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#there are so many little details about them and their dynamic and personalities i am unwell.
nikoisme · 7 months
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Okay, okay, okay, this is just for the silly but it made me giggle so I hope it makes you giggle too. :D
With your River Wives and with them cleaning trash, I had the idea of Fisherwoman trying to be cute and place a present amongst the trash to be sorted or whatever, and if Naiad has a collection of stuff she's found, maybe putting a little present in there.
Naiad: Oh! What's this? How'd this get here? Thought we cleaned this out. Fisherwoman: I don't know~ Maybe we missed something. What do you think of it? Naiad: It's pretty! ...Feel bad for whoever tossed it out. *yeets it to the trash pile* Fisherwoman: No! It's a gift! Naiad: Then why didn't you just give it to me??? You know how many of these get tossed into the river?? Fisherwoman: ...Well, do you like it? Naiad: Yeah :D *smooch*
Sometimes Riverwives have some miscommunication like everyone else :D
It's very silly but made me giggle so I hope it makes you giggle too.
YESSS YES THIS IS SO IN CHARACTER FOR THEM!!! THIS IS CANON. Fisherwoman would definitely place little gifts and trinkets among the trash to cheer her up, since she knows naiad gets really upset and is in a bad mood when she sees all that trash. But she just loves seeing her wife's smile - both of them do. They are stupidly in love with each other 🥹 However naiad just doesn't pick up on things sometimes - since she's a naiad and just doesn't understand human things at first. So fisherwoman also teaches her stuff like that! (I have a whole bit where fisherwoman teaches her how to swear which results in naiad swearing in almost EVERY sentence. She almost regrets it). There are so many silly drawings i want to make that PERFECTLY describe their dynamic.
Seeing you talk about the river wives made me stupidly happy thank you mads 🥺 i barely post anything about them but they are IN MY MIND and i love them so much. Past me, who came up with the story, would be so delighted to know that they finally get to kiss. Istg there was so much yearning and obvious "i am in love with you"s, i was like "now KISS. pLEASE KISS" the entire time i was writing. Now they can finally kiss <33
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oceane4loveu · 1 month
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𝐈 𝐚𝐦 𝐚 𝐧𝐞𝐰 𝐰𝐨𝐦𝐚𝐧. ݁₊ ⊹ ✩
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Heyyyyy starfish! So now we're going to talk about how to create an alter ego and how it can be beneficial.
What is an alter ego?
Expression borrowed from Latin. A second self. A person to whom one grants absolute confidence and who is charged with acting in one's place. We also say colloquially: It's my alter ego, It's another me. So the alter ego is just another version of us that helps us reach a goal, some celebrities also use alter egos to evolve in their lives:
Beyoncé- Sasha Fierce: Beyoncé created the alter ego Sasha Fierce to express a bolder and more confident version of herself on stage.
Nicki Minaj- Roman Zolanski: Nicki Minaj has several alter egos, including Roman Zolanski, an eccentric and provocative character who represents a wilder side of her personality.
Lady Gaga- Jo Calderone: Lady Gaga has portrayed Jo Calderone, a male character, in some performances, exploring themes of gender fluidity and identity.
Now it's time to define the why. The why: the purpose of the alter ego, why I create it. Is it to leave weaknesses, adopt personality traits, etc. IT MUST BE STRONG, THAT'S WHAT KEEPS YOU CONSISTENT.
Then choose New traits. Things I miss or struggle with. Personality, values, hobbies. Why I admire certain people. understand every little insignificant detail of my alter ego. How would he act in a stressful situation. How does he approach his career, his dating. What is his state of mind in a romantic relationship. How does he act if he feels mistreated and angry. How would he act if he fell in love. How would he fix a bad day, what does a good day look like for him. If he speaks in public, how does he approach it? Funny, serious, is there any preparation, freestyle. Here are some steps to help you (I do them to create my alter ego)
1.MYSELF
My aura
My mindset
My confidence
My personality traits
What do I look like?
What do I dress like?
2.MONEY
How financial abundant I am?
Where do I invest my money?
What kind of things do I splurge on?
How do I save my money?
What does my money get me? Is it the freedom of time, is it luxury goods, is it travel...?
How do I get this money?
How do I make it work for me?
3. CAREER AND OPPORTUNITIES
What do I want my job to look like?
How often do I work?
Am I my own boss or do I work for someone else?
In what industry do I work?
What is my work / life balance like?
What does my office (workplace) look like?
What city am I working in?
Do I want to be around celebrities / in front of a camera / do something creative / fly over the world / win awards for what I do / be able to retire early, etc?
4. FRIENDS AND FAMILY
How is my relationships with my family?
How often do I see them?
How many effort do I put in them?
Can I treat them all the time?
How is my relationships with my family?
How often do I see them?
How are my friends like?
5. ROMANTIC RELATIONSHIP
How am I treated in my romantic relationship?
How do I feel loved?
What love language am I receiving?
What me and my partner do?
How do we spend time together?
Do we move in?
Do we get married?
Do we have kids?
What do our dates look like?
What do I do for them?
What is our dynamic?
6. HOUSE / LIVING
The city that I live in
What does my house / apartment look like?
What does it feel like?
What do I gain from it? Is it sense of escape?
How many room do I have in it?
How is my closet?
How many bathroom do I have?
What it is a special things I have in my house / apartment?
7. HOBBIES AND HAPPINESS
How do I add fulfillment into my life on an everyday basis?
What are my hobbies?
What are my routines?
8. pleasure
How do I spend my weekends? How do they look like? Is it cozy at home, traveling the world, partying with my friends, etc?
What do I eat?
What kind of exercises do I do?
Choose your avatar: how your alter ego appears. Give a different name, change appearance, hairstyle, makeup, clothes.
Values ​​and core identity. Think about their story. What is important to them. Where do they want to go in life. What they are not as interested in. Preferences, strengths, what motivates them. What has been their story so far. Maybe they have always been successful, have good memories. Very good athlete, A+ student, etc.
The When. When to bring out the alter ego. At university, at work, in meetings or every day. For this part here are some methods that can help you bring out your alter ego:
"HOT ME METHOD"
- "What would a hot me do?"
- don't idolize your alter ego, it's not better than you.
- If necessary, the alter ego can have a set time and date (turn it off after the necessary time has passed)
- Practice:
- How does the sexy version of yourself walk, talk, and dress?
- Values? Habits? similar to the "steps"
- what bold moves have you been wanting to try? - This method is not just about appearance, it is more about changing your mindset and actions
- Implementing habits, developing skills and intelligence, being able to speak with confidence
- NOT a subliminal that maximizes appearance, NOT forcing parts you feel uncomfortable with (wearing a crop top, pleasing people, etc.)
"BUILD YOUR SELF-CONCEPT"
- Self-Concept (SC) = how we see ourselves (REALLY believe about ourselves, not what we say)
- "I am blessed/cursed", "My opinions matter/don't matter to people", "I am lucky/unlucky", etc.
- Alter ego can help expand what you think you deserve/what is normal for you
- Consciousness = perception = reality
- Believe that you HAVE THE POWER to change, you have the power to change your personal reality
Now let's talk about my alter ego! Her name is soo-ah which is a Korean name that means Beautiful Oceans. Why did I choose this name? Because my first name also means ocean so I thought it was the perfect name for my alter ego.
As for my alter ego, she is introverted but has a group of lovely friends, she is funny and laughs a lot, she has a mysterious aura, she does her dream job, she travels and has a lot of hobbies, she takes care of herself, she heals her trauma, has a healthy relationship, she reads a lot, she does the best for herself…
I made a playlist of music that reminds me of her that I will listen to every morning to help me feel like her. I prefer high vibration music to stay motivated because the songs of the weeknd make me less energetic I find.
To visualize what my alter ego could look like, I used the everskies app and created a simple vision board
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That's all! On Monday when I go to work I'm going to give way to my alter ego and see how things evolve! I hope this helps you!
メ𝟶𝐎𝐜𝐞𝐚𝐧𝐞
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fuumiku · 9 months
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They’re really interesting foils in many ways. I’ve always thought that Marcille & Mithrun have underrated dynamic potential. Give me the cringefail dungeon lords. Give me the elves with ears-centric metaphorical self-image issues. Give me the academic elites whose deepest strongest desires will always remain unreachable and the only option is to turn to the corrupt forbidden fruit of a demon pact. I am so so normal about Mithrun and Marcille
I wonder if the resemblance between captain Mithrun and general Hagreus aka Marcille’s fave in Dalclan is intentional… They definitely look very alike. It could represent idealization vs reality? Something something the romanticization of elves and their societal drama in their fiction vs a very real and imperfect product of their military system. The canaries certainly aren’t glamorous next to whatever Hagreus is the general of. I feel like she never had the opportunity to notice the resemblance herself bc within seconds of meeting him he was wrestling her on the ground but. If she had… She would so think he should have been his actor in the tallman stage play of Daltian Clan in that new extra comic hehe. I love the little details like Hagreus’ lips being drawn with extra details because they’re full and pretty while Mithrun’s lips are drawn with extra details because they’re chapped lmao.
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This art is all silly and surface level but in my head mithrille is like so dramatic and I make up daltian clan level big plots with them gbdgd. I made a spotify playlist for mithrun if y’all interested, rn it’s mostly centered around cravings that consume and losing yourself and illusions inspired from his time as dungeon lord but it’s branching out. Varied vibes, levels of intensity and degrees of confusion and await you ✨ I would emotionally rant about Chainsaw Man ost lyrics and how they tie in with Mithrun and the winged lion’s relationship but this post is already a monster
I want more of these two please please please pleaseee just one or two interactions in the new canon content coming up… All they ever did was debate philosophy on desires and human self-fulfillment and try to murder each other, please… I never get to gush about them and I can’t shut up so if you want more thoughts I talk about them more below
To get a girl to peacefully accept arrest follow these simple steps: in private, ominously stand above her and forcefully interrogate her, while in public, tell her you’ve met before (untrue and also not a pickup line) and interrogate her with a thin veneer of decorum. If all else fails, threaten and follow through on said threat. My guy needs more than just physical therapy I’m afraid
Sorry if most of these were Marcille-centric with Mithrun standing there looking cool, if I were doing these more from Mithrun’s pov things would be like "She’s a bit much but I guess I don’t mind hanging around her." or "Oh you’re a half-elf? -insert elven supremacist rethoric-" or "I have to keep her from becoming demon stew." immediately followed by "Did someone say demon? Kill kill kill kill kill" since these are set prior to like really knowing another. Then things would be more like "huh she has bad tastes in novels but her magic research is pretty interesting" and "I’m lonely and don’t understand myself— Oh she loves talking about feelings? Oh shi-" That last one is an aspect of why I like Marcille and Mithrun’s potential dynamic lol. She’s very… Emotionally intelligent alongside being impulsive. You think you have no feelings because the world has beaten them out of you? Think again!! Marcille be upon ye! -In a therapy sort of way but mostly in a connecting with people and your own self through interpersonal relationships and talking kinda way. I just think a lively, upbeat, annoying friend way too interested in your personal life would do him good, the canaries are nice but like if Marcille went to prison and was a sort of extra new bunkmate I think that’d be interesting and fun to read is what I’m saying
Unlike Kabru she wants all the useless messy filler of his backstory, eating chips while listening. Like two chibi sets side by side, "me and my fellow canaries, name name and name-" "Hold on that’s too much info we have to compact this" vs "Then we were to sleep on the third floor of the dungeon, which had the look of a mausoleum, and name and name got into a fight over the campfire placement." while Marcille is like uh-huh what next what next while kicking her feet. She thinks of pre-dungeon pompous Mithrun and is like omg you went through a character arc and became better as a person- and then he opens his mouth and she’s like nevermind let’s keep working on that. She would also go "ew ur hair is greasy" and give him a full hair care treatment. What I’m saying is I need them to be forced to spend time in a dungeon together and become besties through a life or death roadtrip
Marcille is insecure about her ears, long, like an elf’s pride should be, but rounder, inelegant. Seeing Mithrun though, the epitome of beauty, with his half-cut ears make it a sillier thought. Not sure if Mithrun is the best person to reconnect with ur elven culture with but it sure is an option Marcille would so appreciate being around someone both cool headed and kind, I genuinely think they’d get along, like not that Senshi isn’t that too most of the time but I think Mithrun would be in a way that’s more refreshing to her. I’d be so curious about them discussing Dalclan, I doubt he’d have read it but she could make him read it, maybe post-canon with the excuse that they’re trying to find him a new hobby hah. He’d tear into the writing and everything but it’d be a fun time, I like to think that it’d make him a bit less prejudiced. Marcille @ Mithrun "👉👈 Soo maybe you don’t know these books they’re pretty recent having come out 50 years ago but…"
I’ve been in a Mithrun phase I want to make and read Mithrun-centric fics and angst so baaad. I razz him a lot here but he’s literally a traumatized military man that became obsessed with revenge due to bad coping and neglects himself in the process idk not much for him going on and some of it is because he has to work on himself, but hey no one’s perfect it all comes from a place of love and relating though I prommy. He’s the one ungodly angsty squeaky toy blorbo with brain damage rep I have don’t take him from me
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pharawee · 10 months
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Okay, buckle up fellow BL enjoyers and people who are at least a little bit curious about Pit Babe the novel. I'm now five (very long) chapters in, so get ready for some spoilers and details.
Only, there isn't much to tell. The chapters are long but very little happens. Well, except for the fact that Charlie and Babe are just constantly getting it on. If you thought that the Big Dragon novel was pwp then think again. Maybe the smut is the alphas we met along the way. Or something.
It starts very similar to the first ep of the series, with Babe partaking in some pre-racing fun - only it isn't very fun for him because he hates the scent of other alphas. As an alpha himself he has the whole heightened senses thing and that makes him super sensitive to all kinds of scents - omegas included, I guess (yes, they exist in this universe but that's about it). And because he himself is a power bottom that leaves him with a bit of a problem. But not too much of a problem because the novel mentions hundreds of hook-ups until Charlie comes along.
Things play out the same as in the series. Charlie wants a car, Babe is his idol and he'd do anything for a chance at racing. Cue to the first of many, many spicy scenes. Babe is delighted that Charlie has no scent. Charlie already jokes about impregnating him (I forgot that this novel has mprg, why am I doing this again?) but so far it's never mentioned again.
There's very little racing happpening. The only other character from the series that has shown up so far is Way and he's pretty much the same. Way wants Babe but he's too cowardly to make a move so they're stuck in this weird friendship where Babe is really comfortable with Way being all touchy-feely. This gets Charlie jealous because at this point Babe and him are pretty much exclusive (with Babe demanding that Charlie hide behind face masks and hats whenever they're out and about as to not taint Babe's reputation as a horndog). Cue to some angry sex. And then some more sex.
But wait, somewhere along the way Babe catches feelings. He pretty much has Charlie move in with him, does some embarrassing stuff like calling him when he's gone for one (1) day and buys him a desk so he can work from his condo. They have a routine now. And so. much. sex. On every imaginable surface (some poor dudes car after Charlie wins a race where he himself was the bet) and occasion, several times a day.
Charlie is a little bit sus, though. Nothing's outright wrong, but sometimes Babe wonders if he's really the stupid boy he's grown to trust. Because sometimes Charlie reacts in ways that Babe can't quite explain but that are glossed over almost immediately because Charlie can be very distracting. One time he secretly follows him when Babe's out to buy something. He's about to get mugged and Charlie saves him (which doesn't fit with Charlie's whole personality at all). Another time Charlie's gone for a day, supposedly staying with his parents but he comes home smelling like alcohol and a strong, unpleasant scent (clearly something alpha-related) that Babe can't explain. But whatever, Pit Babe's horny and clearly Charlie is incapable of lying anyway because he's too stupid.
Yeah. 🤡
Oh, and as for the no kissing rule? Sadly that's abolished after the second sex scene in like, half a sentence.
And that's things so far. There's really very little talk about anything omegaverse, but mostly because it's just chapter after chapter of well-written smut. Babe constantly calls Charlie "his alpha" (not to his face) - but even though he's clearly in charge, Charlie has definitely taken a hold over him (and Charlie knows and uses this to his advantage). They have a really interesting dynamic. There's no power struggle at all, just a gradual shift of what their relationship means to either of them. There's definitely something up with Charlie though, but I'm surprised they're so open about it in the series.
And where does the rest of the cast even come from? Or the whole plot? Poor Winner is so sad and pathetic, he doesn't even seem to exist in the novel (just some dudes named Billy and Six who might or might not have previously hooked up with Babe).🤣
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critterbitter · 9 months
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dear gosh I'm obsessed with how you draw the sillies. ingo and emmet are so perfectly characterised and i can't imagine them any other way. your dialogue is phenomenal. the Pokemon are so wonderfully realised characters too, litwick/lampent/chandelure sassy nightlight beloved (ft. lady sneasler), and the Big Eel Doggo 🤩 i love you draw the othere too, lint roller the archeops!!!! trubbish shenanigans! elesa and her menace pizza rat!
you so perfectly thread that line between goofy and genuinely heartfelt. the little scenes of emmet and his eel in the rain and other such shenanigans next to emmet's anxieties and impostor syndrome culminating in that beautiful gorgeous wonderful evolution. sassy lamp and the genuine care and devotion she has for her rice cracker bland tasting trainer. oughhhhhhh
also?? your comic composition and your expressions and your colours and all of that are so good too
they're so silly and they're also so real. literally you're one of my favourite submas creators WHERE DID YOU COME FROM (i am hit with a train and dragged further into the black hole)
fantastic. no notes. love what you're doing, and i'm thrilled to see what you do with them next!
best wishes - @doodlejoltik
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ah MAN thank you so much for the kind words and reblogs! The fact you catch so many little details I litter about my comics brings joy into my shriveled little human hands.
As for context, I came from the BOTW and dnd fandom from instagram! Art under cut!
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(I drew these guys. So much. Linktober 2021 was my first foray into comics. I am glad to say I've evolved since drawing submas in 2023.)
BOTW aside, Pokemon's always been a hyperfixation for me, but only creature design wise (except for the adventure mangas. I LOVED that pokemon manga.) Submas sorta hit me like a speeding train because it gave me the frame work for a sibling and found family dynamic, and a lot of this iteration of Ingo and Emmet's personalities are from my own experiences OR from the deep abyss where I keep my braincells. Anyways glad to ramble! Thank you so much for the kind words-- and I'm excited to see where the submas train rot takes us. Onto new tunnels! All aboard! Yippee!
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solar-wing · 6 months
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☀️ Omegaverse: Alpha & Omega Biology ☀️
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Hi guys!
I wanted to make this post because I expected that I would need to explain this topic and my reasoning behind it at some point. Many of you have read my Omegaverse fics and have probably guessed correctly that it's my favorite AU or trope to write about.
But, I'm sure many of you have been slightly put off or dissuaded by my tendency to describe the Omega Male Reader with a cunt, wet heat or core, and their Alpha sucking on a 'nub' or playing with a cocklette. I totally get it.
I am a male author who writes for male readers, cis and trans alike. But, I am also someone who in my years has grown to detest labels and gender roles and the silent rules they put on us.
This is why I set up my version of Omegaverse and A/B/O Dynamics on the basis that Omegas have vaginal genitals and Alphas have phallus genitals, regardless of gender. In my eyes, it helps to create a more imaginable and realistic explanation of male pregnancy and pregnancy between two women, which I hope gives inspiration to wlw authors, even though I already know I'm not the first person to use this idea. Not even close.
Also, I just like the chaoticness of it all.
But, I know it can be jarring or off-putting for male readers who may not want to think of their themselves as the readers having a cunt or a pleasure nub. Which, also let me explain that.
Since I write for male readers, and I'm sure some may have an aversion to the terms vagina, pussy, folds, clit, etc., I do my best to steer away from using those words as much as possible. I know 'cunt' is probably not the next best thing but if anyone has suggestions, I'm more than open to hearing them!
But, I also detail the use of cocklettes and twats which may be a little confusing (and weird) to imagine or think about, but it's fiction. We all have weird fantasies, thoughts, ideas, etc.
The cocklette is the male omega's version of a penis. This tiny and often defective organ typically serves no purpose but as a bundle of nerves/pleasure spot for Omegas. A male equivalent of a clit.
Let me be clear; I am a cis-gendered male author. But, as I said, I write for male readers, ALL male readers. Cis, trans, and those are non-binary alike. This is why I typically don't put non-binary or trans in my tags because I'm keeping the reader as a character as ambiguous and open as possible.
The most I put in the tags regarding identity or label is gay so that it reaches more of the audience I want it to reach. That's it.
Also, I'm sure it doesn't help that I mainly write from a submissive point of view. I'm biased toward bottom/sub-male readers, I admit it. And I know there's a growing demand for top/dominant male reader content, but I'm sorry, that is just not my cup of tea.
But, if you don't want to read about yourself having vaginal parts and a cocklette, that is more than okay. That's why I always put a disclaimer in the warnings section of my author's notes if a fic is Omegaverse and include a link to my headcanons. I'm letting you know from jump what's in the fic you're about to read and giving you more than enough opportunity to turn away.
I do write smut that's not Omegaverse as well, plus I have many fics with no smut at all that keep things clean and open for my male readers to imagine themselves in.
This is not shade or me throwing shots at anyone who felt uncomfortable or surprised by it. It's completely valid, and I understand. But, I give plenty of warning and opportunity so there isn't any confusion.
You will likely never see me write an explicit trans male character since that's not part of my identity and I'd rather give that opportunity and shine to the authors who are of that identity. I just write what I like to write, or better yet, what I myself like to read.
The only thing that doesn't change is that my characters, reader or original, are and will always be MALE characters. Even if my Omegaverse characters have vaginal parts and their nipples leak more milk than a pregnant cow, they are MALE characters. Not female. They are boys, men, fathers, sons, brothers, uncles, nephews, boyfriends, husbands, misters, kings, princes, dukes, barons, cowboys, bachelors, fucking dudes, and every other word related in the dictionary. Again, no shade to any female reader I have, but yall know what it is to.
I hope this doesn't discourage anyone and that everyone receives it as I intended it. If you like my fics, please engage more with them and tell me the things you like and want to see more of! If you want more regular smut and less Omegaverse smut, I'm more than happy to comply, just please check my rules first!
Thank you!
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memyselfandmya · 4 months
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CHAOS THEORY S1 REVIEW
So after a day to process the show, I think I am more than ready to finally talk about it and give a full on review. [HINDSIGHT: This review took two days to put together, having to rewatch the show for evidence and to strengthen my ideas, and then having to organize it into something that makes sense. Just know that this is essentially my messy love letter to the show] I will be taking on a more objective perspective and focusing more on the writing aspect rather than my personal feelings, especially as a writer and hopefully future screenwriter. So let's get into it, heavy spoilers below the cut. Like as in I pick out little details that alone might not be a spoiler but I make them into a spoiler.
For starters, the show exceeded my expectations and the writing was phenomenal. Even when choices were made that I personally might not agree with or necessarily want, the execution of them was incredible so I couldn't really care to hate them. Overall, I have no heavy qualms with the show and I loved every moment of it.
It was complex and it was messy and I thoroughly enjoyed that. There's so much going on action-wise, character-wise, and mystery-wise and it's amazing how well balanced it is. What we get is real and raw and largely uncensored. We get conflict between two brothers, conflict between two girlfriends, moments where trust is lacking, and so so much more. It all feels very natural and realistic because that's how real people truly are: complex and messy. Also, even when these characters are going through all of these conflicts, you can still tell that they're family and they love each other.
The creators don't shy away from the trauma either, we get flashbacks, explicit mentions of PTSD and mental health issues, and we actually see Kenji having a panic attack, too. When I tell you, the way these characters were brought to life was so amazing. For all of this to still be considered a kids show is incredible and rarely ever seen. I'm gonna go more in depth with the complexity stuff later on, probably when I get more to the character analysis part of this review.
I like how we get to see more dynamics between groups that we didn't see much of in CC: Ben and Brooklynn, Sammy and Ben, Brooklynn and Yaz, etc.
The humor in this show is top-tier and very much natural. Hardly any of it feels forced and it's very much in-character. Just in general, all of the feelings in this show were amazing. It was a rollercoaster of emotions watching this. I felt happy, I was devastated, I laughed a lot, I felt bad for the characters, I was upset and mad, I was scared (oh boy was I scared), and I was tense with anticipation.
Going off of these feelings, the overall tone of the show was incredible. They said that it'd be darker and it was. There were so many times where I myself was scared and wondered how this show was still TV-Y7. There were so many ominous moments and here are some that I noted:
The moment that black car on the road actually does start following them. You can hear the whistle in the background of ep.3 before the raptors actually come in. Carl’s dead body in the car, and the view of his limp hand. In general the scene where they’re being hunted at the ranch, it’s reminds me of playing hide and seek with my cousins but 10x more darker and with higher stakes. “I don’t hear anything.” “Exactly.” Ugh these moments always hit well. The shoes of the dead police guard. Microbang lady whistling and then stepping out of the car The DPW aiming for the van The allosaurus being released from the vehicle. The dinosaurs watching the dude get eaten.  The garage door opening, revealing micro bangs and then all of the dinosaurs falling silent. The moment where she picks up her whistle because we all know what happens next.  When the atrocirapotor picks up the camper’s scent. You can see the small smile on Microbangs' face when she realizes the kids are there.
I love the rearview/sideview mirror shots, it really symbolizes the constantly looking over your shoulder because you’re being hunted aspect of the show. It adds suspense and questioning which is perfect for a conspiracy show.  
I love the use of Chekhov's Gun and foreshadowing. All of my examples may be exaggerations or unintentional but I'm going to stick with it anyways. In ep.2 when the boys are at the gas station, there are signs that say "Report All Spills!" (maybe these are typically at gas stations, idk) which makes sense because you don't want gas on the ground especially because it's so flammable and then I saw the gas pump fall and gas spill out and I had a feeling about what was going to happen next. Sure enough, a fire started. Also in ep.3, when Sammy steps on the creepy floorboard and she's trying to remember where her pitchfork is, and then when they're being hunted, Sammy knowing to avoid stepping on that board only to stumble into the pitchfork that she had been looking for. Also, the King Dino billboard at the beginning of ep.4.
The animation was stunning and the cinematography(?) was breathtaking. We got so many wonderful views.
The pacing is so good. I’m not going to go over it because that’d be a lot but basically everything felt in the right moment. 
I like in ep.2 how we’re introduced into the very first scene with Brooklynn’s new VA. We have Ben being woken up by a mysterious phone call and a mysterious voice on the other line that we don’t recognize. Who is this mysterious, unknown woman? It’s Brooklynn!
There are people who don't like the fact that Darius and Kenji are arguing again and who think that it's a reused plotline that shouldn't be and I understand the feeling of wanting something different but I also have to disagree. While it is the same thing we have in CC, I genuinely can't think of a different way this could have gone that wasn't more in-character than this. The reason why it's being reused is because that part about Kenji hasn't changed. While he's gone through some amazing emotional development, he still deeply cares about his friends and also about trust. Him not liking it when people play with their lives can still be an important value to him, even with his growth. And I personally feel like in this scenario Kenji's anger and his hurt was especially more justified than in CC because in this case, Brooklynn actually "died" instead of just getting kidnapped. And while I don't blame Darius or hate him for not being there, it makes sense why Kenji does.
This time around, it's going to be a lot harder for them to get on good terms. I also like how this time, it's not as subtle and they are actively jabbing at one another. I also like how it's more mutual. Like with CC I was like, "leave my baby alone, kenji, he's just a little innocent kid." and now I'm like "oh shit, Darius you ate with that." Even when they're arguing, they do still care for each other and there are moments where they still support the other. Then there are the little things that causes Kenji's anger to resurface like the password thing so more fuel is constantly being added. And then the "you and me, we're brothers right?" is absolutely gut wrenching.
One thing I appreciate is how Kenji isn’t even really mad at Darius anymore. Not for him liking Brooklynn, anyways. To me this shows a heightened emotional maturity. Especially since in CC we saw him be petty with his anger towards Darius and even in the early episodes of CT but now he’s bypassing all of his personal qualms and getting to what matters most to him without the extra pettiness: why wasn’t he there for Brooklynn? Why wasn’t he there for the people he loves. Kenji’s relationship with Brooklynn isn’t important. The fact that Darius fell for his ex doesn’t matter. What matters to him is that Brooklynn, someone they both (all) deeply cared about died, and the guy who loved her wasn’t there when she needed him. The tenderness and the softness of this scene was way more impactful and sorrowful than had Kenji angrily went after Darius. This makes the conflict still feel different from the one we saw in CC. All in all, I think their conflict adds to the complexity and (realistic) messiness of it all.
Even though I’m not the biggest Brookenji/Kenlynn fan, seeing them drift apart was so disheartening to watch because you can tell that Kenji really cared about Brooklynn and he was putting so much effort into the relationship when Brooklynn was distracted. I like how even though I’m not a big fan of the ship, I’m still convinced to root for them which shows compelling writing. But the baby talk fucking ruined it. I’m back to not liking it. The whole breakup situation very much reminded me of the episode of CC where Brooklynn is late to the date because they were out investigating. Again, I’m glad that Kenji is sticking up for himself though, and distancing people when they need to be distanced. I also love the little detail of Kenji calling Darius’ mom every week. Just emphasizes that he’s still a family man and doesn’t forget the people who helped him.
“I’m in a really good place now, and I got here by myself.” This line is so impactful to me because in early CC we know Kenji to be lazy and somebody who expects everything to go his way without putting in the effort so this is, one, very symbolic of his development as a character, and two, explains why he’s so proud of where he is now and his business that he’s got going on--even if it doesn’t look to be as successful. It makes sense why he’d be so protective over what he’s made for himself. I really respect him for putting up that boundary because he’s so right; Daniel doesn’t deserve him much less to speak to him, and Kenji doesn’t deserve to put himself through that emotional turmoil when he’s finally reached a good place. I think it makes it even more impactful when he does choose to go especially because it’d be totally valid if he didn’t. And then not only being subject to more of his dad’s manipulation but also having to witness him die.
I’m actually surprised and very happy that Dreamworks didn’t go the redeeming Daniel route. I would have expected this kind of show to make Daniel forgivable but he’s still a bad person and a manipulative father who hasn’t changed much. To me it seems more realistic because Daniel doesn’t seem like a character who learns his lesson and it furthers the plot with the whole Brooklynn thing. Also, Daniel's sacrifice is not a redemption. He's still a bad character. I don't know if any of you are familiar with Dreamworks' other show, She-ra Princess of Power, but there's an abusive mother figure in it, Shadow Weaver, who also sacrifices herself for the characters she abused, but before that she was still manipulative the same way Daniel was. They both died before they could truly change their ways and atone for their actions which is why it's not a redemption. Daniel Kon did not redeem himself by saving Kenji.
I also actually like Daniel’s death, and no, not just because I hate him as a character. In season 5, he’s the big bad antagonist that the kids have to go up against, and he’s a real threat, right? Do the raptors care about Daniel’s villain era? Do they care that he was a big character in the OG show? No. And that shows that the writers don’t care either (but in a good way). Because we don’t have any of the main Nublar Six dying (except for Brooklynn sorta ig??), there’s a lot of opportunity to call plot armor and stuff and say that the writers are pulling their punches. But they’re willing to kill one of the big antagonists from CC in a random episode, so, to some extent, there is minimum plot armor. You can be a great big villain and still these dinosaurs will kill you.
Also, this gives us so much opportunity with Kenji’s character. We get to see what it looks like having to grieve the life of somebody who you hated and who abused you and yet still be devastated over his death. Showing Kenji breakdown over Daniel’s death adds an entirely new layer of complexity to the story line. It’s so much more impactful than having Kenji be apathetic towards his death or be like, “good riddance.” The detail of Kenji speaking at the end really gave all the more impact to the entire episode.
Kenji’s panic attack in ep.7 is really powerful. First, the wonderful cinematography (the watering of Kenji’s eyes, omg) and the 1st person pov segments. Then we have the voice acting, chef’s kiss. Just the flat out impact of this scene all together: Kenji balling his eyes out after the death of someone who doesn’t even deserve his mourning is heart wrenching. I hate Daniel and I’m glad he’s dead, but also seeing Kenji break down over it almost makes me wish he wasn’t. By far one of the saddest scenes in the show.  Again the cinematography of it. Darius hugging a sobbing Kenji in the middle of a field with the car’s red lights beaming on them. Then Mateo just standing there awkwardly. LMFAO.
It’s cool because we have this gut wrenching moment and then we’re immediately brought into a feeling of awkwardness with this random new character there and it’s so jarring but fitting because you have these two moments where Kenji’s grief but also the need to keep moving coexist and one needs to take priority over the other but the other one is still important. I’m just saying we are feeling what the characters in the show feel, which is good. Then we have Kenji going ballistic on Mateo’s ass and man the emotions packed into the scene.
Also Mateo. I want to trust him, and I do. But there’s also a suspiciousness to him. I love him though. But, it felt oddly convenient that he was able to locate them so many times. He says that his daughter helped him track them but how does his daughter of all people track them when they’re moving all over the place and also the way he talks about her, “I’ve got a little girl back home,” and the pan over to the crayon drawing made me picture a young child. His story is interesting though, too, and complex for a side character. Just feels a bit like a suspicious deus ex machina.
I love how the others are so in tune with one another and then Mateo says something and they all jump, forgetting he’s there. They are all very much close with each other and oblivious to the people around them. He's definitely out of the loop. Darker thought, what if at some point (or now, even) his daughter gets kidnapped/held hostage by the hunters so he’s forced to mislead the camp fam in order to keep her safe?
The opening scene of ep.6 is top tier and I love how we’re getting right down deep into the good stuff, and by good stuff I mean the trauma. The portrayal of Yasmina’s PTSD is so incredible to see and all of the flashes of dinosaurs really put us in Yaz’s mind. Also the heartbeats sounds just make this an even more intense scene. What’s also amazing is that we see Yaz making progress with handling her trauma but she’s still struggling with it too. Complexity. What I also love is how Yaz’s PTSD has allowed her to become more equipped to manage her trauma more than the other campers have, and because she’s able to grasp a hold of it so well, she’s able to help Sammy manage her own anxiety, too. 
I feel as if Ben is almost reverting back into his pre-Nublar self and also like the Ben we saw in CC’s “At Least…”. He’s become a lot more paranoid and on edge which is very interesting to see. Ben being completely wary of the gas station attendant and being unwilling to stop is a major display of Ben’s anxiousness. Could the fire in ep.2 be symbolism for Ben’s paranoia in that episode? I may be looking too deep into it, but think about it. The spilled gas is all of Ben’s conspiracies and theories; alone, it’s not much of an obvious problem but when paired with the right ignition, a spark or being hunted by raptors, for example, it turns into an uncontrollable problem. Ben’s paranoia causes him to be irrational and unconsolable just like that fire and needs to be be extinguished so it doesn't destroy anything. I also like the little detail of Darius noticing the car on the side of the road in ep.2 and becoming suspicious about it. But then Ben thanks Darius for keeping him grounded so Darius doesn’t mention anything about the car in order to not send him back to the state of paranoia he was in earlier.
Then we also see Ben’s anxiousness in the beginning of ep.4 about Bumpy. Seeing him so concerned about her really tugs on those heart strings because you can tell the love between them runs deep. The passion in ep.9 is so incredibly palpable especially when he’s panicking and crying at the sound of Bumpy being abused. I really felt that scene because I know that watching someone you love get abused and not being able to stop it is so emotionally overwhelming The emotion packed into that scene, holy shit. 
I also just love how we’re allowing men to cry. It’s so normalized in media to have the guys always being tough and masculine men who never sheds a tear but we are really knocking down the toxic masculinity in this show and normalizing men displaying emotion (beyond anger). We see all of the boys in this show break down: Kenji, Ben, Darius, and never once does them crying make them embarrassed or emasculated. Even in CC, the boys were allowed to show feelings and it didn’t weaken their masculinity at all. It’s really powerful and I’m glad we’re stepping away from the “boys don’t cry” narrative.
Back to Ben’s character, I was a little bit disappointed with his character arc, or lack thereof, in the middle episodes. Sometimes it felt as if he was only there for comedic relief and was emotionally detached from Brooklynn’s death. Maybe there’s intent behind this but I’m not sure. 
I don’t know what to think about the whole girlfriend thing. Maybe Ben just made up the girlfriend thing to get Sammy to get rid of her phone lmao but ended up running with it. I do love how everyone’s surprised about Ben having a girlfriend because me too guys, me too. And it’s not because he eats out of a boot and pees in a jar (it is) but because I thought he was gay. Like with the whole rejecting Yaz scene in CC always gave me that implication. Now, he could still always be bi or pan which would be just as cool, but still just the fact that he has a random ass girlfriend. But also how is he maintaining a long-distance relationship when he’’s completely cut off from the grid. A part of me wants to believe that Ben has a girlfriend especially when he questions why everyone is surprised but also… idk. Ben does seem to understand how Yaz is feeling with relationship stuff to a degree. But I don’t know. I like some of the theories I’ve seen: that Ben is being catfished by Brooklynn, in particular. In theory I giggle a bit but in practice that’d low-key be a fucked up thing to do to Ben’s emotions. I find it harder to believe that Ben is doing the girlfriend to cover up that he’s gay because he knows that his friends will be accepting (although doesn’t change that coming out to them could still be hard) but also because I feel like he would at least tell Yaz because in S5 of CC they had that deep talk about Yaz’s sexuality. A part of me believes that the cargo ship is going somewhere to Europe and when they get there Ben will call on his girlfriend for help. If she is real, I hope she's badass and pretty so she can contribute to the plot and I can fall in love with her. Wait, what? Maybe down the line when I have more theories about Ben and his supposed girlfriend I’ll make a separate post. 
“Don’t you dare throw my phone out the window, Benjamin.” Sammy’s so much of a powerful force now. I love her fierceness and sassiness, it’s definitely a different look from her character in CC. But also, she’s still in character, just matured, changed, and acquired that “tough love” attitude. Paired with how a little later in the episode when she goes to save the dinosaurs, it shows how Sammy (and the rest of the characters) might have changed since CC but are still the same at their core. Very much getting flashbacks to the Art of Chill episode. Sammy still has the passionate sense of righteousness but with more attitude and I’m 100% here for it.
I also want to talk about the whole Sammy as a suspect thing. I love Ben and I’m glad they made up at the end but also can you imagine how hurtful it must be for Sammy? Like it sucks for her that a decision she made years ago (and was cleared up) in order to protect her family comes back to bite her, from one of her closest friends too. For one of her besties to not trust her must hurt a lot, especially after everything they’ve gone through together. Trust in general is an interesting motif in this show. We have Darius having to learn to trust Ben and his theories, the whole Darius and Kenji trust conflict thing, Ben being untrusting of Sammy at first, and Yaz and Sammy having to learn to trust each other again. 
Back to Sammy’s character, I want to take a moment to talk about Sammy’s mental health; like she’s really not doing well and I’m genuinely worried about her. From CC we know her to be a very social person who’s rarely ever alone and we even have the episode in S5 of CC where her entire arc is learning to do stuff on her own. So in CT, seeing Sammy living all alone in Texas with nobody (nice) around is so jarring and worrying to me. That scene where she reunites with the boys is really sweet, especially knowing that it’s probably one of the first few moments where she’s not isolated from any of the people she loves. It’s also probably another reason why she’s even more “Sammy” than usual. Then you have Sammy saying, “Just busy. It’s only me around here with Yaz up north finishing school, and my parents…we just don’t talk much anymore, but that’s okay! I’m keeping busy.” We can definitely notice that Sammy is not handling this isolation thing well and her coping mechanism is very much busying herself. What I really want to know though is why Sammy isn’t talking with her family.
But back to the main point, it’s also the way that Sammy’s character naturally influences the plot and pacing of episode three. Ben and Darius have something urgent they need to tell Sammy but her inability to stay still is preventing them from doing so which creates a natural conflict.
Additionally, in retrospect Sammy's coping mechanism was obvious: the mock interviews we got where it’s said, “Back at home, Sammy Gutierrez maintained that positive attitude by staying busy. ‘I have my own ranch, now. And my girlfriend Yaz. And tons of pies to bake! We don’t have time to keep worrying about all that running for our lives stuff!’” Even before this, she’s fallen into that heavy positivity that’s borderline unhealthy by trying to shove everything under the rug. All of the positive sayings on her wall also feel symbolic of her trying to maintain a positive outlook on her life. Her line “I’m so sick of making pies,” while possibly just for humor and a throwaway line, it could represent how this false positive narrative that Sammy has going where she’s keeping busy around the house and baking pies isn’t satisfactory and is also crumbling. Maybe even the first pie burning could be symbolic of her positive life failing (or maybe I’m looking too deep into it). Also that scene where she straight up hallucinates and sees Brooklynn for a second? That scene is so haunting and utterly heartbreaking. This is sort of the nail in the coffin that Sammy is not doing well mentally at all. In this scene too, her sadness is also heavily emphasized. Her eyes watering is such a sad detail and also you can kind of notice that her under-eye area is dark and red too. This might just be the lighting, but I feel that it really emphasizes that Sammy is really struggling and all of this business and fake positivity is getting to her. And then immediately after, she deflects and continues what she’s doing. Darius begging Sammy to stop and Sammy’s response being, “Stop and think about Brooklynn dying, or my family not speaking to me, or Yaz pulling away from me? No… I can’t stop. I won’t.” There is a lot to unpack there. First, we have another mention that Sammy and her family aren’t talking and I want to know why. Secondly, she is definitely struggling with growing isolated from the people she loves and with Sammy’s character valuing her connections with her loved-ones it makes it all the more impactful. I wish we got to see more on this but then we get interrupted by the action just as Darius is about to say something. It's a really sad scene though. In ep.4 we see Sammy being more anxious, especially with Yaz not answering her calls. In that one scene after the parasaurolophuses, Sammy is completely distraught and it’s sad to see. I don’t even think she herself even fully realizes her mental health issues. The anxiety Sammy is experiencing is also highlighted in ep.7. Granted, they are in a sinking, soggy van and I’d be panicking too but damn. She’s also panicking in the beginning of ep.9, but now, instead of Sammy keeping her body busy from her mind, her mind is keeping her busy from her body and making her forget how to breathe.
“I know she doesn’t always answer, but at least she texts back or maybe just gives a thumbs up, even though she knows I hate those. Cause they give me passive-aggressive vibes, but I know she doesn’t mean it that way. But I got that girlfriend intuition that something ain’t right.” Poor Sammy, she is very clearly anxious about this whole thing and it especially shows with how she bounces her phone around. I like how this conflict between Yaz and Sammy is building up before they even see each other, starting with Yaz not answering the phone call and Sammy getting anxious. The split up thing also gave me a mini heart attack too Ben, don’t worry. “Why, did she say something?” Sammy, please. You’re not okay. In ep.6 with the “I’m working really hard to get my anxiety in check, but Sammy still treats me like a fragile flower,” again, I appreciate how we see the cracks in Yaz and Sammy’s relationship beginning to form even before the events of CT. The buildup is really strong in the show. Quick break but I have to say I just love Sammy’s profile picture they are so cute. Also, Yaz’s uncertainty about answering the phone call, too. The tension between them is clear as day on that phone call. And then we have Sammy coddling Yasmina by trying to hide the truth from her and it’s all in good intention, really sweet how Sammy wants to protect her, but is that what Yaz needs or wants? “Her PTSD is still affecting her that badly?" “Well, to tell you the truth, we really haven’t talked much lately. She’s so busy and when we do catch each other, she acts like everything’s good, but…” The conflict is so interesting because you have Yaz pulling away because of Sammy’s overbearingness and then when Yaz pulls away, Sammy gets anxious and therefore more overbearing so it just creates this cycle that could be put to a stop by communication but they’re both scared. Both of their coping mechanisms are doing damage to each other and so they fall back on these coping mechanisms even more. “Call it a hunch, or girlfriend’s intuition,” call it anxiety, Sammy. At this point everything she says or does is a subconscious cry for help. Back to the relationship conflict, it’s nice knowing that even if they are fighting, their fight is based off of wanting the best for the other and love. Also both of their feelings in this fight are valid, Yaz wanting Sammy to not treat her like she’s fragile and Sammy not wanting Yaz to pull away from her. Again with the cycle. Oof, the pain in her voice when Yaz says “you still treat me like a child instead of your girlfriend!” Kausar really ate with that. Anyways, we have that scene where they almost down and Yaz calms Sammy proving to her that she’s not as fragile as Sammy thinks she is. Then when they get out we have a resolution moment where Yaz says, “I guess we need each other, huh?” Showing that, instead of that unbalance of overbearingness, they can equally need the other to ground them and keep them calm. 
When Sammy and Yaz reunite, they’re really happy but also out of sync a bit, when they go in to kiss but end up bumping heads. Then after they resurface after nearly drowning, they’ve reached a better understanding of each other, and then they kiss a lot more smoothly, showing that they’re back in sync.
For the Benrius shippers out there, this also parallels how Darius and Ben were a bit out of sync and a little rocky, but at the beginning of ep.3 we see Ben and Darius have fallen back into their natural rhythm: Ben says “chip me” and Darius effortlessly tosses it and Ben catches it in his mouth. I just appreciate these little details and moments of closeness and also the parallels.
Can we talk about how we have alternating arcs/paths with Sammy and Yaz? Like, we see Yaz becoming more confident in how she handles and reacts to her trauma and making significant progress with her PTSD. Then we have Sammy who’s slowly slipping into a poorer mental state when she was known for being better able to manage her trauma from Nublar. Then along with this, we have Yaz stepping into the more “caretaker” role when Sammy was the one who usually has control over the situation. The van sinking scene in ep.7 is a perfect example. Sammy's panicking when her seatbelt gets stuck and Yaz is the one to ground her. I just want to take a closer look at this scene because it’s so sweet, too. The way Yaz first takes Sammy’s hands but then after realizing how much Sammy’s panicking, she cups her face and gets her to focus. It’s just such a tender moment. (And then parallel with that, the scene where Kenji has a panic attack and Darius is the one to support him in the midst of their argument. I just love a good parallel.) (Another parallel, Darius grounding Ben when he was paranoid in ep.2) But there’s also that scene early in ep.9 where it’s Sammy who’s completely freaking out and Yaz being the level-headed one. 
Going back to the conflict between them, we see a moment of growth in that scene. After Sammy’s anxiousness causes her to be reckless, she apologizes which opens the floor for a well needed discussion about how they need to work as a team and trust one another. While the main discussion about how their coping mechanism end up hurting each other hasn’t happened yet, we still get to see them repairing the cracks in their relationship. Instead of Yaz pulling away when Sammy becomes anxious and overbearing, we see her acknowledge Sammy’s anxiety and comfort her instead, so that Sammy doesn’t go farther into that anxious state and the cycle is interrupted. It’s cool how they made their mental health issues cause problems in their relationship. Not in a “oh I can’t handle my girlfriend’s PTSD and she’s too much for me,” but in the way of “My girlfriend really cares for me in relation to my PTSD and it’s sweet but it also feels like she’s babying me” and “my girlfriend is going through a really tough time right now and I want to be there for her but she keeps pulling away from me.” Although, in a way, Sammy’s anxiety does become overbearing for Yaz, but even then it’s not in a she’s being too much but rather her anxiety is only causing her to be treated in a way she doesn't want to be treated. While scary and uncomfortable, I’m really glad that Yaz and Sammy had that conflict because it shows that couples can argue and still love each other. Just because there’s a problem in the relationship doesn’t mean the relationship has to end there, it just means that you have to come together and acknowledge the issue and then work together to fix it. 
Darius’s reaction to Brooklynn’s death, my god. And hearing Darius’ voice calls that he left Brooklynn…devastating. Him hiding in the bath tub after giving the phone and sinking down in it; he really is ashamed of his feelings and it’s sad. But also the tenderness in Kenji’s voice when he confronts him? He’s no longer angry with Darius, just wants to understand. And the way that he doesn’t even get mad when Darius tells him he was in love with B… (maybe he understands how B is a very lovable character.)
But back to the grief, the moment where they’re all looking at the allosaurus that supposedly killed Brooklynn is devastating. They are finally united in their grief over Brooklynn. Boy, at least one of them is going to be pissed when her survival is revealed. And then also how they all worry over Bumpy too, it just really symbolizes how they’re still a family after everything. I love how Ben and Sammy are basically co-parents now. And remember that episode where Sammy was trying to get Bumpy to like her? Oh how far we’ve come. I flat out believed that she was dead, the writers definitely got me with that one. Well played, Bumpy. Well played.
I will say that Darius’s confrontation with Cabrera didn’t feel fully earned. We only saw him in one other scene and only heard about him in another scene so Darius’ moment of realization fell a little short on me. I think it could have been better had we saw an earlier interaction with him and Darius that may give us more conflicting opinions on whether or not he’s good. Because when we first saw him with Sammy, Yaz, and Ben, I was 90% sure that he was bad because of the three’s unbiased narrative. But had we gotten an interaction with Darius where he seemed a lot less questionable as a character it would have brought my doubt to more of a 50%. It also would have made Darius’ almost betrayal feeling in ep.10 more warranted because we saw them personally interact so it’d make Darius’s “You’re the one behind this? You’re selling Dinosaurs? DPW is supposed to protect people from dinosaurs.” hit harder. 
The micro bang lady reads the raptor’s body language so well. She’s also compassionate towards them which is a heavy difference from this other dinosaur corruption we’ve got going on where they are carelessly abusing dinosaurs. She sees the raptors absolutely wiped out and retreats which is an absolute power move and shows she cares. It’s a choice that humanizes her along with the cuddling of a fucking raptor, which is interesting since most of what we’ve seen so far has been very uncanny with her robotic movements and unblinking eyes. She scares the shit out of me but lowkey...
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she looks really badass and hot in this scene. I see what some of yall are talking about.
The action sequence in ep.10? Amazing. 10/10. The parallel with Jurassic World? Heart stopping. The dead silence except for the footsteps and dinosaur breathing? Immaculate. Best scene in the entire show, maybe in animated history. 
At the end, we also have a shift from the characters being forced to react to all of the stuff thrown at them, like a defensive, but then we see them make the decision to go on the cargo ship and now they get to take a more “offensive” approach. Then we also have Darius stepping back into that leader role. 
I just hope that since the characters are no longer stranded on a deserted island that they can finally get a change of outfits if they happen to get dirty. Please don’t let them walk around in the same dirty clothes again, please. 
Now, probably one of the more controversial parts. Dinostar… Now, I’m a multi shipper and I’ve never had a problem with the ship itself but even then I was skeptical of this creative choice. 
I feel like it’d be more impactful if they kept dinosaur platonic showing that Darius doesn’t need to be in a romantic relationship with his friend in order to feel a significant amount of grief for her. Now, I know that even if Darius wasn’t in love with Brooklynn, he probably still would have had the same reaction but still, the interpretation of his feelings has still changed. How necessary was this?
But also the power in the unrequited dinostar. Having Darius only realize his feelings for Brooklynn, especially after her staying at his place, it's natural. It adds to the very real complexity of human feelings. “I never meant for it to happen. It just…happened.” Darius’s feelings are still natural and organic and he’s still kind of ashamed of them. Darius’s “I didn’t even think I could feel that way,” was what really got to me. If it was because he always saw Brooklynn as a friend it shows how these sort of feelings can sneak up on you, but I also see it as, “I didn’t think I was able to have crushes on people” which speaks to me a lot. It feels very aligned with the demi-aroace experience and as someone who’s demi-aroace I care about this a lot. It’s such a confusing and difficult experience, worrying about if you’re even capable of falling in love with someone, trying to disect the difference between platonic connections and romantic ones, and the shame you feel when you think you might be interested in someone who’s supposed to be your friend. It’s messy and real and seeing Darius possibly experiencing that makes me feel less alone. Anyways, I like how even in both directions Darius can still be on the aroace spectrum.
“If I was really in love with Brooklynn, I should have been there.” This line makes me wonder if he’s still doubting his feelings for Brooklynn. The “I couldn’t face her after that. I was too embarrassed. So I didn’t show up that night.” Darius being embarrassed is so real. I once confessed to a girl I thought I liked and was rejected, albeit gently for the most part, and I still can’t look at her the same way. This was with someone I wasn’t close with so I can only imagine what it was like for Darius, the embarrassment. It’s such an impactful thing too. Darius's natural and realistic reaction to getting rejected and not being able to face her having drastic consequences in this new world of dinosaurs and being hunted by them. It’s just the complexity of the story that’s what really makes this work.
“She tried to be nice about it, but it was clear she didn’t feel the same.” I wonder if this is what really happened or just what Darius interpreted it as. I’m hoping that it remains unrequited. Seeing the guy not get the girl would be something new and interesting. I could also get behind dinostar but only if it’s done right and to be done right it’d need a lot of time. But I also don’t think I want to see any of them in a relationship just yet. Especially Brooklynn and especially now. I think that she’s way too deep into this conspiracy and should focus on that instead of a relationship. That’s definitely where her mind has been at lately, anyways. I also worry that this might turn into a love triangle which I’m never a big fan of. I’ve also seen some people say that this love triangle/Darius’ feelings will probably weaken the integrity of Brooklynn’s character and reduce her to a love interest, and, for a while, I agreed. But now my opinion has shifted. So far from what we’ve seen, Brooklynn’s character seems to be going on an interesting arc and I have faith that the writers won’t weaken that in favor of focusing on her romantic interests. The writing for this season has been amazing and if they keep it up in season two it can probably be successfully pulled off. And already with the way it’s been written, I don’t think Brooklynn is ready for a relationship at the moment. 
Now Brooklynn...
I was one of the people who was convinced Brooklynn was alive but while watching the show I actually began to doubt that theory and there was a moment where I was sure she was actually dead. I know there are a couple of people unhappy about the fact that Brooklynn isn’t actually dead, and I get that. Especially coupled with the Darius vs Kenji conflict it may feel like CT is copying too much from CC with Ben’s fake death instead of being original and committing to it. And that’s totally valid, especially for a serious plot line like a character death. I do, however, have faith that the writers of CT will execute her fake death well though. Because that’s the thing with CC/CT. Most of the time, even the not so strong ideas are well executed and integrated into the plot smoothly. With Ben’s fake death, it gave the opportunity to strongly develop Ben’s character more than it could if he had ended up on the island with the campers. His solo experience after his “death” molded him into a very different character from the boy we saw in the early episodes. It changed him drastically and that was the redeeming factor. So, I have hope with Brooklynn. It already seems like she’s on a strong path of character development and it seems like she’s going completely undercover to unbox this international dinosaur corruption scheme. Not to mention, she’s missing part of her arm, so that’s also a drastic change. Brooklynn being alive opens up a lot of opportunities, especially to delve into her trauma that she might have acquired from losing a hand. Not only that, but the others still think she’s dead so we won’t lose that mourning aspect, in fact it might make it even more impactful knowing that she is alive and that Brooklynn’s fake death is causing this much pain to her friends.
This could also introduce some conflict within the group once it is revealed to them that Brooklynn is alive because they spent all of this time mourning her and suffering from some severe mental health issues only for her to actually be alive without telling them. Me personally, I’d be upset going through all of this emotional turmoil for a dead friend only for her to pop up knowing she could have prevented all of it. We can also see different reactions from the 5 of them. Maybe someone will be angry at her and some might just be really happy she’s alive and some might not even believe she’s actually alive. I’m just gonna say that it is fucked up that Brooklynn is just allowing her friends to suffer from mourning her and that I’d totally understand if any of the camp fam were mad at her. In fact I need to see that. Then there’s all of the secrets she’s keeping from them, too. I wonder if we might see a sort of negative character arc because Brooklynn has been neglectful towards her friends, especially Kenji which caused the whole breakup in the first place, and then multiple times Brooklynn’s true intentions have been unclear and shady. I wonder if there’s any symbolism we can pick up from her hair which is always changing.
Overall, I’m excited to see what they do with Brooklynn’s character and how her fake death affects the others. I’m always willing to compromise with my feelings and the decisions made so long as they well execute their unfavorable choices. 
As for the reveal, I feel like it could have been dragged out a little bit longer. I think a perfect place to stop would be right at Ronnie receives the text. Because in my mind at that moment, there were two ideas that I had. One, Ronnie could have been one of the corrupt DPW workers, or she could have been working with Brooklynn. I think that that confliction would have been a great place to end especially because either way, it leaves you question that entire interaction she has with Darius in the first episode. Is Ronnie going to be bad and betray Darius? Or is she good and helping Brooklynn who's alive. I understand in the grander schemes of things why they did it; showing Brooklynn alive (and handless) at the very end will make viewers want to come back and see what happened with her. I just hope they keep her being alive unknown to the rest of the campers for a while longer for that added tension or whatever. I feel like if anything they might reveal her to the camp fam at the end of season 2.
Now let’s talk about that hairstyle. When I first saw it at a distance paired with the whole ensemble, it looked really badass. But up close? I don’t like it. 
At first I was going to say that Sammy carried the plot, because she did. Then I was like, “well, Ben also carried the plot too.” Then it was “If Sammy carried the plot then so did Yasmina.” That “boo” did a lot for me. But then I was thinking of the discourse between Darius and Kenji and they also both carried the plot. So, long story short, they all carried which is amazing. It means that it was well balanced and every character had a significant role in the story. 
In short, there’s a lot of things that were phenomenal in this show, however, there were a few things that can only become/remain great if they’re addressed in season 2. There were a lot of throwaway lines in the show that was loaded with context we didn’t have and hinted to a separate conflict. 
Twice we hear Sammy say how she’s not in contact with her family and then it’s never brought up again. I want to know why this is, even If it doesn’t have a drastic effect on the overall plot. Then we see Sammy hallucinate Brooklynn but then that’s the only time it happens. Is it bad that I want to see more of that? I just really want to see Sammy’s trauma unloaded in season 2. In ep.6, Sammy says “Remember how [Yaz] got when the dinosaurs made it to the mainland?” It seems really heavy and I want to see this. I want to know what the groups initial reactions to one, the dinosaurs back on the mainland, and two, Brooklynn’s death. We also hear Darius sort of allude in ep.1 that Ben might have had a harder time adjusting to being back on the mainland, especially with the “don’t patronize me, Darius!”
I’m hoping that some of these lines are just seeds being planted early on so that we can see them grow in season 2. One thing I hope we get is more flashbacks, seeing what all of these lines are referring to. Sammy’s family issues. Yaz’s (and the other's) initial reaction the dinosaurs back on mainland. Also, seeing flashbacks to Brooklynn with Darius in the cabin. We got flashbacks for everyone else except him so it’d be nice to see, and also give us something more substantial for Darius’s feelings. My guess is that there won’t be as many action scenes when they’re hiding away on the ship so we can get more flashbacks and have some more downtime to explore the groups trauma, regain some more of that “full” group dynamic, and just in general put more focus into the characters rather than plot. 
The writing in this was amazing, especially for a kids show, and I hope we get to see more of this amazing writing carried on to season 2 soon. If you stuck with me this long, I appreciate you.
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ohnogodpls · 1 year
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The way you draw neuvillette and Wriothesley has me giggling and kicking my feet, they’re such little guys they make my soul start doing ribbon dances.
I do also have a question, 👀, you mentioned you mainly draw neuvi from head cannons, are there any you don’t draw but enjoy a lot just in your mind?
Hola :3 thank you for the kind words and I am happy to see you like my little guys doing their little guys things
I let this sit for some days to think about headcanons, since I can't think of many. I mostly just get scenarios into my head at like 1am, write them down and doodle them in the evening as a relaxation so it's not like a very thought through thing. But I managed to write down some.
Appearance wise:
First of all, I sort of completely disregard canon details. It's not because I don't like them, but because I draw quick, have no patience, and after drawing a character onec or twice I get their general idea into my head and from there on only draw them from memory. I find it helpful since it is not only quick and comfortable, but allows my sketchy drawings to avoid overcluttering with details. As long as the general shape and colour palette are close to the original - I am happy. Second, I like the idea of some draconic features on Neuv. Sharp teeth, longer sharper tongue, eye pupil delation when he is happy or excited to see something (same for zhongli) and I think it would be cute if his horns would glow when he is pleased, happy or at peace. That's why if you sleep next to him and can't fall asleep because of the light - shh don't wake him up - he is having a sweet dream. Third: he likes to dress up. I need to think of some outfits I could draw him in. In game he often points out that he stands out and causes confusion when he walks around, his status and looks intimidate people into thinking he is there on official business by default. That's why I think over the centuries he acquired an interest in fashion and has a lot of outfits he puts on for more casual outings in that little free time he has.
Personality wise I can't say much. I am like always scared of going too ooc, because I genuinely love the way he is presented in canon, so all I do is more of an addition to it rather than substitute... But I think he would like plants. He would feed them the finest water and enjoy watching them bloom. Plus, Sumeru is right there so perhaps he finds himself fascinated by plants growing there and has a few saplings.
And on a slightly NSFW note: wriolette in my head are switches. I always tag it with wriolette only but I also never draw explicit stuff, but I think they love each other in ways where there is no dynamic of one overpowering another: they tend to each other's comfort and pleasure and happiness in equal matter.
Yeah I don't have much but hopefully this was a nice (slightly long) read. o7 thank you for the question, it was fun to think about
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actual-changeling · 9 months
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On unhealthy relationship dynamics
A little while ago, I stumbled across a post discussing Aziraphale's character on a meta level, and without knowing the content, I was completely unprepared when one single sentence pushed me from 'uncomfortable but doable' into 'triggered and panicking'. The post itself was triggering from start to finish, but that phrase stood out to me.
Why am I telling you this?
After calming down and thinking about it for a few hours, I realised what exactly my brain had reacted to—victim blaming rhetoric repackaged to fit Aziraphale and Crowley's situation. Victim blaming is, to provide a short summary, the act of putting blame for mistreatment on the victim instead of the perpetrator. It's a concept often used in r/pe discussions, but it can be applied to any abusive or non-abusive situation as long as a power imbalance is created, meaning you have at least one person harming another in whatever shape or form.
If you broaden the definition, you can apply it to more situations, including—and this is where we reach the actual topic—their relationship and the Final Fifteen (F15).
That is exactly what some people have been doing—putting all the blame on Crowley and absolving Aziraphale of any and all responsibility as if it were his fault that Aziraphale broke his heart
Before anyone runs to the comments, let me clarify what I assume will be the FAQ.
no, I do not think Aziraphale is abusive
I do not think that their relationship is abusive either
no, I do not hate Aziraphale
yes, I know what I am talking about
everything I will talk about is largely based on what we as the audience actually see and know, combined with interpretations of the intentional subtext Neil wrote into the show.
I have been actively in this fandom since the second season was released, and I have seen a lot of (hopefully accidental) ableist & generally insensitive takes. These are the ones I see the most and what I personally consider to be important topics of discussion, but the same logic I will be applying to these can be applied to many, many more situations.
Since my meta posts get very long very quickly, I will be posting them in parts and always linking back to the others, plus this one as the masterpost.
Part 1—Nice Is A Four Letter Word
The basic pattern is this:
Aziraphale refers to Crowley with a 'nice' term -> Crowley gets upset and tells him to stop -> Aziraphale hears him but continues anyway.
There are reasons behind Crowley's rejection, and I will go into detail, but I want to make one thing very clear: It does not matter why Crowley asked him to stop. He set a boundary, and Aziraphale repeatedly and intentionally overstepped it; this causes understandable anger and frustration.
Crowley does not owe Aziraphale an explanation, just like you would not owe someone an explanation when you don't want to be called x-term. Mutual respect requires the acceptance of personal boundaries like that, and by breaking them over and over again, Aziraphale tells Crowley that his own wants are more important than Crowley's needs.
In the 1827 Edinburgh flashback, we see the consequences of Crowley doing good/being called good (which are usually connected, meaning if they notice someone is calling Crowley good, he most likely did something to cause that) firsthand, and so does Aziraphale. He gets dragged down to hell and tortured for up to thirty years.
Even before that, Crowley expresses numerous times how hell punishes good deeds, and they are 'always listening' in on him. You would assume that Aziraphale would stop to keep him safe—and yet he doesn't because he cannot accept the reality of Crowley's situation and refuses to listen to him.
On top of that, Aziraphale only ever "praises" Crowley when he does something he personally sees as praiseworthy, aka something good/kind/nice/angelic/etc. but never when it is something that CROWLEY would like to be praised for, or at the very least acknowledged. We see it in season 2 over and over and over again: Aziraphale cares for no one's thoughts or plans except his own and has no interest in even hearing Crowley out.
Aziraphale calling him nice is not a sweet little gesture, it is an intentional overstepping of a boundary Crowley has been trying to enforce for centuries, and it reinforces the dichotomy of good angels/bad demons, with angelic existence being the ultimate goal. At the very least, it's disrespectful towards Crowley, and at worst, it is actively keeping Crowley in a trauma response, tugging on his leash whenever he tries to explain reality to Aziraphale.
To have a healthy relationship, Aziraphale needs to stop.
part 2 - part 3
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gregorovitch-adler · 10 months
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My thoughts about The Private Life of Sherlock Holmes:
Let's start by summarising the movie -
No crime-solving happens in the first 34 minutes. The first act is all about Holmes and Watson's dynamic, exploration of the nature of their relationship with each other, etc. If you're the type of person who only watches/reads Sherlock Holmes for the cases, you'd believe this portion is skippable. Only the blink-and-miss detail about the "Midgets' case" is important as far as Holmes' detective work is concerned.
However, if you think exploring Holmes and Watson's interpersonal relationship and their casework are both equally important, like I do, the first act is GOLD. Most of the Tumblr gifs about this movie are from the first 30-35 mins lol.
1.) Holmes enters and they bicker like an old, married couple.
H: Oh, come now, Watson, you must admit that you have a tendency to overromanticize. You have taken my simple exercises in logic and embellished them, embroidered them, exaggerated them ---
W: I deny the accusation.
H: You have described me as six-footfour, whereas I am barely six-footone.
W: A bit of poetic license.
Not only is this whole scene just delightful in general but the theory about Watson being an unreliable narrator in ACD canon is actually being supported throughout the movie, starting right here.
--
W:It's those little touches that make you colorful...
H: Lurid is more like it. You have painted me as a hopeless dope addict - just because I occasionally take a five per cent solution of cocaine.
W: A seven per cent solution.
H: Five per cent. Don't you think I'm aware you've been diluting it behind my back?
This exchange was lovely. Way to slip in their closeness through a few words.
2.) Watson doesn't think it's odd to barge right in when Holmes is completely naked and taking a bath?
Also, why the hell does Holmes bathe with his bedroom door wide open?
And what's that thing he's taking a bath in called? Does anyone know about this stuff? Was this thing common in that timeline? It doesn't seem to fit a grown man like Holmes.
I have so many questions and I'm speechless at the same time. I'll just drop this here:
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3.) Then Watson persuades Holmes to go to The Swan Lake ballet.
Watson enjoys that ballet, a little too much at that, mostly because he's staring at all the women on stage. (We'll get back to this later.)
Holmes on the other hand has dozed off. All he can admire about the most beautiful dancer, Petrova, is her strong arches. Which is... 🏳‍🌈
Then that whole scene about Nicholai and Petrova and Holmes in the dressing room. XD
Petrova offers a Stradivarius violin to Holmes in exchange for sleeping with her for a week, so that her child would be beautiful like her and brilliant like Holmes.
Holmes gets out of the situation by lying to both of them; saying he's in a relationship with Watson.
Honestly, that whole bit. Just look at the lines:
N: She has been dancing since she was three years old, and after all, she is now thirty-eight.
H: (gallantly) I must say she doesn't look thirty-eight.
N: That is because she is forty-six.
And:
Nicholai: (about Tolstoy) Too old --- Then we considered the philosopher, Nietzsche --
H: Absolutely first-rate mind ---
N: Too German --
Etc. They're all so funny. This whole scene is something else.
In fairness to Holmes, he did try to get himself out of the situation by lying about having hemophilia in his family, or saying that he's unromantic because he's English, etc but Petrova was having none of it.
Watson coming into the room all of a sudden gives so much clarity and calmness to Holmes. He just knows what to say to help himself because of Watson.
This unforgettable exchange:
N: You mean, you and Dr. Watson - He is your glass of tea?
H: If you want to be picturesque about it.
On a side note, I absolutely loved Nicholai's face journey throughout both scenes - in the dressing room, stuck in the middle of Holmes and Petrova's awkwardness, and later on when he asks about the alleged Holmes-Watson romance to Watson after having spread the rumour in the whole room.
I just loved his reactions a lot.
According to this movie-
Caprice of Mother Nature = Gay.
Half-and-half = Bisexual.
Watson comes to know about the rumour, after having had the time of his life with both men and women in the ballroom. Watson is pissed off, he goes home and confronts about the whole thing to Holmes.
They have a row at Baker Street, in which Watson is being extremely heteronormative again. Thinking too much about his reputation without stopping to question his own feelings and his weird fixation on Holmes' love life.
There's that famous line again:
W: Holmes, let me ask you a question. I hope I'm not being presumptuous -but there have been women in your life?
H: The answer is yes -- you're being presumptuous. Good night.
Awesome.
This marks the end of Act I.
The existence of these 33 minutes of the movie is proof that the writing team in this adaptation knows that exploring Holmes and Watson's characters and what they mean to each other is as important as Holmes' casework. Billy Wilder takes this seriously, even though there are some jokes here and there about it.
The whole of Act I is filled with raising questions about Holmes and Watson's preferences, etc. Does Holmes feel love or is he just a machine? Does Holmes feel love for Watson? Does Watson know about Holmes' feelings for him? Does Watson feel the same way about Holmes?
In my opinion, all the answers to the personal questions about Holmes are as clear as a day. What's really questionable is whether Watson knows and/or feels the same way about Holmes or not. Different viewers might draw different conclusions/inferences after watching this movie.
After this, the movie takes a turn because "Gabrielle" enters the picture, and the actual crime-solving begins from here. The tone becomes a bit more serious in this act.
A young woman, completely wet and in shock enters 221 B. Watson has to pay for her fare to the cabbie before he and Holmes take her upstairs to take care of her.
She can't remember anything at first, then from her wedding ring, Holmes gets to know her name: Gabrielle Valladon. Her husband's name is Emile Valladon.
She appears to have temporary amnesia because of getting hit on the forehead and almost drowning in the Thames.
She reveals info about herself that she's from Belgium, her husband was here in London for a job, they used to write to each other, and after some time, the letters from her husband stopped coming. She'd gone to the London police first after coming to this city. She says the police had advised her to consult Sherlock Holmes.
Now, this should make the viewer skeptical of her. Scotland Yard does consult Sherlock Holmes when they need him, but they aren't going to let him have the whole case if there's a situation like this.
Besides, that woman ending up at Baker Street specifically seems to be planned, anyway. Also, there's always this man who keeps waiting for her or someone else's signals on the outside.
I know what we see on screen comes from Watson's drafts on loose pages, but this movie's narration seems to be Third Person Omniscient POV to me. Where the viewer is privy to more information as compared to the characters.
The three of them keep looking for her husband's whereabouts, and she pretends to be helpless, needy, and fragile (to stroke the ego of the men around her, I believe. I mean that could be one of the reasons...) with temporary amnesia throughout most of the movie. Holmes and Watson don't suspect a thing about her as they keep working for her and she keeps sending cryptic messages to the "Trappists" (German government) with her parasol.
The thing I love about this act:
Ilse von Hofmannsthal aka Gabrielle Valladon is actually a competent character who happens to be a woman. We can see something shady is going on with her even though we don't know her real name, but one of the most brilliant people on the planet doesn't suspect anything. He thinks she's just a woman looking for her husband's whereabouts. He thinks her back story is real.
He keeps on thinking that until Mycroft basically tells him in the third act which is why we're able to see for ourselves that Ilse was genuinely able to outsmart Holmes. We don't have to be told by the narrative voice about Ilse's strengths (*cough* unlike BBC Sherlock and a lot of female characters written by Steven Moffat *cough*).
I, for one, felt respectful of Ilse or "Gabrielle" for real. It was quite refreshing to me after having watched some modern Holmes adaptations.
Holmes, Watson, and "Gabrielle" go looking for the cause of Emile Valladon's death after they've found his coffin in the graveyard, in the guise of having a picnic. Holmes and "Gabrielle" pretend to be a married couple - Mrs and Mr Ashdown, and Watson is their valet. The scenes after this point are delightful mainly because of Watson's reactions (which could be read as his jealousy over Holmes, too).
Also, me when Holmes calls Watson 'John' in an archaic Holmes adaptation:
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Because of his sort of stupidity, Holmes takes Ilse, a German spy, right in front of the submersible (which he thinks is a mechanical 'monster' that lives underwater) in a boat, along with Watson.
Ilse was trying to grab as much information as she could about that secret project because she was working for her country. Who knew someone would show her the live version of that model so readily (albeit unknowingly)? :P
The three of them are obviously unable to find anything about Emile Valladon, so they go back to the inn room they're staying in.
That's when one of Mycroft's men comes to pick Holmes up and take him to his elder brother. Here's when the third act begins, I think.
Mycroft had warned Sherlock not to pursue "Gabrielle's" case any further during the second act. But Sherlock didn't listen, because a.) he's an empathetic man, and b.) Mycroft can't just order him to do or drop something just because. Sherlock is not a child anymore.
I know Mycroft was only trying to protect Sherlock, and that he couldn't have told him the real reason to stop him at that time, but still.
Either way, months of planning and testing the submersible have gone to waste because Holmes did not suspect at any point that his client, "Gabrielle Valladon" might have just been lying to him since the start. Can't blame Holmes for that. Ilse was meticulous.
Mycroft shows the model to the queen and she strongly disapproves of the model and curses it a lot. Personally, this seemed to be a shitty decision on her part, and I felt so frustrated and annoyed at her in that scene. She didn't even care to hear about its features. She just rejected it on the spot! :(
Mycroft decides to 'give the submarine' to the German government. It's implied that the Trappists were drowned along with the submarine itself in the deep waters. (That's what I gathered from that scene - correct me if my interpretation was wrong).
In conclusion, while Ilse is genuinely able to outsmart Holmes (unlike some writers forcing us to believe it in their adaptation because they told us so), the German government isn't able to go anywhere with the info they've gathered through Ilse because of Mycroft's last move. Moreover, the English government would have sent her to jail, if Sherlock hadn't suggested Mycroft send her back to her own country.
So, in the end, it's a lose-lose situation for all of them.
1.) Sherlock Holmes didn't know that Ilse was faking her name and her whole identity for a long time, so he unknowingly helped a German spy, thinking he was just helping an ordinary client. Ilse almost had him and the viewers could see for themselves that she'd outsmarted him.
2.) Even after Ilse von Hofmannsthal has got what she wanted for her government, as a spy, they aren't able to make use of that info because of Mycroft. And she has to get out of England anyway.
3.) Mycroft Holmes also fails, to some extent, because ages of effort to plan the submersible, hide the plans, and test the model in secret - all of it has gone to waste. The queen doesn't even want to hear him out in the end.
But even if it was a lose-lose situation, the battle was damn intriguing because of the high intellect on both sides - Holmes brothers and Ilse.
Months later, Holmes receives a letter from Mycroft about Ilse's arrest and execution by the Japanese government. Reading that, he's so moved that he can't even finish his breakfast. He gets up and asks Watson for his cocaine supply. Watson tells him, and then Holmes grabs the bag and goes to his room. Holmes shuts himself in, Watson gets up from the breakfast table too, sits beside the fireplace, and begins to write something on a piece of paper. Probably about the case, but for nobody to see.
End of Act III and the movie.
--
I loved the background score of this movie. It's quite touching and refreshing to listen to.
A lot of dialogue exchanges in the movie are so deep if you stop to think about them. It's unbelievable how much writers can convey through a few words. Some of them are quite funny too - particularly from Act I. There's a thin line between being funny and mocking, and TPLOSH didn't cross that. It was nice.
I love this portrayal of Sherlock Holmes. It's clear how deeply they've understood him from the original canon. Pretends to be dismissive and closed off but actually cares about everyone way too much.
I also liked Mycroft in this movie, even if he didn't have much screen time.
About Ilse von Hofmannsthal - I loved her. Seriously, this is how you write female characters, modern writers! People say ASIB is a direct adaptation of TPLOSH, which is true, but I'd prefer TPLOSH over that episode any day, and one of the reasons is the way the female lead has been written in the former. Not exactly a fan of how Moffat wrote her in his adaptation. He did her dirty, I'd say.
Characters like Ilse make me think that the writing team of this movie knew what feminism is. I can't say the same for the modern Holmes adaptation that has been heavily inspired by TPLOSH.
I loved the plot of this movie too. The case in itself was also pretty interesting and kept me hooked throughout. Even if it wasn't exactly resolved finally, and the ending was melancholic.
I wasn't expecting the movie to be this good. Which is why it took me so long to sit down and watch it.
I only have one complaint about this movie - Watson's characterisation.
I mean, Watson wasn't half as bad as I'd expected (I thought he was going to be horrible, based on the snippets of the movie I'd seen before), but still. I like how he doesn't fall into the bumbling idiot stereotype. As far as the casework is concerned, Watson is also quite competent and observant in his own right. He can handle the medical work too.
I've got problems with his heteronormativity, and the fact that when it comes to deducing what lies in Holmes' heart, he's dumb as bricks. It's annoying. Like, it's one thing if he doesn't feel the same way about Holmes, but he doesn't have to be so weird and homophobic about it. Also, I think Holmes should've told him about the truth related to Ilse and the 'mechanical monster'. I've had enough of 'keeping Watson in the dark for his own good', damn it! He should be more in the knowledge.
Watson's character was the only element in the movie that didn't receive justice from the writer. As a Watson-centric fan, I need this to stop happening in future Holmes adaptations. People should see more from his POV too, and stop to actually see where he's coming from, and properly understand his character in the next show/movie/whatever they make.
What I gathered from the movie about the characters and their interpersonal relationships-
Holmes is in love with Watson but doesn't admit it... for valid reasons this time. (side eyes at Watson's homophobia).
Watson is deeply attached to Holmes but sees him as a close friend. I wish he felt the same way about Holmes in this movie, but alas! Though if he doesn't feel that way about Holmes, why the hell does he seem so jealous of Ilse in Acts II and III? This is beyond me.
I think what they've tried to show is that Watson is too close-minded to confront his possibly repressed feelings for Holmes, deep within his heart? Maybe. It could very well be my wishful thinking lol.
But as far as Holmes' feelings for Watson are concerned, it's not even wishful thinking. It's just... right there. I wish the subtext about Holmes' pining were spelled out. I know why it couldn't (the Doyle estate was being a pain in the ass at that time), but still. It's quite clear what they wanted to write as far as Holmes' emotional side was concerned, but they dropped it from the scripts after Act I and decided to focus on the case instead.
Holmes is dismissive of 'Gabrielle' at first, but he becomes sympathetic for her after some time. He reaches out to help her with her situation, and as the plot moves forward, he grows affectionate for Gabrielle/Ilse, which is why he doesn't hold a grudge against her when he realises he's been outsmarted by this woman (even though his ego was mildly hurt for a while).
The way they maintained a balance between the plot and the characters is commendable. I love seeing well-written women in fiction and this movie showed me that.
I was surprised to see how good this movie turned out to be, as compared to my preconceived opinions. The Private Life of Sherlock Holmes has officially become my comfort movie now. Miles ahead of BBC Sherlock, in my opinion.
Thanks to my discussions with @jamielovesjam in a previous post about this movie lol. I wouldn't have wanted to watch the movie if not for the long talk I had with them. Also tagging @gaypiningshit and @helloliriels for further discussion.
End of my unnecessarily long rambling.
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marimayscarlett · 2 months
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hi! :) since fans have gotten richard and paul those paulchard flags, banners, pieces of fabric (you know what i mean) during the boat ride a few shows ago, i'm a bit cautious about people taking things a little ... further than they have been before
in my understanding, in fandom spaces, it's mostly agreed upon to keep shipping stuff in those fandom spaces and away from the band members/real life. i say mostly, because people that go overboard are everywhere, and we don't know what kind of stuff the band has been exposed to in the past during meet and greets, signing sessions and so on. on the other hand, i'm not really on instagram, so i don't know what has been going on over there. nevertheless, i've read something about a past girlfriend of richard having been harassed on insta around 2019 when richard and paul first started kissing after ausländer – don't know if i remember that one correctly, though. and with paul being in a long-term relationship, i feel a bit weird about people bringing the shipping name up close to them; or maybe that's just me? i was wondering about how the behavior of one fan might encourage another ones behavior encouraging someone else even further, and so on. though i'm fully aware that everyone is responsible for their own actions. am i taking things too seriously? the band has had years of experience with fans and popularity after all, and i can imagine them being careful with, for example, searching certain things up online
i was curious about your point of view on all this :)
Hey,
Thank you for your detailed message, which I find really balanced and thoughtful! It's an interesting topic, and I've often thought about it, as well as the Paulchard ship itself. I might ramble a bit, sorry.
First of all, I have to admit that I was a bit taken aback when I saw the footage with the flags, as this was the first time a direct contact about this to the band was made. It felt like a fourth wall was being broken - kind of hard to describe. I'm convinced that both of them have some concept of what Paulchard or shipping in general is - Richard had fanfiction/slash explained to him in this interview once and seemed quite neutral, almost positive, about it. Additionally, they both display a clear affection for each other outwardly, so it shouldn't be surprising that specific shipping structures develop from that. I think the dynamic between Paul and Richard is so interesting and attractive to many because a lot has happened in their history. Close collaboration and friendship from the start (x), intense disagreements, fundamentally different personality traits, fiery tempers, strong opinions (x), and yet they seem to have found their way back to each other on a personal level, thanks in part to external mediation (for example by Schneider). They appear to be an emotional support for each other on tour; I get the impression Richard needs this closeness or expressed affection, and Paul seems to have a sense of what his counterpart needs and shows Richard his appreciation, whether on stage or backstage. It's just lovely to see how they've developed over the decades. Their relationship has such a strong humanity with a wide range of emotions, and coupled with the displayed tenderness, it's just very good shipping material, objectively speaking.
I had a feeling that there would be some kind of confrontation about the topic at some point, especially since 2019. I'm glad it was such a 'tame' approach, a sweet flag with a drawing and a heart (even though a drawing of the two without the 'Paulchard forever' would have sufficed). Still, I think this step is enough, and there shouldn't be more actions like this. Rubbing it in their faces more would be unnecessary and unneeded. This is where common sense should kick in. The fact is that Paul and Richard are not together; regarding their sexuality, it's not my place to make definitive statements, but Paul has been with Arielle for ages, and Richard has had numerous longer and shorter relationships with women. So, comments on IG, whether on family members', partners', or Paul and Richard's accounts, are absolutely inappropriate, disrespectful, and detached from reality. We mustn't forget that these are real people with real relationships and feelings, and we really don't need to rub it in their faces. I think shipping in fandom circles is fine, but there must be respect for the individuals in direct interactions, and family members should definitely be kept out of it.
As I said, I found the flag cute and sweet, but more doesn't need to happen imo. I'm also a bit worried that this might inspire others to do something that is too much, which I hope won't happen. In conclusion, I must commend both Richard and Paul for how they handled the situation. Both were mildly interested and took the flag without making a big deal out of it.
Thank you to @m---e---l for gathering some thoughts about this ask and discussing this with me 🤍
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In Defense for Sabo (Why hes appealing to me)
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To be perfectly honest, I am absolutely down bad for Sabo. I am a Simp in every sense of the word. So understand, I am biased by this point- That out of the way, he's perfect your honor. He's so tragic, so cool, and so silly- i think people overlook him because out of the ASL trio he has the least amount of screen time of the three- but everytime he's there it's a wild ride
I coukd write a really shitty 100k word thesis on this bastard(affectionate) so I'll try my best to keep it short
How do I even begin this? What hooked me initially on his character as a whole was how he was born into nobility and instantly hated it. He could see how messed up the people around him were even as a child, Hes a born anarchist. So he runs away and meets angry child Ace and then they're both menaces to society with a plan on ditching this place. You know the backstory I don't gotta explain more but like, the whole ASL brother dynamic is amazing and hes so middle child coded. Then the tragedies begin- in literally every single way the upper class could be horrific and terrifying, it happens over and over within like no time just to really hammer into him his distaste for the whole system. To skip all the angsty details, He felt so cornered that he ran away. Just sets sail despite his age, then of all people to aim a weapon at him, a Celestial Dragon proceeds to give him amnesia for the next like 9 years of his life with some insane blunt force trauma. That gun was basically an explosive canon, the fact Canon!Sabo just has the eye scar is why so many artists headcanon him with a much bigger scar. How he survived that is just a testament to how he's just
Built Different™
Then he basically jumps into the deep end so to speak with no fucking memory. By the time Ace is setting sail- he's already insanely strong. He ends up second in command for a reason- he's smart, he's powerful, he's got that never ending well of stamina just like his bros, he's a beast
And what finally brings back his past? He sees the news about marineford. What rejogs his memories- is his brother fucking dieing. (Oda basically confirmed that if Sabo had his memories, Ace would have lived. I mean- pretime skip Luffy almost succeeded- putting Sabo in the mix would have absolutely turned the tides. But that's beside the point- as i said hes just strong) Sabo only remembered when it was already too late- like...holy shit- the Angst. Tragedy after Tragedy and he couldn't even try to help this time-
Listen, what I'm trying to say is He's cool and angsty (like every other character tbf lol). He's just like his bros, a crazy bastard with a heart of gold who breeds chaos by being himself and standing for his ideals. Luffy and Ace have some crazy bloodlines and ya know, D. But Sabo is just Sabo and is right there with them in levels of chaos from day one.
He's just Built Different™
His whole presence in Dressrosa was amazing and hilarious- he shows up for the first time in- ever, one whole body luffy hug later and he's in the coliseum in Luffys disguise being an absolute badass. He successfully gets Aces fruit and then destroyed the coliseum with one move- he has some insane Haki and wields a damn pipe at the same time (the fact its something he kept from his time with his bros is so 🥹 but the juxtaposition is hilarious) Evertime he fights in this arc it's them sitting up the altercation and next time you see him- hes won and moved on to the next thing he's doing. One of my favorite little things is after Dressrosa -when he talks to the few who weren't passed the fuck out- and he gives Luffys vivre card to the strawhats. Not his personal Card to luffy- Luffys to his crew. He hasn't seen his brother in at this point like 10 years and somehow had his DNA to make it- everyone overlooks his crazy but it's hilarious
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One of the best hugs in the anime just saying ^
I was head over heels after Dressrosa ngl.
If Luffy is silly and Ace is hot cool guy, Sabo is right in the middle. I do think it's funny he's boiled down to the smart one of the three, he is, but he's also so much more. Also, as the person who originally asked what the appeal was said, yeah he also doesn't smell like a trashcan. He's the only one of his bros that takes a regular shower lmao. And while I do blame my insant love for the tophat look on my prior love of Jacob Frye from assassins creed, I think he's got style too. He looks good and he's wearing a damn cravat(the white neck scarf thing) most the time, he pulls it off. The movie look with the teal/cyan trenchcoat, the Reverie scenes, the newest episodes he just got animated in again-
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He is beauty, He is Grace, I want him to sit on my fa- sorry
For context, they are responding to this post about Sabo
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Wow, I'm impressed the one piece fandom never ceases to amaze me with your dedication to your characters
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seluneclerics · 1 month
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Omg just binge read the five existing chapters of more the fool me and brooooo
Like I just sat my self down and didn’t get up until I finished and I’m so desperate for more!!!
The way you write the characters feels so authentic, even though their relationships develop fairly quick - it doesn’t feel rushed and makes complete sense!
You write Miranda so well, I’ve always in my head saw her as almost adjacent to characters like Narcissa Malfoy, Regina from Ouat etc
They have a cold, detached air around them but they’re fuelled by this addictive passion and commitment to their loved ones that they’re practically clinical about, like they’re not here to play and you get that across so well with Miranda.
I don’t usually read x readers and if I do, I don’t read OC ones but I enjoyed this thoroughly. I might be a little bias because I look a bit like Fraser - brown skin, long, black curls barring the fact that she’s 5’9 and I’m 5’4 at the best of times - but it comes down to how universal you write her.
The name Fraser doesn’t feel like it carries too much connotations like a name like mf Amy or Charlotte which are wayyy to western for a non-white person to easily relate to and her personality is so relatable. And big plus she’s not super annoying so
But your writing is amazing - the way you write intimacy without it being sexual is divine, how the characters look at each other fondly or appreciate the others mind or oh! oh! How you slip in Fraser’s knowledge about them to emphasise how well she knows them! Like how she knew it was Alcina because of her height when she was passed out or how she’s aware that Miranda was coming to yell at her on the balcony! The way she holds Miranda’s face and how Alcina plays piano to her, how Fraser easily makes Mira, Alcina, and soon Donna I’m guessing feel less lonely.
I don’t know, I just live for good sapphic yearning and pining and it’s so nice to see that there’s still a plot - which omg I can’t wait to see where that goes - and it isn’t all easy. Fraser may feel some attachment to Alcina and Miranda but she’s still willing to go behind their backs to search for her father - like trying to sneak into that storage room. She gets close with them but not without her own agenda. The tender, heady back and forth with Fraser and the Lords/Mira is so perfectly countered by the far more gritty landscape and setting, the depictions of the violent, grotesque nature of the corpses and flesh, of the worms and the far less idealistic village and it’s history. You stay true to the grit of RE8 and I’m here for it, I hate when a wlw story or any queer story is all fluffy or all angsty like there needs to be balance and you got it.
Alcina has to hold herself back, she feels uncomfortable knowing about Miranda’s closeness with Fraser or vice versa, Miranda letting Fraser into her vulnerable parts despite how perturbed she is and Fraser not being a dick head that has no common sense but still makes mistakes.
The pacing is great, you have pretty neat prose and I am so interested! Keep up the really awesome work!
- from a dedicate fan now <3
holy shit, i’m???
thank you so much for taking time out of your day to read about the little evil gay women in my phone. thank you even more for making such a detailed comment, really it means the world to me—and also shocks me???
the representation of fraser being a black/mixed black woman was incredibly important to me. the RE community in general has a lack of rep for women of color, likely due to the games themselves not having too many woc in general.
i’m so glad you like my miranda characterization! in this fic, i wanted to lean heavily into what it’s like to be a grieving mother. outside of the vengeful, scornful side of miranda we see inside of RE8. of course, her rage and schemes are still very present in more the fool, but i wanted the aspect of dealing with the grief of losing someone to take center stage.
i think the beauty of miranda/fraser’s dynamic is that fraser exists within miranda’s grief, rather than trying to do away with it or fill the hole that’s left in her heart. she knows she can’t assuage her loneliness and she doesn’t want to. she simply wants to be with her through it all, and i think that’s the beautiful thing about them.
outside of the who-done-it nature of more the fool’s overarching story, i think it’s a story of what it’s like to go to the ends of the earth for a person, solely because you love them and would do anything to see you two reunited.
fun fact: fraser’s name means “of the forest men” and strawberry! the truth is, i got so attached to it when i was trying to come up with a name for her, but then realized it was a boy’s name. i thought it’d be funny for her lore to add in the fact that her father knew it was a boy’s name, but kept it anyway because he liked it so much. besides, i think we can all say it fits her better!
there’s so much more i want to say, but tumblr has deleted this on me like 4 other times already, so i’ll end it there. thank you again, and i look forward to giving you more to read soon!!
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radcowboylad · 8 months
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This is a gift for an angel.
I don’t like to be very open about my personal life and I’m not too fond of PDA but this painting is something particularly special. We always share our interests and every time that happens, I feel it only makes our bond stronger, especially with Good Omens. We both feel so connected with these characters individually as they seem so similar to us. I remembered a particular lovely idea he mentioned involving the two of them, so I decided to make it into a painting for him.
Process:
I’ve doodled Crowley a few times before because David Tennant facial structure is just a bit interesting to me, but it also posed a little bit of a challenge to capture his likeness since he has a few features that i haven’t drawn like his ever before; I had to force myself to forget some of my typical techniques of drawing things (mainly the chin and the lips, and subtle facial details of muscles I don’t know the names of) I still think there’s more to improve and stylise for his face but it’s the best I could do.
This was my first time drawing Aziraphale however, but it didn’t give me a difficult time. I think there’s a bit more room for improvement for his likeness, but I’m happy with it.
Colours for this painting was so satisfying and fun, a lot less hellish than I expected too. I did an orange underpainting since I thought it would contrast well with the green/blue background, and aid me in picking the right values and tones etc etc. the flashes of the undertone showing through is just one of my favourite things.
Surprisingly after I had blocked out the background colours I didn’t need many colour references at all, I went with my instincts and applied the things I’ve learnt about colour theory over the years which led me the whole way.
I also used a slight hue, saturation and brightness jitter to replicate how tones shift in real life on my brush as a new technique—even though it’s extremely subtle zoomed out, it made it feel so much more dynamic and pretty. I think I’ll be doing this more in the future.
Near completion, it was just a grassy background without tree roots until I showed my friend for feedback. They thought that the blue shadow was water, and I was like “shit, well that means I need to add more context to that blobby shadow…” and in the end I think it definitely helped not only the context of the shading, but the final composition by making it more interesting.
Anyway, thanks for reading my ramble on this process. I am now feverishly awaiting season 3.
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fg083nrt · 10 months
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KAKUHIDA fic recs 💴🩸
Everything in this list is either M or E-rated. Very low possibility of anything T-rated. Most links are ao3, but some are livejournal, fanfiction.net or ficbook or pixiv.
Disclaimer: I do not actually know 4 languages; I just use Google Translate or Depl because I am insane.
TOP FAVES in no particular order
[Mandarin]【角飞】都市谋杀之夜 by Liebestorm 
Ballet dancer Hidan + black alley doctor Kakuzu. Incredible story, full of casual cruelty, there’s death, there’s body horror, there’s physical and mental suffering - all things Kakuhida. I think about this story a lot. The accuracy of their depiction in the modern setting is stunning. Head the warnings. There are many.
Content Warnings: abortion, amputation, violence, abuse, cruelty.
By the same author 【吸血鬼AU】以圣灵的名义…  Vampire AU! A small, fun story about two vampires hunting together. Some really cute romantic cannibalism.
[Russian] Мертвый сезон by Tiferet (taubenblautiferet)
PART 1 | PART 2 
“Can a country boy and a big city man fall in love?” 
Hot spring worker Hidan and ex-yakuza accountant Kakuzu on vacation. Lots of ghosts (well, just one, but oh man), curses(???), sex, Tokyo life and a demonic God that wants to have a talk. Very dear to my heart. Watching Kakuzu drop his guard down when faced with Hidan’s relentless naivete and determination makes my brain go all mushy.
Literally, anything by this author is top-tier storytelling writing, and you know you are always in for a fun ride!!
If you are looking for something more lighthearted, try ХИДАН ЛАЖАЕТ. It’s a fun story about video game streamer Hidan and his secret admirer, Kakuzu. 
[English] Is it Life or Art? by lilac_bramble  
This story is just so much fun, London socialite/model/”personality” Hidan and investment banker Kakuzu. Truly like peak Kakuhida to me. I really enjoy their relationship here. Their chemistry just works so well. This story is nearly the same word count as Game of Thrones. I am not joking. I am obsessed with authors' in-depth, detailed little tidbits of life in London. 
[Japanese] 【角飛】めまゐ【web再録】by Puola 
I love stories about characters told by someone completely unrelated, like a view from outside. I think this story does it so well. I loved seeing the tiny glimpses into how other people see them. It’s a short but a very special story. They cannot escape ‘These two really care for each other’ allegations. 
[Russian] Небо класса S by  бабаягапротив 
*DO NOT READ IF YOU ARE DEIDARA FAN OR SASODEI FAN
It is a truly amazing story from start to finish. I couldn’t stop reading it. Cruel, funny, witty dialogue, violence, great character insight, everything juicy remains in subtext and subtext alone. Lots of fun revelations are left up to the reader's interpretation, which I really enjoyed. Great example of how a sex scene can be used to show more hidden aspects of a relationship and how the two come together. The whole premise is really unusual and refreshing.
[English] Like steps of passing ghosts by Sneakend 
The storytelling reminds me of an official Naruto light novel. The same like tempo and the dynamic between them just feels very much like them. The story premise is simple but satisfying. I love it when Hidan is affected by the supernatural.
[English] In Limbs and Joints by orphan_account 
Zombie AU. Loved, loved, loved the ending. I hate reading zombie AU, where characters survive for a bit too long makes everything drag on and on. This story is perfect. We get them coming in, and then the end feels even more gut-wrenching but also super satisfying. Really well done!
[English] Kakuzu and the Temple of Jashin by fauvester
Ultimate comfort story. It’s camp; it’s scary, it’s gory, it’s funny. I just love everything about this story.
Genre clusters
Genre: “Corrupt Priest Hidan”
[Russian] Ничего святого by меровинген 
Church Cardinal Hidan + Thief Kakuzu. Really hot!
2. [English] Madness by JonShiiiiiDesu
Holy Son Hidan + Black Plague Doctor Kakuzu. The premise and the setting is really fun!
Genre: “Kakuzu goes to a bar, spots Hidan being his weird, insane self, and then simply has no other choice but to  fuck him in the men’s washroom.”
[Russian] Оседлавший торнадо by Tiferet
Calgary stampede Kakuhida. Insert cowboy emoji. Great story! May be helping with translation soon.
2. [Russian] Горючее by AmberWha1e 
Hidan picks Kakuzu up at a bar but loses his number.
3. [Russian] 5:49 в Стерджен-Бей by Neverhere 
Pure romance. Modern AU, as well!
Check out another fic by the same author Таинство любви 
Hidan gives head in a church! Fun!
4. [Russian] Чистюля by меровинген 
Casino coworkers Kakuhida, I love this authors Kakuzu! 
+There was another fanfic that was like so unhinged, but it got deleted, I will miss it forever.
More
[English] Beloved Schism by ThisCatastrophe 
Saint!Hidan+Mercenary!Kakuzu. Really interesting setting packed with catholic tidbits.
[English] Evolution of Us by SenkoWakimarin 
I remember reading this story on LiveJournal, a classic.
Gentleness by the same author. They are an OG! 
[English] True Intentions by sweetdreamz
Unfinished, but it’s so hot and cute I don’t care. Virgin!Kakuzu is a rare commodity. 
[English] take the hand and arm by shannyan
Sex pollen! Check out more from that author.  
[English] Bring Me Back A Dog by W0lfism 
Fuckfest AND a really fun plot!!! All in one!!! Any KKHD by Wolf is top-notch porn.
[English] Gentle Rains Trailer Park by HidansCrazyLaugh
Trailer park AU! Really love this one 
[Russian] The Third Weakness by Цагн
Modern prison AU focused on Kakuzu and his fateful meeting with Hidan.
Their other works for them are awesome too  
[English] Irredeemable Paradise by ManicR
This style is rare nowadays I like this. 
[English] Heaven by Crystaline-Crimson
Similarly rare style.  
[English] Another Mess by Un.filltered
A short and fun sex session on a table.
[Japanese] どうぞこの身を召し上がれ by Kiyo
Cake and Fork AU, it’s a variation of omegaverse, but with more focus on cannibalism. Romantic goreporn!
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deadend-if · 2 months
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This is just to give you guys a better idea about the game!
Where is this taking place?
The MC, A, and S will start in the city they live in together. M will also be there, but you won't meet K until Chapter One starts (sorry). Once Chapter One starts the rest of the game will be in the underworld!
The underworld? Which one?
Great question!!! All of them!!! I have taken my inspiration from... so many things. I'm sure there is a depiction out there similar to mine, nothing is original or something? It will get explained in the game but it can't hurt to give a little summary of it! The underworld is surprisingly easy to reach if you know where to look. The old doors are deep within catacombs and cave systems, but in the modern world, it becomes a problem to bring massive amounts of souls down twisting tunnels and tight passageways. So, when the subway system was implemented in big cities around the world, the denizens of the dead decided it worked for them, too. The underworld became the city of the dead, built with skyscrapers that reach toward no sky, and streetlights that have no stars to outshine. At the lowest level, souls are in turmoil, writhing in memories of people and tasks they left behind. The highest point is occupied by misty, formless wisps who have left behind everything they knew and loved to seek an audience with the Council of Rot. It's a crooked city of souls that linger on the cusp of something new, or something old. Hardly anyone knows what happens after the dead are done being, well, dead.
What kind of customization will the MC have?
You'll be able to choose your name, pronouns, gender identity (trans or not), hair color and length, eye color, height, college major, room/apartment decoration/general style, and smaller details like tattoos, freckles, glasses, etc. MC will also have different job options, though limited, along with some choices on their backstory, mostly focused on death and family dynamics. You can choose why S has a rivalry with MC, one-sided or not. I am also adding a childhood pet choice! And if you ever have an idea on something small to add to the customization feel free to let me know! I'll do my best to accommodate it, but I'm still not great with twine lol...
What are the non-customizable features of MC?
There will be limited choices for your background, job, and rivalry, but I'm hoping to leave a lot of options on the table for your MCs. That being said, your MC will always have a neutral-to-good relationship with A and a neutral-to-bad relationship with S at the beginning of the story. You will also have a set age (27) for various reasons. There might be more later, but I want to keep a lot of options on the table for you guys. The ending may seem a bit rail-roady (I don't know 100% yet) so I want to leave a lot of wiggle room for other things.
Personality Stats? Skill checks?
Yeah, so there won't really be "skill checks" in the typical sense, whoops. This story will have personality choices and some other variables that will change the game, but there won't be any failing/passing checks or rolling dice. MC's personality stats will affect flavor text and it will be the classic types like stoic, cheerful, shy, bold, etc. Your most game-changing stats are going to be MC's feelings on death and attachment to living. You determine A's fate, and maybe everyone else's, too. Who knows? :)
On the topic of NSFW and RO asks
The main reason I'm not including NSFW in this IF is because I genuinely don't think it would fit well in the plot at any point. That plus the fact that I, myself, am asexual... I don't think I could even begin to do it justice lol. It would be just... cringe guys, you wouldn't even want it. I can't really say anything though, I'm writing romance while also aromantic :/ I intend to keep this blog and the story away from anything NSFW. While I, personally, don't care about those asks, I want to create a space without NSFW topics. I'm also wary of people asking NSFW questions about asexual characters (Mortimer/A). Romance/SFW asks/scenarios/prompts about worldbuilding or ROs are totally fine, and I will be sososo happy to answer them.
Updates and Timeframe
Guys... I hate to break it to you... but I may be slow on the updates (shocking, I know). I want to write as much as I can, but I am also a college student writing this on a whim. I love this story, I've been thinking about it and scribbling ideas for it for about 2 years now. I don't want to abandon it, but there may be long stretches of silence sometimes. I WILL say something if it goes on hiatus or goes dark completely, I won't leave you hanging! This story will go through a lot of changes, I change my mind about things all the time, so you may be getting a lot of random updates of me changing (seemingly) unimportant things, sorry in advance. Lowkey might take years to write this :)
This will update with time! :D
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