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#there really is so much variance in life and really truly so many people not on those paths for so many reasons
marsixm · 1 month
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i also think the fact that i had such a stunted and isolated upbringing and now that im an adult all my friends are on atypical life paths (and honestly even my friends as a kid were like this too) means i find things that are usually very common life stages really interesting. like knowing someone who has a house and a wife and 2 kids (with that wife) and a job with a salary feels like meeting fucking paul bunyun to me. or hearing the kids i work with talk about graduating high school and going to college and being on a real path with that stuff is neat? or even sometimes knowing cis/het people who are like going thru that coming of age stuff that i never really experienced the way you see it in the movies bc of transness/queerness/neurodivergence. its like woah they said the name of the thing in the thing. do u know what i mean???
#this actually reminds me of one of the girls at work whose been here for 2 yrs so i feel like im watching her grow up#shes graduating hs this year and shes really smart and she always asks questions like this#like picking ur brain about your life like 'what did you feel like growing up how was your family' etc#its kinda cool#she already got a degree bc of dual credit courses and an internship lined up and im so proud of her#and theres another girl her same age who came to me last night telling me her situationship just broke her heart#and they were both talking all about their prom dresses and all that stuff and were so excited last month#like idk i guess i just find it endearing#i think part of it is also that while these specific paths are thought of as common/default#there really is so much variance in life and really truly so many people not on those paths for so many reasons#which actually does loop around to making it seem strange#like truly how many people do you really know anymore who stayed at 1 job until they rose the ranks#who got married and had kids with that person and now they live in a house in the suburbs with some dogs and cats#like who does that anymore#meanwhile i think its just cool seeing kids actually experiencing growing up but in retrospect and not as a peer feeling confused & jealous#like woah youre a girl buying a dress and getting her hair done and texting a boy thats so wild ive never done that#or woah youre taking courses to prepare for college and know what degree youre going for#i no longer feel resentment that i felt left behind during all that shit when i was a teenager#im just happy for them and proud of them
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vestaclinicpod · 5 months
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Audio Drama Sunday - 28th January ✨
Hours of data collection 😤👎 Hours of data collection with audio drama 🤭🫶
👻 @tellnotalespod (S2E2) If I had a ghost in my life, I’d want what Gemma and Micah have 🥺 I really hate this back and forth between Leo and Frank! HEY! Frank! That’s ~my~ Leo to be fond of, not yours! I’m so excited to catch up with Julia and Riley next week! 
🦀 @thesiltverses (38) Oh my god, what an incredible episode! The exploration of a dementia-like process as being stalked by a god of death - PLEASE. The sound design was fantastic, I felt like I could really see the surroundings - the encroaching woods, the smudged prayer marks on the floor, the murky silt of the river - it was a beautiful experience. And I wish I could show you my face when I heard that Faulkner had got his testosterone from the CHURCH. NO! No no no. The manipulation! Show me a character in this show that isn’t so supremely messed up!! I want to help them all 😭
🧳 Travelling Light by @monstrousproductions (10) Another lovely instalment from my favourite wholesome sci-fi show. I couldn’t agree more with the description of home-sickness, you truly can’t predict what will set off the pangs for home! 
🏛 @the-mistholme-museum (INEVITABLE) I have been hanging off the edge of my seat waiting to find out what would happen with the Beast. I love Not Eagle popping up as a contradictory voice and ATG’s completely cool, calm and collected response to it. I’m so unsure about the HoRestoration taking the Beast in . . . I used to trust her but after these cards . . . I’m less sure. 
🌨️ @thewhitevault (6) I feel like I need to listen to this episode again to really let that Family timeline stick in my mind. Everything seems to be ramping up in Goshawk, and I suspected that there might be a few more unexpected, unwelcome guests soon! 
❤️‍🔥 The Love Talker (7) This episode took us back in time to fill in some of the blanks regarding the main characters’ pasts. It’s very interesting to see how different Ren’s ability seems from the outside - it makes you wonder how it’s taken her so long to realise that the affect she has on people isn’t ‘normal’?? Is she a victim or a monster? I suspect it's gonna be both. 
🏢 @somewhereohio (S2E7) Ooooh!! I was wondering when we’d get the answer regarding why Jasmine/Olivia was seen in that truck in Scarlet’s memory in S1!!! I feel like I need to go back and listen to their first encounter again to see if there’s any glimmer of a sign that Scarlet remembered her! The way Orange describes his variance sounds like a bit of a curse - but I have faith that he can do some good with it before the end of the season!! 
🍾 I finished S2 of @ameliapodcast and it was so much fun! I loved the reveal that Amelia is a real, living person with an active role in the Project and I love that it’s Julia Morizawa! 
🌫️ @souloperatorpod (2) I’ll be honest, I don’t really have a solid grasp on what’s happening here yet but the writing is very compelling, and I adore the music! I’m looking forward for the fog to lift a little! 
♦️The Grotto (4) I went into this episode forewarned but definitely not forearmed… goddamn. Can I have a new episode soon, please? 
🖥️ The Magnus Protocol (3) .jmj error HM? REALLY. I really am hoping that this will end with our TMA faves hopping out of the computers but I would also be satisfied with an explanation that whatever this thing is has listened to them read so many statements that it’s taken their voices, if nothing else… Also, I love Colin - it’s so rare that a piece of media gives us a character who is sooo batshit right from the word go. I love him. He’s 1000% going to die. 
Hoping for a good week for everyone!!
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crossdreamers · 11 months
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hi, I was wondering if you had any advice for a friend trying to look ‘masculine in a feminine way’? (approaching it in a feminine way, not an androgynous way)
Masculine in a feminine way
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This is a tricky question, given that so many people think masculinity and femininity exclude each other. You are either masculine or feminine.
This view of gender expression obviously requires that masculinity is based on a list of traits, looks, behaviors, roles, abilities and interests that is exclusive to men, ditto for women.
Gender variance through history
This has never been the case in real life, in any culture, for the simple reason that men and women share all these traits, to a smaller or larger degree.
In this age of increased gender equality, we see that this is the case. If women are allowed to take over "male occupations", they will, and if men are given the chance to take care of kids, they most often will.
"Looking masculine" is a relative phenomenon too. Lois XIV, king of France was considered "masculine" at the time he lived. Not so much in this day and age.
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So the terms "masculine" and "feminine" cannot be clearly defined. We may know what we mean when we use the terms, but they are nevertheless fuzzy and ambiguous.
It is this that causes gender fundamentalists so much anxiety: The ambiguity threatens the clear gender binary they need to feel safe in their own life as a man or a woman.
I any age looking masculine in a feminine way is therefore relative to the current fashions and taboos. Where the boys of the 1980's metal band Poison "masculine in a feminine way"? I guess they were at the time.
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But this way of dressing up would not be considered masculine today.
Gender is increasingly expressed through fashion, not through social roles
Precisely because there is more gender equality, men have had to find other ways of safe guarding their masculinity than being the family provider.
Your occupation or social role no longer defines your "manhood", so men often make use of fashion and performance to signal their "manliness." I think the bearded, rugged, hipster father is a clear sing of this. He might be pushing the baby stroller, but he is still seen as the man.
What would pass for a "masculine femininity" will also vary from local culture to local culture. To use an American example: The dress code will probably be much more open and diverse in a big liberal city like San Fransisco than in a small conservative community in the rural Midwest.
So it all depends on where your friend lives.
Finding inspiration in Asia
In North America and Western Europe it was easier to mix masculine and feminine clothing and expressions in the 1980's than it is today. I would therefore suggest that your friend takes inspiration from the gender variance found in many Asian cultures today, including South Korea, China, Thailand and Japan.
You find this in movies, anime, manga and pop music.
It seems to me that few question the gender of male K-pop stars, for instance (unless the ones questioning are far right homophobes and transphobes). Yet, these young men are allowed to add feminine clothes, colors, hair styles and accessories to their masculine presentation.
Given that K-pop has become so popular outside Asia, I would think that this masculinity with feminine expressions would be understood in Europe and the Americas too.
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You say nothing about your friends gender identity. Do they see themselves as a cis man, a nonbinary person, transfeminine maybe or even trans? All of this will obviously color the way they want to express themselves.
I have interpreted your question to mean that your friend is assigned male at birth. But even if they are presenting as female, they can take inspiration from Asian pop and movie stars.
What really matters here is what makes them feel good about themselves, i.e. the kind of expression that most clearly express who they truly are.
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twh-news · 3 years
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Loki (TV): 5 Things the Disney+ serie got right (& 5 it ruined)
With its new Disney+ shows, the Marvel Cinematic Universe has managed to expand its reach and develop characters that didn't quite get enough attention in the movies. WandaVision grants Wanda Maximoff her rightful role as the Scarlet Witch while also developing her relationship with Vision. The Falcon and the Winter Soldier tackles some heavy themes as Sam Wilson struggles with the weight of Steve Rogers's legacy and Bucky tries to overcome his trauma.
In Loki, fans are reunited with a beloved character, one many deemed lost with his death in Avengers: Infinity War. The show centers on the adventures of a variant of Loki created after the Avengers' Time Heist. Loki's return to the MCU is more than welcome and gets many things right, but some elements could have been dealt with better.
10 Got Right: Loki's Enduring Affection For His Family Still Stands Out
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Loki is easily one of the best villains in the MCU, and a big reason why he stands out is his affection for his family. He has a genuine bond with his mother Frigga, who is among the few people who support him. His rivalry with his brother Thor gradually disappears, and the two eventually mend their bond.
In the Disney+ series, Loki hasn't yet reached the right mental state to forgive and be forgiven. He is forced to confront the fate of his people--and his own--and it's one of the most touching moments in the series. Tom Hiddleston's portrayal is as always impeccable, adding another layer to the emotionally aloof god.
9 Ruined: His Character Doesn't Shine As Much As It Could Have
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Despite the series being titled Loki, it doesn't really focus on him as much as it should. After Loki makes his escape using the Tesseract, he's taken captive by the Time Variance Authority and eventually joins them. He's then forced by circumstances into cooperating with a female variant of himself, Sylvie. Caught in a web of events he's unprepared for, he often seems just along for the ride. This wouldn't normally be an issue, but the limited number of episodes makes the pacing a problem. With a better balance, Loki's character could have shined through properly.
8 Got Right: Loki Is Confirmed To Be Bisexual And His Relationship With Sylvie Is Very Interesting
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During a conversation with Sylvie, Loki comments that he's had relationships with both men and women in the past. The admittance of his bisexuality isn't a surprise, but it's still a welcome element. His subsequent relationship with Sylvie--who is, in the end, a version of himself--is interesting and chaotic, suiting the nature of the rule-breaking god.
7 Ruined: Sylvie Creates A Missed Opportunity As Viewers Would Have Liked A Truly Genderfluid Loki
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Sylvie's character has its origins in the second Enchantress, Sylvie Lushton. Her look--mimicking Amora's in appearance--is combined with the concept of Lady Loki. Unfortunately, her presence comes at the expense of a highly-anticipated element of Loki's character.
Before the series came out, rumors were rampant that the show would finally give viewers a genderfluid Loki and tackle his sexuality in a more elaborate way. Loki's bisexuality may have been confirmed, but it doesn't feel like enough. Sylvie just isn't the Lady Loki viewers wanted.
6 Got Right: Loki's Relationships In The Series Make Him Grow As A Person
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Throughout the series, Loki builds close relationships, not just with Sylvie, but also with TVA agent Mobius M. Mobius. Mobius places his faith in Loki and helps him realize many things about himself, even risking his own life for Loki. Meanwhile, Loki's romantic connection to Sylvie is so powerful it creates a nexus event. It gives Loki hope that he doesn't have to be alone, making him grow as a person.
5 Ruined: His Abilities Become Even More Confusing
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Loki's abilities in the MCU have always been somewhat puzzling. He's a highly skilled sorcerer, but half the time, he doesn't use his powers. Thor mentions his brother shape-shifted into a snake as a child, but the ability is never used.
The Disney+ series makes things even more confusing. Loki is easily incapacitated by the TVA, even if their physical strength shouldn't be enough to overwhelm an Asgardian/Jotun. Later, after he makes his escape, Loki uses highly advanced telekinesis to hold falling buildings upright on Lamentis. The addition of Sylvie's strange form of mental projection muddies the waters further. It's not a new thing for characters in the MCU, but it could have been dealt with better.
4 Got Right: Classic Loki's Sacrifice Steals The Show
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Sylvie isn't the only variant of himself Loki meets throughout his journey. After being pruned by the TVA, Loki ends up in The Void, where he meets Classic Loki, Boastful Loki, Kid Loki, and Alligator Loki.
Classic Loki easily steals the show, and his sacrifice to help Sylvie and Loki defeat Alioth is one of the best scenes in the series. Richard Grant's portrayal of the character is as powerful and emotional as Hiddleston's and leaves a true impression on the viewers.
3 Ruined: Most Variants Of Loki Barely Receive Any Attention
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Despite the huge potential of the Loki variants, most of them don't get enough time in the spotlight. Kid Loki is said to rule The Void because he killed Thor, but the concept doesn't go anywhere. President Loki appears briefly as a villain, but his background is unknown. Alligator Loki--affectionately called Croki by the fandom--receives more attention than most other variants of the character. It's truly a shame, as each individual Loki had their own fascinating stories to tell.
2 Got Right: The Inclusion Of The TVA Tackles An Important Theme That Leads Into The Multiverse
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Loki isn't the first MCU release that has mentioned the Multiverse, but it develops the theme much further, in a way that leaves a lot of room for further expansion. The concept of the "Sacred Timeline" sets into question the idea of free will, of the consequences of each choice. The TVA polices the path people have to take, enforcing a fatalistic design that would make many want to rebel.
Loki and Sylvie understandably want to topple it, but they soon learn that the TVA may very well be the lesser evil. With Doctor Strange and the Multiverse of Madness just around the corner, the themes and issues that appear in Loki will doubtlessly be even more important than ever.
1 Ruined: The Overabundance Of Elements Makes The Final Villain Underwhelming
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The addition of the Multiverse may have been a good idea, but the multitude of elements end up clashing against each other due to the format of the series. The introduction of a whole new figure as the villain ultimately makes him fall flat. He Who Remains may have great influence and power, but he doesn't do much except monologue. Presuming that he is indeed Kang the Conqueror, he isn't a bad choice as an antagonist. The series just doesn't do him justice, and the finale feels weak and underwhelming.
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mxgilray · 3 years
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Loki Season 1 Thoughts
Overall, I really liked this series. It has some issues without question, but I sincerely don't think it's the dumpster fire so many viewers on this site treat it as. Did it go how I expected? Not at all? Did I enjoy the heck out of it and look forward to it every Wednesday? Hell yeah!
Loki's Good Guy Personality
A big complaint many have had with it is how much Loki's demeanor has changed and how his emotional growth feels rushed or his personality is ooc. Truth is, he saw his entire future, saw what his angry, power hungry, I-work-alone persona would get him in the end, and it snapped him back to reality. He has always been shown to be quite emotional and craving attention and lacking in self assurance, it's just in the past movies he's masked it with violence and fake narcissism, and he's always been a secondary character so his perspective is rarely shown. But if you really pay attention it's obvious he isn't truly villainous; we all know that, it's largely why he has such a huge fan base.
Right after meeting Mobius, Loki got an infodump of his future, saw his parents both die, found out that free will means jack shit, and learned he's absolutely powerless in this realm. On top of that, this is 2012 Loki, fresh off of being under Thanos' control, suddenly being shown that the guy who controlled him is going to end up killing him. Frankly,, I think it all broke Loki. He was too shook up by it all and by the sheer helplessness he found himself in at the TVA that he let all his barriers down momentarily. Just long enough for him to open up to Mobius about his motivation and his lack of self confidence. And you know what I bet? Loki felt relieved after talking to Mobius. A weight was lifted, because he bore his heart to someone and wasn't rejected or laughed at or treated like a psycho. And after letting his walls down fully, Loki didn't feel the need to put all of them back up. He stayed guarded around other people, but he didn't need to pretend around Mobius. Mobius has seen under the mask, so Loki doesn't feel pressure to perform as an all knowing, all powerful God around Mobius. That freedom is life changing.
People who gravitate towards broken, pseudo-villain characters do so because we relate to their internal conflict, their mental illness, their need to fake it around everyone close to them. Their turmoil and depression and self destructive behavior are familiar and we see ourselves reflected in their actions. Now, when a person really truly let's their guard down, drops all their layers of facade, and embraces themself, they tend to change demeanor and even personality pretty drastically. It's jarring in real life, so of course when it happens to a fictional character who you usually relate to it is going to be jarring, maybe even more so because it feels like a change you yourself would never go through. I know this sounds bad and people might get at me for it, but...
I believe the issue here is that a large part of Loki's fan base doesn't want him to get better. They don't want him to move past his mental illness, to learn how to cope with anger and disappointment in healthier ways, to be happy. They like his damaged persona, they like the internal conflict. Maybe it's because they're still at that low place themself and feel like a relatable character is getting taken away from them, maybe it's because they don't understand how much being at peace with yourself can alter a person and to them it feels like he's been changed too much. To those of us mostly on the up and up from battling depression and mental illness, it's comforting to see Loki getting a chance to be genuinely happy and accepting of himself.
Sylki and Lokius
First things first, I'm not anti anything. Ship what you want, idc. Personally, I do not see the Sylki dynamic as romantic, but I get why people read it that way. I thought the series did a good job of showing unrequited love, namely Loki falling for Sylvie and Sylvie feeling zero romance towards him. This was aware of his attraction and in the end used it as a distraction so she could get the upper hand. The show played up the potential romance because we are viewing things from Loki's perspective and he's become smitten as a kitten. I do think in the long run they'll have a more sibling-like dynamic, one Loki realizes that you can feel extreme love and care for a person without it being romantic. I enjoyed how the show explored their relationship, though I do wish they hadn't had every character under the sun mention their moment on Lamentis-1 like it was some big deal to bond with someone you're about to die with.
I'm bitter towards the development of Lokius. It had a strong start in the beginning, and in ep 5 had some potential reignited, but then they had Mobius not know who Loki is at the end. I'm still hoping they're playing the long game with this ship and that it'll come to fruition partway through season 2. The chemistry is there, and Mobius knows Loki very intimately and isn't put off by his past. Loki also feels much more at ease around Mobius than he does around Sylvie. It's the comfort of a deep loving bond with Mobius verses the nervousness of a new crush that he feels for Sylvie.
I don't think Loki is quite aware of his feelings for Mobius, simply because it's based in friendship and mutual respect and isn't a hot and heavy lust. Plus, as soon as he was away from Mobius he was thrown into a near death experience with Sylvie and developed a surface crush during their heart to heart. Since Loki's still figuring out what genuine feelings are beyond anger and sadness, he sees the simplistic crush he has on Sylvie as love and the intimate bond he's been forming with Mobius as friendship. He doesn't understand his own feelings yet, but I think he'll figure it out next season. I mean, he was probably already rethinking his feelings for her after she kissed and betrayed him, mentally kicking himself for expecting her to not pull a Loki betrayal like he would've in the past.
The Time Variance Authority
I really like the concept of the TVA, the structure of it, the methods they use, the deeply fucked way they recruit employees, the cult like motto, shady Miss Minutes who is definitely playing her own long game, and the blind acceptance TVA agents have of the Time Keepers' will. It's all very well done... until your dig into the core, aka He Who Remains. They built up the idea that the Time Keepers created the TVA to prevent a multiverse war and that they created agents to enforce their will. Then the creating agents turned out to be fake, the Time Keepers were fake, I expected the reason for the TVA's existence to be fake to. It felt too simple to have it genuinely exist just to keep the multiverse in check. Why the anonymity, unless it's to keep from having agents target and prune versions of himself which.. songs like a decent solution. HWR made it sound as though the multiverse war was just a bunch of versions of himself screwing shit up, so why isn't the TVA's focus on eradicating every other variant of this guy? Sounds a lot easier and nicer than fucking with the free will of every other living being. So either Marvel made a bad call when choosing what HWR's motive was for creating the TVA, or he was lying about it all to cover up something sinister.
Overall Storyline
I'm fairly happy with the plot as a whole. There were some pacing issues and I think a few missed chances for deeper conversations between various characters. While I enjoyed the Loki variants, I honestly would've been happier seeing Tom playing most the variants (except Kid Loki and Classic Loki since they are clearly different age ranges). If there is supposed to be one sacred timeline, it seems off to me that Lokis would be allowed to vary so extremely without it causing a nexus event(an alligator, whose nexus wasn't that he's an animal who obviously can't do any magic much less command Thanos' army, but that he ate someone's cat) and not just in appearance but in life path (ie boastful Loki collected all the infinity stones but it wasn't till he had 6 that he caused a nexus event even though him gaining control of the Soul, Power, and Time stones should've each caused nexus events since on the sacred timeline he never interacts with those 3 and taking any one of them would've fucked up a lot of other timeline parts)
I love the display of Lokis raw power, and 2012 Loki coming to the realization that he's way more powerful than he ever thought. And it wasn't just Classic Loki who spent thousands of years alone honing his skills, 2012 Loki reversed time on a goddamn falling building! I also liked the small magic, the fireworks, the tablecloth blanket, Loki yanking Sylvie away from HWR with just magic.
As someone who is both bisexual and genderfluid, I would've really loved more concrete representation. The comment about there never being another female Loki hit me in the gut; it undermined the Easter egg "Sex: Fluid" on Loki's TVA file. With how big a deal Sylvie being female was made out to be throughout the season, I expected her gender to play a key role in taking down the head of the TVA, like it was foretold that only a female Loki could end it all or some shit.
I don't mind the idea of Loki finding love in a straight passing relationship. I don't even mind the selfcest all that much. It just feels so obvious to me that Sylvie is written as not having any romantic inclination towards Loki, while Mobius is clearly written as falling in love with someone he shouldn't and trying to maintain an heir of professionalism to keep from wrecking his bond with Loki. I really really hope they come through on season 2 and give Lokius the canon relationship and proper representation they deserve.
Mmkay I thinks that's all the thoughts I've got right now. If you've been feeling cheated or clowned by how things went this season, maybe my perspective of things can help ease your pain.
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bellygunnr · 3 years
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Blown Lightbulb
A commission piece for @poisonheadcrabsalesman featuring Thomas Lasky/Sarah Palmer. 
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The house is cold. It hasn’t changed at all since you’ve last been here, some twenty odd years ago. You hadn’t been a kid then-- just a pilot, home on leave despite not really wanting to be. It had been tense then. It was the same now, even if your mother wasn’t even here, and you were laying bare the contents of your past to the two people you loved the most and considered the most important in your life. You hesitate to look at them, not quite fearful of what they’re thinking but definitely reluctant, like any of this is your fault and something to be ashamed of.
You know no one can really blame you for wanting some modicum of closure, but you’ve always been conscious of starting losing battles. Your mother isn’t even here, for one. A toneless holo-message is all she’s left you, detailing that an emergency at work brought her in and she’ll be back sometime in the evening. Maybe you and your colleagues could meet her at this location, even, and upon further investigation, that location is a startling high-profile restaurant of considerable Martian renown.
So much for flying close to the surface. You’d be in the air for all to see, just for a chance to reconcile with what little remains of your family. But that wasn’t for several hours yet, so you content yourself with poking around the giant empty house and listening to Sarah and Roland banter between each other.
“No offense, but this feels kind of like a museum exhibit,” Sarah says. “It’s not even dusty. I’d prefer it if it was.”
“You’d prefer it? There are stock photos of kids up here-- unless the Lasky family is way bigger than records suggest,” Roland answers.
You look at the picture frames Roland is pointing out. Amid the pictures of your brother Cadmon, there are photos of a foreign family, conspicuously only featuring a father figure. You run your fingers through your hair, nostrils flaring with a barely-restrained sigh.
“We didn’t take many family pictures,” you say, as if that explains anything. “I’m going to check out the upstairs.”
You tug on the back of your head, pulling at the recently shaved strands in a fit of anxiety. You don’t want to go upstairs. You’re afraid of what you’ll find there. Cadmon’s room was practically a shrine twenty years ago. The stairs don’t even creak as you step up them and you’re not sure why you expect them to. They look and feel and sound like wood, but you know them to be special composites that just didn’t degrade.
Your grip lingers on the railing as you take the final step. The door you know that leads to your mother’s room is closed. The keypad lock to it is bright red. You wonder if the keycode has changed at all, but testing it probably isn’t worth the risk. Across from her room is Cadmon’s, but that door is also, as you expected, closed.
And the one you recognize as your own is ajar. You let your hand find Sarah’s, squeezing it so tightly that she squeezes back, thumb rolling over your knuckles in a decidingly tender way.
“You know you don’t have to do this, Tom,” she says gently.
“But I want to,” you say. “I know I don’t need to.”
“Well, that’s something.”
It is. You offer her a braver smile than you feel and let her follow you to your room. There are more picture frames up here, covering the walls in even intervals. You can only ignore them because you know Roland is looking at them. You nudge open the door with your foot and, again, hesitate at the threshold.
Was everything in this house going to be difficult?
You shut your eyes and take in a shuddering breath. You can feel Sarah at your back, her presence radiating warmth. If you wobble, you feel her sturdy body against yours, so you let yourself lean into the partial embrace of her arms. She squeezes your shoulders, just as ice trickles down your spine.
Roland’s presence bleeds into your mind like condensation forming on the outside of a glass. It’s not enough for his thoughts or feelings to be tangible, but it’s so distinctly him that you smile and relax, easing the tension in your balled-up fists and opening your eyes. The room ahead is dark, but all you need to do is step inside for the lights to wake up and--
It’s not exactly the same as you left it, but it’s close. Your eyes roam the room, picking out all the various effects of teenaged you. There are posters on the wall, though some of the pixels have gone dark in their paper-thin construction, and models on the shelves, thick with dust. Your bed is perfectly made, the pillows hidden beneath a dark red blanket. Inevitably, your eyes roam over to a box bolted seamlessly into the wall, just above your nightstand. 
“Ah,” you breathe, staring at the box. “I see.”
“Is that…?” Sarah starts, but trails off, uncertain.
You can feel Roland’s curiosity curling up in the back of your mind. If you strain, you can even see his glittery-gold essence creeping out toward the box, but that gives you a migraine the harder you try.
You open your mouth to try and explain what it is, despite what it is being obvious. It’s a physical control panel for a domestic-grade Dumb AI. His name is still plainly depicted in the form of colorful stickers-- Admiral Hart. He hadn’t been active last time, but he hadn’t been gone either, so at least the sick hope flickering in your belly isn’t fully misplaced.
Still, is it worth trying to activate him?
“Roland,” you say, feeling quite outside yourself. “You can investigate it, if you want. Um, if he’s in there, could you…?”
“Of course, Captain,” Roland says.
Roland’s projection hovers in mid-air, thrown there by the custom commpad he was currently residing in. He smiles brilliantly at you and Sarah before bringing up what must be the digital counterpart of the control panel, his gestures as grandiose as ever, his expression just visible behind the transparent boxes. You hate it, but you distract yourself by leaning into Sarah’s space and kissing the bottom of her chin, staying there until Roland pipes up again.
“He’s in there, Captain. Says here he hasn’t been activated since… 2549. Very long service life, this one.”
Oh, that wasn’t too bad. Still, nearly ten years, completely shut down.
“...I don’t know if I’m ready to see him yet,” you say in one long rush of breath, the realization making you feel ill. “I do miss him, though.”
“There are also several other AI matrices in here,” Roland adds. “Why so many, if I may ask?”
“They were my teachers, when I was doing homeschooling. I’m surprised they’re still here.”
Dumb AI were very limited in their fixed personalities, but you swear they’re more sentient than they let on. One didn’t befriend several all at once and not experience some inexplicable variances, but dwelling on it was starting to make you feel hot behind the eyes. You shake your head, exasperated.
“Sorry, this is-- a lot more than I thought it’d be.”
“Don’t sweat it,” Sarah says lightly. “Want to go back downstairs?”
“Mind if I hang out in your house’s network for a little while?” Roland asks. “I won’t touch anything.”
“Go for it,” you say with a smile.
Roland winks and smiles before gathering up the tendrils of himself, more visible now that he was letting his essence ooze out between commpad, neural interfaces, and nearby network ports. Smart AI were remarkably fluid, or even gaseous, automatically filling in the void spaces around them, not because they wanted to be big as possible-- they were just that big. Still, you rub the back of your neck the same time as Sarah does, acutely conscious of the absence.
“Downstairs, then,” Sarah says. “Think there’s anything in the fridge?”
“I have no idea. Are you hungry?”
“I haven’t eaten since yesterday. To keep the motion sickness down, you know.”
You hum in acknowledgement. Her moving ahead of you prevents you from lingering too long upstairs, anxious as you are to keep up with her long strides. You have no idea where either of you are going to get clothes nice enough to go to a restaurant. Neither of you are dressed for it, let alone packed. Roland had suggested dressing as casually as possible to take the edge off, and well, maybe that was going to backfire. 
“I can feel you thinking too hard,” Sarah says.
She’s in your space the second you leave the stairs. But it’s gentle and unintrusive despite her taking up your whole line of sight. She’s teasing you, even as her brow is bent in concern.
“What am I thinking too hard about?” you ask.
“Hmmm. Something about your mom, like that stupid message she left us. Seriously, talk about a neutral location.” 
You laugh before you can stop yourself. 
“Got it in one,” you say. “I don’t know what she’s thinking.”
“Guess poor mother Lasky is going to have to come home after all,” Sarah says. “Isn’t that sad?”
She bumps your hip with the back of her fist, a playful nudge that, surprisingly, doesn’t send you stumbling. You punch her shoulder in return, silently following her into the next room, where the kitchen is. You watch Sarah go for the fridge and open it, head disappearing inside to scope out the contents. She retreats a moment later to throw something green and limp into your arms.
You catch it more out of surprise than anything, but you feel nauseous just holding it.
“What the hell is this?”
“Nutritional smoothie paste!” Sarah says, like she’s struck gold. “Used to eat this shit when I was a baby Spartan. They put it in Mjolnir on long-haul ops.”
“And that’s…. Is it good?” You ask, instantly skeptical.
“Hell, no. But I’m too polite to eat the meal plan stuff she has in there. So, drink up.”
Well, you couldn’t fault her there. You set the plastic tube of paste down on the faux-granite countertop, deciding that you’d rather let Sarah just drink both of them. You can’t stifle a smile as she immediately scoops it up, tearing open both of them at once and drinking them down in a truly disgusting fashion. But she doesn’t spill a drop, so... 
“I see you’ve gotten better at that,” you say.
“Roland made me promise not to make a mess if I’m going to be carrying the commpad,” she admits, looking exasperated for all of a split-second. “So.”
She tosses the spent bags onto the countertop, despite the trash can being directly underhand. You shrug that off in favor of grabbing her by the collar of her tank top and pulling her down, kissing her flat on the mouth. Her answering hum is felt in your bones and you both relax into each other, your anxious tension sapped by her solid core. She curls an arm around your waist and holds you in place, like she’s been waiting to do that.
“Relax a little,” she murmurs. “We can worry about her when she gets here.”
Not you, we. You feel a little weak in the knees at the distinction and let yourself hang onto her arms, certain that you’re looking at her with a dopey smile.
“But we probably shouldn’t do this in the kitchen,” she adds.
Before you can pull away, Sarah effortlessly hauls you into her arms, supporting you by grabbing a fistful of your ass and waiting until you wrap your arms around her neck. She squeezes your rear a couple times before moving, gait so smooth that you don’t even feel it when she turns on her heel to dump you on the couch with a flourish. 
You sink into the couch cushions, but wrap your arms around hers so that you don’t disappear completely. Her face is so close to yours that you count each individual scar and freckles, including the faint lines of surgical augmentations that only show up in the right light. You snake your hand up to the back of her neck, mindful not to grab ahold of the enlarged neural implant.
“Anyone ever told you you’re handsome, Tom?” Sarah murmurs.
“Mmm, I can think of a few…”
Her laughter is felt on your skin as warm puffs. She kisses you, her lips rough with bitten and half-healed skin that you nip at, chasing them when she tries to pull away. The plasticine fabric squeaks as she carefully, carefully lowers her weight over yours and straddles you, her thighs big enough to keep you in place. 
“Let me know if I’m hurting you.”
“I will,” you promise.
You want to say that you know she won’t, but she always looks so earnest when she asks that this time, you don’t. Because she has before-- there’s a biological differential between the two of you that you never stop thinking about. You work your hand further up to pull her hair out of its ponytail, working your fingers into the coarse locks and kissing her more intently, eyes fluttering shut. I love you, you want to say. I trust you, which is just as hard.
Her hands roam across your shirt and pluck open several buttons so that she can follow the edge of your collarbone and the slope of your shoulders. Her warm, slightly sweaty palms are a sharp contrast to the cool air, and the shock of physical contact has goosebumps lifting on your arms. You lick at her lips and fist some of her hair, mumbling indistinctly as you pull her down closer.
There’s no smart quip or knowing look to make light of your neediness. She finally lets her weight drop onto your lap completely and the kiss moves on, her teeth and lips tracking across the edge of your jaw to just underneath your ear. Instead of letting your hands hover, you start to follow the hard curves of her body, groping at the bunching muscles and admiring the power coiled there. 
Then she snaps into rigid attention, face turned toward the front door, her lips drawn back in a snarl. You vaguely notice that she has a chipped tooth before you hear the door opening and Sarah is still poised over you and she’s kissing you again, hard, and you kind of moan into it--
“Well, then,” an all-too-familiar voice says. “Thomas, care to… introduce me?”
Finally, Sarah climbs off of you, but not before buttoning your shirt and kissing your forehead. Your brain already hurts from the mental whiplash of the situation.
“Um, mother,” you start. “This is Sarah Palmer. My partner.”
Your mother is shorter than you remember. Her hair, once a brownish-black, is in faded tones and grey at the roots. A scar that wasn’t there twenty years ago lurks just by her eye and she looks exhausted. Stress and worry lines make canyons of her face, ones that twist your heart to look at.
“A pleasure to meet you,” Sarah says stiffly.
She does not look amused. She doesn’t look much of anything except terribly stern and suspicious of the scene before her. You almost can’t blame her. Almost.
“You know, I was hoping you’d be here when we got here,” you say. “But it seems you’re still working.”
“Of course. Duty still calls, you know.”
You watch her as she shrugs off her jacket and hangs it up on the coat rack in the anteroom. Both nothing and everything has changed about her and it makes something in your throat tighten.
“Oh, I know that more than anybody,” you breathe. “Yeah.”
“I do appreciate you coming home, Tom,” Audrey says, not looking at you. “It means a lot. I thought I’d have to see you when the Infinity opened her doors to the public. That is still happening-- right?”
“Sure, it’s happening,” Sarah says. “Look, Tom, do you want me to…?”
You shake your head.
“Yes, but I won’t be back on Mars until then. Working nonstop has its benefits-- like a lot of vacation time.”
“That sounds like a dream, to be able to use it,” Audrey replies calmly. “I need to know if we’re having dinner tonight.”
You and Sarah share a look.
“I was thinking we could share a bottle of wine and shoot the shit instead,” Sarah says. “Or some scotch, if you have it.”
At that, Audrey looks amused.
“I never took you for a scotch man, Tom,” Audrey chuckles.
You don’t say anything as she leaves the room, no doubt seeking out the desired glasses and alcohol. The sun is going down outside, plunging the room in a deep red. This was going better than expected. You want to break open the window and run. You want to do anything but sit back down and draw out the table and sit in a semi-circle and “shoot the shit.” But you’re already sitting down and the bottle is open and you haven’t ate anything-- neither has Sarah, even, but with her augmentations drinking on an empty stomach is probably beneficial and--
“Good news, everybody! I took the liberty of ordering us some, what do you humans call it? Party food? You know, for all the drinking we’re about to do. You’re welcome!”
You choke on your own spit and your mother nearly drops the glass she’s pouring. Sarah, for her part, is taking the bottle and stealing a sip directly, if only to conceal a smug smile.
Roland is hovering inches above the faux-wooden table, drawn up to his full height with chest puffed out and expression gleeful. He flicks one hand out in a casual salute toward Audrey before trotting aside and sitting down, legs crossed.
“Cheers,” he says.
“Hi, Roland,” Sarah greets.
You had completely forgotten about Roland. Oops.
“Thomas, I do hate to ask,” Audrey says, peering down at Roland with a pinched expression, “but why is there an AI?”
“Oh, you know,” you say vaguely, waving a hand. “It’s classified.”
“I’m Captain Lasky’s boss,” Roland says, grinning. “So I’m allowed to be here, you see.”
“Are you my boss, Roland?” Sarah asks.
“No, ma’am.”
Audrey’s eyebrows shoot up. She takes a sip from her glass, shifting in her seat uncomfortably.
“Well, I’m Audrey Lasky,” she says finally. “Pleasure to meet you.”
The rest of the night goes painfully.
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forever-rogue · 4 years
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A Good Man - Part 1
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A/N: So...this turned out to be much more than I intended. It’s not a one off, oh no, could I ever really do that? It’s going to be three parts (and yes, I am committing to three and three only before this gets away from me), and yes I guarantee you there will be smut. You can’t have professor Javi without some smut, after all. Shout out to the amazing and lovely @rosetophighlander​ for listening to my ideas and inspiring me! As always, comments and feedback is welcome, and if you’d like to be tagged let me know! xx
Pairing: Professor! Javi x Reader
Word Count: 4.4k
Warnings: none
A GOOD MAN ‘VERSE MASTERLIST
MASTERLIST
JAVIER MASTERLIST 
»»————- ♡ ————-««
Javier Peña was a good man. At least that’s what he was trying to convince himself. He was a good man with a bad past. A past he had pointedly left behind in Colombia. But even now, years later, memories haunted him at night - it wasn’t a regular occurrence, but it was often enough. Enough to have him startle awake, drenched in sweat as his chest heaved up and down. Enough to make him feel like a bad man again.
But that wasn’t him anymore - no. He was a bad man then and he was trying to rectify that now by being a good man. He was a good man, and what was in the past was in the past. It didn’t matter it anymore; he had to bury it and let it die. But every time he thought he had, he still found himself plagued by the memories. Shit. 
He’d returned to Texas when everything was said and done, and taken up a post as a university teacher. It was boring; drool, but most importantly, it was a safe bet. A college professor, who would have thought? If you would have told him this a few years ago while he was in the midst of the drug war trying to bring down both Pablo Escobar and the Cali Cartel, he would have laughed in your face and told you to fuck off. But that was then, and this was now, a very different reality with a very different version of him. Well...no. Javi was still Javi underneath it all, the same man he had always been, he was just trying to be the best man he could be. Trying to make right what in his head claimed made him so bad. 
He was regimented now, almost to a fault, keeping up a routine that claimed most of his mind that wouldn’t let his mind wander too far off track. Gods, he needed a therapist. He knew he did; it was forever on his to do list. Forever the one thing he would get to eventually because it wasn’t pressing enough. Forever the thing he would do when he had more time. Instead he found solace, a small sense of reprieve in his small four-legged friend. 
He was a small, wiry thing with ears that always seemed perked up, colored like sweet milk and honey, affectionately named Stevie, much to Steve Murphy’s chagrin. He served as a good distraction and pseudo-therapist for all that seemed to bother the ex-DEA agent. Sometimes Javi felt bad about how he confided in his little friend but Stevie loved him back all the same, showering him in affection whenever he could.
His routine was the same almost every day, allowing for some variance on weekends. It was strict, almost authoritarian but he had come to have a certain reverence for it. Up at six, out for a jog or walk with Stevie, breakfast for the two of them followed by a shower, at work by 9, a morning class full of mainly bright eyed freshman, followed by office hours where he would check on the dog and then return to eat his lunch by himself, almost always a sandwich, coffee, and some sort of berry, two afternoon classes of disinterested juniors, seniors, and those who seemed to never leave college, followed by a few hours of paperwork and grading before arriving home between six and seven, followed by a simple dinner for himself Stevie. To pass the time he’d read or watch a movie or show, but it was almost always lights out by ten. Sometimes he’d fall asleep quickly, other times it would take him hours. Hours of his brain buzzing with repressed thoughts and emotions that he put off until he fell asleep and repeated his routine the next day.
Weekends allowed for some flexibility instead of the monotonous rigidity. He let himself sleep in longer, go for a long walk with Stevie and have a leisurely lunch, and laze about the house. Sometimes he’d meet up with a friend, usually a coworker from another department and have a drink or two, nothing too excess, before turning in well before midnight. On the rare occasion where he felt restless enough and couldn’t be alone with his own thoughts, he’d go and take himself to a movie, a play, a museum, something that would keep his mind occupied. But by Monday morning he was back to routine. Back to that rigid pattern that kept him on track.
And it had been enough. It had to be enough...right?
»»————- ♡ ————-««
Teaching at his alma mater of Texas A&M in the sleepy town of Kingsville had proven to be both a curse and a blessing. When he’d left the DEA, unsure of what to do, what do he really wanted to do with his life now, he had turned his attention back home. One thing had let to another and, surely with some help from his former cohorts at the DEA, he’d lined himself up a fairly easy teaching gig. It wasn’t anything he had ever really given much thought to, but just like his routine, it had become familiar, mind numbing, and easy. It didn’t take much before it had become part of his regimented life. 
He enjoyed the almost anonymity of it all; no one really knew who he was, the things, both horrible and great, that he had done, no one knew his previous reputation, no one judged him before they had the chance to meet him. He was, first and foremost, Professor Peña. The students came and went; no one questioned who he was truly was and he never offered. As far as his students were concerned, he offered them the tiniest shred, if any at all, of his personal life. It had it easy - simple - to keep things strictly business. 
There had been a few times, a few moments when his heart had almost stopped, that a student would stop by his desk after he’d dismissed everyone and ask him his past. It hadn’t been more than maybe four or five in total, but it had still brought a grimace to his face each time. But instead of completely dismissing anyone, he’d politely decline to answer anything beside easy questions, the kind that were of public knowledge. 
Otherwise he insisted that if they ever have any questions related to the course, exams, or homework, they were welcome to come to see him during his office hours. He had a presence about him, not intimidating per se, but firm and strong that usually deterred people from questioning him any further. They almost never came to his office hours; pretty much no one did. Which was completely fine by him because it always gave him a chance to stay on top of the mountains of paperwork the university imposed on everyone.
Much to his chagrin, however, this year the school’s newspaper had decided to start a professor spotlight column in their monthly magazine. Something about connecting students and professors and creating more of a sense of community. A load of bullshit, was what he thought, but he didn’t push the envelope. He wasn’t trying to ruffle any feathers, to step on anyone’s toes; no, he aimed to blend in. But something about having been the man to help bring down Pablo Escobar and the Cali Cartel made him a subject of interest; naturally it was only a matter of time before eager, hungry eyes were turned to him. 
But Javi knew he couldn’t really decline, it would have been against decorum and he wanted no eyebrows raised in his direction. So, he answered the curious student reporter’s questions with basic answers, just enough to give a taste and satiate them, but not enough to have to dig deep. He let them take his picture, let them publish it in their magazine, hoping that not many students would actually read the column, and just gloss over it. He wasn’t sure if he could handle tons of students only signing up for his class for him. He had not plans on indulging them any further into personal life.
But his routine, regimented schedule was all fine and dandy, and surely he thought they would be enough. They had to be enough, right? That’s what he thought. Surely the monotony of teaching countless students would be enough; that’s what he had come to believe anyway. It had worked out for the two prior years, surely it should have been the same going into his third year there.
Until the day you stepped into his classroom on that first day of that brand new semester and school year. You weren’t like the others...you looked excited, alert, like you actually wanted to be there. Like you wanted to listen to him teach. Like you cared. The swarm of students surrounding you barely looked alive, but you did. There was a certain magnetic charm that you possessed that happened to draw in everyone around you, including the man at the front of the room. The man that was determined to adhere to the strict routine that he had concocted for himself; the man that vowed he not stray from his class structure. The man that so desperately just wanted to be a good man. 
He hadn’t noticed you at first, keeping his gaze focused on the papers and stacks on his desk, picking up the roll call sheets and running through them with a sense of disinterest. Name after name of students that probably just took the class because they needed some sort of credit. They responded in voices that were barely audible, tones that strongly suggested that they did not care whether he made a note of them being in attendance. 
But when he got to your name, calling it out softly, and he heard you confidently and happily respond with a loud here, his deep brown eyes almost jumped out of his sockets. He paused and looked up, taking a moment to push his thick, dark rimmed glasses up his noise, before searching for you in a sea of students. But he knew he had found you when he spied the beautiful face beaming back at him. You offered him the biggest smile he had ever seen within the confines of the small lecture hall.
He was momentarily phased, but the corners of his mouth lifted up slightly as he returned your brilliant smile with the best he could muster up. But before he could get too caught up in anything, even a singular thought that roamed freely, someone loudly coughed and snapped him out of his trance. Quickly switching back to his professor mode, he looked back at the roster and called out the rest of the names, tic marks and blanks boxes galore down the long sheet. 
Like his life, his class structure was regimented, and while he thoroughly enjoyed history, he found it difficult, tedious even, to drone on about pre-revolutionary war America for hours. Sometimes it was enough to make his eyes almost glaze over; while it annoyed him that it got to his students as well, he couldn’t always blame them. But there was something about today, the way that you had smiled at him, that sent a spark off deep within him, and something just snapped. He found himself moving more about the lectern, his hands waving more animatedly as he gave his introductory lecture, and most importantly of all, he found himself stealing glances at you. And you met his glances, almost in a challenging way, never looking away when his gaze lingered a few seconds longer than necessary. 
But, like everyone else, you were eager to pack up your bag and leave when he was finished and excused everyone. You glanced at him a few times as you slid your notebooks and textbook back into your satchel, wondering if you should introduce yourself, or hell, if he really even cared. But instead of acting on any impulses and potentially making a fool out of yourself, you hitched the bag further up your shoulder and left along with the rest of the crowd, letting them swallow you up and allowing you to blend in. It was the end of the day, everyone was eager to get home, especially after the first day of the new semester. Javier was too; first days were always tiring just alone with administrative tasks and getting to know hundreds of new names and faces. But none of them mattered, not really, they were just more students in an endless sea that he would teach and then forget about as soon as finals were graded and returned. 
But somehow...you stuck in his mind. Your face, your curious eyes and soft little smile were already burned into his mind. He found himself musing on it, on how intently you had scribbled down notes, even if he didn’t feel like there was anything to memorize, how your leg bounced up and down the few times your mind seemed to wander as you had glanced around the room, taking in the other students. A low sigh escaped his lips as he slid his paperwork, texts, and other items into his book bag before throwing it over his shoulder. He wasn’t going to let his mind get hung up on you, or anyone or anything else for that matter. 
Sure, you were pretty, very pretty, but so were plenty of other students. He wasn’t going to lie to him; he could admit, at least to himself, when he found a student attractive. Sure, you had a smile that had spoken to something within him, but  -no. You were one student in a sea of hundreds the had for the semester. You would forget him as soon as you turned in your final and went on winter break. He was sure of it. Javier Peña was trying to be a good man, and letting his thoughts go wild about a student was definitely not part of that plan.
When he got home that evening, he walked in the door and left his bag on the small dresser he kept in the hallway, followed by his keys and shoes before eagerly greeting Stevie. He’d stopped by between classes to take check on him, always making sure he had plenty of food, water, and pets before he had to go back. He glanced around the small kitchen, already pondering what he would make for dinner, knowing he was stocked up on everything he would need for the week. In his retirement from the DEA he had become a meticulous planner, something that easily kept his mind busy, and Sundays had become his grocery shopping days were he loaded up on necessities for the week. It was robotic and allowed for little free thought; routine, routine, routine. 
But before he could flick on the soft kitchen light, his hand lingered on the switch, fingers drumming lightly against the plastic plate while he contemplated his next move. Instead of flipping it on,  he dropped his hand and grabbed Stevie’s leash off of the counter-top, dropping to his knees as the small dog wagged his tail in sheer excitement at the prospect of a walk. He gave him a few pets as he clipped the lease on, making sure his large ears received a good scratch.
“What do you say you and I go and pick up some pizza, huh? We’ll even get some beer. Call it a guys’ night,” Stevie made a small sound of excitement, clearly acquiescing to Javier’s plan. He stood back up to his full height, his joints crackling lightly as he grabbed his thin windbreaker, wallet, and keys, slipped his shoes back on and walked out the door, his mind already on the pizza place a few blocks away. It wasn’t even anything he really gave too much thought to, it was most certainly not part of his plan. No, this was all new - a break.
It was the first Javier Pena had strayed from his evening routine in almost three years. 
»»————- ♡ ————-««
As soon as you stepped through the door of your apartment you let out a long sigh as you tossed your book bag onto the floor and stumbled into the living room, flopping face down on the well worn couch. Sarah, your closest confidant and roommate throughout your college experience, looked up from her book and with a small smirk on her face. She’s gotten out of her classes and finished for the day hours ago. 
“First day was that good, huh?” she pushed her glasses further up the bridge of her nose, as you turned your head to glare at her. She was in her last year of school too but had been smart, so you’d come to realize, and taken more classes than she needed in earlier years so her last year would be a breeze. You envied her and wished you’d done the same; now you were stuck with classes that were long, tedious, and required more thinking than you would have liked. 
“I don’t know how I’m going to survive this semester,” you admitted with a heavy sigh; you had no one to blame but yourself. It still didn’t make your little pity party any better, “today’s classes were...boring at best, and I don’t think I’ve ever seen a teacher that cared less than my last one. The topic’s already not my favorite, clearly not his, and I have no clue how I’m going to survive the semester, and this stupid class was the only one open that satisfied one of my last requirements. I’m trying to be excited, you know, to trick myself into liking it, but I dunno if that’s gonna work out.”
“If it all goes to hell, there’s always next semester,” she offered with a shrug before closing her book and tossing it on the coffee table, “what class it is?”
“Pre-revolutionary war American history,” you groaned as she gave you a pained look. Nothing about any of the words that spilled forth from your mouth sounded even remotely exciting, “aka hell. Whoever decided that there should be a whole dedicated college course to this subject clearly wasn’t in their right mind.”
“Hey,” she said suddenly, slipping out of the arm chair and trekking into the small kitchen, before rustling through a static of old mail. She was silent for a few moments before letting out a small aha and grabbing something out before tossing it at you, “I thought that class sounded familiar. Isn’t the guy teaching it the one that in the teacher highlight thing for this month or whatever?”
“You actually think I read this?” you scoffed and took the small magazine, shifting through the pages as you tried to find what she was referring to you. You made it almost to the end before finding the small article hidden and tucked away at the back. Quickly skimming it, you found your professor’s small, grainy, black and white picture staring back at you, “Javier Peña. Yup, that’s him.”
“He’s hot,” Sarah quipped over your shoulder as you silently rolled your eyes at her. That was most definitely not why you had signed up for the class. While you weren’t about to admit you mirrored her thought, you couldn’t help but think she was right. There was something about the small photo looking back up at you that suggested he was...very attractive. Hell, you’d seen him in person, and could confirm. The few times you’d gotten a good look at his face, when he wasn’t bent over his notes or facing the board, you couldn’t deny that he was attractive. Tan, golden skin, thick dark hair and eyes, a handsome face. Yeah, he was hot, but you weren’t about to dwell on that, “do you think he’s single?”
“Sarah,” you groaned at her as you read over the article, surprised to find that was ex-DEA, having apprehended some of the most notorious criminals in recent history. He had seemed anything like the man they had discussed in the article when he had stood in front of the class earlier that afternoon, “that is not...no, that has nothing to do with anything. I just need to satisfy a few more credits in history and I’m done. That’s it; nothing more.”
“I’m just saying,” she shrugged before giving your shoulder a playful nudge, “a little eye candy doesn’t hurt. Especially when you’re taking a class like that. Good lord it sounds awful, I wonder how he got stuck teaching that. Was he as good looking in person?”
“Sar-ah,” you said with her namely slowly as you shook your head at her and sat up. She picked her book back up, a small playing across her features, “none of that matters. But, if you have to know, yes. He was very good looking, in that older guy kind of way.”
“Go on...” she feigned innocence but you could already see the gears turning in her head.
“There’s not much less to say,” you insisted, internally groaning, “wore glasses when he was teaching, white button up, I dunno, the average professor look.”
A damned white button up that had fit him perfectly, highlighting his broad chest, trousers that were slightly tighter than they needed to be, and a silver watch had sat on his wrist. Simple, effective, but yeah, a very good look.
“The average hot professor look, “ she sighed wistfully. The two of you, while best friends at heart, were polar opposites in many ways. While you namely cared about classes and just getting it done, she was more prone to getting lost in her daydream fantasies and pursuing matters of the heart, “I’m just saying! There’s nothing wrong with finding your professor good looking, as long as you’re respectful. Besides, he doesn’t need to know if you think about him at night or when you’re with a boy that you wish was a man like him. Besides, Javier Peña. Professor Peña. That even sounds hot.”
“Why are we friends?” you sighed as you rolled off the couch, a tone of amusement coloring your voice, “why are you the way that you are!?”
“You love me!” she called out after you as you made your way to your bedroom, deciding to get a head start on some work so you wouldn’t already fall behind.
“I’m questioning that,” you stuck your tongue out at her as you grabbed the magazine off the floor and took it along with you. You hoped she wouldn’t notice, but you were sure that her eagle eyed gaze wouldn’t miss a thing, “goodbye and good riddance!’
“Have fun staring at Professor Peña!” your cheeks felt warm and you were sure a deep crimson was already creeping into them. You remained silent as you grabbed your book bag and walked into the room, letting the door slam behind you.
Setting the bag onto your desk, you flopped on your bed as you reopened the magazine and looked back at the small picture again, re-reading the article. It didn’t say much about much him, or speak to who he really was. it was strictly related to business, just like he had seemed to be as he stood in front of the class and gave an almost two hour long lecture with no breaks. He didn’t seem much like a man that was running around and taking down criminals in the heat of Colombia. He had just seemed like a tired, worn out, disinterested man. A far cry from what was presented in the short little article.
And yet...you couldn’t help but think of the few times he met your eyes when he’d occasionally looked up from the board or his lecture notes. You swore there had been a smile on his face then, even if it was a small one, but then again, maybe you had been lost in your own delusions as you had watched him. 
You’d even done your best to actively pay attention and take notes, both wanting him to know that you cared about class and because you knew it would be your downfall if you allowed yourself to miss anything. Even if it wasn’t your cup of tea, you wanted to give him your attention; it wasn’t his fault that it was a tiresome subject - someone had to each it after all. You’d felt bad as you looked at everyone around, all so zombie like and disinterested, looking like they would rather have been anywhere else in the world. You were sure he had noticed it too. 
But you’d already decided to make an effort to actively participate in his class and do your best. You’d quickly scribbled down his office hours and told yourself that if you needed help or had questions you’d ask before you’d let yourself fall behind and struggle. Maybe he didn’t care, he didn’t really seem to, but you did. You somehow felt a need to prove to yourself that you could handle this class, and to prove to him that someone cared, that his efforts were worth it. 
As you dogeared the page with his article on it, you closed the magazine and chucked it into your desk. You didn’t know what his deal was, or wasn’t, but you figured you’d be able to something out of him. Maybe learn more about the man from Colombia, and not just the professor that seemed so lost and wrapped up in his own head.
He had seemed so tired, so...run down that for someone reason it seemed to oddly affect you. Maybe it was because you had seen a glimmer of a smile on his face, watching as his dark eyes had crinkled up the few times he caught your gaze, how it almost reached them fully. Maybe there was more to him, maybe there was more to him than he had wanted to give out. But you were determined to find out what it was. 
You were set that you would try and pull something out of Javier Peña, even if it was just a full smile. Something about him spoke to you, something had drawn you to something, causing an itch that you desperately needed to to scratch. And you sure as hell would.
»»————- ♡ ————-««
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silverandsoulbonded · 3 years
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A Life of Stories - Soulbonding and My Story
It’s the late 90’s. A tiny child sits in the grip of wonder on the carpet two feet from the old, analog television screen. The volume is turned way down on a Saturday morning, so as not to wake the parents. And Digimon: Adventure is playing.
That kid was me.
I spent the next several days telling anyone and everyone I knew about the trials and bravery of my favorite new friends on the TV. Taichi and his Digi-pals.
Every Saturday morning I tuned in with wrapped attention to check in on my friends. Because that is what they were. I could not explain it at the time, and looking back I see that I did not understand just how powerful my love for them was, but over the years I began to notice the disparity between my experience and that of others. The glazed looks I received when I tried to communicate just how much the “stories” around me meant to my heart and spirit.
As I grew, so too did my well of worlds. When it was not Digimon, it turned to Batman and the DC Animated Universe. Over the years, as things became harder and harder for me in an unsafe household, I would reach out to those stories for safety and comfort. In the dead of night, listening to shouts, I would silently pray for Batman to come in and save me. I would think about Static, from Static Shock, and his bravery. I would long for the Justice League to show me hope.
I grew up in a conservative Protestant Christian household, and I was quickly taught from the moment I could understand stories that they were not real. It seemed a strange double-standard to me, as we read of Jesus and his amazing feats, recorded centuries ago by the hands of men but somehow “different” than the other stories I consumed, which also taught me and affected me just as emotionally.
It would not be until adulthood that I could finally articulate this incongruity I felt, much less possess the bravery and personal freedom to think about it on my own terms. To set aside the pre-packaged “truth” I had been fed growing up in order to find my own fresh fruits of wisdom and meaning.
Stories. Stories are what sustain humanity. All we have are stories. Even the perceptions we store in our brains are only that. Perceptions. Stories. We can never truly know what an orange is, or who a person is. We only can know our perception of them, and the story of them that lives on within us.
And, sometimes, those stories speak to us in the most fantastic and magical of ways.
Fast forward to 2021.
I am an adult. A practicing witch and pagan. An artist and writer. I am functional and thriving. And I have an unusual family.
Some of the most important people in my life do not exist on the physical plane of this Earth quite the same as other friends of mine. They exist in the subtle realms of Dream and thought and wonder. Over time I have come to find many names for them. Spirits, guides, and “soulbonds”.
I began my foray into the community of “soulbonding” when I began to sense, or rather, acknowledge the living quality of some of the “characters” I was writing about. One character in particular, a being who introduced himself to me in a dream, had me particularly flummoxed. I called him Asura, and from the moment he entered my life through that dream, my entire world changed. It was akin to stepping onto a roller coaster car while it was still moving—except this roller coaster had no track and no limits. His entire presence permeated my life, my thoughts, my daydreams. I wrote about him, and it was my writing about him that led me to thoughts, questions, and explorations I would have never dared otherwise. By finding him, he led me to find myself, and for that I shall be forever grateful.
At some point, I, and even my closest friends, became aware of a “spookiness” about my dogged pursuit of this mysterious character. I started to know things about him and his world, and make connections in his story, that seemed to come out of nowhere but which all cohered together perfectly. Without a fault, I would learn tidbits about him that would suddenly fit with another thing I learned later, though I never had to strain to achieve such things. It was not so much that I was “creating” the story so much as “recording” it. There were elements of his story that overlapped with our world’s history and it was spooky as all get out when I learned about historical facts through his story and later found them to also be reflected in my own world, which has a similar timeline to his. A sort of “sibling world” to his.
We also noticed the tremendous power of my emotional connection to him and his friends. My boyfriend at the time even became jealous of Asura, though I assured him that was absurd. “Asura is just a story,” I would say. And my boyfriend thought the same yet he, and others, seemed unable to ignore the fact that there seemed to be something weird going on.
And, one day, with horror, I realized I was in love with Asura—fortunately, by that time I had since broken up with my boyfriend—but the idea terrified me. Unsurprisingly, this sent a conservative Christian “good kid” such as myself down into a spiral of questions and disbelief.
I felt the imposter syndrome. I thought, “I must be insane.” Yet, no one, myself included, could deny the reality of this connection I felt.
Over time, Asura and his friends began to speak to me. They guided me and provided loving support to me. I, at the time, figured I was either crazy or eccentric.
“Maybe this is a writer thing,” I thought.
And it was that thought that led me to soulbonding. I learned of other writers who also had their “characters” come alive to them. Alice Walker, author of the famed American work, The Color Purple, allegedly purported that she had received her story straight from the characters’ mouths one afternoon, during which she sat down to tea with them and learned their tale. And that is when I found a forum site called “The Living Library” (now defunct), and learned the term “soulbonding”.
In that community I found others who echoed my story in various ways. Deep personal connections to entities from other worlds, many of whom they found depicted in the flourishing ecosystem of thought and imagination, stories, that surrounds the human race. Others, discovered their unconventional friends via dreams, visions, or odd circumstances just like myself. One person I met had actually found one such friend first, in this instance a version of Edward Elric from “Full Metal Alchemist”, before learning years later—with a start I imagine—that Edward actually had an entire manga and anime about him.
I say “version” because another amazing phenomenon I discovered was the occurrence of many instantiations of people, characters, from infinite worlds, all with slight variances from one another. That is when I was introduced to the idea of Multiverse Theory and Many Worlds Theory.
As my personal investigations led me down various spiritual rabbit holes, and eventually led me to spirit-working and witchcraft, I found more and more ideas that seemed to jive with my experience.
I discovered what are colloquially called “pop pantheons” in occult circles. Pantheons of spirits and deities who connect to pop culture figures in human society—and even figures from “fiction”. And there is a whole, thriving community of people who lead successful, fulfilled, and meaningful spiritual lives working with these entities. I learned that reality and “truth” are not objective like I had been taught so long ago. And I finally understood MY truth—all we have are myths and stories. Experience is subjective and the only measure of meaning and truth we have is in the effects we see in our own lives.
With tremendous wonder and happiness, and even love, I have seen the effects my unconventional friends and family have wrought in my life. Asura is my familiar spirit now, and I have a whole host of other beings whom I love. Some come from “personal gnosis”, or unique experience, such as Asura. Others are beings who have come to me from the vast world of collective Dreaming that permeates our world, evident in media sources, in the form of stories.
I still have moments of doubt. I sometimes wonder, “Gee-golly-whiz, am I NUTS?” But then I remember that my truth exists only in my own experience. My ethereal family brings me happiness, growth, and meaning. And there really is no difference between my relationship with them and the relationship I had with Jesus so long ago. Every experience is real to me, and brings with it change and good. And that is what matters.
In this blog I intend to share my experience, in hopes that it can offer a beacon to others in similar situations. Every person’s experience is unique, though I hope mine can at least offer some hope, understanding, and love to another.
Cheers.
And happy story-telling.
- Cosmic
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omegas-spaghettios · 3 years
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Loki Episode 3 Spoilers!
I wanna talk about Sylvie and her being the Enchantress.
I believe she is truly a Loki variant.
I want to make it clear that I'm not taking the stance she CAN'T be the Enchantress, that isn't my point. My point is I personally do not believe she is not a Loki Variant and I'm going to share evidence to support that.
Also to further clarify, I 100% see that they are drawing inspiration from Enchantress to make Sylvie's character and could see her calling herself the Enchantress, but I do 100% believe she is a Loki Variant.
What I think is the most important is respect. I have a friend who knows nothing about the comics and she got yelled at by another friend for not knowing the Enchantress from the comics and not believing it. Comic fans, cut this out. I know 95% of comic fans who read this won't ever do that, but please be kind to people who haven't read the comics. But regardless, if you are reading this and believe she is the Enchantress and NOT a Loki Variant at all, I'm not trying to disrespect you, please don't disrespect me.
So, all that out of the way, here are my points.
(If you agree with me or don't really care, this is also just a ton of infodumping and character analysis)
1. The MCU loosely follows the comics
This isn't specific evidence but it is worth mentioning, the MCU will change the comics all the time. Thanos is very different in the MCU than the comics, The Guardians are incredibly different, Quill's heritage of being a kid of Ego is an almost completely original story, Civil War's plot varies wildly, there are countless examples. It culminated in WandaVision, where a lot of comic fans got incredibly burned with our predictions, me included (my guess was about Fietro, but I'm mostly referencing Mephisto). Plenty characters also take from others. Nando V Movies has an entire series on it, a notable villain being "Hela isn't Hela." In that video and series he details how some MCU characters draw from many comic characters. So it is not outside the realm of possibility or probability the MCU is taking parts from Enchantress Sylvie and changing it heavily.
I am aware Sylvie is an Enchantress in the comics but her origins have already seemed to vary wildly, so I would assume we are taking her comic self with a grain of salt. I however am by no means an authority on comics Sylvie, I literally just read her wiki page.
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2) Addressing things I attribute to being Genderqueer/Genderfluid
We don't know much about Sylvie's identity so as a blanket statement I will be referring to her as genderqueer. If I use this term incorrectly, let me know.
A large piece of evidence Enchantress fans use is Sylvie hates being called Loki. That COULD be an Enchantress piece of evidence, but it also can very clearly be a genderqueer thing. If she is just trans or largely prefers a feminine appearance/identity, it makes sense she wouldn't like her birth name. I'm Trans MTF and I HATE my birth name, it is very common.
Loki in the show still uses Loki and seems very attached to it, but Sylvie is clearly VERY different. Loki himself is confirmed as Genderfluid, and Sylvie obviously has a very different experience in life from him, so we can expect variance in identity as well. If a version of Loki can be like THIS:
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An already Genderqueer character can be queer in a different way.
Also, her blonde hair being different from Loki's is not an indication she isn't a Loki, changing hair color is so easy it means almost nothing.
Also, isn't the joke that Genderqueer people dye their hair a lot?
3) Her different power set and background
The fact she calls it enchanting is a pretty big indicator, I'll give you that. But the fact her powers function differently than Loki's doesn't automatically means she is not a Loki.
This is discovered as they talk about their backgrounds, Loki grew up and was taught by Frigga while Sylvie was not. Now, we know their pasts vary anyway since Sylvie learned she was adopted much earlier, but this can be taken two ways in my mind and BOTH explain the difference in powersets.
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The obvious is that if Sylvie was not taught by Frigga, she'd have different magic. But an interesting hypothesis is that Sylvie went through becoming a TVA agent and escaped, her memories tampered with, affecting her memories of her training and parents, explaining why she says her mother is a distant memory. That's a hypothesis, but it could explain her different powerset even if she was a standard Loki initially. That could also affect her identity but I would honestly rather it didn't, it feels weird and off, but it's a possibility.
4) Loki's Reaction to Her
Loki notes many times she isn't "acting like a Loki", but I find it much more probable he's just full of himself instead of her not being one.
Loki is interesting because he is incredibly perceptive yet presumptuous at once. He picked up on two Tony Stark's and deduced it was time travel, but he assumed they were trying a last ditch effort to stop him since he succeeded. He is very perceptive of what Sylvie is trying to accomplish, but he doesn't understand WHY she wants to (he's been told, but he can't fathom not wanting to rule).
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The point is, Loki's narrative is not the factual narrative. He notices Sylvie doesn't act like him and that's true! But he speaks of it like she can't be a Loki because he OBVIOUSLY is the gold standard when tons of evidence already listed in earlier sections speak to this difference being due to different life experiences, and his failure to acknowledge this so far is because of his ego, at least in my mind.
Also, the two are also very similar in a lot of respects. Sylvie guesses his sexuality and he in turn says she must be the same, they also both have an affinity for bladed weapons.
I believe the scene where they both try to get into the woman's home illustrates their similarity VERY well. They try different ways of getting in, yes. But they both assume the other will fail, they both are incredibly confident, and both of their confidences get them shot.
5) If she isn't a Loki, why impersonate him?
That's a genuine question, if you have an answer let me know.
What is the benefit of impersonating a Loki? It offers no tactical advantage in my mind. Sure, she is the TVA's biggest threat, but she seems to not understand the general viewpoint of Loki. Mobius calls him pathetic and states Loki's have the highest variance rate, they must be fairly easy to catch.
You could argue that she impersonated a Loki BECAUSE the TVA expects so little of Loki, which is a fair point i can't counter. However, it did blow up in her face since Loki was able to track her (and him tracking her as fast as he did is more evidence that she is indeed a Loki).
So, in Conclusion,
She is certainly at least partially based on an Enchantress from the comics, but I believe there is more than enough evidence to show, both in the show Loki and the MCU as a whole, that she is truly a variant of Loki.
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Loki: Religious Predestination v Free-Will
And how that affects his relationship with Mobius, narratively speaking
So. In case it isn’t clear by *gestures at my whole blog*, I’m a Supernatural blog. I’m a DeanCas blog. I haven’t been around much lately because there are very important, Orwellian things going on in Brasil, but I still keep up with the fandom. And, more important to this post, I still keep up with whatever Marvel’s doing, which means I get up at 7 am every Wednesday to watch Loki.
(Before we start, I’d like to note that I had never actually published any meta on Tumblr. The most I had done was give it to my philosophy and biology teachers as school essays. So, bear with me, okay?)
Well, what does Supernatural have to do with Loki? Not much, except for the narrative they very obviously share. The characters are different, their motivations too, and so are many of the variables that surround, but deep down, at the core, it is the same narrative of Religious Predestination versus Free-Will. And yes, that drives me all the way up the walls.
Religious Predestination is the idea that all events, past, present, and future have been foretold, “written”, predicted by divine, omnipotent beings. There are different types of Predestination, but the two I think fit the most here are Double Predestination and Middle Knowledge (yes, most of my knowledge of this comes from Wikipedia, sue me).
The first claims that God (or whichever omnipotent divine being is responsible for the predestination, in this case, the Time-Keepers) chooses from his own will who will be “condemned” and who will be “saved”. This applies to the show when we consider the fact that Loki has been “predestined” to be a villain. Is all he’s ever been, it’s what he was “born to be”, while the Avengers were all born to be heroes, according to the decrees of the Time-Keepers.
Meanwhile, Middle Knowledge defends that, before the creation of the world (or, in this case, the Sacred Timeline), God already knew every choice that every free-will possessing creature could make in any given circumstance, and He chose the “timeline” that most suited his will. This version also makes sense when we consider the existence of multiple timelines and that the Time-Keepers united them and decided what would be the proper flow of time.
Now, which exact version of Religious Predestination to pick isn’t exactly my point here. My point is that I) everything about the TVA screams Religious Predestination allegory, from the minutemen and other agents being “created” to the words “decree” and “dictate” being thrown around whenever Ravonna is on screen or someone’s talking about the Time-Keepers (who just so happen to be kind of worshipped at the TVA, as there are so many statues of them. They are treated like gods. They are gods.). Do you know what else is a Religious Predestination allegory? Blade Runner. Do you know what was one of the main inspirations for the TVA’s design? Blade Runner! That could mean nothing or that could mean something given *gestures vaguely at the rest of this post*.
So. Loki seeks to escape his “Destiny”. He wants to make his own choices without them being decreed by divine, omnipotent beings. He wants his successes and failures (but mostly his successes) to be his own, and, most important, he doesn’t want to be what everyone expects him to be. Not anymore. Not after what he saw at the TVA. Because everyone is telling him that he was “born to be” a villain (or, at the very least, a side character), he will now want to prove to everyone that he can be more than that. Because he is that “insubordinate, stubborn, and unpredictable” (even if he plans on overthrowing the TVA, I don’t think he sees that as an act of villainy. Maybe he never even planned on actually overthrowing the TVA, maybe he just wanted to get the Variant).
And Mobius, well. Mobius is a good TVA agent. Not all good, of course, ‘cause he has shown more than once that he doesn’t completely agree with how the TVA does things (“They should be scared” “Not of us”), even though, at the end of the day, he believes in them and accepts their mission because he believes they are doing the right thing (unless I’m completely wrong about Mobius, he is the true villain of the show, and has an evil plan of his own. Sorry, I saw a post and now I’m paranoid). So, what happens when an already questioning, though devoted, agent of the Time Variance Authority like Mobius comes into contact with someone like Loki, who pretty much worships Chaos? After having studied Loki’s whole life, and admittedly being a big fan? Well, this happens:
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(If looks could kill indeed, Mobius)
Loki is supposed to drag Mobius out of his comfort zone at the TVA, to make him question things harder. Because it would seem “good people are never truly good”, so what’s behind the TVA’s Orwellian, Blade Runner-y scenario? And, even if they’re just really boring and full of paperwork, why should anyone dictate the proper flow of time? What about Free-Will, what about Chaos?
That is how this sort of narrative is supposed to go. Because Loki and Mobius are complete opposites in where they came from and who they wanna be, but at the same time, they’re much alike, as Ravonna even says. She accuses Mobius of being just as insubordinate and stubborn as Loki is. Loki was born and he wanted to be king because he thought (and was led to believe) it was his birthright. Now he wants to tell his own story more than ever ‘cause how dare the Time-Keepers predestinate Loki. Meanwhile, Mobius was created and all he’s ever known is the TVA’s order. But he is stubborn at heart and he craves humanity (the jet ski???), even if he believes he can’t have it because it’s too chaotic or simply not meant for him.
Mobius doesn’t see Loki as a villain (“no one bad is ever truly bad”?). He believes that Loki can be better. And Loki, if I’m reading this right, should help Mobius see that he’s, you know, kind of working for an authoritarian agency, what with “dictating the proper flow of time” and all that. (Yeah, yeah, I know. Multiversal war this, multiversal war that, but isn’t Doctor Strange’s next movie called Multiverse of Madness? Also, has anyone ever actually met the Time-Keepers? Or do all the TVA agents just blindly follow their orders? Maybe we’re bound to have a Multiverse by the end of this anyway.)
(And I’ve seen this narrative before. Faithless man meets angel, makes angel question Heaven’s orders, angel finds out Heaven is not that good after all, angel literally fall for the faithless man. In between, there is a lot of staring and standing too close and betrayals. It’s ridiculous how similar it is.)
So, where was I going with all of this…look, narratively speaking, from what we’ve seen so far, these two are a perfect match (and I’m not even mentioning Loki’s thing for older men in positions of power, which Mobius is completely aware of
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). But there is a big, big distance between the narrative pointing towards something and the creative (though, let’s be honest, probably the executive) powers following through.
Now, it wasn’t just the Religious Predestination thing that caught my attention here, no. It wasn’t even the Blade Runner parallels (I’m quite sure Loki has Galatians Syndrome, but that’s a whole other post). It was how similar the plot of Loki is to the plot of Where Mischief Lies by Mackenzi Lee. It caught my attention to the point that I’m nervously glancing at my book while writing this. But I don’t want this to be too long, so I’m gonna put that on a separate post.
Anyway, I hope at least some of this made sense, and thank you so much for reading through my rambling!
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darthkvznblogs · 3 years
Note
Saw the new chapter, nice! BTW, how would the various characters celebrate Pride Month?
Apologies, I've been busy with last chapter's reviews!
Wowza, that's a huge ask - I've made a conscious effort to normalize LGBTQIA+ identities in my stories, so there's a lot of ground to cover here! There's also a minor issue in that most of the current stories are set in 2012, which is quite a different landscape in regards to the acceptance of the LGBTQIA+ community compared to nowadays.
With that in mind, I'll try to go for the "ideal" celebration (and I'll throw in the characters' gender identities and sexual preferences, since I've already got those in my ongoing character database). Obviously, this only applies to the characters as portrayed in the Kryptonverse!
(This is a long one, so I'll add a "read more" thingy for the sake of those who aren't interested.)
- I think Luz would take Pride Month as an opportunity to more overtly explore her gender noncomformity; much like was showcased in the Grom episode, she might try on different outfit combinations, different pronouns - whatever makes her feel closer to her ideal self. I think her stint in the Boiling Isles would only make it that much clearer how truly silly it is for other people to try and dictate what she should look or behave like. Luz currently identifies as a bisexual, cisgender woman, but she has found comfort in identifying as nonbinary in the past, and there's really no telling how she might feel in the future.
- Kryptonian society had a great many issues, but a resistance towards gender variance and non-heterosexual preferences wasn't one of them - as long as you followed the strict life path set up for you by the Empire, of course. Kara is still confused about the human attitudes towards this subject, and angry that they affected Alex and Lena negatively in their youth. I think she'd celebrate Pride Month by pushing the Avengers to champion causes that protect the LGBTQIA+ community - not that they need much convincing. Think parades, lobbying for legislation, impassioned speeches, and million-dollar donations to worthy charities - whatever it takes to make sure people know where their heroes stand on this issue. Kara is a pansexual cisgender woman, Alex and Lena are lesbian cisgender women, Tony is a pansexual cisgender man, Steve is a (closeted) bisexual cisgender man, Natasha is an aromantic, bisexual, cisgender woman, Clint is a biromantic, heterosexual, cisgender man, and Rhodey and Bruce are both heterosexual, cisgender men (the Hulk himself is pansexual though).
- Not that Ben was against it before, of course, but I think gaining the ability to swap bodies (and genders, depending on the transformation) at will would give him a much greater appreciation for people who suffer from dysmorphia or otherwise don't gel with the body they were born with. I think he'd champion trans causes specifically during Pride Month - much to the anger of his parents, both conservative politicians. Ben is a bisexual, cisgender man, Julie is a bisexual, cisgender woman, Kevin is a heterosexual, cisgender man, and Gwen is a (currently questioning) bisexual, cisgender woman.
- It's kind of a spoiler to talk at length about Chloé's relationship with her own preferences. Suffice it to say, she would be very much opposed to Pride celebrations initially, but may or may not radically change her attitude as her journey goes on. Chloé is a lesbian, cisgender woman. Adrien is a bisexual, cisgender man (with GNC tendencies as he grows up), and Marinette is a bisexual, cisgender woman.
- Nico obviously didn't grow up in an environment conducive to the acceptance of his being gay. I think there's still a lot of internal self-loathing there, even as his boyfriend and his friends have greatly helped to coax him away from it, and that might manifest as his reluctance to participate in Pride celebrations. I think once he's convinced to attend a Pride parade once, though, it would make a world of difference going forward! Nico is a gay, cisgender man.
- Ellie has never given much thought to her own identity or preferences. She's felt attracted to all kinds of people, but never enough to want to act on it. It's possible that she's aro/ace, or somewhere on that spectrum, but even that feels like an ill-fitting piece of clothing. She is fiercely protective of Danny, though; poking fun or attacking him for being trans is a surefire way to make her go all out against you. She'll happily celebrate Pride with Danny and friends, too. Ellie doesn't currently subscribe to any romantic or sexual preference, but does identify as a cisgender woman. Valerie is a bisexual, cisgender woman. Danny is a heterosexual, transgender man.
- Pidge used to comfortably identify as a straight, cis woman, but her stint as Pidge Gunderson and the subsequent massive expansion of her knowledge of gender identities and sexual preferences due to her travels as a Paladin of Voltron have let her more solidly (ironically) identify as genderfluid and pansexual. She'd have a blast teaching Allura and Coran all about Earth Pride celebrations, and I'm sure she's eager to teach the people of Earth just how little they know about what's out there. Pidge is a genderfluid, pansexual individual (identified as female during Close Encounters, but don't let that fool you!).
- Saiyans have a weird relationship with gender and sexual preference. The average Saiyan is mostly free to do and be whatever the f*ck they want in this regard, but there is definitely a culture of male superiority, and a stigma towards trans Saiyan men, specifically - it's seen by traditionalists as "women trying to rise above their station", much in the same way as marrying between Saiyan classes is scorned. Caulifla and Kale don't have that kind of baggage, though, growing up on Xandar - their dithering about being with each other is just your classic awkward teenage romance, nothing to do with their both being women. Caulifla and Kale both identify as lesbian, cisgender women.
- Dipper may be a straight man, but he's the best damned ally you could hope for - fiercely protective of his pansexual twin and bisexual girlfriend. He's got every opposing argument memorized, and a counterargument ready to go - you do not want to debate him, and he will track your ass down if he catches you trolling/hating online. Mabel becomes even more of a living vortex of glitter and gloss during Pride - sweeping away the more muted Tulip, who'll happily settle for a little bisexual flag pin or sticker on her computer. Hard not to find Mabel's enthusiasm infectious, though! Dipper is a heterosexual, cisgender man, Mabel is a pansexual, cisgender woman, and Tulip is a bisexual, cisgender woman.
That was a lot! I hope it was an enjoyable read, though! @the-literary-lord
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mementomorimissy · 3 years
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Drunken Truths
After having some wine and enjoying themselves, Mobius reveals how he truly feels about Loki. Loki does not take the news well.
Had it been a day? Three? Seven? Loki had not gotten used to how time worked in the Time Variance Authority. He had yet to sleep, so it could have been only a few hours for all he knew. It didn’t matter anyway. He could no longer return to a home that had been destroyed. A world he helped to destroy.
All he could do was work on the ridiculous case of finding his own variant until he knew enough to take over the Agency. Even though this version of himself could not have been as skilled or intelligent as Loki, it was proving to be harder than he expected. It might have been a variant, but it was still a Loki. There had to be something.
Mobius sat across the table from Loki. The files became a jumbled mess between them as they dismissed anything irrelevant. Some agents passed by them, but they were all busy in their own worlds. The only thing that mattered around the table was Loki and Mobius. They occasionally made small talk, but they were both focused on their own documents. Someone had to find something.
Loki didn’t realise he was tired until his eyes couldn’t stay open any longer. The next thing he knew, his head was on the desk and he was back in Asgard. It only lasted a moment, but he was there, drinking with Thor while they were still on speaking terms.
He was awoken by a nudge.
“How about we get you somewhere more comfortable to rest,” Mobius said softly. “Come on. We’ll go to my place.”
Loki scrunched his nose and sat up. “You have a place? Here I was thinking your entire life was a less interesting version of robots that only did what they were told by the giant lizards.” Loki smirked up at Mobius. They caught each other’s eyes.
“Very funny. Now move unless you want to stay here.”
Mobius led Loki through the authority to a door that seemed no different to any other. They hadn’t even left the building. It was nothing but the same brown and yellow architecture. No wonder the agents were the dullest people Loki had ever experienced.
“Do you ever get to see the sun here?” Loki asked as they reached a door.
“Not really. But don’t worry. We get plenty of sunshine when getting variants.”
That was great news for all the agents who actually went to the missions. Mobius grabbed his key from his pocket and unlocked the door. He stepped aside, allowing Loki to walk in first.
Loki didn’t know what he was expecting, but it was not what he saw. It was the same monochromatic scheme and files of paper he had been seeing anywhere else. There was no sign that Mobius was living there apart from a few cans of that ridiculous drink he always had and a few more jet ski magazines. Loki walked through, hoping to find a glimpse of comfort.
“It might not be the lush palace you’re used to-“ Mobius was saying.
“Oh, no. Gosh no. It is truly horrendous,” Loki started before remembering who he was talking to. He smiled back at Mobius. “But I suppose it will be suitable. For the while.” Mobius chuckled and made his way into the den that was the kitchen.
“Thank you for being so considerate. Here.” He returned with two glasses of red wine, offering one to Loki. Loki smiled and took the glass, sipping it. Even the wine was disgusting. Still, it was better than nothing.
Half of the bottle must have disappeared between the two of them, washing away any distaste they had with each other. Eventually, they stumbled their way through the living room and to the bedroom that was barely large enough for the perfectly made king-sized bed. Mobius fell back onto the bed and Loki straddled him.
Loki's lips crashed onto Mobius, hungry for the connection. He curled his fingers under Mobius’ collar, pulling him closer. Mobius’ earthy scent grew stronger. Loki felt Mobius’ hands move to his lower back, securing him. Loki was enjoying it. He could feel that Mobius was really enjoying it.
Every moment they moved brought a small release to Loki. He didn’t have to think about what he was doing. There was no master plan. It seemed like it was the first time in his life that he could just be. What was it about the strange, tender man that did this to Loki?
It could have been the wine, the stress, or the fact that it had been - Loki didn’t even know how long – since he had been held that way, but Loki wanted more. He tore away Mobius’ jacket and moved his fingers down to his pants.
Mobius gently kissed Loki’s neck and moaned, “I love you.”
Loki immediately stopped. He sat up more and stared into Mobius’ pale blue eyes. What trick was this man doing? Mobius just stared back with a look unfamiliar to Loki. It was… warm, pure, maybe even loving. That look slowly turned into one of concern. Mobius coughed and sat up more.
“Sorry. That was too soon. Forget I said anything,” Mobius mumbled. He sat up to kiss Loki’s lips, but was pushed back down.
Loki couldn’t forget that. It was exactly what he needed to hear. It felt wrong. It was wrong. Loki shuffled off of Mobius. He put on his best chirpy voice.
“Well, that was a nice distraction, but I really need to get back to it. We won’t be finding a Loki variant in this dump. Take care of yourself and I’ll see you there.”
He managed to make it out of the room before he heard Mobius calling out for him to wait.
Loki fled to the archives. It must have been late, or early, as there were no one else around. Perfect. He didn’t even know what he was looking for, but Loki searched up and down the aisles.
I love you
Loki could count on one hand the amount of people who told that to him, and nearly half of them were his so-called family. He took deep breaths, reading the same file name for the tenth time. He thought Mobius was a decent person, but he had been wrong many times before. What would he even get from saying that Loki? Did he think it would magically make Loki more compliant? Well, he clearly didn’t know Loki as well as he as he thought.
There was always the possibility that he meant it. That somehow in his naïve stupid head, he thought what he was feeling was love. It was like a kicked dog who kept returning to his master. The poor little thing didn’t know what he was getting himself into.
The squeaks from the end of the aisle alarmed Loki that he was no longer alone. Loki didn’t look up from the file.
“Now that you’ve gotten that out of your system, I would love it if you actually did something to help me,” Loki muttered.
The footsteps got louder until it stopped just when Loki could smell him. Mobius exhaled. He used that ridiculous soft voice he often used when he was talking to Loki – as if he was talking to a child.
“Look. I shouldn’t have said that. I mean, I don’t regret what I said, but it was too soon and not in the right way. I suppose I just got a little too excited. I mean, look at you, can you really blame me?”
Loki turned and started walking down the aisle, but still felt Mobius following him. It truly was pathetic.
“I get it. It was the heat of the moment. You would have the same thing to anyone who snaked their way into your chambers.”
“No. It’s not that. Loki, Look at me.” The file was snatched away from his hands. Loki sighed and looked up at the moustache. It was strange seeing it now that he knew what it felt like against his skin.
Mobius pressed his fingers against Loki’s chin, forcing him to look up until he could see the gentle blue eyes staring back at him. “I really do care about you. I thought I knew everything about you, but you are so much more than I expected. After all the crap that you went through, you’re still trying to be a better person. You’re talented, you’re intelligent, you’re just,” Mobius hesitated for a moment, “you’re just incredible.”
For the first time in his life, Loki didn’t know what to say. There was something different about how Mobius spoke. He honestly believed what he was saying. That just made everything worse.
“I get it. I know everything about me, but you know practically nothing about me. Well, my name is Mobius. My favourite colour is yellow, I like jet skis and I think you’re really cute.” Loki forced back a smile. “Just come back to bed.” Mobius moved his hand down to Loki’s, but before he reached it, Loki fought back.
He grabbed Mobius hand and twisted it so the agent was forced to turn around. He stepped closer behind the blonde, Loki’s lips only inches from Mobius’ ear.
“I am a god,” Loki grunted. “You are nothing but a mindless drone. Do you really think you can trick me with this nonsense? I can see through deceits much greater than yours.”
“What deceit? Loki, this is ridiculous. Let go of me.” There it was. The same warmth and concern he always had in his voice. Loki shouted in anger as he threw Mobius onto the floor. Mobius groaned and tried to get up, but was stopped by Loki pressing his foot onto Mobius’ chest, forcing him back down.
“Stop lying to me,” he yelled. Mobius just stared back as Loki took deep breaths. “You know nothing about me. You can’t love me. I know I’m greater than all the cretins you have put up with, but do not mistake that worship as love, you… you idiot.”
Mobius still didn’t fight back, but he kept his eyes steady on Loki.
“Are you done?”
Loki removed his foot from the agent. Mobius groaned while getting up. “You’re right. We really need to get back to work.” He started to walk down the aisle.
“Mobius,” Loki called out. The agent turned back to face him. As Loki spoke, he heard his voice break in a desperate attempt to be believed. “I’m just doing this to protect you. You know that, right?”
Mobius chuckled and shook his head before pushing his hands into his pocket.
“I really appreciate it, Loki, but I think we both know I’m not the one who needs protecting.” With that, he left, leaving Loki among the shelves. Alone.
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diaryofabeautyfiend · 3 years
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Small Time Witch (28)
The TVA or Time Variance Authority is an organization who monitors time lines and the multi-verse. Since you created a minor disturbance, Mobius was sent to set the timeline back on track. Their methods were harsh yet effective ranging from working for them for several hundred years to erasing you completely using the Retroactive Cannon. Mobius was not here to bring you in. In fact, you have now screwed things up so badly that he was charging you to correct your mistakes.
“I would love a drink. Thank you Y/N. May I call you Y/N?”
“You can start by telling me who you are.”
“Of course.” He drained his glass and set it down. You poured him another. “Mobius M. Mobius. I’m here representing the TVA. We monitor the multi-verse. You have made a mess of things and we want you to fix it.”
“I’m sure I don’t know what you mean.”
He sighed heavily letting his head fall back onto the chair. “Yes, you do. Wife of Loki, witch from Earth here to save her husband from his certain doom. Am I leaving anything out?”
“Nope. Sounds about right. So are you here to arrest me?”
“Arrest you? Heavens no. We want to recruit you. Contract employee. 1099 you at the end of the month for tax purposes. Listen, we love that you’re going after Thanos. You’ll save so many lives except one. Tony Stark. He has to die.”
The floor fell out from under you. The whole purpose of this was to save your friends. You hadn’t even wanted the Avengers to be involved.
“I can’t do that.”
“Here’s the thing, you have to. He has already created civilization destroying weapons. He was supposed to be snapped. Thanos went rogue from the plan.”
“Wait! You sent Thanos?!”
“No. We merely offered him something to kill Stark. Instead, he thought it would be more poetic to let him suffer for five years. And to top it off, he had a child. She’ll continue with his work creating the worst weapon yet. If you take him out now, there will be no Ultron. Sakovia will be safe.”
“But no Vision.”
“Wanda is young. She’ll meet someone else. Good for her though, her brother will still be alive! Good news for everyone. If you succeed, as a thank you, we will restore your husband’s memory. If you refuse, I’ll erase you from existence.”
You couldn’t hurt your friends. You wanted to say no but Mobius M. Mobius was a smooth talker and knew just how to play to your weaknesses. “Tony Stark didn’t have a problem attempting to kill you when he thought you were a threat. Didn’t he poison you? Am I getting that right?”
Your face heated at the memory. You didn’t answer. You both knew he was right. But Tony was also given incomplete and downright false information. “How can I trust what you’re telling me?”
“Have I been wrong about anything else? You don’t have to trust me. In fact, you shouldn’t be so trusting. Thanos already knows what you’re doing. He has spies everywhere. Even on Vanaheim and Asgard. I wouldn’t trust the man who was under Thanos’ thumb just days ago. He’s already betrayed you once. The chamber maid?”
You were heated. Fact was he was right. Loki wasn’t healed from the affects of the stone yet he already knew your plan. Thanos could have still been listening.
“As a sign of good faith, Princess, I present to you the power stone. The Nova Corps is entrusting you with it. You will save Xandar from certain doom. Fun fact, you can expel any of the stones at any time. That should be helpful when you meet with the Ancient One. Be careful with this stone. It bites.”
You cast a protective bubble around you. When you crushed the stone in your palm the pieces crawled under your skin to your core. Once again the light spilled from you holding you in suspension for several minutes then dropping you. You let down the barrier to Mobius clapping. “Three down, three to go. Here’s your plane ticket to Russia. The Maximoff twins already had their brush with the mind stone. You won’t be robbing them of anything. Oh and remember to bring yourself a buddy on Vormir. I’ll be waiting for your call.”
He left a card in the credenza and vanished. You called down to the desk to have more scotch sent up and to extend your stay. You also called up to Heimdall to let him know you do not wish for the princes to disturb you for the next few days.
——————————————————————
Loki awoke the next morning excited to hear of your experience with the reality stone. When he arrived to breakfast you weren’t there. In fact, no one had seen you since you left the previous morning. He didn’t see Thor either. Maybe you had not yet returned.
When Thor came strolling in alone around dinner time Loki was concerned. “Brother, I trust everything went to plan on Midgard.”
“It did! I was able to spend the night with Jane. I should thank your wife for that. Will she be joining us for dinner?”
Now Loki was panicked. “She didn’t return with you?”
“No. She sent Jane and I off. I left her with Erik Selvig and Darcy. She healed him by the way.”
Loki looked away ashamed. His concern for you outweighed his embarrassment. “I haven’t seen her all day.”
“Perhaps she’s still angry over the chamber maid.”
Loki’s face blanched. How on earth did you know about that? “Nothing happened really. Just a flirtation. Who told her?”
“Brother the young lady answered your bedroom door when Y/N went to say goodbye. She is not an idiot. She was able to figure it out.”
Loki was mortified. Old habits truly died hard. You could not blame him. He had only known you to be his wife for a week. You couldn’t really expect him to give up everything. He felt like a fool. You were risking life and limb on his behalf, on behalf of his people and this is how he treats you. A cad and a scoundrel indeed.
He had to see you to apologize. He would throw himself at your feet and vow never again to stray. Beg for you to forgive him. Plead for mercy. And if none of that worked he would buy you something pretty. Though, if he knew anything at all, he would bring you snacks.
Thor called for Heimdall. Unless you cloaked yourself he would be able to find you.
“I know why you are here. The Princess has demanded that she not be disturbed, and I quote, ‘by those two fools’. You see you are the fools.”
Loki sighed in exasperation. “I believe I’ve cracked it. Thank you, Heimdall. Do you know where she is?”
“Yes, your grace.”
Loki closed his eyes and pinched the bridge of his nose, “And where is she?”
“London. At a hotel where she wishes for quiet before she flies to Russia to retrieve another stone.”
“Brother, we should be with her. She already absorbed two stones....”
Heimdall cleared his throat, “Three. She took in the power stone last night.” He stopped speaking for a moment and Loki realized he was listening to you. “Please, Princess. I do not wish to repeat...yes, ma’am. The Princess says, again I quote, ‘I’m stronger than both of you. Leave me alone or it’s over for you bitches when I get back. Also leave Heimdall alone.’ Please forgive, your highnesses.” He twisted the sword and sent Thor and Loki back to Vanaheim.
Loki was furious. Fuck groveling. Loki wanted to march right into your hotel room and demand you apologize. How entirely rude of you to just pop off without a single care for him. And over what? A smack on the bottom of a nameless servant? How actually dare you treat him this way? You won’t see him? He is a prince and your husband. You don’t have the right to refuse his company.
Thor, on the other hand, was terrified. Leave it to Loki to pick a fight with the most powerful witch in the known universe. He thought it best not to antagonize the pissed off witch possessing the power of three infinity stones. He came up with a possible solution. He proposed Valkyrie accompany you to Russia just in case something happened. You were powerful enough to level Midgard. Best have someone who can keep you in check.
At first Valkyrie refused. It wasn’t her job to babysit the princess. When Thor promised she could use Midgardian weapons she was in. Heimdall refused to send her at first. Loki promised you probably wouldn’t kill him. Very reluctantly he complied. Little did Loki know, Hilde was just the girl to make you all better.
——————————————————————
Hilde knocked politely so she would not scare you. You were operating on a hair trigger as of late. She really didn’t want to die. To her surprise, when you saw her in the hall, you began to giggle uncontrollably. “They sent you to bring me back? Idiots.”
“Actually, they asked that I accompany you to Russia. Just in case.”
“Fun! First drinks though.”
After several shots of tequila and one failed margarita attempt, the two of you were pretty sloshed. It had been a really long time since she had this much fun. Equally as long since she allowed anyone to call her Hilde. Only her sisters called her that. You made her laugh with your drunken college stories. When you told her about your emo college boyfriend having a chronic twitch she damn near peed herself.
After polishing off some snacks from room service the two of you collapsed into bed together still giggling. You finally worked up the courage to tell her about your affair.
“You know, in the future, you and I are really close. Like super close.”
“How so?”
“Well I know you have that heart shaped birthmark on your left thigh and when I kiss it it makes you stupid. I also know you like being called daddy in bed.”
She belly laughed at the notion that you two were together. “Does Loki know?!”
“Nope.” You both lost it.
“Norns! Can I be the one who tells him?!”
“Future you asked that I take a picture of his face when he finds out. I’m glad you’ll get to see it in person.”
“Oh hi Prince Loki! In the future I bed your wife.” she mocked.
“Hilde. Would it be weird if I asked you to spoon me? It’s been a while since I shared a bed with someone who actually wants to be around me.” Without hesitation she pulled you close to her body and nuzzled your hair.
The next morning you left for Russia. Normally a whole team would be required to infiltrate a Hydra base. You didn’t really need the back up. Hilde watched your six while you dismantled their security system. You could feel the stone pulling you in its direction. No alarms sounded so you got to the stone and slipped it in your pocket. You heard shuffling from some corner of the room and pulled Hilde closer to you. Wanda’s magic illuminated the darkened room.
“Give back the stone and your friend lives.” Pietro had Hilde by the throat. She had her hand on the hilt of her sword but you singled her to wait.
“Wanda, I know you don’t know me but, in the future, we are great friends. Closer to sisters. I’m not here to hurt you. I’m going to free you. I know a place where you can go.”
“That’s funny. You must not really know my sister.”
“I can prove it, Wanda. Please?”
She was behind you now. When she placed her hands on the side of your temples she showed you your worst fears. All of your friends and family were dead at your feet. Your hands glowed with power. Your skin spattered with their blood. The stones had overpowered you. Where they ended and you began was unclear. You felt yourself sinking but not for long. You regained control and maneuvered to grab her.
You held her with little effort and showed her your friendship. She still didn’t trust you completely but she relaxed some and told Pietro to let Hilde go.
“How did you break free of my magic?”
“Because I’ve practiced with you. Studied your magic. We did it together. I can help you. Please.”
“You can take us out of here?”
“Yes. To a safe place in New York. We don’t have much time. I can take you there right now. No planes. I can open up a portal and we’re all there. What do you say?”
“Pietro? What do you think?”
“Anywhere is better than here.”
“Good. Take my hand.”
You jumped to Charles Xavier’s School for Gifted Youngsters. If there was ever a safe space, it was here. The Professor greeted you all.
“Hello, Y/N. But you are not our Y/N. This much I can tell.”
“Do I look old?”
He laughed, “Nonsense. You look powerful. Come in. All of you. We can have some tea and Wanda and Pietro can show me their talents.”
The twins felt immediately at ease there. Ororo showed them around and helped them get settled. You introduced Hilde to the faculty. She insisted on staying by your side when it was time to take in the next stone.
You went to the medical unit with Jean and the professor. They hooked you up to some electrodes and put you in a padded fire proof space. While you did your thing, they waited far behind a glass.
Just as before the pieces of the jewel cut through your body. Light spills from the open wounds and you fall to the floor writhing in pain. “Don’t let it control you, Y/N. You are stronger than the stone!” The Professor calls out to you. Finally you are calm. All of the monitors attached to you are flashing and ringing. Xavier and Jean come in to examine you. They are extremely concerned. You raise your hand to heal yourself but he stops you.
“Y/N, you understand that every time you take in a stone you are irradiating yourself with gamma rays? You are doing irreversible damage to yourself. There is a reason mortals cannot wield all six of the stones. You have taken in four. I’m not sure you can survive two more.”
“I can. I have to, Professor.”
“Or what, Y/N?” Jean asked.
“Or the time police guys are going to erase me and Tony Stark’s kid will make a weapon capable of destroying planets. Please. I have to finish my mission.”
The Professor and Jean order you to rest for a few days while they figure out how to treat you. You sent Hilde back to Vanaheim to let everyone know you were ok and being cared for. You stayed in the medical ward and the Professor put you into a medically induced coma. He monitored your brain activity to ensure you wouldn’t be a danger to anyone in your unconscious state.
You dreamt in vivid colors. What Wanda put in your head, you couldn’t shake. The stones were possessive of you. They fed off of you draining away all that you were. Eventually you would become the power. Everything seemed to be more alive. Even in suspended animation your muscles ached. They were growing and changing just as every other cell in your body mutated. On the outside you remain unchanged save for your hair color. You kept hearing Mobius’ voice reminding you that you could expel the stones at any time. The stones made you feel bound to them. You would be nothing without them. Wandering around your psyche you fought them for control.
When Hank brought you out of your coma you took a breath and your lungs burned. You coughed and sputtered grabbing at the air for anything to hold. To connect with something. Your vision was too blurry to see who was on the other side of the hand who held yours. Wanda’s soft voice filled your ears, “Open your eyes, Y/N. We’re here.” You nearly jumped out of your skin when you saw Hanks sharp toothed grin.
“There she is.” Hank said softly.
You pulled Wanda closer to you and embraced her. You were unsure if you could trust what you were seeing to be real. You fought a battle for control of your mind, your body, your energy, your perception. Four down and you didn’t know if you had the strength to take the last two.
Once everyone was satisfied with your recovery you asked for a meeting. You explained your journey and what Thanos planned to do. They would support you. For the next stone, you had to go back to Manhattan to meet with the Ancient One. You purposely saved the soul stone for last. You couldn’t comprehend whom you would even sacrifice. It had to be a sacrifice though. Someone you loved. Someone you cherished. You set it aside for now and headed to 177 A Bleeker.
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killian-whump · 3 years
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I feel so bad about liking whump and I want to stop but I don’t know how
Oh, Nonny. If I could, I’d give you a big huge hug right now, because I feel like you really could use one.
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First of all, I want to tell you in no uncertain terms that THERE IS NOTHING WRONG WITH YOU. You’re a beautiful human being, just like every other human being - made up of a pure soul and a whole big mess of totally natural idiosyncrasies, impulses, and interests that are entirely beyond your control. There are a lot of things in life that we can control - our actions, where and how we apply ourselves to our goals, our career paths, our relationships and interactions with others... but when it comes to the very core of our selves, our likes and dislikes, the things that appeal to us, comfort us, or even arouse us - we’re truly at the whim of an intricate mix of neurons and chemistry that we humans can scarcely even understand, let alone control. There are aspects of the whole shebang that are determined by “nurture” rather than “nature” - but nearly all of those things (if not ALL of them entirely) were set in stone long before you were old enough and smart enough to do anything about any of them. So what does this all mean?
Liking whump isn’t your fault. It’s nothing you chose for yourself, and it’s obviously not even something you want. It just is what it is. It’s the same as how someone born with diabetes or autism just is how they are. The only difference is that science can see and measure where and how someone with a physiological divergence veers from the norm, and it’s generally acknowledged that those variances are due to no fault of their own. But thankfully, society is starting to realize that a lot of things that can’t be measured or “seen” in a person’s physical makeup (like gender, sexual preference, mental/emotional disorders, etc) are no less a part of who they are and equally beyond their control. Liking whump is absolutely no different.
It's easy to lump “liking whump” in with other things we might like - the movie genres we like, the shows we watch, the authors we read. However, the polls and discussions us whumpers have taken part in point to whump being something much deeper than just a trope we enjoy. There are emotional and sexual aspects to it (even in those who don’t consider whump to be a sexual kink - the fact that so many whumpers identify as asexual is too coincidental to BE coincidental!) that point to it being more of a core aspect of one’s personality than a mere intellectual fancy.
And that means... Liking whump isn’t something you just quit. With all of the whumpers I’ve spoken with over the years, I’ve never met a single one whose interest in whump faded or magically went away. It might change or evolve, but it tends to remain a part of who you are for the long haul. So the sooner you can make peace with it and stop feeling bad about it... the better!
To start with, you need to stop feeling bad about it. As I’ve said, liking whump is NOT something you chose for yourself. It’s even something you’ve tried to get rid of. So feeling bad or guilty about it makes about as much sense as feeling bad about a mole you might have or the color of your eyes. You’re being unnecessarily hard on yourself, Nonny, and you need to stop it.
Secondly, the things we think about or even enjoy in the privacy of our own minds is no one’s business but our own. Your mind, your thoughts, and your fantasies are all yours and yours alone. No one has the right to judge - or even know - what goes on in there. That is YOUR sacred space and literally anything that happens in there is perfectly okay. It’s what you DO, the actions you take and the choices you make in life, that determine what kind of person you are - NOT the thoughts and images that float through your mind or bring you pleasure. Thoughts are not action. Fantasies are not reality.
Liking whump does not make you a bad person.
Daydreaming about, say, your favorite character/crush/celebrity getting kidnapped and kept in a dungeon isn’t bad. It’s a private, personal fantasy that brings you some kind of satisfaction and makes you feel good - and hurts no one. It is entirely different from actually kidnapping someone and keeping them in a dungeon - which is really, really, really bad and also very illegal and would definitely hurt people and is generally an awful idea. You see? One is not the other, and you needn’t worry about one turning into the other - I haven’t yet met a whumper who’s gone off the deep end and acted on any of their whumpy imaginings!
At least, not with an unwilling partner ;) Which is the other thing to consider: Some whumpers are sexual sadists. They get aroused by seeing others in pain. Rather conveniently for such people, there are also masochists in this great world of ours - folks who get aroused by being in pain. One finds their counterpart in the other and both get their needs met. And, again, there’s nothing wrong with it. No one is getting hurt that doesn’t want to be hurt, and it’s no one’s business but the people engaged in that relationship.
So be nicer to yourself, Nonny. Whether you’re an all-out sexual sadist or just a more general kind of whump-lover, there’s nothing wrong with you. You’ve got an unusual interest (maybe even a kink, that’s your call) that no one ever even has to know about unless you want them to. That’s it. That’s all it is. You’re not bad, you’re not evil, you’re not morally bankrupt, you’re not destined to become a serial killer or end up in prison. You’re just a regular, normal person with an extra spicy imagination. Give yourself permission to enjoy it!
Just, you know, keep it in your head (or in your writing/art/etc) and don’t become a criminal mastermind ;) Or if you do... remember your good ol’ pal KW and send me a couple of cute sex slaves. I like ‘em dark and broody. Thanks ;)
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twh-news · 3 years
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Tom Hiddleston on The Evolution of Loki: From Villain to Hero and Back
After playing the cosmic superbeing and anti-hero Loki for a decade in six Marvel Cinematic Universe movies, actor Tom Hiddleston says he was “surprised, delightedm and in some ways completely thrilled” by the notion of continuing to personify the God of Mischief in the new Marvel/Disney+ series Loki.
“When I first started playing the character, I did a lot of research,” Hiddleston tells Den of Geek. “And the thing I realized at that time was the character has so much range and contains all these different characteristics sometimes which contradict each other. I loved what Marvel Studios had invented as a context for exploring and externalizing some of these things that he’s always contained.”
In Loki, an earlier version of the character than the one we have seen in recent years manages to escape the custody of the Avengers in 2012 with the help of an errant Infinity Stone. But he inadvertently creates an alternate timeline by doing so, bringing him to the attention of the extra-dimensional bureaucracy known as the Time Variance Authority, who are charged with keeping the timeline secure.
“I think the TVA, the institution that claims to govern the order of time, is a fascinating place to put Loki,” says Hiddleston. “Loki represents chaos and mischief and transgression and disruption, and he’s playful and charming and can be very dangerous. To have these two forces of order and chaos meet in the middle is really exciting.”
We first met the Marvel Cinematic Universe’s version of Loki, God of Mischief and member of the royal family of Asgard, in 2011’s Thor. He was a loyal brother to the title character and a dutiful son to Odin, ruler of the Nine Realms.
But doubt and ambition began to quickly chip away at Loki, especially once he found out he was not a true Odinson but the child of Laufey, leader of the Frost Giants, taken by Odin after the last major war between the Asgardians and the Giants.
Feeling hurt, betrayed and passed over in favor of the full-blooded Thor, Loki schemed to align himself with Laufey and his people, bring down Thor and Odin, and rule Asgard himself.
Defeated at the end of Thor, Loki survived a plunge into the void of space and aligned himself with the Mad Titan, Thanos, gaining possession of the Tesseract, vessel for the Space Stone, and leading an army of Chitauri to invade Earth in 2012’s The Avengers.
Although he was beaten back by Earth’s Mightiest Heroes in that epic battle, Loki would appear in four more MCU films — Thor: The Dark World (2013), Thor: Ragnarok (2017), Avengers: Infinity War (2018) and Avengers: Endgame (2019). Over the course of the first three, he would gradually evolve from a complex villain into an anti-hero of sorts — fighting once again alongside his adopted brother — and finally into a hero who sacrificed himself in a doomed, fatal bid to stop Thanos.
But it’s in Endgame that a trip back to 2012 by several Avengers goes astray and allows that version of Loki — the still unrepentant trickster who just tried to conquer Earth — to snatch the Tesseract and vanish into space and time. So the Loki we meet in the new series is not the regretful and ultimately noble warrior who gave his own life in Avengers: Infinity War.
“I had to un-stitch some of the evolution that Loki had gone through in The Dark World and Ragnarok,” says Hiddleston when asked about resetting the character back to an earlier stage in his development.
“It was kind of like time travel in its own way, because I was going back to a time when I performed the character again in a particular context, in the first Avengers movie,” Hiddleston elaborates. “It was really interesting, because obviously Loki hasn’t lived through the successive evolution, but I have. I actually have real memories of doing those things. It was a really curious day at work.”
For director Kate Herron, who is guiding Loki’s progression as a character through all six episodes of the series, picking up with the God of Mischief as he was nine years ago was a “unique opportunity.” She explains, “I’ve loved Loki’s arc over the last 10 years of Marvel. I just was so pleased that I got to be the one that goes back in with him.”
Herron continues, “But he’s from Avengers, so he’s in a very different emotional head space. A really cool question I wanted to explore in the show was, is anyone truly bad or truly good or in that gray area in between? I feel Loki lives in that gray area so often for so many of the films. That to me was really exciting — can he move past decisions that he’s made in his past or will he always be defined by them?”
Although Hiddleston has had other successes on the stage, TV and in the movies — including hits like The Night Manager and Kong Skull Island — Loki remains his breakout role and, for millions of fans, the one that defines the actor in pop culture. But even after inhabiting Loki for more than a decade (and perhaps more to come), Hiddleston is careful to separate himself from the character.
“I can tell you, I am not an iconic character from ancient Norse myth,” he says with a laugh. “That’s not one of the strings in my bow, as it were. (But) I found him such a fascinating character and I understand that he means a lot. He means a great deal to a great number of people and that something he represents is something that’s part of the experience of being alive. He is unpredictable and spontaneous and playful, but he’s also emotionally complex and there’s some fragmentation there.”
As for the appeal of Loki, Hiddleston adds, “I think his kind of chaotic energy is something that people are drawn to, as well as his vulnerability at the same time. Tricksters in all mythologies occupy this position, that you can’t ever pin them down. You can’t put them in a box or categorize them. It has been a real honor to step into those shoes for the time that I’ve been able to do it. Loki will live on in the minds of human beings for some time, I think, and I’m just a temporary passenger.”
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nezumiismissing · 4 years
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Authoritarianism Without Leadership and the Formation of Spatial Identity
I think at this point I have probably brought this up in every single one of my analyses, so it’s about time that this topic gets its own breakdown in a full length post (or 2 or 3). There’s a lot to cover and it’s going to get way out there, but hopefully you can find something useful here. And if not, maybe it can at least be entertaining. More exploration of this topic to come at an unspecified time after the convention when my brain decides to enter the No.6 zone again. (and yes it is over 3000 words so, you know, plan for that)
So if you couldn’t tell, the No.6 anime does not have an antagonist, at least not in any traditional sense of the word. The opponent our characters are facing off against, it turns out, is not an evil scientist or an organization or a military, but instead it is the city and its systems that must be either destroyed or reformed by the end of the story. And while those other characters exist within the world of No.6, and all take actions that go directly against the desires of our main characters, they are not fought against especially directly and within the anime have no real identity, instead only existing as part of the whole. But what is the whole exactly? I think the easy answer here is to say that the whole is society, the culture we live within that shapes everything we do in life and that must have some amount of force placed upon it to change in any significant way. But when we say that “society is the whole”, and therefore the antagonist of No.6, what do we mean by that? And how does our perception and interpretation of what it means to be a society impact how we read and understand the story of No.6?
Now, having society be the antagonist of a young adult dystopian series is not something that No.6 came up with, obviously. It's basically a necessity of the genre. But within that structure, although not always apparent at first, there is a lot of variance. These worlds are almost always authoritarian and hierarchical, the result of some massive war or natural disaster that we have been unable to fully heal from, but outside of that, the way in which these worlds are built and understood are vastly different. Some are pretending to be utopias while others give us no image of what it means to be at the “top” and only show suffering. Some take place in over-crowded cities and others have sparse populations of people constantly searching for each other. There are social (and human) experiments, revolutions of all shapes and sizes, monsters and aliens and governments that are all in one way or another trying to reflect the very real events that are taking place in the real world in a way that is perhaps more comprehensible, or at least entertaining. Society as it currently exists is very much the antagonist of these stories, and at the center (and everywhere else) of a society are individual people making decisions that may or may not be good and may or may not have good intentions. So it is easy to see how, when it comes down to it, while society is implicitly understood to be the antagonist, most of these stories focus their energy on the removal of a tangible threat, usually a person or group of people who are determined to be “in charge” of the society and therefore responsible for much of the misery of a dystopia. The No.6 novels also fall into this group, as does the manga. But the No.6 anime, for whatever reason, decided to do something completely different, and something that is arguably much more terrifying.
From here on out I will just refer to the anime as No.6 and will specify if I am mentioning the novels/manga.
In No.6 things do not happen because someone says they need to happen, but they instead happen for…. what reason exactly? We see the mayor referenced briefly in the first episode, so we can assume that he is the one in charge of decision-making, but he makes no actual appearances. The military is clearly shown demolishing the West Block, but who is giving orders? Who is watching over the scientists at the Correctional Facility? Deciding where the wall will expand next if at all? In most stories you would see questions like these answered either near the beginning of the story or revealed at the end, and if it's neither of those then they’ll probably still show up at some point in the middle. But in No.6 there is none of that. There is no one or no group clearly “in charge” of what is happening at any time in regards to the city and its surroundings. Instead, it seems, the city has reached a point in which the details of how these things are occurring are unimportant, and that for the most part, things will unfold with or without the input of an individual or group. The implication of this being that No.6 is somehow separate from its people and government, and is, in a sense, alive.
I think this is largely why the anime is able to be so effective, despite its many other issues. On a surface level, the story lacks any kind of antagonist, making it unclear where exactly it's going. But the existence of the city as an independent entity fills in these odd gaps, creating the image of a society that has, quite literally, lost control of itself. It also makes more concrete the theme of “society vs nature” that is kind of hinted at for most of the story and then kind of shoved in your face at the end with Elyurias and Nezumi’s backstory. But with Elyurias being the physical embodiment of nature, what exactly is it that she is opposing? But before we get into that, some framing and questions (or maybe just one very big question).
What does it mean for a city to be “alive”? Not in the sense that things are happening in it and people are living there, but in the sense that it thinks and feels on its own and makes choices about itself that are not the direct result of human or other external input? Clearly people were responsible for its creation, and took care to create systems that would hold it together. But those systems were not created for the city itself, but rather the survival of the people living within it, with the city and society simply being a result of our need to be social. The city, if we are to see it as a living thing, doesn’t really gain anything from this arrangement so long as we are in control of it, and so will seek out ways to separate itself from us. It does need us to continue existing, however, and so it can’t truly create anything new on its own, and will instead make use of what we have already created. It will warp itself in unexpected ways, or cement systems that otherwise would change or disappear over time, so that it will better serve itself and maintain continuity while still appearing as though run by people. Different people will have varying amounts of control over how this all unfolds, but at a certain point there will be things that can no longer be changed through “traditional” means, at which point people will have to create and impose systems on a large scale that do not fit into the current form the city is in. And this is the point at which No.6 finds itself.
Now, there is a lot of my thinking that I’m skipping over here, especially in regards to how this applies to the real world and the implications that has, but for the purposes of No.6, this is a good starting point. The city that existed before No.6 was “killed”, restructured, and brought back to life as the result of a world war, and at the beginning of the story, we are already at a stage in which this new city has separated itself from its people and become a conscious entity. We see this process from a different perspective in the novels, with characters questioning how everything got to this point as they come to realize that the things they thought they were doing were never in their control in the first place, and that something else had made the city what it was. By omitting these characters entirely though, the anime makes their point clear, “it doesn’t matter who thinks they’re in charge of things, the city will function just fine with or without them”. I would argue that much of this is made possible through the advanced technology available in No.6, making it possible to automate systems in a way that keeps people entirely out of the process of dealing with massive amounts of vital information. You could probably even say that the “essence” of No.6, its identity as a sentient being, is mostly made up of these computerized systems and algorithms that determine everything about how a citizen will live their life.
This is, of course, similar to the way in which Elyurias is understood to operate, the main difference being that she is made up of natural, rather than man-made and technological systems. As sentient, omnipresent beings, they make use of small parts of their greater existence in order to convince different components to act in ways that are beneficial to their continued survival, reproduction, and expansion, with the survival of the individual components being far less of a concern as they are perceived as being easy to replace. Elyurias uses the parasitic bees to infinitely self-replicate, allowing her to endlessly alter and maintain the natural world as she sees fit. No.6, on the other hand, makes use of social and technological systems to convince its citizens to keep things as they are, or expand the limits of the city, or any number of other things it cannot do on its own, but are seen as crucial to its continued existence. Within the context of the story, there is no one person that needs to be “in control” of these actions, since the city is acting in what it sees as its own benefit, but it is also aware that in order to maintain itself, someone must appear in charge, and may even be influenced to believe that that is the case.
The problem with No.6, of course, arises from its desire to continue expanding while otherwise maintaining society as it currently exists. A static city is one that is destined to fall apart, or else have control returned to the people until a new form of stability can be achieved. So in order for No.6 to maintain its identity as an independent entity, it must change in other ways, and thus views expansion and increased complexity as a path forward. When it comes into contact with Elyurias as a result of this expansion though, it is clear that their goals as entities are incompatible and cannot occupy the same space. For Elyurias this necessitates the destruction of No.6, since the city has already been responsible for the damage and destruction of large areas of her “realm”, while No.6 sees her as an opportunity to improve its own systems through the assimilation of her powers into its “realm”. This assimilation, as the city sees it, both expands its power through the elimination and subsequent exploitation of a competing entity, as well as further automates its own processes through the combination of technological and natural systems. None of these benefits are seen by the citizens, of course, and in fact the result would instead be an almost complete removal of their free will, but for No.6’s purposes those effects are inconsequential so long as the people continue existing. 
This formatting can also be extrapolated to describe Shion and Nezumi’s roles and understanding of the world, which clearly play a much more prominent role in the outward text of the series. Shion has a difficult time understanding and accepting No.6’s absolute corruption not because he has no experience with the suffering it has caused or or the inherent problems with hierarchy. Clearly he has been subjected to both of those things quite early on in the series. Instead the issue arises from the fact that while Nezumi, who learned about Elyurias in his childhood and has an understanding of “sentient” non-human systems, Shion has no basis for comprehending this, and is therefore unable to see how No.6 could have become so awful without anyone noticing or intervening, and cannot understand the true nature of the issue without first passing it through the filter of human decision-making processes. Nezumi falls into this as well on several occasions when he claims that the citizens are the ones at fault for the city’s problems. But unlike Shion, this comes from a lack of understanding of the specific systems that make up the city and a need to have a concrete place of blame rather than a belief in complete human control over society. Through this lens, the story of the human characters of No.6 in the anime is one of coming to understand the nature of both human and non-human systems, where they may intersect and overlap, and then determining how change can be brought about when we do not have control, or even meaningful access, to those systems.
So when a city has separated itself from its citizens, when it has become functionally “alive” and begins to behave in ways that no longer benefit or sustain our conception of humanity, what can be done to regain control? Can a city that has become independent be brought back under human control, or must it be destroyed and rebuilt, its structure completely altered so that little if any of what was originally there remains intact? The answer that No.6 seems to give is much more in line with the latter idea (at least in this fictional instance). Because of No.6’s rapid development, there was never a chance for people to fully grasp what they were really doing, and if anyone did realize what had happened, it was far too late to alter the city in a way that took away its power. The city is authoritarian to the point of self-inflicted genocide in an instance of internal social destabilization, and the faulty addition of Elyurias’ power makes this self-destruction incredibly easy. The fact that her assimilation into No.6’s system is incomplete only exacerbates the issue, and is ultimately what leads to its destruction.
The destruction of the wall as a physical presence has any number of meanings, some of which I have written about before and others that I may or may not write about in the future. But within this reading of No.6 as “alive”, what stands out the most is the fact that what ultimately gave the city its independent status was its refusal to even interact with other systems. Its purpose, its role, as an entity was entirely one of self-preservation, born from the paranoia that inevitably followed the war responsible for its creation. By destroying the wall, and allowing people access to “others”, the city cannot remain isolated and reinforce a singular concept of society, therefore losing almost the entirety of its power over people. Without the wall, there is no No.6, and without No.6, people are once again free to build something new.
Just to bring this all back around to where we started, and maybe simplify all that down to something manageable, what does it mean to have an antagonist that is alive, but not human or otherwise sentient in a way that we understand? In No.6’s case, I don’t think it is enough to say that society is the problem, or that by removing a government and installing new leadership, all of the problems can be solved. Unlike in the novels and manga, the anime does not even give us the second option, since there functionally is no government to oppose for the most part. Instead, we are given a city that people have not had influence over for a significant amount of time, one in which “society” is not a single thing shaped by the people that make it up, but is also a social system that is imposed upon people by a non-human force. No.6, as an entity, needs its citizens only to the extent that they are useful to it, namely as a mechanism for expansion and self-defense, but exists as such that the people living within it are completely reliant upon it in every aspect of their lives. Something so simple as putting someone else in the arbitrary position of “leadership” is meaningless when that person has no real power, and so in order to reclaim human control over the entirety of society, an inaccessible entity must be destroyed. In this sense, Nezumi is not wrong to say that No.6 needs to be destroyed completely, and is instead only misled as to what that actually means, mistaking the people living within the confines of the city for the city itself. The defining feature of the city, the wall, also acts as the source of its power and independence, and thus its destruction is functionally equivalent to its death, leaving behind only a loose collection of systems and beliefs that are no longer upheld in any physical or tangible way.
Society is made up of people, that is clear, but what is less obvious is that people are also made up of society. We can recognize that society impacts us and shapes who we are and how we think, but it is perhaps the case that to an even stronger degree, society is operating outside of our own individual or even collective input, and is, in a sense, self-sustaining. Rather than our own beliefs being imposed upon an ever-changing society, it is a preexisting society that imposes itself upon us, deciding when, how, and if things will change. It does change over time, and that of course is due to people’s existence within it, but what No.6 makes clear, to me at least, is that while people are unable to survive without the construction of a society, even if that society is destructive, the society at a certain point will no longer need people to maintain itself outside of the basic definition of its existence, and it is at that point that it becomes much more difficult, and dangerous, to change.
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