#then leaving to go to class

[pose4photoml]

Hi

Phone

Here

Bye

[shotmrmiller]

re: rugby team ghoap

it'd been a one-off, seize-the-moment kind of thing. casual hookups aren't really for you, plus you distinctly remember your ex prating on about how the team would only be here for the weekend hence the absolute burning need to go, and you've got work monday.

goodbye, great knowing them. you'd traipsed out of the hotel room with your sneakers in hand, soap's used jersey in the other- a memento of sorts, a trophy. mild serial killer behavior but you reckon since you just became another pearl in their long string of conquests, the least you could do is take something with you that won't be gone with a warm epsom salt bath and a couple of days rest.

("would ye believe yer the prettiest we've ever brought back with us?" right. you know where you stand on that scale, and people like you don't typically pull men like them. another cringe-worthy comment like that and you'd mistake their interest with pity.)

you'd put both jerseys in the wash later that day, and the rattling of your washing machine marked the end of your exciting weekend.

or so you'd thought. from your side of things, you'd wiped your hands clean of their sweat, spit and come and went home, once again falling back into semi-familiarity, expecting to go to work feeling completely relaxed and loose, in more ways than one, while ignoring the photos taken of you and the "star players" at the stadium on social media.

(no one caught your face, what bloody luck.)

when you see them again, it's by pure chance. you'd been ordering a sandwich at a deli down the street, hand already reaching for your wallet when an arm curls around your shoulders, dark, coarse hair of a forearm brushing against your cheek.

cedarwood and citrus. it clings to your senses— a sharp, tangy reminder of that time you'd only look back on when the familiar pang of want pooled searing hot between your legs. small world, you suppose.

"didnae leave a note. stole my jersey. 'm surprised ye didnae leave us money on the table, bonnie." warmth flared beneath your cheeks but you didn't cow to his crude joke.

"i suppose i could've left a tip. what do you want?"

the playful lines around his eyes smoothed as his lips straightened into a firm line, his eyes frostbitten. you ignore the way his touch makes you feel trapped, tethered, a cage made of velvet.

"took my shirt and then didn't show up to a single game after tha'. jus' gettin' wha' i'm owed. unless he's yer favorite."

how can he be your favorite when you know nothing about the sport they play and have no interest in knowing?

"too bad. we come as a package. get yer food, we've a place nearby."

(simon had been nowhere near as good-natured as johnny had about you leaving without a word. made you spit out apologies with swollen lips, only accepted the ones that came with a fluttering of your raw pussy around the splitting thickness of him while soap condescendingly cooed in your ear about lessons having to be learned the hard way.)

[timethehobo]

A lil gift left in his room.

[odetojupiter]

uhhh so the number four is associated with death in certain cultures, including japanese, which is fitting for the butcher’s son, yes but just remember neil was supposed to be number three and jean was supposed to be number four ,and in every draft but one jean dies. he is symbolically saved from that fate by dodging the number four (being given, instead, the number three which represents REBIRTH of all things - i made a whole post about that if ur curious) because it means he was never marked for death. so in this draft, where he’s number three, but was supposed to be number four, he comes so close to death - to the point where renee doesn’t know how he’s still alive - because he was supposed to die, doomed by the narrative, but that number three saves him. that number three represents resurrection, and so he doesn’t die like he was supposed to. because he’s not number four, he’s number three. he comes back. he transforms, he heals. he becomes number 29 (i will eventually make a post about jean and the 29)

neil, though, was marked for death. he had the number four tattooed on him, and he goes through his own narrative believing he will die by the end of it. his survival, however, is foreshadowed in the very moment neil thinks he’s about to die - when he is kidnapped. lola burns the number four - the signifier of death - off his face, leaving him scarred, yes, but not marked for death anymore. and so he lives. and guess what: the number 10 represents the start of a new chapter, that one cycle is coming to an end and a new life is starting, one that you’ve worked hard for. so for the number four to be burned off of neil, that tells us neil is going to live. and when neil becomes neil legally, he settles into the number 10 properly. and his new life begins.

[xxplastic-cubexx]

Hi!! I really love and enjoy the way you draw Charles and Erik! You're so good! ಡ⁠ ͜⁠ ⁠ʖ⁠ ⁠ಡ

thank you !!!!!!! i look forward to drawing them a million more times :]]]

[ezlo-x]

Why do I feel like college/uni professors who are less strict abt attendance are becoming less frequent to encounter

[the-scarlet-witch-22]

Teen hate feels SO forced. He genuinely cared for Alice, and was rightfully upset over what happened. He's also been defending Agatha this entire time against the rest of the Coven. So how does he react when the person he's been defending drains the only person who has been kind to them of their magic? He snaps.

Also, this might controversial but why am I seeing queer women using the f slur? Kinda weird guys, kinda weird.

[uravitypng]

coworker ranpo knows exactly how you feel about him even though you try your best to hide it from him and the ada

coworker ranpo constantly shows of in front of you, prideful of his intelligence and his newest achievements

coworker ranpo wants your attention all the time.

coworker ranpo who's too lazy to do any paperwork so he spends his time talking to you instead. you need to focus on your work but you can't bring yourself to stop talking to ranpo, especially when he initiates the conversations

coworker ranpo likes bringing you along to his cases so he can show off to you

coworker ranpo who always knows when you've had a bad day, instead of trying to cheer you up with words he'll offer to share his snacks with you. everybody who overheard in the office immediately stopped what they were doing, shocked and in disbelief, when they heard his offer

coworker ranpo who will seriously craves kissing your lips after you've eaten something sweet. that lollipop you were just sucking was one of favourites and he can't find any others in his snack pile, he's sure you'd make it even sweeter.

coworker ranpo rests his head on your shoulder while he sleeps. you don't know if he's really asleep or if it's just a front to not do any paperwork

coworker ranpo misses you when you suddenly don't turn up to work for a couple of days

coworker ranpo who does like teasing you and messing with you, whenever you make mistakes or you don't know something he'll be there but his comments never seem harsh when directed at you.

coworker ranpo who likes getting a reaction out of you every time he stands too close to you or praises you. he likes watching a shiver run down your spine and a bashful smile on your face which you try and hide it by looking away.

coworker ranpo will invite himself to places you're going and tag along. "you're going shopping? let's go now because i need more snacks."

coworker ranpo doesn't seem that bothered when he starts getting your hopes up that feelings might be mutual. that just means you try to find ways to spend even more time with him than usual and he enjoys your company

coworker ranpo thinks you're smart enough to realise they're not mutual and that hope you have is only fleeting

coworker ranpo has a sweet spot for you

coworker ranpo has no intention of changing the current dynamic you share. you're his favourite coworker.

[honey-bird10]

ok because why have I not realized until now that yoojin was highkey abandoned by the people he was meant to depend on for his entire youth (aka his PARENTS) before also being abandoned horribly by the one person he had left in his life and it fundamentally altered his mindset into one which believes that once he's unneeded by someone they'll simply fuck right out of his life, leaving him either scrambling to make himself as useful as possible, or depressed as shit as he accepts they're ultimately going to leave him, and this mindset actually has him by the balls the entire novel lowkey

[books-not-people]

AU where when Danny first got in the portal for the picture jazz being the protective older sister she is and knowing her parents "lab safety" she goes in with Danny and when he trips her immediate thought was to save him from falling in the danger trap she considered the portal and they both become halfas que the canon ghost shenanigans but add protect younger siblings obsessed jazz being a absolute nightmare standing behind Danny the hole time just daring someone to go after team phantom and any time they do they immediately regret as they have angered the older sibling and mercy is not an option.

When pariah dark happens they team up to own him no suit required and jazz and Danny become sibling rulers of the realms.

Somehow their parents find out and go mad scientist on them jazz is 18 in this so says fuck you takes Danny and as the nature secretly petty as shit just calls CPS and takes Danny and sues her parents for child support.

They + Sam & Tucker (because they can convince Tucker's parents it will be good for his future tech career and Sam just tells her parents she's going to stay with her dads side of the family(the drakes)) go to Gotham because no GIW unlike Amity and is ecto rich I also imagine that both are on their way to becoming Ancients of space (Danny) and as odd as it seems older siblings(jazz) they are confused at first until it's explained that the belief of the love and protections that older siblings are some of the most protective and also mischievous towards their younger siblings has built up to for an ancient and jazz just happened to become that ancient.

Que jazz helping college students in the Gotham U library study when they miss their older siblings help like when they where growing up and just being a protection spirit but to siblings in particular. This becomes super annoying when the bats and the birds start setting off her instincts after joker escapes and she can only relax after beating the shit out of him with the anti-creep stick in front of red hood who promptly falls in love with her much to the annoyance of Danny who was already secretly dating tim and meeting at the local coffee shop and ordering their coffee

Feel free to add your own ideas and if anyone writes it please send me a link or title I would love to support your story💖

[ps-cactus]

sebastian notices a butterfly near ominis' face and suddenly becomes extra... attentive

[violetscanfly]

Marleyan Hange au part 5

Liberio 2

Ghosts of happier times

First | prev | next

There are more important things happening all around the two of them, but being so close to each other is awfully distracting. Never mind the sharp blade between them, they both wish they could get closer, wish they could go back to how it was before.

Levi had sworn to himself he'd make that traitor pay if they were to cross paths again, but when he hears them laugh, sees them smile, sees that something spark in their eyes, he sees- Hange. And Hange is someone he can't bring himself to hurt, no matter how much they already hurt him. So he lets them go, even though he's sure he just got played. Again.

Hange, who had started to accept that this is where they would meet their end, is baffled. But then again, Levi has always been kind under that rough exterior. Far kinder than he should be. So even with the sharp blade pressed to their throat, seeing Levi's familiar mannerisms had made Hange feel right at home. Suddenly, just getting to see him again had felt like a gift, even if it meant finally atoning for their actions. But instead he's walking away and Hange doesn't know what to do.

[bisclavret]

like many who have suffered at the hands of bbc merlin before me, i recently indulged in a thought experiment in which i outlined my own version of seasons 3-5 that stay thematically and tonally in line with the show (except they're less fucking stupid). but then i quickly realized that focusing on details is pointless: all you need is to solve the one Big Problem the show has, and the rest will follow. the problem in question? ✨morgana✨

i like the first two seasons. s1 achieves what it sets out to do and has fun while doing it, and s2, while flawed, sets up a ton of potential that the following seasons unfortunately squander, beginning with the insidious season 3. you can only distract me with cute knights and goblins and fart jokes for so long before i start seeing through you, evil, evil season of television.

my hypothesis is that if the writers had crafted s3 morgana into anything more sympathetic than a violent half-alive poltergeist that can never be reasoned with because she's suddenly terminally off her rocker, everything would've fallen into place. a sympathetic morgana would've made real, valid arguments against uther (and arthur) that wouldn't just be the ramblings of a woman possessed. her betrayal of arthur would have stemmed from her feeling increasingly morally superior to him because of his complacency in the face of their father's tyranny. under morgause's guidance she would stop believing that arthur is capable of change, and the whole point would be that she might actually be right. arthur would have to actively try and prove her wrong, instead of getting praised for doing the bare minimum because the bar is on the floor.

furthermore, morgana's prophetic dream about arthur and gwen becoming king and queen and her decision to prevent this however she can is a direct parallel to merlin learning about that same prophecy and making it happen by any means necessary. merlin's desires about his and arthur's futures are subtextually fueled by gay love and devotion, so why couldn't morgana's be? why couldn't she properly express her bitterness that arthur gets to be with gwen in a way she can't "took gwen away" from her, instead of suddenly declaring that gwen is nothing more than a servant, after two seasons of demonstrating again and again that she loves, values, and respects gwen more than anyone else in that godforsaken castle?

following this, an angry and emotionally volatile but still sensible morgana asking gwen to stay by her side during the coup of the castle in the s3 finale and gwen going behind her back to help arthur and the knights would've hurt like a bitch. double-sided betrayal! gwen having a real plot! the proper beginnings of a toxic yuri that would shape a generation!

then there's the utter hubris of having morgana shoot arrows at the same civilians she worried herself sick over for 2 seasons — even morgan, her medieval counterpart that was rooted in every sexist trope in existence, doesn't just go around killing senselessly but instead has (often petty!) personal vendettas against gwen, arthur, and the knights. morgana had every right to be sick of the pretensions around chivalry in camelot (she was always quick to mock it, even in s1), and to lash out at the knights and soldiers after years of feeling powerless in a castle full of armed men that blindly followed her oppressor. the show conveniently forgets that morgana was victimized as a woman as well as a sorcerer those first 2 seasons.

but like i said, this is not just about morgana. allowing her to remain a real and multifaceted character even as she betrays everyone in pursuit of her ambitions would've given the rest of the core four more interesting conflict to work with: merlin because he would have to experience real consequences to his actions, arthur because he would watch his sister go against his father (and his knights, and his birthright) and experience some actual internal dilemmas about it, and gwen because she would be forced to choose between morgana and arthur without the pretense that it's an obvious or easy choice for her to make.

even morgause and gaius would come off more interesting as mentors: neither one inherently evil or inherently good, both jaded by events that happened before our protagonists were even born, both heavily influencing morgana and merlin into fulfilling roles that they think are appropriate, but that morgana and merlin may not have chosen for themselves had they not been under their care.

you get the gist. if the show followed its own setup, morgana's mistakes wouldn't lie in cheap and senseless acts of violence but in alienating the people she loves because she is too hurt and jaded to trust them. meanwhile, everybody else would feel guilt over "failing" her and yet they would be too caught up in their own (sometimes flawed!) beliefs of right and wrong to truly see her point of view.

arthur would convince himself it was sorcery that corrupted her. merlin would know that isn't true but he wouldn't be able to argue without confessing everything, which is the defining conflict between him and morgana and it's cheapened when she's just an evil witch caricature and merlin is framed as inherently virtuous in contrast. gwen, too, would become a more active participant in her own life by choosing arthur over morgana and choosing to rule camelot with him instead of just waiting politely to see where things go.

and, of course, uther's downfall and death would be quick, final, and completely earned — when and why did the show even decide he of all people was the sympathetic villain, anyway?

lastly, and perhaps controversially, i think morgana should've learned merlin's true identity by season 4. her being the first of the main characters to find out makes perfect sense considering their shared history and their interconnected and mirrored arcs. even the show seems to agree, considering she does find out a little before arthur. but the narrative itself tried pointing flashing neon arrows towards this way earlier — there is a whole entire episode in s4 where merlin being emrys is repeatedly spelled out for morgana and she still isn't allowed to see it. that episode makes her look like the stupidest person to ever live, which is pretty funny im not gonna lie, but also another frustrating thing in the endless string of frustrating things that make up this show.

morgana learning that merlin has magic would've transformed the source of merlin's anxiety from a crippling fear of being outed someday to the crippling fear of knowing she could out him at any moment. this would make him want to beat her to the punch (perhaps he'd consider killing her for a minute and decide against it because she isn't a cartoonishly insane evil person in my version of events) and maybe he would even feel some tentative excitement at the idea of coming clean, now that it seems inevitable. after all, he always intended to tell arthur eventually! and i think gaius would have to admit outright that he does not want merlin to tell arthur he has magic because he, gaius, simply cannot risk such a gamble. it would be so interesting to see gaius and merlin clash and disagree once it becomes obvious that it's not merlin that isn't ready for the reveal, it's gaius. delicious!

with morgana's knowledge looming, things would inevitably spiral into a magic reveal by the end of season 4. i picture this season as an absolute mess of miscommunication between everyone at camelot, which is, y'know, canon. growing increasingly cunning and vengeful, morgana would use this tension to her advantage, destabilizing the court from the outside while she creates alliances with other sorcerers outside of camelot (instead of living alone in a hovel for no reason — morgana le fay i'm sorry i'm so sorry they gave you agravaine instead of your all-female entourage oh my god).

and here's where the events would change beyond recognition (aka here's where the meta becomes the fanfic i refuse to write). picture it with me: a militia of sorcerers infiltrates camelot and arthur and gwen have to set aside their differences (assuming gwen kissing lancelot and arthur overreacting happens, which it should) for the good of the kingdom as well as for love. picture high priestess morgana in her element, side by side with a bunch of misfit sorcerers that aren't so easily vilified, chopping down camelot's soldiers and knights and assuredly making their way to the newly-minted king.

then, just as it starts to seem that all hope is lost, in swoops merlin (the actual merlin, not his old fart disguise) on dragonback (kilgharrah hates morgana so much i know his sexist ass would stoop to anything to stop her)!!! imagine merlin showing off the extent of his powers in front of everyone and preventing the sorcerers from getting any further, declaring loud and clear that camelot is protected by him, by emrys. imagine that display of power alone being enough to send everyone home.

imagine the loyalties clearly drawn: merlin on arthur's side, morgana on the sorcerers'. imagine arthur, feeling confused and betrayed by everyone at this point, banishing merlin despite everything he's done for him in the angstiest, most emotionally dysregulated scene the show had ever put to screen. imagine merlin starting season 5 free at last but very lonesome, an embittered dragonlord like his father. imagine the absolute mess camelot would become without him, even with gwen — now queen guinevere — there to pick up the slack. imagine arthur actually earning merlin back, finally growing into his role as king as he does so. imagine the reunion.

all this and more could've been not just possible but inevitable if morgana was allowed to remain a complex character that is neither inherently good nor inherently evil: it was undeniably the biased and one-note treatment of morgana's downfall by the writers that set the precedent for literally everything else that happened after merlin chose to poison her. the show wouldn't have even had to jeopardize its tone or the monster-of-the-week vibe, all it would've had to do is admit that even the "good guys" are capable of mistakes and what makes them good is the ability to feel remorse and change for the better. (as opposed to uther, who was miles beyond redemption since way before the pilot and deserved to lose everything and die alone. OBVIOUSLY???)

in a world where morgana remains multifaceted and sympathetic, mordred would get a better arc as well, so if we really wanted to, we could still end on the same tragic note that the show ended on. with so much harm inflicted onto so many innocent people by the pendragons for so long (including mordred and the many druids and sorcerers that raised him), it could realistically end up being a little too late for anything more than one shining glimpse of king arthur and the sorcerer merlin's short-lived golden age before fate catches up to them. glimpsing that reality just to immediately lose it would've been far more satisfying and far more tragic than whatever the writers thought they were doing with all that pointless carrot-dangling.

and finally, an ending in line with morgana's new and improved arc. in this version, rather than bleeding out on the forest floor alone, she would channel the morgan le fay we know from the legends: sobered up by the reality of her brother dying, she would use her high priestess status (and perhaps also her pendragon status) to be granted passage over to avalon alongside arthur on the boat — a one-way ride — just to make sure he gets there safely. this is her penance for the harm she has caused, the same way arthur's penance is to die and leave the true ruler of camelot (gwen) behind to achieve everything he was too slow and indecisive to build while he still had time.

merlin's penance, then, would be to stay behind and watch them cross over without him, waiting and waiting and waiting until they come back or until he can finally join them. which is a bit fucking harsh if i'm honest, so i'd at least make it slightly more faithful to the legends by having him return as an old man and letting him take a long nap under a tree by the shore, his body slowly enveloped by vines like the cobwebbed fisher king in 3x08, never fully sure if he's dreaming or if there really are strange shapes fading in and out of the fog over the lake. still tragic, but nevertheless a little more open-ended and whimsical than [TRUCK NOISES] THE END!

[centaur-dreaming]

Jean telling Jeremy at some point in the third book “I will do more for you than those mere boys ever did.”

[miraculous-lesbians]

Some characters are doomed from the narrative, some are saved by the narrative,

And some are like Chloe where the narrative CANT MAKE A FUCKING DECISION-

[escaping-peril12]

MHA SPOILERS ✣!!

This is 100 times better knowing Shinsou is actually in their class now. 😭😭❤️