#they are opposites in so many ways but they are so similar in all of the ways that truly matter

[myflagmeansace]

Samba's OFMD BTS Cat Improv video with transcript

Scene begins in the middle of an ongoing discussion of Zheng's fighting skills being similar to that of a cat

Stede: ...cat

Ed: Just a cat. She looked just like a cat.

Stede: Feline.

Ed: But not a lazy cat. (dramatic pause)

Stede: An attacker cat.

Ed (says sagely): A motivated cat.

Stede (repeats himself because he likes how it sounds): An attacker cat!

Ed (eager to spin the story to incorporate Stede's idea): Uh, eh, it was...it was a cat attack!

Stede: Ooh yeah! And we were there, too.

Ed (adamantly agreeing): And we saw it.

Stede: We were part of it.

Ed: I was part of it. We were-

Stede: We were like...

Ed: -we were also like cats!

Stede (whispers in awe imagining them as cats): Yeah!

Ed: It was like three stealthy cats.

Stede (nods in agreement with his smart bf): That's right!

Ed (loving his bf's hype): Like three humans who had skinned some cats.

Ed (ADHD mode activated): You know there are many ways to skin a cat. You can start at the head and you just peel from the nose all the way down. Or start at the ass and (gestures as if he were skinning a cat) whip it back like that!

Spanish Jackie/Leslie: Jesus wept.

Ed: It was like three cats had been skinned and we just leapt into their bodies, zipped it up...(train of thought switching tracks)...uhhhm-

Stede (trying to figure out what track they're on): It was cat skins.

Ed: -It was actually the other way around. It was like three cats killed some humans and then-

Stede (loyally agreeing with his bf): That's true. It was the opposite.

Ed: -skinned them. So like three cats had sk...caught some humans, skinned them, and then wore their skins-

Stede (quietly pushing his imagination to the limits): Yeah.

Ed: -as little suits.

Stede (proudly agreeing with his bf): Take that humans! Cats are back!

Ed (needing to emphasize the size of said cats): But they're in the big cats!

Stede (happily reiterating Ed's added detail): Yeah, big cats are back!

Ed (switching tracks again into unknown territory): Or it was like a bunch of...it was way bigger than a normal cat. It was like all of us and we are full...are filled with cats! (abruptly ends his brainstorm and silently rests his hand on his hip)

Stede (proudly standing by his bf, nodding, though he's not sure how he feels about being filled with cats): *buffering silence*

*random meow*

Swede (unsure if he's in the gravy basket because of all the poison he drank): Are you sure I'm not dead?

Spanish Jackie (tired): Yeah. Yeah.

[sadokasochism]

I am destroyed over the whole god/worshipper dynamic and have no idea how to adequately put it into words.

I mentioned in another post that Mizi could not fathom Sua ACTUALLY dying, or comprehend what death really meant, and attributed this to her relatively comfortable and sheltered life as the pet of Shine. She was not taught to conceptualise death as a loss, and she never faced any opposition to that world view. From what we know, she might have never really known true, lasting pain or loss before the end of Round 1.

However, her reaction could also be due to her placing Sua on a pedestal as her personal god and universe. She viewed Sua as her absolute everything, and why would any faithful worshipper believe their god could be killed? Only, while Sua was everything to HER, that perception did not carry over to their captors. Mizi's love and devotion was not enough to save Sua. Forces stronger than them both took her away like she was nothing.

How must Mizi have felt, having her perception of Sua as the centre of the universe shattered that way? Coming to the violent realisation that Sua was just another human, and that humans are indeed that vulnerable and disposable? That Sua could now only exist in memories and in the visions that haunt her? That Sua is not a god, but a ghost?

Now we look at Till's perception of Mizi. Again, in an earlier post I mentioned the tragedy of Till falling for someone who did not have a reason to leave. He had a lot of blind faith in Mizi, and it could be said that he idealised her as a paragon.

It's not hard to see how he reached this point. The poor kid had not been shown a lot of kindness in his life, and so meeting someone who was genuinely good and so full of joy must have had a huge impact on him.

However, his faith is still a blind one, but in a different way to Mizi's blind faith in Sua. He is happy to endure any amount of horrible treatment and does not expect anyone to help him. He doesn't resent Mizi for being so close to their captors, for her dreams stopping at Alien Stage. He doesn't resent her after he gives up on his chance at freedom and is subjected to who knows how many more years of pain and torment at the hands of their captors (Not that Mizi is at fault, Till made his own decision that Mizi likely never even knew about).

He sees Mizi's innocence and ignorance to the cruelty of their reality as something wonderful instead of a character flaw that prevents her from saving herself or her loved ones.

Sua has the same issue, seeking comfort and bliss within Mizi's brightness instead of acknowledging the cruel reality of their world. Maybe she felt sharing her perspective with Mizi would dim Mizi's bright spirit, and so she was more than content to wait out the clock with her god.

Maybe Sua felt that meeting Mizi, loving her and being loved by her in return, was nothing short of a miracle after the life she had lived before Anakt Garden. Maybe she felt in light of that, aspiring for something like freedom or a long, long life of happiness with the person she loved the most was asking far too much. The time she got with Mizi was already a miracle, why expect or demand anything more?

If Sua was afraid of Mizi losing her brightness, no wonder she was so affected by Ivan's lecture about becoming a source of trauma for Mizi after her death.

Ivan's view of Till as his god is a bit different. He is similar in that he doesnt seem to demand his devotion be reciprocated, he just wants his god to acknowledge him as a person, as someone that is at least PART of Till's universe, if he can't be all of it.

He is also very willing to become a martyr for his god while expecting nothing in return but Till continuing to live. He acknowledges Till as vulnerable and falable in a way that Till doesn't with Mizi, and Mizi didn't with Sua. He knows damn well that while Till is the centre of HIS universe, their captors certainly do not hold Till in that same regard. He knows that love and devotion in a vacuum does not save anyone.

Which is why he was always the one to free Till, to try and escape with him, and why he pulled the stunt he did in Round 6. Ivan knew that actually making an impact in this world required personal risk and sacrifice, because their captors don't give a fuck if you're in love or if that other pet-human they're about to kill means everything to you.

Till knew this too, but his idealised version of Mizi is too perfect to be broken and beaten down by this world the same way the rest of them have been. So he's still shattered by Round 5, seeing how far Mizi has fallen and then not knowing if she's alive or dead, but knowing for sure she is far out of reach. I wonder, did he regret not running away with Ivan at that point? Did he wonder what all those years of suffering were for, if he was just going to end up losing Mizi anyway? If this world was able to break her too, no matter what he did?

Mizi is gone and changed forever, and nothing he did could stop it. His love and devotion and sacrifice wasn't enough. He failed his god.

In Round 6, Ivan is faced with the same thing. His god has lost his fighting spirit, is changed forever, and Ivan's love and devotion wasn't enough to save him. The last thing he can give is his life, and hope that will be enough. Just like Sua. But he was never Till's god, was never even part of his universe, he probably won't even leave a ghost behind. So, the choice is obvious, really.

They're all so desperate for hope and connection in this lonely, painful existence that they make a person their entire universe, and then are repeatedly crushed when they are shown again and again that their soul-consuming love for one another is seemingly meaningless in a world that views them as infinitely disposable.

[bibibbon]

Sukuna is a good villain analysis

Coming from someone who hates villains that are evil because they were born that way and with no other explanation. To be honest, out of all the villains in jjk I always found sukuna to be somewhat boring , he is well written but I just couldn't really see what people saw in him. I still think that kenjaku is way more interesting than him but I will say that due to the recent arc and chapters that my opinion of sukuna has significantly changed.

Sukuna is the abstract embodiment of nihilism (in a way). His character for the longest time has always been about destruction and chaos. Sukuna's first introduction consists of him saying that he is going to destroy absolutely everything and there is a heavy focus on him destroying the woman and children. He simply views then as little maggots that he can easily destroy with ease. We later learn the connection (I guess) he has to his mother which he doesn't regard her disrespectfully and his devoured twin whom he is shown to remember the presence of. Every time we meet him before shibuya his power is further emphasised and he is further demonised and built to be the big bad.

It is later in shibuya, during his fight with jogo that we get more to sukuna. In this fight sukuna brings out his CT of flames and jogo is surprised however, before sukuna kills jogo they share an interesting conversation. Sukuna recognises jogo's ideology and desires to be human and sukuna relates to it. He understands jogo's desires of taking humans place and ruling the world yet he views that view as foolish. This is where we learn that sukuna believes that being alone and having the power to destroy everything you care about is what makes one powerful. This can explain sukunas love for destruction and simple chaos. However, sukuna is incapable of understanding why he is talking to jogo, why does he even care for him in a way and instead of trying to understand he does exactly what he said to jogo that he should do and destroys/ fully burns jogo after calling him "strong". At this point both of these curses have experienced what it's like to be 'human' with emotions flowing through them that aren't negative but while one (jogo) questions it and tires to explore it the other (sukuna) rejects it and burns it all away.

There's also sukuna's relationship with his relatives especially itadori his nephew. Sukuna and itadori share completely different ideologies while sukuna believes in him being the strongest and destroying everything he cares for to stay that way yuji will believes that he is a simple cog in a system and tries to do everything to fulfill his role and protect others. Both are strong characters yet it is yujis drive and strong resolve that makes him so much more mentally stronger than sukuna and what irritates sukuna as yuji is claimed to be unbreakable in his views and passion. Yuji also makes sukuna question his own purpose and what he is here to achieve. Even though the two are strangely similar in many ways considering that yuji is a part of sukuna they're vastly different especially with their ideologies.

There's also the huge contrast between sukuna and his twin Jin itadori. Sukuna is strong, cold hearted and would put himself before anyone. Sukuna doesn't care for others and his existence is mainly him trying to satisfy himself and his needs while flaunting the immense power he carries. Yet from the little we have seen from Jin itadori he is is the polar opposite of sukuna. Jin itadori died for love, he was so blinded by grief that when kaori came back even though it was kenjaku he still loved her the same and he loved itadori more. It was stated that Jin really wanted to have a child and truly cared for itadori to the point he and itadoris grandpa got into fights about it. Jin from the moment we see him seems like a really nice and somewhat nerdy guy the complete opposite to his twin sukuna heck even their character designs are completely different with them only having the same colour hair and eyes (I think).

These twins are also juxtaposed to the zenin twins. Its stated that sukuna had to eat his twin to survive in the womb due to how poor their mother was. However, the only thing that sukuna got out of his twin was the physical characteristic and his CT while Jin's soul went through cycles before coming into he human realm again. This contrasts with eh zenin twins whom voluntary chose to join together and when she died Mai chose to take all the CE they both had while dying physically she joined her sister spiritually by becoming a sword. Maki and Mai will always be together and entwined by their souls. The sukuna and jin twins are only connected physically which could be why sukuna has 4 eyes and 4arms.

Sukunas own character design just shows that he is the embodiment of destruction and how he simply devours everything around him. When asked if sukuna ever feels lonely he literally says that he lives however he wants and that he can eat as much human flesh with all of them tasting different and filling him with different emotions. The closest thing that sukuna has to a friend is his loyal servant urauame and they only obey his orders while entertaining him. It's stated that the only reason sukuna keeps urauame around is due to their talent in cooking human meat, the same thing that gives him joy aka any real emotion.

There are then his other fights that focus on sukuna and his views on love and power. Yorozu's fight is an interesting one where we get more on sukunas cannibalism and how both of those characters view love as a means of destruction and death. Yorozu is happy that sukuna killed her and got to know more about her through that while sukuna is questioned on stuff that he views as pointless and meaningless like marriage. Yorozu sees the solitude that sukuna is surrounded by and think that he can understand her since she has faced similar yet they heavily clash with sukuna believing that to have power one must face the burden of solitude. In the end yorozu, does give sukuna a gift crafted by her which he actually takes and uses during the current battle. Yorozu's attempts to get to sukuna and to make him reciprocate his love all fail even when she makes a TRUE SPHERE. Something that has the largest surface area and can contaminate and touch everything yet sukuna leaves untouched by yorozu at all. I think it's interesting that yorozu's heart took a shape of a true sphere just to show how obsessed she is with sukuna and her desire to be with him.

Sukuna then fights with kashimo. Kashimo somewhat like jogo has an understanding of what it's like to be strong yet kashimo is sick of superficial interactions that the strong have to have with people that are inferior to them or want to challenge them. Kashimo asks sukuna if there is a way where he can be strong and surround himself with love sukuna says that this is selfish thinking considering his view that everything he cares for must be burnt for him to be strong. Kashimo isn't satisfied by only having strength but he also wants to experience simple things such as love, sukuna could of been similar to that long ago yet he gave up and has resorted to taking in all the destruction and enjoying himself from it. Kashimos fight with sukuna was more of a self discovery journey for the both of them and at the end they both come out on different sides.

After higumara's death there is a whole chapter about sukuna and he starts questioning his own life view. What has he been doing? Is it worth it? Where is the joy in what he used to do? And he is again faced with his complete opposite yuji. He is deep in thought and he feels empty, confused even he can't seem to understand why everyone is dedicating themselves to this belief, they're all united and strong yet he is alone and bored. Sukuna has done everything he has fought and killed but like kashimo said that caught up to him and now he is tired of it he wishes to experience the unity and stuff that the others fighting him are experiencing. Sukuna has no purpose but to destroy at this point but he has caused so much that him destroying over and over again has just been a mundane cycle.

Yet things start to change as the tides are against him and he may taste losing for the first time.

In conclusion, sukuna is an abstract and literal ideology of nihilism to a cerian extent and conveys the big bad villain trope in a fantastic way. I find him way more well written than AFO and muzan.

[skunkes]

might sound weird to say as a person with a couple ocs who have Big Horrible Event(s) in their backstories or as a person who has like 3 ocs total bc he sucks at writing and as a person who hopes their ocs arent too Boring with [the thing im about to mention] but the thing about writing [characters] and [people] is that like.

any little thing a person experiences can take up their whole existence... its actually something "fun" to experience as i meet new ppl and do more things. My friend had something happen that she'll be talking about forever. I had several things happen last year that ill never stop talking about, some of which other ppl think werent that bad actually. In the same way I'll forever remember about the way my sister accidentally insulted me almost 10 years ago, it's really interesting and Fun to find and assign smaller things like that to characters...its really Real. some people's dealbreakers are other people's solvable problems etc etc

[orchideae]

I have so very much to catch up on, my sincerest apologies, seriously— there's been mental madness going on behind the scenes, including this weekend. Please, let December be the month where normality starts and stays.

And on a more IC note, I often talk about solitude and isolation (and its origins in a very specific kind of loneliness) that is chosen and accepted, but I don't know if I ever talk about what that looks like exactly, and why, quite frankly, it's a little... for lack of a better word, concerning. Do me a favor, if you're in Genshin, turn your clock to nighttime, then go out into any of the cities, villages, camps, footholds and look up, no matter the nation you're in. How many characters are able to do that, and see a night sky that is nothing but void of any and all bounds and limitations? How many of them see that endless array of stars that illuminate it, and how many feel the cool fresh air that tickles their skin? For many, they can leave the four walls that house them, and experience that sight and sensation, because all of us to an extent, crave that. And honestly, so can Yelan— but she also, if not more often so, chooses to see something else. And the unusual concept of choosing that, is a driving force to my decisions for her and why I deem them so incredibly important: it's about the state of mind, it's about the mental that drives her.

On many days and nights especially, this is what she sees, and this is only if she doesn't descend further into the Chasm (which we know that she does), closer to the Abyss and to the Celestial nail itself that rests at its heart. And yes, it is beautiful in its own way, a pathway illuminated by the light of the moon and the nail, but it's also a cruel reminder of just how far the surface, and humans that live there (that she is by all accounts a part of, of course), are. But then, when she returns her gaze to the ground, her surroundings are void of light and dare I say, void of hope. The Chasm isn't just one of the places where you can get the closest to the Abyss, but it also consists of ruins of more than just one civilization. We see glimpses of Khaenri'ah (which we explore more closely through Dain's quest), but we know there is 'fauna' down there, even deeper, that is referenced as belonging to an even more ancient civilization that predated it. The Chasm is surrounded by reminders of death, ruin, and in that, it feels as if it's the direct foil of the world above it. The Chasm was almost the end of Liyue five-hundred years ago during the fall of Khaenri'ah, just as it had, apparently, once been to a civilization before it (please remember, the impact of the meteorite/fallen star that created the Chasm occurred roughly 6000 years ago), and its creatures wouldn't have stopped at its borders. The Chasm is the engulfing darkness in direct opposition to the light of life overhead, and the hope that humanity holds in the palms of its hands. It's dark, it's grim, and it's cold in more ways than one (See one, two, three, four).

And this place is a choice that Yelan makes to venture to and stay in, yes, yet calling it a choice is where it gets so interesting. Once upon a time, long before she got her vision, she was part of a team that surveyed the surroundings of the Chasm, and like many others before them that have descended into it, all members of this team, excluding her, died. The circumstances aren't clear, but following Yelan's line to Ning, I'm lead to believe that the Chasm's surroundings, which are all rather clearly threats to non-vision holders in specific (which Yelan also was at the time), were directly responsible for their demise. I'll note my hypothesis on what could have happened to them in a different post in the future, as I don't want to go far off-topic, but despite having likely witnessed what occurred to them, seeing the ruins of the Chasm, the threat of the Abyss and barely understanding what the Abyss even is, she continues to venture down there because the possibility of what could happen to the people of Liyue, is more important than her own existence and/or survival. And this bears even more weight following the events of Perilous Trail part 2, where she witnessed just how much the Chasm is capable of. Is this walking engima of a woman also drawn to equal or greater mystery than herself, much like a moth to a flame? I think that's part of it, but I definitely think it's infinitely more multi-layered.

Mostly, I think that this plays into the heart of what Fontaine has shown us that 'hydro' seems to represent: it's not merely a sense of responsibility (and/or justice) or selflessness, but a semblance of self-sacrifice either during the duration of one's life or at its end, either literally or figuratively. But keeping that in mind, what I really want to shine a spotlight on, is what kind of self-sacrifice seems to be the case with Yelan, and the way in which she seems to not just be at peace with it, but has truly accepted it almost as something akin to normality. And more importantly, note how this isn't normal behavior. An acceptance of solitude in such depressing surroundings is incredibly saddening, because it's not something that we ever crave by any means or should ever come to crave. Any regular individual, even most vision-holders surely, would find what she does insane to some extent. And yet, she walks the depths of the Chasm, of all places, with a similar routine as a Millelith guard patrols the outskirts of the harbor. Regardless of her clear reason for it— god, I have difficulty explaining what I'm trying to say; how does someone get to a point where they no longer do something so depressing out of necessity, but because it's... normal? That's her. The Chasm isn't... as eerie to her as it is to others, even if she knows better than most what these surroundings are; the Chasm it isn't as dangerous, even if she knows that it is and it's why she's there in the first place, to her as it is to others. Perhaps it's simply an acceptance that regardless of its dangers, that her fate lies in those depths as it did for her ancestors, that the Chasm's ruins will include her own legacy one day. But again, how does one come to terms with that? How do you come to make the decision that you will sacrifice yourself for others, especially when it means resigning yourself to a place like the Chasm, a place that is home to a pathway to the Abyss, which inherently holds the power to drive mortals to madness and death. Many wouldn't do this, or rather, many couldn't do this, not until they had no other choice and even then, think of Boyang, and even Bosacius, granted the latter had lost his mind by then. And that's where I think she's unique, because she technically has a choice, unlike individuals like Xiao whose... direct 'responsibility' and contract it is to do what he does. She could walk away tomorrow if she willed it, but she doesn't. Yes, responsibility plays into it, but the Chasm really hits differently when you tie it into that.

Now, I do need to note that I firmly stand against any believe that she a death wish or is thoroughly depressed. She isn't going down there over and over because she seeks an end to her life in some way or because she believes her life to be worthless. Quite the contrary, actually, and one could argue that the reasoning for that lies with her survivor's guilt. But all in all, before I get sidetracked again: Yelan embraces solitude to a rather extreme extent, and yet she doesn't seem to harbor a dissociation from the rest of humanity or dislike of it, but she does seem to place a firm line between non-allogenes and herself (and others who hold a vision). But what I mean with embracing solitude, is that while she is social, and she understands the laws and diplomacy of social behavior, she isn't one to always engage in it, simply because many don't seem to quite... share her headspace.

[aq2003]

oh btw i get even more why brennan (like me) clocked sophomore year fabian as fucked up and sad even if some of the other pcs were like "what are you talking about dude" . it's because the basic core theses of fabian and leiland eftbk as characters are actually pretty similar

[backseatloversz]

they only made two movies for men. SAD. oh well

[transvoxman]

Ok actually I was wrong in the tags, laserblast was never outwardly a jerk in highschool, not for anything that could be traced back to him. He was Always nice, he was Always the bigger person, specifically just so that no one could ever say "he wouldn't make a good hero, he was mean to me once." Poor guy created his Whole Personality around having a career as the Most Successful Hero Ever, he never did a genuine/true-to-humself thing in his whole goddamn life until he started being Venomous.

[jrueships]

PG and klay? Explain please

they Kiss.

LISTEN nothing Validates a bee more then two men wearing two similar outfits at two different times. Eccentric boat driver who babies his boat meets equally eccentric pilot who babies his plane. They race. They argue. Pg tries landing on Klays ship. Klay kills him. They kiss. It just makes SENSE to me but of COURSE im gonna help shed Light to the ethereals above ! Patron Saint of.. being a patron Saint! SO OBVIOUSLY, i have good reasons to put these two together and it's that they're both . Hot. Obviously. IM KIDDING i have more OK LISTEN just Listen

THEIR WHOLE THING is that it sounds Absurd. Because it DOES. and it IS. And that's why they're GREAT. On the surface they might have their stark differences, but i feel like emotionally they're Very similar and faced some similar things! Even their relationships with others are similar! But also not? It's that kinda foil kinda not comparison that's so unexplainable but interesting. They're both malewives to a girlboss (steph, kawhi). They both got a friend who feels very deeply which can get him in some fights (draymond, pat bev). They're goin different paths marked with similar stones but think they're totally different travelers just cus they see sights. Pg and klay carry the same chill possibly cryptic vibe when they're just having a good time with friends, but when something irks them, they can act a Lil a fool.. ( they both got leo moon disease.) Klay will throw up a shot he shouldn't cause he feels like he needs to be doing more so expectations won't be his downfall, pg will call a buzzerbeater a bad shot cause he's disappointed and disrespected. They're SIMILAR but the holy shit somebody is playin that nursery rhyme but Edgy shit on the speakers rn.. now i know what everyone's complainin about holy shit this song sucks! ANYWAYS they're way more similar than one would think, ESPECIALLY them. Cus they HAVE talked before... you kinda gotta in nba. That's why it's a league of people who have sex with each other. Tumblrinas are just talking on what's happened, what's BEEN happenin!! i mean LOOK AT THIS SHIT! SEX RIGHT BEFORE OUR EY E S !!!

Heads and tails of a coin men interacting. 100 killed 500 critically injured. Why they rubbin their Bodies so hard bro! It's just nervous mannerisms? Why do you, as a Man, have nervous mannerisms when engaging in a battle of Tongue with Another Man ? Hm 🤨? Scientists would like to know 🤔! Pg's little elbow rub, klay musing over his thoughts while smoothing over his hands. The article is about pg and klay discussing their future together and naturally chose a photo of pg asking klay out to prom! It just makes sense! They Kiss! They kissed!!

to be more In Depth, pg was still on the pacers but he was on his last year with his contract. And klay was coming to new discussions of HIS contract. Plus with it being the Olympics aka Tampering Holiday, it was a PERFECT time for pg to STRIKE!!! to ask klay out for A DATE! A date involving Los Angeles lakers unfortunately. But a date nonetheless!!!

Klay turned him down unfortunately. Not for the date though, he went the one day but he didn't want anything serious. Pg is charming, possible boyfriend material, but for like three days max. No way they could survive a Serious relationship. They both think the other is Too negative for something while they're too positive for something. Klay feels like pg is too immature compared to himself who is too mature. He waits until hes at a higher level to respond to criticism. But pg feels like klay is too tied down compared to himself who is too loose. Klays too busy pining for Mr golden boy steph while pg is free to chase whomever without weight. BUT THEY BOTH SHARE THE FACT THAT THEY LIKE HAVING HIGHER PERCEPTIONS OF THEMSELVES COMPARED TO OTHERS! Yeah they might have different THOUGHTS but they have similar thinking Processes. They bond on a problem but because it's a problem, they just refuse to really talk so they wont have to acknowledge it. Ships that have more in common than they think yet refuse to think is just MWAH. So complex so compelling! GOIN OFF pgs Olympic flirtations...

Think injuries. They both had injuries they had to climb back from. Are WORKING to climb back from. Maybe klay visited pg after that awful leg incident. Showed pg he's not some tied down smhuck working all for the efforts of one guy as pg likes to believe he is. And cause of klays actions, pg calls klay when he's rehabbing off HIS injury, which in turn shows klay that pg has more character to him than once thought. IT'S THE WAY they both can Change each other by actually putting effort into helping the other. They're two gears that need to spin in each other's directions in order to get the motor movin, NAMEAN? They got an unlikely relationship where one builds off another, and NO ONE expects it. That's what makes it so GOOD. It's UNEXPECTED unlocked potential! That starts something new! And GOOD! When no one takes anything serious, nothin gets done. But when they really start makin an effort to get connected, shit happens

IN SHORT

Guy who thinks guy is cringe + guy who thinks guy is cringe = Unexpected Romance of a Lifetime

[tvxcue]

like theres inevitably going to be comparisons between tgcf and mdzs bc they were written by the same author and mdzs feeds into tgcf and they do have a lot of points of similarity but they’re also so different. and it makes for interesting stories in conversation with each other bc they’re basically inverted.

like they both have the same focus on the main relationship that makes the story revolve around them but the thing abt mdzs is that even though it’s abt wangxian, it’s also not abt them. tgcf is explicitly abt xie lian, the whole story and plot revolves around him not just bc he’s the main character but bc he’s the focal point of the antagonist which is what makes him the main character in the first place. like xie lian isn’t a passive character but he’s not very active in moving the story along, he’s kind of just floating through it while other characters bring him into it. and it culminates with bwx and that entire confrontation but even from xie lian’s first ascension it was all something that was orchestrated for him to respond to.

but with mdzs, yes wangxian are incredibly active characters making all these choices that move them forward in the story but they’re just a footnotes in the novels action. wei wuxian and lan wangji’s story is abt them and their relationship and the bigger plot serves as a backdrop for that. in the drama it is a little different bc the bigger story kind of “clears” wwx’s name and kind of changes things for him in that regard but in the novel, it doesn’t even really do that, it offers questions about morality and righteousness that do change how certain characters feel abt wei wuxian and challenge the structure of the world they live in. in the end, the big confrontation is abt other characters finally revealing themselves while wangxian basically make out in the corner like they don’t give a fuck who killed whose brother! yeah wwx still saves the day but it’s not abt him even though it is quite literally abt him as the main character.

[artekai]

Big fan of the Aloy-Artekai relationship that exists solely in my head

[microwaving-tesilid-argente]

.

[primatechnosynthpop]

The other day while trying to think up hypothetical surnames for mel flightoftheconchords (not for any particular reason, just as a thought exercise) I accidentally stumbled into a crack theory about her parentage but I initially got my math completely wrong so now I'm struggling to come up with a way for it to still make sense

[ftmob]

portraits!

(picrew)

[lordsovorn]

Strange how people keep saying that "Shuro hates in Laios the same traits he supposedly loves in Falin", which is...

Seriously, look at him and his dialogue - does he hate Laios for being a monster freak? For being nerdy and weird and loving nature? For eating bugs? No, that's not it.

Shuro hates* Laios for being so profoundly socially inept (from his perspective).

The key difference between Touden siblings isn't that Falin is a pretty girl - the key difference is that Falin is caring and accommodating to other people, and Laios is awkward and unobservant, seemingly egotistic at the surface level.

(others have already written wonderful essays on why and how they grew up like that)

It has to be noted that Shuro is a sheltered noble from a land where proper etiquette is paramount - he is used to people being incredibly subtle AND incredibly observant around him. He comes from a high-context culture where everyone assumes things based on lots of social cues and shared understanding of context. That's not even a matter of being neurotypical, that's his culture (in addition to his personality and brain chemistry)

He is also rather introverted as person and doesn't have many friends. Even his attachments and emotions in childhood are expressed subtly, in a restrained and proper way. He is polite and refined, perfectly fitting into his house's expectations - even if that means repressing his childhood interests and little weird joys.

In that particular way, the opposite of Laios.

Shuro hates* Laios for being the opposite of the image HE was grown into. This strange man is so utterly insensitive and so open about it - he has no sense of shame (like Shuro), no tact and ability to shut up (like Shuro), no restraint (like Shuro). Look at him talking non-stop about things he wants to talk about and having fun (unlike Shuro) while completely overestepping Shuro's obvious boundaries!

The boundaries, I must say, that not only never before needed to be spelled out, but in Shuro's upbringing and culture would be as ridiculous to spell out as "I want to pee, so I'll go to the bathroom and remove my pants and sit on the toilet and release the sphincter holding my pee in my pee bladder"

Falin is not only awesome in his eyes for being weird and in touch with nature, but for being very delicate, observant and caring AT THE SAME TIME. She is a gem in Shuro's eyes, a miracle of his dreams.

In Falin, he not only sees a nerd-freak - he sees a hope for an introverted, polite, restrained person like himself to reconnect with that love for nature and nerdiness and freakiness.

Laios isn't like that. Laios is unobservant for subtle cues - and so a lot more loud, persistent, enthusiastic and unwittingly annoying. Yes, Falin has all that inside her too - but she restrains herself in order not to be a burden. And so does Shuro, in order to fit expectations. There's similarity between them in that regard, between two introverted and restrained weirdos. And a hope for a kindred, more open soul, from the more restrained Shuro's perspective.

* - I don't think Shuro's feelings to Laios are properly described as hate. Yeah, in his darkest moment he says that, but honestly it felt more like an accumulated stress from a continuous cultural and personal misunderstanding, rather than a profound personal hate.

...

What was the post about?.. Oh, yeah, Shuro loving Falin and disliking Laios. That's not him being too horny to think, that's him loving in Falin the defining difference between the two - they aren't gender-swapped clones, after all. Give my boy some respect and nuance.

[fillejondrette]

a lot of men really just seem to want to be able to victimize women without women getting upset about it. they'll say that women who take safety precautions have victim complexes, but then say the same thing about women who don't take those safety precautions. i saw this recently in the context of female travelers.

first, i saw a video of a woman demonstrating safety precautions to take on cruises, doing stuff like hooking things to her door to stop it from being opened, clipping the curtains shut, etc. personally, i don't feel the need to those things, and i feel like it's probably a diminishing returns situation- once you've done the obvious stuff like locking the door, any extra steps probably won't help you that much. but if it makes her sleep better, then there's no harm.

second, i saw a video of a woman talking about how she roadtripped in a foreign country with a couple of male travelers she met online. so the total opposite of the first woman, in the sense that she did something i think very few women would be willing to do.

the male comments on both videos were pretty similar, though. they both focused on women's so-called obsession with being victims. the first woman is paranoid, fixated on the idea of being a victim. one commenter wrote "me watching her do all this shit when i'm already hiding inside her room." the message is that women's precautions are silly and ultimately useless, if men really want to hurt us. comments on the second video contained a lot of assumptions that the second woman must have paid for her trip with sex. but many of the commenters were saying things like, "women will do things like this and cry victim, you wanted to be victimized." so they're acknowledging that being alone with random men is in fact dangerous for women. the second woman is a dumb slut who deserves what's coming to her.

i think men are, by and large, pretty aware of how men treat women. they acknowledge this with the argument that women need men to protect them (from other men). they treat male violence as a fact of nature that shouldn't reflect badly on men as a group, and shouldn't make women distrust men - except when a woman does trust men, no, that's wrong too. there's no correct way to behave that will make you a "good" victim, or a reasonable person, in their eyes, and i think that's the goal. if a woman's hurt, it's her fault. if she's afraid of getting hurt, it's her fault. the man is never the one at fault.