#there’s a difference between characters people play and their actors

[writingquestionsanswered]

Hi, do you have any advice for indecisive writers? <3 Anything in general would help, I'd love something specifically for autistic people (whose brains shut down the "decising-making centre") too if possible <3

Tips for Indecisive Writers

My number one tip for indecisive writers is to not be afraid to go "old school" and literally pick something out of a hat or roll a dice. For example, if you're deciding between three different plot ideas, you can write each one on a few folded up pieces of paper, throw them all into a bowl, mix it up, and whatever you draw is the one you go with. Or, you could say 1 and 2 are idea #1, 3 and 4 are idea #2, and 5 and six are idea #3, then roll dice. And, actually, if you type "roll dice" into Google, you can roll digital dice and you can choose up to 20-sided dice or customize your own number of sides. This is particularly helpful if you have a list of items, such as several names you're trying to decide between.

If you Google "online decision maker" you come up with a bunch of different online tools. Easy Decision Maker lets you type in a question... for example, "What should I name my character?" Then you can enter up to 26 options. When you click the "answer" button, it chooses one for you. Picker Wheel lets you put in the various options, then spin a wheel to decide.

The trouble I tend to have is sticking with whatever "fate" decides at that point, but one thing I've learned is that sometimes when my brain plays that game... where I roll a 4 meaning I go with plot idea #2, and then I'm disappointed, I know that is because some part of me knows I want to do either idea #1 or idea #3. So, even though it isn't working exactly as planned, I've still accomplished something... I've eliminated a choice. Now I can roll again, with 1 -3 being idea #1 and 4 - 6 being idea #2, and I know if I'm disappointed again with whatever I get, then the remaining choice is the one I wanted all along. For whatever reason, though, my brain can't just make that decision. It needed to go through that process to get there, and that's okay!

Now, as helpful as decision making tools can be, they're not always helpful in the moment, when you're writing and you're not really stuck between particular choices, but rather you're facing an empty void and aren't sure where to take the story next. For me, this is where pre-writing comes in really handy. I always go into a story with a beginning to end summary at the very least so I know where things are going. There's still often some decision making to be done, but I find it easier to do before I write rather than during.

When it comes to finding things to even decide between... like when you're planning your story and you come up empty on something, I find inspiration sources to be extremely helpful. For example, let's say I want to write a romantasy, and I have no idea what I want the setting to be like. That's the worst kind of indecision, because it's not like I can just type four or five locations into a decision maker and let it pick for me. I don't have a list to even pick from. So, looking at inspiration sources helps. Maybe I saw a travel show about Bavaria which really intrigued me... that could be a great inspiration location for my setting. Or, let's say I'm not sure what I want my character to look like. I might scroll through a list of up and coming actors, through the cast of a random TV show or movie, or think about actors in TV shows or movies I've recently seen. As I scan past thumbnails of head shots, when I see someone who looks like my character, I can stop and note down the name or save the photo. And with any inspiration source, if I find myself unable to decide between multiple inspiration sources... it's back to the ol' decision maker!

I hope that helps!

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I’ve been writing seriously for over 30 years and love to share what I’ve learned. Have a writing question? My inbox is always open!

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[plutoniumsourcandy]

hey can we Not make agere content about real people

[wellanthropologicallyspeaking]

i’m watching thru the entirety of lewis and playing this game rn called “take a shot everytime you see an actor in lewis who was also in endeavour”

[atalana]

having one of those nights where i'm just. extremely frustrated about fatphobia's existence and the fact that whatever i do to try and change it will be a drop in the ocean and there'll always be people who think i'm just saying this because i'm lazy

[fortes-fortuna-iogurtum]

I'm just. like. do y'all even know how complicated all of this is going to be to explain to non-Who initiates.

[rugretti]

🥺oliver stark

[cherryredstars]

1K Prompts

Pairing: Actor!Miguel O’Hara x fem!reader

Warnings: 18+, NSFW, Penetrative Sex, Talks of Making a Sex Tape, Talks of Impregnation

Summary: Every movie star needs a costar. 

Word Count: 910 (Not Edited)

It was different, a good different. 

Miguel doesn’t remember the last time someone had no idea who he was. Sure, maybe some people didn’t know him by name, but at least they recognized him from one of his roles. Even then, he was met with a ‘you look familiar…’ before it clicked. But not you. You don’t even have that fake calmness when fans pretend to be chill about meeting celebrities. You genuinely looked like you had no idea who he was. He thinks that's the exact reason he became so attached to you. 

He didn’t have to pretend with you, didn’t need to put up that celebrity persona for you. You enjoyed him, not the man who played make believe roles. You weren’t disappointed when he didn’t act like one of his movie characters. In fact, to this day, you still get the movies and characters mixed up. You liked him and he couldn’t have been more grateful. 

He did feel bad when your relationship got exposed. He was stressed, scared all the gossip and constant invasion of privacy would get to you, that it would end everything between the two of you. But you were strong, resilient. You came to him with your concerns, not the press or the tabloids. It meant a lot that you trusted him instantly, pushing aside the horrible rumors because you knew who the real Miguel was. He has no idea how he got so lucky. Doesn’t know how he was able to find someone so good and pure in the mist of glitz and glam.

And he makes sure you know how grateful he is. He offers to take care of you, having the money to make your dreams come true. God forbid you make a joke about him buying you something crazy, you’ve made that mistake before. You only ask for simple things, nothing too fancy or screaming celebrity status. You’re so modest, getting upset when he buys you something so ridiculously expensive. You are constantly scolding him that there are better things to be spending money on than an overpriced pair of shoes that don’t even look like it's worth half of its retail price. That there are so many other people he could be spending his money on, like good charities or people who are actually in desperate need of it. He makes it his monthly gift to donate a couple thousand dollars to your organization of choice. 

Since he can’t show his love through gifts, he does it through actions most of the time. He makes you a nice dinner even when he’s tired from a day of shooting. He offers to help you do things around the house. Drags you out of bed early in the morning for a coffee date before he has to go on set. Brings you to his latest movie set and shows you around if it's a calm day, his acting getting a hundred times better knowing his cute little girlfriend is in his chair watching him work. His favorite thing to do is to show his love by keeping you pinned to the bed as he ruts into you. 

He loves watching you wither on the bed, clutching onto him for dear life. You look better than any model or actress as you stare up at him, mewling so nicely for him. He coos into your ear, telling you how pretty you look taking his cock. He’s constantly pressing into that gummy spot inside of you, causing your back to arch and to look up at him with glassy eyes. You look like a goddess, a fucking pornstar as your eyes roll into the back of your head. 

“Fuck, hermosa. Feels so good,” he mumbles into your ear, nipping at it as he groans. “Look so fucking good, too.”

You whimper under him, only capable of responding in sounds of pleasure. Reducing you to this state, where nothing but pleasure and lust consumes your body, is better than any award he could get. He can feel your walls fluttering around him, his release quickly approaching. 

“Should make our own movie. Make you my good little actress,” He grunts as he puts the last of his energy into his thrusts. Your walls clench so damn tight around him at the idea, making him hiss out. “Yeah, you like that? Want me to record you being a good little bunny for me? Huh, amor?”

He props his hand in between the two of you, flicking your clit to elicit a response. You can only nod, babbling nonsense as your walls pulse wildly. With a few more pumps, your walls hold Miguel in a vice grip as you come. You let out gasping breaths, desperately reaching for Miguel. He’s quick to hold your hands, burying his face into the crook of your neck as he coos down at you. He bullies his cock into you as much as he can with your walls spasming around him, giving a few more sloppy snaps of his hips before he stills. 

He lets out a desperate moan as he empties into you, panting into your ear. Both of your bodies are flushed and sweaty, but buzzing with love. Miguel holds you close, not having the energy to pull out. He mumbles sweet nothings into your ear, kissing any skin he can reach. 

Hopefully, the next tabloid rumors will be whether or not he’s fucked a baby into you. 

Part 2

[professorcalculusstanaccount]

“Robbie is gone! I’m still here! And I refuse to live in his shadow!”

Rastapopoulos himself may be out of the picture, but his ghost continues to haunt those who were caught in his web.

A collaboration with @aboardthescheherazade using her OC Marlene Katz - an actress Tintin tries to save in Cigars of the Pharaoh!

Five years later and Tintin is baffled to see Hollywood starlet Marlene Katz turn up at his doorstep asking for help. Formerly under the thumb of Cosmos Pictures, Marlene became an unsuspecting witness to Rastapopoulos’ criminal activity and now the mob is after her, seeking to tie up some loose ends. To top things off, she is due to make a public appearance at The Golden Palm, a prestigious film festival. After years of hiding, Marlene is determined to get her acting career back on track, and this film may be her big break.

Tintin is highly suspicious. Chang, on the other hand, is utterly star struck, and after noticing an uncanny resemblance between the two hatches a ridiculous scheme that may finally put an end to this particular problem. It might just work, but Marlene makes the last minute decision to also go undercover, feeling immense guilt over having Tintin and Chang risk their lives for her.

While Tintin is running around in heels and beating up mobsters Haddock is away on a weekend break with Ramo Nash. Before leaving he asked Chang to keep Tintin away from any incidents and to promise not to throw any house parties.

This was my first collab on this blog and I had a lot of fun bouncing ideas off with Vaye. Her blog was one of the first Tintin blogs I followed - definitely check it out, it’s an absolute treasure trove of resources and research! Below are a few notes of stuff we discussed while making this:

- After the Blue Lotus, Marlene breaks away from Rastapopoulos and pulls back from the film industry to lay low, teaching dance classes instead. He keeps trying to come back to her, leaving her exhausted and paranoid. Since Rastapopoulos always considered Marlene to be pretty stupid he never made much of an effort to properly hide his criminal activities from her, but Marlene was able to slowly piece things together...

- This adventure takes place after St. Benezet’s Basement (the boarding school story) and before Call of the Songbird (Tintin Fucks Up and Steals A Whistle). Tintin is still in the grips of trauma from the canon stories. Chang is starting to settle in. Haddock and Nash’s relationship is in full swing, but they are keeping things quiet from everyone else. 

- In some sketchbook comics I did to flesh out ideas there’s hints of Tintin being gay and asexual, his complete lack of interest in Hollywood actresses and his mild irritation of people’s judgements being clouded by crushes! Chang’s attraction to Marlene however, foreshadows his feelings for Tintin later on down the line.

- There’s a role reversal theme going on here. Both Tintin and Marlene are victims of Rastapopoulos but in very different ways. By playing each others’ roles they both can get a clearer picture of how Rastapopoulos hurt people, and therefore a better understanding of their own traumas. Tintin is usually spontaneous and rarely makes himself known, but here he is playing a set character. Marlene as an actress, on the other hand, is used to receiving direction from others, but circumstance pushes her to improvise. I can imagine her using her skills as an actor to get into character as an ace reporter to fake some much needed bravery!

- Marlene’s disguise is literally just stuff she pulls from Tintin’s and Chang’s closets. She’s wearing Tintin’s trenchcoat, dress shirt and suspenders and Chang’s spectator shoes, trousers and scarf!

- Marlene is a very skittish person but will be compelled to do what she believes is the right thing. As Vaye put it, “Marlene’s bravery under fire is that she’s like the one person in a room who’s willing to get a spider outside...” Marlene is also older than Tintin and pretty much views him as a child, even though he’s in his early 20s at this point. She feels incredibly guilty about what Rastapopoulos did to him and the fact he’s risking his life for her. She feels some level of responsibility for him.

This all started because I thought it would be cool for Tintin to beat some guys up in drag

[artsekey]

Disney's Wish

Look, Disney's Wish has been universally panned across the internet, and for good reason.

It’s just…kind of okay.

 When we sit down to watch a Disney film—you know, from the company that dominated the animation industry from 1989 to (arguably) the mid 2010’s and defined the medium of animation for decades—we expect something magnificent. Now, I could sit here and tell you everything that I thought was wrong with Wish, but if you’re reading this review, then I imagine that you’ve already heard the most popular gripes from other users across the web. So, let me focus in:

The biggest problem with Wish—in fact, the only problem with Wish—is Magnifico.

Whoa, that’s crazy! There’re so many things about Wish that could’ve been better! The original concept was stronger! The music was bad--

I hear you, I do. But stay with me here, okay? Take my hand. I studied under artists from the Disney renaissance. I teach an adapted model of Disney’s story pipeline at a University level. I spent a ridiculous amount of time getting degrees in this, and I am about to dissect this character and the narrative to a stupid degree.

First, we need to understand that a good story doesn’t start and end with what we see on the screen. Characters aren’t just fictional people; when used well, characters are tools the author uses (or in this case, the director) to convey their message to the audience. Each character’s struggle should in some way engage with the story’s message, and consequently, the story’s theme. Similarly, when we look at our protagonist and our antagonist, we should see their characters and their journeys reflected in one-another.

So, what went wrong between Asha & Magnifico in terms of narrative structure?

Act I

In Wish, we’re introduced to our hero not long into the runtime—Asha. She’s ambitious, caring, and community-oriented; in fact, Asha is truly introduced to the audience through her love of Rosas (in “Welcome to Rosas”).  She’s surrounded by a colorful cast of friends who act as servants in the palace, furthering her connection with the idea of community but also telling us that she’s not of status, and then she makes her way to meet Magnifico for her chance to become his next apprentice.

Quick aside: I'm not going to harp on Asha as a character in the context of Disney's overall canon. Almost every review I've seen covers her as a new addition to Disney's ever-growing repertoire of "Cute Quirky Heroines", and I think to be fair to Asha as an actor in the narrative, it serves her best to be weighed within the context of the story she's part of.

As Asha heads upstairs for her interview, we're introduced to the man of the hour: Magnifico. He lives in a tower high above the population of Rosas, immediately showing us how he differs from Asha; he’s disconnected from his community. He lives above them. He has status. While the broader context of the narrative wants us to believe that this also represents a sense of superiority, I would argue that isn’t what Magnifico’s introduction conveys; he's isolated.

Despite this distance, he does connect with Asha in “At All Costs”. For a moment, their goals and values align. In fact, they align so well that Magnifico sees Asha as someone who cares as much about Rosas as he does, and almost offers her the position.

… Until she asks him to grant Saba’s wish.

This is framed by the narrative as a misstep. The resonance between their ideals snaps immediately, and Magnifico says something along the line of “Wow. Most people wait at least a year before asking for something.”

This disappointment isn't played as coming from a place of power or superiority. He was excited by the idea of working with someone who had the same values as he did, who viewed Rosas in the same way he does, and then learns that Asha’s motivations at least partially stem from a place of personal gain.

Well, wait, is that really Asha's goal?

While it's not wholistically her goal, it's very explicitly stated & implied that getting Saba's wish granted is at least a part of it. The audience learns (through Asha's conversation with her friends before the interview) that every apprentice Magnifico has ever had gets not only their wish granted, but the wishes of their family, too!  Asha doesn’t deny that this is a perk that she’s interested in, and I don't think this is a bad thing.

So, Is Asha’s commitment to Saba selfless, or selfish? I’m sure the director wanted it to seem selfless, wherein she believes her family member has waited long enough and deserves his wish granted, but we can’t ignore the broader context of Asha essentially trying to… skip the line.

Then, we get our first point of tension. Magnifico reveals his “true colors” in snapping at Asha, telling her that he “decides what people deserve”. This is supposed to be the great motivator, it’s meant to incite anger in the audience—after all, no one gets to decide what you deserve, right? But unfortunately for the integrity of the film and the audience's suspension of disbelief, at least part of Magnifico’s argument is a little too sound to ignore:

Some wishes are too vague and dangerous to grant. Now, there’s visual irony here; he says this after looking at a 100 old man playing the lute. The idea that something so innocuous could be dangerous is absurd, and the audience is meant to agree.

... But we’ve also seen plenty of other wishes that might be chaotic—flying on a rocket to space, anyone? The use of the word vague is important, too—this implies wording matters, and that a wish can be misinterpreted or evolve into something that is dangerous even if the original intent was innocuous. His reasoning for people forgetting their wish (protecting them from the sadness of being unable to attain their dreams) is much weaker, but still justifiable (in the way an antagonist’s flawed views can be justified). The film even introduces a facet of Magnifico’s backstory that implies he has personal experience with the grief of losing a dream (in the destruction of his home), but that thread is never touched on again.

              What is the audience supposed to take from this encounter? If we’re looking at the director’s intent, I’d argue that we’ve been introduced to a well-meaning young girl and a king who’s locked away everyone’s greatest aspiration because he believes he deserves to have the power to decide who gets to be happy.

              But what are we shown? Our heroine, backed by her friends, strives to be Magnifico’s apprentice because she loves the city but also would really like to see her family's wishes granted. When this request is denied and she loses the opportunity to be his apprentice, she deems Magnifico’s judgement unfair & thus begins her journey to free the dreams of Rosas’ people.

              In fairness, Magnifico doesn’t exhibit sound judgement or kindness through this act of the film. He’s shown to be fickle, and once his composure cracks, he can be vindictive and sharp. He's not a good guy, but I'd argue he's not outright evil. He's just got the makings of a good villain, and those spikes of volatility do give us a foundation to work off of as he spirals, but as we’ll discuss in a bit, the foreshadowing established here isn’t used to the ends it implies.

              While I was watching this film, I was sure Magnifico was going to be a redeemable villain. He can’t connect with people because he's sure they value what he provides more than they value him (as seen in “At All Costs” and the aftermath), and Asha’s asking for more was going to be framed as a mistake. His flaw was keeping his people too safe and never giving them the chance to sink or swim, and he's too far removed from his citizens to see that he is appreciated. Asha does identify this, and the culmination of her journey is giving people the right to choose their path, but the way Magnifico becomes the “true” villain and his motivations for doing so are strangely divorced from what we’re shown in Act I.  

Act II:

His song, “This is the Thanks I Get!?” furthers the idea that Magnifico’s ire—and tipping point—is the fact that he thinks the people he’s built a kingdom for still want more. Over the course of this 3:14 song, we suddenly learn that Magnifico sends other people to help his community and doesn’t personally get involved (we never see this outside of this song), and that he’s incredibly vain/narcissistic (he's definitely a narcissist). I think feeling under-appreciated is actually a very strong motivation for Magnifico as a character-turning-villain, and it works very well. It’s justified based on what we’ve seen on screen so far: he feels under-appreciated (even though he’s decidedly not—the town adores him), he snaps and acts irrationally under stress (as seen with his outburst with Asha), and he’s frustrated that people seem to want more from him (again, as seen with his conversation with Asha in Act I).

              But then… he opens the book.

Ah, the book. As an object on screen, we know that it's filled with ancient and evil magic, well-known to be cursed by every relevant character in the film, and kept well-secured under lock and key. But what does it stand for in the context of the narrative's structure? A quick path to power? We're never told that it has any redeeming qualities; Magnifico himself doesn't seem to know what he's looking for when he opens it. It feels... convenient.

I think it's also worth noting that he only turns to the book when he's alone; once again, the idea of connection and community rears it's ugly head! Earlier in the film, Amaya-- his wife-- is present and turns him away from taking that path. In her absence, he makes the wrong choice.

This decision could make sense; it contains powerful magic, and if it were framed in such a way that the people of Rosas were losing faith in Magnifico’s magic, as if what he can do might not be enough anymore after what they felt from Star, going for the book that we know contains spells that go above and beyond what he can already do would be logical. Along the lines of, “If they’re not happy with what I do for them, fine. I, ever the “martyr”, will do the unthinkable for you, because you want more.”

            It would keeps with the idea that Magnifico believes he's still trying to help people, but his motivation has taken his self-imposed pity party and turned it into resentment and spite.

 But, that’s not the case. Instead he talks about reversing that “light”, which has had no real negative or tangible consequences on Rosas. Everyone had a warm feeling for a few seconds. Again, it’s meant to paint him as a vain control freak, but… he hasn’t lost any power. The citizens of Rosas even assume the great showing of magic was Magnifico.

Act III

              Then, we get to the consequences of opening the book (and perhaps my biggest qualm with this film). The book is established as being cursed. Magnifico knows it, Asha knows it, and Amaya—who is introduced as loyal-- knows it. The characters understand his behavior is a direct result of the book, and search for a way to save him. This is only the focus of the film for a few seconds, but if you think about it, the fact that his own wife cannot find a way to free him of the curse he’s been put under is unbelievably tragic. Worse still, upon discovering there is no way to reverse the curse, Magnifico—the king who built the city & “protected it” in his own flawed way for what seems to be centuries—is thrown out by his wife. You know, the wife who's stood loyal at his side for years?

              It’s played for laughs, but there’s something unsettling about a character who’s clearly and explicitly under the influence of a malevolent entity being left… unsaved. If you follow the idea of Magnifico being disconnected from community being a driving force behind his arc, the end of the film sees him in a worse situation he was in at the start: truly, fully alone.

              They bring in so many opportunities for Magnifico to be sympathetic and act as a foil for Asha; he’s jaded, she’s not. He’s overly cautious (even paranoid), she’s a risk-taker. He turns to power/magic at his lowest point, Asha turns to her friends at her lowest point. Because this dichotomy isn’t present, and Magnifico—who should be redeemable—isn’t, the film is so much weaker than it could’ve been. The lack of a strong core dynamic between the protagonist and antagonist echoes through every facet of the film from the music to the characterization to the pacing, and I believe if Magnifico had been more consistent, the film would’ve greatly improved across the board.

I mean, come on! Imagine if at the end of the film, Asha—who, if you remember, did resonate with Magnifico’s values at the start of the film—recognizes that he's twisted his original ideals and urges him to see the value in the people he’s helped, in their ingenuity, in their gratitude, & that what he was able to do before was enough. Going further, asking what his wish is or was—likely something he’s never been asked— and showing empathy! We’d come full circle to the start of the film where Asha asks him to grant her wish.

Pushing that further, if Magnifico’s wish is to see Rosas flourish or to be a good/beloved king, he'd have the the opportunity to see the value in failing and how pursuing the dream is its own complex and valuable journey, and how not even he is perfect.

 The curse and the book (which, for the purposes of this adjustment, would need to be established as representing the idea of stepping on others to further your own goals/the fast way to success), then serve as the final antagonist, that same curse taking root in the people of Rosas who’ve had their dreams destroyed, and Asha works with the community to quell it. Asha’s learned her lesson, so has Magnifico, and the true source of evil in the film—the book—is handled independently. Magnifico steps back from his role as King, Amaya still ends up as Queen, and Asha takes her place as the new wish-granter.

This route could even give us the true “Disney villain” everyone’s craving; giving the book sentience and having it lure Magnifico in during “This is the Thanks I Get!?” leaves it as its own chaotic evil entity.

All in all, Magnifico's introduction paved a road to redemption that the rest of the film aggressively refused to deliver on, instead doubling down on weaker motivations that seem to appear out of thin air. Once the audience thinks, hey, that bad guy might have a point, the protagonist has to do a little more heavy lifting to convince us they're wrong.

Look at the big-bad-greats from Disney's library. There isn't a point in the Lion King where we pause and think, "Wait a second, maybe Scar should be the guy who rules the Pridelands." Ursula from the Little Mermaid, though motivated by her banishment from King Triton's Seas, never seems to be the right gal for the throne. Maybe Maleficent doesn't get invited to the princess's birthday party, but we don't watch her curse a baby and think, Yeah, go curse that baby, that's a reasonable response to getting left out.

What do they all have in common? Their motivation is simple, their goal is clear, and they don't care who they hurt in pursuit of what they want.

Magnifico simply doesn't fall into that category. He's motivated by the idea of losing power, which is never a clear or impactful threat. His goal at the start seems to be to protect Rosas, then it turns into protecting his own power, and then-- once he's corrupted-- he wants to capture Star. The problem is, there's no objective to put this power toward. Power for power's sake is useless. Scar craves power because he feels robbed of status. Ursula believes the throne is rightfully hers. Maleficent wanted to make a statement. Magnifico... well, I'm not really sure.

[hollowdeath]

hii! I love love loveee ur harry fic. can I request a modern au where harry and fem reader are both famous actors, they get paired up to do a movie where they have to do a s3x scene, and things get pretty heated off set as well ~

hi! thank you so much for requesting, i really enjoyed writing this! i hope you like it!

pairing: harry james potter x fem!reader AU (18+)

summary: you're filming your first romance movie that features a sex scene with harry potter (early 20's), an actor you've only ever seen on the big screen. despite both of your nerves, a growing chemistry between you two leads to something more in the dressing room.

content warning: smut!!! dry humping, oral sex, penetration

word count: 8.7k (i can't write short blurbs i swear lol)

you were currently sitting in the hair and makeup chair chatting with the stylist about each other's respective careers, laughing and messing around before your official call time. you always went out of your way to talk to the crew on any set you worked, not just to be respectful, but also to make everyone comfortable around you right away.

it was a little hard to grasp from your perspective as you were only thrust into the spotlight a few years ago, but you were in enough successful movies that you were now pretty recognizable to most people. not that long ago you were just like everyone else, a fan of celebrities yourself who went to premiers and fawned over meeting them. today, those same people are technically your coworkers. it's something you're still learning to accept as your new normal.

that being the case, it was easy for people to feel a bit intimidated by you. you were well-liked, by both fans and people in the industry, and already highly-acclaimed with quite a few notable awards/nominations under your belt in just a couple years. and while you took your acting seriously, in your real life you were very different from the stoic characters you played. funny, warm, personable, always trying to lighten the mood - you were a pleasure to work with in every sense, so the intimidating preconception people had of you would quickly melt away.

"wow, jen, it must be so cool being able to work with so many celebrities all around the world," you sighed. the stylist, jenny, gives you a bewildered look in the reflection of the mirror. "well, you do that too y'know? you're one of those celebrities that people will ask me, 'oh my god, what's she like?'" she laughs at you, finishing up the final details of your hair.

you give her a half smile, feeling a blush rise on your cheeks. "okay, well, i guess…but it's not the same. i'd love to travel as much as you do. i know it's for work, but i'm sure you get to see some pretty incredible places," you gush. jenny smiles back at you.

"i do, it's nice and all, but you get to be on the big screen with some pretty handsome faces," she teases. "i mean, that movie with timothee you just did?" she practically moans. "i would do anything for that boy," she laughs.

your blush only worsens. being a young woman in the industry you're very often paired with actors around your age, almost always men, to have a romance plot line with. it seems like no matter how artistic, action-packed, or sad the movie is, they just can't let you leave without having you makeout with said actor at least a million times before getting 1 good take. after a while it becomes so routine that it loses all novelty. kissing becomes meaningless and these 'heartthrobs' just become coworkers to you.

"please, timothee's like my brother at this point," you roll your eyes, pulling out your phone to check the time. just a few more minutes before you have to leave and be on set. "and i'd much rather do his makeup than makeout with him in front of everyone again," you laugh, putting your phone back in your pocket.

"well, y'know, i was doing the potter boy's makeup just before i came in. wouldn't mind making out with him a few times, lucky duck," she teases you, starting to pack up her equipment.

harry potter. the name was familiar to you. he was an actor around your age who started getting more roles at the same time you did. you always seemed to miss each other at award shows and premiers, so you haven't been properly introduced yet, but you had been somewhat excited to work with him on this movie.

it was your first proper romance, a book adaptation that you had actually read just a few years prior on your own. you knew the director well and you were his first choice when casting the lead role. at first you were a bit hesitant to accept because you didn't even enjoy the little romance you did in your previous movies, so you weren't sure how you'd feel doing an entire film centered on it. but robert, the director, had convinced you to at least read the script, and you were hooked from there.

it was less of a romance and more of a drama, focused on the downfall of a marriage due to the wife, you, having an affair. that's where potter came in. you learned he was cast for the role of the 'side piece' only a month or so before filming began, and you weren't sure how to feel. on one hand, like jenny said, he wasn't bad looking from what you had seen in his films. however, when you previously did these types of scenes with costars, you at least knew them previously and could be friendly with them between takes. you had never met potter, not even seen him off-screen, and now you have to have an entire affair with him on camera.

that's another thing. you've only ever done heated kissing scenes before, maybe a little undressing and implied nudity, but nothing too explicit. this would be your first real 'sex scene', which just added another layer of awkwardness to the situation on top of not even knowing the basics about each other. to say you were anxious about filming those scenes would be an understatement.

"then you can take my place, cuz i'm not looking forward to it. you know i've never even met him before?" you ask as you stand up from the chair, stretching your body after sitting for over 2 hours. "just gonna introduce myself like, 'yeah, hi, i'm [y/n], nice to meet you. you ready to pretend to fuck passionately for the next 4 hours in front of the catering staff?'" you joke, putting on a voice and pretending to shake jenny's hand. she laughs at you, pulling her hand back and waving you away.

"oh hush, you're gonna do just fine. hell, you might even like it." she gives you a smirk as you just laugh her off. you exchange goodbyes with her, wishing her well and thanking her excessively for her time.

as you're walking through a maze of hallways to find your set, you run into robert. he looks like he's seen a ghost when you greeted him.

"oh…[y/n]...i've been meaning to talk to you…" he says nervously, trying to keep his tone positive. you narrow your eyes at him. you've worked with robert long enough to know when he's about to tell you something he knows will annoy you.

"robert…" you warn him, a hint of sarcasm in your voice. he sighs. "look, just walk with me." he tells you as he walks away, motioning you to follow.

as you catch up to him, he begins trying to find the best way to break the news to you. "see, well…we uh…we think it's best if, uh…maybe…" he stammers, causing you to look at him with concern. you've never seen him this nervous to tell you something. "what? just spit it out, rob." you tell him.

he sighs again, rubbing his forehead. "look, casting just isn't sure on this potter kid yet. we've shot a couple of his solo scenes already, but…" he trails off, trying to find the words again.

"but…?" you ask confused. he gives you an apologetic look. "but…we just need to see his chemistry with you first." robert says. you're just more confused, staring at him blankly. robert slows to a stop and turns to you, his hands raised in innocence.

"it's not my idea, but cast wants you and potter to shoot the sex scene today so they can decide if we're keeping him or not," he admits regretfully.

you're completely dumbfounded. there's a few moments of silence before you can even conjure up a response. "what?"

he sighs yet again, clearly stressed about the situation. "i know, trust me, i know, you weren't excited to do this scene to begin with but…think about it this way," his voice turns to the same fake positivity to try and reassure you.

"if we shoot all the lovey dovey stuff first just to find out there's no chemistry during the sex scene, then we just wasted all your time, all his time, and a lot of money…" he reasons with a strained voice. you're still giving him a death glare, arms crossed, not buying his excuses.

"robert, that doesn't even make any sense. wouldn't we build chemistry over time like any other movie? i thought i had at least a couple weeks to get to know this kid before… you know…" you trail off, blushing from both frustration and embarrassment.

"i know, i know, but cast is really pushing for this other guy, but i've wanted potter in this role as long as i've wanted you as my lead." he says desperately, his hands literally pleading with you. "please, [y/n], i know this isn't cool of me, but i'll do anything you need from me for the rest of filming. for the rest of my life!" he's joking, but there's a hint of seriousness in his voice. "just, please?"

you're still glaring at him, not happy that you're being put in this predicament. you take a second to breathe, trying to think past your anger, and see this from an outside perspective. realistically, even if you and potter did have chemistry outside of the sex scene, it didn't necessarily mean it would transfer over. by filming that first and getting it out of the way, there would be no awkward building of tension over the next few weeks knowing what's to come. and who's to say there even is any chemistry? then they'd end up having to switch him out for an entirely different actor, which could up a lot of time for paperwork and legal fees…

sighing, uncrossing your arms, you give robert a look of defeat. "fine."

robert's relieved, thanking you profusely as he continues to show you the way to the stage. he's trying to babble on about how you're going to do great, and there's nothing to be afraid of, but you can't focus on his words even a little bit because your heart is thumping so loud.

as you walk into the bustling room with robert leading the way, you can't help but search the room for potter's face. you want to at least see who you're going to be dry humping from 4 different angles.

recognizing different crew members you've worked with before, you smile and say hello to each of them as you continue analyzing each face in the room. you only kind of know what he looks like, so it might be a fruitless search, but it's the only thing that can distract you from your growing anxiety.

robert brings you to the catering table, telling you to make sure you eat and drink some water before being pulled into conversation with someone else and, eventually, leaving you behind completely. whatever, you think, he wasn't helping anyway.

grabbing for a water bottle, you drink at least half of it before feeling a tap on your shoulder. you're twisting the cap back on as you turn around.

harry potter.

you can instantly tell it's him, though he's now wearing glasses, something you don't remember seeing in his movies. he has a shy, nervous smile as he offers you his hand. "[y/f/n] [y/l/n], right? i'm harry potter," he introduces himself. "i guess we'll be filming together for the day."

you smile and shake his hand. "harry, hi, it's nice to meet you. and, yeah, i guess so…" you reply shyly, noticing that your hands are sweating, as well as his. he chuckles just a bit, reaching for a water bottle as well.

"yeah, i take it robert talked to you already?" he asks before he takes a drink. you nod, giving him an awkward smile. "he did…" you chuckle as well. "just a minute ago, actually."

harry nods in return. "yeah, he came by my room not even an hour ago to let me know." he states.

there's a few moments of awkward silence between the two of you before harry sighs and sets his water bottle down. he turns to you with his hands up just like robert.

"look, let's not be coy, yeah? this is weird as hell." harry states bluntly, a look of guilt on his face.

you let out a surprised laugh, setting your water bottle down as well. you turn to him, giving him your attention, curious to see what else he has to say.

harry briefly looks you up and down, his hands still raised. there's a hint of anxiety in his eyes before he blinks and shakes his head. "and, i'm just a big fan of yours in general, and this is really not how i wanted my first sex scene to play out, especially with you…" he emphasizes, his eyes widening at his own words.

"not that i didn't want it to happen at all, i definitely did, just, like…" he groans, throwing his head back and covering his face with his hands in frustration. you can't help but giggle at his nervous antics. you didn't know what to expect in terms of his personality, but you certainly didn't think he'd be so humble and shy. most actors you meet close to your age are either full of themselves or try too hard to be something they're not. you've made friends with plenty who aren't like that, but it's definitely more common than you expected.

with harry, however, he seemed very honest right away. he wasn't putting on a face to impress you, if anything he was failing miserably at that…but you found it really admirable. he reminded you of yourself, in a way.

after hearing you giggle at him, harry looks back at you with flushed cheeks. his brunette hair, an already messy fringe, was now even more disheveled. you continue to giggle at his expression, covering your smile as you look him up and down as well. tired converse, blue jeans, a maroon zip up, and a plain blue polo. you'd never think this kid was a famous actor based on his appearance. even his glasses looked old and bent out of shape.

but again, you found it admirable. no designer names, no flashy accessories. not that you found anything wrong with either of those things, it's just what you're used to seeing. it was refreshing, harry's simplicity.

he awkwardly chuckles with you, wringing his hands together nervously. "uh, what i'm meaning to say is…" he trails off. you interrupt his thoughts. "i know what you're saying," you reassure him. he looks back up at you. "you do?"

you laugh again. he's oddly innocent despite his age. "i do. i've never done this before, either." you admit. "oh, i know, i've seen all of your films plenty of times," harry beams, his nervousness melting away a bit. you're taken aback by his statement. "oh?" you respond.

he nods proudly. "oh yeah, i'm just a big film person in general so i'm constantly watching them at home. or on the plane. or in the dressing rooms…" he laughs. you smile warmly at him. again, something about him is so genuine to you. not afraid to be a fan.

"but, anyways, yeah, i just love your work. and i know you've worked with robert before, so i was over the moon when i heard he wanted me to work with you guys. that was one of my favorite films that year, y'know? definitely deserved more recognition than it got." harry rambles. 

blushing, you give him an incredulous look. "yeah, we have worked together before. i-i loved that film." you're clearly impressed with his knowledge of you and of cinema in general. that film wasn't even all that popular, and definitely not your most well-received work as far as the critics went. "thank you. really."

harry's smiling at you, admiring you in a way.

you blink a few times to come back to reality. "u-um, i love your work, too. i actually just went and saw your most recent one twice, before robert even told me we'd be working together." 

harry's shocked, his mouth slightly agape and eyes wide. "you…you've seen my movies?" he asks with a slight smile.

again, you can't help but giggle at him. his humility just keeps surprising you. "of course i have. you're not the only actor who enjoys films, y'know?" you tease him. he laughs, shaking his head.

"yeah, i'm…i'm just surprised, i figured you might not be familiar with me at all, really," he shrugs, still sounding in shock.

"well, we always miss each other at shows and such, i always meant to introduce myself, but…" you trail off. "i know! tell me about it! i've wanted to meet you for ages, seriously," harry gushes. 

smirking, you cross your arms and shift your weight. "well, what do you think now that we've met?" you ask, mostly sarcastically but also curious about his response.

he clears his throat, the nervousness coming back slightly. "u-uh, well, um…" he stumbles. "quite honestly, i didn't think you could be more beautiful in person." he admits like a schoolboy with a crush.

his response gives you butterflies. he's so adorably innocent, but such a gentleman at the same time. at no point does his admiration for you feel manufactured or forced. it's like he's truly just happy to be with you in this moment.

"well…thank you, harry," you respond. "you're not so bad yourself. i really adore the glasses." you admit with a blushing smile.

harry perks up immediately. "really?" he asks, excited and shocked at the same time. "they're prescription, actually, i'm blind as a bat…but no director wants me to wear them, they say i look like a total nerd," harry laughs, but you can tell it saddens him.

"nerds are hot." you shrug. harry's stunned for a moment before chuckling, his eyes softening for you. "right."

you and harry continue to chat for a while, losing all sense of time as the crew continue to work around you. you're mostly discussing films you both enjoy, and have incredibly similar taste. you love all the same directors, and grew up watching the same stuff.

this eventually leads to talking about both of your starts in acting, which are also strikingly similar. you discuss your experience so far as a woman in hollywood and he listens intently, asking questions with genuine curiosity and concern. he tells you about his experiences with theater growing up and the connections he made throughout his time performing.

you're completely enthralled with the conversation and feel like it could go on for days without any complaint. it's not until you hear robert calling both of your names that you look at the time and realize you've been talking with harry for nearly an hour and a half, but it feels like you just started 10 minutes ago.

harry follows you towards robert who's talking to the wardrobe team. you recognize a few faces and excitedly greet them, asking how everyone's been.

"potter, [y/n], these lovely folks are gonna walk you through how this works as far as clothing, don't be afraid to ask questions," robert told you both distractedly, his head already turned away before he ran off to help someone else out on set.

you and harry are separated and put into your respective outfits for your characters, as well as specific underwear for the scene. looking in the mirror at yourself in a simple dress, you can't help but feel the nerves coming back to you as you realize you actually have to film this scene with harry soon.

harry…

when you come back, he's already in his outfit and waiting for you. he's in an earth tone suit, his glasses taken off and his tie slightly undone. you have to admit that he looks extremely handsome, and decide to tell him so with a smirk. "says the most gorgeous girl in the room," he instantly quips, but you can see the blush blooming over his cheeks.

the wardrobe team basically teaches you both how to take off your clothes in a "movie style" that looks best on screen. specific movements can obstruct certain body parts from the camera, some take less time than others depending on what you're wearing, just little things that keep you from having to constantly reshoot the scene.

after a few tries of swiftly removing your dress, and taking glances at harry as he took his button-up off, you start to get the idea and have the motion memorized. you're laughing with one of the assistants you've met previously about the task and catching up with her in general. harry comes up behind you and also recognizes her, giving her a friendly hug. you're impressed with how personable he is with her, asking about her schooling and her roommates, parts of her life you hadn't even known about. you couldn't help but be in awe of him. he really was like you in so many ways.

before you get too comfortable, the wardrobe team informs you and harry that you have to also practice taking each other's clothes off for the camera. obviously, you thought, but you were still a bit shocked at the news.

you turned to harry, who's already waiting for you with that familiar smile. you smile back nervously. "hey, it's alright. it's just me." harry reassures you. the tone of his voice is so comforting it actually helps settle your nerves a decent amount.

both of you basically learn what the other person learned, you taking off harry's suit jacket and tie as he lifts your dress in one swift motion. the first run through you're a bit nervous and end up giggling most of the time. harry also laughs with you, making the atmosphere less tense. 

"feels like a dance, oddly enough," harry says, pretending to dance with you. you laugh and agree, dancing along with him.

after a few more awkward tries, you both start to get the hang of it and feel more comfortable with each other both physically and emotionally. you're cracking jokes, helping teach the other how to unclothe themselves quicker, just having a good time that comes so naturally to both of you. it doesn't take too many tries before you can efficiently take off each other's clothes without giggling or accidentally tickling the other.

before long you're both placed on set, a mock living room that resembles the apartment of harry's character. you and harry are given a few simple, non-sexual scenes to start with. the scripts are kept close by in case either of you need a refresher, but you both seem to have your lines memorized well and go through the scenes very naturally.

you were familiar with harry's acting of course, but something about how he performed his lines with you struck a different chord. his emotions were so raw, his timing felt natural, and his eyes told a whole story on their own. at one point you got so lost in them you missed a beat, quickly correcting yourself and focusing your gaze elsewhere.

you only had to redo them one or two times before moving on to the next scenes, which included kissing. you could feel your heart start to race again before harry's hands found their way to your shoulders from behind, a soft but firm grasp that sent chills down your spine.

"remember, it's just me," harry mumbles to you, coming around the side of you with a reassuring expression. somehow he knows exactly how to ease your nerves, and does it at the perfect times.

you're moved from the couch to the 'front door' area, where robert has you and harry mimic the steps he wants you to take before the cameras start rolling. "[y/n] opens the door, harry grabs her hand and pulls her back in," he directs you two like puppets as he shows you how and where to stand. 

harry has you by the hand, your palms still sweaty as he squeezes your hand for reassurance. you smile at him, and he smiles down at you before quickly looking back at robert's actions.

"harry backs her up to the door, back, back, back 'til it closes," harry's pressed against you, chuckling under his breath as he looks down at you. you try to hold back a smile.

"kissing, kissing, blah blah blah, yadda yadda yadda," robert calls out despondently, flipping a page in his notebook. "harry, you take her shoulders and push her against the east wall," robert points to the wall just next to the door, and harry lightly moves you to the other wall, keeping his body close to yours.

"really sweet, yeah, but make sure it's passionate!" robert says dramatically, making both you and harry laugh.

you're instructed on the best way to take each other's clothes off for the cameras, and practice only a bit before officially having to start to scene. in the lull between the cameras being placed properly and the lighting being set, you start to nervously crack your knuckles and try to steady your breathing.

harry appears in front of you. he lightly grabs your chin with his fingers and kisses you softly on the lips. you're a bit stunned at first but can feel butterflies erupting in your stomach. you look up at harry with wide eyes, and he's chuckling again. "sorry. just thought i'd get the first one off-camera."

your mind is jumbled and you're staring at harry with, undoubtedly, a ridiculous face. you can't even remember the last time a kiss made you feel this way, or if one has ever made you feel this way before.

you suppress another smile as robert calls for places. somehow you're now less nervous about making out with him, if anything…you're excited about it. that soft, gentle kiss he gave you left you wanting more. maybe he just knew kissing you before being filmed would make it feel more natural on camera.

the scene starts, harry pulls you through the doorway, and backs you up against it until the door clicks shut. you're looking up at harry with wanting eyes, exploring his face as the camera pans to your left. once it pauses, harry pulls you in for an eager kiss.

your hand goes to his jaw, keeping it out of the way of the camera's view. you realize after a second just how comfortable you are kissing harry. not only are you comfortable, you're actually getting into it. and so is harry.

as another camera pans towards the wall beside you, harry grips your shoulders firmly and pushes you against it, reconnecting your lips with a desperation that felt completely real to you. it only fired you up more, running your hands through harry's hair and arching your body closer to him as the kiss became hungrier.

"cut," robert calls out in a casual tone, causing harry to pause and take a step away from you. you look at him for only a second before you have to look away, crossing your arms, a blush completely taking over your face.

what the fuck was that?

you've made out with plenty of guys plenty of times, but not like that. not even off-screen have you been kissed so passionately. either harry was the best kisser in the world, or you were confusing your feelings with your character's.

"that was great, guys, no issues, just gotta readjust," robert informs you as he works with a camera guy to get the angle right. "harry, can you come in again?" he asks, motioning harry towards you.

harry steps closer to you, giving you a shy smile like he didn't just change your entire life with one kiss.

you smile back at him, still blushing, mind still spinning. he may be pretty cute with his glasses on, but at least without them you can get a better look at his pretty green eyes. you wondered for a split second if his glasses would get in the way of you making out with him, but you quickly dismiss the thought as he's your costar. one that you barely met 3 hours ago.

the camera gets adjusted, and you're directed to just continue to the undressing part of the scene. you look over at harry, getting closer to him as you mumble, "do you think it'll be difficult, kissing and undressing at the same time?"

harry gives you an unsure face, looking at his tie before loosening it a bit. "might be, i'll get it started for you," he says, unbuttoning the top couple button of his shirt as well. you smile at him a bit. "just take your time, i'll help you." he says. something about the way he looks at you lets you know he means it, and you believe him.

as the scene starts, harry pulls you in for another breath-taking kiss, and the butterflies erupt in your stomach yet again. you know something's not right about this. well, actually, everything couldn't feel more right with harry's lips pressed against yours, but that's the problem. you're way too into this for it to just be acting for a movie, and it seems like harry's just as into it, if not more.

you quickly start undressing him, pulling off his suit jacket as he helps you, repeating the steps you practiced together. except now you were trying to keep the kissing going smoothly.

your fingers began fumbling with harry's shirt buttons, getting it and his tie off just in time for him to pull the skirt of your dress above your head, resuming your kiss with an eagerness that surprised you.

"cut, nice, one more time, little bit quicker guys," robert calls out. you pull away from harry breathlessly before trying to put your dress back on. harry redresses as well, and a stylist comes from the side to fix the back of his hair. he thanks them by their name and with a smile.

you and harry resume the scene again, picking up the speed just a bit as you attempt to make out and undress at the same time. the quicker you both moved, the more intense the kiss became, as if neither of you wanted to stop for even a moment to breathe.

"cut, nice, thanks guys," robert calls out, walking away to the furthest camera man.

you and harry redress, making funny comments to each other about the scene as you do. you notice your lipstick is on harry's lips, and you giggle as you tell him he should maybe wipe it off. "maybe i like this shade on me," he says sassily. you just roll your eyes and laugh at him.

as you chat a bit more, robert eventually comes up to you guys with a script in hand. "okay guys, we're gonna do this quick and try to get it in one take if we can. we wanna eliminate all the awkward for everyone, including the camera guy," he jokes, waving towards the camera man who laughs at him.

you and harry chuckle dryly, knowing what's coming next. 

a few crew people leave the room, whether robert told them to or they chose to you're not sure. it's down to just a few more people than you and harry, along with a camera. you look at each other, harry giving you a big smile before he starts undressing.

you follow suit, listening to robert's instructions. "the scene's barely 10 seconds of screen time, so we're only gonna do about 30 seconds of filming. yeah?" you both nod, setting your respective clothes to the side. you're quite a bit relieved at this news, glad that everyone else wants to get this over with as much as you do.

you're both wearing nude colored underwear, harry's briefs and your panties and strapless bra matching your skin tones enough that it could pass for nudity in the dim lighting. you feel a bit exposed, but not to the point of embarrassment, especially having harry next to you in just as little clothing as you.

"alright, now, i don't care if you're both virgins or whores, we all know what sex looks like, so i'm not gonna get too graphic here," robert jokes to lighten to mood, making you and harry laugh to yourselves as you give each other embarrassed looks.

"all i'm gonna do is tell you where to be and you guys just feel it out from there. sound good?" robert asks. "yeah," you both say at the same time. "but remember, you're a cheating bride, so put some oomph into it," robert jokes with you, walking towards the couch. you feel your cheeks heat up as harry tries not to laugh.

robert has you on the couch, laying with your head hanging off the arm as harry steadies himself above you. his arm has to be in a certain position to keep you covered for the camera, and as he repositions himself to their liking, you admire his body from your view. his chest is well built, his shoulders and collarbones creating shadows across his lovely pale skin…

you had to stop. this is just a job. he's an actor, you're an actor, you're acting together, nothing more. just be professional.

just before the camera's start rolling, harry looks down at you and gives you that same reassuring smile that makes your heart skip a beat every time. fuck. stop doing that.

"it's just me. okay? just you and me." his voice is so deep and he's so close to you, and the lighting behind him is making him glow. this moment could be a movie on its own.

"yeah," you breathe out, mesmerized by his words. just you and me. you could do that.

when the camera starts rolling, harry's hips start grinding into you slowly, his lips immediately connecting with yours. you involuntarily melt into him, your hands reaching for his shoulders as his leg starts rubbing against your panties. you let out a moan against harry's lips, and your grip on him gets tighter.

his hips become more and more rough with you, using your thigh to rub against rather than your panties themselves. it doesn't matter. you're still insanely turned on. and not just as your cheating character, but in real life, as yourself. 

as you throw your head back in pleasure, harry takes advantage and digs his head into your neck. he's softly biting at your skin as he brings a hand to one side of your face, keeping his other arm stable for the camera.

he brings you back in for a kiss, and your hands are back in his messy brunette locks. this time he moans, and his rocking hips begin to pick up speed, grinding with more force into you.

your face twists in pleasure, partially for the camera but mostly for harry. you can't believe how natural this feels for you. it's like it really is just the two of you, no camera, no pressure, just pleasure.

as robert cuts the scene, there's a tone to his voice that was different compared to his normally distracted, stressed voice. harry slowly backs up from you, an indistinguishable look on his face as he gives you space to sit up.

you sit up, and quickly walk over to grab your dress. you don't feel uncomfortable, you're just afraid that you got wet enough to soak through your panties and really don't want anyone to notice.

as you slip the dress over your head, you notice harry putting on his pants. you can't tell if you just saw him from a weird angle or if you looked too quick and were mistaken, but you could've sworn he had an erection he was stuffing in his trousers.

well, even if he did, that's normal, right? you're both young people practically dry humping each other and pretending to enjoy it, of course your bodies are going to think it's real and end up actually enjoying it…right?

that's what you tell yourself as you try your best to seem normal, fixing your hair and steadying your breathing as robert makes his way over to you.

"that was, uh…that was great. i don't think we'll have any problem keeping potter, yeah?"

with a heavy hand on your shoulder and a knowing smile, robert calls it a day for the rest of the crew still on set and says his goodbyes.

you're a bit confused by his statement, but try not to think about it too much. you turn to look at harry, but he's already gone.

you're a bit surprised. you thought for sure harry would want to maybe chat a bit after all that, but you tried not to be disappointed as you turned around and headed towards the wardrobe department to retrieve your real clothes.

after getting dressed and setting wardrobe's outfit back in their closet, you make your way out towards the hallways. your mind is still racing, but you're trying not to think too much about what just happened so you don't lose your mind.

on your way to your dressing room, you kept feeling like someone was watching you. the feeling made you walk a bit faster as you tried to remember which hallway was yours.

once finding the door, you quickly let yourself in until a hand stops the door. as you peak through the crack, you see a tie hanging over a messily buttoned-up shirt, and instantly recognized it was harry.

you open the door a bit more excited than you expected yourself to, and are completely in awe of the man in front of you. messy hair, his glasses back on, still wearing the wardrobe outfit without the suit jacket.

"harry," you greet him, smiling like an idiot. he smiles back. "[y/n], hey, um…" he takes a breath, seeming a bit nervous. "sorry i just dashed, i hate those contacts and had to put these back on," he jiggles the frames of his glasses from the the side, making you giggle. "well, i guess i can forgive you. only because i'm pro-glasses," you say with a smirk.

harry seems so nervous, he's constantly shifting his weight and his smile isn't reaching his eyes.

"well, um, i just wanted to say, y'know, thank you for trusting me today…i know it wasn't easy but you did really, really well," his smile is so sweet, and his eyes are incredibly kind. you swear he's trying to get you to swoon.

"thank you, harry, but you made it incredibly easy to trust you…" you say with a small smile. "and it went a lot better than i was expecting." you say with a laugh.

harry cracks a smile. "yeah, same here. i actually wouldn't have minded it at all minus the cameras and audience." harry tries to joke with you, but his nerves are still overpowering his voice. is he joking, or does he feel the same way you felt shooting that scene?

smirking, you lean on the doorway of your dressing room. "i don't know, part of me thinks the audience part is kinda hot…mostly terrifying and vomit-inducing, but…" you joke back with him. he tries to laugh with you but he looks a little shocked by your statement.

"but, i agree. i didn't mind it at all." you say with a tone of seduction. you try to analyze harry to understand how he's feeling, what he's thinking, and why he's so nervous to be talking to you after everything you just did. yeah, maybe you shouldn't be playfully flirting with a coworker, but he started it…

there's a few moments of silence between you exchanging nervous glances with each other. you somewhat enjoy watching harry squirm like this under your gaze, after being so calm and collected on set it's pretty funny to see him fall apart with just you and him.

"uh, look…" harry finally breaks the silence, looking at the ground before making resistant eye contact. "[y/n], i know i said i was a big fan, um…" he's sweating, and he can't stop shifting his weight.

"but, i was just wondering, since, y'know, now we work together for a bit, maybe, um…"

god. he's so cute. is he really nervous to ask you to hang out after having practically having sex on camera? you can't take it anymore. you don't care if you're working together, you need him.

you grab harry and pull him into your dressing room, closing the door and locking it before turning to him and practically forcing him into a kiss.

harry's a bit stunned, quite a bit, but he quickly begins kissing back. the performance kiss was nothing compared to this. he's somehow an even better kisser when it's just the two of you. 

this time, you're pushing harry into the wall next to the door. you smile up at him between making out. "this feels familiar." you say with a smirk. harry nervously lets out a laugh before immediately pulling you back in for the kiss.

the tension that's been built between you guys for the last 3 hours is finally being released, your hands exploring as you slowly take off the other's clothes. unlike the acting you were just doing, you're both gentle with each other and take your time to carefully take the other's clothes off. you're admiring harry's body as his shirt comes off, throwing it to the side. you're mesmerized by his neck and shoulders.

harry takes a moment to admire you, his hand on your cheek as he moves a strand of hair out of your face. your heart couldn't have been beating louder. something about these small, intimate moments with him between the heavy kissing and touching actually makes you more nervous. it was one thing to just be physically attracted to him, but the soft kiss he gave you during the break between filming and now this gentle moment between making out had your mind racing with questions but wanting nothing more than to just keep going.

"harry…" you sigh, examining his face while he looks down at you. "[y/n]...this is like a dream come true…" he whispers softly. the genuine look in his eye has your stomach twisting knots. "i never thought an on-screen kiss could feel like that…" you respond just as quietly.

his smile's real this time, no nerves, no looking away, just admiring you with the most loving smile. "don't tell robert, but, um, i wasn't acting out there. that was harry kissing [y/n]," harry tells you with a chuckle. you feel yourself smiling like an idiot and suppress your laugh. "yeah, i could tell," you say with a smirk.

harry pulls you in to kiss again, and your hands go to his chest. standing on your toes, you push your body further into his, moaning into harry's mouth as his hands find their way to your waist and hold onto you firmly.

"fuck," he practically whimpers, his hands sliding down your hips and eventually to your ass. he squeezes it roughly and causes you to gasp. "i want you." he states simply, staring you in the eyes again. "i don't care if we get in trouble, i'll take the fall. i just, fuck, i need you [y/n], please…" harry breathlessly begs you, his hands making the way under your shirt and up your back.

"we're just working on our chemistry," you respond, helping him pull off your shirt. he groans at your mutual eagerness and his lips attach to your neck and chest, leaving plenty of bite marks as you tangle your hands in harry's fringe again.

letting moans slip out of your mouth without a second thought, your body is responding to harry like it never has with anyone before. everything you've done with someone before him has felt so mild and mechanical, but harry was so naturally passionate with you. you're not sure if it's because he's always been attracted to you or if you just really, really find yourself attracted to him…

eventually harry's lips find your own again, and his hands begin to explore. he runs his fingers over your bra straps as he traces your back, sending shivers all over your skin. smiling into the kiss, he's loving the effect he has on you. harry slowly unclasped your bra and you let it fall to the floor, his hands already replacing it as he massages your tits.

your hands make their way down to his pants, pulling at the waistband only slightly before harry immediately unbuttons them for you, helping you push them before he separates the kiss and kicks off his pants entirely. you steal a glance down and see his erection. "i've had this since that first kiss, need you so bad" harry's voice rumbles.

you take your pants off as well, with harry's assistance, and he pulls at the waistband of your panties. "fuck, everything about you is so beautiful," harry admits before attaching his lips to yours sloppily. the kissing becomes needy, messy, and secondary to you groping each other roughly.

harry spins you around so you're now against the wall as he begins kissing down your body. the cold wall makes your skin shiver again, the visual of harry slowly getting to his knees in front of you making your mind spin.

he looks up at you for just a second above his glasses and your heart can barely take it, how can someone be so adorable yet so incredibly sexy and seductive at the same time?

eventually harry's mouth finds its way to your panties, softly kissing your pussy through them as you squirm under his touch. quiet whimpering and frustrated hip thrusts let harry know you need more, and he slowly pulls the fabric to the side.

you're in a complete state of ecstasy watching harry eat you out from above. his eyes are softly closed as he gets lost in licking and sucking on your clit. his hands go to your legs as he lifts one of your thighs over his shoulder, getting a better angle.

you're full on moaning now, not afraid to let harry know just how good he's making you feel. you can't remember a time where someone was this eager to eat your pussy, solely giving you pleasure. you can feel yourself getting wetter against harry's lips and blush at just how desperately your body's craving him.

"harry, fuck," you whimper, your hands returning to his hair as you begin to slowly grind down onto his face. harry is completely accepting of this, moaning as you stuff his face further into you. his moans send shockwaves through your body, gasping as you feel the tension building in your body.

harry looks up at you, his eyes full of lust and barely open as he continues to make out with your pussy. you can hardly stand the erotic sight before you as he watches your body react so well to him.

"fuck, harry, keep looking at me like that and i'm gonna cum," you teasingly scold him. you can see the smile in his eyes as he backs away, his chin and lips soaking wet. your body goes cold, missing his touch, and your climax fades away.

he quickly wipes his face with his hand before standing up and going back in to kiss you. you moan as the taste and smell of you is all over him. his hands go to your weakening legs and he lifts you up without breaking a sweat. you gasp and look down, seeing he already took off his boxers as he holds you against the wall. you look back in his eyes and they're so much darker than you remember, the bright green now a haunting emerald as he searches yours.

"i need you," he growls, the complete opposite of his usually gentle nature. you can't hold back your moan, something about his desperation makes you crave him so badly. you've never felt so wanted or loved by a partner.

"need you," is all you can say before you kiss him again, tongues instantly entangled. he takes this chance to use one hand to stroke himself, your legs wrapped around his body as he continues to hold you against the wall. 

as harry's slowly pushing into you, your body envelopes him and embraces the pleasure. he's slowly thrusting up into you, his eyes completely fixated on your face as you fall into bliss. you can't get the words out, but harry feels so perfect inside of you. it's everything you've been wanting since he gave you that loving kiss on set.

harry's pace stays slow and torturous until he begins groaning and thrusting more desperately. "holy fuck, [y/n], you feel so fucking good," harry's head falls into your chest, his heavy breaths hitting your skin. the only sound you can make are your pathetic whimpers, your head thrown back against the wall.

harry starts sweating as he holds you against the wall, his legs getting weaker along with his arms. despite that, his thrusts become quicker and more hungry as his hand finds its way to your pussy. your whimpers turn into moans as harry brings you closer to your orgasm. his head lifts to look at you as you reconnect your lips, forcing your tongue in his mouth.

you can feel that knot in your stomach tightening, your hands finding harry's shoulders for something to hold onto. his exasperated breaths and gasps against your lips only turn you on even more. even at his weakest moment he's doing everything possible to make sure your pleasure and comfort comes first. 

"harry, harry, i'm gonna cum," you say between kissing, your arms wrapping around his neck. "please, baby, please," harry groans eagerly, pushing your body further into the wall and thrusting even deeper into you. you can barely wait a moment before letting yourself go, burying your head into harry's neck as you call his name. harry's breathing is completely ragged as you squeeze around his cock, loving the way your body feels against his as you begin shaking.

it's not long into your climax that harry slows down, his hips stuttering before pulling out at the last second and letting his cum drip to the floor, his head falling into your shoulder as well.

you let yourself down from harry's grasp, your legs barely able to keep you up. harry steadies you, chuckling, his reassuring hands on your arms. "okay?" he asks breathlessly. you look up at him, his face is completely drenched and flushed as he stares at you lovingly. "yeah, fine," you say with a smile, using the wall to balance yourself.

you and harry stare at each other for a bit before going in to kiss each other again. it feels so natural, like you've been kissing him your whole life. the butterflies come rushing back. even after having sex with harry you still feel so attracted to him in a nervous, crush-like way.

after getting dressed harry offers his phone to you, asking for your number. you set your contact's name to your character's in the movie, and it leaves harry blushing. he's smiling at you for just a moment before he envelopes you in a hug. warm, comforting, and completely safe, you lean into his touch and don't want to let go.

with some flirtatious remarks and a promise to meet up tomorrow for a date, harry's leaving your dressing room in a barely buttoned up shirt and messy hair. you watch him disappear down the hall before closing your door, hardly able to believe you're already so smitten with the costar you only met earlier that day.

[queenof3ferrets]

I don’t think people realize how deep Vil’s character goes. Like-REALLY realize it.

I am an aspiring writer, and I would say I have quite the keen eye so when I see people talking bad about Vil—-I get confused.

YES he seems harsh and pushy. And YES he doesn’t seem to act very nice around people sometimes and he acts cocky 24/7.

But there’s a difference between cocky and knowing your worth. Vil KNOWS his worth. And he isn’t just going to hide it because someone says so. Or because it’s easier to be modest and quiet.

And it’s what Vil is constantly encouraging others to do: to not hide.

But Vil also knows how harsh the world is. An actor can be one of the most hated people in the world because they’re constantly being filmed and people jump on their mistakes like lions hunting a limping giraffe.

So he KNOWS that a glass heart will get someone nowhere.

It’s why he acts so tough. And it’s why he gives tough love to others. If he never teaches his dorm members how to survive they’ll roll over and get killed the moment they step onto the field.

Hence, his harsh actions with Epel.

When Epel cries and storms off, Vil doesn’t scold him for it. He tells Epel to show him if he can hold his ground with his words. And how beauty is a weapon to be wielded well.

Vil scolds Epel when he calls dancing ‘feminine’ or ‘girly’ because he knows that mindset will get the boy nowhere. Vil knows beauty isn’t limited only to the female spectrum and tries to get others to see it as well.

It’s why Vil is so annoyed when Epel skips his routine but also because having a routine and ACTUALLY sticking to it is the hardest thing for some people. And Vil talks about this. (When you log in for the day and you get a reward, Vil LITERALLY talks about how routine and effort is the hardest part about beauty) and if you do keep up the effort it gives rewards.

But Vil also knows not all effort is repaid kindly.

That’s the whole reason he overblotted, basically. He felt inferior because no one saw him put in as much effort as he himself did, and people have the gall to scold him for it. That, or they overlook him for something they thought was better(Neige).

When I write, I don’t EVER want to hear someone I TRUSTED say that my work was second best to another author or that my way of writing was wrong and I should have to change it. Because I put time and effort into writing and it’s something I’m proud of. I put my soul into my writing and it honestly really hurts when someone does the exact things I mentioned before. And I’m sure Vil felt the same way.

Not to mention Vil has been through rough things in his childhood. Other children wanted to hurt him because of his talent for acting just because he played a part in a series too well and they couldn’t tell the difference. Adults never thought he could be a hero because he was too perfect and self-confident. Adults wanted someone like Neige to be the hero because he looked pretty and acted kind. (Basic protagonist things)

And Vil hated it. He gained traumas at a young age because other people alienated him. He grew to hate Neige because in the people’s eyes he was perfect and beautiful. And he grew obsessed with beauty because he didn’t think he was good enough for the hero roll.

His overblot was overdue at this point. Sure his actions should not be immediately forgiven, just like all the other overblotters actions, but they’re NEVER entirely to blame.

Because all of the boys who overblot were victims too. Not just Yuu or the others. They were hurting themselves just as much as others were.

And I hate it when someone like Vil is seen as a overly harsh person. Or someone like Leona who is only seen as lazy. There is so much more to them than that.

Vil respects people.

Vil sees how hard the people around him work.

Vil tries his best to show others their beauty in his way.

Vil knows that gems need to be polished from rocks before they can be embedded into a crown. But the work put in to get the gems ready is rough and long. And sometimes it looks harsh.

Vil learned his lesson after his overblot. There is no need to hang it over his head like blackmail. The same goes for the other overblot characters.

Riddle learned his lesson.

Leona learned his lesson.

Azul learned his lesson.

Jamil learned his lesson.

Vil learned his lesson.

Idia and Ortho learned their lessons.

[hadeantaiga]

Yeah people that are interested in stuff exclusively like Lolita or pedophilia fiction definitely don't have an interest in those things and doesn't say anything to their character that that's what they're into in reality at all. Nope just crazy that projecting things onto fiction isnt indicative of inner character at all or a way to explore those things. Certainly wouldnt enable people into making those things real.

You're a joke and a clown.

You have no idea if they have an interest in those things IRL. You have no idea if it's enabling or not. You are listening to your knee-jerk feelings and trusting your disgust about something you don't understand and you are not thinking with your head.

I like noncon in fic. I like rape fantasy in kink. I find it to be incredibly arousing to momentarily pretend a character (or myself, or my partner) is being taken against their will, often by a villain or a beast or something so strong they cannot resist. I like the "sex pollen" trope, wherein characters are driven to feel an uncontrollable urge to fuck someone they normally wouldn't. I love stuff like vampiric mind control. I love omegaverse heats and ruts, where the character is so driven by their biology they can't stop themselves, even if they wouldn't normally consent. I love "fuck or die" scenarios.

All of those scenarios involve a lack of consent or questionable consent on the part of the participants. A lot of those scenarios, if they they were happening in real life, would be outright rape.

Now. According to your logic, all of this means that I actually, secretly, think rape in real life is super awesome, and I either actually want to be raped, or I want to rape someone. According to you, reading that kind of fic and participating in that kind of kink play should turn me into a rapist or someone who wants to be raped.

It hasn't.

I have always thought and still think real rape is in fact a horrific violation of someone's rights and boundaries and is inexcusable.

Because I know the difference between pretend play and reality.

Horror movie script writers, directors, and actors don't secretly yearn to be serial killers. David Jenkins and Taika Watiti do not want to become pirates. Bryan Fuller, who developed the NBC Hannibal show, does not secretly yearn to consume human flesh or murder people.

Authors are not always the things they write. You have got to learn this.

[rabiosantologia]

⸻ 𖤓 | VEDIC ASTROLOGY MASTERLIST (Vol. 1)

→ Volume 2 | Volume 3 |

NAKSHATRA ASSOCIATIONS

NAKSHATRAS AND ANIMAL SYMBOLISM

NAKSHATRAS AND THEIR PLANETARY RULERS

RULING PLANETS OF THE NAKSHATRAS AND DEITIES

A MINI EXPLORATION OF YANG ABUNDANCE

YOUR PUBLIC LIFE VS YOUR PRIVATE LIFE: THE 10H–4H AXIS

10H LORD IN KETU NAKSHATRAS (ASHWINI, MAGHA, MULA)

10H LORD IN SUN NAKSHATRAS (KRITTIKA, UTTARA PHALGUNI, UTTARA ASHADHA)

10H LORD IN RAHU NAKSHATRAS (ARDRA, SWATI, SHATABHISHA)

10H LORD IN VENUS NAKSHATRAS (BHARANI, PURVA PHALGUNI, PURVA ASHADHA)

10H LORD IN MARS NAKSHATRAS (MRIGASHIRA, CHITRA, DHANISHTA)

10H: THE HOUSE OF PROJECTIONS, JEALOUSY, AND SOCIAL MEDIA

INDICATORS OF SUCCESS IN HIGHER EDUCATION

☾ | ALL ABOUT THE MOON/CANCER | ♋︎

MOON DOMINANT MEN: “DEEP AND MYSTERIOUS”

SUN NAKSHATRA MEN || MOON NAKSHATRA MEN

SUN NAKSHATRA MEN vs. MOON NAKSHATRA: MEN EDITION

JUPITER X MOON DOMINANT PEOPLE AND IMAGE AWARENESS • Initial intro notes: PT 1 | PT 2

THE 1H AND INSECURITY

WHY DOES MOON IN THE 6H GIVE THE NATIVE A LOT OF ENEMIES?

12H PLACEMENTS: THE HIDDEN, FEARS, AND ETC

CONNECTING WITH YOUR ANCESTORS USING ASTROLOGY

ANCESTRAL HEALING AND THE 4H

— BODY ASTROLOGY: PT 1 • PT 2 •

ALL ABOUT THE 8H

MOM (4H) & DAD (9H)

THE MYTHOLOGY OF RAHU AND KETU

RAHU & KETU

FINE LINE BETWEEN COMFORT AND CHALLENGE: A SUBCONSCIOUS APPROACH TO RAHU-KETU

THE MANIFESTATION OF RAHU (THE NORTH NODE) AND SATURN

THE ASTROLOGICAL IMPLICATIONS OF "LOOKALIKES" AND NAKSHATRA CHARACTERISTICS - THE DUALISTIC NATURE OF RAHU AND SHANI

SATURN IN THE HOUSES: 1H - 3H | 4H - 6H | 7H - 9H | 10H - 12H

THE FEMININITY OF SHANI (WHAT WE CAN LEARN FROM PUSHYA)

THE ESOTERIC MEANING OF “DARK FEMININITY”

DARK FEMININE ENERGY (JYESTHA NAKSHATRA) + MERCURY RULED NAKSHATRAS

☸ THE BEAUTY OF: PUSHYA | UTTARA ASHADHA | UTTARA PHALGUNI | REVATI | ARDRA | MAGHA | UTTARA BHADRAPADA | HASTA | PUNARVASU | VISHAKHA / VISHAKHA: PART 2 | JYESHTA | SHATABHISHA

BEAUTY AND VEDIC ASTROLOGY

BEAUTY OF THE PLANETS

MOON NAKSHATRA WOMEN & STYLE

THE ASTROLOGICAL AND SPIRITUAL MEANING OF OUR HAIR

BEAUTY THROUGH ASTROLOGY: HAIR

⏳ | HOURGLASSES: VEDIC ASTROLOGY ANALYSIS

THE NAKSHATRAS OF THE MOST FAMOUS “DUMB” BLONDES/“BIMBOS”

MARS, EGO DEATH, AND “B*MBOFICATION”

» · BOMBSHELL: DHANISHTA NAKSHATRA

A BRIEF EXPLANATION OF A VANUS AND MARS CONJUNCTION IN THE NATAL (D1) CHART

YOUR LOVE STYLE: ANALYSIS OF YOUR VENUS NAKSHATRA

DOES THE NAVAMSA CHART AFFECT YOUR APPEARANCE? | THE SIGNIFICANCE OF YOUR D9 PLACEMENTS

MERCURY-DOMINANT WOMEN (ASHLESHA, JYESTHA, REVATI)

THE DIFFERENCE BETWEEN YOUR SURYA, CHANDRA, AND LAGNA - WHAT DETERMINES PLANETARY DOMINANCE THE MOST (A REVATI CASE STUDY)

SATURN NAKSHATRA WOMEN PLAYING CHARACTERS IN MASCULINE/MALE DOMINATED

SATURN NAKSHATRA WOMEN WITH RAHU/MOON NAKSHATRA MEN

KETU-DOMINANT WOMEN (ASHWINI, MAGHA, MULA) | PART 2

RAHU-DOMINANT WOMEN (ARDRA, SWATI, SHATABHISHA)

SUN-DOMINANT WOMEN (KRITTIKA, UTTARA PHALGUNI, UTTARA ASHADHA)

ASHWINI (0°00' - 13°20' ARIES) — SWATI (6°40' - 20°00' LIBRA) | ASHWINI NAKSHATRA

MERCURY NAKSHATRAS & MANIPULATION

PHYSICAL APPEARANCE ALTERATIONS DURING ASTROLOGY TRANSITS

— VEDIC ASTROLOGY OBSERVATION (BASED ON SHOWS/FILMS): PART · 1 || 2 || 3 || 4 ||

PREDICTING YOUR SPOUSE USING VEDIC ASTROLOGY

YOUR DK PLANET & YOUR FUTURE SPOUSE: KIMYE CASE STUDY

DARAKARAKA PLANETS + HOUSES

WHERE WILL YOU MEET YOUR FUTURE PARTNER/SPOUSE

PLACEMENTS THAT MAY INDICATE WEIGHT FLUCTUATIONS OR EMOTIONAL EATER

ⓘ ASTRO OBSERVATIONS: RANDOM THINGS I LEARNED WHILE STUDYING VEDIC ASTROLOGY

JUPITER & NOTORIETY: VEDIC ASTROLOGY ANALYSIS

JUPITER INFLUENCE AMONG KOREAN ACTORS

PISCES INFLUENCE ON K-POP

⚈ THE DARK SIDE OF JUPITER

THE CURSE OF LIMITLESS EXPANSION: JUPITER'S SHADOW

JUPITER'S BOUNDLESSNESS: THE UNION OF GOOD & EVIL

JUPITER DOMINANT WOMEN & DADDY ISSUES

THE ASTROLOGY OF DOPPELGANGERS

[relaxxattack]

you are so very homestuck knowledgeable. when you have the time and should inspiration strike, please tell all your headcanons about oliveblood trolls.

ooo what a great question! for this one i think first we'd need to break down current stereotypes about olivebloods. there's actually not much that we're given about them tbh

according to the homestuck wiki, which is based on info from both the comic and more dubiously canon things like friendsim and hiveswap, the olive caste's two singular traits seem to be "wild animal" and "romance liker". both of these, obviously, are traits pulled from our wonderful main girl nepeta, who was the singular representation of the olive caste for a long time; alongside her dancestors. which is quite cute, who doesn't love nepeta?

the thing is though that i am one of those nitpicky people who likes to say, "well, hey now, nepeta isn't actually representative of her caste at ALL." in fact, none of the beta trolls are. i honestly feel like it should be assumed that just like the beta kids, the beta trolls are weirdos, and not really the 'norm' in their society.

nepeta lives out in the wilderness very specifically away from society in a way that is remarked on as being unusual even for someone of her color; and she does not even understand what role her caste would have given her in normal society. and i mean... considering aradia tavros and sollux are LOWER than nepeta, it doesn't really make sense for them all to have nicer houses than her unless she's unusual in her situation.

^ nepeta is in fact NOT a good representation of olivebloods.

which means... no, i don't think all olive trolls are romance obsessed wilderness girls, actually, sorry, hiveswap friendsim, i have to shelve you from my alternia analysis for now.

luckily, there ARE other olivebloods in the series!

first of all, the other leijons. unfortunately, none of them are really "good" examples either. meulin is from an entirely different planet, and disciple is from an ancient history perhaps even less representative of "normal" life than nepeta is. all we really get from them is stuff we already knew from nepeta-- the wildness, the relationship interest. with an added fact that both meulins seem to be somewhat bookish.

and so who does that bring us to? the final canonical oliveblood.

that's right.

troll will smith.

troll will smith is canonically an oliveblood. not only that, but he's a famous actor, which means he is basically a "model" for society- for what it looks like once you "have it all made". i would imagine this goes even more for alternia, supposedly a very movie-geared society.

the two troll will smith features that canonically exist on alternia are Fresh Prince and Hitch. in both of these films, will smith plays a character that is self-made and clever, a regular guy who is just skilled. it should also be noted that while a "threshecutioner" is a job with a heavy blueblood populous, greenbloods can also be one, and it's common enough that a show about it wasn't cut by the alternian dictatorship.

so therefore, what traits can we pull that all of these olivebloods (and equius lol) display to us?

olive trolls are lower class, but they're capable of working up through their connections

likely due to this, olive trolls are often clever and self made. they're likely quick-witted and sharp

they're good at their jobs! most olive trolls that are seen in the comic are very good with their respective practices (be it drawing, writing, bookkeeping, or melee fighting)

it's possible that olive trolls have a good intuition, and are fairly in touch with their own instincts. this would explain why some of them seem to fare better in the wild or in fights, and also why they are stereotyped as having a natural inclination for relationships. i think this is also a good transition ground between the impressive physical psionics of the castes lower than olive, and the emotional/mental psionics of the highbloods above them.

so, there we go. these are my olive headcanons! they're not comfortably well off or anything, but they're not wild animals either-- they're hard workers and skilled at what they put their minds to. probably usually working a nine to five and doing their best in life hoping to move up with a good quadrant or promotion. at least, in my headcanon anyway- no need to take this as fact!

[skyfullofpods]

Hello fans of Re: Dracula who were introduced to fiction podcasts through the updates from our good friend Jonathan Harker! Now that the story's over (sob!), would you like some recommendations for some other audio dramas that you might enjoy, made by some of the folks who worked on the podcast?

Jonathan Sims, who played our local phonograph enthusiast, is the writer of the hugely popular horror podcast, The Magnus Archives. The Head Archivist of the Magnus Institute records statements made by members of the public, detailing strange encounters with the supernatural. What soon becomes clear is that these statements do not describe separate and unrelated events, and a bigger and horrific picture begins to emerge. Also appearing as recurring characters in this series are both Sasha Sienna and Alasdair Stuart.

Karim Kronfli is a prolific voice actor, and while he might be best known for his roles in both Re: Dracula and The Magnus Archives, he has voiced a wide range of characters in many different fiction podcasts. Out of all the ones he's appeared in, I would personally recommend urban fantasy anthology series, Unseen. The unseen world exists alongside ours, but only a few humans can see it. It's a world where magic and magical creatures exists, and Karim's character tells his story in episode 7, titled We Ourselves.

Beth Eyre and Felix Trench played twins Antigone and Rudyard Funn in Wooden Overcoats, a British sitcom set on the tiny fictional island of Piffling, in the English Channel. The twins run a funeral parlor together, the only one on the island, until a newcomer arrives. Eric Chapman (played by Tom Crowley) sets up a much more successful funeral parlor, and the story is narrated by the Funns' house mouse, Madeline.

Alan Burgon plays the Interviewer in The Amelia Project. The Amelia Project is a secret organisation, and clients come to them looking for their help in faking their deaths. The Interviewer listens to each client's story, before concocting unique and often elaborate ways in which they will stage their deaths, before being reborn into a new identity.

David Ault is also a very recognisable voice to anyone who spends a considerate amount of time listening to fiction podcasts, and The Kingmaker Histories feels like an appropriate choice here. A weird steampunk series set in the Valorian Socialist Republic in 1911 , this story involves found family, its own intriguing magic system, and being gay and doing crime.

Our favourite cowboy, Giancarlo Herrera, plays one of the protagonists in sci-fi action/thriller, Primordial Deep. Spinner is part of a team which is sent deep beneath the sea to investigate the resurgence of creatures thought to be long-extinct. There's plenty of horror to be had here, as something ancient is stirring in the depths of the ocean.

As for the crew? Tal Minear works on so many podcasts, and if you like fantasy stories, I would recommend the delightfully lighthearted Sidequesting, which follows new adventurer Rion, as they help people on their travels. If you would like some more horror, there's their spoiler-driven anthology series, Someone Dies in This Elevator.

Hannah Wright's Inn Between is a fantasy series based on D&D. Each episode follows a party as they meet in the Goblin's Inn, in between adventures, as the tavern follows them around wherever they go.

Stephen Indrisano's upcoming docu-horror Shelterwood promises to be a series which explores the horror of suburbia, as it follows one man's quest to find his missing sister. Until this is released, I would recommend Do You Copy, in which Stephen plays one of the protagonists. This found footage horror series follows the events which unfold after the closure of Red Tail National Park, and the people who were left inside the park, after its mysterious closure.

Ella Watts is regarded as a walking encyclopedia of all things audio fiction, and has worked on several high-profile projects, including directing both Doctor Who: Redacted and Marvel Move. Her upcoming Camlann is a post-apocalyptic series due to be released next year, inspired by Arthurian legends and British folklore. She is also the executive producer of Tin Can Audio's (who are also producing Camlann) beautiful experimental series, The Tower. The protagonist of this story, Kiri, leaves her life behind to climb an impossibly high tower, making phonecalls along the way.

Newt Schottelkotte's Where The Stars Fell is a supernatural fantasy set in the town of Jerusalem, Oregon. Cryptozoologist Dr Edison Tucker arrives in the town to carry out some research, and meets her roommate, author Lucille Kensington. There's so much more to this strange town than first meets the eye, with a huge revelation at the end of season one.

If you're new to fiction podcasts, welcome! I hope this short (ish!) and very much non-comprehensive list gave you some ideas of what to listen to next!

[celluloidbroomcloset]

I was thinking about that one (bad, stupid) post about there being “no indication that Ed wasn’t white.” Which is ridiculous, of course, but also it is very important that Ed, in fact, isn’t white. It’s neither incidental that he’s an indigenous man but nor is it treated as Representation. We do not get Ed explicitly discussing his indigenous-ness (or proving it to the audience). Like the other queer/disabled/PoC characters, it is simply a part of who he is.

But it’s not ignored. They cast a Māori woman to play his mother and a white man to play his father. They show Ed having deeply toxic relationships with angry white men. They treat of the optics of a white man buying an indigenous man from the English, of a white man resenting an indigenous man for his success and power, and of how Ed signs the act of Grace with an X as a protest against coercion. It’s IMPORTANT that Ed is not white, but it is not the only important thing about Ed.

And it’s important to his relationship with Stede and with the crew. Casting a white actor to play Ed would have created a relationship between two white captains with a supporting cast of PoC, which in itself would shift the dynamics within the show and how we read it. I recently saw a few folks note that Stede’s first interaction with Izzy would point to an enemies to lovers narrative in a different show. And this would, again, shift the dynamic of the show and its project massively by centering a romance between two white men.

(Another of the many reasons I’m deeply uncomfortable with Stizzy—it centralizes the white guys and sidelines the MoC lead. This issue also feeds into the racism of some of the weirder Izzy takes we’ve seen, because if you decide Izzy is the true protagonist then that certainly makes Ed the antagonist.)

OFMD does such a good job at representation because it treats all its characters like people. It doesn’t ignore things like racism and homophobia but neither is it a story about Overcoming Racism and Homophobia. Unlike a lot of mainstream attempts at representation, it treats not-white, not-cis, not-straight characters as human beings.