#they cannot go together

[sakebytheriver]

....

[hamsterdads]

after school hang out :]

[egophiliac]

we were fucking ROBBED

[merry-fagoland]

these are all said to him one after the other

[homolobotomized]

*die for him

[obsob]

there he is......the man of the house

[blue-mood-blue]

I’ve grown to appreciate the aus where Shen Yuan enters the story as “Shen Yuan” - same name, probably similar face, generally able to interact with PIDW as himself and change the story through his added presence. I like the sense of “if only you’d been here, things might have been better the first time around” of it all.

And I was thinking, it’s a funny coincidence in that scenario that someone named Shen Yuan gets put into… another Shen Yuan. What are the chances? What a weird twist of fate that Airplane would pick out the name that his most dedicated critic could slip into seamlessly.

What about a version where it’s not coincidence at all?

Airplane goes to school with a kid named Shen Yuan. He’s prickly and hard to approach and a little intense, but Airplane is persistent. In fairness, Airplane is relentless - and maybe it’s a good thing that they end up being friends, because they’re a little too much for anyone else to handle. They balance each other out. They’re the “weird kids” in class and they’re okay with that, because even when they don’t have any words for it, they know they’re not like their classmates, not really. That’s okay; they don’t want to be.

Recesses and breaks are consumed with the elaborate stories that Airplane wants to tell, and all the holes Shen Yuan pokes into them. It’s not mean-spirited, though, even though Shen Yuan isn’t the kind to temper his words. It’s passionate. He cares about those stories the way Airplane cares about them, and it can’t be mistaken for anything else when they lean together conspiratorially across the lunchroom table. They’ve both got notebooks filled with details and characters and monsters. Shen Yuan’s practically got a whole bestiary sketched out in wobbly childhood attempts at art, entries fervently scrawled beside them. Airplane prattles out plots nonstop, always with the promise of shining eyes and being asked “what happens next?”

They come up with a whole world together. Airplane’s going to write about it someday. Shen Yuan is going to read every word.

Shen Yuan misses school. Shen Yuan starts missing school a lot.

Airplane goes to the hospital room instead. He doesn’t think to worry, because Shen Yuan is okay - that’s what he says. He looks okay, and he’s a kid, and it doesn’t feel real that anything bad should happen to a kid. He doesn’t think to worry. He doesn’t think to say goodbye.

It’s one of the older Shen brothers who catches him on the way up to the room one day, in the hallway just outside - snaps at him to go the fuck home, and when Airplane hesitates, pushes him into the elevator and tells him not to come back. “Tells” is a generous way to describe the way the words come out - a growl, a hiss, the sound an animal would make when a hand got too close to a wound.

(It’s not fair to name a villain after him, even if the name never really comes up in the story. He wasn’t trying to be mean. He’d lost a brother minutes before, and he was getting his brother’s friend out of the way so he didn’t have to… see. It isn’t fair, but then, none of it is fair.)

Death feels very real after that.

The notebooks get shoved into a closet, and it’s not until Airplane’s moving out and one falls on him from a high shelf that he thinks about it again. He’s written things, lots of things, but nothing as ambitious as this - nothing as important. It could be good, he considers. He’d promised. Shen Yuan wanted to read it.

The problem was that no one else does, not for a long time, not until Airplane has whittled himself and his art into a corner and into such an unfamiliar shape that he has to wonder how it’s still his own face he sees in the mirror. He has to eat. He has to pay rent. Shen Yuan would yell at him, but Shen Yuan isn’t there to yell at him, and who cares. Who cares if it could have been better? The people who actually are here love it, and it’s paying his bills, and sometimes stories don’t go the way they’re supposed to and the world is fucking unfair. It doesn’t matter.

(It does. But he shoves that thought away along with styrofoam cups and soda bottles to the bottom of a garbage bag.)

Authors are not gods and their power is limited, but Airplane exercises just a sliver of what he’s been granted and gifts an inconsequential sort of immortality. He thinks about making him a rogue cultivator, maybe the kind that goes around documenting beasts and compiling his findings. He thinks about making him someone too powerful for death to touch, or too important to threaten, but when Airplane looks at the world he crafted and everything that’s become of it, it feels like the kindest thing he can do for Shen Yuan is a childhood where he’s loved, and a death that’s peaceful. What does it say about that world, that he’d kill off his best friend too early again instead of making him live there?

(The best writing he ever does is the only, shining moment of humanity that his scum villain ever displays: a lament about death that comes too early, about a brother gone too soon. The commenters praise him. The commenters flatter over how real the emotions feel. The commenters don’t get any response from Airplane on that chapter.)

Death is incredibly real when it comes for him too early, too, still hovering over his keyboard with the story technically finished and incredibly incomplete. Airplane could tell himself that’s because the written version can never be the version in the writer’s head, always shifting and with every possibility still on the table, but he knows better than that. The System knows better than that, with its condescending message about “improving” his writing and “closing plot holes” and “achieving his original vision”...

…and he’s a child again. He’s a child in his own story, he’s Shang Qinghua now without the benefit yet of a peak or cultivation or anything, and maybe he’s a little bitter, and a little scared, and…

And Shen Yuan - with longer hair, with robes, with a couple of older kids watching him from across the street, but undeniably the prickly little boy who used to sit down imperiously across from him and tell him everything that was wrong with the chuck of writing that had been handed to him last period, but with that smile that said he was only invested because he knew it could be better and they were going to make it better - marches up to him with a fire in his eyes and a frown that warns of a coming tirade.

“You told it wrong,” is the first thing he says.

Shang Qinghua wants to ask how him how he’s here, how this is possible, or maybe laugh because, yeah - yeah, Shen Yuan has no goddamn idea how wrong he got absolutely everything.

(Shang Qinghua wants to say “I missed you” and “why did you leave so soon” but he’s here now. He’s right here.)

“I know,” he says instead. “I’m sorry. It all kind of… spiraled out of control.”

Shen Yuan frowns, but then it dissipates the way it always does, and his eyes shine with ideas the way they always used to. “That’s okay,” he relents, grabbing for his hand. “We’ll fix it. We’ll make it what it was supposed to be.”

[destielwarmsthecocklesofmyheart]

watching his mother burn…

watching cas burn….

okay…

cool cool cool cool cool cool cool cool cool…

no doubt no doubt no doubt…

*ahem* he loves him kthnxbye

[poorly-drawn-mdzs]

💙❤️Happy Holidays!❤️💙

[eileennatural]

romantic royjamie may not be canon but bizarre codependency royjamie absolutely is

[stbot]

I've been thinking lately... maybe I should stop worrying so much about why I feel something and just feel it.

[ascesabo]

sometimes i want to reach through the screen and shake sabo by the shoulders because. god. there's just so much going on with him.

he's first introduced through the veil of luffy's memories- here he's just another feral jungle kid, sticking it out with ace and luffy, the 'nicer' brother in young luffy's eyes. and then boom. you find out he's a runaway noble trying to escape his abusive, neglectful family- and this changes nothing, they still get to become sworn brothers, but just as quickly as this is resolved, his asshole of a dad takes the three of them hostage. and what does sabo do? he gives up the little sliver of freedom he'd fought for, is willing to become miserable and lonely again if it means ace and luffy are spared. and then he comes home to find that in his absence, his parents have already found a replacement! great!

and he doesn't even get to address how fucked up that is, because stelly runs his mouth and now sabo's too busy trying to figure out how to stop his brothers and their home from getting burnt to the ground. he never gets to give them a proper goodbye- he exhausts himself trying to reach them, but he can't because. you know. he's ten. so where does this leave sabo? ten years old, with nowhere to go- he sets out to sea to try and start over, and for the crime of wanting to escape a terrible life, he's punished with an explosion to the face. he loses his memories, his brothers lose him- and so the cycle continues.

then the army saves him, takes him in; he's essentially a child soldier, with how prodigious of a fighter he is from the get-go. but hey, he thinks he's finally found his footing, even if his past's a blur to him- then it all comes flooding back. in the worst way possible. he sees his brother's corpse and he remembers, but it doesn't matter, does it? he's too late, ace is gone, and sabo's lost ten years of a life he could have shared with his brothers. we don't even know how (if, even) he recovers from this- except for a single passing statement from koala, asking him if he's 'had that dream again' because he'd been crying in his sleep. this is never brought up or addressed again. great!plus, we never do find out if getting blown up at the ripe old age of ten could have left any lasting fire-related trauma; and if it does, what does that mean for sabo, who's pretty much made of it, now?

both of these questions are answered at once- sabo treats the fire as if it's ace. it's ace's legacy he's carrying on, and it's ace he seeks freedom for. he copes by making sure ace lives on in his flames, and how can he ever hate the fire living in him if that fire is all he has left of the brother he never got to see again?

i just have to wonder about him, because he's got so many Issues that just. don't ever get addressed? every time we see him deal with his grief (episode of sabo, his own retelling of events in dressrosa) we never really discover anything about him. i wonder how it felt to finally remember the childhood that eluded him, just to find out he was an unwanted, replacable child. how he feels, living with the knowledge that he could have done something to save ace, that he'd failed to remember the two people he loved the most? i wonder just how terribly that guilt must weigh down on him- because where luffy's already begun to heal, sabo still sees ace in everything he does. his title of flame emperor is a direct callback to ace's final attack in his fight against blackbeard. he talks to his goddamn fire like his brother is still in front of him, which is sweet and heartbreaking and, considering his backlog of unaddressed trauma... incredibly unhealthy. i know these will probably be left unresolved for the sake of moving the story forward- but god, sabo, are you okay?

[winkle-pickers]

Inspired by this post, a really good discussion about it, and reassurance that life doesn't end after your twenties - quite the opposite in fact. Happy 43rd birthday Kaiba <3

[favvn]

Pairing these two scenes together because there's Something about their phrasing that is driving me Insane. (Is it the use of religious imagery turned on its head--purgatory is not a thing to desire much less create for yourself, losing paradise is normally a tragedy to be mourned--to highlight a unifying belief that both Kirk and Spock live by? That both accept the loss of paradise for the uncertainty of life?)

Like. I Know Spock's line about "self-made purgatories" (and what a line! I am gnawing on it like a dog with a bone) is referring both to his Duty to The Enterprise and Kirk as the First Officer vs his experience of love from the plant spores, but it's also referring to him being both human and Vulcan and trying to adhere to one half at the expense of the other and finding himself fitting in nowhere as result (although, I would argue The Enterprise with Kirk is where he fits in as Kirk has consistently shown he doesn't expect Spock to be More Vulcan or More Human but to just be Spock).

And Kirk.... knowing his past on Tarsus IV and how he shouldn't be alive had Kodos had his way.... His dogged determination to beat the odds against him.... Dare I say it's giving Born To Run vibes? The mindset of, "Fine. Paradise is lost, but I'll keep going anyway."

[raplinenthusiasts]

BTS x Major Arcana

for @dearedwardteach 🖤 {cr. namuspromised / psd / cards}

[taikanyohou]

HIGUCHI KOUHEI x MASHIKO ATSUKI. For Emo! Miu (2023).