necromancer's room? Clearly, a bodyguard then perhaps? Then I added the question the Necromancer asks his lord while cleaning the great hall: "Why the man who had been friendly with me while he still had so much life left in his eyes? […] Perhaps you were jealous of him when he had his skin." All of that finally led to what his journal entry became:
"Yorick was the first skeleton I made all on my own. In his living life, he was a woodsman for the town close to us and I met him while I was gathering herbs for my Lord. I didn't think he'd be my first skeleton, but then my Lord made it so. From his flesh body, I miss his blue eyes the most, I think. Yorick was always kind to me and looked after me when I forgot to do it myself. Sometimes I wonder if it's because he's fully my skeleton and magic compels him to do so, or perhaps he remembers still the friends we'd been in those sunny patches in the forest. In any case, I wish for his companionship back."
By this time, the ideas had truly taken root and I decided I wanted to explore what I had written in the journal entry in Forevermore. It allowed me to also play with Nezael's lord, Carrow (as his name became because it was too awkward using "his lord" all the time) and see how creepy I could make him. People certainly picked up he was not a good guy in Life Eternal, which I was glad about because I worried I was too subtle, and writing this allowed me to explore his character more. Especially in how he changes toward Nezael in the bonus story. It's very deliberate and I hope it comes across as such.
Writing Forevermore, however, changes some of the intent behind the Necromancer's words. He knows why his lord chose Yorick. Such is what happens when ideas shift and adjust between projects. Life Eternal was made in thirty days without much thought of what came after or before. It made for much better drama, however, if Nezael knew exactly why his lord chose Yorick out of the rotting bodies hidden in the forest and so I leaned into it. There is no indication how much time there is between Forevermore and Life Eternal, but that is partly by design. The Necromancer in Life Eternal has clearly gone through a few cycles of raising his lord and going into a slumber afterward, so there's no telling how many times he's done this in the dilapidated tower or how much of it was his own actions or simply those willed by his lord upon giving Nezael his circlet. One regret I have is after reading Forevermore, people might wonder why the heck Nezael would ever raise Carrow. I'm not quite sure of the answer myself yet, but that's why there's an undetermined amount of time between the end of Forevermore and Life Eternal. Please understand, stories grow the more you water them and sometimes, you decide not to prune the bits that don't quite fit because you happen to like how it grew out.
As a result of not quite fitting, part of me does want to go back to readjust some of Life Eternal's dialogue to better reflect the past Forevermore created for the Necromancer, but I'm already treading water with Star Stealing Prince's remake, I don't want to add another game to that list. While I may yet explore the events around the flashbacks and what ultimately breaks Nezael into the Necromancer he becomes in Life Eternal, the game is finished and it will remain so. I COULD always just novelize Life Eternal but I fear since Nezael is literally alone for most of the story, people might find it boring. Something to think about!
Of course, after I finished Forevermore, I still had a few ideas I had not yet explored and there was one more skeleton I had not written about because he came after Yorick. So, that's why there is a bonus story with the compiled ebook and pdf versions of the novella. It was fun to imagine what happens shortly after the novella and before the game, especially to show how Nezael changes from the beginning of Forevermore to where you find him in Life Eternal. There are still flashbacks I could expand upon if I want, but that might be for another time. There are also ideas for what happens after Nezael leaves the tower with the skeletons after Life Eternal and I wouldn't have those ideas if I hadn't decided to write Forevermore and expand on what Yorick meant to Nezael.
In any case, developing stories is a process. Life Eternal came together in 30 days for a jam, but planning the prequel allowed me to dig deeper into the characters I had fashioned as quick as I could. Writing its prequel was a good exercise for me as well as it challenged me to write things I may not write very often (for example, I don’t really do romance, but I wanted that for Nezael and Yorick so chapter 5 was a nice exercise). And most importantly, it's fun to let ideas gradually unfurl in your mind to the point you just have to write more in that world.
I hope you have enjoyed reading Forevermore and also enjoyed playing Life Eternal. Here's hoping for many more projects from me!
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noshitshakespeare · 3 years
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When goes through your mind when reading stuff Shakespeare wrote that is racist by today's standards? Can we justify it by acknowledging that he was simply a man of his time? I've been finding it to detract from my enjoyment of plays that I otherwise love e.g. lines like "if I did not love her I would be a Jew" or the pejorative use of "Ethiope" in Much Ado About Nothing. And then just...Shylock. Is there evidence that Shakespeare was actually progressive for his time?
Thanks for this question, anon. This is an important point that’s worth thinking about in some detail, because, while you can’t really judge someone in the past by standards they didn’t even have a word for, Shakespeare is not just a past author but someone whose works continue to have meaning for people today. But it’s not as simple as a case of blame or justification, nor are those examples quite as straightforward as they may seem. 
Let’s think first about the question of pejorative uses of words like ‘Ethiope’, or ‘Jew’ in passing phrases. These are definitely offensive by today’s standards, but are more like set phrases in Shakespeare’s time, where ‘Jew’ is used as a shorthand for anything un-Christian, especially those things stereotypically associated with Jewish people, such as avariciousness. The same goes for ‘Ethiope’: since the beauty standards of the day dictated that white, gold and pink were the signifiers of beauty, anything dark is used as shorthand for unattractive, and calling someone with dark features an ‘Ethiope’ is then an exaggeration of those features. They’re lines that you have to either cut or bring attention to in modern productions because you can’t really justify their usage. But it’s really important to see that set phrases are phrases that have become common and therefore that people use them without necessarily thinking of their implications. To position ourselves as somehow better because we have the benefit of the many wonderful things that people have done to advance human rights and equality is a little wrongheaded. We need to be aware that we have similarly offensive terms that people use today that most likely won’t stand up to scrutiny in the future. I know when I was younger, people used the word ‘gay’ pejoratively without thinking about who that might offend, and people use ableist phrases like ‘I’m so blind’ without consideration too. In other words, as unjustifiable as it is that there are such phrases, there’s a difference between using them directly to injure and using them unknowingly. 
And that brings me to my second point: Shakespeare is writing plays, which means that these are phrases he puts into the mouths of particular characters. We don’t really know how Shakespeare himself spoke, but it’s necessary to distinguish between an author's position and his depiction of certain characters. Writers regularly write from the perspective of people whose views they don't share, and there's no way every single one of Shakespeare's characters is a mouthpiece for his beliefs. We can't attribute racism to Shakespeare any more than we can say he must have had thoughts about regicide because he wrote Macbeth. This definitely applies to The Merchant of Venice: the so-called 'Christian' characters mistreat Shylock, but that's not the same as saying the play condones that behaviour.
As for whether Shakespeare was progressive... Personally, I'm not sure about judging a work based on what one thinks of the author, especially if the author is long dead and no royalties are going to them. While I can understand that one's feelings about a particular author might hinder the enjoyment of the work, on some level, once a work is produced, it acquires a life of its own which is not up to the author's control anymore, especially for someone like Shakespeare who is surprisingly quiet about what he thinks of his own work (unlike, say, Ben Jonson).
So perhaps it doesn't matter very much, but I do think that Shakespeare writes in a way that shows something of the breadth of his view of life. As I've already said, we don't know what he thought. Still, the multiplicity of perspectives that is characteristic of his writing suggests he could think outside of the common understanding of his time. So, for instance, he really doesn't go in for low blows about religion the way many of his contemporaries do, and whenever there is a character like Aaron, Othello, or Shylock, he includes something that complicates the stereotype. Thus, we have Aaron being a more caring and loving father than anyone else in Titus Andronicus, and asking 'Is black so base a hue?' (4.2.73); Shylock's famous 'Hath not a Jew eyes' (3.1.55) speech; Othello's nobility, and Shakespeare's sonnets on the Dark lady, which really question the beauty standards of the day. This is far more than we get from the general use of stereotypes in city comedies, or in two-dimensional depictions of the stereotypical early modern Jew as in The Jew of Malta.
Though he often starts from the stereotypes he's familiar with and depends on the language of his time, Shakespeare shows an imaginative empathy that makes him consider what it might be like to be the characters he depicts. What could be more progressive than empathy? Shakespeare can write from the perspective of characters we'd consider racist now, but he also writes, and writes convincingly, from the perspective of those who are abused, regardless of their religion, sexuality or gender.
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starlitink · 2 years
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Rules Of The Theater
Rules for Ms. Medda Larkin's high school theater.
Or, the theatre kid AU no one asked for - inspired by all the stuff that's gone down during the shows I've performed in. (Except the kicking the ceiling thing. That was taken from Tumblr.)
Read on AO3
(Oh, yeah. Forgot to mention. I got an AO3 account.)
RULES FOR THE THEATER
1. The crew members are your gods, and they will not hesitate to run you over with a set piece. (Ask Henry. He can testify about the truth of this statement.)
"Henry. Henry. HENRY. MOVE YOUR GODDAMN ASS OUTTA THE WAY!"
Henry, who was not paying attention to his friend's yelling, was immediately run over by JoJo and Finch, who were moving a table onstage for the next scene. (Thankfully, it was a runthrough and not the actual show.)
2. Don’t move the pink pen with the fluffy pompom from the stage manager’s desk.
"Where's my pen?"
Jack looked up from the set piece he was painting to see Katherine (their stage manager) standing next to her desk, hands on her hips.
"Which one?" Jack asked. "You have a lot of pens."
"The pink one with the big fluffy pompom on top," Katherine said.
"Why does it matter? You can always use another pen."
"But it's my lucky pen," Katherine explained. "It has to stay on the desk, or the show won't go right."
"That's just superstition," Jack said, going back to his painting.
"Says the guy who freaks out if anyone wishes him good luck before a show or says Macbeth in the theater."
Jack heard a crash as someone (probably Specs) dropped something that, from the sound of it, was very large, very fragile, and probably shouldn't have been broken.
"GODDAMMIT, SPECS!" he heard Davey (the other stage manager) yell.
"KATHERINE SAID THE M-WORD!" Specs shouted back.
3. No, we don’t know how the playing card got stuck to the ceiling, or why it's still up there. It’s just there. (In case you were wondering - the card is the five of spades. How do we know this? Specs checked one time while he was on the catwalk.) Please stop asking.
4. DO NOT, under ANY circumstances, say the M-word while in the auditorium. (The last time someone did that, Jack punched them in the nose.)
Davey opened the door to the boys dressing room and sighed. "Can someone please tell me why Blink just ran past me with a bloody nose?"
Race and Crutchie pointed at Jack. "Jack punched him," they said in unison.
Davey sighed and pinched the bridge of his nose. "Jack," he said slowly, "why did you punch Blink?"
"He said the m-word," Jack said defensively, crossing his arms over his chest.
"The m-word," Davey repeated in a deadpan, raising an eyebrow.
"Y'know, the..." Jack made some weird gestures that Davey didn't understand. "The Scottish play. The one that Shakespeare wrote."
Davey thought about this for a second. "You mean Macbe-"
Before he could get the whole word out, five different pairs of hands covered his mouth.
"DON'T SAY THE NAME!"
5. Please knock before entering the dressing rooms.
Katherine opened the door to the boys dressing room and immediately had to dodge a sneaker, thrown by Specs, as a roomful of teenage boys let out a chorus of startled screams.
"KATHERINE!" a nearly-naked Race screamed, throwing his hands in front of his crotch to try and preserve some semblance of decency. "WHAT THE HELL?"
"Knock next time!" Romeo said, hiding behind Elmer (who was the only one in the room not in a state of undress).
"A little warning, please!" Mush shouted, covering his bare chest.
"Sorry, sorry!" Katherine covered her eyes and spun around so she was facing away from the boys. "I just needed to know where Davey was!"
"NOT IN HERE!" Specs yelled as Katherine fumbled for the door handle and shut the door behind her.
6. Albert is not allowed to touch the soundboard anymore.
"Albert! I need you to..." Davey paused. "Never mind. JoJo, can you run up to the sound booth and start running the mike check?"
"JoJo doesn't know how to work the sound system," Henry said as he walked past, his arms full of a shiny, silky-looking fabric. "Buttons! I have the fabric you wanted!"
"Why can't Albert do it?" asked Romeo, one of the younger actors. "He's part of the sound crew, right? So how come he can't do the mike check>"
Davey sighed. "Albert isn't allowed to touch the soundboard anymore."
"Why not?"
"I'll tell you why not," Race interrupted. "Because of..." he posed dramatically. "The Incident."
"What's The Incident?" Elmer asked.
"Elmer, you were there," Race said. "You know, the thing with the..." He made a few gestures that Romeo couldn't interpret. "And the..." He made a few different gestures.
Elmer nodded. "Right. That."
"What?" Romeo asked.
"Basically, Albert is the reason we got a whole new set of microphones last year," Davey said.
"It involves Darth Vader, a chicken, twelve feet of bubblegum, and a dead squirrel," Race said, returning to what he was doing before and leaving Romeo speechless.
7. I can’t believe this has to even be a rule - PLEASE DO NOT KICK THE CEILING. (We’re looking at you, Race.)
"Can someone explain," Davey asked, closing his eyes and pinching the bridge of his nose, "why Race is not here? This is our last rehearsal before the show, and he's one of our leads."
JoJo and Albert looked at each other, then simultaneously raised their hands and said "He got detention."
"And how did Race get detention?" Katherine asked.
"He kicked the ceiling," Crutchie said.
"He..." Davey paused. "He kicked the ceiling?"
"It was an accident!" Albert said.
"How do you accidentally kick the ceiling?"
JoJo shrugged.
8. Buttons and Sarah have the final say when it comes to costumes. End of discussion. (The only exception to this rule is if you cannot move comfortably in it or act properly (ex. you need to do a stunt and your costume makes you unable to perform the stunt).)
9. Do not bother Ms. Medda unless it is an EMERGENCY. (No, being out of Dr. Pepper does not count as an emergency, Elmer.) Unless the building is on fire, go talk to Davey or Katherine.
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babbushka · 3 years
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Change of Plan
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Lawyer!Kylo x Reader
5k ; Mostly fluff. CW: Rivals/enemies, possessive behavior, name-calling (but in a playful way), NSFW (PIV, dirty talk, bathtub sex)
Available on AO3
                                              ------------------
Of all the days to cancel a date on, Valentine’s Day really had to be the worst.
Not that you had been dating that guy or anything – what did people consider dating these days anyway? – you’d only seen him a couple times. Work made things hard, made dating hard, and as much as you hated to admit it, part of you was really looking forward to spending the holiday with someone.
So when the text came through that he’s so sorry but something came up, any and all excitement you had had went straight down the toilet. 
Which is how you find yourself with your arms crossed over your chest, making your way down the sidewalk at three in the afternoon, doing some sort of walk of shame. Of course you were on the way to the meet-up spot when you got the text, wanting to be there early to compose yourself and get those butterflies in your stomach to calm the fuck down. If you didn’t care so much about punctuality, you might be in bed still right now, nursing your feelings with a pint of Ben & Jerry’s.
If you didn’t care so much, you might be in the safe warm comfort of your apartment, instead of being so exposed like this. The thought only becomes more prevalent in your mind when those butterflies turn to anchors in your stomach, your mood only sinking further, as a familiar black car pulls up to you. 
“Hey!” The window rolls down, and you hold your breath and will yourself not to look so obviously just-gotten-dumped-on-valentines-day-even-though-we-weren’t-even-dating.
“What the fuck do you want, Kylo?” You sigh, trying not to shiver. February in Manhattan wasn’t exceptionally freezing but you had definitely dressed for aesthetics over practicality – just another thing to make you feel like shit about it all.
Kylo, as ever, looks perfectly handsome. 
It’s infuriating.
“Get in the car.” He calls to you from the backseat, the driver going at a slow enough pace to match your speed.
You don’t stop walking, even though the offer is tempting. What was he even doing there in your part of town, didn’t he have the case to prepare for? Shaking your head, you wave him off.
“No, I – I want to walk.” You swallow around the sound of your voice breaking, hating the way your eyes are betraying you. Kylo hears it anyway, and you brace yourself for him to make fun of you for it, but the taunting teasing mocking jokes never come.
Instead, he rolls his eyes at your stubbornness, and says something to his driver because the car stops then, and Kylo opens the car door, standing outside it and gesturing for you to come in. You notice that he’s dressed exceptionally well; sporting one of his nicer suits, winter light from the sun reflecting off his shiny black Allen Edmonds.
“The forecast says rain, you’ll get soaked.” He argues, and you hate him, hate how he’s right.
Steeling yourself with a big deep breath – because you are not going to cry in front of Kylo fucking Ren – you make your way over to him, barely able to look him in the eye as you slide into the backseat of his car. Happily, Kylo sits himself nice and close to you, closes the door, and at once, the driver pulls back onto the main road, matching speed with the other vehicles.
Kylo opens his mouth, and you smack a hand over it before he can even take a breath in, leveling him with a dark glare and threatening, “Before you say anything, I want you to know that I cannot handle any criticism in this moment.”
“I wasn’t planning on criticizing you.” Kylo shakes his face a little to get your hand to fall off his mouth, and you aren’t so sure you believe him.
“Then what are you here for?”
“I’m taking you out.”
Blinking, you stare at him. Was this some kind of joke? But the more you look at him, the more it makes sense. Belatedly, you realize he must have been on his way to your house, because he was driving the same direction you were walking. The nice suit, the shined shoes, the freshly done hair…hell he had even trimmed up his goatee.
“Excuse me?” Is all you can ask, wondering what this is, what kind of angle he’s coming at you with. Because with Kylo, there’s always an angle.
He shrugs, scratches at a spot underneath his chin and casts a glance down to his lap, and you for a moment think he might be…nervous. Well, sincerity certainly wasn’t the angle you had been expecting.
“It’s Valentine’s Day, and people tend to go out to celebrate.” Kylo is distracting with the way he talks, hands gesturing all over, masking a flash of vulnerability in his tone with sarcasm as he continues, “And I figured if you’re the only woman in New York City who isn’t out celebrating, you’re going to be a real fuckin’ bitch on Monday when we go to trial, so, here I am.”
“Has anyone ever told you you’re terrible at being romantic?” You mutter, your heart pounding in your chest so loud that you’re sure he can hear it.
Cracking a wide grin, he taps the underside of your chin with his knuckles, before reaching forward to grab a big bouquet of red roses from the front passenger seat, careful not to disturb the petals as he pulls them over the center console and hands them to you.
“Look I even brought you flowers and everything – not to be romantic don’t go getting heads over heels or anything; some schmuck was giving them away for free down the road, I figured you’d like them better than them ending up in the garbage.” Kylo’s mouth runs faster than your mind can process it as you’re presented with the flowers, and if you hadn’t sworn to hate him for all eternity, you might have leaned in to kiss him right there.
“You figured right.” You smile, trying to remember when the last time anyone bought you flowers that wasn’t your secretary congratulating you on another case won, and fully accept the idea of a night out with Kylo by asking, “So, where are we going?”
With that go ahead, the driver speeds up a little more, makes a couple right turns. Kylo doesn’t tell you, just slings an arm around your shoulders and keeps his plan a secret. Those damned butterflies are back, and wouldn’t you know it they’re better than ever, and you can’t help but think that you’re lucky you were already dressed. It’s then that you evaluate what it is that you’re actually wearing.
On the date that never was, it was supposed to just be some wine tasting thing, so you had put on a beautiful dress that showed off all your favorite assets, as it were, and a pair of shoes that looked nice, but weren’t really meant for any sort of outdoor activity. Hoping beyond hope that Kylo wasn’t an outdoorsy sort of fella, you let yourself lean into him as the car zips through the Manhattan streets.
That hope slowly starts to die, once Central Park starts to come into view, and you realize that whatever he’s decided for his surprise is definitely not going to be conducive to these heels.
“Don’t worry, we’re not running or anything.” Kylo senses your mild stress, and with that, lies straight to you as the car slows down to a halt, and he grabs your hand and pulls you in a light jog into the park.
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Central Park is, as it always tends to be, bustling with people. It’s not quite late enough in the day, or cold enough outside for it to be a more secluded spot – if anything in Manhattan ever is. You clutch the bouquet of roses to your chest, having forgotten to leave them in the car, as Kylo forgets to give you back your hand, the both of you chuckling and out of breath.
“Destination number one.” Kylo gestures grandly to a bench, when he stops jogging after a few minutes, once you’re deep inside Shakespeare Garden, making you give him a funny look.
“There’s more than one?” You ask, wondering just how involved this whole evening was going to be.
“Don’t ask stupid questions.” Kylo replies with a cheeky grin, before bringing you closer to the bench.
When he said this was the first destination, you had thought he was referring to the park, but as you come closer, you recognize this bench as the famed Whisper Bench, mostly because there’s a couple of people already trading secrets there. It’s made entirely out of concrete, twenty feet long and curled on each end.
Kylo waits politely until they leave, and then he’s leading you by the hand to one side of the bench, jogging over to the other end.
Like the people before you, you each bend over and cup your hands around your mouth.
“You want to go first?” You whisper, wondering if it’s really true, that your words will travel across the bench and reach him.
You don’t have to wonder though, not for very long anyway, because soon after his deep baritone is shooting across the bench, making your cheeks heat with something too close to affection for you to ignore it, especially when his big secret is, “You look very beautiful tonight.”
“You’re not half bad either.” You send back to him, making him grin with all of his crooked teeth.
There are people waiting for you to be finished, so Kylo comes back around the other side of the bench, and breaks out into a sprint the second he has a hold of your hand once more, making you yelp and laugh as he tugs you along to the next spot on his list.
                                                -----------------------
From 79th street, he brings you to 64th, where you’re faced with the charming little Chess & Checkers House. It’s in the children’s district, but thankfully there aren’t too many children around. The octagonal building is surrounded by twenty-four permanent tables that have inlaid boards.
“Put the flowers there so no one takes the table.” Kylo instructs, and you do as he says, along for the ride.
“We’re playing chess?” Your eyes widen happily, and Kylo immediately recoils in a cartoonish way, shaking his head and making you sigh with exasperation.
“No fucking way, you’d kick my ass in a heartbeat.” He says, making those butterflies go crazy once again. Kylo walks up to the window of the little building, “We’re playing something I have a more even playing field on – one checkers set please.”
“Oh you’re so on.” You grin, taking him up on his challenge.
You set up the table, giving him black and keeping red for yourself. After three games, it becomes incredibly evident very early on, that Kylo has no idea how to play checkers. Taunting him the entire time – because really, who doesn’t know how to play checkers? – you collect your wins easily and smugly.
It felt good to win, that’s the whole reason you became a lawyer in the first place after all, but it felt especially good to win against your arch rival. The fourth game ends when you eventually take over the board, using a few strategic moves that have him completely pissed off.
“You can’t just do that!” He protests, the vein in his neck jumping out, as you jump over three of his pieces and turn your piece into a queen for the second time in a row.
“Of course I can! Don’t be such a sore loser.” You roll your eyes, but he’s not having it.
“You’re a fucking cheater I don’t know why I thought this would be a good idea.” Kylo takes all the pieces off the board and shoves them into the small box that they came in, angrily muttering to himself, “Making up rules as you go along and all this bullshit.”
“I won fair and square and you know it. Consider it a prologue for our case on Monday.” You rest your chin in your hand, watching with satisfaction as he scoffs and grumbles all the way back to the small octagonal house to return the pieces with the shame of losing four games in a row.
                                                -----------------------
Not far away at all down 65th street is the next stop on Kylo’s route, and you almost don’t believe that this is where he means to take you, when you stop your giggly jogging in front of the carousel. It’s getting pretty dark outside, between the rain forecast and the short winter days, which only lets the lights from inside the carousel shine brighter.
The golden inviting warmth of the lights blink and pulse along with music that plays, and standing there in line, with this big bouquet of roses, half of which have lost the majority of their petals just from all your running around, makes you feel like you’re in some kind of romcom.
Kylo lets you go in front of him, a hand on your waist as you take the big step up, immediately seeking out the perfect horse to claim as your own. You know that there’s two-seater options, but nothing beats the classic design of a galloping horse.
“Aren’t you going to sit?” You ask him once the carousel begins to spin, and he remains standing next to you, one hand on a golden pole to steady himself, the other resting gently on your thigh.
“And break one of these things? I don’t think so. The last thing I need is for the park to sue me.” He jokes, and you laugh at that, my my how would the tables have turned in that case.
“You made a good call, it’s chilly up here.” The movement of the carousel has the wind biting at your face, and at once your hands come across your chest to warm up the tops of your arms through your dress.
“I was wondering why the fuck you didn’t bring a coat.” Kylo immediately begins to fuss with you so you don’t go falling off the damn horse.
“I hadn’t planned on being outside today!” You defend yourself and your poor choice of attire as the carousel horse moves up and down, making it harder and harder for Kylo to get his hands on you, in turn making the two of you laugh.
“Yeah yeah, a likely story I’m sure – take my jacket.” He gives up trying to warm you up himself, and instead shucks off the thick wool jacket and drapes it around your shoulders.
It’s an intimate gesture, one that you’re not so sure how to take. You and Kylo hated one another, really loathed each other’s existence. Every day you thought about him and got a headache, and you knew he felt the same way. He had said as much, even. Kylo was a ruthless, terrible, awful, handsome, funny, charming…oh sonofabitch.
“But…then you’ll be cold.” You whisper, watching as the twinkling lights shine and shimmer in his big brown eyes, wondering when he got so close.
“So?” Kylo whispers back, holding a hand out for you to take when the carousel comes to a halt.
With his jacket around your shoulders, you don’t hesitate to take that hand, once again conveniently forgetting to let go of it even when both of your feet are firmly planted on the ground.
“Are you hungry?” He asks, once you’re both off the carousel and are walking a little less purposefully, just meandering down the park.
“I could go for some hot chocolate if there’s a place around.” You appreciate the question, finding that you don’t want the evening to end just yet. Not yet, not when you’re having so much fun.
Kylo must be thinking the very same, because his face lights up, and you can practically see the gears turning around and around in his head as he nods, “I know just the spot.”
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People in the park were so smart, you decide as a vendor hands you one of those eco-friendly paper cups filled nearly to the brim with piping hot cocoa. Big marshmallows float gently and melt steadily as you take a loud sip and thank the man while Kylo pays. How the hell Kylo knew this guy would be here, you don’t know, but knowing Kylo, you wouldn’t be surprised if he had the guy’s number on speed dial or something.
It’s quiet, in this little spot of the park. As it gets darker and colder, more people start to head back to their own homes. You know too that realistically, you will have to go back to your apartment as well, so you take small, deliberate sips of your cocoa, hoping to draw out the time left.
Kylo is quiet, sipping on his cocoa too. You wonder if he’s thinking all the same things, if he’s dragging it out so that he doesn’t have to say goodbye yet either. You wonder where his driver is, what that poor sap is doing while you and Kylo dance around each other like this.
He keeps stealing glances at you, and you keep pretending to ignore them. Yes the sun has officially gone down beyond the skyline, and yes you’re probably colder than you should be comfortable with, even with his jacket around your arms, comically too large for you. Yes the flowers have all but wilted completely from the wind and the running, and yes your feet are killing you.
But you don’t want it to end, not yet.
Never in a million years did you think you’d have so much fun with Kylo of all people – never in a million years did you think you’d be so glad to have a date cancel on you. Who the hell needed a wine tasting anyway? You knew what wines you liked and didn’t like. Even though you were both well into adulthood, being with Kylo tonight made you feel like a kid again, in that sense that you hadn’t had this kind of fun in a long time.
It is at that moment, that the sky opens up completely, and rain begins to fall in freezing cold sheets, all at once. Shouting out of surprise, the two of you are shocked, and it’s all you can do to not drop the cocoa and somehow freeze and burn yourself simultaneously.
“Shit, let’s get out of here!” Kylo breaks the silence by saying, and you agree at once, the two of you running running running through the trail, looking for a place to take some shelter.
In the dark, it’s hard to find such a place, so Kylo cuts through a shortcut path that he knows, that has you popping out on the other side of the park, through a big gate and onto the street. No more than a few seconds go by, before his car pulls up, and Kylo practically yanks the door open, pushing you in quickly and climbing in behind you.
The two of you exchange glances, soaked to the bone, and burst out laughing, shivering and trying to warm your hands by the heater. The car seems too small then, seems like there’s no space for the both of you. You’re acutely aware of how his leg is pressing up against your own, how his bicep nudges yours, how his face is practically right up against yours, as you both turn towards one another to get near the heater.
“What did you have in mind now?” You whisper, and you’re not sure, but you think that you can see him swallow nervously.
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When Kylo’s car pulls up outside the Baccarat, you really wish that the rain hadn’t ruined both of your outfits. No one seems to mind the two of you dripping on the floor of the lobby, as Kylo exudes all the confidence of New York City’s top prosecutor, but you certainly wish that you looked less like a drowned rat.
A key is slid across the counter, and into the elevators you and Kylo go, stealing little glances back and forth, looking away shyly when you’re caught. Eventually, the doors open again, and it’s a short walk to one of the most beautiful suites you’ve ever seen.
“You don’t get to say I’m not romantic ever again.” Kylo smirks, and you’d smack him for that if you weren’t still taking everything in.
Not only is the room beautiful just because it’s a luxury hotel, but Kylo must have gotten some sort of romance Valentine’s Day package, because the room is completely filled with tasteful and elegant décor.
On a silver bar cart that’s been wheeled into the sitting area of the room, there’s a bucket of champagne and crystal glasses. Gourmet chocolates in a satin box sit next to it, as does a small wrapped present that you’re dying to open at some point. Cashmere robes are laid out neatly on the massive bed, and large spherical rose bouquets are placed all over the surfaces, complete with rose petals leading to the bed from the room’s front door.
“Bubble bath?” Kylo offers, and you give him a knowing smile, grateful to both be warm, and to be naked with him.
His body never fails to make your eyes wander, you think. Between how hard he works and antagonizing you, you wonder when he ever has the time to work out, because surely he must work out. Kylo’s solid and strong in a way that makes you feel absolutely primal, and as he helps you step into the steaming water of the bathtub, you don’t think you’ve ever felt more safe.
“We have a five-course dinner coming.” Kylo murmurs softly as he settles in behind you, pulling your back to lean against his chest as he grazes his lips against your ear, “And breakfast in bed tomorrow, among other things.”  
“What would you have done if I had plans?” You ask as you chuckle and lean more fully against him, scooping up some of the thick frothy bubbles and blowing them into the air.
“I would have convinced you to ditch them.” Kylo says right away, making you roll your eyes.
“You’re so smug."
“I think I’ve earned it.”
You can’t argue with him on that, as much as you love arguing with him. Kylo kisses along your shoulder, up up up to the edge of your jaw, your cheek, making his way to your temple as your bodies soak in the hot water of the tub and you get the chance to simply relax and be together.
“You know, I almost had plans.” You bring up softly, the sting of rejection not hurting so badly anymore. In fact, you pretty much forgot about the date that never was, and you’re not so sure why you’re bringing it up now. Maybe because you can admit that this was a better Valentine’s Day than you could have ever hoped for.  
“I do know.” Kylo splashes his hand in the water for a little while, before dropping the unexpected admission of, “I asked him to cancel.”
Water sloshes over the side of the tub with the speed at which you turn to shoot your eyebrows up at him, mouth dropping open in surprise.
“What? Really? Why?” The demanding questions fall from your lips at once, the thoughts in your head coming to a screeching halt.
“I haven’t been planning this night for ages for some nobody in copyright law to come in and fuck it up.” Kylo has no hint of regret in his voice, and that catches you up. “Are you mad?”
Instead of answering him, you lean in and wrap your arms around his neck, your lips crashing onto his. It’s possessive, to a degree that you should be mad about, but…but you’re just not. In fact, you feel the complete opposite of mad, you feel relieved. Kylo wasn’t just taking you out on some pity date, he wasn’t just trying to get you to not be such a bitch on Monday, no he had planned this out.
For weeks, possibly even a month, to get a reservation like this, Kylo had planned to surprise you. It was incredibly sweet, so as you kiss him hard and slip your tongue into his mouth, as his hands smooth around your back, cradle the base of your skull, hold you close, no – no you’re not mad.
Needing to be closer to him, you straddle his lap, as the kisses turn deeper, more passionate. Kylo’s hand tangles through your hair and crushes you to him, soft groans and grunts spilling out of his throat. Chest heaving as you gulp down breaths, you gasp as your nipples brush against his pecs, and stiffen at the contact. Kylo swallows down the sound, nips at your lips, gets them swollen and kiss-bitten.
“Fuck me?” You ask breathlessly, and Kylo grins with all those teeth of his again, and you let him manhandle your legs to better support yourself on either side of his thick waist.
“Sit on my cock baby, let me do the hard work.” He encourages, and you moan as you do just that.
The hot water helps relax you, but you’re not nearly stretched enough to take him in one fell swoop, so you let your head tip back, mouth open as you moan and slide down onto his cock inch by inch, hands bracing on his chest, letting gravity help.
“Goddamn you’re big, Kylo.” You moan, and he puffs up with pride in a way that you regret feeding his ego, but not really.
“You can take it, you’ve done it before pretty thing.” He’s focused, focused on making you feel good, and he’s good at it.
Kylo lets one of his hands slip down to rub at your clit just enough to get your thighs trembling, legs spreading to sink further down onto his cock, pulling out the sweetest whines and moans out of you. He sits up against the wall of the tub, one hand on your hip holding you steady as he rubs his fingers against you under the water, and that’s a good thing because when he does finally bottom out inside of you, you slip on the floor of the tub a little.
“I’ve got you,” he assures you, leaning forward to press kisses all across your breasts, smothering praise into your flesh, “Good girl, just relax for me.”
It’s hard to relax when he feels so fucking good, and you tell him as much, making him chuckle. But then he’s planting his feet and lifting his hips, fucking his cock up into you, and you can’t tell him much of anything at all.
“Oh fuck,” You sigh happily, eyes rolling back into your head as you ride him, “Yes – yesyesyes Kylo -- !”
“Did you – fuck keep squeezing my cock baby – did you really fucking think you’d have a good time with whatever his name is?” Kylo asks darkly, possessively, as he thrusts into you with a rhythm that has you gripping the side of the tub, body rocking back and forth, covered in bubbles that stick and pop all over you.
“No,” You whine, “But dammit you haven’t spoken to me since last – oh! Oh yes, yes please Kylo.”
He’s managed to find your gspot like this, and fucks up against it with each thrust of his cock, the head pressing and rubbing against it back and forth and back and forth, making your eyes roll back into your head, your toes curling under the water.
“Just because I didn’t tell you – this pussy is so tight holy shit -- I was taking you out doesn’t mean I wasn’t planning on it.” Kylo says, and you don’t even know what the fuck he’s talking about anymore, especially as he latches his mouth to your throat and sucks bruises and marks into your flesh.
“Well – Ah! – well next time warn a fucking woman, would you?” You swat at his arm, your thighs working to bounce on his cock, sweat and steam curling around you, making your bodies stick to one another as the both of your hands slip and slide all over, wanting to touch and pinch and grab.
His cock spears through you in the most delicious way, your cunt throbs and pulses around it, the moans and gasps and sighs and grunts of pleasure sing through your bodies. You and Kylo don’t have sex often – but every time it’s like this, every time it makes you wonder how you could do anything else in the world, other than get fucked by him.
“If I – fuck baby, fuckfuckfuck – if I told you it wouldn’t be a surprise, would it?” He grunts, and that’s all the warning that you get before he’s coming.
You can feel the hot load of it spreading through your body, and you whine, desperate to come too, digging your nails into the muscle of his shoulder as he fucks you through his own orgasm. You’re so close, just on the precipice of bliss, just a little longer, a little more – and then he’s dropping a hand to your clit once again, and that’s enough to send you over the edge.
“You’re such an asshole.” Resting your head on his chest, you press a kiss to the sweaty line between his pecs, and melt against him as your orgasm ripples and shakes through you.
Kylo being the most insufferable man on the planet, only tucks some of your hair behind your ear and presses a kiss to the top of your head. His hands trace patterns against your back under the water, and there’s a distinctly teasing sort of softness in his words, the kind where you can practically hear the smug smile in his voice, as he wishes you a, “Happy valentine’s day sweetheart.”
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Tagging some pals! @mochabucky @sacklerscumrag  @artsymaddie @bitchydecisions  @direnightshade  @reyloaddict55  @thembohux  @kylorenswhxre  @sunflowersinthesnow  @babayagakeanu  @safarigirlsp  @rennasiance-mama @steeevienicks  @mousemakingjam @the-unmanaged-mischief  @materialisthicc  @drake-bells-waxed-penis @dutchiepie @slut-for-harri  @littleevilme13 @erys-targaryen @leillaa 
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Ikevamp headcanons after watching Hamilton
Quick disclaimer: Yes I know this is a show about people who had owned slaves and slavery is bad. Having said that there's a reason why we suspend disbelief for a couple of hours and just allow ourselves to be swept into the story. I also love Phantom of the Opera but I also am aware that this is a story that involves an abusive and toxic relationship. The point is that I am aware that there are problems that needs to be discussed, but I still love the music, the story and the shows okay. This is just fan content not meant to be taken seriously and is just for fun. Okay? Now let's proceed.
I'll be doing Will and Arthur first since I'm currently doing Shakespeare's route and was inspired to do this after MC watches Romeo and Juliet with Vincent and I was wondering how Will would react to watching Hamilton. And Arthur is here because he is my husband/main lover. I might do Mozart and Napoleon next.
SPOILER ALERT: For anyone who hasn't seen the Disney Plus version of Hamilton, there might be some spoilers here (unless you already saw the show or know the story that is).
General Scenario:
You don't know how but Le Comte was able to get the filmed version of Hamilton, a musical which you've told Sebastian that you've been dying to see but was never able to because tickets were always sold out and entering the lottery was going to be a little too expensive for someone who lives in Japan and who doesn't exactly have the money or the time to simply fly to New York if in case she won. You were also excited because apparently Le Comte was able to modify the 21st century tech room that you use for your online classes and was able to get a wide screen and high quality surround sound which made you appreciate his efforts. A part of you was also curious as to how the other residents would react. You were scared that some of them might take offense, especially Napoleon who knew one of the characters in the show in real life. Would they react weirdly for seeing people different from them portray people that they knew? You were also wondering if they might even appreciate some of the 21st century slang that you and Sebastian would sometimes slip back into whenever it was just the two of you alone. After talking it out with everyone and explaining a few more things (like how its probably going to be different since it is a series of captured pictures-or at least that's your closest analogy- being played super fast with the synchronized sound of the actors- or what you were almost tempted to call "Techno Magic") during a dinner in which Shakespeare had decided to be present in, they were actually interested in what this show is about. Napoleon convinced you that he's fine and actually someone else playing Lafayette might even help with the suspension of disbelief since its been awhile since he has last met him anyway. Will even mentioned that while he has read and heard about stories from America, this is probably going to be the first story or production he's going to see from it. The only one who showed any hesitation - to no one's surprise - was Mozart, since he is attached to the kind of music he is familiar with (aren't we all?). But after prodding from both Jean, Le Comte and you giving him the puppy eyes, he finally relents. The day comes when everyone was once again free and for practicality everyone decided to have a meal first so that they won't be hungry during the show and also for you, Le Comte, and Sebastian to explain a few things everyone else may need to know to truly appreciate the show (like how the Presidential system and elections worked during the setting, what the word "Rewind" means, what is beatboxing, etc). So finally everyone gathered into the tech room after the meal, the lights were dimmed and once everyone was settled, you hit play. And as self-predicted of you, you find yourself crying in the end.
William Shakespeare (I'm still doing his route so please don't hate me if I get him wrong. Also no spoilers please).
- He was a bit shocked at first by how exactly up close you could see the facial expressions of the actors as well as the various ways it would cut to another person. He could now understand why you struggled with trying to explain how its played in a theatre but not exactly like the theatrical experience. But as you saw in your periphery, by the time Philippa Soo sings her first line, Will had already adjusted and allowed himself to be an audience and shut off his director and actor mindset (for the most part at least).
- While he didn't specialize in musicals, he found himself paying attention to the story of "the ten dollar founding father without a father." He knows how music could help both the actors and the audience in succumbing to their emotions in a scene and to suspend disbelief from reality. In his productions the words are not overwhelmed by any score but rather complemented to bring out the emotion he wants to evoke and for actors to show. Since many parts of the show has been influenced by the spoken word style without completely removing it from being sung, he has become enlightened with how powerful a show can be when it is done right.
- He not only enjoyed the story (especially the flow of it) and the production (especially some of the more technical details that the other residents hadn't noticed as far as a stage production is concerned), he loved that even the ensemble members had good acting and some of the onstage humor. One of the meta things he enjoyed was the obvious reference to his most superstitious work.
- Once you've seen how he loves analyzing the technical details of the production, you excitedly tell him about a special member of the ensemble who is known as "The bullet" among fans of the show. You could see him being enlightened as he watches the show with you again (this time with just the two of you) and he now sees "the bullet" and the way she interacts with the characters in a whole different light. He was so impressed with this idea that he may have adapted it into one of his new original plays (its not a copy paste of Hamilton's "bullet" but he definitely adapted assigning a member of the ensemble to have a special role that may not be significant at first, but he heavily notes that this member would have to be unique in interacting with any of the other characters).
- He didn't know what to expect from a 21st Century production but he found himself impressed with the prose and writing of various raps and songs. His favorite from Act 1 in terms of rhyme schemes was "Right Hand Man" and from Act 2 it was Jefferson's rap in "Washington by your side". And after settling down a bit his favorite emotional parts were "History has its eyes on you", "Hurricane", and "It's quiet uptown".
- He was impressed with how the double roles was given and how it actually is true for both of their roles in both acts. Ambiguity is one of his favorite things to have in a work, and he gives props to Lin for all the ambiguity he later realizes was in several parts of the show. If he and Arthur had been a little bit more closer, they probably would have bonded over the ambiguity Hamilton's comma in his letter to Angelica (see kids, grammar matters).
- A part of his brain wonders how the real life Hamilton would react to this and if him and Burr would still be enemies. But after some thinking he decides its not worth his efforts of asking anyone to bring them back since a wonderful production of their life has already been made even if it may not necessarily reflect who they truly are. He of all people knew what it's like to be inspired by great figures, it was fortunate that Lin Manuel Miranda decided to make a show about them before he had the chance to.
- You explain that in America Hamilton is one of the lesser known founding fathers of their nation and how it may be because his political opponents later on became Presidents and therefore was able to form the narrative. He becomes inspired by it and begins to search out people or stories who are hidden gems who may not be historically famous but had much more interesting stories than some of the ones he has heard of.
- Afterwards once you are sure that he has gotten comfortable enough with the genre you show him various videos of people rapping to his works and his reactions range from impressed to amused to "that's not what I mean when I wrote that" and you had to calm him down and explain that they can't hear him anyway after he started giving serious critiques on what the text means.
Arthur Conan Doyle
- While he was knowledgeable about many things, America's founding fathers was not one of them. He along with the other residents have gotten used to any rumors or exaggerated accounts of their lives and you and Sebastian have already warned that this is just a fictionalized production of the real person. As a writer of some historical fiction books he argued that he of all people was aware that any work based on history will speak more about the creators rather than the actual people they are writing about most of the time. He was nevertheless interested as to why you have become fascinated with the treasury secretary (and maybe it was with a twinge of jealousy that you began to expressly show admiration to another man even if he wasn't among the residents in the mansion). After all unlike many other residents of the mansion, on the surface it seemed that Hamilton was similar to Theo who mainly played a supporting but crucial role to his brother. He was thankful that you didn't hold it against him and was comforted that you were in a similar place. You even told him that the only thing you really knew about Hamilton before listening to the soundtrack and watching "Animatics" was that he was in the ten dollar American bill.
- And as someone who has delved into writing historical fictions, this was probably one of the most entertaining productions about a historical figure he has seen. He's going to be honest with you in that at first he was wondering if revealing Burr shot Hamilton in the opening was going to hinder him from enjoying the show; but he was pleasantly surprised that this was not the case at all. As a matter of fact it now made him want to find out who the real Hamilton was (although a part of him doubts if the real Hamilton had any regrets at all). According to him, this is why as a fictionalized historical work, the show is a success because it makes you want to find out more about the events and figures of the story (even if it means looking at darker realities that they did). And while the real Hamilton may be a lot different from what was shown, with all the things he went through and all the things he has done (for better or worse), he now wonders why exactly Le Comte hadn't approached him since he seems to be no better or worse than the average resident ("He and Newt could probably discuss mathematics all day."). You then explained that his political rivals (Jefferson and Madison from the show, and Monroe who wasn't shown in the musical) had later on become Presidents and was able to shape the narrative away from Hamilton. "Ron Chernow made Hamilton's biography because he was the lesser known founding father who was fading into obscurity among Americans and Lin read the book and recognized the story of someone who has risen through his writings. And to Lin that was also the story of hiphop." While he wasn't involved in politics as much as Hamilton was, Arthur had enough experience to know what it feels like to have those kinds of people in power. He also knows just how powerful it is to be in "the room where it happened" and how sometimes the real decisions weren't being made in an office but rather in either a private party or the right bar when people in power had their guard down and were more susceptible to being influenced.
- He could relate a lot with Hamilton on many things that he's only comfortable allowing either you or Theo to see. From being just so much more aware of death's inevitability coming for every living thing to survivor's guilt even though a part of him knows its irrational (but sometimes the emotional nonsense just overtakes our perspectives and actions). It's why he could understand Hamilton's need to write as much as he can before he dies. It's why for a time in his human life he had deviated from writing about Holmes and ventured into other genres. He could also relate to the need to prove what type of person he was, and how to go beyond his tragedies to serve people in their own ways. Hamilton did it as a soldier and the creator of America's financial system. And he is doing it as an informally practicing doctor and as a writer. It's a need that he's trying to mitigate since you've repeatedly told him that he doesn't need to prove anything to you or to anyone and to write whatever he pleases. But he also can't deny that it's still somewhere lodged in the back of his head.
- Just like William Shakespeare, in terms of the wordplay found in rap and the ambiguity present in the show and how those things were executed made him amazed and momentarily speechless. He was especially fanboying about "The comma after dearest" and how this essentially shows how important grammar was. It went to the extent that afterwards whenever he would write to you he would address you either as "My dearest, Y/N" or "My darling, Y/N" with special emphasis on the comma (sometimes you could see how there's more ink in the comma than some of the actual words. That's how much he wants to emphasize that you hold the title of dearest or darling). And you excitedly share with him some of the trivia knowledge of the show (like how in real life it was Angelica who originally made the comma mistake by writing to Hamilton as "My dear, sir" in one of her letters and it was Hamilton who was asking her what the comma means and even replied with "Ma chere, soeur") and how Angelica really did reference the Icarus metaphor in one of her letters to Eliza. And even though he wasn't a major musical nerd (he sang for fun), he would now join you in watching Howard Ho's Hamilton videos musically analyzing Hamilton (and would probably try to find a way to use this knowledge to annoy Mozart in some way).
- Speaking of music: Maybe it's because he's biased in his love for you but aside from Sebastian he's probably the one who has no qualms about the hiphop genre and was immediately into the various wordplays that rapping allowed. And because of this his favorite characters in terms of rapping are the ones played by Daveed Diggs (probably more than Hamilton himself even though you've explained that Lin is the one who wrote the whole thing). He even adapts to how Daveed as Jefferson would say Isaac's third law and incorporated it into his "let's tease Newton" kit. That's when you know he really loves Daveed Diggs ("Every action has an equal opposite -" "WILL YOU PLEASE STOP SAYING IT THAT WAY?! I didn't mind the first few times but this is ridiculous Arthur" "It must be nice, it must be nice to have a Newton on your side"). And his favorite character emotionally was Angelica (her raps in Schuyler Sisters and Satisfied may have helped).
- Speaking of the Schuyler Sisters, after watching it with you another time (this time with just the two of you) one of his favorite things to say is that you've got the best of all three sisters within you (Angelica's wittiness and intelligence, Eliza's cares for the more important things in life, and Peggy's humor) with the sexiness of Maria Reynolds. But because he sees all 4 of them in you he has the benefit of not needing to choose among them. Having said that there will be a period wherein he teases you if he makes you "Helpless" or "Satisfied" (and you respond either by kissing him or singing "That would be enough").
- Whenever you would sing as one of the Schuyler sisters he will join you as any of the male characters the moment he masters the soundtrack and could even sing it without the music. His favorite rap songs are "Guns and Ships", "Washington on your side", and of course "Satisfied". He also really loves "Non-stop", "the 10 duel commandments", and "The room where it happened". But his favorite sequence is from "the Winter's Ball" all the way to "Wait for it". Since it has romance, a shocking revelation, and gives insight to the perspective of the antagonist. He's also one of the first people to attempt to learn the choreography whenever he's in one of his mental blocks in writing. Of course he makes sure not to injure himself.
- He posts song lyrics to keep himself motivated in his times of mental block "There's a million things I haven't done. But just you wait" and "I'm not throwing away my shot" frequently appear around his desk.
-And whenever he's feeling low or insecure, just like Eliza you remind him to "Look around, Look around, how lucky we are to be alive right now."
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nincompoopydoo · 3 years
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PAIRING, BAGELS, REPEAT
— PALM TO PALM IS HOLY PALMER’S KISS ; PART 3 / ?
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PAIRING: Bruce Wayne x reader
WORD COUNT: 1846
SUMMARY: You’re back to teaching at Gotham High and you end up overlooking rehearsals for the GHS drama club’s upcoming annual play: Romeo and Juliet that no one ever attends. In the spirit of keeping your students’ hopes up, you decide to take it upon yourself to draft out a plan to drive more people to come to the play. The key is the man you’re in love with.
WARNINGS: Vague description of a nightmare, death and an annoying teenager.
A/N: This is really going slowly like a true slow burn. I hope yall like this one. Enjoy!
MASTERLIST ; MASTERPOST
In the light of your unemployment as a teacher, Gotham High miraculously offered your old job back after Mrs Wilson, one of the senior English Literature teachers, died of a heart attack unannounced. In all seriousness, apologies were made, admitting they had a mistake with firing you because well, you were clearly a passionate teacher. To your surprise, you were told your students even missed you. Hence, you accepted a job from GHS once again because you would do anything to avoid the smell of burgers and the sounds of hungry crying children. After the whole burglary incident, the Big Belly Burger at midtown was forever doomed as customers gradually decreased over time. It was Gotham after all, people should be used to these kinds of things by now. Including witnessing Batman saving you, the whole experience felt like a fever dream. As excited you were and weirdly unbothered by the whole near-death experience, you realized that if you were to talk about it, no one would genuinely believe you anyway. He was a myth to most citizens of Gotham, but you’re an exception because you’re well acquainted with the knowledge that Bruce definitely knows Batman.
And oh boy, do they talk.
It’s your secret to keep and so is the Batarang you stole. You’re also dying to tell Bruce.
So, you find yourself back in the hallways, crowded with sweaty teenagers, but you would choose this over anything else in a heartbeat. Apart from returning to teaching uninterested students about the works of Shakespeare and Harper Lee and forcing reading lists onto them, you are also replacing Mrs Wilson as the GHS Drama Club’s advisor. Stage performance may be personally foreign to you but plays were practically your forte. That was how you ended up spending your Tuesday afternoons, preparing the members for the club’s annual play. This time, they decided to perform the classic: Romeo and Juliet.
As an English teacher, you were frankly sick of the play, forbidden love was a tad overrated to you. Yet the kids were genuinely trying their best. Shaniqua and Oscar were currently rehearsing their lines as the two infamous star-crossed lovers; You watched them with pride. The two were quiet in your classes but they truly shone on the stage of the school theatre.
“And palm to palm is holy palmers' kiss—teach, what does this whole scene even mean?” Shaniqua exclaims and you chuckle, “This scene is simply a metaphor where Romeo is a pilgrim wanting to erase his sins and Juliet is a saint. So, he is basically trying to convince her to kiss him so that he can truly be free of sin,” your explanation echoes through the room, and you notice Oscar turning red when you mention the word ‘kiss’. It was clear as day that the poor boy really liked the girl he’s currently hand in hand with but you don’t want him to feel nervous and uncomfortable about the thought of kissing her. “Now Oscar, you can kiss her on the cheek and that’s fine. Shaniqua, say it with more emotion, okay? Everyone got it?” The response you received was a sputter of hums and nods. Before you could continue, Josh, who plays Lord Capulet and is sitting lazily on the handmade throne, speaks up much to your dismay, “Why is it so important that we put so much effort into this. It’s not like anyone is going to come.” The kids around him began agreeing with his statement, and it was honestly completely expected of him but it was the truth. No one attends the drama club’s annual play. As you're trying to calm everyone down, your phone buzzes on the table in front of you. It’s a text from Bruce, asking if you could come over tonight, phrasing it like he’s a schoolboy sneaking from his parents to meet with a girl late at night. Then, like an epiphany you have an idea although there’s an eighty percent chance it wouldn’t go through. Nevertheless, you turn to the rest of the students with a hint of a smile on your lips. “I might have just the idea to solve that.”
-
A brief span seemed like an eternity when sleep doesn’t come easy to you. Tonight was a different case; thoughts were completely clear and concise. In much need of sleep, you steal the chance to savour in this clarity and serenity for as long as you could. To feel his warmth, arm gently resting on your abdomen and the occasional whiff of his deodorant from his ebony shirt you’re dressed in. If this was what bliss feels like, you never want it to go away. Your eyes grow heavy, flickering into darkness due to exhaustion from a long day of rehearsals. At once, you’re struck with the reminder of the idea you had this afternoon. It is more of a favour, involving none other than Bruce. There’s a tinge of guilt whenever favours are involved because you never liked asking for help. You were furiously independent and responsible, relying on others was out of the question. Yet, Bruce has always seemed to find a way to weave himself in your mistakes and problems, constantly there to help out. You have to remind yourself this isn’t about you. It’s for the kids. Special guest, Bruce Wayne, playboy and billionaire. Sounds awesome.
As your consciousness begins ebbing away, you feel Bruce shift from beside you, grasp tightening upon your waist. Before your dazed mind could even fully process that he was in the midst of a nightmare, his eyes are wide open, heart-pounding and it seizes him up instantly. With deep breaths, he closed his eyes once more, unable to shake the feeling of dread that rattles in him. Then, a sudden cold touch to his arm—he jumps and snaps his head to look over his shoulder.
It’s you, still laid in bed with a prominent frown upon your brows. Your hand squeezes his forearm and all he feels is instant relief. His heart still pounds, not in fear but with affection. “Are you okay?” you drawled as you watch his lingering hand, fingers weaved between the strands of hair. The silver ones glint under the low light, contrasting the deep brown ones. You notice how his hair had grown along with his five o’clock shadow becomes more evident by the days. His face away from you, finally nodding in response to your question. “Yeah, just... a bad dream. His voice is subdued as he shifts under the sheets, head leaning against the headboard. Despite your weakened state, you bring yourself to sit up, twisting your body to face him properly. "You wanna talk about it?” you say, patting his shoulder lightly in a comforting manner. You watch him rub his eyes, exhale tightly and shake his head. “No. Anything but that.”
His response comes out almost harsh but Bruce doesn’t mean for it to be perceived in that way. His dream was the usual, the normal ones he’s used to by now but in times of stress overwork, they have started to become more intense and violent. This time it involved you, for the first time, and he watched you vividly get shot in the forehead—trails of his memory as Batman when he encountered you at the burger restaurant with the muzzle of a gun inches away from you. It haunts him to think that if the circumstances were different if you hadn’t texted him those dreaded four words, you might be dead.
He certainly is not telling you about the dream. Never in a million years.
Bruce turns to you and you’re still staring at him, worry carved deep in your furrowed brows. Change of topic was merely necessary at this point. “So, how has school been? The kids still mean to you?” Classic Bruce, always sweeping his problems under the antique Persian rug. You don’t blame him because you wouldn’t know better.
It was your turn to sigh at the mention of school but since tonight’s pillow talk is heading towards your job as an English teacher at GHS, you might as well use the opportunity to pitch in your plan. “Still mean, but the drama club kids are really great,” You thumb the edge of the blanket, unable to hide your growing smile. “Speaking of which, the annual play is next Friday and they have been rehearsing all week but,” you paused as you watched his right brow gradually lift. “No one comes for it. Like, no one and I hate to see all their efforts just thrown out the window like that—”
“So, you want me to go for it.”
You blinked, wondering if your explanations were too obvious of its underlying intent or Bruce could just read you like an open book. You won’t be surprised if it’s the latter.
“If it’s no biggie. You don’t have to because I know you’re very busy but I don’t want the special guest to end up being the Big Belly Burger mascot.” Your smile widens and Bruce chuckles. Hell, it’s probably past midnight and you’re still able to find ways to be terribly funny. Literally terrible. After a beat of silence, he clears his throat. “I’ll clear my schedule.” It didn’t need much anticipation or thought because despite everything going on in his life, he knows he’ll do just about anything for you. You’re practically beaming at him and he finally sees it’s all worth it in the end. “Thank you, Bruce.” Your voice is sweet, and it makes his heart swell ever so slightly.
He sometimes wishes the two of you weren’t trapped in this loophole of unsaid confessions and hidden strong emotions for the other.
It almost comes naturally when he leans to you and presses a swift kiss to your forehead. Instead, it’s contradicting everything the two of you consider normal. He isn’t thinking straight and now your smile has disappeared, mouth agape and eyes very wide. Your brain stops.
Uh, what the hell just happened?
It hits him like a punch to the gut and the growing awkward silence is deafening. Yet, he doesn’t apologise because if he does, it doesn’t mean anything when in reality, it means so much more than just an accidental gesture. You don’t mention anything because you don’t objectify his actions. Kissing Bruce was fine when there are no strings attached but a peck to the forehead is way too affectionate for the man.
Before the both of you begin to overthink the events of a few moments ago, Bruce’s rational conscience kicks in and he clears his throat. “Get some sleep. You had a long day today.” He pats you on the shoulder awkwardly and you hum, shifting your head to lay back on the pillow. “Yesterday.” you correct him as it’s well past midnight. He chuckles, now laying flat on his back as he stares at the ceiling. Silently, the two of you agree to forget whatever happened a minute ago and to just...sleep it off.
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hb-writes · 3 years
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There’s Room Enough
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Carlisle continued with his reading even as a fifth sigh pushed through his daughter’s lips in only twice as many minutes. He guessed Mia wasn’t quite aware she was doing it. It was the type of thing that often revealed more about her internal states than she willingly disclosed, just like the preoccupied glances out the window and the distinctly cadenced fidgeting Carlisle suspected had little to do with her English homework.
The Shakespeare Mia insisted on sifting through barely registered in her mind, but she still elected for it over actually speaking to her father. She hadn’t fought his guiding hand when they dispersed from the front entryway, giving Bella and Edward their due privacy, but Mia wasn’t interested in a conversation. She had said barely a word to him for the hour since she settled, solitarily occupying the bench seat in front of the wall of windows. It was the furthest spot in the office from her father’s desk, and while they usually occupied the space together while reading, Mia had made it clear she preferred to sit alone.
Carlisle was a patient man, an accommodating father who preferred not to push his children to speak before they were ready, but he was beginning to wonder if his daughter might finally outlast his inclination towards restraint of this particular type. It was only because Mia hadn’t actually done anything wrong that he had waited this long already, her attitude and words though unexpected, no more reprehensible than the turns of phrase that often left Rosalie’s mouth.
Mia glanced up from her book and was surprised to find her father studying his own book rather than her. She was certain she had felt his eyes on her from across the room, could almost hear his questions and concerns falling into the very space between them. She supposed that could have easily all been in her head though, her own line of thinking taking on the guise of her father.
“Are you upset with me?” Mia had been pondering the question since the night before. She knew he wasn’t quite what one would call angry with her. She had never known her father to be an angry sort, but he had to have some feeling on the matter, some opinion he was withholding. 
Carlisle turned to his daughter and shook his head, placing the marker in his book before setting it aside. “Concerned is perhaps a more appropriate word.”  
Mia closed her book as well, crossing her legs as she turned to face him. “Not angry though? So, I’m not in trouble?”
Carlisle gave her a small smile. “Do you think you should be?”
Mia glanced out the window a moment before turning back to him. “Not really, but you brought me here so I thought maybe…”
“You’re not in any trouble. And you could have gone with your mother or one of the others if you liked,” Carlisle offered, “but you said you had work to do.”
Mia tapped her fingers on her legs. “And I couldn’t just go back to my own room because…?”
Carlisle smiled. In all truth, that had little to do with the little outbursts she had spent the last day or so mulling over. He simply thought Mia had spent more than enough of the weekend ruminating over things from behind the closed door of her bedroom. Knowing she was upset, he had allowed her a certain measure of self-pity, taken in the form of overthinking beneath her downy covers, only pulled from the act when Alice forced the girl up and into the shower an hour before Edward and Bella’s arrival.
“Would you find it too stereotypical for a father to believe his adolescent daughter has been spending far too much time alone in her room?”
“You can be alarmingly stereotypical,” Mia conceded, unable to hide the bit of smile his words compelled.
She had a moment, or two, of thinking that the whole situation was a bit stereotypical, despite the oddity of it all, because it essentially boiled down to a bit of uncertain jealousy on her part, a seemingly inconsequential twinge of the shameful feeling growing swiftly over the span of just a few days. And as confusing it was for everyone else to watch, the swell of emotions confused Mia a great deal more.
She knew that the thoughts clouding her mind edged towards illogical, knew that the arguments of her subconscious were essentially baseless. She should have pushed the thoughts aside rather than dwelling with her guards up, willfully blocking Edward and Jasper’s abilities, and keeping her parents and other siblings more traditionally in the dark as well.
And although Mia had expressed that she shouldn’t be in trouble, not for the late-night shouting match with her brother or the cool performance she offered him and Bella in the entryway just before, she could admit to herself that she did feel guilty, and the complicated nature of situation made it difficult to sort out on her own.
“I’m not sorry for saying it,” Mia said as if her father had been privy to the monologue in her head. “He needed to hear it.”
Carlisle allowed a small nod of his head. He thought, perhaps, his daughter may have been correct about that. Edward had needed to be made aware of the sentiment behind his sister's words, had needed to hear how she was feeling and understand the depth of those feelings, but Mia’s methods were not the ones he would have chosen, and it was not how he had expected his daughter to deliver the message either.
“Amel—” Carlisle began only to be cut off, the girl spurred to action by the uttering of her full name.
“No, dad, he—" 
Mia stopped short at meeting her father’s gentle eyes. Though he was about to voice her full name—something he did not do exclusively as a method of restoring order or in seeking compliance, but just as often as a sentimental sort of thing—there was no sign of fight in him, just his genuine patient curiosity. 
Mia knew her father didn’t deserve her fire and she sighed, willing herself back towards some semblance of calm as she mumbled an apology.
Carlisle pushed out of his chair and came to his daughter’s side, settling on the bench with her. "You’re hurting. And your brother’s actions, whether intentional or not, have played a role in that. You let him know in the only way you believed he would hear it.”
Mia leaned into her father, grateful for the assessment she felt wholly unworthy of. Although she had been desperate for Edward to understand, to simply take a moment and actually listen, she hadn’t chosen the particular words for that reason. Mia chose them because she knew she could tap into his guilt through them, hurt him as he was hurting her. She meant to inflict damage.
Carlisle sensed a shift in his daughter at his words and pulled her into his chest as the first whimper escaped her lips. He wasn’t entirely surprised to find that Mia’s opinion on her brother’s attachment had changed. Her sudden jealous anger had puzzled him only until he considered the differences the girl likely assigned to her brother’s seemingly unrequited and then suddenly, very much reciprocated feelings. There was significant uncertainty in it. While all the others had previous experience welcoming someone new to their family, the experience of expanding their circle, most recently for her, Mia had no such understanding.
“Love isn’t finite, Mia.”
It was never difficult for Carlisle to welcome someone new, the love and care coming freely and not at all diminishing what he felt for the others. It could probably be assumed that was the case, but Carlisle knew his daughter’s mind, knew the doubt would creep in without concrete proof, or at least a hardy argument provided to fight against her doubts. Carlisle knew that someday the new love between Bella and Edward would settle and become more manageable for them all. He knew that even should the settling take some time, Edward, though distracted, would care for Mia and their family no less in the interim. But Mia had yet to recognize that, had yet to know it.
She pulled herself from his chest and pushed the heel of her palms into her eyes, willing the tears to stop. “I know, but—”
“Your brother is distracted,” he conceded. “You know, when you came to us we were all a bit distracted too, each of us a bit more focused on being with you than anyone else.”
“I was a baby. It’s different.”
“A little different, yes, but the rationale holds. Everyone created a bit more room to accommodate you, and none of us cared for any of the others any less because of it.”
Mia sat back, settling her chin on her knees as her father continued.
“If what you’re thinking is true, I would have very little care that could be set aside for Edward by now, after welcoming your mother and siblings, and especially after welcoming you.” Carlisle pushed the hair from Mia’s eyes. “Do you understand my meaning?”
Mia glanced up at him. “That there is enough room for both of us?” she mumbled.
Carlisle nodded. “Yes, room enough for you and Bella and anyone else our family should choose to care for.”
Mia nodded a few times, the gesture meant more for herself than for Carlisle. It was a charming and comforting thought, that one’s capacity for love was infinite and could be expanded at will. And Mia knew her father’s words were true. She knew her father loved his children, all of them the same amount. She knew his love had never been diminished by any subsequent additions, herself included.
Without a word, Mia went to collect her father’s book from his desk and handed it off, quickly getting comfortable beside him once again and Carlisle placed his arm around his daughter as she got settled.
Mia didn't speak, but the words were in the air between them, suggested by the girl retrieving his book and settling against him. She was already reading her own book, but Mia’s actions spoke to her father, the translation so clear as she made room for his lesson in her mind and his body beside her on the bench.
I love you, Dad. There’s room enough.
--
Twilight (Mia Cullen) Masterlist
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deja-you · 4 years
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times new roman | episode nine
t. jefferson x reader
summary: Y/n needs a date. Thomas would be more than happy to oblige.
word count: 2.4k
A/N: this chapter contains smut! if you’re not comfortable with that feel free to skip this chapter, it not technically necessary to the next part. 
also this is my first smut,, so read at your own discretion. wrote this all in one sitting idk what to think. but at least it was a fast update or something??
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Y/n ended up picking out a sparkly, blue minidress. Peggy had insisted she buy it months ago, and now she finally had an occasion to wear it. Now that it was on, Y/n wondered why she had never worn it before. It fit her snuggly, accentuating all her best features. And when paired with heels? She felt like some kind of runway model. 
If the smile on her face when she looked in the mirror wasn’t enough to boost her ego, the look on Thomas’s face would have sent her over the edge. When she opened the door, he was wearing a confident smirk, but it dropped from his face when he saw what she was wearing. 
“Wow. I just... wow.” He stared at her with his mouth open. 
Y/n stepped out into the hallway and turned to close the door so he didn’t see the proud smile she has on. “Hm? Have I finally brought Thomas Jefferson to a loss for words?”
Thomas blinked a few times, shook his head, and attempted to recover. “I’m always at a loss for words when it comes to you, angel.”
“Annnndddd he’s back,” she laughed. “Let’s get to that speakeasy now, yeah?”
“Yeah.”
This time there was no awkward silence this time like there had been before their first official date. Thomas had asked Y/n out a few times since then, sometimes it was just for lunch or coffee, sometimes it was front row orchestra tickets. Despite all the dates, Y/n nor Thomas tried to define the relationship, both seemingly happy to have a casual thing between the two of them.
That didn’t change the fact that every time Y/n’s phone buzzed, her serotonin levels raised, and if the text did happen to be from Thomas, she wouldn’t even try to hide her smile. She had attempted to hide her smile before, but discovered it was too tiring an ordeal. 
It was true that they had grown quite close over the span of a few weeks, but they still insisted on keeping whatever their relationship was a secret from their friends, co-workers, and family. 
“Are we really making a detour to a bookstore?” Y/n asked as Thomas tugged her into a rundown shop. 
Thomas raised an eyebrow and glanced back at her. “Angel, what do you think a speakeasy is?”
She narrowed her eyes, wondering if he was trying to insult her or set up a trap. “It’s a secret bar.”
“Yes,” he nodded, “and it wouldn’t be much of a secret if the entrance was in an obvious place.”
Her mouth formed a small ‘o’ when the realization struck her. In the back of the store, Thomas approached a bookstore employee and tapped them on the shoulder. Thomas exchanged a few lines of a Shakespeare sonnet with the employee (a pretentious fact that Y/n made a note to make fun of him for later), and the employee was sliding open a bookcase a few seconds later. 
Thomas turned back to smile at Y/n, easily slipping his hand through her’s, and tugging her inside. The bookcase slid shut behind them. Y/n was shocked that a moment ago she had been standing in a quiet bookshop, and now she was standing in a lavish speakeasy. 
In one corner of the room, there was an arrangement of opulent lounge chairs. There was a bar in the back of the room where a bartender was mixing up elaborate cocktails, and a small crowd was gathered around him. Jazzy music filled the air, and occupants found any room in the small space to dance wildly with each other. 
Y/n wrapped her hand around Thomas’s arm, pulling him closer in case she lost him in the sea of dancing bodies. 
“I don’t know if I was expecting it to be so lively,” she spoke loudly in Thomas’s ear.
He shrugged. “It’s the grand opening, I doubt it’s always like this. Want to grab a drink?”
Y/n wanted to say something about the last time she had gotten drunk around him, but the truth is, she did want a drink, so she just nodded. Thomas gripped her hand and they journeyed through the sea of drunken dancers to the bar. After a few minutes, they were able to place their orders for drinks that sounded good in theory, but were more intimidating when the bartender lit the drink on fire. 
“So what do you think?” Thomas leaned against the bar, his eyes watching her carefully. 
Y/n grinned widely. “I love it here. Glad I didn’t decline your answer to go out tonight.”
“Did you really consider declining?” He laughed, feigning an offended expression. 
“The point is, I didn’t,” Y/n said, leaning forward and gripping his arm. “C’mon, let’s go dance.”
Thomas was in no position to deny her, and he happily allowed Y/n to pull him away from the bar and into the lively crowd. Y/n wasn’t an expert dancer, but Thomas made her look good, spinning and swaying in time with the music. She had her arms thrown around his shoulder, her fingertips lightly tapping a rhythm into the fabric of his back as she hummed along to the song playing. 
This close to him, Y/n could distinctly smell the scents of cedar and amber on him with a faint trace of cherry blossoms. It was like he had just walked out of the Library of Congress, and she would have believed him if he said he had. Thomas’s hands dug firmly into her skin, pulling her hips so they were flush against his. 
They continued dancing like this for a few songs, but by the time the third song came to an end, both of them were nearly out of breath.
“I think I need some water,” Y/n laughed, as their bodies parted slightly.
“I think you’re right,” he grinned. Something caught Thomas’s eye beyond Y/n’s shoulder, and he tapped her hip lightly. “I think I see my client over there, angel. I should go say hi. Would you mind getting me a glass of water as well?”
She stood on her tiptoes and whispered in his ear, “don’t take too long.”
Y/n released him and sauntered over to the bar, making sure to swing her hips with every step, knowing exactly the effect she had on Thomas. He cursed quietly under his breath and shook his head. 
Thomas wasn’t planning on spending too much time thanking his client for inviting him to the speakeasy, but now he had even more reason to make the conversation short. He couldn’t have been parted from Y/n for more than five minutes when he found her once more at the bar. 
The sight that greeted him wasn’t a pleasant one. A young blonde guy had found his way to her side, and he was leaning in a little too close. Y/n didn’t pay much mind to him, occasionally rolling her eyes at some cheesy pick-up line he was attempting. She felt Thomas’s gaze on her before she turned to see him staring at her a few feet away. 
One glance was all she needed to see how worked up he was just having another man talk to her. Y/n sent Thomas a coy smirk and turned to the blonde beside her with a newfound interest. 
“What was that you were saying, handsome?” She asked the blonde in a soft tone, her hand reaching up to lightly trace over his tie. Y/n glanced at Thomas, her grin widening a little when she saw his eyes narrowing and his fists clenched at his sides. 
“I was wondering if you wanted to come home with me tonight,” the blonde said, stunned at her change in attitude toward him.
“Hm, that’s an interesting off--”
Y/n felt a hand tightly grip the wrist of the hand she had absentmindedly playing with the blonde’s tie. She looked up to see a seething Thomas glaring at her. 
“Sorry, she’s already got plans for this evening.” Thomas didn’t waste anymore breath on the blonde, placing his hand on her lower back and leading her away from the bar. 
“I can’t leave you alone for a minute, can I?” He growled softly when they were out of earshot. 
Thomas brought her back into the crowd of dancers, but the mood had changed immensely since the last time they had been dancing. His hands were holding her body tightly as if he was afraid she might slip away. Y/n could feel the heat of his breath while he slid his hands up and down her body.
“I’m an adult, you don’t have to babysit me,” she shut her eyes momentarily, enjoying the feeling of his body against her’s. 
“I wouldn’t have to if you didn’t act like a child.”
Her eyes snapped open and she glared at him. “Bite me.”
Thomas didn’t miss a beat. “Where?”
Y/n gasped softly, her eyes going wide. Thomas didn’t wait long for a reply, pulling her body closer, if that was even possible, and placing his lips on the exposed skin on her neck. He lightly nipped at her skin, and Y/n refrained from letting out a deep moan, swallowing roughly instead. Her hand found the back of his neck and she pulled him closer to her. 
“Don’t talk to other guys like that,” Thomas’s voice was raspy as his lips pressed kisses against her skin. 
Framing his face with her hands, Y/n brought him up to look her in the eye, an eyebrow raised. Realizing his mistake, Thomas quickly rephrased. “Wait, no. I’m aware I can’t tell you what to do. I just... please don’t talk to anyone else like that. Not in front of me.”
“I don’t want to talk to anyone but you. You’re an idiot,” she smiled, “now kiss me.”
Thomas didn’t need to be asked twice. He held Y/n’s face in one hand, the other hand resting on her lower back. Thomas pressed his lips against her’s like her kiss was the oxygen he needed to breathe. His knee slid between her thighs, and she grinded against his leg on instinct. He groaned into the kiss, and the next thing Y/n knew, he had pulled away from her completely.
“We need to get out of here,” Thomas panted.
Y/n nodded. “Your place?”
“My place,” he agreed.
They exited the speakeasy in record time, and the cool air outside seemed to momentarily sober them up. Thomas was sure the Uber driver didn’t appreciate how handsy they were being in the backseat, so he made sure he tipped generously. 
When Thomas had closed his apartment door behind him, Y/n nearly jumped on him, your lips latching onto his. His hands slid up her legs, the electric blue dress she had been wearing began to bunch up around her waist. Thomas’s fingers slipped expertly into her panties, sliding them down her legs and to her ankles.
Thomas got down on his knees in front of her, tearing down a wall Y/n had tried so hard to keep up with every kiss he placed on the inside of her thighs. Y/n could feel her heart racing a hundred beats per minute in her chest as her head hit the the wall behind her. She reached a hand down to thread through Thomas’s hair, gently guiding him to where she needed him the most. 
He took the hint, his tongue sliding against Y/n’s pussy lips, once, then twice. Thomas successfully elicited an unrestrained moan from your mouth. Enjoying the sound, his tongue darted into her folds once more, his fingers digging bruises into her hips.
Thomas brought her close to the edge, then in some kind of telepathic way, he pulled away just as she was about to reach her climax. He continued this pattern a few more times until she couldn’t take it anymore and tugged at his hair.
“Thomas, please,” his name sounded like a prayer on her lips. “I need you to stop teasing me. I want you. All of you.”
He nodded in understanding, standing up and pulling her into his bedroom. Thomas’s hands found the hem of Y/n’s dress in the dark and pulled it over her head. Y/n began undoing Thomas’s belt buckle while he unclasped her bra and flung the garment into some forgotten corner of the room. His hands traced her body, memorizing every curve and indent and Y/n tugged down his pants. 
Thomas picked her up and threw her onto the bed. He tugged off his shirt before climbing onto the bed after her. Thomas pressed his lips to hers firmly, and Y/n willing returned the kiss. She ran her hand down his back, and Thomas’s hips bucked forward at the feeling. Y/n’s eyes widened slightly at the feeling of his large erection through his boxers. 
“You have protection?” She asked with a hoarse voice. 
“Yeah,” he murmured, climbing off of her to retrieve a condom from his nightstand. 
Y/n heard the crinkling of foil, then a few moments later she felt the bed dip under his weight and he was once more above her. He lined himself up at her entrance then paused, thumbing tracing the outline of her lips and eyes staring into her’s in a moment of raw intimacy. 
“You’re sure about this?” He said softly. “I’ll stop right now if you say the word.”
Y/n admired the way he searched her features for any trace of hesitance or doubt. She shook her head. “Don’t stop. Please, I need you--”
She was cut off with her own moan when he pushed his length inside her. Y/n gasped as she struggled to accommodate his large size. Her nails dug into his blood, and she wouldn’t have been surprised if she drew blood. 
“Oh, angel, you feel so good around me,” Thomas panted as he pumped in and out of her. 
Y/n didn’t even try to restrain her scream of his name when he began to pick up his pace, gaining speed and working through her body skillfully. His neighbors would not be happy with Y/n tomorrow, but she couldn’t care what they thought. She was in bliss.
“Thomas... oh god, Thomas...” Y/n struggled getting any coherent words out as she neared her climax, and Thomas wasn’t having any more luck. 
Thomas kept up at his rapid pace, and a few minutes later he was riding her through her orgasm. Y/n screamed out his name once more, and that seemed to push Thomas over the edge as he reached his climax as well. 
Y/n and Thomas stood still for a moment, panting. Finally, Thomas pulled out and got up long enough to throw the used condom in the trash before collapsing down at Y/n’s side where he belonged. 
“You’re perfect, angel. You’re perfect.”
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lowkeyorloki · 4 years
Text
Library Card
An AU in which you’re a librarian, and Loki’s fingertips brushing against yours as you take his card makes you blush
(shoutout to @the-emo-asgardian and @is-it-madness for helping me decide to narrate this fic from loki’s point of view! you guys rock!!)
also, as a tom hiddleston fan, “ehehehe” was bound to make an appearance in one of my fics sooner or later. let’s just hope i used it well
~
Loki watched as the crowd of people you just helped filed out the door, shoving receipts printed with due dates into the spine of their books. He thinks about them, men and women going home to their families with a novel they won’t have the time to even begin, let alone finish. Eight years now, Loki had spent living on Midgard and he still couldn’t understand it. Why would they risk the embarrassment of coming back to the library every week, knowing full well they didn’t do anything with what the building provided them?
Well... probably because the only employee would never say something about it. 
You were at the circulation desk now, sighing deeply as you pinch the bridge of your nose. You always did that, Loki had noticed, after you helped large groups. Like any extended period of social interaction made you tired. Loki couldn’t judge you for that. While he was perfectly capable of being charming and outgoing when he needed to be, he didn’t particularly enjoy it.
So he gives you a few minutes, and once you’ve had a sip of water and typed a few words into your computer, he steps towards the desk. 
“Hi.” you say, meeting his eyes. Loki nods.
“Hello.” he greets you back.
That was always the extent of your conversations. You would look at Loki with your wide eyes- they really were beautiful, unlike any others he had seen on Midgard. You looked at Loki with such a kindness about you, like you wouldn’t second guess giving him a hug if he started crying right then and there.
Thor would take offense to this. Loki can almost hear his brother’s voice in his head, telling him that it’s better for someone to only look at one person that way.
But the fact you treated all your patrons with a good disposition didn’t make Loki feel like he wasn’t special, or whatever else Thor meant when he was saying things like that. Loki liked knowing there were people like you, who were nice to everyone because there was no reason not to be. It was a type of person Loki had never been around growing up. It was... comforting, to see now.
And besides, you had a sense of humor as well. Loki never confirmed this himself, but you often sent people away from the counter laughing. And there was a face you’d make, one Loki could never look away from. You’d scrunch your nose, then let out a genuine laugh. In a quiet library, you took up all the space.
Your words tear Loki from his thoughts.
“You know...” you hold up one of his books. Othello. “You can buy this book. Or at least renew it, instead of returning it and then checking it out again every week.” your eyes twinkle. Loki finds himself momentarily at a loss for words.
“I could.” he agrees. You lean forward, seemingly eager to hear Loki’s answer. Loki’s eyes scan the small building. You’re alone. He smirks. “But I would hate to bar anyone else from a classic.” he says. You suck in a breath.
“I hate to say it, but no one in this town is going to read Shakespeare. I would know, because I manage the holds list.” you scan the book, the machine next to you making a beeping noise. Loki hums.
“Well.” Loki begins. Your eyebrows raise at the god, an action he often finds himself doing. It’s interesting to see someone else do it. “In that case, I could easily buy the play, yes. But I wouldn’t ever be able to bring myself to. I enjoy the older books. Loose pages, broken spines. They have a certain charm to them.”
You blink, staring at Loki in wonder. 
“Yes.” you say, with emphasis. “Oh my gosh, exactly. And, okay please don’t think I’m weird, but the-”
“Smell?” Loki finishes for you. Your smile is contagious, Loki finds the corners of his mouth drifting up, too.
“Yeah! It doesn’t come with new books.” you exclaim. You shrink back. “Sorry.” you say, self consciously. “I don’t know many people who like books the way I do.” Loki watches you pack your excitement away, and for some reason, it weighs on him deep in his chest.
“Don’t apologize.” he tells you. “And now you do. One person who shares your interest is better than none.”
You look at Loki with a sense of amazement, almost like you can’t believe he’s standing in front of you. “Yeah.” you say, your voice sounding lighter than it was before. “It is.”
You shake your head, like you’re breaking yourself out of a daze. “Um, I’ll need your card. To check you out. To check your books out! Not you, I wouldn’t do that.” you knit your eyebrows together in frustration. “Not that I wouldn’t because you’re unattractive or anything- you’re handsome, it’s just that-”
“Here.” Loki’s biting back a laugh now, handing you his library card to put you out of your misery. You seem thankful when he does.
Loki’s fingertips brush your own when you take the piece of plastic from him, and it sends jolts of electricity through his hand. It takes him by surprise, his body reacting so strongly to such a simple touch.
You feel it too: Your breath hitches, barely. It’s nothing another human would be able to detect, but in Loki’s godlike stature, you may as well have gasped out loud. 
You retract your hand at what must be a record speed, scanning the card and laying it on the counter so there’s no chance of contact again. You push the books towards Loki.
“Thanks for coming in.” you say. “And for that chat. It was fun.”
“Yes.” Loki says tentatively. He takes the books. “It was.”
With that, Loki turns towards the exit, fully prepared to leave and continue his day as planned.
And yet...
Loki looked back at you as he was halfway through the door. Your hands were busy, scanning papers and moving pencils in a way that made Loki think you were trying to look occupied as opposed to actually being so.
“I... Pardon me.” Loki steps back towards the counter. You look up at him with wide eyes, a red tint still flushing your cheeks. Loki does his best not to focus on it.
“Returning Othello already?” you ask. “That was fast, even for you.” Loki scoffs.
“No, not quite yet. Listen, I assure you, I am not usually not this forward, but...” Loki’s grip on his stack of books tightens. “Would you like to grab a drink sometime?” 
“Hmmm.” you’re holding a pen in your hand, click-click-clicking it as you talk. “You do remember I’m a librarian, right?” your words sound like a rejection, but you’re beaming as you bite your lip.
Loki finds himself smiling back- you’re playing a game. Teasing.
“Ehehehe.” he laughs. “You’re right, how silly of me. Coffee, then?”
Your smile lights up the room as you reach forward, taking Loki’s hand and flattening it out. He feels the dull point of your ballpoint pen as you write your number, as well as your warm breath on his arm. Loki suppresses a shudder- a good kind, from anticipation more than anything else. 
“Call me, mister...” your eyes drift to the receipt you had printed just moments before. “Laufeyson.”
“I will.” Loki tells you. He holds up his hand with your writing. “Don’t sweat it.” One of the only Midgardian phrases Loki has picked up on. He hopes it worked, and thinks it does when you roll your eyes.
“Oh my god, you’re jokester. A Trickster, even.” Loki grins. You have no idea. he thinks to himself.
He pushes the glass door open and walks away, his spirits higher than they’d been in, well...
The last eight years. 
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Note
mr mendes just released a new song & i was wondering if you could write something inspired by the line: "i wonder what it's like to be loved by you" 😌✨
Ericaaa I loved this prompt! 💕 Of course I had to throw in some Pining because it’s so good ... hope you enjoy! (here it is on AO3)
to be loved by you 
It’s a secret to absolutely no-one that Amy Santiago is the kind of woman that likes to excel in any skillset.  Unapologetic in her badass-ery, she can (and has) chase a perp through the boroughs of Brooklyn in boots that have a higher heel than three of her male colleagues put together.  Her finely tuned memory - the same one that has led Trivia Newton John to seven straight victories - helped solve a series of long-dead case files, and her problem solving skills are the reason that one of the city’s biggest kingpins is currently behind bars.   
With this in mind, one could consider it safe to say that Amy regretting her natural ability to ace any situation would be up there with hell freezing over, or for a flock of pigs to soar across the sky. 
But tonight, here in Shaw’s bar as she watches Jake have what seems to be a lovely date with Sophia; Amy just might be, if only maybe a little, slightly regretting her highly graded observation skills (yes, the same ones that pushed her into the highest percentile when graduating from the academy - which she very rarely brags about, and she really should - it was mentioned in the commissioners speech and everything).  
To be fair, it wasn’t all bad.  She could, for example; hear the jukebox in the corner, playing Come on Eileen for the fifth time in a row - unknowingly settling into a duet with squelching sneakers as a bunch of drunken frat guys danced, all of them too far gone to notice any repetition.  Plus, she could pick up on the subtle click of the acrylic nails on the woman at a neighbouring table, listening to them tap against a series of her friends’ photographs, rotating between descriptions of priddy and gawgeous.  
Mixed with the scent of spilled beer and day-old peanuts, it was exactly the combination that to others may appear seedy, but to Amy and the squad, just seemed … familiar.  Shaw’s was their watering hole, the basement bar each could disappear into and drink to forget their days, and despite the five empty glasses on her table and the half-full one in her hand, Amy was finding it incredibly difficult to stop noticing just how sweet Jake was with his girlfriend.  
Even more impossible was to stop imagining what it would be like if she were the one standing near the dart board, with Jake’s arm resting comfortably over her shoulders.   
It had all started earlier today, when she had glanced over at her partner just in time to pick up on the tiny little smile that grew on his face when he noticed a text from Sophia.
(Okay, it’s possible that it had actually started back at The Maple Drip Inn, with that look he’d given her after maybe, yes, a little.  It had definitely led to a series of Thoughts after Teddy’s departure, of which she’d only given herself just that night to think about.)
(Except ‘that night’ then turned into that week, and okay fine then it had turned into ‘just that month'; and now here she is, several weeks later; completely unable of getting Jake Peralta off of her mind, and it’s becoming very likely that this is more than just a little crush.)
It had been so endearing to see, that tiny glimpse of joy and enchantment as he’d read Sophia’s message - just fleeting enough for Amy to wonder if anybody had ever reacted to a message from her with such glee.  (Teddy, she remembers, preferred not to text; and would instead express his affections by saving her the last bottle of his favourite pilsner, or brewing a new concoction ‘inspired by her’ … sweet, but somehow didn’t hold the same sentiment.)
So she’d kept her eyes glued to the computer screen in front of her as she listened to Jake pick up the phone and order a bunch of flowers to be delivered to Sophia’s office - using his debit card, and not a combination of the five questionably balanced credit cards under his name - which in itself is huge.  Pretended not to notice the multiple kiss emojis in his reply, or the soft tune that he hummed for a few minutes after, focusing intensely on the case file in front of her as she described a recent interrogation in finite detail.  Kept up the facade of all that stuff with us is in the past as he recounted a romantic weekend to their squad in the break room - laughing along in all the right places, doing her very best to keep the wistfulness out of her eyes.  
And all the while, Amy’s mind had kept contemplating if she would ever get to know what it would be like to date someone like Jake: to have somebody who would take all the black and whites of her life and show her the beautiful greys in-between. 
So when he’d shown up at Shaw’s this evening, with Sophia’s hand carefully wrapped around his own and a grin that announced his contentment to anyone who cared to look; Amy had felt her heart squeeze painfully in her chest.  Her painted smile had just lasted until the couple retreated to the corner for a crazily competitive game of darts, and Amy had decided tonight would be a great opportunity to drown her sorrows in a few glasses of whiskey, doing her absolute best not to notice all the little things she will never have.
Like the way Jake would punctuate each congratulatory high five with a kiss, even when it meant that his girlfriend had beaten him at a game.  The gentle way he steered them away from a rambunctious crowd, keeping an eye on the raised voices as his unaware girlfriend played her shot and came so close to hitting the bullseye.  Or the way Sophia’s hand would rest on Jake’s chest as he held her in his arms (just the way that Amy wishes she could do), and the way she would laugh so happily as he commented on the drunk guys dancing near them.  
It was all very simple, but undeniably sweet, and Amy doesn’t know how she ever doubted that Jake would be anything but. 
“Your covert skills need work, Santiago.”
The chair beside Amy scrapes angrily against the worn floorboards and she turns, startled by the interruption, quietly praying that her face isn’t quite as red as it suddenly feels.  Terry, far more interested in taking the last sip of his scotch than commenting on her appearance, settles in to his new location next to her, and his glass hits the soaking cardboard coaster with a slap.  
“Wha-huh?  Covert skills?  You really must be drunk, Sarge.  We’re not even on a stakeout right now.  Unless you’re talking about us staking out the contents of that fridge behind the bar haha!”  
(She’s rambling - she knows she’s rambling; but cannot stop the desperate need to pretend that she hadn’t just been completely busted for spending her entire evening staring at a life she may never know.)  
“Ugh.  Okay fine.”  Her mouth stretches out into a cringe, eyes flickering to the colleagues Terry had just walked away from.  “How noticeable are we talking here?”
“Noticeable enough that Charles has spent the last 40 minutes lamenting on ‘the beautiful tragedy of unrequited love’”.  Dropping his air quotes, Terry rolls his eyes, one eyebrow lowering as he returns to his drink.  “He lost me when he started quoting poetry.  Terry loves Shakespeare, but he could do with a little less soliloquies - and a little more spirits - tonight.”
“Oh!  You know what, there was just a Shakespeare play in Polonsky that starred - ” Terry overlaps her last words with his own heavy voice, and Amy’s stops in it’s tracks.  
“Dianne Wiest.  Terry knows.  That was his segue, Amy.”
She nods, sensing the need to dig up.  “Should have known.  Charles loves his Wiest feasts.”  Terry grunts his assent, pressing his lips together as he savours another verse-less sip, and Amy seizes the opportunity to cast another furtive glance at the happy couple.  
“Seriously, though.  Just because Peralta hasn’t noticed, doesn’t mean the rest of us haven’t.”
Amy brushes her hair to the side, swirling the liquid in her glass with her free hand.  “Okay, so maybe I haven’t been very subtle tonight, or whatever.”  Her gaze returns to Jake, drawn to him like a magnet, and her heart squeezes once more.  
To his credit, Terry gives her a moment; waiting for a silence to settle over their table before leaning forward in his chair, ignoring the sticky residue of the tabletop as he rests his arms on either side of his glass. 
“Out with it, Santiago.”
She shakes her head, swallowing hard to push down the burgeoning lump in her throat.  “They look really happy together, don’t they?  He looks … happy.”
Terry shrugs, glancing in the direction of Amy’s eye line.  “Yeah, I guess so.” 
“He does!  All shiny and cheerful and just .. happy.”
“I don’t know.  Terry remembers a time when you and Teddy looked just as content.”  His look is pointed, and followed by the unsubtle raise of his eyebrows.  Amy nods, draining the last of her drink.  Somehow, she has a feeling that Sophia’s underwear isn’t lined with mesh like Teddy’s had been (and even if it was, it would be some kind of inexplicably sexy mesh, for sure). 
“Sometimes things aren’t what they seem, sarge.”
“You know that works both ways, don’t you?”
Nodding again, Amy wipes her thumb along the smudged lipstick print on her glass, choosing to remain silent.  Terry didn’t get it - none of them got it, really.  She’d had her chance, the very first time the words romantic styles were uttered, and she’d let it slip away.  And now, she has to live with the consequences.  
Clearing his throat, Terry continues.  “I mean … she is a defence attorney, you know.”
“But see, even that isn’t something that I can fault.  Not fairly, anyway.”  Clocking the look of disbelief on Terry’s face, Amy shrugs defensively, waving her hand vaguely in Sophia’s direction.  “I know we all like to joke and call them evil, but really … all they’re doing is making us prove that our findings are beyond reasonable doubt.  If anything, it’s people like her that push us to do better - to work harder to make sure that we’re definitely charging the right person.  And as annoying as that can be, it’s definitely not a reason to hate her.”
“Kinda sounds like you do, though.”
She shakes her head, feeling the sense of defeat sink into her bones.  “I really don’t.  She’s incredibly smart, and funny and beautiful … she honestly looks like she should be in a commercial for shampoo or something.  She’s perfect for Jake, and I’m just …”
“You’re just … ?”
Shrugging, Amy slots her thumbnail into the edge of the coaster underneath her glass.  It, like her heart, had seen better days, and it was time for her to cut her losses.  “I’m just … going home.”
“What?  No.  Stay!  Our squad kicked butt this week, Amy.  We all deserve a drink.”
Painting another smile onto her face (she really is getting good at them), Amy pushes her seat away from the table, allowing herself one more glimpse at Jake’s smile before shaking her head at Terry.  “Sorry sarge, I just can’t seem to celebrate tonight.”
Heading towards the exit without a second thought, Amy doesn’t see Jake pull away from Sophia, taking a half step in the direction of the door as he watches her leave.  She doesn’t notice him pull out his phone, start to type a message before hesitating, pocketing it without hitting send.  The night moves on as Amy walks away, and the streets are deafeningly silent as soon as the bar door closes behind her.  
The sky seems to feel just as morose as Amy this evening, tiny droplets dropping onto her grey work blazer as she waits for a cab; too lost in her thoughts to take in the frivolity of a parting crowd.  As the rain increases and the splotches on her blazer turn into tiny Rorschach Tests she decides to give herself one more night - one last night of wishing for things that will never be. 
In the backseat on her ride home Amy twists her hands together, linking her fingers and imagining not for the first time that one hand was Jake’s (she would imagine similar .. later).  She thinks of what it could be like to have his warm presence near hers .. to have his hand resting on her leg, not out of possession but just to be near.  Watching him get out of the car first, only to turn and offer a helping hand for her exit, every time without fail.  
She pictures what it would be like to feel the brick exterior of her apartment against her back as Jake presses his soft lips against hers, kissing the life out of her, making her see stars before pulling her into the apartment for so much more.   
He wouldn’t always be the perfect partner - and lord knows, neither would she - but Amy knows that through it all he would remain her best friend, because even through all of this yo-yo pattern of denial and admittance, thats who Jake has been for her.  After all these years, he’s become the only one she wants to talk to, at any given moment of the day, who knows her coffee order better than his own and remembers her Abuela’s birthday, even when she hasn’t mentioned it in weeks.  
The scent of rain lingers in her apartment as Amy readies herself for bed, casting her pantsuit aside with drunken abandonment and giving her face a half-hearted wash before stumbling towards her bed.  She closes her eyes, the thoughts of what could have been still so loud in her quiet apartment, hugging the pillow beside her tightly while her mind begins to wander.  
As she finally drifts off to sleep that night, Amy tries not to remember the smile that Jake gave her as they danced so long ago at the community hall - that special kind of smile, that made her think that maybe it was solely for her - and tells herself once. and. for. all. that sometimes, life just doesn’t work out the way you’d hope.
* * 
It’s a rush of cool air that alerts Amy to a brand new morning, the drop in temperature squashed as quickly as it arrives by the wrapping of a warm arm around her middle.  She smiles into the pillow as it completes its protective loop, letting her body get pulled closer to the human hot water bottle in the middle of her bed, and if there was a better way to wake up on a cold day, Amy is yet to see it.  
She lets out a sigh of comfort as the bridge of a prominent nose digs into her shoulder blade, feeling the warmth of his breath through her old academy shirt, nestling closer until her legs are well and truly tangled amongst his.  It’s late, later than she would normally allow herself to sleep, but the two of them were far too invested in basking in the afterglow of a rainy Saturday filled with sex and movies to consider leaving the bedroom anytime soon.  
Jake’s voice is rough, the remnants of a deep sleep obvious in his throat.  “Today’s Sunday, right?”
Amy nods, wriggling herself just free enough to turn within her boyfriend’s embrace.  His hair is sticking out on all ends - unaided, she is certain, by her hands the night before - and she runs the tip of her thumb along his right cheekbone.  Though his eyes are still closed, he leans into her touch, and she grins.  “Definitely Sunday.  A rainy Sunday, but part of the weekend all the same.”
He nods, the short and prickly fibres of his morning stubble scratching her palm.  “Good.  More time for time machine building.”
“… we’re building a time machine?”
“Yeah, one that lets us skip past all the boring work stuff, and leaves us with all the time in the world for more of this.  Kinda like that movie Click, but a lot less ‘trying to change the past’ stuff, and a lot more sex.”
She chuckles, and his left foot rubs along the side of her calf under the blanket.  “You’re crazy, Peralta.”  (Although, she will admit - the ‘a lot more sex’ part did sound kinda great.)
His eyelids flutter open, gaze growing soft as a smile stretches across his face.  “You’re beautiful, Santiago.”
Amy feels her cheeks begin to heat up, resisting the urge to cool herself down by tucking her hair away, completely unable to move as long as Jake continues to look at her like that.  There’s a pimple growing underneath the surface of her chin that is going to rival Mount Vesuvius, and her morning breath could probably wilt the flower pots living happily on her kitchen’s windowsill.  But here, in bed with her boyfriend of almost two years, she feels more beautiful than all of her best days put together.  
“I don’t think I’ve told you this today, but I love you, Jake.”
Leaning forwards, Jake’s soft lips press against Amy’s, and he winks as he pulls away.  “I mean, we’ve both been awake for a sum total of three minutes, so yeah, you’re pretty late with the love you’s today, babe.”
Her free hand flies out from under the cover, delivering an indignant smack to Jake’s chest, and he grabs it back before she can pull away, linking their fingers together and pressing a kiss to her knuckles.  “I love you too, Ames.  Even if you don’t want to build a time machine with me, I still love you.”
She laughs - a giggle that starts in her belly and bursts through her lungs, something that she’s been doing a lot more of these days - and pulls Jake in for a longer kiss, morning breath be damned.  
One day, in eight or so years time, they’ll have a son - a miniature version of Jake that, much like his father, runs to the beat of his own drum; and answers to the name Mac.  Amy will fall pregnant again, and when they explain to their son that he’s going to be a big brother, his response is so perfectly him that it makes Amy’s eyes tear up with laughter.  
For they are, by Mac’s decree, now officially a Ninja Turtle family.  He is Raphael (or ‘Rafel’), Jake Michelangelo due to his love of nunchaku, and Amy nabs Leonardo purely out of homage to one of her favourite artists.  The mini-Peralta still growing in her womb is, by default, Donatello (or Donatella, depending), and even though there was a time when Amy truly felt like she could never be this lucky, she will love their little family with all of her heart.  
But for now, she has Jake; and together they have warm bedsheets and no plans for a future that isn’t together - no matter what obstacles may be thrown their way.  
And Amy realises, as Jake begins to trace a series of kisses along her side of her neck; truly, being loved by him is better than she could have ever imagined.  
x
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khadij-al-kubra · 4 years
Text
Worst Impressions are the First (ch 7)
Main Characters: Logan, Patton, Roman, Virgil (Human AU)
Pairings: Romantic LAMP
Word Count: 5036
AO3
<=PREV
NEXT=>
Author’s (longer than usual but it’s for good reason) Note: *The Apocalypse—2020. Zoom in on a plague rat turned writer. She has survived thesis projects, getting a Master’s degree, burnout, writing and illustrating a children’s book, being a slave for the U.S. census bureau, months of overthinking anxiety spirals, and one or two incidents involving an asshole skunk. But now, battle weary yet unwavering in her love of art and love for her loyal readers, this onesie-clad tea slurping book dragon....has finally arisen from the ashes*
I LIVE BITCHES!!!!!!! And I am SO SORRY for taking so long!!! I’ve been hard at work, been editing like a mad woman, and I even have a beta now! The gorgeous and talented @humbletortoise So I  am OFFICIALLY off hiatus!!! *cue confetti canon* 
Also, one of the biggest reasons I’ve taken so long to update is because I’ve spent the past month or so essentially retconning the fuck outta this fic. I realized looking back at earlier chapters in this story that, although I was proud of them at the time and greatly appreciate the positive reactions, they were...not my best work. (shitty first drafts if I’m being honest) That’s because, at the time, I was trying to split my attention between writing this fic and working on grad school stuff, which resulted in my writing for this not being as best of quality as it could have been upon first posting. This story deserves my best, and so do all of you. So now I hope to give you that. 
I encourage you to go back and re-read the previous chapters up till now (trust me, they’re near unrecognizable to the first drafts, but in the best way). Or if you don’t feel like doing that, you can just continue on from here. totally cool. For the sake of convenience and my own sanity, I’ll attach the AO3 Link to this fic from the start. I may also start just posting chapter updates on tumblr but only have the link to the chapter and add my reader tags. Again, for the sake of my sanity because Tumblr is a bastard when it comes to posting fics. (Also PLEASE let me know if there are any tagging issues if anyone’s on my tags list; yet another reason i’m considering just linking my fics in the future)
Anywho, without further ado, at LOOOOOONG last, here is the next chapter!
Chapter 7 - (POV Roman)
When Roman had offered to walk with Logan to class, it was only partly out of an innate sense of chivalry; a side of himself that he rarely got to show on account of being a socially awkward gay disaster. Though mainly, he saw it as a chance to get to know his second soulmate better.
He certainly hadn’t expected two long minutes of civil but silent walking. Well, as silent as a stroll through their school could be with its usual racket buzzing around them. With a vocabulary as big as the continents of Africa and Eurasia combined, you’d think Logan would be more of a conversationalist. Alas. He merely walked in step with Roman. They glanced over at each other every so often, but Logan stayed tight lipped and seemingly impassive; fiddling with his bumblebee hair pin every now and again. Damn. Looked like he was going to have to make the first move.
Roman was bad at this. How did people usually…Oh yeah, common interest. That’s a thing. He wracked his brain for some sort of ice breaker. One that’d make him look cool and calm or, something, in front of Logan. He was a fairly decent student though not quite mathletes level. He could compliment his outfit maybe? Was that too forward? Too shallow? Maybe he could find common ground? That was as good a place to start as any.
“So! So uhh…What kind of music do you like?” Roman asked. Yeah, that’s good. Everybody likes music.
Logan glanced at him. “Can you be more specific?”
Roman’s brow furrowed. “I mean, like, your favorite genre of music to listen to?”
“Classical,” said Logan in a clipped tone.
“That’s cool. I don’t really listen to classical myself.”
Logan only hummed, his face neutral. Roman was really hoping for more than that. A few awkward seconds passed, then Logan spoke up.
“Are you perhaps a fan of the classic Sherlock Holmes novels?” He inquired.
“Um, I haven’t gotten around to the books yet, actually,” Roman said, scratching his earlobe. “I mean, I’ve heard great things about them. And I’m a big fan of the Robert Downey Jr. movies.”
“Ah. I see.” Logan said, giving him the judgiest side eye.
Come on, Roman thought. Give me something to work with. “Oh! What about theater?”
“What a frustratingly vague inquiry.”
“Well, excuse me for trying to get to know my soulmate a little better.” Ay come jode, work with me here, man!
Logan sighed. “While I understand and appreciate your intention, I believe ‘getting to know someone’ as you put it, requires a certain level of specificity. Anything less indicates a somewhat shallow level of sincere interest, and I greatly despise shallow conversation. That said, if you’re inquiring as to whether or not I enjoy theater, no. I don’t understand the concept of professional make believe, though I appreciate it as an art form. I assume you’re a fan?”
Is he seriously implying I’m shallow? Roman groused, pushing his red frames up the bridge of his nose. Ugh, forget it Roman. He’s throwing you a bone here. Take it.
“Obviously,” said Roman, gesturing dramatically. “I mean I’m no actor—Eesh. No. Yikes—but everything about the artform enthralls me. And I like all kinds of genres and eras of plays, from Shakespear to Ruhl, but musicals are by far my favorite, because like, there’s so much you can do with them design wise. I mean just look at how groundbreaking Hamilton was.”
For a second, Logan’s face actually softened, his eyes lighting up. But just as Roman thought they were finally about to make some progress, his stony companion was back to wearing that platinum puss.
“Ah. How… original.”
Roman blinked. “Are you saying my tastes are basic?”
“Well, yes.”
Augh! Okay. Yep. I don’t like him. Patton was going to be so disappointed, and Roman was too. He’d wanted so badly to get along with all his soulmates, but Logan was a snob! Way less intimidating than Virgil and his ilk, but still a jerk. I wonder if soulmarks can make typos or something? Thank the stars they’d already arrived.
Roman and Logan filed in with the rest of the class for seventh period. Somebody had the liberty of opening a window– the AC was still busted in this classroom– so for once there was actually a decent breeze cutting through the usual mucky Florida humidity. Still smelled like it would probably rain later. Good thing Roman had packed an umbrella just in case, Mom’s orders. His hair looked too good today to be wrecked by frizz.
Roman took a seat at his desk, running distracted fingers over the carved letters in the wood while he mulled over his predicament. Just look at him over there, thought Roman as he glared at Logan, not two rows away from him. Sitting with his hands clasped on the desk all smug—of course he’d be near the front—and with such disturbingly good posture. What is he, a robot? Who is he to call my interests basic, the NERVE! And okay, sure, like Hamilton, sometimes I get over excited and shoot off at the mouth. But great Zeus, does that guy show passion for ANYTHING besides academics? Roman blew a raspberry, plopping his head in his hands.
He always thought soulmates were supposed to get along, even as just friends for life. Balancing each other out, bringing out the best in you and forming a deep connection—that was the whole point. He sighed to himself. Cymbals clashed less than he and Logan did.
He was stirred from his brooding by the bell. Apparently Mr. ‘Call-me-Terrence’ Williams had materialized without him noticing. Okay fine, he should probably pay more attention, but he was having a crisis here.
“Afternoon everyone,” Terrence greeted in that measured, upbeat tone of his.  
He draped his navy blue blazer over the back of his desk chair and rolled his shirt sleeves to the elbows. Roman pitied the poor guy;  he had to teach sauna of a classroom all day. He could see the glisten of sweat on his teacher's smooth forehead as he wrote things on the board. Yet he still kept a pleasant attitude towards his students.
“Alright class!” Terrence started, “Today we’re covering the next section on the American Revolution. Specifically, the Battle of Yorktown...”
Roman mentally punched the air. My time has come. He opened his textbook to the right page but didn’t bother looking at it. He already knew most everything about Yorktown. Not just because he’d listened to the Hamilton soundtrack fifteen and a half million times, but also because he’d done actual research on the event and time period that the musical took place; There was always the off chance he’d get to stage crew or, heck, even dramaturg the show. He liked to be prepared.
“So the battle of Yorktown took place in 1781, but a great deal of its success was thanks to the French Allies. Many especially aided in fighting the British Troops surrounding New York. Now who can tell me where the French Soldiers first landed?”
Roman half raised his hand. He was pretty sure he knew the answer.
“Logan.” Terrence called.
Roman turned to Logan desk, where his hand was held high and mighty.
“The French Ally ships first landed in Rhode Island, then made their way to Chesapeake Bay,” said Logan, adjusting his glasses. Not even a hint of second guessing in his voice.
“That’s right!”
He almost missed the quick smirk on Logan’s frustratingly pretty face. Look at that smug—thinks he’s so smart...Okay yes, he is smart, but he doesn’t have to be a show off about it. Terrence continued through the passages, calling on a student every now and again to review. Of course, Logan got called on most and he got every answer right. Roman didn’t feel like raising his hand anymore.
“Of course there were many turning points in the revolution, but Hamilton’s return to the field for Yorktown was a key point.” Terrence continued on. “And keep in mind- this was a man who up till now had never been in a position of command before. Not to mention the mental strains he must’ve been under, especially having had to miss the birth of his son Philip, the first of three children he had.”
Wait a sec. “Well, that’s not right.”
Even though he’d muttered, apparently Mr. Terrence still heard him. “Come again, Roman?”
Shoot. “Um, I said,” Stop sounding timid, you know you’re right. “I said that was, um, wrong.”
The whole class turned to him. Oh great, history class has its eyes on me. Roman cleared his throat and tried to look taller.
“What I mean is: Hamilton had eight kids, not three. And on top of that, Phillip was born a few months after they won the Revolution, not during, so Hamilton didn’t miss the birth of his son. I mean sure, it’s a small thing, but the devil’s in the details as they say. Heh.”
Terrence gave the most insultingly bemused look. And Roman definitely heard a few kids snickering behind him. He glanced quickly at the culprits and felt his ears go hot. This is what he got for putting himself in the spotlight.
“Roman, I applaud you for participating in the class discussion,” Their teacher started gently, “but I’m afraid you’re wrong on this one. If you read your textbook close you’d see in the fifth paragraph where it mentions from one of his later letters—“
“Actually Mr. Williams, if I may, Roman is correct.”
Roman saw Logan at his desk, one hand raised while the other adjusted his neck scarf. Was the teacher’s pet actually… backing him up?
“It is a common misconception that Alexander Hamilton only had two children, even more so modernly, what with the musical having only named two of them. However Roman has clearly done his research on the plays historical accuracies, which is more than I can say for some.”
Logan shot a cool but scathing look at their recently snickering classmates and they withered. Roman fought the urge to point and laugh aloud. He did however stick his tongue out real quick. What? He could be shy and petty at the same time.
“My guess,” Logan continued, “is that this textbook edition is also either misprinted or outdated, judging by the publication date in the copyright section.”
Brows furrowed, Terrence looked at the textbook laid open on his desk. He flipped back to the front, before pulling out his cellphone—“I’m the teacher, I’m allowed to do this. You guys aren’t.”—and after what Roman guessed was a quick Google search, their teacher looked up. His eyebrows drawn in a ‘hm, well damn’ expression.
“Looks like you’re right, Roman. And thank you Logan for bringing to my attention about the textbooks. I’ll have to talk to the principal about hopefully getting some updated materials. But we’ll see how that goes,” Terrence, muttered the last part, though Roman was close enough to catch it. Terrence cleared his throat and moved back to the board. “Maybe if we call on assistance from the inside. Much like how the Sons of Liberty sent in Hercules Mulligan to spy on the British...”
“Perhaps if we knew of an immigrant who was unafraid to step in,” Logan said just under his breath.
No one else seemed to notice the reference, but when Roman did, he felt like a mini volcano about to burst rainbow lava. Apparently there was a lot more to his soulmate than first meets the eye; and now that he knew, Roman was determined to see more of it. The rest of class passed quickly and everyone filed out to the halls as the first bell for the last class period of the day rang. Roman made sure to catch up to Logan on the way out and staccato tapped him on the shoulder.
“Hey, Logan?” He said.
When Logan turned, he swore time slowed down for a moment. The brilliant boy’s skirt flared around his waist, and somehow his skin glowed even under the dull, inconsistent school lights. His posture was erect yet natural, he could have been raised among nobility. Amidst the stench and clamor of loud sweaty students, Logan was as poised and striking as the goddess Athena. Oh...
“Yes, Roman?” Logan asked.
Roman gulped. “I uh, just wanted to thank you for backing me up in there.”
“Thanks are unnecessary,” Logan said. “I detest when someone is shamed by other students for speaking up in class, regardless of whether or not they have the correct information.”
“Well regardless, thanks for coming to my aid in the face of academic danger.”
“Dramatic, but my pleas—oof!”
A hurried passerby bumped into Logan from behind, rushing off with a half-assed ‘sorry’. Logan, caught off guard, stumbled right into Roman’s arms. The two looked at each other, cheeks filling with heat. Roman caught a whiff of something faintly floral on Logan, something natural– a lavender and honeysuckle perfume, perhaps. It was heavenly. They were still in the middle of foot traffic though, so he maneuvered them to the side. Which was tricky since Logan was still so close to him and also a good two inches taller with the heels.
“Well,” Roman flashed his pearly whites. “Seems you’ve fallen for me.”
Logan pulled away, but his lips quirked upwards in a teasing smirk. “Oh please, I merely stumbled into you.”
“Ah, but stumbling is the first step towards being swept off your feet.”
“Bold words from an abashedly charming homunculus in such an… eye catching ensemble.”
Did he call me charming!? He composed himself, “Hey, don’t let the sweater vest fool you. I may be short but I’ve got guns.”
“Aaah. But mind over muscle, as they say. Do you find yourself up to the task?”
“Only if it’s you, my brainy blossom.”
Roman’s class was in the other direction, but Logan didn’t need to know that. They walked through the halls, conversing. class was still in the next ten or so minutes, but Roman was having fun. Banter with Logan felt surprisingly easy. Natural like they’d been at it all their lives.
“By the way, was that a ‘Guns n’ Ships’ reference I overheard, pastel poindexter?” Roman asked.
Logan cleared his throat. “It… may have been, yes. I found myself unable to resist toppling the figurative dominos.”
“In other words, you seized the opportunity you saw,” Roman said, matching his own reference to the source’s cadence, which got a chuckle out of Logan.
“Precisely. Under more casual circumstances, I may have even recited Lafayette’s part.”
“You can rap? You can rap Guns n’ Ships? Like, the whole thing, no tongue twists?”
Logan stopped for a moment, turned to Roman. The taller boy cleared his throat, and after a moment wherein he seemed to mentally restrain himself, he simply adjusted his glasses.  “I have an appreciation for poetry.”
Roman blinked rapidly. Holy shit, he’s an even bigger nerd than I am. He definitely needed to see that at some point.
They turned a corner, stopping just outside of the science room. Some students were going in to take their seats, and the teacher was already making notes on the board. Logan pulled an AP Physics book from his backpack, but made no move to leave, much to Roman’s delight.
“So then,” Roman leaned against the eggshell wall, “How come you acted so indifferent earlier and called my tastes basic? Oh, and I think I remember you also implied I was shallow?”
Okay, yeah, he was still kind of salty about that. But then he saw the shamed look on the nerd’s face, and Roman wished he could have taken it back. Logan looked at his shoes then back at him.
“To be candid I was… hesitant to show the full extent of my enthusiasm. In case you thought I’d be—I believe ‘being the most’ is the term— it wouldn’t be the first time I’ve caused someone to lose interest in conversing with me due to informational overload. I nearly bored my Aunt Patricia to sleep once talking about a fascinating article on jellyfish. And considering how I blundered our initial meeting—“
“Pfft, ya think?” He mentally slapped himself again when Logan went tight-lipped and turned to go. “No, no, wait. I—I’m sorry. Truly. ...Truth is, I was no gentleman either. I’m not always great at thinking before I speak. It’s why I’m so awkward around people. Takes a while for my true charming nature to shine through.”
“Clearly. Still, you show a level of interpersonal aptitude that I, well, lack.” Logan fiddled with his hair pin again and a stray hair came loose. “Reading people and expressing emotions has never really been—It’s something I struggle with.”
Much as Logan tried to maintain his cool composed posturing, Roman could tell that this was something that really bothered him. He tried so hard to seem put together and confident and serious, but really he was just as awkward and insecure as anyone. Roman smiled softly and stepped closer to Logan, reaching up to tuck the loose ebony strand behind his ear.
“Hey, everyone’s got things about themselves they can work on. Including me,” Roman smiled. “And believe me when I say that I will never judge you for being passionate about something you like. So if you ever want someone to ramble about jellyfish or Sweeney Todd to or—I dunno, calculators or something?—I’m all ears.”
Logan’s cheeks went pink and he gave a hesitant yet sincere smile. “That’s...very kind of you, Roman. And coincidentally, I also greatly enjoy Sweeney Todd. The use of iambic pentameter and alliteration to give a succinct synopsis to the story in just the first sentence alone is pure brilliance.”
“Right!? I mean the man’s a mad genius. I’m dying to design sets for one of his musicals someday. Like last year? I came up with the concept of having the Sweeney Todd sets done in a way that highlights the class differences with the characters.” Roman went into a small three minute ramble regarding the specifics before he cut himself off abruptly. Logan was blinking rapidly, a look of mild shock crossing his feature. Roman nearly started sweating; Had he messed this up again?
“That… that’s ingenious”
Roman’s ears were burning. Ohmygosh!Ohmygosh!Ohmygosh!
“Hey, Logan!” They both startled and turned to an impatient cheerleader with a ginger undercut and they/them pronoun pin shaped like a coffin. “What’re you doing just standing out in the hall, ya dork? Oh, hey Roman.”
“Uh. Hey, October,” Roman said, waving awkwardly to them.
“I told ya, Red, you only get to call me that when we’re working on a show.”
“Wait, October? Red? You two know each other?” Logan asked, brow arching.
“Kind of. They sometimes help out with costumes for the drama club,” said Roman. And they have terrible timing. I mean seriously Tobes, we were having a moment.
“Come on Lo, class is about to start, and you promised to go over my homework with me real quick beforehand. See ya ‘round, Ro.” Toby grabbed Logan’s hand and pulled him into the classroom. “You can fill me in on what you were doing with Red later.”
Logan followed his—apparently—friend into their classroom, but he shot Roman an apologetic look over his shoulder. Roman bounced a bit on the balls of his feet before following halfway into the room. Logan was in his seat with Toby showing him an open notebook. A teacher in a tight grey hair bun was writing on the board. Students at their seats were chatting, and some looked up at the short dork in red who burst in. For once Roman ignored them, his mind set on one last attempt at wooing his green skirted genius while he still had the nerve.
“Hey, Logan,” he said. “I’ve also got some great layout designs for an Into the Woods set. If you’re interested, maybe we can meet up after school and I can show them to you? Maybe we talk a bit more over iced lattes or something?”
“Excuse me, Mr. Prince, seventh period starts in five minutes,” said the teacher. “Unless you’ve suddenly transferred to my class, I suggest you stop distracting my favorite student and get going.”
“I’ll be gone in just a second,” he said. “Well?”
Logan smoothed the silky fabric of his pink scarf and said, “That sounds optimal, Roman. I’ll meet with you. By the first floor water fountain perhaps?”
Roman grinned. “I shall be counting the minutes.”
“Mr. Prince,” said the teacher with a warning glare.
Roman blew a kiss at Logan and then ducked out of the doorway. Was he embarrassed of himself? Oh definitely. Did he regret it? Absolutely not. He felt ten inches tall.
Now to complete the quest of making it to class in time. He slid off a shoulder strap to unzip his classic Mickey backpack, getting out the notebook and the relevant homework. He found them amidst the mess of spiral notebooks, granola bar wrappers, two textbooks and rainbow sticky notes. But something was missing from his folder.
“Where are those– it should be here.” He could’ve sworn he had his stapled the blocking notes in his folder. No, wait, the last place he saw them was— “Ah shoot! I left them in the tech closet again.”
Under normal circumstances, Roman would’ve grabbed them after school, but the auditorium was locked on weekends. He’d have to wait till Monday to get them and that just wouldn't do! he wanted to show Logan his notes today! I’ll bet David Korins never has these kinds of problems. Okay, okay. Still got four minutes. He could rush to the auditorium, grab the notes, and then head straight to class. I should have enough time, right? Right. Besides it was only Spanish Class, he was already pretty fluent after all those summers visiting his grandparent in Nicaragua. He spent most of class time dreaming up blocking notes anyway.
Despite not being totally convinced by his own argument, Roman immediately turned on his heel and started running in the opposite direction. After a teacher told him no running in the halls, Roman power walked through the halls with a skip in his step and a song in his heart, feeling absolutely gay in both senses of the word. Logan had actually called his idea ingenious! And the way those sharp eyes softened just for him- he would squeal if not for the fact that it would draw too many eyes to him. The halls were still filled with a few stragglers rushing to the last class of the day, and he was already trying not to get caught being late for class.
Now he knew how Maria felt in West Side Story. Y’know, before Act 2. Oh sure, they’d gotten off to a shaky start, but as the Bard’s adage on the course of true love said; and Roman felt it in his gut that this was certainly the start of true love. Not just with brilliant Logan but also with soulful Patton as well. He didn’t know how an awkward geek like him ever got so lucky in the soulmate department…Then again, there was still the matter of Virgil. So maybe not so lucky.
Roman touched his arm, remembered flustered yet flattering purple words. I know they both said Virgil is secretly sweet and I can sympathize with the terrors of closet town, but COME ON! Virgil? Really? That gloomy gladiator? There had to be a mistake in that. After all, Patton liked to see the good in everyone. Logan was much more of a skeptic, but he does seem to have a blind spot with sarcasm. Maybe Virgil was messing with them somehow. Even if he’s not a jerk jock, the guy’s still kind of a creepazoid; with his dark eyes and cheeta-esq gait and those probably huge muscles hidden under that bulky jacket and big hands...
His gay disaster train of thought came to a merciful halt as he reached the auditorium. Roman pushed open the doors, took a pause to breathe in the quiet comfort of this chapel of the arts. Okay yeah, chapel was maybe a little kind for the school’s auditorium which doubled as the drama Club’s rehearsal space/prop closet backstage/Mx Joan’s unofficial office because the school didn’t fund the arts programs enough. Even so this space was Roman’s sanctuary. The place where he could help create magic from the shadows, bring stories of those gone and living to life. Here, Roman found something of a community with his fellow backstagers, glee club losers, and budding thespians (the nice ones). So he loved every squeaky stage plank, every duck taped seat cushion and every speck of dust that floated in the spot lit air like fairies.
Mx. Joan wasn’t around for once, thankfully. Probably in the teacher’s lounge or rendezvousing with the school nurse or something. They were pretty chill and Roman knew he was their favorite student, but the choir director/drama club moderator/music teacher (this school really needs to fix its funding habits) wouldn’t have been too keen on Roman being deliberately late for class.
Roman walked down the aisle and to the side room by the stage. It was originally a janitor’s closet, but their club moderator transformed it into a ‘Crew Only’ Storage Unit… Okay it was still a closet, but with less bleach and more coils. This was where they kept important equipment for semester shows, like the lighting and sound boards, along with other supplies. Roman made a quick mental note to get more gaffer tape later, seeing their supply was low.
He looked through the small pile of scribbled and highlighted sheets with the lighting cues for the spring show. I’ve really gotta get a binder for these…Ah-Ha! Here you are! Roman pulled out the stapled sheets titled ‘Into the Woods Dream Set’ and carefully shoved them into his bag. Perfect timing too. He might just be able to make it to class after—
RIIIIIIIIIIING
“GAH!”
What the heck? He could’ve sworn he was alone in there, but that yelp just now said otherwise. Up close, Roman saw that the curtains were rustling, accompanied by sounds of heavy breathing and moaning, yet not a footstep to be seen or heard.
Holy SHIT, this place IS haunted! I KNEW that backdrop fiasco last semester wasn’t caused by cheap slit plywood. My supplies are the best quality allowance money can buy. Great Macbeth’s bloody knife, I TOLD Kai we should've sprung for a ghost light! Remus always teased him for being superstitious but look who’s laughing now.
He dashed back into the crew closet and grabbed the heavy push broom leaning in the corner. Roman Prince was NOT about to be caught unawares and possessed by the ghost of a disgruntled student without a fight. He would defend his domain of imagination!
Roman slowly climbed the stage steps, wielding his broom like a bow staff, turned the curtain corner where the noises were coming from and was about to release a war cry on the—
“Virgil?”
Roman nearly dropped his weapon at the sight of Virgil Alighieri—star athlete, object of his fears and supposed soulmate—curled in on himself trembling and crying.
His jacket was pulled over his head like a hood, yet Roman could see the tear stained face peeking out from underneath. Virgil’s eyes were squeezed tight, making the dark circles he’d never noticed before more prominent. There was no denying the athlete had muscle but he was more lithe—thin enough for Roman to wonder if the guy ate enough. Virgil’s trembling could rival a chihuahua, shaky hands clutching his knees, and he was clearly in the midst of a bad panic attack.
Roman had built Virgil up in his mind as being like some odd combination of Hades and Ares. The strong silent wolf within his pack of jocks, a surging thunderstorm just waiting for the right nerd to come along and piss him off enough to strike down like the bolt of Zeus.
Someone to be afraid of.
But now? Seeing him in this state, all alone and whimpering like a wounded animal...it broke Roman’s heart.
He set the broom down gently and carefully crouched down in front of Virgil. “Virgil,” he said softly. “Virgil, can you hear me?”
Virgil let out a breathy sob but otherwise didn’t seem to register him. Just how long had he been sitting here like this?
Roman was at a loss for what to do. Sure he knew plenty of people with anxiety but never saw someone having an actual panic attack before. He did know that if he didn’t help the other calm down soon, Virgil was liable to pass out. He’d never wanted to hug someone so badly in his life. Roman tentatively reached out a hand but stopped. What if touching him makes it worse? What if I startle him so badly he actually has a heart attack!? Maybe I should get the nurse. But I can’t just leave him like this.
He caught sight of the colorful soulmarks written on Virgil’s arm. Saw his own harsh thoughts: ’Dios mio, he’s staring right at me—like he wants to punch my face!’ 
Roman took his shame and forged it into steel. I won’t abandon you...my soulmate.
Virgirl’s let out a hiccuped cry, and this gave Roman an idea. Something from back when he was a child. It was probably stupid and a long stretch, but it was all he could think of. He readjusted himself so that he was now sitting right next to Virgil, making sure not to startle him. Roman cleared his throat, then as softly as he could, he began to sing.
“Come stop your crying, it’ll be alright.
Just take my hand, hold it tight.”
Roman one and carefully gentled his hand over Virgil’s. After a moment, he felt a light squeeze, and that encouraged him to keep going.
“I will protect you from all around you.
I will be here, don’t you cry…”
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hiswhiteknight · 4 years
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Unbelievably Outlandish– Part 1
Summary:  Before starting down a new crossroads, the Reader goes onto an adventure of literary traveling. Suddenly tossed into an unbelievable story that has swept the world, The Outlander Series itself. How will a twenty first century woman survive?
Note: I own no characters, except reader, clearly this is based off the lovely book series Outlander by Diana Gabaldon and tv show. This follows more the tv show, but it’s far from accurate. I’m going to try to get better with using less proper English, but who knows maybe I’ll get into Scottish slang.
Pairing: Jamie Fraser x Female Reader
Words: 1900
Warning: Angst, playfulness, cursing, slow start
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It has been a long time coming, you haven’t been on a real vacation since you graduated high school. You joined the Marines immediately, went into training and university. With you, it was always work, work, work. For you, it made sense since your brother was a Navy Seal and you both didn’t really have family. And you didn’t stay anywhere long enough to make super close friends to vacation with. But this trip, this was for you and only you.
               You got your degrees in psychology, battle strategies, and world cultures, but your true love was literature. You made it this far living a pretty isolated life because of your brother and your books. You generally just loved to read, so after leaving the Marines, before you started to find your new pathway you said you were going to take this vacation around Europe stopping in different places described or lived in by some of your favorite authors. Jane Austen, Shakespeare, Sir Doyle, Thomas Malory, etc. And it’s been amazing seeing all these places that inspired your idols, imagining how your favorite fictional characters lived.
               And here, alas you were in Scotland. Not necessarily because one of your favorite fictional characters lived here or your favorite author grew up near here, but because of your brother.  He wanted you to explore where you both came from, he felt it would help understand life before you both lost your parents. Plus, he was a huge history buff – it was his hobby outside the Seals.
               He told you all about the battles and culture amongst the decades before us. He told you about our Irish and Scottish ancestors. He’d tell you, you can’t have a name like Y/N O’Mulligain and not think of the Irish.
               There was this nearby village you were passing through. An author named Diana Gabaldon wrote a romance novel based on this rock formation. Your old college roommate wrote a thesis paper about historically accurate romance novels and pop culture. You thought, what the hell, since your here minus well check it out.
               It was strange at first, wondering through this supposed magical place. People clearly flocked here for Outlander’s popularity. You more enjoyed watching the people. You sat against a tree, pulled out a sandwich from your bag, and watched the middle age woman touch these rocks like they were the rock hard abs of a character from Outlander. It was quite amusing. You liked to think your mother would be doing the same thing if she were still alive.
               “You must not be a fan, girly,” you look up to an older woman, clearly Scottish from her accent.
               Shaking your head, standing up to shake her hand, “Is it that obvious,” you laugh, “I’m Y/N. Just a tourist, watching other tourist. That obvious hugh?”
               “Mary, deary,” she grinned answering you with her name while look up at you. You were about five three, but this woman had to be four feet something tall because she was tiny, “Just by the way you’re gazing all around, a girl looking for her own adventure, not through someone else’s eyes or story, but of your own.”
               “You get all that from just looking at me,” you laughed, looking at her curiously. You loved people like this, authentic and wily – it was usually the case with old people.
               “It’s the glimmer in your eye,” she gripped your chin softly, shaking it.
               You laughed, smiling down at her, “May I ask you a question? Do you believe the tales of this place? I know the Scottish culture has a lot of tall tales and superstitions, but a story like that?”
               “Aaa,” she nodded her head, “A skeptic,” she nodded, “These people wandering about, they don’t really believe in the tale. But I believe in the magic of this place, it just doesn’t work from anyone. It’s for the special.”
               Watching her with amusement and skepticism, you laugh nodding your head, “I hope I didn’t offend you with my question.”
               “No, of course not dear – though I believe in the magic of this place. I mostly come to watch these woman fawning over these rocks. I like to bet on which woman will kiss one of those moldy old things.” You laughed so loud, she grinned up at you, “I am about to go home to my hunny Wallace, but you stay here for me? Those three woman over there,” you looked in the direction she was pointing, “I believe they are each going to lick one of these things.”
               Laughing again, you nodded, “I’ll keep a close eye on them. It was an absolute pleasure, ma’am,” she gripped your hand tightly for a second before releasing.
               You sat back, glancing at those women laughing, “And dear,” you look back up to her, “Most people will be leaving to their beds or finding a pub, but you should stay. While the sun is setting – this place will give you the most magical sights.”
               She truly intrigued you, “Of course ma’am, thank you again.”
               “Enjoy your adventure lass,” she grinned once more, walking off down the path.
                 She was right, people started to trickle out. Husbands getting annoyed or bored, ladies feeling exhausted, or people just fearsome of loss of light – they just left group by group. You were left alone eventually, starring at the sun sinking into the horizon. She was right again, Scotland was magical with sights. You took a mental picture of this moment – the smooth silence, the color the sky made, and just being one with this experience. Your life was never slow, silent, or peaceful. You had always lived in the rush of things. But here, you sat taking in this moment. You felt like you could stay in this moment forever.
               The sun eventually went down and you were met with near darkness – which exception of the full moon. You collected your things and got ready to leave. And it dawned on you – you came all this way and have never even touched these rocks. The book aside, these rocks have had legends and tales for centuries. You should respect the stories and culture. With one touch, maybe you’ll feel the stories, tales, and people that touched it before you.
               It felt odd to reach out and touch the stone. It was cool and surprising smooth. You laughed at the thought of all the tongues that touched this exact spot. And with a single breathe, everything grew black and all the air punched out of you.
               Next thing you felt was the slam of the ground and your oxygen returning to your lungs. The sun from the tree burned your eyes. And you heard it, gun shots. You thought you were having another Post-Traumatic Stress attack, but the second bang brought you to reality. And you started to run, your bag still on your back, darting through the trees. You heard shouts, but you were not taking the chance. Being in the military, you didn’t stand still to figure it out.
               Someone gripped your arm as you ran past them, pointing a sword right in your face, “Are you for real,” I yell at them.  
He had a musket pointing directly in your face. You stopped breathing; he was dressed like a 18th century soldier. Thoughts sped in your mind, could this be a reenactment? Could this be a sick joke? The bullet sounds shook you out of your thoughts, the man was about to speak. You grabbed his musket, yanking it towards your body. The gun went off as his head smashed into yours. He groaned, tripping backwards, and smashing against a tree. The light from the headbutt blasted on in your head.
The light started to blind through, and the forest became vivid again. The sound of bullet fire caused you jump out of it and look at the man unconscious before you. You had to be dreaming, everything was so real. The sound, the smell, the world around you. Where and when were you exactly? You got drug out of your thoughts as a bullet graved your arm. You gasped in pain and your body took flight again. On the run again, you slide down an embankment, meeting eye to eye with another redcoat.
               You gasped, “Holy hell,” you whispered looking at the man, “Forgive me,” you said out loud, as the man watched you, straightening up. You saw his insignia, “Captain?”
               “Jonathan Randall, Esquire – Eighth Dragoon of your majesty’s army, mistress,” he answered.
               Something inside you reminisced, that name was familiar. Watching him closely, as he made his micromovements - he was also watching you, like some predator to prey, “I seem to be in the wrong time, wrong place,” you awkwardly laughed.
               “It does seem that,” he paused to see if you’d introduce yourself.
               “I had someone taking me to some distant family and they tried to attack and rob me,” you tried to play the damsel in distress, “My brother always told me I was too trusting.”
               “Yes mistress, women are naïve sheep,” he tiptoed towards you, his hand resting on his sword, “Your accent,” he nodded towards you. You slowly started taking steps back, “I’m unfamiliar with it.”
               He didn’t believe you, clearly you were off your game. Maybe it’s because the blast you took a few minutes ago getting you to this point. It could be the fact that this was surreal, “I’m grew up in the colonies,” you shrugged it off, you could only imagine how far away your accent was to actually existing, “But my brother sent me to our parent’s home country after their passing.”
               You forgot the first rule of lying, keep it short with no unneeded details. His uniform was familiar, the military and your brother trained you well. You had inclined the year and it was clear the woods of Scotland were not safe with the Redcoats. This man was an enemy, not a gentleman of the era you’ve heard and learned so much about. You had to get away, find safety, and figure out what exactly is going on.
               You knew self-defense, hell you were trained well at the art of combat, but this man had weapons and the only thing you had was a backpack and no adequate footwear for a run in the woods, “You don’t dress like a lady,” he motioned towards your clothes. You stop breathing at this, “In fact, only traitorous women wear clothes such as this,” your back was against the hill behind you. His breath was on you. He gripped your neck tightly, “There is only one way to deal with a woman like yourself,” he went for his buckle.
               Your brother drilled into you about protection during moments like this. He trained you on what to do, it was natural. Headbutt to the nose, hike up of the knee, a tool – in your case a rock – to the head. And soon you were breathing heavily and looking at the Captain unconscious on the ground.
               The sound of the Redcoats was not far off, “Druid,” you heard. You were surprised that someone could sneak so close and not make any noise. This Scottish looking fellow reached out his hands, “Come now,” he said. Your only instinct was to take it for now. This man pulled you behind a tree.
               “What year is it,” you whispered to him.
               “1743,” he mumbled, trying to shush me, taking the time to give you a questionable look.
               “Pinch me,” you were hoping this to be a dream. It was a final test of your predicament. He looked at you strangely before helping with your request. He did, and you felt it and suddenly everything went black.
PART 2
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An Essay on the True Nature of Literature.
By Vinay Rajoria
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Nobel Prize winning American writer, Ernest Hemingway,writing at his desk.
Looking at a koel bird singing in the hot summer loo or the sprightly squirrel hiding in the pink petals of bougainvillea, I have often wondered what makes me, a mere human, distinct from these other equally alive and walking-talking creatures? At once, a thousand bits and pieces of intriguing answers rush to my mind but when I behold them one by one, then one distinct fact shines more profoundly than others. The fact called culture! In other words, humans unlike other animals are cultured creatures.
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Broadly speaking, a culture is defined as the way of life of a group of people. It has many more complex dimensions but for the sake of this discussion, this will suffice.
Culture includes two parts-material culture and non-material culture. Material culture refers to all the tools, objects, buildings, etc., or in other words every tangible aspect of human creation. But more important to not just the argument of this essay but to the essence of human beings, themselves is the non-material aspect of culture. An aspect that includes the most precious of human resources called ideas and beliefs. This facet of culture is the accumulated knowledge that is learned and passed on from one generation to another.
And it is here, we see the immense importance and almost sheer necessity of the sophisticated tool of communication that humans have developed and perfected over the years, for the efficient transfer of this non-material culture, called language.
Now language, while being a part of the culture, has played and continues to play a vital role in the transmission of ideas. It enables information to be passed from one individual to another, quickly and easily. Initially, this form of effective information transferring was naturally oral, that is information was passed on by the means of different sounds or human voice. This oral tradition to communicate one's thoughts and feelings still continues to exist in the spoken form, but unlike the earlier ages, humans over time developed a new and a much better means of communication which we now call written culture.
It fills me with sheer wonder when I realize how much writing has enhanced the power of sophisticated communication by making information permanently available to others. It has made a thought become almost immortal by making it free from the boundaries of both space and time. With it, anyone can communicate from the deepest of human emotions to the shallowest of political arguments to someone miles away from them, to someone born centuries and centuries after they have gone. In other words, the written word has made the entire corpus of human knowledge, amassed over the years, available to everyone and anyone, just as it was there at the moment of its inception in the mind of its creator.
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Now building on this little background of human thought, one can see the question under consideration more effectively. So what is literature? This is a question that evades the exactness of a standard definition so much so that for once it might look like catching moving air with bare hands. But we must keep hope thinking like the German philosopher Nietzsche, who said "and if you gaze long into an abyss, the abyss also gazes into you".
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19th-century German philosopher and writer, Friedrich Nietzsche, who wrote the famous book-'Beyond Good &Evil'.
So when you look deep enough, you begin to notice that certain endemic characteristics inherent in all literary works shining out at you. Characteristics that make defining literature a bit easier and propelling us to understand its true nature which makes it distinct from just any written work.
Literature, as I wrote earlier, is about the act of writing itself. It's an integral and a more specialized dimension of the non-material culture. It takes birth from the human desire to express itself in words. And though, it definitely has more nuanced dimensions, but at its very core, it concerns itself primarily about the written existence of thoughts and ideas in the form of symbols called letters.
And it is this cultural influence of the written word which marks the distinction between the languages and dialects spoken around the world; that is languages have their roots and their history in their respective literature. They have the fertile soil of epics and poetry to draw and grow from. Be it then Sanskrit having the texts of Vedas and Upanishads, English having the old English poem Beowulf or Chaucer's Canterbury Tales or the Greeks having Homer's Odyssey and the Iliad, etc. One can even say that more often than not, languages have grown and matured from great works of literature rather than the other way around. As has been the case with Chaucer and the English language, where Chaucer's contribution to the language is so huge that it's rightly said that Chaucer found English as a dialect and left it as a language. Thus, we can say that one of the key characteristics of literature is to give a formal literal structure to the spoken as well written languages. It lends the art of communication a set of well-crafted parameters to look for syntax and aesthetics among other things.
This brings us to another very interesting point that sets literature apart from any written word and that is aesthetics. Literary works be they in any language or culture definitely possess a great amount of aesthetics in themselves. It is this aesthetic sense which the writer builds in his words that makes any normal-sounding conversation or a mundane anecdote of hopelessness spring to life. It makes the writer's personal experience into a social experience which the reader can relate to and imagine as if he or she is experiencing it on its own or in his or her own time. It is the aesthetics of Shakespeare's prose and poetry that make the dilemma of Hamlet or the sorrow of Caesar so impeccable in its appeal, making it count as one of the greatest kinds of literature of the world. One sees this aesthetic characteristic trait in almost every page of the great works of literature of the world, making it stand out as not a sheer amassment of jargon of words or a sentence salad uttered out in a stupor but as a true masterpiece of human genius. Literature hence becomes not just a mere written work but in all true sense a work of art.
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Literature,thus,can also be defined as the definitive and controlled expression of human creativity in the form of letters and symbols. In this light, it's actually committing crime to say that any sort of written expression is literature because that means giving no credit whatsoever to the creative process and toil the writer puts in to make his personal raw emotions and ideas into an intelligible and aesthetic creation. A creation which then can be appreciated by the millions and connects us to the mind and the heart of the writer, making us all better human beings in the process because literature, especially great literature for that matter, makes us reflect on the human conscious and suffering which otherwise is so diverse and dynamic and perplexing to comprehend.
Literature, to conclude, then becomes an act of empathy, making us feel the inner and the outer world from someone else's perspective or the act of stepping into someone else's shoes. It makes us come closer to our own psyche and propels us to see the parts of ourselves which we often deliberately choose to ignore. As Emerson rightly said, "In the works of great writers we find our own neglected thoughts."
Image Credits:- Pinterest
References:-
The Glossary of Literary Terms by M.H. Abrams
The Concise History of English literature by William Henry Hudson
The Routledge history of English literature
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chiseler · 3 years
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Hammett Made It Easy
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To put it bluntly, it is simply, humanly impossible to watch Roy Del Ruth’s original 1931 film version of The Maltese Falcon without drawing comparisons and parallels with John Huston’s much more popular (if not exactly “timeless”) version from a decade later. After all, in many fundamental ways the films are a nearly identical match, scene for scene and line for line. Almost, anyway. Enough so that you’d notice.
The fault for this lies squarely on the shoulders of author Dashiell Hammett. whose 1930 novel made straying from the original source material extremely difficult. The sharp dialogue, the snappy pacing, and the already cinematic scene structure are all so very good that there was little reason to go messing with it. In fact, as the story goes, when screenwriter John Huston made the decision to move into directing, Howard Hawks gave him a copy of the book as a potential first project shortly before Huston left on a vacation. Huston handed the book to his secretary and told her to type it up in script format. She did, and it was that initial version straight from the book that was green-lighted by the studio—even before Huston had had a chance to read it.
Huston later made a few minor changes and additions, but one has to wonder if ten years earlier screenwriters Maude Fulton and Brown Holmes didn’t work much the same way, given how much of the 1931 film’s dialogue reappears verbatim in Huston’s—with the notable exception of the Shakespeare quote that closes the latter (a line supposedly suggested by Humphrey Bogart).
Granted, Huston’s film runs twenty minutes longer than Del Ruth’s spiffy 80-minute number (for a number of reasons, including a much larger role for the hapless gunsel Wilmer and an extended final sequence), but nevertheless if you remove the script from the equation, comparing the two films becomes much easier. At that point the remaining important factors are the directors and their styles, and the casts and their performances.
By 1931, Del Ruth was already well underway in a directing career that would find him making comedies, musicals, dramas, Westerns, and even the occasional horror film. Although comedies were his real forte (he would soon direct Lee Tracy in Blessed Event), taking on something like the Hammett novel was not that unusual. He was not a particularly remarkable director, and stylistically his films resembled most other standard films of the day. The scenes were quick, the camera was static, he didn’t have much time for pizzazz. As was the case of so many of the films of the era, his pictures often resembled filmed stage plays. He was on a tight schedule, and as soon as he finished one he had to be on to the next in a couple days. In the end he crafted an entertaining, well-told story, and that’s all the studio and audiences were looking for.
Meanwhile, The Maltese Falcon was going to be Huston’s directorial debut after having solidly established himself as a respected screenwriter. Some of the suits at Warner Brothers were hesitant to let him make the leap, so he had to prove to them he could do it, and approached the film with the kind of energy and big ideas you find with so many first-time directors. Although the film wasn’t as flashy and inventive as Citizen Kane, Huston did pull out a few tricks, like the famed seven-minute take, and the camera work was fluid and energetic. Even if audiences didn’t notice a number of his little flourishes, it was still a very confident film. More importantly, it was an entertaining, well-told story—and that’s what the studio and audiences were really looking for.
(It’s worth noting, however, that Huston’s version was much tamer than Del Ruth’s—perhaps for obvious reasons. In Del Ruth’s version there’s no pussyfooting around the fact that Sam Spade really is having an affair with his partner’s wife. Nor is there any question what happens after Spade accuses Ruth Wonderly/ Brigid O'Shaughnessy of only using money to buy his allegiance.)
What Huston really had on his side was, if not star power exactly, then at least a handful of familiar faces. It might have been Sydney Greenstreet’s film debut, but audiences certainly recognized Mary Astor, Peter Lorre, Elisha Cook, and Bogart. Up until this point of course Bogart had only been a character player, but his star was definitely on the rise, and broke with this film.
Del Ruth, on the other hand, was working with an armload of good, available B actors. Most of them worked regularly, but they weren’t exactly Joan Blondell or Douglas Fairbanks.
It’s in looking at the performances of the two groups that the real differences between the films arises. Take the character of Sam Spade, for instance. Bogart’s performance as the womanizing, sharp tongued private dick always struck me as stiff and stagey—you can almost hear him thinking of each gesture before he makes it, and each line before he speaks it. There’s something tangibly artificial in his performance, the feeling that we really are watching an actor, and moreover one who’s not trying very hard.  Or maybe one who’s letting his stage training get the better of him, thinking the dialogue alone will carry the day. I of course love Bogart, just not here, particularly.
Ricardo Cortez (in reality the NYC-born son of Austrian immigrants) portrayed a much looser, more easy-going Spade, always ready with a quip and forever chasing skirts. He gives a much more relaxed performance that often borders on the straight comic. In spite of the fact that Cortez is much more comfortable in the role, it seems, his Spade is almost out of place here, smirking his way through a double murder investigation.
Seen today, Greenstreet’s   Gutman seems so unique a performance that it immediately became iconic, and a character and performing style he would go on to recreate for the rest of his career. It seems unique anyway, until you see Dudley Digges Gutman from a decade earlier. The similarities between the two performances are shocking. The intonation, vocal tones, the side mutterings, the laughter, the gestures, even the facial expressions are so nearly identical it’s almost as if Greenstreet studied  Digges’ performance closely and decided to recreate it for the remake. Strange thing is, for American character actor Digges, it was a unique role quite unlike anything else he’d played before or would play again. Unless you care to argue that the spirit of the true Kasper Gutman inhabited both actors (and then stayed in Greenstreet), it’s a mighty remarkable coincidence.
One of the more interesting distinctions can be seen in the character of Spade’s secretary, Effie Perine, and more specifically it boils down to a single line reading.
In one of the first and most famous lines of the film, Effie informs Spade that a new client is waiting to see him. In the Huston version, bubbly Lee Patrick says, “You’ll wan to see this one anyway—she’s a knockout!” She seems awfully enthusiastic about it, happy to encourage her boss’s assorted flings. It seems a little odd, but then she spends the rest of the film running errands for Spade and we never give her another thought.
In Del Ruth’s version,  Una Merkel’s Effie does not smile and does not chirp when she says dourly, “You’ll want to see this one anyway. She’s a knockout.”  There’s so much stifled bitterness, frustration, and jealousy in the line that we can read her entire character—almost her whole life—in those few words. And for the rest of the film, whenever Spade asks her to run another errand or do another favor, we know what she’s thinking when she agrees. Thanks to Merkel, Effie becomes the one honestly tragic figure in the entire story, with the possible exception of Wilmer.
As Gutman’s henchman and punk, far be it from me to compare anyone with the great Elisha Cook, Jr.—unless of course it’s the equally great Dwight Frye. Sadly Frye has been given very little to do here except look sullen and angry. In fact he’s only been given a single line of dialogue (“I’ll fog him”). Still, he’s always fun to watch—though admittedly not as much fun here as Cook, who gets to give Bogart a vicious kick in the head.
In the end and over time, the choice of which, if either, version is superior is a simple matter of taste. It does become easier to understand, though, why in the 1950s Del Ruth’s version was redubbed Dangerous Female in order to distinguish it from Huston’s.
by Jim Knipfel
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miminorenai · 4 years
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Chapter 21
In the church engulfed in silence —
Sitting on the bench, Charles speaks of conversation he had with Mimi, bit by bit.
Charles “......Even if she believes in Dazai, she said she can’t believe in me.”
Charles “She said he’s never a person who won’t be sad by a person’s death......but a long time ago, I used to be sad a lot too?”
Charles “What’s the difference with me and Dazai? Mimi seems like she’s having a hard time with Dazai......”
Faust sighs at Charles who’s muttering vaguely.
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Faust “How rare, for *Shall to show negative emotions.”
(*Faust called Charles ‘シャル’ instead of his full name シャルル
Charles “Negative emotions......?”
Faust “Are you jealous?”
Charles looks up blankly at Faust.
Charles “I’ve never been jealous of anyone before, but......”
Faust “Your UNawareness is a pain.”
Faust “It appears that winning over vampires in the mansion is out of the question.”
Charles “Such thing is non-negotiable/undiscussable, huh?”
Charles “But Dazai —”
Dazai “If you could make my wish come true ···— I might be interested to get on with our discussion.”
Charles “Despite saying it like that, he didn’t tell me after all.”
Charles “What is Dazai’s wish, I wonder? What does he desire to the point pretending not to see Mimi’s favor......”
Faust “......”
From the information they received from Shakespeare, the reasons of resurrection for the great men in the mansion......
......their purposes and backgrounds were being investigated.
But regarding Dazai, his exact purpose remains unknown and has not been reported.
Faust thinks with his finger on the chin, and opens his mouth after a while.
Faust “......Shall. You once said that Dazai’s past might be resemble you.”
Charles “Hmm......yeah.”
Charles “I used to execute......a lot of people. That guy let someone died too, although the amounts are different.”
Charles “I don’t know what caused his double suicide affair, but......”
Faust “If that’s the case, a thought experiment......would you like to play an *association game?”
Charles “Game?”
Faust “It’s simple. — What do you think of the person who’s causing other people to die?”
Charles “......”
Charles’s suffocated by the cruel question.
Faust, observing his reaction, urges Charles to answer with a sharp gaze.
Charles “......Regret, I guess. Even if I said I’m sorry......no matter how much I apologize, it’s not enough.”
Faust “And, there’s no way for atonement.”
Faust “So — what if you could go back to the world before you made a mistake?”
Charles “Huh......?”
He blinks.
Charles “If I can go back......if I can do that, I’ll stop the execution.”
Faust “How? Are you going to let the dying people escape?”
Charles “If it’s possible, I’ll do it then......”
Faust “You’ve got a point there. Then, if there’s a more fundamental solution —”
Charles “Fundamental solution......”
Charles drops his gaze on the floor and thinks carefully......and suddenly raises his face.
Charles “The executioner ···— it’d be good if I were gone.”
Charles “—··· Ah, I see. Perhaps Dazai......”
Charles smiles, as if he discover a star before his eyes.
Charles “......Hey, doc. Lord Vlad said this earlier.”
Vlad “If all the great men who influence the world disappear, what will happen to the future?”
Vlad “……Hmm, how interesting.”
Charles “If Dazai’s purpose is really ‘that’, is it worth trying?”
Faust “The great men to disappear......should we do that experiment?”
Charles “Yeah. If we’re to use that door, we can even try it right away. Lord Vlad said that the abnormality had subsided.”
Faust “No one could use the door properly except for His Excellency Vlad.”
Charles “But I’ve heard of it before.”
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Vlad “— The other side of the door is a space-time interval.”
Vlad “It gathers the earnest feelings of humans throughout every era and period. It’s such a door.”
Vlad “If you have a strong will, the door may respond and lead you to the desired place.”
Faust “......I see. It’s certainly interesting to see what happens if we succeed in using the door, but —”
While Faust’s face shows that he’s still has objection on the matter, Charles’s truly in bliss.
Charles “......Yeah, that’s it. It’s different from our original plan, but isn’t it better to fulfill Dazai’s wish?”
Charles “And then, there would be no death to come after this.”
Charles “Isn’t this a good thing? Mimi will definitely understand.”
Faust “— Shall. You......do you aware?”
Charles tilts his head to Faust’s voice, which has a slight suggestion of sounding out.
Faust “His Excellency Vlad still loves human.”
Faust “When he casts something away, he has his own standard, whether it’s necessary or unnecessary for the world.”
Charles “Ah, if I do whatever I want, will he get angry......?”
Faust “It’s not like that.”
Faust “......What are you trying to do is Shall’s own choice, not His Excellency.”
Charles “Uh huh, is that so......? But I’m sure it’s not in vain.”
Charles “Mimi might be sad if Dazai’s gone, but  — “
Charles “......I’ll fill the empty hole in her heart.”
—··· A few days later, MC’s going out shopping in town with Sebastian.
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Sebastian “Which reminds me, do you still read Dazai-san’s book?”
MC “Ah......, yes. Little by little between works and nights, though.”
MC tries to keep calm and answers the shaken topic that’s suddenly comes to her mind.
MC “To be frank, I still carry it around, even now.”
Sebastian “Right, Mimi is steadily becoming a Dazaist.”
Sebastian “It seems that Dazai-san is also writing.”
Sebastian “If there’s a request, allow me to do the editing or proofreading......”
MC “Sebastian, are you serious......!?”
Sebastian “Of course.”
Sebastian “But, it’s been particularly hard to catch Dazai-san again, nowadays.”
(......That’s right.)
MC hasn’t been able to talk with Dazai since that night he kissed her.
(He’s actually avoiding me after all......)
(But, I’ve been refused many times now, what should I do?)
The feelings of awkward, sadness......various emotions are mixed in MC’s chest and she cannot advance to the next step.
(Even so, I want to talk, even a little......I want to meet Dazai-san.)
When MC’s thinking about such thing, a scenery suddenly pops into her head.
(From what Dazai-san told me, if it’s that place —)
(I feel like I can meet him......)
There’s a strange sense like being called to the multicolored spectacle.
(Yeah......let’s go there.)
Sebastian “Mimi, what’s wrong?”
MC “Nothing......um, Sebastian. Can I take a short detour on our way home?”
And then, MC heads for —
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— alone, to the path she visited with Dazai before.
On both sides of the path, the hydrangeas still have their vivid petals. But......
(Dazai san’s —··· not here. As expected, such coincidence will not happen so often.)
(I wonder why? It felt so wonderful when I walked with Dazai-san, now I’m just lonely......)
Except for the changing seasons, the scenery doesn’t change that much, but it looks different.
Instead of someone she couldn’t meet, MC opens Dazai’s book.
(In those days, it was fun to be together, and it felt so natural to be close to Dazai-san.)
(Somewhere in my mind, I was hoping he feels the same way......)
MC “This is......a hairpin?”
Dazai “It’s a hydrangea hairpin. I thought it would look good on you when I saw it in the town.”
Dazai “All right, it suits you well. You look very cute.”
**
Dazai “You are so good at believing in people.”
Dazai “……Really, Mimi-san is so honest enough that makes you dazzling.”
Thing that were fun and exciting......when MC remembers the days she spent with Dazai, her chest tightened in pain.
(I wonder if we can’t go back like we used to......)
(No, even if we can’t go back —)
(Right now......the scariest thing would be Dazai-san will go somewhere that’s out of reach.)
Dazai “......If you’re going to say that far, then tell me.”
Dazai “What kind of things filled my heart/mind while I kissed you just now?”
MC “......Dazai-san, are you angry? That, or is this also your intention of being a clown......”
Dazai “Hmm, who knows?”
Dazai “Mimi-san, I......I’m afraid of your straightforwardness.”
Dazai “When you’re with me, I ···—”
(I'm still curious about what Dazai was going to say back then......)
(What is making Dazai-san baffled to be with me......?)
For that little while, it seems MC was able to reach the edge of his heart, and while she’s pondering on his words many times over —
MC “Ah......”
Maybe because MC was distracted, the book slips off her hand.
She reaches out to pick it up in a hurry......and catches sight of a sentence from a page that opened by accident. 
—「駄目な男というものは、幸福を受取るに当ってさえ、下手くそを極めるものである。」
“A hopeless (useless/no good) man is someone — even at the time he receives happiness — will carry his hopelessness to the extreme.”
(Happiness......Right, Dazai-san too —)
Dazai “Listen, stop have feelings for such man, since I cannot make you happy.”
MC “How about Dazai-san’s happiness……?”
Dazai “I don’t need that. I don’t wish for it anymore.”
That guy, being stubborn, doesn’t even try to accept something like happiness.
(Since the reason for his revival is “to accept punishment for making other people unhappy”......)
(But I —)
—··· MC wants Dazai to be happy.
He scoops up the subtlety of human hearts, and give them incomprehensible kindness in indirect (roundabout) expression.
(But even then, he always takes a step back......)
MC wants to reach out for him —··· who’s alone at a distance and feeling lonely in his whole life, as he sinks into a dark place.
MC “Dazai-san......”
MC picks up the book as if touching his heart gently, and as her feelings welled up, she hugs it tightly to her chest......
......there were eyes staring at Mimi from the shade of tree.
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Dazai “I just turned my legs somehow, I wonder why are we attracting each other......”
Dazai “The weak fear happiness itself, huh......?”
—「弱虫は、幸福をさえ恐れるもの」 
“The weak fear happiness itself. They can harm themselves on cotton wool. Sometimes they are wounded even by happiness.”
After muttering a sentence he once wrote in ‘No Longer Human’, he laughs, like mocking himself.
Dazai “Mimi-san, I’m afraid of you. Since when you’re with me, I feel happy......”
Dazai quietly leaves the place, as their thoughts and feelings passing by one another —
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He then goes towards the man who summoned him.
Charles “Welcome, Dazai.”
Dazai “It’s an honor to be welcomed directly to your stronghold.”
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