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reallyverynormal · 4 years

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hey im a proshipper, but i have a friend who isnt either proship or anti. she wants to know more about the anti side of things, if you dont mind could you tell me why you are anti ship? and why you believe others should be? i wanna let her make this decision on her own, but idk how anti shippers think and i cant find informational posts on it

this ended up getting kind of long so i’m just going to put it under a readmore but basically anti shippers are people who say this: don’t fetishize minorities, abuse and abuse survivors and also don’t write paedophilic porn and act like that’s a normal thing for cishet women to get off to.

-don’t fetishize abuse and act like it’s hot or cute. by that i mean don’t take a character that is canonically abusive to another character and write some romanticized tortured love story about it, or act like victims have to or can forgive their abusers for abusing them (not saying they can’t, but perpetuating the idea that they can/have to is bad, actually). just fucking don’t -don’t fetishize paedophilia and act like it’s hot or cute. by that i mean don’t write porn of children, don’t write porn of ‘aged up’ children, don’t write porn of adults raping/being in sexual contact with children and act like it’s hot or cute or something normal to get off to -don’t dehumanize gay men, lesbians, trans people--basically the entire LGBT community--by fetishizing them, calling porn of us “sin”, only writing smut fics about us and nothing else, trying to constantly find ways to ship two men in every piece of media, hate literally any female character that could potentially be a love interest just because she gets in the way of your ship. don’t fucking fetishize us, actually! -don’t act like rape/sexual abuse/sexual assault is hot. period. -also don’t write porn about real life fuckin people without their permission, especially, in the cases of people like dan and phil, when they are very clearly deeply uncomfortable with it and the abuse/harassment they have received from this, (tomska and tord from the eddsworld team and 1direction as a whole are also good examples of this shit affecting real life people).

and by these things, i don’t mean that you can’t write about these subjects ever or portray characters involving some of these subjects ever, i’m saying don’t fetishize them. don’t act like fiction doesn’t affect reality, because it does, (look up the jaws affect, as a huge example), and don’t act like you are above the law, because even the law (in the US and canada, at least), can and will punish you for drawing and writing porn about children.

fetishizing minorities is, you guessed it, dehumanizing and wrong! black people, asian people and the LGBT community especially get this kind of treatment, and if you go around agreeing with the black and asian people who are talking about the fetishization of their races by white people, and you don’t agree with actual LGBT people talking about the fetishization of their gender/sexuality, you’re a fucking hypocrite*. fetishizing any fucking minority is bad, even in fiction.

note that there is also a difference between LGBT people going out of their way to ship two characters together in a queer/gay/etc ship and a cishet girl going out of their way to constantly ship two men together in every piece of media no matter what, especially if those two characters are white/light-skinned, skinny, conventionally attractive cis men. in the case of LGBT people, we’re doing it to create the representation we don’t get in media. for a cishet girl to go out of their way to ship two men in every fandom they join is just fetishization and it’s dehumanizing because we are not your fetish, we are not here to entertain you, we have lives to live outside of entertaining you and getting you off and often times we have spent years trying to get out of circles where people only see us as sex objects. fuck off.

fetishizing people’s abuse and turning something horrific into something you can get off to is also extremely shitty and spits in the faces of actual abuse survivors because you’re acting like it’s cute, hot, something to get off to when we’ve often spent years trying to forget what’s happened to us. when we’re still going through this every fuckin day. when people have killed themselves because of the abuse that we’ve gone through. when you do this, you act like what we went through is just something for you to get off to when it is often so bad we are left permanently scarred, our consciousnesses permanently broken, struggling with life-long mental health issues directly caused by the abuse we went through. that is not your fucking fetish.

again--i’m not saying you can’t write about these subjects, i’m saying don’t fetishize them, i.e. don’t act like any of these things can be a good thing, don’t write them like they’re something to get off to, don’t write them like they’re something to strive for or can be in any way, shape or form healthy. write them as they are: horrific, scarring, mentally and physically draining, terrifying, and nightmare-inducing. do not portray these things in a positive light is all we are fucking asking.

inb4 “so we’re not allowed to write characters who think their abuse is good???” or some bullshit like that, no, that’s not what i’m saying. you can write a character who has an extremely complicated relationship with their abuse, for example being sexually abused from childhood and “liking” it because that’s how they were trained to respond to sexual situations, that’s how they were introduced to sex and their body responds to sexually violent situations by being aroused, even if the person doesn’t want to be because biology =/= consent, and that’s how sexual trauma works, albeit not for everyone, but for some people like me. you can write about a character that struggles with “liking” their trauma because sexual violence and being a victim of it is what feels safe, “normal” and familiar to them, while healthy sex is foreign and terrifying because they don’t know how to behave in a healthy sexual environment. that is a normal thing to write about and should, in fact, be written about more because i don’t see anything like that being written by anyone anywhere, and is, in my opinion, FAR more interesting than forcefully writing a character to be in love with their abuser and entirely romanticizing their abusive relationship, (that isn’t to say that you can’t write a character that’s in love with their abuser and wants to forgive them/make it work/ignores the abuse/doesn’t know it’s abuse/etc, just stop acting like their relationship is in any way healthy or something to strive for or cute/hot/etc, just don’t fucking romanticize the abuse they’re going through, portray it as a bad thing because that’s what it is--a bad thing).

that’s the anti-shipper argument: don’t fetishize people, don’t fetishize (sexual) abuse, don’t fetishize (sexual) abuse survivors, and don’t fetishize paedophilia.

it’s pretty simple once you break it down, but i hope my relatively detailed explanation shows you why you’re an asshole, and i desperately hope your friend doesn’t turn out to be like you in this regard :)

*i’m a white person, so if any POC finds this statement racist or offensive or knows of a better way to word it, feel free to let me know and i’ll delete it/change it/etc

#discourse #anti shipper #shipping discourse #fiction discourse #ask #anon #sorry not sorry about the salty comment at the end #i just really hate proshippers #as a queer abuse survivor :) who's been #abused by proshippers in the past :)#Anonymous

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thecorteztwins · 5 years

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Well, these are some headcanons that I have for some of my favorite minor Marvel characters that I don’t have a blog for-- Aireo, Aqueduct, Catsye, Darkstar, Fantasma, and Skein. Under the cut in alphabetical order!

AIREO AKA SKYBREAKER - Aireo was originally imprisoned in Attilan for rebelling against Black Bolt’s rule. And after he had been exiled into the human world and became a criminal there, he was imprisoned in a superhuman jail, where he said that it was even more regressive than his fellow Inhumans. Based on this, I think he probably had a lot of problems with the shittier aspects of how Attilan was run, like the arranged/forced marriages and control of who could reproduce with who. He clearly thinks Inhumans are still superior though, as evident by remarks he makes to Firestar. - He’s frequently sick due to the pollution of the human world. This is also why he has to only eat organic. - He’s a vegetarian, since Attilan doesn’t have animals that’s what he’s used to. He finds the idea of eating meat to be barbaric. - His skinniness might be unhealthy on someone else, but it’s how he’s SUPPOSED to be, to facilitate flight easier on the winds he summons. - His brother is HELIO, another villainous minor Inhuman with long hair and wind powers. - He connects with his teammate Terraformer over their respective lack of humanity (in the sense of literally not being human), with Firewall over their mutual anger at regressive systems, and yet it’s Aqueduct, who has the LEAST in common with, that he’s ended up being best buds with...even though he won’t ADMIT that he’s FRIENDS with a HUMAN. - After being exiled from Attilan, I think he just kind of fell into human crime because it was all he could do? He has no human identity, citizenship, or documentation, he has no job skills or degrees, he wouldn't even understand human culture or money when he first started. I imagine he was probably manipulated and exploited a lot for his powers at first, which didn’t help his opinion of humanity. - It pisses him off EXTREMELY how his former boss Maximus gets all the second chances just because he’s Black Bolt’s brother. AQUEDUCT aka Peter Van Zante! - There are SO MANY Peters in Marvel already that I always refer to him by his codename, so I would write him as strictly going by Aqueduct, Aque, Van Zante, Van, or Zante because calling him Peter just makes even ME think of other characters...and after typing that I nearly called him Peter instead of Aque during every point of this list. - He fought in Vietnam so of course he’d be much older if he aged in real-time, but this being comics he gets to eternally be 30 to 40. I picture him as like....33. Maybe 36 max. - He just seems to be a real loser in canon no matter what he’s doing and who he’s fighting, and I like that. Being an aquekinetic should theoretically be an INCREDIBLE power, especially when he gained the ability to instantly dehydrate someone to death, but the poor guy has just never managed to be anything above a D-list threat. He doesn’t seem very smart or imaginative in how to use his powers, and he also just has terrible luck in terms of the heroes he winds up going against (who often end up being immune to water powers in some way) All of this makes him super endearing to me because of course it does. - Heterosexual. He’s had three steady girlfriends in his life, none of which worked out, and he’s not great with women. He’s visited strip clubs and even paid for sex before but he’s not proud of this, he’s just lonely. -His self-esteem seems very easily influenced by external events. For instance, when he's suffered a setback or defeat, he becomes insecure, pessimistic, and dumps on himself terribly. All the insecurity vanishes, however, the moment he has the upper hand. He becomes a gloating megalomanic, drunk on his own sudden rush of self-esteem, certain of his unbeatable supremacy. - I think he feels much better when he's working with a group; he hasn’t left Force of Nature since he joined up. I think it’s because he can enjoy the mental high of success, but escape the lows of defeat by deferring the responsibility for it on to whoever is in charge. But I also think he genuinely enjoys having friends and comrades. -We never see or hear anything about his family so I headcanon they’re estranged from him due to his being a loser, like he probably has borrowed a lot of money from his parents over and over that he never paid back, that kind of thing.

- He's moody, and not very bright. He's not bad socially, definitely the sort you could have a beer with, but he's also not the most sensitive or astute. He’s probably the nicest person on the Force of Nature squad, though of course he’s shown to hesitate to kill at all during his job as a merc for exco-terrorists. - While I see the rest of Force of Nature as genuinely having some degree of personal investment in Project Earth (the eco-terrorists who hired them) I don’t think Aque does. He doesn’t hate nature or anything, just the usual limit of his “environmentalism” is that he’ll put his beer can in the recycling bin if one is around. - He’s listed as rather overweight for his height. That’s probably meant to be muscle mass, especially given how he’s drawn...but his teammate Aireo/Skybreaker is listed as drastically underweight and drawn the same way, suggesting more to me that the artists just can only draw one body type for men. Because muscles or not, there’s a 100 pound difference between these dudes, they should NOT look this close in size. So my headcanon instead is that AIreo is super skinny and Aqueduct is kinda hefty, and I draw them that way. While there can be many reasons a person is fat or chubby, I admit I do go the common cliche route with Aque---he just doesn’t have a great diet, I picture him as mostly eating at greasy cheap diners and fast food and probably having one too many beers at times. - He’s pretty much trapped in villainy at this point, he can’t really get any kind of legitimate job anymore, so he’s just go to keep doing what he’s doing. He’s not opposed to it, he doesn’t have a moral issue or anything, but he doesn’t like not having a CHOICE, or the knowledge that he put himself here. - He doesn’t seem to have any issues from being in Vietnam, but his encounter with the Ghost Rider and the effects of his whole hellfire-stare thing messed him up so badly he had a mental breakdown and spent time in an asylum, and loses his shit whenever the Ghost Rider is near or even mentioned. So I don’t think it’s even a headcanon to say he’s traumatized by that, it’s just canon. All of Force of Nature also gets a little unhinged from the weeks they’re trapped fighting in a Trans-Sabal war zone, and I imagine there were effects of that afterwards for Aqueduct too. - He’s introduced with SHORT HAIR when he’s the solo Water Wizard, but gets a LONG HAIRSTYLE when he joins Force of Nature that later changes to a MOHAWK STYLE...I draw him with the original short hair, I like it best on him and I think it suits the personality that I read into him. - We never see him in civilian-wear, but I picture him as in just like...very basic working-class guy stuff? Like flannels over t-shirts with jeans and work boots, that kind of thing. Probably leans towards blues and greens with brown neutrals. CATSEYE aka Sharon Smith! - Fanart often depicts her with collar-style necklaces and chokers, but I headcanon her as hating these, since a lot of real cats actually can’t stand them. - She had to be taught to wear clothes, of course, and that was a battle for Emma, but now that she does, she picks her own out. She has a preference for things that are comfy and allow for a lot of movement, without being too restrictive or too loose. A lot of her stuff is therefore athletic-wear, and she always has a swimsuit-like garment underneath that is made of unstable molecules so she can transform without being naked when she resumes her human state. She’s developed a surprisingly good eye for what colors look best on her, such as yellow, orange, pink, and teal. She even knows to limit the purple she wears, and to not wear it close to her face lest it clash with her purple hair, despite purple being her FAVORITE color because that’s what color she is! - According to Emma’s files, Catseye could detect lies and hated them, but it’s never explained HOW she knew that someone was lying. My headcanon is she could smell them, or more specifically, smell the subtle physiological changes that accompany someone lying. So if someone is lying and THEY KNOW IT, she’d smell it. If someone thinks they are telling the truth, these changes wouldn’t take place, and thus she’d believe them. Likewise, these scents won’t accompany things like billboards or commercials, so she would believe those, hence one issue where Jetstream explains to her that television is a bunch of lies. - Emma’s theory is that she was abandoned at birth for her mutation and adopted in a feral cat colony, but my theory is she was actually abandoned at an older age, around five, at which point she’d have already learned how to speak English. She just forgot it, along with her formal life, after years with the cats as a cat herself. So it’s not that she LEARNED English after never having known it, she REGAINED it. This is much more realistic for a feral child; if a child isn’t exposed to language by a certain age, it is pretty much impossible for them to learn to talk at a later age like Catseye did. I looked up a bunch of real feral child cases, and age five is the youngest at which they could be abandoned and still regain speech later. Obviously, telepathy from Emma would help too, along with Sharon’s own ferocious intelligence, which is probably how she managed to do it so quickly instead of it taking years and years! - Catseye was a lesbian. She only ever remarks on the appearance of girls (Amara, Angelica, Rahne) and if she finds them pretty or not. I just think it would take a long time for her to come around to it, not because they are girls (she doesn't care about THAT, she never absorbed any homophobia to internalize from CATS) but because they're HUMAN, which she does not see herself as being, so feeling attraction to humans is super weird for her. - I think that Jetstream really looked out for Catseye. He does things in canon like stopping her from jumping on Magma when she's in flame mode, or explaining to her that she can't trust what the television tells her. I think they were total bros and he was always making sure she didn't hurt herself or get in trouble as best he could. And while Catseye didn’t think she needed the help, I think she was affectionate to him right back, there’s a panel where she rubs against his hand in feline form, which we never saw her do with anyone else to my memory. - Sharon same allergies and dietary limits as a cat (such as lilies making her very sick), and is vulnerable to feline diseases along with human ones. But she also has the feline resistance needed to do things like eat raw meat without fear of illness or parasites. - We know animals have their own languages in Marvel (see: Squirrel Girl talking to squirrels) so I headcanon she can communicate with cats, they just don’t give a shit what she says because they’re CATS, they’re not going to do what she says the way dogs or squirrels do. So what if she’s another cat? People don’t do what another person tells them just because they’re both human! - She’s not afraid of water, nor does catnip make her go crazy, but the laser pointer does! She also has a big collection of things like milk bottle rings, hair bands, and other things pet cats love to play with. DARKSTAR aka Laynia Petrovna! - At the board I write her at, I write her as a lesbian. There is admittedly NO canon evidence for this, but there’s also very little against it? She’s only had ONE boyfriend, when she first showed up, and none since. There could be a LOT of other reasons for this, of course, but I also think it’s totally beieviable that a teenage lesbian (I estimate she was like 19 at that point) who was in the employ of the SOVIET UNION (which was not nice to gays) to have a beard (and probably believe herself she was straight) and to stay closeted as an adult since because Russia is still...not great, to the say the least. I think she’d be cute with Monet, so based on that I’m going to say her type is good-but-dangerous women with shoulder-length-or-longer hair who have toned arms/biceps and are moderately-to-high femme like her. - I estimate her age as around 33 now? Like probably close in age to the O5 X-Men. - Based on a remark she made to Iron Man in one issue, I see her as viewing anyone she fights beside as automatically being her friend, even if they don’t feel the same way. - We rarely see her in civilian clothes, I think only once, so my fashion headcanons are all based mostly on her costumes. I think she bases her outfits around a dark, cool color scheme, like black or blue, then adds bright accents/accessories. Due to coming from cold Russia, short bottoms aren’t in her wardrobe and most of her sleeves are long. She favors high-necked blousy belted tops with sleek pants and functional but pretty boots. Her long blonde is eternally pushed back. by some sort of headband. Cloth, plastic, wood, plain, pearls, bejeweled, patterned, she has them in near every variety possible and they are her most common accessory. She also owns a large assortment of stylish winter coats, scarves, gloves, and hats. Because, again, Russian. She's not much one for bracelets, preferring brooches and pendants more, typically in oval or starburst shapes. She has a love for black velvet, and it will show up for dressy events in forms such as a rhinestone-dotted envelope handbag or round-toed pumps with ankle straps. - Laynia collects small antique music boxes and crystal glass figurines of pretty things like ballerinas and swans. She likes black velvet jewel pillows, gemstones (clear, black, or yellow) all sorts of museums (but especially art, astronomy, and natural history) and the sight of pure white snow under the street lamps at night before people can ruin it into dirty slush the next day. Laynia likes sweet delicate desserts like rock candy, powder candy, jujubes, marzipan, and bliny or oladyi with varenya style fruit preserves. She likes classical, romantic, disco, pop, and synth music. Her favorite animals are white weasels/minks (because they're so pretty and cute) and wolves (because they're beautiful too, but also such social animals with strong family dynamics) Laynia likes “slice of life” fictional media, such as domestic drama novels or family-centered sitcom shows. These are fantasies for her, these are escapes from what’s “normal” in her life. For the same reason, she avoids spy thrillers and similar genres, no matter how unrealistic they are in their depictions. She delights in mundane tasks. Likes working in small groups, dislikes working alone or large groups. Black flowers and butterflies

- Dislikes: Being asked about Putin or the Romanovs or things like that, just because she’s Russian. People not knowing the difference between Russian and Belarusian, zhurek and tukmachi (too fatty), any kind of preserved fish dish (fish should only be served fresh or not at all!) Getting her eyelashes in her eyeball when they fall out . - In one comic, she anthropomorphizes the Darkforce, calling it "she" and believing it has feelings or at the very least is capable of pain. My headcanon for what she actually feels when she feels the Darkforce in "pain" is due to simply her mental connection to her own Darkforce constructs that allows her to create, maintain, and manipulate them. When they are attacked, dissipated, or changed against her will, she feels that as pain, and interprets it as the Darkforce being in pain "herself" - Based on a comment she makes at one point, I think that though not religious aside from a vague conception of Heaven and its goodness/judgement, Laynia is a strong believer in the supernatural, in particular of ghosts. She is not, however, a fan of them, and would prefer to stay away from anywhere that is rumored to be haunted, had a tragedy occur there, or simply feels creepy to her (based on another comment she makes in another instance) - Because Laynia was brought up not to complain, she often won’t express that something is bothering her or that someone has offended her. She thinks she’s doing the right thing, but many people would in fact far prefer that she speak up if she’s got a problem. -Laynia lacks a lot of basic life skills because they simply weren’t taught to her in the “school” she was raised in. For instance, what outfits are appropriate where, car maintenance, budgeting, cleaning, and cooking. She was taught how to find and prepare food in the Siberian wilderness should she ever be stranded or stationed there, but not how to go to the supermarket and make a normal meal in a normal kitchen. She knows to turn to Google for most of this stuff, she's not stupid, but it can be surprising to some people what she doesn't know, and she often doesn't even know it's something she needs to know until it comes up. - Laynia is automatically inclined to trust and obey doctors, professors, and similar people, as well as military personnel. It doesn’t mean she’ll do or believe absolutely anything they say, that depends what it is, but she gives their opinion and approval more weight than she does other people. Laynia also takes criticism from her superiors very personally, but doesn't show it. Crying every time you get reprimanded of course wasn't something you're allowed to do when being trained by the State, so of course she'd never show it, but she would FEEL it because she was taught that her entire purpose was to serve said State, thus her self-worth hinges on it, and a failure hurts that self-worth. This need for approval from authorities means she’ll try to evade blame when something goes awry, and is loath to step out of line. This can make her a snitch, a suck up, and disliked by her peers for it. Laynia does her best to put up a kind and cordial demeanor to all, and retain a polite decorum even when it’s not returned. This is more to avoid making waves in the team than anything else. If there is discord in the ranks, she refuses to ever be the one to blame for it. It’s not that Laynia doesn’t question orders ever. She does. And she does sometimes find her moral conscience at odds with them. The problem is that she seldom acts on these thoughts, instead proceeding with her missions despite her misgivings. FANTASMA sometimes called Fantasia (all for her PRIOR to finding out she’s a Dire Wraith and resuming the evil ways of her kind) - Given the name Faina Neizvestny (Neizvestny meaning "unknown" rather than the usual patronymic Russian surname) and the codename Fantasma. She thought this was a reference to how she was essentially a ghost, someone with no past and no paper trail. In fact it was someone's idea of a joke---a phantasm is a ghost, and another word for ghost is wraith. She didn't know the implication, but she felt far more connected to her codename than her civilian name, perhaps because it wasn’t a human name at all. She quickly grew to only introduce herself as Fantasma whenever possible, and to only answer to such. What’s more, she leaned towards preferring codenames for her teammates well, finding it somehow infantile that they kept their human names when they had earned something grander. Nicknames: Fanny, Fanty, Fan, Tas (all disliked) - Likes elegant perfume bottles that are as much decoration as container, beluga caviar and raw squid, The Conet Project recordings (it's basically music to her) as well as Imogen Heap/Frou Frou, ethereal darkwave, and some trance music, the cold Dislikes confined spaces (we see this in canon) When one first meets Fantasma, she gives the impression of being cool and aloof. Despite her unfailing and prim politeness even in dire circumstances, her manner is cold, brusque, and impersonal, even among those she counts as allies and friends. The best way to describe Fantasma might be a sociopath who is trying not to be a sociopath. In fact, that’s exactly what she thinks she is. Fantasma does not have an internal sense of empathy or morals. She wants to, and she does her best to compensate for this lack, but it's not something she naturally has. Her bio-fields allow her to recognize the pain of others, to share in it, but she doesn't actually feel anything when she sees people hurt or danger. Not without the aid of tapping into her bio-field. And while she will do her best to save innocent people from being hurt, that's because she knows as an intellectual fact that it's what a "good person" would do, and she desires to act as a good person would. All her good actions are exactly that, an intellectual choice to be what she deduces from the norms of society is "good"; she has no internal guiding sense of goodness whatsoever. She wants one. But it's not there. So she just does her best, trying to learn what's "good" from outside sources---books, television, the actions and reactions of other people--and act accordingly. But her heart isn't in it; she knows logically that murder is worthy of greater punishment than jaywalking, but she doesn't feel greater ire at one or the other. She simply understands both are wrong by the standards of law and society, and one is considered more wrong, and should thus be treated as such by a "good" person. Fantasma often feels disconnected from the rest of humanity, like she's a monster or at least not normal. Partly, it's because of her aforementioned lack of "human" mental traits. But it's more than that. She has a constant, distinct sense of simply not belonging, like she's perpetually a stranger in a strange land no matter where she goes, no matter how long she's been there. She doesn't even feel comfortable in her own body, no matter which form she takes. When she's in her true form, she feels like a hideous monster, because that's what it is. But when she's in the beautiful human form that she's so painstakingly crafted to be perfect, she feels what almost might be called dysphoria. She hates both states, and also craves them equally, wanting to be herself and wanting to be a beautiful normal woman. It's torment. It's this feeling of alienation that drives her to try to be as "good" as she can. She feels that she can "fake it til she makes it" in terms of being a normal person, that if she just ACTS like a person with normal empathy and morals enough, she can eventually be one, or at least indistinguishable from one. She'll be like everyone else. And then she won't have the horrible feeling of NOT being like anyone else. Her feeling of not belonging has also made her desire acceptance, and she's learned that her natural personality doesn't win her any favors from most folks, she feels that she can instead be loved and accepted for heroic actions. This has the added bonus of letting her be loved and accepted from a DISTANCE, by society as a whole, rather than having to develop an actual relationship with another person. One can imagine how someone like her might have trouble with that. And she doesn't really want it anyway. She doesn't want to be close with anyone, not anyone she's ever met anyway. She just wants to feel she's one of them. She wants to feel comfortable in the world she lives in, like she belongs in it. Maybe once she does, she'll feel comfortable in her own skin too, or at least one of them. And...she really does want to be good, to be a person. She's aware she's missing something, she's aware she's probably little different than many of the evil individuals she's encountered. But she can be different in her deeds, at least if not her soul. And doesn't the DESIRE the be better than what she is, in itself make her better? While she has an intellectual understanding of how to be deceitful, and will do so in the service of the greater good (ex: lying to an enemy), she cannot understand how to be truly manipulative, as that requires understanding of the normal human thought process and emotions that she does not have, and Fantasma’s feelings are mainly loneliness, irritation, and resilient acceptance. She doesn’t feel affection and love but knows when she should and based her relationships on that. Her sense of pleasure is mainly physical, though she’s never found any food or drinks she actually LIKES, nor is she sexually attracted to humans. Might seem odd that someone essentially asexual dresses as she does, does so for approval, desire, to show off her body and be wanted and seen as beautiful. She's proud of what she's made, and wants it to be admired. She also of course perceives the negative emotions that her attire elicits---the scorn, the the scoffing, the catty comments, the raw animal lust and sexual presumption--but she has decided it's an acceptable cost for the right to display herself as her own living work of art. Her feelings seldom run hot even in the height of battle, and when she's angry, it's an icy cold anger. When not merely coldly polite and cordially distant, she'll often use her bio-field abilities to simply tap into the other person's mood and reflect it back at them. Fantasma prefers cold climates She innately respects female authorities more than male. She’ll obey a male commander because she’s supposed to follow who’s in charge, but dominant “alpha” females in positions of power give her an actual URGE to obey them and seek their favor (based on Dire Wraiths being matriarchal and serving a Queen Moher) Fantasma can be loyal if she chooses to be. And she does choose it. It's a deliberate choice, not a feeling. She selects what organization she will be loyal to (she has an easier time with these than with individual people) based on how ethical it is and the opportunity it will allow her to use her powers for the good of others. She knows that she herself may not be able to find these opportunities on her own, nor always make the right ethical decision on her own, and thus prefers being able to look to an official authority, such as the state, for instructions. She's savvy enough, of course, to realize that a government-sanctioned team will be given instructions with the government's benefit in mind, but so long as that also involves protecting and serving the people, she's willing to do as she's told either way. Thus, she chooses to be loyal by simply acting as a loyal person would, taking orders and carrying them out, and taking a bullet for her teammates even if she feels nothing for them personally. Fantasma knows when others dislike her, but never feels hurt or angry about it. She's the definition of not taking it personally, even when it's very personal. Because of this, she is never one to fuel a feud or participate in petty squabbles. She does feel vindictive when slighted, but since she believes good people don't seek vengeance over personal slights, only justice against real evil and wrongdoing, she does not act on these feelings. Not many things give her joy. But she sometimes feels an urge, something deeper and far more primal than a daydream, of pieces of herself spreading far and wide, taking over everything, overtaking all life like a fungus covering a forest. And that...feels so right. Overall, Fantasma is basically a humanitarian robot, going through all the motions of goodness and compassion as dictated by the norms of society, without any of the internal drive normally behind such actions. She essentially encapsulates the philosophical question---does one's motives for doing good matter, so long as one does it anyway? SKEIN aka Sybil Dvorak - Her backstory is that she was always a loner who kept to herself by choice, til she fell in love with an American movie star who took her back to Los Angeles with him. Because she was an illegal immigrant (and he wouldn’t marry her to make her legal) she ended up confined to the house, and she suspected he was having affairs. After she got her citizenship and he mysteriously died, leaving everything to her, she started a “cult” in which she provided drugs to junkies in exchange for them worshipping her and bringing her soft things. Now, the thing is, drugs are going to cost more than fabrics, feathers, and even some furs. If she JUST wanted soft stuff, she could have bought it directly herself. I think what she really wanted was the people. Despite how much she came to hate her late lover, she was lonely after his death, something she had never experienced before, having always previously been a loner by her own choice. She wanted people around for the first time. But this time, she wanted the control. Hence, the use of drugs to keep them wrapped around her finger as their provider. - She has a cold, haughty, almost emotionless affect when she first appears, and for awhile after, as well as speaking very formal English and wearing a very modest costume. In the 90s, when she takes the new codename “Skein” as opposed to G****y Moth, she also takes on a new thrill-seeking and hypersexual persona, a revealing costume, and a much more casual way of speaking. My theory is that as she became more exposed to wild and criminal lifestyles through the junkies and through the other supervillains she worked with later, she began to find that thrillseeking hedonism made her feel “alive” in a way she hadn’t previously been, hence her change from a cold personality to a very hot one. I feel like engaging in lots of sensual pleasures is all an extension of her sensory fascination with soft things. As she spent more time in America, her English also just naturally got more casual since that’s how most people around her would be speaking it. - Problematic representation though she is, I do indeed agree with the fanon opinion she’s hinted as bisexual. - She’s from Romania, but her surname (Dvorak) is Czech. As it happens, Czech Romanians are an ethnic minority there numbering about four thousand, so my headcanon is that’s what she is. - Her canon backstory is that she was “raised by Roma” (except of course Marvel uses the g-slur) which...implies she’s NOT Roma, and that they just raised her, which begs the question of what happened to her family? It reminds me of antiziganist myths about Roma stealing children, not to mention that given how Roma are stereotyped as thieves (and the women as hypersexual) I decided to minimize her connection to anything Romani in my headcanon, and say instead that she came from a Czech Romanian family and she just TOLD other kids she was “raised by Roma” because they seemed cool to her, being the little loner she was. - I headcanon that her love for softness extends to people, that she’s most attracted to people who are “soft” in some way, be in physically or in their personality. Case in point, I headcanon her with a crush on Haven, because like...curvy body, soft hair, soft clothes, soft-looking eyes, soft voice, gentle personality. Total package right there as far as Skein sees it...aside from not being sexual at all or at all into women. Drat! (I feel like Aqueduct is kinda sweet on Haven too, though I feel weird about making TWO characters attracted to her but I mean...shit, I would be, and she’s not even my typical type!) - I think being overtly flirtatious might be the only way she knows how to connect with people. I don’t mean to pathologize her sexuality, like women can just BE sexy and flirty without there being some deep reason, and I think that’s partly it here too, but also in the context of her larger personality I think this is partly it as well.

#marvel #marvel comics #marvel villains #marvel headcanons

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forreasonswretchedandivine · 5 years

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Tagged by: @kimchi-fried-ice (feel free to say hi whenever! I LOVE your blog, and you seem very nice I’d love to be friends!:))

Nickname: it’s practically my actual name, but it’s tidge. When I was little my basketball coach would always say my name as tish lol. Then my family started calling me that because they thought it was hilarious, and my mom said it in front of my theatre friends and they started doing it too. It’s honestly grown on me, and I let just about everyone call me tidge BC it usually leads to me telling them where it came from. Also I think it’s cute:):)

Height: 5’5?? 5’6? People always say I should know this but I just never do🤷🏾‍♀️🤷🏾‍♀️.(side note: if you’re taller than me and also a girl who likes girls HMU😚)

Hogwarts house: I’m like the only one of every person I know who’s consumed 4 Harry Potter things( read first book, watched first 3 movies) but I took a quiz and got slytherin? Sounds about right from what I know lol. I’m nice, but I’ve got major RBF and I’m ALWAYS down for a little drama

Last thing I googled: “where to catch dreepy in Pokémon sword” that elusive motherfucker has a 2% chance of spawning in the wild area and I almost exploded after 2 hours of running in and out of like 3 different tall grass areas. Didn’t find one BUT I found it’s evolved form, which was fine because looking any longer may have killed me

Song stuck in my head: From Eden by Hozier and high five by Sigrid. They are both bangers in their own respect, and the are playing ln my head at the same time right now. It’s kinda nice!

Following:253! Though a few of those are inactive now, I’ve had this account since middle school

Followers: 27 total but 10 are inactive, and I’m pretty sure one is just a spam account that was VERY convincing

Amount of sleep I get: I try for 7-8 and get it most of the time, but some nights I get hit with that good self hate™️™️ and stay up later because why not? Or I’ll be up till 3 in fugue state trying to finish homework/ projects that I procrastinated on lol. I take lots of naps too BC they are soooo great

Lucky number:13! I have no basis behind this, other than because I want it to be, and because people say it’s bad luck. So far it’s been pretty great to me!!

Dream job: 😬😬😬 welll over the past 2 years, especially since I transferred colleges and had a bit of an unexpected major chance( technical theatre> studio art) My career path has been pretty unclear and I’m still not really sure what I wanna do. I’d love to get back into something theatre related because I’m pretty good at it, but lately the art I’ve been doing makes me very happy and gives me a personal sense of accomplishment that theatre never gave me. I’m hoping to find some sort of intersection between the two, so I can be able to make something for either a play or musical, then when I’m done just go chill somewhere for a little while and take a nap. Or like make some cool painting or drawing, make some money from it, then take a few weeks off of doing sutff, repeat. So I guess the short answer is: make art that I enjoy, get paid, not work every day:)

Wearing: what am I wearing?My, my, how sexual!! Just kidding;);). Black boots, high waisted skinny jeans, an button up shirt with a stranger things demegoron pattern, tan cardigan, and a little trans pride pendant I made to remind myself I am valid, and to signal other trans people!

Favorite song: (TAZ balance spoilers) idk if this counts but any version of lucetia’s theme from taz, written by one GRIFFIN TEAR MY HEART OUT ANDREW MCELROY. It’s just so beautiful, and it always makes me feel such strong emotions because every time it plays on the podcast there’s like a major plot development or moment of growth for lucetia, and I JUST. I literally ascend when it plays during the finale when she’s about to stop the hunger, just ugh so good

Instruments: I played the baritone for like a year in middle school. To summarize how that went: I was not very good:/:/

Random fact: I’m always telling myself that this probably isn’t something I should be so casual and open about, but then I tell people anyways. When I was 3-4, my sister was getting on my nerves and we were both on the kitchen counter for some reason. So to get her to stop, I took a knife and cut almost completely through her finger. Needless to say that got me in a bit of trouble with my dad, and to this day most of my family gets on edge when they see me with a knife. Which I find funny because In my teen years and now, I’ve gotten really into buying knifes and swords like some sort of blade gremlin. All of that probably made me sound very unstable, but I promise I’m not, just like sharp things. Im like 30% unhinged at all times AT MOST.

Aesthetics:????? I’m really into symmetry and matching colors of that counts as an aesthetic. My room is probably the best example, because everything in it is organized in a weird messy kinda way. I know where it is but it’s not where you’d think(ex: The sword I have hung next to my window) again I am very much a gremlin girl, and while I keep a lot of weird stuff, Im also very organized and creative so I end up using some broken things to make something new(ex: the bow and arrow I made out of a walking stick, some rubber bands and a 5 mechanical pencils). This description is probably also a good example of my aesthetic, which is to say messy, and slightly incoherent, but prepared and practical. In terms of clothing, it’s a sliding scale between “ For all intents and purposes I was not planning on leaving my room or being perceived physically by others today, but a friend wanted to hang out, and I love my friends so here I am looking like this” And “ I am an ethereal being of pure beauty and elegance, but watered down a bit so I’m still very well dressed, but minus the elegance, and plus a lil slut and probably some black boots”. It should also be stated that my gayness is part of both of these in varying degrees of intensity

I tag: @rosebudyke @negative-ghostriderr @sunshine-nb @severedned @seraphlesbian (y’all don’t have to if you don’t want to tho,but if you want message me! You all also seem very nice☺️)

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treywrites117 · 4 years

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Three Dimensional Characters (more detailed)

Physiology:

Sex: The gender of your character means a lot and it’s not just “male” and “female”. There are people who identify as trans, non-binary, intersex, pangender, androgynous, agender, hijra, and much more. Different cultures have different names and relationships with different genders and that can affect your character.

Age: While this may just seem like a number, people lie about their age all the time to seem more experienced when interviewing for a job or to seem younger when trying to get a date. The importance of age also varies between cultures and generations which can affect your character. Do they lie about their age? Is it important that they see themselves as five and a half instead of just five?

Height and Weight: There are Napoleon complexes and there are people who are tired of being asked if they play basketball. There are also average height people who are affected by that in ways they may not even notice. Weight can define a character more because while height is usually genetic, weight is something a character’s choices and society affect. Are they skinny because they have a great metabolism or is it because they want to look like that celebrity?

Color of Hair, Eyes, and Skin: I saw a great play called The Bluest Eye (adapted from Toni Morrison’s book) about a young black girl who wanted to be fair-skinned, fair-haired, and have blue eyes so people would like her and she could be like all the popular girls, who were all white. Her appearance was greatly affected by the lack of representation of black girls on TV and in their selections of toys. The appearance of your character and their actions can be influenced by society and the culture around them.

Posture: How your character carries themselves can represent different parts of their characters. I know a lot of friends who have been drawing a lot since they were kids and they have a slouch to their shoulders from leaning over their sketchbooks. Strict posture could mean a strict family background.

Appearance: While a lot of the categories have already gone into appearance (Eye color, hair color, skin color, height, and weight…), whether their style is tidy or simple or explicit can really help define the character. Without going into detail about their fashion style, you can easily describe a character in your screenplay with “eye-catching outfits meant to grab attention” better than specific details of their wardrobe and still do justice to their character.

Defects: Clearly having something that can set your character apart from the average person can lead to a different experience in social aspects. If they have a deformity, abnormality, birthmark, or disease, it can change how people act around them or treat your character. What they take away from those encounters can mold their characteristics and choices.

Heredity: What has your character gained from their parents? Enviable red hair? A weak constitution? These traits are more genetic than they are learned from constant parental influence.

Sociology:

Class: What class your character comes from can influence how other characters interact with them. Class played an enormous role in the plot in My Fair Lady. Professor Higgins wanted to see if changing the language of a poor cockney woman, Eliza, could affect the way upper-class socialites interacted with her. Of course, her physical appearance was changed, but she was, under the surface, still a woman from the streets who lived her life off the pittance she got from selling flowers.

Occupations: An occupation that a character has can tell us more about their monetary situations which is a good way to understand character motivations. Are they in a dead end job they hate just to put food on the table? Do they have multiple jobs? What did they want to be vs. what job they do have? Have they had many jobs due to failure or boredom? In America, careers define people more than they should.

Education: Getting an education is not always enough, it has to be a certain type. A college education is great, but society places a greater influence on an Ivy League degree. Was your character homeschooled? Did they attend college at an early age? How well did they perform in high school? What subjects did they do best in? How people interact in the influential high school years very much affects who they are. If they had to drop out of school to get a full-time job to keep their family afloat, it can affect their socialization since they don’t see their friends and “drop-out” carries a negative connotation that can keep them from getting a career they want.

Home life: Everything from parents being alive to their own marital status is under this category. The relationship the character has with those they are living with can influence many of their choices. If they live with their parents, that can mean massive social difference between a fourteen-year-old and someone who is thirty. What about childhood home life? If they were raised in a violent atmosphere, they might be a shy, tentative person or quick-tempered.

Religion: Depending on what religion your character has, they might have some strict rules or beliefs that they adhere to. Those who observe Hinduism do not eat beef, which could cause conflict if they room with someone who does not share that belief and loves making hamburgers. Pagan beliefs vary and require a lot of different rituals and is usually associated with a negative stigma. A pagan believer might seem different than a Quaker, but depending on the faction of Quaker, they may not be so different after all.

Race, Nationality: It goes without saying that in this modern day, race has a large influence on how people treat each other. A character is defined just as much by how they respond and act toward others from a different race as they are growing up as the race that they are.

Place in Community: Are they a leader? Are they involved in clubs or societies that may affect who they are to certain people? They could also be someone in the community that is shunned or perhaps they were removed from the community for some kind of unforgivable infraction.

Amusements, Hobbies: How someone spends their free time can tell you a lot about them. Do they read? What genre? Do they like to tinker or build things? Sometimes what someone’s hobby is, could be what they wanted to do with their life if they didn’t have four children they needed to feed and had to get a better paying job for the price of their soul.

Psychology:

Sex Life, Moral Standards: These could be two different things. A character could preach certain moral standards perhaps that reflect the standards of their religion, but have a contradictory sex life. Maybe they are doing it to keep their sex life secret to not be removed from the religious community or because they want to stay in their conservative family member’s will. Sometimes people will boast about sex lives they do not have to boost their self-esteem or to impress others.

Personal Premise, Ambition: What is the goal of your character’s life? This is probably where the story and the character connect. This ambition drives a character’s more “big picture” actions and could be what lands them in the conflict of the story in the first place.

Frustrations, Chief Disappointments: Frustrations can be triggers for some people that lead to problematic actions. These frustrations can be born of past mistakes and disappointments that haunt the characters.

Temperament: This could be seen as where your character falls on the Friedman and Rosenman A/B Personality spectrum. Are they a very structured and high-strung person (A) or an easy-going and relaxed person (B)? Of course, this category covers other types of temperament, like optimism, skepticism, etc.

Attitude Toward Life: Does your character feel cheated? Are they cynical or defeated? They could also live every day like their last or have a goal to help anyone they can. The way they look at life and their own outcome can affect how they approach problems like the conflict of your story.

Complexes: Characters can have obsessions, superstitions, and fears that not only color their personalities but affect their actions. If someone has an Oedipus complex and only dated people that looked like their mother, it could influence how they interact with others and how others perceive them.

Extrovert, Introvert, Ambivert: A crash course in this is: extroverts gain energy from and enjoy long social interactions while introverts spend energy and can be exhausted by social interactions. Ambiverts are usually a happy middle.

Abilities: A multilingual character could be a very openly accepting person to others from different cultures. Does your character play a musical instrument? Do they play it well? Do they use their talents or repress them? Are they proud of what they can do?

I.Q.: What is there intelligence level? Are they ashamed or proud? Do they even care? Characters with different intelligence levels may have difficulties with conversation. It also affects how characters treat each other. Sometimes intelligent characters lord their brilliance over everyone else while some lower intelligent characters might feel shame.

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zak-bagans · 7 years

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you know tumblr has this thing where yall like to pride yourself in being "accepting" and shit but literally if someone is straight, white, cis, or even nuerotypical you're immediately like uh no you dont get to have an opinion blah blah

like i actually had someone tell me that trans people who were straight werent allowed to feel safe anywhere simply because they were straight. ive seen poc and even white people say that all white people are dumb and that we dont have our own culture. ive seen trans people tell someone who is part of the lgbt that their opinion isnt valid cause theyre cisgender.

yall almost made a teenage girl kill herself cause she drew a fat character skinny. do yall realize that its actually not that easy to learn different body types and shapes?

ive had people tell me i dont know what its like to be shamed for my weight cause im skinny. but i have people tell me that im "too skinny" and "too small". im anorexic, yall.

ive had people tell me that just because im in a relationship with a cis boy im not actually bisexual, and all the relationships ive had with cis girls, trans girls, or trans boys are not valid simply because i fell in love with a cis boy.

you cant pride yourself in being accepting and loving and then hate others for the same things you are being oppressed for. no one can help their sexuality, their race, their gender, the way their brain functions. no one can help their body type. you cant pick and choose who gets to be loved and accepted by a community by things that they cant help, and then scream about being oppressed for that same reason.

if you want true equality. if you want true acceptance and true love and care for everyone despite who they are, practice what you preach. treat people the way you want to be treated. if someone is being ignorant, give them a chance to state their case, and then give them yours. come to an agreement. we arent all perfect, we arent all "woke". sometimes its best to agree to disagree and move on. but shaming young artists for not being skilled enough to draw a fat character is not acceptance. telling people that they are not alllowed to feel safe at lgbt spaces/rallies/parades because theyre straight, or cisgendered isnt love. ridiculing white people who are trying to change and stand up for poc rights and systematic oppression because they accidentally said something ignorant isnt equality. show love, acceptance, care, and strength to all groups, to all people. life isnt about who is more oppressed, who has more points on their victim card. life isnt a battle between minorities, life isnt a battle between anyone. life is meeting new people, with their own unique experiences and accepting them for who they are regardless of what they look like or what they identify as and loving them because they are a PERSON with feelings, thoughts, emotions. theyve had experiences that you have not. theyve seen things that you have not.

kill your enemies with kindness, my friends. love is given and recieved.

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phoenixfire-thewizardgoddess · 7 years

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so i was having a conversation with someone who is leeching off my netflix using my netflix to watch Luke Cage right now... and it was about how they whitewashed Iron Fist (and also Dr Strange)

But they said, “You can’t have it both ways though? You can’t get upset if they make a character white, when they’re always making a random character black or something when in the books they were white.”

And... you get a flashback to everytime you’ve ever had to have the exact same ‘diversity and representation are important’ conversation, and you realise you’ve played this game with them before... and clearly it hasn’t changed their mind. But you’re gonna say it anyway...

“Because white people are in everything, but like, specific white people... and a lot of times when they switch out a character for a white person, it’s wiping out a very specific story. Like in Iron Fist... he was meant to be asian, the people around him too... the whole comic series is pretty well-foundered in that. Dr Strange isn’t bendybonk cucumberpatch, nor was the ancient monk dude he needed to speak to... Tilda Swinton (you know, the freaky praying mantis bitch from Narnia, the White Queen?) in a bald cap???”

And then it goes around again, “Yeah but what about the reverse?”

“Because everyone in fucking stories are white and straight and ridiculously pretty... or tortured about how they’re white and ugly and tortured, or white and not straight but pretty and tortured... and it’s boring, mate...”

And clearly the point didn’t land... but it’s like, why is that the first thing people go to when they discover a character is whitewashed?

“Yeah but other characters, who were white, were randomly made not” [Or some just flat out say a race, or a sexuality, or a gender orientation, etc.]

And it’s like... we can’t keep seeing the same 12 white actors in everything... pretending to have backstories thy clearly aren’t connected to bc it should have gone to a different actor...

Katniss Everdeen. Ghost in the Shell. Dr Strange. Luke Cage. fucking ALOHA. dozens of others, let’s be real... and most of these they discouraged people of the actual ethnicities involved to apply...

But remember how pissed people were when Percy Jackson came out and Grover (a satyr, dude who was half goat and a badass) ended up black? and fans were losing it online? Remember when they went back over the shitty mortal instrument books and changed just about everything so the characters were dynamic, some poc, some not-straight, etc. so they were more fun?

Like, where was the outcry when they did freaking “La La Land”, a story that literally took an entire narrative about the birth of jazz, from African-Americans, and handed it to a white dude who couldn’t sing. And his female white co-star who also couldn’t sing. Like... isn’t that embarrassing? A red flag? When the two leads can’t sing or dance well enough that they have to have someone ELSE sing for them? Why didn’t they just get the people who sang for them? Like, HAIRSPRAY had a narrative that focused on a fat white chick, sure, but there was a lot of screen time and accreditation given to the poc characters, and she never claimed to have made their dances up, and was always clear who let her use them... that was actually a pretty good musical/movie.

And Stonewall? You still can’t get over that. The activisim was led by trans WOC, and they removed them, and made some skinny white dude the main? They marketed this revolutionary movement as “A young man’s coming-of-age story”... and it was like, the skinny white dude pretending to be gay on camera? Wow. Buddy, let me tell you how easy it is to find a gay to cast... *thumps the wall and gays rain from the ceiling* my dude, take your pick...

Mostly, it adds to the story when not everyone is a cookie cutter, but you always have to hear someone bitch about it, because it causes them distress not to see themselves on the screen. As if someone being a different race, religion, sexuality, gender, socioeconomic class, political stance (okay you know what, I will never sympathise with a republican or the aussie equivalent), etc. is just impossible to empathise with...

Like... how do any of you read books, if that’s the case? Is there an underground society that can only stand to read and re-read the boring-ass Nicholas Sparks novels over and over, praising each cookie-cutter plot and character endlessly? Did I not get the e-vite?

[Not to mention movies like SPLIT, and the one about a transwoman where they cast a cisman, what was that called? - which are inaccurate representations of mental health and gender orientation designed to feed stereotypes]

And also, the entire HP fandom losing their minds at the concept harry potter or hermione granger were not white? Not going to lie, I imagined Hermione like me, a little girl with white skin and big, bushy, fuck-my-life-why-are-you-like-this easily-knottable hair... but other little girls were reading and imagining her just like them, with their features and hairtypes. And that’s totally okay. The varied fanart of poc and white versions of Harry & Hermione are all amazing, and it’s not hurting anyone... but people are still avidly searching the series for proof Harry and Hermione are white, that’s it. Just look at the backlash for the Cursed Child, when they ‘DARED’ to cast Noma Dumezweni as Hermione. The HP fandom loved to talk about how inclusive they were... riiiiight up until someone challenged that slf-perception by changing things canonically, and the fandom flipped a table.

Listen... the kids, especially Emma Watson, did an amazing job. They all went on to do amazing things and it’s okay to have them in mind when you read the books, because that’s who a lot of people imagine, now. The hazards of making a book series into a movie series, really, a fixed ideal for the characters. But the thing is, the movie interpretation does not negate whoever else you had in mind for the main characters. Harry and Hermione are ambiguous, feature-wise, save that Harry has his mother’s eyes, and Hermione has bushy/thick/fuck-my-life-the-knots-are-winning hair.

They could be anything, between those narrow parameters. Harry could have been neon pink the whole book and JK would only reveal that afterwards, when the neon-pink aliens come to visit. The only one with specific features was Ron (and also Draco) in which they described the entire family features...

Not to mention, no one loses their shit when people draw Neville pudgy or blonde (like he was in the books)? Where is your ‘must be authentic’ god now...

“What is this PC/SJW cuck bullshit?” is still the funniest thing you can ever hear, though, when a movie or show or book ends up with a straight white character (or straight white cismale character) being switched out for something different. Even if it’s an invisible different, people get so up in arms. Thumping bibles and screaming about authenticity... dude, there’s a thousand grimdark muscly overhetero dudes out there in film, you will survive this. Stay strong.

This has been a random post, feel free to add in.

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