#they tried to ruin her character but her legacy is safe

[lookingforasphodels]

... and some bitter people keep screeching that the Starks are the protagonists. ASOIAF is a phenomenon because of those messy dragonlords, it is known.

The whole expanded verse is Daenerys Targaryen's legacy.

[not-poignant]

Birthday Spotlight - Crielle ferch Fnwy

[18 April - Aries]

Crielle ferch Fnwy is the matriarch of the An Fnwy estate, a beautiful, evil Machiavellian supervillain who has been manipulating the Seelie Court and her family for tens of thousands of years, while giving the appearance of being a perfectly loving Seelie fae who only cares about truth and justice.

Mother of Gwyn ap Nudd, and aunt of Efnisien ap Wledig, Crielle is actually only rarely seen in stories, but has an explosive impact regardless, due to the trauma she inflicts or causes others to inflict on our main characters.

‘You’re not mine. You may have stolen from our family legacy, you may have parasitised our reputation, you may have even exploited and ruined the things about our appearance that make us – not you – beautiful. But you are not, you have never been mine. If you felt a short, sharp shock when you came into the world, my darling, it was my hands around your throat while your father tried to pull me off you. ‘Imagine, if you will, my dear, reprehensible thing. Imagine the first time you came back to me after we sent you away to play with Efnisien. Oh you were only twelve or thirteen? What a lovely idea that was. And Efnisien had you for hours. I told him to use knives. He liked them so, and he didn’t think he’d be allowed. So precious. And I heard the distant echo of your screams like a faint, familiar melody all throughout my day. A time when they stopped because he gagged you perhaps? Or your voice gave out? Tsk. He is – was – so crude. But still...effective. And do you remember? Oh, my creature, imagine it... ‘You came home hours later, hours after Efnisien. You were broken and cut and bleeding and so, so ruined. And you stumbled into the house, and there I was waiting for you. Breathless, actually. And you stared at me as though I would – what? – tell you that Efnisien had crossed a line, gone too far? Do you remember what I did?’ ‘You smiled at me,’ Gwyn said, his voice rough and rusty.

Game Theory

Game Theory: Introduced as the manipulative, evil, and cruel mother of the King, Crielle starts off with Cinderella stepmother vibes, until you realise that Gwyn's her only son and she can't stand him, favouring his cousin Efnisien instead. A torturer, abuser, schemer, and conniving Machiavellian figure, she ultimately has been puppeting the Seelie Court for thousands of years, and is the cause of Gwyn attaining, and then losing, his Kingship.

It's safe to say that Crielle has never been the Most Valued Player of any story.

The Court of Five Thrones: While Crielle only has a very brief appearance in this story, her presence is felt throughout. We find out more about her feelings towards Gwyn, through journals he discovers in her house after her murder at Augus' hands.

The Drawn Bead: In a story that explores Gwyn's first love, Crielle is there as a forbidding, tormenting figure, ruling Gwyn's life with an invisible, oppressive kind of terror.

The Curse: The only story which features Crielle's perspective, we see her as a child, a teenager, an adult, and learn about her dangerous proclivities, how her family did and didn't deal with them, and the depth of her love for a select few people, a love that she gave to Gwyn right up until the moment he was born.

Fae Tales – Alternative Perspectives: Crielle is only here briefly, but we see more of her dialogue with Gwyn, and more of Augus' perspective about her.

Underline the Black: Crielle here emerges as a cruel villain to Efnisien, in a flipped/reversed narrative where Gwyn is her beloved child, and Efnisien is nothing more than a neglected science experiment. Efnisien's life is at the mercy of Crielle's whims, and she puts him first in Hillview (an institution) to put him out of sight and out of mind, but as soon as he causes too much trouble for her, she won't hesitate to strike him down.

The Spoils of the Spoiled: In which Crielle even in the human world as a human herself proves that she can be just as evil as ever. Ruler of the household, torturer of Gwyn (and later, we learn, Efnisien), and clearly involved in corruption and organised crime, Crielle lives her best life in this story until Gwyn tries to legally emancipate himself from the family.

Falling Falling Stars: In the follow up to The Spoils of the Spoiled, Efnisien - previously thought of as the beloved and protected 'adopted' child of Crielle's - reveals over time the verbal, emotional, physical, and sexual abuse he suffered at her hands through therapy sessions with Dr Gary. Over time, we realise that no one is safe from her influence.

Crielle is very 'classically' beautiful, with blonde hair that has a slight wave in it, that generally falls down to her shoulders. She has azure eyes, a shade of blue almost never found among humans (even when she's human). She wears only enough make-up to accentuate her eyes and perfect lips, and maintains a very 'natural' effect to her beauty. It looks effortless and perfect enough that many who are experienced with beauty routines know she puts a lot of time into her appearance.

Crielle is asexual, sex repulsed, and aromantic.

Crielle is common fae, and while she's affected by the curse that Olphix cast upon the family, I like to think she'd still be pretty awful.

Born into a family in which some members are predisposed to sociopathic behaviour, Crielle was one of the worst and was not encouraged by her parents to be the way she is. Many people assume that she was abused into her evilness, but she wasn't.

To me, the concept or alienness of someone who is as evil as Crielle simply because she was 'born that way' is very fascinating to me.

Incredibly intelligent and perceptive, her few weaknesses are around the (few) people she loves and the way she will indulge them, as well as anything that threatens her reputation.

In Game Theory, when we finally realise that she is at the centre of Gwyn's devotion, standing there watching his humiliation, reacting in disgust to being called 'Mama' in a moment of vulnerability from her own son.

In Falling Falling Stars, Efnisien calls Crielle, and it becomes quickly clear that she holds no love in her heart for Efnisien when she calls him a 'ghost' and reminds him that ghosts are very easy to kill, making it clear she still wants him dead, and only inertia/disinterest is keeping her from following through because she'd already killed him once.

Always really fucking evil and irredeemable.

Frankly dies a lot.

Always a bit of a mad chemist. In Fae Tales she is a literal chemist and inventor of many different poisons. This has carried over even in to her human incarnations where in the Spoils universe she uses her knowledge of science to cultivate, create, or acquire poisons and viruses and bacteria to insert into Gwyn's food. And carries even more strongly into the Underline universe, where she runs one of the most successful synthetic hormone companies in Australia.

Visibly stunning.

Cares a great deal about reputation.

Usually loves Efnisien. Underline is the first series that has flipped the narrative so that Gwyn is beloved and Efnisien is loathed.

Kind of disdains her husband, who has no power over her.

Crielle is a real figure in Welsh mythology, though she was never meant to be an evil figure. Nor is she Gwyn's mother in the mythology. A sign of just how intensely I've bastardised everything for my own purposes.

She is good friends with the Ratcatcher of Hameln.

I wanted Crielle to be an example of how you can't expect that someone perfectly beautiful is a good person. I also really wanted to write a woman villain. I felt like a lot of woman villains at the time that I was seeing or reading were often written as petty or just in ways that made them somehow 'weak.' The appeal of Crielle is that she's an extremely effective villain and the only thing that stops her is her death (with the exception of Falling Falling Stars).

Despite how awful she is, I really love her! I'd write her more, but she's too strong and powerful lmao and she ruins my character's lives too much.

Crielle's colours for me have always been cream, yellow, white and blue. It's hard to imagine her wearing anything else.

‘How perfectly disgusting,’ Crielle purred. ‘A little worm has learned how to use the phone. I thought I had a caterpillar once, that would turn into the most beautiful butterfly, but it turns out the only thing my sister’s loins are good for, are despicable little worms.’ ‘D-Do you hate me now?’ Efnisien whispered. Crielle laughed lightly. ‘Oh, oh, my darling, I don’t hate you.’ A moment of hope, strong and bright, a sudden dawn inside of him. ‘I feel nothing for you. As far as I recall, I killed my nephew, and you are nothing more than a ghost.’

Falling Falling Stars

[galvanizedfriend]

what do you think about the baby plotlines? about hope and the twins? do you think they ruined any chance of klaroline being together? or do you think kc could have been together for real and had a good relationship if the babies didn't exist?

This might seem surprising since I have written over a million words of baby fic (although I will argue that it's not a baby fic, it's a fic that contains a baby, which is very different 😌), but I hate the baby plot. I'm a clown. 🤡

It's not about Hope or the twins in particular, nothing against them, I just think that suddenly including magical babies in a supernatural story about vampires is just about the stupidest thing you can do. Vampires are not supposed to have babies, period. I remember watching the backdoor pilot episode of The Originals not having the slightest clue what to expect because I wasn't in fandom back then, or even following anything about TVD, just watched the episodes as they came out, and the moment they revealed The Originals' move to New Orleans was about a baby, I turned off my TV. Whoever thought that giving Klaus A BABY was the best thing they could do for him, is an idiot that should've been fired on spot.

If they wanted to explore the whole father-child situation, drawing from Klaus' immense well of daddy issues, they could've used Marcel. It would've been so much more powerful and so much more interesting. The thought that Klaus, out of all the Originals, would just decide to embrace fatherhood after getting a one-night stand he didn't even like accidentally pregnant makes NO SENSE AT ALL. This is the man who stabbed his siblings and carried them around in coffins as a love language. And people want me to believe that this violence-first, emotionally constipated hybrid would want to raise a child. Sure.

As for Caroline's pregnancy - I guess once you have established that Klaus could make magical babies, then anything was possible. The excuse they used that Candice was pregnant was so dumb though. So many movies and shows have been shot while the actresses were heavily pregnant, but their characters weren't. Catherine Zeta Jones was six or seven months pregnant in Chicago. Everyone in Grey's Anatomy had babies. Ellen Pompeo had three onscreen babies but none of them were written to match her real life pregnancies. In fact, Candice had to wear a prosthetic belly because she wasn't pregnant ENOUGH. So stupid.

HAVING SAID THAT. I don't think the babies were the reason why Klaroline didn't happen. At the end of the day, it wouldn't have been something that would've kept them apart if the writers had wanted to go there. If anything, babies could've brought them closer. I mean, Klaus should've been completely inept when it comes to taking care of another human being who's entirely dependent upon him. Caroline, as a carer at heart, could've seamlessly fit into the narrative. And especially after they gave her babies as well, they could've easily connected through their snowflake kids.

In fact, my personal headcanon (somewhat backed by real canon) is that they did. Klaus gave her money for her school, and while I don't think he did it so he could send Hope there later on as Legacies tried to make us believe, I do think the reason he ended up allowing Hope to attend the school was BECAUSE Caroline was there. He trusted her with his daughter, in a way he probably wouldn't have trusted anyone else, particularly because he was absent. He needed to know she would be safe and in good hands, and that was definitely not because of Alaric. And I also think they kept in touch during all those years where Hope went to school there and he went on a murder bend around Europe. Hayley couldn't get a hold of him, but Rebekah IMMEDIATELY knew who she could reach out to to find him. If Caroline hadn't seen or spoken to him in 15 years, that would make no sense. The way Klaus is all 'Trying not to flatter myself that you're here on a sudden whim to see me' implies more intimacy than two people who hadn't spoken in over a decade would've had. They were definitely in touch. How much touching was involved is up to your imagination. :)

One thing I wish Legacies had explored was Caroline's relationship with Hope. They obviously had one, we were just never shown it, which is sad, because there were so many interesting layers that could've been explored. It's also in my personal headcanon that Lizzie would've been fascinated with Klaus had him and Caroline ever had a chance to be together and he got to hang around her kids as well, and the irony that her middle name is Jenna is just delicious (Klaus wouldn't have felt the slightest bit of remorse). It would've given Alaric so much grief.

In conclusion, Klaroline could've been together with or without the babies. They weren't what was standing between them. Stupid writing was.

[isfjmel-phleg]

Continuing with the earlier thoughts about the role of changing up costumes in YJ:

Cassie makes her debut in this series in a variation of the costume that she created for herself from items in her closet. It's practical and does its job of concealing her identity, but it does look very thrown together.

(Young Justice 1998 #4)

She does actually own an official Wonder Girl costume! The previous Wonder Girl, Donna Troy, passed on her (very 70s) red, star-patterned jumpsuit, but Cassie is afraid of ruining it and keeps it safely stored in her closet. It's representative of a legacy that she's apprehensive about living up to, so it doesn't seem to really belong to her. She only wears it briefly when she's aged up into an adult in the Sins of Youth storyline, but after that, she tries out a new look in #20.

"The miniskirt thing"? Well, for that, we have to look at Wonder Woman 1986 #153.

In this story, Cassie angsts over not being able to get boys to notice her, specifically Kon. So she enlists the help of Cissie, as a "specialist in superficiality" and "the most Hollywood" of her friends. And between them, they come up with an ensemble including a tight-fitting crop top (heaven forbid a 90s girl wear a whole shirt!), a red, star-patterned miniskirt, and thigh-high socks.

(I'll spare you that panel.)

It's completely inappropriate, especially for a ninth-grade girl, but it's designed so that "Superboy won't be able to keep his eyes off it," which apparently is her only goal here.

...and she ends up getting her first kiss from him, though more from pity than because of the costume, and concludes that she just needs to be herself. Exactly how this story defines that is unclear; there are odd mixed messages and a bad case of Written By A Man Syndrome (pretty sure this writer never once heard a conversation between actual teenage girls).

This is what she means by her "'What was I thinking?' phase." A bit of a put-down to that weird, arguably out of character issue!

Her costume from #20 instead indicates some actual growth. She has moved past her initial placeholder look, a costume that belonged to someone else and that doesn't yet properly fit her, and a misguided attempt to sexualize herself to impress a crush. The new costume can't escape the inevitable 90s influence, but it expresses a suitable youthfulness and looks like it would be more practical to work in (WW #153 forgot to point out that you can't fight in a miniskirt). She has abandoned the dark wig and thus looks more like herself in costume than she ever has before. She's Wonder Girl, but she's specifically her own variation on that mantle in a look that she chose herself and that expresses who she is.

This won't be the last time in this series that she updates her costume, but it establishes the beginning of a more settled and comfortable identity for her--at least, in this series. We don't talk about what happened afterward. :P

[siocarchive]

The Sea Never Dies Series - FiresFromOurHearts

Link: https://archiveofourown.org/series/715674 Series Summary: Uzushiogakure is more than a ruin. Her people wander and they hide themselves away, refusing to be who they once were. Uzushio sees this and she refuses to let the world stay that way. Uzushiogakure may have fallen, but Uzushio is far from dead.

Meanwhile, Konoha kills off almost all of the Uchiha Clan, leaving two - Sasuke Uchiha and Toru Uchiha. Sasuke's survival was meant to happen. Toru's survival was due to luck, (and something more, something much, much bigger than luck).

The world is not safe or nice or good. It hasn't been such for a while. That's alright though. Toru can make things happen with his own two hands and his words. He can change his world, even if it isn't the entire world. Toru doesn't like the whole world that much anyway. Series Status: Completed; Five main stories, entitled Sea Dreams, Current Strength, Ocean's Own Stories, Tideswept, and then Wayfinders in respective order, and a collection of AUs.   Series Word Count: 651k overall 

Ry Reviews:  What happens when Yondaime Uzukage of Uzushio and Uzushio ANBU, Mizushima Toru, is born anew in the body of young Uchiha Toru? It gives Sasuke an older sibling figure who helps him learn how to grieve his loss and gives Sasuke advice into how to move past the tragedy that threatens to consume him. It gives Konoha an Uchiha Clan Head who is proactive in rectifying the education of young ninjas and dedicated in his efforts to make sure that the Uchiha legacy is not a brutal massacre by the Clan Heir.  Sea dreams and Current Strength follows Toru as he struggles to be of Konoha ( a ninja to the village, an older brother,a teammate & a Clan Head) while he still hears Uzushio singing in the back of his head. Toru decides to focus on improving Konoha for Sasuke, promising to come back to the Uzushio at a later time. The last three, Ocean's Own Stories, Tideswept, and then Wayfinders, follows Toru making preparations to come back to Uzushio and Sasuke and Naruto as they grow up to a better konoha. The OC, Toru, is pretty level-headed and emotionally mature. He is the type to plan and put the plan into action. He is also pretty op with fuinjutsu skills surpassing the current generation of shinobis and being quite adept with jutsu. I attributed this to Toru being the Uzukage in his previous life. I don’t dislike OCs who are overpowered; but I want there to have an understanding of their powers and their abilities having consquences/limitations. In The Sea Never Dies, Toru needs to re-learn all the jutsu he knows and he has to build his chakra reserves. The most important limitation of the Oc is that his goals isn’t something he can accomplish on his own. He wants to make an active change in Konoha; he has to have a voice in the Clan Council and his own networks of information. He wants to rebuild Uzushio, he needs to meet remnants of clans from the island. 

It has a superb worldbuilding in regards to Uzushio and ANBU, as it is an integral part of our main character. It goes into details why Uzushio was attacked and why no one of its allies lend to help. The pacing is great as it goes into detail of growing up, settling into a ninja, planning to make Konoha a better place and making the decision to come back to Uzushio.  OC has cockroach as summon. Beware if you are uncomfortable with it. Standout Moments *spoiler alert* Toru creating an information network by gaining the trust and organizing street urchins. The information network is so wide that it reaches in all the shinobi villages and daimyou. Toru spearheading the change of the Acadenmy’s curriculum.  Toru managing to fake their own death because a teammate (from ROOT) tried to kill him. Gaining the information of Root by having his cockroach summons follow said teammate. Collecting information from ROOT headquarters. Managing to sneak back into Konoha and give the information to the Sandaime. Be a part of the team that will ambush ROOT HQ.

[silyabeeodess]

Just a small thought, but it’s a spoiler for FNAF: Security Breach, so will put below the cut:

Now, this is coming from someone who hasn’t seen the whole game yet, but does anyone else think that Roxanne might have an inferiority complex? She spends a good chunk of dialogue telling herself that everyone loves her and we get that she’s this champion racer, etc.; however, just how often she has to reaffirm this herself reminded me a lot of Papyrus from Undertale.  Then we get to her boss battle, where this doubt seems to slip though.  Instead of saying the usual, the dialogue changes from “Everyone loves you (me)” to “Everybody still loves me... right?” and “You’re (I’m) beautiful” to “I just need a little work done.”

Thinking about it just in terms of the characters replaced in the Fazbear gang, it actually makes a lot of sense.  Bonnie and Foxy are both gone, with Foxy--at least in terms of the real world--probably being the most popular of the group.  We don’t really get the same one-on-one comparison with Montgomery to Bonnie as we do with Roxanne to Foxy, but the idea of them being their replacements is still in our minds.  Think about how often Foxy was portrayed by fans as this kind of broken outcast who could never truly fit in the band or someone who acted moreso as an antagonist if we extend that to the official cartoons in the weeks before Security Breach released.  This is who Roxanne has to top: A fan favorite that, in the game’s world, was nonetheless torn apart and left to rot throughout the various Fazbear generations. 

‘Everybody loved Foxy and the company still treated him like garbage.’ ‘People want Foxy instead of me. How could I beat the fan favorite?’ ‘What happens if fans don’t like me?’ 

Judging by the initial interaction we see with Vanessa and Freddy, with her blaming the ruined show all on him even though he did the human equivalent of passing out on stage, I think it’s safe to say the robots aren’t treated any better than the rest of Fazbear’s employees.  And I get it, they’re machines. Because of that, I can overlook the customer complaining about Freddy being down.  That’s the thing though: The customer pinned the blame on the company, as it being a matter of them poorly maintaining an animatronic: Vanessa put the blame on Freddy himself, as a person.  They seem to in the very least act as if these animatronics have sentience if they don’t already actually know it.  That’s how the company and employees treat their showrunner, now imagine how they treat a new character to the franchise with no legacy, especially if the fans don’t like them or if they started demanding that they bring Foxy back instead.  

Since Freddy kinda hints that he knows why Bonnie’s not around anymore, I imagine the other animatronics do as well.  Just from what I have seen so far though, I don’t think Foxy would’ve been replaced for similar reasons.  It looks more like the company went, “Well, we tried this and this with the character. What if we tried something completely new since we’re already replacing one other character?”  That would explain if Monty shows more security in his role among the gang than Roxanne.  I just feel like this anxiety/fear would exist from replacing Foxy and then there being this possibility of being replaced herself.   

[avengersassemble-fics]

Stark Legacy

part 01/?? "the only person"

master list

word count 4.3k

an: :3 welcome to a new fic bc idk how to control myself

WARNING: this part does depict alcohol usage, and mentions of other substances a character uses to cope (though nothing is explicitly mentioned).

“An unemployment and housing crisis skyrockets to higher levels as people still struggle to adjust and accommodate the population we had years ago. Streets are littered with people seeking hope-”

“According to world economists, the surge in loan denials is leading to an unprecedented end, leaving the experts scrambling for a way to get the economy back on track, also claiming that the Global Repatriation Council may be asking for too much-”

“Protests break out across Switzerland as support for the group known as the Flag Smashers rises, with the Global Repatriation Council denying any comment on the matter, as well as refusing to comment on the rumours that the newly titled Captain America is investigating the matter-”

“What can we expect from Stark Industries now that Tony Stark is no longer with us? Pepper Potts, while having led the company in a positive direction prior to the Blip, has had no new developments over the last six months. With these newfound challenges the world is facing we’re left to wonder.. Who is going to step up as the ingenious mind behind new innovation? Will the youngest Stark continue on in the steps of father and brother, or are we seeing the end of the Stark Legacy?”

Click.

Silence filled the blue colored cottage that was tucked away at the end of the street in Ransdorp. Though dim and lifeless inside the cottage, outside the sun shined while birds chirped away happily and the sound of children playing echoed through the air. But inside the cottage, all alone, someone stood and tossed a television remote back onto the couch that was once occupied. They shed the blanket that had been wrapped around their shoulders all night while listening to all the different news reports, and entering a small bedroom and dressed in the dark. It was a Wednesday afternoon, and after shuffling through the cottage to grab a few things, the back doors were pushed and locked open, and a breeze blew through the house.

You squinted as you put a sun hat on and oversized sunglasses, overlooking the green oasis you had worked on every day for the last six months. Pushing away the thoughts of what the news had been saying, you stepped down onto the wooden patio that lined the back door and carried a hefty packed bag with you to the garden you had planted. You set the bag down and kneeled into the soft grass, and got to work on picking on fresh vegetables to use for your dinner later. Lucky for you, the soil was perfect here.

So… How have the last six months been for you?

Well the garden was a distraction your neighbor had suggested after finally catching you one day while throwing out a bag full of alcohol bottles you had consumed. You could see her take a second glance over your disheveled appearance, but she ignored it for the most part (which thankfully she did, you were a little sick of people telling you how to feel at the time). Naturally, instead of working through your problems, you distracted yourself from them.

But in all honesty… It’s been hard. Maybe it was selfish of you to think so, but you felt like you had been dealt one of the shittiest hands from the universe. The pressure from the world after… After Tony’s death was suffocating. As more paparazzi followed you around, the worse that anxiety had gotten. With that newfound attention, you had also been summoned by the United States government to attest for your time as a HYDRA agent. Lucky for you, in some way, they dropped any serious charges due to your restraint under the program, but sentenced you to weekly therapy sessions (since SHIELD had denied to disclose your mental capabilities). To your knowledge, Bucky Barnes had been offered a similar deal. The therapy lasted all of a month before you… Negotiated your way out of it, and returned to this safe place.

You drowned yourself in drinks and other activities after leaving New York, which in turn made your black-out episodes reappear, which had become evident as the photographed wall in your second bedroom started to be crossed out fast. You couldn’t help but twitch at the thought, and steered clear of that subject. But as of five months ago, you were all but cut off from all things Avengers.

Everyone had gone their own separate ways for the most part. Wanda was off the radar, Sam had gone and gotten a contract with the Air Force, Clint got his family back, Rhodey was some top notch Air Force guy (you didn’t really know what he was up to nowadays), Thor was gone offworld, Scott was making up for lost time with his family, and Bucky… Well, you didn’t know much about that situation either. Sam had tried to reach out after everything, but in one of your drunken states you threw your phone in the Weersloot river. You didn’t need a reminder of that day, or those few weeks even.

You never played the message Happy had given you from Tony. You never had the courage to do so, and you had it tucked away in your room safe and sound. Honestly? You were starting to think you never would be ready to hear what Tony had to say to you before he died. You just couldn’t bear to hear it, never would… Because if he even mentioned someone’s name you didn’t know how you would react.

When you started to think about Steve, you picked up a drink to take your mind off it. You had yet to come to terms with him leaving, because it still hurt like the day it happened.

Losing Tony was the worst thing that could’ve happened in your eyes. He was your family, though Pepper and Morgan had become your family too, Tony was the last piece of your family you could hold onto. The last shred to the past you fought so hard to remember and cherish, and now him and that part of you was gone. He was your everything. He always would be.

But Steve? Losing Steve wasn’t something you had ever even considered. While Tony was your soul, Steve was your heart. Despite everything you two had been through, the feelings hurt and the years it took to make it back together, Steve always had your heart. He was the man you wanted to fall asleep with and wake up to. He was the man you talked about growing old with, what life would be like if he gave up the Captain America mantle, he was supposed to be your future...

And then he stayed in the past, and left you here confused. Hurt. Alone.

You lost the two people you had left in the world. Your heart and your soul. And it was the most devastating blow you had ever felt… Everyday you wondered how someone comes back from something like that, if it was even possible.

Your thoughts were interrupted when a hefty softball landed in a thud in your garden and smushed one of your little tomatoes. You blinked at the sight before grabbing the ball and looking up to see the familiar short boy next door pulling himself up on the fence that separated your yard from his, and you grabbed a rag from your bag and wiped the softball off.

“Je vernielt in zijn eentje mijn tuin, weet je,” (You’re single-handedly ruining my garden, you know) you said to the boy and looked up at him through your sunglasses.

“Vergeef mij,” (Forgive me) he said and rested his head on his hands to watch you finish wiping his ball off. “Mijn vader wilde niet met mij spelen” (My dad wouldn’t play with me).

You stopped wiping for a moment and could see the sad look in the kids face. You smiled softly and stood, making your way over to the fence and handing him his ball back, though his expression didn’t change.

“Vraag het me de volgende keer dat je wilt spelen, oké?” (Next time you want to play, come ask me, okay?) You told him, and the smile reappeared on his face and he gave you a nod. You ruffled his hair as he jumped back off the fence and played once again. You went back to your bag, now full with vegetables, and picked it up to head back inside. You had a sweet pasta recipe to try tonight, and you think what you selected should work great-

You stopped in your tracks right before the back door. You lowered your sunglasses and lowered your gaze to the ground as you tried to focus on the sound in the air, the shift in the environment. You may have been slightly hungover but the presence was not hard to miss. You straightened your stance and gripped your sunglasses in your fist.

“Sam?” You called out. At first there wasn’t any rustling, but after a few moments you heard your back gate unlock and creak open, and that’s when you could hear the extra set of footsteps. You slowly turned around to face who had finally tracked you down, and were met with Sam Wilson… And Bucky Barnes in tow.

“What are you doing here?” You more so asked Sam. The pair glanced at one another and Bucky nodded his head at his partner in crime (God, you could just tell they were up to something) and Sam shoved his hands into the jacket he had been wearing.

“We came to see you, check in on how you’re doing,” Sam said. You chuckled a bit, and shook your head.

“That’s bullshit and you know it,” you called him out. “What are you really doing here?”

“We need your help,” Bucky said. You bit your tongue and looked them over, maybe just a little curious as to what was going on. Just a little. “We stumbled onto something that I think you may have some information on.”

You hummed to yourself for a moment, thinking it over. Truthfully, the last thing you needed was whatever this was. So you shook your head and shrugged your shoulders. “I’m afraid I can’t help, but thanks for thinking of me.”

You turned your back on them and stepped up a couple steps into your house, and was all but ready to close the door to the world and close yourself off from Sam and Bucky, but Bucky took a step forward.

“There’s more super soldiers out there,” Bucky said in a serious tone. You stopped in your tracks, gripping onto your door for a few moments before looking back out to the pair. Bucky was watching you intently, in a stare you had only seen on him once before (which you didn’t want to recount at the moment). There was movement near the fence, and your eyes darted there to see the neighbor boy peeping his head over to see what was going on. When his gaze met yours, and you gave him “the look” he disappeared just as quickly as he appeared, and you looked back at the pair standing in your yard and against all better judgement, motioned your head behind you. Understanding your cue, Sam led the way inside, and you shut the door quickly behind Bucky.

You moved around the burly super soldier and brushed past Sam to set your bag of veggies in your kitchen. You had to take a moment to compose yourself before facing the duo who had been watching you intently. “Okay.. Go on. What do you mean there’s more super soldiers?”

Sam grabbed something from his pocket, a phone it looked like, and pulled something up before handing you the device. You hesitantly took it and looked down at the phone, where a video began playing of the recent Gasel Bank heist. You watched as someone got beaten to the ground, but what was astonishing was the sheer strength the masked person showed. Captivated, you carried the device into the living room and plopped down into the cushions of your sofa and watched more footage, this time up close from what you could guess were Dumb and Dumber who moved to hover over you.

“We were hoping you might know something,” Sam said. You handed his phone back to him which he graciously accepted, and you tapped your fingers together in thought before looking over at Bucky.

“What makes you think I know anything?” You asked. Bucky seemed to huff in annoyance at your questioning him, in all honesty you just wanted to hear him say it.

“You and I both know what went into the replication of that serum, your program especially,” Bucky said. You felt a lump form at the back of your throat and you casted your eyes downward. “You were still there after me… Did they perfect Stark’s serum?”

You looked back up at his question, and you held his gaze for a moment. You couldn’t believe this was how your day was turning, and you were pissed that he of all people were bringing up your past, like you volunteered for any of that shit.  You lightly bounced your leg as you fought to remember what you had known.

“HYDRA had been unsuccessful in using my father’s formula of the serum again, even after you managed to escape their hold,” you started. You swallowed the lump in the back of your throat and leaned back into the couch, averting your gaze from Bucky to the floor as you searched your memory. “They brought in a scientist, but it wasn’t my op, and it was on a need to know basis. The only reason we knew they started the research again was they started taking people from the Phantom program to test the serum on.”

“Phantom program?” Sam asked.

“That’s what they called us,” you mumbled. “All of us were deemed dead so… It was only fitting.”

“Did the scientist perfect the serum?” Bucky asked. You shrugged your shoulders and met his look again.

“Didn’t think so,” you answered honestly. “So if there’s serum still out there, he has to be your guy. Though I can say I didn’t see any kind of sign of that activity when working with SHIELD.”

“But it’s a start,” Sam nodded and Bucky looked his way. The two started sharing odd glances, and you watched in confusion. Sam suddenly looked your way and motioned around. “Think you could spare some time and do this mission with us?”

“Sam-” Bucky began to say as a warning, but you chuckled a bit which made him stop.

“I don’t do this anymore,” you told them as you motioned between them.

“Come on (Y/N),” Sam tried to reason as you stood up and walked your way back into the kitchen and opened up a cabinet in search of tonight’s bottle of wine to go with dinner. “I get that you’re going through it, I really do, but-”

Just as you managed to select the perfect medium-bodied red wine, Sam had come up beside you and took the bottle out of your hand. “This isn’t going to help you.”

“Yeah Sam and what is?” You asked while crossing your arms. “Because right now the only thing that would help me out is to see my brother again but guess what! It’s not going to fucking happen! It’s just me, here, and all by myself. All by myself…”

Your words trailed off as a heaviness grew in your chest. The atmosphere in the room was a lot more stuffy, and you would rather curl up and disappear then let Sam (and Bucky) see you cry. But here you fucking were, with Sam seeing the tears build up in your eyes and the look he gave you, you wanted to be mad but the only thing that you could seem to feel was just sad. You blinked back the feeling and took a glance back at Bucky, who stood in your living room and averted his gaze. You looked back at Sam, and put on the best front you could.

“You’re welcome to stay for the night, someone can take the bed in my room and someone can take the couch, but tomorrow? We go our separate ways again,” you said in a low tone. Sam’s look at you was… Disappointment. Before the sentiment could settle on your already guilty conscience you turned around and grabbed your keys and a peacoat and stopped at the front door. “Help yourselves to whatever you need.”

With that, you pulled the door open and just as swiftly shut behind you. The cottage walls shook for a moment before settling to a silence inside. Sam looked down at the bottle in his hand and set it back onto the counter before looking Bucky’s way, who still looked annoyed.

“What?” Bucky defensively asked when he noticed Sam’s stare. Sam shook his head at him and pushed the wine bottle to the back of the counter.

“You pushed that too hard,” Sam said, to which Bucky scoffed.

“Me? You’re the one who asked her to join us which, by the way, where did that come from?” Bucky questioned as Sam came back to the living room and sat down on the couch. Sam leaned forward with his arms on his legs and rubbed his hands together.

“Take a look around Robo-cop,” Sam emphasized and Bucky let out an annoyed sigh. “You’re seeing what I’m seeing, right?”

Bucky looked around at your surroundings. He wouldn’t peg it as chaotic, but he also couldn’t pin it as put together. There were personal touches here and there, but it didn’t feel like you belonged here. Bucky wasn’t blind to what was going on here, but he also didn’t see how that pertained to what Sam was suggesting.

“Sam, we came for some information, we got it, so why don’t you tell me what you’re trying to say,” Bucky replied. Sam rolled his eyes and leaned back into the cushions.

“We let her come here, by herself, even knowing how devastated she was after Tony died,” Sam explained. Bucky’s eyes darted to the floor at the memory of him following you out to that shed the day of Tony’s funeral, and the empty expression your eyes held. “Hell, we don’t even know how she felt about Steve. We should’ve been here for this. And that makes us shitty friends.”

“Ah, I wouldn’t say we’re friends-”

“Oh I’m sorry, who's the one that said she owed you a favor?” Sam asked and Bucky shrugged his shoulders.

“I did, but that doesn’t mean-”

“Nah ah,” Sam cut him off and Bucky rolled his eyes. “If you two owe one another favors, then your friends.”

“That’s sound logic, Sam,” Bucky sarcastically said.

You tossed your glass bottle of whatever the hell it was you drank earlier into a trash can on your way back home. You pulled your keys out of your jacket pocket and jingled them around until you found your house key and hipped quietly. Your cottage was just in view and all the lights were out. You grumbled to yourself as you neared, forced to remember what had happened earlier in the day (and boy did you work hard to forget that Sam and bucky were at your lace haha). You stumbled up the two steps to your door and used the wall to steady yourself, before quietly shoving your key into the door and pushed the door open.

It took a second to adjust to the environment, but the whole cottage was pitch black, besides whatever light from the moon managed to filter in. You carefully walked around the couch and glanced down at who occupied it, and when you saw Sam peacefully asleep you then looked at the door to your room and shuddered at the fact Bucky must’ve taken residence in there. You huffed a bit, and pulled a spare blanket out of a basket and moved to the back door. When you finally got outside and shut the door to not disturb your guest you tossed your blanket onto the patio sofa you had and kicked your shoes off.

After shedding yourself of your peacoat and plopping down on the hard cushions, you inwardly cursed the two men inside. You were doing just fine before their arrival, you had a schedule of self loathing and drinking then sleeping that they were interrupting. You just weren’t looking forward to the repercussions of tonight’s sleep. You laid back across the sofa and looked up at the sky, though nothing was there anymore. Or at least there wasn’t anything you could see.

Let’s be honest here. The reason you had turned to drinking was because of the fuzzy feeling you got after awhile. Your mind got to drift to something else besides the memories of your past, like… what to drink next, or in this case, is that a star or an airplane? It made the moment more simple, it made you forget who you were until you woke up again. That didn’t mean you didn’t resent yourself for your actions, but you just added that to the list of reasons why your endgame was the best resolution. You just weren’t ready to tell anyone what that endgame was.

Your gate creaked and you tilted your head to look in that direction. You could barely make out the figure as they neared, Bucky’s face became more clear. You looked back up to the sky and shook your head a bit to yourself. Bucky came to a stop close to you, and sighed a bit.

“You should go inside,” He said quietly.

“You should just leave me alone,” you quipped back to him. Though you couldn’t see it, Bucky rolled his eyes at your drunken response. You suddenly felt a lot more sober, and you turned your head to face him. “You had no right, you know.”

“What are you talking about?” Bucky asked and you huffed.

“You had no right to bring up the Phantom program. I didn’t tell anyone about that, not even Tony,” you admitted to him. Bucky bit his tongue and looked up at the sky for a moment to collect himself. “I didn’t want anyone to go digging into the extent of that.”

“I didn’t know,” Bucky admitted. You blinked at him as he caught your gaze again. “Look… I’m sorry.”

You fell silent before letting out a small sigh and adjusting yourself to be a little more comfortable, your head finally starting to feel dizzy again. But Bucky wasn’t ready to settle this, he shifted his weight and turned to face you.

“Why are you doing this to yourself?” Bucky asked. Your eyes fluttered back open and you looked over at him. He had taken a step closer, and hovered over you, and you raised a brow.

“What are you talking about?” You asked him this time.

“The drinking,” Bucky pointed out. You huffed and turned your head in the opposite direction into the cushions, and Bucky rolled his eyes. “It’s not going to help you know.”

“Yeah and how would you know?” You asked and looked back at him. Bucky leaned down to get in your face, and you tried to move back from him.

“Because I’m probably the only person who really knows what’s going on in your head.”

You bit your tongue, and Bucky backed off. In a bit of a daze, you plopped back down onto the cushions and pulled the blanket you brought out up to your chin. Bucky rolled his eyes at you shutting him down, and he moved to the door to go inside. The sooner the morning came and Sam and he could leave, the better for him.

“I never blamed you, you know,” you said in a light voice. Bucky stopped in his tracks and looked over at you. Your eyes were closed, and you were breathing evenly. Bucky retracted his hand from the door knob and took a couple steps closer. He needed to hear that again.

“What did you say?” He asked. You stirred a bit, but didn’t answer him. Carefully, Bucky used his gloved hand to touch your shoulder, and give you a small shake. When you still didn’t say anything, Bucky sighed and looked between the door and you and cursed in his head.

Bucky carefully slid an arm under your shoulders, and then hooked his other under your legs. He hoisted you up into his arms and into his chest, and your head rolled into his arm. Bucky shook his head at it and carefully brought you back inside, and past the couch, and pushed your room door open with his foot. Bucky sat himself on the edge of your bed and balanced you in his lap with one arm, and pulled your blankets open with a free hand. When he finally got you into your own bed, he took the blanket you had outside from you and tossed it onto his shoulder, and pulled the blankets on the bed onto you. Bucky stood from your bed, and before leaving the room he took a final glance at you as you stirred just slightly.

Bucky closed your door, and walked back towards the couch and settled himself onto the floor. As his back met the floor, he couldn’t help but wonder if you meant what you said, about not blaming him for what happened. One thing he did know was he meant what he said. Bucky stared at the door to the second room in the house, and he shook his head.

If there was one person he truly wanted to make amends with, it was you. After all, you were on his list of names.

- - - - - - - - - -

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[yougurtella]

hot take (or tea) of the day from me:

Both apple and raven want what they want and would do mostly anything to get it (mostly apple, but i’ll explain raven later).

Apple White is ambitious, maybe not always, but definitely with the things she wants. She wants people to be safe, yes, but she also wants to be safe as well. Of course, Apple wants everyone to be safe, that’s why she is destined to be a great Queen for her future kingdom. But do you know why she’s so stuck on her destiny?

If you read The Storybook of Legends by Shannon Hale, we discover that when Apple was young, she fell into a well, and was stuck there for a long time (not super long, probably a few hours, I’m writing this from memory). That scarred her, and as a result, convinced her to think that her destiny is the only thing that can keep her safe (we also know that she was groomed to be a prim and proper destiny-following-princess since she was born, so all her life she’s been convinced her destiny is the only way to live). Same with following the rules. If you follow the rules, you’re bound to stay out of trouble and safe and sound, right? And as we’ve seen, Apple will do anything to stay safe. She was instructed to pretty much manipulate Raven into following her destiny, and even tried to follow through with it (she also joined Raven on her journey to find clues about the sisters that disappeared after legacy day when refusing to follow their destinies. all throughout that journey, Apple is also trying to convince Raven her story is the one she needs to follow). She is constantly questioning Raven, trying to find a fault in her thinking (these are the only examples i can think of right now, but if you have any more, feel free to mention some). And we get to Dragon Games. Apple meets the Evil Queen, who manipulates Apple into breaking her out of the mirror (you can find a clip of it on youtube, or netflix):

Evil Queen: “Oh I’m sorry, I thought maybe you were like your mother. When her time came, your mother embraced her fairytale destiny. She did whatever it took.”

Apple: “I am not afraid. I will do whatever it takes. And I am like my mother, and my destiny is mine!”

Just noting how she reacted to what the evil queen said. she could have brushed it off, or have said, “i may be like my mother, but i don’t want you to be an option to help me achieve my destiny”. but Apple reacted so...so angrily. She just burst into aggression and threw the Apple at the mirror.

We also see that Snow White tries manipulating Apple into forcing others to follow her destiny. (“Perhaps there is some way you could nudge Raven towards evil?...remember, she’s still her mother’s daughter!”) I have a feeling Snow’s been doing this ever since Apple could comprehend words. Apple definitely seems like she would’ve been that annoying kid on the playground that would’ve been like “You need to follow your destiny or else I’m telling the teacher!”

Anyways, Apple has definitely had some hard times, (which don’t justify her actions, but could have led her to realize that she needs to change. not just for the heck of it, but to become a better person; to become a better queen. also jesus, if EAH wasn’t cancelled she would’ve had an amazing character arc i just know it—) but anyway. She’s had some traumatic moments in her past, and we’ve only seen a glimpse of how Snow White raised her, there’s definitely some stiff linings in that relationship. It seems more like a business relationship than a loving Mother-Daughter one.

Which leads me to Raven Queen. If you read the books, you’ll also know that throughout Raven’s life, she’s always questioned destiny, and instead has used the word “choice” in her vocabulary. Her mother has seemed to be absent most of the time, whether because she was in “evil meetings”, doing Queen duty, or being trapped in her mirror. I don’t think that has impacted Raven’s opinion on destiny, the only way it’s impacted her it’s probably the absence of love from a mother. Raven doesn’t like her destiny because she knows she has it in her that she couldn’t go through with evil-doing. We know that too (especially in WTW, when Apple tells her “This isn’t you, you’re about choosing your destiny, and breaking binds and whatever” and Raven goes back to normal).

Anyways, back to Raven possibly being a Slytherin.

She’s also demonstrated that she’s ambitious, I mean, she entered a talent show wanting to perform a (quote on quote from Headmaster Grimm) “non-evil” song, and stuck with it until Sparrow got to her. She’s always letting people know they have a choice (maybe sometimes a little forcefully, but it’s not as bad as Apple). She even went on a journey (in the Storybook of Legends by Shannon Hale), sneaking out of the school, breaking multiple rules, to prove that you don’t “poof” when you refuse to follow your prewritten story. She’s quick to correct people on the fact that she won’t be following her destiny; but Legacy Day is a bigger example of her ambition. She knew about the legends and rumors of your demise when refusing to follow in the footsteps of your parents, yet took that chance anyways, putting many peoples lives into harms way (granted, it never happened, but they didn’t know whether they’d poof or not). That’s hardcore though. Imagine making a choice about your life, that could have people’s lives be ruined, or worse, dispelled (haha get it? dis-spelled?), and you take the route of putting people in harm’s or deaths way. Thats incredibly selfish, but also quite heroic. (there’s so many discussions to be held about the ethics of EAH, i’m so mad the fandom isn’t bigger because we could have so many videos and essays about this wonderful story) Raven took a stand, feeling ambitious enough to say “No” to a predetermined life. Round of applause for her.

I’ve realized that i’ve probably written more about Apple (because she is one of my favorites), and I didn’t have a lot of evidence for Raven, just feelings and opinions. But anyway, this was mostly for fun and to procrastinate on schoolwork lmao.

Keep in mind this was just a fun silly thing to do, to start a friendly and respectful discussion. I don’t want any people saying how Apple is a horrible person and how she’d be say “all lives matter” and be a white supremacist. She wouldn’t. Her destiny is to be there for others, and to be the kindest and fairest in the land.

So maybe Raven would be a Gryffindor instead. Apple could easily be a Gryffindor as well, heck, I see both Raven and Apple being in any of the houses in Hogwarts (it would make sense for Raven to be a RAVENclaw hahahah—ok ill stop). They both have demonstrated key traits for each houses.

So what do you guys think? Would Raven and Apple be Slytherins? Do you have a different house you think they’d suit more?

I honestly think that if EAH and Hogwarts had a crossover, Apple would definitely convince Headmaster Grimm and the Sorting Hat to place Raven in the same house as her (because you know, she wants Raven to follow her destiny). I also think it’d be a funny bit.

[paper-n-ashes]

sparks and embers - chapter 6

Characters: Poe Dameron x Original Female Character, Kylo Ren x Original Female Character

Story Tags: Explicit (18+), Canon Compliant/Divergent (Set after TLJ), First Person POV, Love Triangle, Slow Burn, Enemies to Lovers, Porn with Plot, Hurt/Comfort, Kylo Ren hates Poe Dameron 

Chapter 6 - Ruin

Words: 5.9k

Chapter Tags/Warnings: Mentions of war/death, kissing, a healthy dose of the ‘sharing a bed’ trope, ANGST, sexual education because who doesn’t want to read about that in fanfiction, vague description of a female medical procedure

Read on AO3 or Start from the beginning

~

A softened sigh left me, knowing it was probably time to let Poe say his piece. He’d been so silent until now that I felt compelled to hear what had been stirring inside his mind while I’d held him in quiet contempt.

“Alright. I’m listening.”

He flicked on one of the dimmed lamps next to the bed, a gentle glow illuminating the room, watching as he proceeded to carefully extricate himself from under the sheets, the soreness as a result of the rehab we’d performed today now evident in his concentrated expression.

I drew myself up into a seated position on the sofa as he made his way to sit on the small table at my front, not attempting to meet my eyes until he’d slowly placed himself down on the metal. His face was less than a meter from mine, pupils drifting upwards until finally, our stares locked.

“I’m sorry,” he declared, his words heavy. “I understand why you’re angry. I get it, okay? Years of battle after battle, fight after fight, it becomes difficult to consider those working under the First Order’s control as people. People with families, loved ones, even children. They appear as targets, there simply to be eliminated. And it’s you or them. Either you perish, or you put the rational thought into the back of your mind and fight back.”

Poe glanced down, fixated to the floor, his jaw tight. “I do think about it sometimes, the people I’ve... murdered. I’ve spent sleepless nights wondering if killing in the name of freedom was a good enough reason to send people to an early death. When you don’t see their faces it’s…. easier. You don’t see the bloodshed, the corpses. You just see the fiery explosion of their ships fading into the black void of space.”

I stayed rigid in the sofa, hands clutching the into cushions. It was difficult to hold down the simmer of anger that boiled in my stomach, since everything so far only reinforced what I felt like I’d determined hours ago. Even while my demeanour remained stormy, Poe continued.

“All I heard in my childhood was my father reminding me of the way he and my mother fought for what they believed to be right. Both of them lived and battled through a time like ours, under the thumb of a regime hungry for power, sparing no innocents in their pursuit of it.” He became lost in memory, the aura drifting around him stained with a subtle sorrow. “‘People were hurting. People were suffering. Your father and I couldn’t sit and do nothing.’ That’s what my mother had told me, a child of two, as her reasoning for joining the Alliance in their efforts to push back against what threatened all type of freedom in this galaxy. My parents offered to sacrifice their lives on the tiniest shred of hope that me, and every other being on every planet, would see peace in their lifetime.”

His eyes finally shifted back to focus on mine. They were determined, yet soft, the chocolate fibers of his irises melting together. “I just... wanted to be like her. Like them. I wanted to do what they did. I wanted them to be proud of me, to have faith that their legacy would live on after they were gone. To provide freedom and peace like they had. Even if that meant sacrificing my own life, even if that meant killing those who opposed it. I had to. I had to join the people that wanted the same thing as me.”

A growing ferocity began to radiate, his voice severe. “I witnessed so many of my fellow soldiers, my friends, die thoughtlessly at the hands of others. And I wanted them to feel the same pain that I felt. Is it hypocritical? Of course, I know that. Is it cruel? Yes, murder is rarely not. But it's in the name of protection, defiance against control from an overpowering force. Those who fight with the First Order, who take over planets and kill innocents for the sake of power, they know what they’re doing. They know the consequences, the outcome, the hold the galaxy will be strangled under if they succeed. And they do it anyway. Our cause isn’t more noble, it’s self-defence. We’re trying to protect the ones who aren’t able to fight back, and those who don’t deserve to be born into a world that will crush them into submission.”

Poe’s features turned darker, leaning in close. “I will never stop thinking about the lives I’ve taken. I will never not hold myself accountable for the sins I’ve committed. But I will also not sit and do nothing. I don’t need you to accept it, but at least try to understand. You and I want the same thing, in the end, to save as many people as possible in our short lifetime. I’m just doing the best I can to see that through.”

While I instinctively took a breath in preparation to speak, nothing came. He’d rendered me speechless.

I had no reply to give, no counterargument, no flaw to point out. His honesty floored me, raw emotion and long-felt guilt rising up for me to observe so openly. The pain behind his eyes seemed so much more acute than any of the other injuries he’d sustained, not trying to shield it from my view as he spoke.

I tried to find words, anything to articulate my forgiveness. Because I did understand. He’d made me see it, the same anguish over death that I felt. But he’d also made me realise what a coward I was.

Against the people who would kill him or control him, he fought back. While I hid myself away under the guise of selflessness.

I thought I was the hero of my story, giving up my home, my old life, for the benefit of the downtrodden people of this planet. In reality, I was a scared little girl, too gutless to push back against those I, and so many others in this galaxy, feared. And here Poe was, putting himself in harm’s way, every day, in the hopes that he could take away our fear forever.  

He began to rise in front of me, taking my lack of reply as an answer in itself. He seemed despondent, his face sullen as he turned to limp back to the bed.

A different kind of fury coursed through me, fury at myself for how easily I’d judged him, at how cruelly I’d treated him.

I couldn’t let the night end this way.

I picked myself up from the sofa and quickly lunged at his wrist, pulling him to face me. He was surprised, glancing with wide eyes to where my hand had caught him, then to my face. I tried desperately to convey it there, everything I wanted to say, struggling to find my voice. Poe waited for me to speak the words I clearly had sitting on the edge of my tongue, but everything I conjured didn’t seem to be enough, the jumbled thoughts swirling incoherently in my mind, never letting me quite grasp onto them long enough to form exactly what I needed to express.

Tension filled the space between us, thick and overwhelming. I soon began outlining the lines of his face, the crease currently stuck in his brow, the curve of his nose, the contour of his jaw, the arch of his lips.

My hands found themselves catching each side of his face, pulling his mouth to mine in a desperate kiss.

I’d held it back for so long, too long, now unable to deny the burning urge to melt my lips into his. He was alarmed at first, his mouth frozen from movement as he comprehended my sudden attack.

Yet quickly he was syncing his lips fluidly with mine, a hand rising to clutch the back of my neck, pulling me closer. His casted arm curled around my waist, pressing my body into his, feeling the heat radiating off his chest.

The fire in my lower abdomen roared into bright red flames again, spreading into the rest of my body like molten lava. He tasted even better than I’d imagined, our tongues beginning to find each other through parted mouths. Fingers moved into his hair, hungrily grasping at the curled strands, causing a low moan to seep from his throat. The sound made me even more forceful in my need for his lips to be connected with mine, barely having time to breathe in-between our eager kisses.

I wanted to have him, all of him, so deeply it was painful, the searing burn lighting up in my veins.

Don’t do this Alexys. It will ruin you.

My breath hitched as I reluctantly pulled away, looking up, seeing his pupils swollen. He was cautious then, moving his hand from my neck to push a strand of hair behind my ear, almost if at any moment I would flee from his embrace.

And that’s what half of me was begging to do, the other screaming at me to lock our lips together again. I felt split into two, a cracking beginning to divide me roughly in the middle.

I could see Poe searching through my gaze, trying to assess my thoughts, whether it was safe to continue. He leaned in gradually, testing my reaction. I didn’t recoil this time. I didn’t want to.

His lips melted into mine, less insistent than before, although somehow just as intimate. Inhibitions lowered, my hands slid down to his chest, noticing the hard muscles underneath my palms and feeling the fire inside me surge. I wanted to feel the bare skin underneath, to have it pressed against my own. To explore the other parts of him covered by clothes. To forget even for a short time that this was wrong, that I shouldn’t be doing this.

Poe gently withdrew, leaning his forehead into mine. “I know.”

“Know what?”

He exhaled a long breath. “I know you don’t want to do this.”

I replaced my hands to his cheeks. “You have no idea how much I want this. How much I want you.” The truth of the words made me feel both vulnerable and safe, for the first time giving in to the yearning I’d hoped to keep locked inside my chest.

He tensed, a slight tremble in the arm that curved around my body. But his face grew sombre, almost... sad. “You don’t. Not completely. I can feel you wanting to hold back,” he murmured. “I can feel your fear.”

I swallowed hard, unable to refute him. “…I’m sorry. I want to. But I just… I can’t."

We both looked down, my confirmation making the tone of our connection shift. He was silent for what felt like a long time, and we stayed motionless in our embrace, neither wanting it to end, knowing it was inevitable that we would have to part.

“Why?” he breathed. “Why are you afraid?”

I wanted to be honest with him, like he had been for me, so much the sensation felt like it was clawing out from inside me, determined to burst through the skin. But there was a barrier there, one I had forged long ago. Unyielding and impenetrable to anything or anyone.

Although, I felt another realisation simmer to the surface of my mind, one that was not nearly as exposing, but still true.

“You’re going to leave. And I have to stay here. I don’t… I don’t want that to hurt any more than it has to.”

It seemed to hit him then, like he hadn’t let the thought enter his mind before. The awareness of our predicament shone brightly in his eyes, a light switch flickering on.

His hand moved to my cheek, grazing his thumb softly against the skin, my heart throbbing inside its cage at his light touch. I watched as eyes scanned over my face, back and forth, as if memorising the features. It was then I knew he’d come to the same conclusion.

It wouldn’t be long before we would part, most likely to never see each other again. If we went any further, if we crossed that line, the pain of saying goodbye would become so much more unbearable.

Almost simultaneously, we let our hold on each other loosen, the disappointment in the air almost palatable on my tongue. The smouldering inside had burnt out, suffocated by the gloom weighing heavy in my chest. Poe took my hand in his, his eyes pleading. “Can I ask one thing of you?’

I moved my head in a slow nod.

“Sleep in this bed with me tonight. Just sleep. I promise.” It was an earnest request, his face imploring and unguarded.

In contempt of the voice in my head bellowing at me that this was a terrible idea, I agreed. “Okay.”

Together we tentatively walked to each side of the mattress, making no rush to slip under the covers and settle into the pillows. I faced away, fearing if I looked at Poe's charming face any longer, I would surrender to the pull of desire that never seemed to relent. I didn’t know how I was ever going to be able to fall asleep like this, his body radiating an energy that vibrated into the space between us, keeping me all too aware of his presence.

There was movement, a dip in the mattress, Poe’s arms curling around my torso, pulling me close. His face buried itself into my hair, the warmth of his gradual exhale sending charged shivers down my spine. Placing my arms over his, silently accepting his embrace, I felt my heart thump a calming glow through my chest, all the way to the end of my limbs.

I’d never felt so peaceful, so whole, becoming lost in the comfort of his hold, wishing I could bask in it forever.

But reality bit at me, cold and uninvited, reminding me of the goodbye I would have to give soon enough.

*

We were still entangled when consciousness came again, the dim light of early sunrise leaking through my window. Poe’s arms circled around me, my body fitting perfectly into his.

He was still asleep, his face resting just at the back of my head, slow breaths bristling into my hair. I relished the feeling of it all, trying to commit it to my memory.

I stayed there, motionless, waiting for time to run out, knowing I would be chasing the feeling of this in the months, maybe years, to come. Thinking about his future absence made me terrifyingly lonely, even with his arms wrapped around now.

Eventually the seconds ticked down to my chronometer alarm buzzing, rustling Poe awake from his slumber. I assumed he would begin to move, pulling away, this one night that bonded us together finally ending. Yet he stayed as unmoving as I had been, the only indication he had awoken the increased depth of his inhale, a small tense of his muscles. I went to move, to switch the screeching sound off, but he clutched me back into his chest, squeezing tight.

As much as my heart thumped at the pressure of his hips into mine, the noise of my alarm was grating. “Let me turn it off,” I whispered. “I’ll come right back.”

Poe loosened his grip reluctantly, allowing me to reach over to the screeching machine and mute its sound. I settled back comfortably into his arms again, as he nuzzled his face into my neck, lips faintly placing a kiss on the skin.

“Poe… please… don’t…”

His sigh whistled past my neck. “Come with me, when I leave.”

It annoyed me, his fleeting demand so easily spoken. As if I could suddenly give up all that encompassed my life before he appeared, the beings that depended on me. But his voice was so sincere, so entreating in the early morning, that the irritation dashed away from the forefront of my mind.

“You know I can’t do that.”

He acknowledged my answer in the shift of his body from around me, moving himself out of the bed we had shared for the night and leaving me alone underneath the sheets.

It burned, the unprecedented disconnection of his shape from mine, my chest forming into a black hole in the realisation I might never feel him that close again.

I wanted to let my emotion to take over, to give in to the pain that rushed to me now as the finality of our night cradled together became evident. But I refused to release it, my resolve from the night before holding strong. I knew I’d made it harder by giving in to Poe's innocent plea of sharing a slumber within his embrace, but I wasn’t going to let our farewell completely ruin me.

With a forced composure, I rose from my bedside, focusing on the appointments scheduled to fill my day. Through my haze I recalled many of them being young female patients in need of birth control. I would somehow have to shut Poe away, wanting to give these women the privacy they deserved.

*

Poe and I appeared to use the ‘freshers at the same time, the searing heat I usually liked being showered with restrained no matter how high I pushed the temperature button. Eventually I’d readied myself for the workday ahead, deciding on a pencil skirt and lightened blue blouse tucked into the waist, working my hair into a ponytail.

It was when I’d begun making breakfast, for both myself and all the company that I kept in the clinic at the moment, that Poe emerged back into my quarters in a set of dark black hospital clothes. I glanced at him only briefly as he entered, hearing him pull out a chair, not daring to look at his face yet.

“Smells good,” he uttered, breaking the silence that existed in exemption to the sautéed chicken eggs and nuna bacon sizzling in the large pan in front of me.

“It’s almost ready,” I remarked, feeling completely the disconnection between us in his tone. Half of me was glad he accepted the separation we needed to make, the other mourning the severed bond we had formed in the connection of our bodies. But I had to let it go, whatever was left of the fragile link that survived the night.

I continued preparing the hot meal, separating the foodstuff between Poe and Vixur’s crew. Once I’d gently placed a share in front of Poe at the table, a smile meeting him fleetingly, I took the rest with me, balancing the four dishes on my hands and forearms, moving cautiously through the hallway.

With impeccable timing Vixur and his students were conversing between each other, obviously having woken just before I came to greet them.

“I’ve got breakfast for you all,” I announced, setting it down at the meeting table across from my computer. It was generally used as a place I could sit with patients and their families when giving them their diagnosis or explaining treatment plans, but today it would have to work as a secondary dining table. All four men jabbered back thankyous as they moved quickly to sit and eat, their appreciation evident in the way they gulped down the meal without hesitation. I returned to my quarters to find Poe picking lazily at his food, only a few bites eaten.

“Does it taste bad?” I asked from behind him, before circling to my seat at the table.

He looked up swiftly, as if I’d startled him. He must have been deeply lost in thought not to hear me treading down the hallway.

“It’s delicious,” he urged. “I’m just… not that hungry.”

“Are you feeling alright? Are you still sore? Are you-“

“Alex, I’m fine,” he interrupted. “You can’t fix a bad mood with any of your treatments.”

I looked at him curiously. “Bad mood?”

Did I do that to him?

“Did you not sleep well?”

He didn’t answer me right away, a subtle scowl settling in his lips. “It was actually... the most restful sleep I’ve had in a long time.”

I fought the urge to beam at him, a smile waiting to form, but the gloomy expression he wore held it down. I had to agree with him - it truly was the most comfortable rest I’d experienced in recent memory. And knowing I would never feel that peaceful, dreamless slumber in his arms again made me fully understand why he was frowning.

“Thank you so much for the meal Alex. I just... don’t have an appetite right now.” Poe rose from his seat and took his plate to clean, his sombre mood spilling into my body and taking over. Wringing his hands dry, He turned back to me. “Is it still alright if I keep using your office to continue working on BB-8?”

I nodded. “It would actually be preferable. Most of my patients today are women, and I need privacy for their appointments. I’ll let you know when it’s safe to come out, okay?”

Poe understood what I’d only hinted at. “Sure thing. I won’t step a foot out that room without your permission.”

A kind smile formed on his lips, but it fell as he moved from my quarters, leaving me to my breakfast, which now seemed extremely unappetizing.

*

“Well, Kaia, you’ve got a couple of options,” I started. It was my 5th appointment of the day, and I was starting to lose all hope in the young generation that followed mine. “You can get the implant, which lasts 5 years and protects you from pregnancy. But it can be a painful procedure, and unfortunately the implant itself is quite expensive. There are injections which last 3 months, but you’ll have to see me again in that time frame. I know that’s hard for you being from the South village. But there’s always prophylactics, which your partner has to use, every separate time you want to be intimate.”

Kaia was a 17-year-old human girl who had obviously not been taught any helpful sex education. Although, that wasn’t uncommon in these villages.

“But, like,” she began to question. “Can’t he just, like, not, um, finish in there?”

I drew in a deep breath. This wasn’t the first time I’d explained this today. “Technically yes, if he withdraws from you before that moment comes, it does lessen the chance of pregnancy. But Kaia, there’s a lot of fluid already leaking from him before then, fluid that can contain sperm. It doesn’t protect you. Not fully.”

Kaia was thoughtful, taking in my words. “But what if he doesn’t want to use the sheath?”

“Well... that’s his decision. But then you have to make yours. A decision that you’re more than allowed to make. One night could lead to either a future of motherhood or even diseases that could cause a great deal of damage to your body.”

“Ew,” Kaia recoiled. “I mean, I get what you’re saying. But Miss Jago, haven’t you ever been so swept up in the moment that you didn’t think about any of that?”

My jaw clenched, catching me off guard with her question. None of the other women had posed it to me. “It’s not been an issue for me,” I said flatly.

“Because of the birth control, right?” she surmised. “Which one do you use then?”

Oof, caught me out again.

“I don’t have the need for it. Kaia, this is not about me-”

“Wait, what?” she gasped. “But you’re so pretty?”

I soaked my voice in its professional tone. “This is your appointment Kaia, we’re not here to discuss my personal life.”

Kaia refused to comply. “But you’ve done it, right?”

I sighed, irritated. “Yes Kaia, but we took all the necessary precautions.”

“Well that doesn’t make it sound very fun,” Kaia huffed.

I tried desperately to hold back the aversion wanting to show on my face. It hadn’t been fun. It was clunky, awkward and somewhat painful. And I felt a spike of envy that this teenager already seemed to have had better experience with the opposite sex than I did.

“Look, your options are there. If I had to choose one, and I was with a partner I could trust had nothing that could spread to me, I’d go with the implant.”

She contemplated my advice, pulling her hands up to let her chin rest on them. “I think you’re right Miss Jago. But my parents would never help me pay for it.”

“That’s alright,” I replied, already knowing the home situation Kaia found herself in. She’d made the trek to my clinic alone, without her parent’s knowledge, just to see me for this single reason. I doubted they even knew she had a boyfriend. “How about I put the implant in today, and we figure out payment later?”

Kaia’s face lit up, eyes brimming with delight. “Really?”

I smiled at her and nodded.

“Thank you!” she squealed, face barely containing her excitement.

Really, this was for both her benefit and my own. I wasn’t about to face her parents when it would ultimately be me providing the news their daughter was pregnant. I didn’t want Kaia to go through that, a young pregnancy in a poor village after her parents would most likely cast her out.

“Remember I said this can be a painful procedure, and you’ll be sore for a day or two afterwards.”

Kaia nodded, understanding, yet unable to hold back her joy.

*

I worked my way through the process of setting her implant, my mind on autopilot while I thought more about the question Kaia innocently queried. I’d never come close to the type of desire that would have caused me to throw away all caution and rational thought. Not until-

“Hey Alex!” I heard from the other side of the curtain I’d drawn for Kaia’s discretion. “I know I said I wouldn’t come out until you said, but I’ve got something I need to show you.”

Poe’s voice was exuberant and proud, annoyingly unaware of the fact I had my hand in a very delicate place. My eyes shot to Kaia’s, her cheeks already flushing red with mortification.

“Poe!” I fumed, not hiding my anger. “I asked you to do one thing!”

I sensed his panic from behind the fabric separating us. “Kriff! Sorry!” His voice changed when he spoke next, a hurried whisper. “BB, come back here! We can’t show her yet!”

A streaming mechanical movement could be heard in my periphery, turning my head to see a shadow moving along the bottom of the curtain. I took the moment to stop what I was doing, covering Kaia with a sheet.

I was thankful I did that when the BB-8 droid slip through a break in the drape, caring little for what Poe had ordered him to do. His little head sat hovering above his balled body, for the first time actually staying in position. The photoreceptor, which looked like a singular eye, was also finally lit as he zoomed closer. While an impressed smirk started to beam as I realised Poe had managed to get his little friend working, it was rapidly overtaken by irritation at the droid’s lack of courtesy.

Poe was cursing under his breath, then apologetic. “Alex and uh, patient, I am so sorry. BB, get out of there!” BB-8 let out a few indiscernible beeps, a language I didn’t understand, although Poe seemed to. “I don’t care! They need privacy. You can see her later!” he hollered.

The droid made what sounded like a high-pitched huff as its head dropped, like it knew it had been scolded. Its head swivelled around on top it’s body and rolled away, again sliding through the break in the curtain.

“Come on, back this way.” I listened to the combination of footsteps and mechanical whirring move back into the hallway, a door eventually clicking closed. Looking apologetically back to Kaia, her face was still stunned at the intrusion.

“I am so sorry. I told him to stay put until my appointments were over. It’s okay if you want to stop for a moment,” I offered, trying to stay as calm as possible.

Kaia blinked purposefully a few times before being able to focus back to me. “No it’s okay. I’m ready.”

I admired her composure, while I remained silently boiling under the surface.

*

“What the hell Poe?” I snarled, barging into my office where Poe sat, seemingly interrupting a conversation he was having with BB-8. I’d clawed my anger into submission for the rest of Kaia’s appointment, but now it was ready to surge outward.

Poe stood, arms held up in surrender. “I know! I’m sorry! I didn’t think, and it was just really bad timing.” BB-8 beeped in what sounded like agreeance, rolling around from behind the office desk into my view.

“It was the worst timing!” I snapped. “That girl was 17, in a very vulnerable position, and you scared the living daylights out of her!”

“I know, and I can’t apologise enough Alex, really!” His face was pleading, brown eyes soft yet desperate. “I was just so excited about BB working again, and I wanted to show you.”

His sincerity disarmed me, my fury sizzling down, suffocated by his apology. I took a slow breath in, eyes closed, reigning it in further. “Please don’t disregard my instructions again,” I grumbled.

He nodded, as did BB-8, and my eyes focused on the droid. He was oddly cute in his appearance, his small beeps already annoyingly adorable. “Hello,” I greeted, all frustration now clean from my voice. “My name is Alexys.” I kneeled down to his eye level and he immediately wheeled directly in front of me, beeping somewhat of his own introduction.

“He said it’s nice to meet you,” Poe clarified, still hesitant at the easy change in my mood.

I looked up at him, curious. “You can understand those sounds he makes?”

“Most of it,” Poe answered. “It’s a form of Binary. Having him with me for so long helped me grow accustomed to the pitch and time changes in his beeps.”

My eyebrows rose, fascinated. “That’s so impressive.” BB-8 squealed in uneven time, his eye looking over to Poe, who almost looked bashful. “What? What did he say?”

He shot BB-8 an irritated look before meeting his eyes to mine. “It’s nothing important. His circuits are still a little fried.”

I wasn’t convinced, but then again I didn’t speak droid. "I'm glad you got him working,” I said earnestly, pleased there hadn’t been any type of casualty from his crash.

Poe sighed, relieved. “Me too. He’s the best co-pilot I’ve ever had.”

BB-8 whistled happily, evidently pleased with the praise, and its sweetness made me smile.

“Alexys?” Vixur suddenly called, his voice echoing down the hall. “Are you back there?”

I left Poe and BB-8 without a word, finding Vixur standing at the hallway entrance, his clothes smeared in dirt and dark grease. “Everything okay?”

Vixur nodded, evidently tired, still an accomplished grin filled his face. “We’re done actually. The comm-tower’s fixed.”

I wanted to smile back, to show my appreciation for his hard work, but it all became too hard to fake anymore.

This was it, the beginning of my goodbye to Poe. He would now be able to contact the Resistance, his friends, and he would soon be gone from my life just as suddenly as he arrived.

I forced the tears back as I hugged Vixur, doing all I could to hide my pain and show some kind of gratitude for the selfless work he had done.

Somehow Vixur sensed the turmoil simmering through me, patting my back softly. He pulled out of our embrace, speaking softly enough so Poe wouldn’t hear. “You needed this done for him, didn’t you?”

I nodded, the sadness hard to contain on my face. Vixur’s own expression was sympathetic as he squeezed my arm reassuringly. I didn’t need to explain anything, he just seemed to know.

“If it’s meant to be, you’ll find each other again.”

I drew in a long breath, furiously smothering the need to cry. I wanted to thank him more, for giving his time to me for little in return, but I couldn’t say the words out of fear the sudden sorrow would overwhelm me if I spoke out loud.

Vixur understood this, giving me a caring smile as he took his leave. “Well, we best be heading back to the village. I’ll see you sometime soon Alex. If I don’t, I wish you luck.”

And he was gone, the clinic door closing behind him, leaving me frozen in dread. A large part of me was reluctant to tell Poe the ‘good news’, but he’d waited long enough for his rescue from this planet.

I didn’t need to turn around to know he’d slinked out of the office to find me stuck where I stood, BB-8’s soft whirring following him.

“The comm-tower is ready, isn’t it?” Poe asked gently.

I forced myself to smile as I turned around, Poe’s expression not showing the relief I would have expected.

“Sure is,” I replied, the hint of quiver in my voice. “You can finally go home.”

I saw Poe’s lip tremble as he too attempted a smile, the disappointment in his eyes more indicative of his actual reaction to my answer.

Neither of us spoke for a long time, BB-8 looking back and forth quizzically, a few unsure beeps finally pierced in Poe’s direction. The sounds knocked us back into reality, as I moved to find the transmitter I’d stashed back into my tech station after determining its redundancy days ago.

The memories felt foreign, like they were from a different age. So little time had changed me so much, making me feel the most unstable and fragile I had felt in so long, on the verge of tipping into an overwhelming pain.

Poe had watched me in silence, unmoving. I eventually shifted the transmitter into his arms, an extremely aged, large box with an array of dusty buttons poking out of the rusted metal.

“It’s old, but it still works,” I insisted in a monotone, the emotion sucked from my voice. Poe only nodded, and gave me one last despairing glance as he turned away, carrying the machine into the study, BB-8 trailing behind him.

When the door closed, I couldn’t hold onto it any longer, the overpowering misery bursting free, its icy presence consuming me in a singular moment, the cold burn stinging as a few tears trickled down my cheeks.

What did I tell you?

The tears came faster at the sound of the voice, it’s condescension only making the suffering more excruciating.

No.

You’re wrong. I’m stronger than this.

I wiped away the errant tears defiantly, pulling myself together at the seams that had broken a few minutes ago, calming my breathing, trying to settle the trembling on inhale.

I’d made it through so much worse, pushed past crushing loneliness, fear and sadness, to make myself more resilient than I was behaving now. And I wasn’t going to let myself be caught in this vortex of emotion any longer.

I will not let this ruin me. 

~

Next Chapter

Tag list: @tlcwrites​ @roanniom​ @foxilayde​ @blackberries45​ @hopeamarsu​ @caillea​ @princessxkenobi​ @leatherboundbirate​ @blowthatpieceofjunk​ @mylifeisactuallyamess​ @lightsinthedistancee​ @paterson-blue​​

(Please let me know if you wanted to be added or removed!)

[zigtheeortega]

For the past six months, @pixeljazzy​ and I have been working on a playlist we felt could top last year’s, which was so well received! 

We’ve broken it up into sections by individual love interests, multiple love interests, main character, and miscellaneous, which includes side characters, general vibes, etc. Underneath each song are lyrics we believed stood out to us along with explanations as to why we chose it. Like last year, the [p] is for PJ and [j] is for Jade.

Here’s the link to the playlist on Spotify, but we’ve individually linked the songs with each explanation as well!

We sincerely hope you enjoy our 2021 RODAW Playlist! 

The Bay, Soft Glas. ft. Mulherin [j]

Leaving you alone is too hard (hard, hard) / I just never know where to start (with you)

I'm not used to leaving someone broken hearted / That might be what really makes this hard (It's hard) / I've never been with anyone this long / If I did it, I really miss you

The softness and apologetic tone of the song reminds me of Logan through and through. He’s so regretful for what he put MC through, both at the beginning when he was lying to her, and by the end when he thinks he’s ruined her life by simply being a criminal and dating her. And by leaving her he’s leaving the one person who’s loved him unconditionally and stuck with him through it all.

Call Me, Nav [j]

They taught me, "Don't forget where you came from" / I regret what I came from

Do you know how it feel to feel alone? / Bought myself a house, to feel like I ain't home / Driving by myself, ain't got nowhere to go / Are you really here for me, I don't know

I hope you mean everything that you told me / I'll try to come back to you, girl, I'm sorry / If you miss me, just call me

This song honestly reminded me of Logan’s backstory that we don’t know much of, besides the fact that he was thrust into a life of crime as a teen and as an adult he hates it. The other lyrics I added are kind of a glimpse into the future I think – wherever Logan is, whatever he’s doing, if he’s not with MC, the woman he loves, everything he accomplishes is gonna feel hollow. And despite him saying that he was leaving to protect her, I know in his heart he’d want her to find her way back to him.

Cold Case Love, Rihanna [p]

I’m torn apart and you know / What you did to me was a crime

We opened up a cold case love / And it got the best of us / And now prints, pictures, and white outlines / Are all that’s left at the scene of a crime / Of a cold case love

The first line reminded me of how MC probably felt after being betrayed by Logan, the one that was arguably supposed to be the closest to them, and then the second lyric is because at the time, MC left and that was the last Logan knew of them with nothing to stand for what they used to have until they eventually came back to help save the crew.

Compass, The Neighbourhood [j]

If I don't have you with me, I'm alone / You know I never know which way to go / I think I need you with me for all-time / When I need new direction for my mind

I've got something to confess / I keep you in my pocket to use / You're my only compass / I might get lost without you / (Could you tell me where to go?)

You're always there to help me when I'm down / I'm lucky you've been keeping me around / You're the star I look for every night / When it's dark, you'll stick right by my side

Like a magnet / Hard to imagine ever changing / Can't help that I'm attracted to you, I am / Could you keep on guiding me? Please

This is a quintessential Logan song – reading these lyrics, it’s like Logan spoke them himself to MC, and that’s why I included so much of the song. All of these remind me of him and his hopeless romanticism, but specifically the line about her being the star he looks for every night? Absolutely perfect. This entire song is like a love letter from Logan to MC.

Don’t Leave Me, Blackstreet [p]

I’m searching for the words to make you realize / That I really, really want you to stay

Don’t leave, don’t leave me girl

This song was giving me Logan vibes from the diamond scene where he’s like “I can’t believe I love someone” and MC is like “you don’t get to say that to me” or some shit like that because he’s trying soo so hard to explain himself to her and to make her not hate him.

Imma Dog, Ugly God ft. PnB Rock [j]

You say you love me, shawty, tell me why / 'Cause I'm a dog and I'ma probably be this way until I die / You say you always gon' be by my side / You say you trust me with your heart and I swear, I just wonder why

Okay, hear me out, I forreal have reasons for this to be tied to Logan. The only verse in this song that’s a non chorus one is related to cheating, but I’m choosing to ignore that for the sake of the chorus. I heard the chorus for the first time and it made me think of one specific moment and point in time in Ride or Die. These lyrics remind me of Logan’s attitude when he was being mean and pretending to be annoyed by MC to get her off of him – despite the facade he’s still in awe of the way she trusts him and cares about him even when he’s treating her like garbage.

Life’s a Mess, Juice WRLD ft. Halsey [p]

Uh, sometimes life’s a mess

Lookin’ for somethin’ real, then I found it

I’m too flawed to hold you down, but / Don’t wanna be here alone

Logan knows all too well how much of a mess life really is (first lyric), and the second lyric is basically what I think he feels about MC. He told MC in the beginning that he doesn’t really stay with crews or trust anyone but himself, but MC was that exception before the rest of the crew became that exception too. And then the third lyric is because Logan looks at himself as someone who probably doesn’t deserve MC, Vaughn even said he was morally obligated to tell MC that she’s too good for his cousin (yes it was a joke (was it) but it fits), but he still wants her anyway (“Look at you...then look at me. You’re going to be valedictorian. I never even went to high school...I don’t have anything, and I wasn’t anybody, and I knew that. I always knew that….Some part of me really wants you to mess things up for me.” - Logan, Ch. 3).

Unfair, 6lack [p]

Hope my mistakes don’t make me less of a man / ‘cause lately it feel like them shits really can / I’m prayin’ I don’t wake up all alone

But know I’m stuck between / What I love and who I love and / I know it’s unfair

The first lyric I feel like is pretty self-explanatory as Logan expresses remorse for his actions (him acting weird and tryna tell MC about his dishonesty in the club, him making the effort to apologize or explain in the diamond scene after the reveal) and it especially hits if your MC is romancing Logan because he doesn’t want to lose them. As for the second lyric, I was thinking about how he was probably stuck between doing what’s best for the crew and doing right by MC

While We’re Young, Jhene Aiko [j]

Baby while we're young / I think we should do something crazy / Like say, "Fuck everyone" / And just run away from the daily routine

I'm tellin' everybody you're mine and I like it / And I really hope you don't mind, I can't fight it

'Cause it's been another perfect day with ya / Wanna lay with ya / Spend the night with ya / Then spend my life with ya, alright

I'll go everywhere you go / You know I'll go, I'll go / Everywhere you go

I'm giving you my heart, please don't break it / Take it and lock it up and put me in your pocket, love

This reminds me of Logan and MC’s brand of romance that’s sweet and clumsy and a little bit reckless when it really gets going. They’re both cautious but they fantasize about throwing caution to the wind even more than they already have.

Angel With A Shotgun, The Cab [p]

I don’t care if heaven won’t take me back / I’ll throw away my faith, babe, just to keep you safe

Sometimes to win, you have to sin

And I want to live, not just survive

Lemme explain because I feel like people may think this song is really really out there for Colt but I was listening to this song one day and thought of him, esp the last two lines I chose: I think of how Colt came up with the kidnapping plan and how it was so crazy because it was like wow he really was ready for murder if it came down to it, but Colt was basically like we need to do something big to outsmart them or else we’ll just be doing shit for them forever (‘sometimes to win, you have to sin’).

Born 2 Be Great, Lil Tjay [p]

I was born to be great / And I won’t let nobody tell me I ain’t / And I can’t stop, won’t stop

Growin’ up, I’m gettin’ old, start settin’ goals / Tryna make more money off my business and shows / And everybody gon’ hate, I’m great, I know / Everybody can hate, I’m great, I know

These lyrics just scream COLT to me all the way. He knows and believes he’s destined for greatness no matter what path he chooses because no matter what he does, he’s gonna succeed in the end. “I can’t stop, won’t stop” reminds me of how Kaneko wanted Colt to choose for himself what he wanted to do, and even though Kaneko tried to shield Colt away from the family business, that’s where Colt wanted to be. The second lyric is essentially Colt just knowing he’s gonna make money and that he won’t be liked (hated by other crews, police, etc.), but that won’t matter because he’s great nevertheless.

Chandelier, B.o.B ft. Lauriana Mae [p]

They say life’s about choices / In the face of defeat I declined / Put your soul into everything, never back down / That’s how you leave a legacy behind

Let my blood keep pumping, my heart keep beating / Shining like a chandelier

Making something out of absolutely nothing / That’s the definition of a survivor

Colt definitely felt ‘put your soul into everything, never back down / that’s how you leave a legacy behind’ because of how much he focuses on carrying on what his family has built, and taking all the risks necessary to keep that legacy alive and make a name for himself. I put ‘shining like a chandelier’ because that’s how bright Colt shines, as I believe he’s destined for greatness and wouldn’t allow himself to achieve anything but.

Down Bad, Real Recognize Rio [j]

I've been out of my head for a couple minutes, for a couple miles / Made the hair stand up on my neck / On a knife edge, comin' at me for my crimes / Got a mind that can leave you locked inside

'Cause you got me down bad, down bad, your deep desire / Carve my name on your soul, then I walk through the fire / Your voice so clear, like you say my name / You got mе runnin' for my life like this shit was a game / Got mе down bad, down bad to feel your touch

This song reminds me of Colt specifically during the gambling scene when he got shot and the last car chase scene, because MC is put in serious danger but it does nothing to shake her love for Colt. She’s scared for her life and her future but she’s still willing to put everything on the line for him and MPC.

Forever Ever, Trippie Redd ft. Young Thug [p]

You gon’ really have to hold me fuckin’ down, babe / ‘Cause I ain’t with the fuckery, that playing ‘round, babe

We Bonnie and Clyde but except the shots

He don’t love you like he should, I can love you better

First and second lyric are because they’re a team, and Colt sees MC as his right hand. In the life he lives, the people on his team gotta be down fr because there’s always a lot at stake. The last lyric is more conditional, as I feel like this could be him if MC was also romancing Logan because in the reveal, Colt’s like you deserved to know and in the car in the chapter afterwards that’s when he’s like bro we could run this whole shit etc. etc.

Impala, O2worldwide [j]

I been watching you from a distance / Sitting back and acknowledging your existence / I made a couple songs but you'll probably never listen / Shooting my shot but i'm always fucking missing / Setting my ego aside / Me and you can go together just like Bonnie and Clyde / I've been tripping over you just like my shoes is untied / And I tried to hit you up its like my confidence died but

I see you everyday but don't past corners of eyes / I'm just gonna act like I didn't see you close to that guy / Not gonna lie you got me head over ears / I'm tryna find love because I don't know just how it feels

Anyone listening to this and reading the lyrics is going to hate me because… is this the perfect “Colt pining for MC because she’s getting close to Logan” Love Triangle song, or what? I listen to this song so casually most of the time that I forget how sad the lyrics actually are. The first couple verses (not the third verse) fit the narrative so well. A lot of my favorite “Colt” songs aren’t ones where they’re outwardly admitting any kind of affection for MC – they’re the ones where it reads as Colt struggling with their feelings for MC and how to express them.

PTSD, G Herbo ft. Juice WRLD, Lil Uzi Vert, and Chance the Rapper [p]

I don’t belong, I see my past everywhere

I got a war zone on inside of my head

A million dollars ahead, I’m still angry and seeing red

I’m too paranoid, I make sure all my opps, they bled

This song always guts me because G Herbo is talking about all the people he’s lost, and for Colt, I imagined this was probably him after losing his father. Reminded of his past when he saw the remains of the shop, reminded of his past every time after that probably when he was rebuilding the shop. As for the million dollars, it’s like he could pull off as many heists as he could but he would never be satisfied until Brotherhood paid, hence the last lyric because honestly I don’t think it’s over until Shaw is dead (ik there’s a line in ROD where he’s like if we were even, he’d be dead, I just know it).

Sun God, Trippie Redd [j]

Went out my way just to love you / Right at the top, no above you / Right off the top, know I trust you / Ready or not, here I come, boo / And baby, you're hot, like the sun, too / Not too hot for me, no I'm sun-proof / Follow your lead, I'ma come through / Just you and me, baby, one-two

I think this is Colt way farther down the line if MC had the chance to really fall in love with him. He’s the type to value trust and loyalty in a bond more than anything else because he doesn’t do either of those easily at all. And I think that the line about being sun-proof is a cute callback to a lot of the fandom comparisons of Colt and Icarus – the title too and the lyrics just scream Colt to me.

Where Does The Love Go?, Maria Isabel [j]

Nightly negotiations with the moon, whoever's listening / All the miles between us got me messed up, got me trippin'

They say lovin' is easy / But not when one of us is leaving

Back on a plane / Two different coasts / When we're alone / Where does the love go? / What if you go / Forget the way home? / Running in circles but never together / So where does the love go?

The more I listen to this song the more I think this song is about Colt and MC. Colt’s not a clingy type in the slightest, but there’s no doubt in my mind that deeper into the relationship, both Colt and MC would have some doubts – the reason I say this is because I’m viewing the lyrics through the lens of Colt and MC doing long distance while MC is in college on the East Coast. This whole song is long distance relationship anxiety summed up perfectly and it’s so Colt.

Yellow Lights, 24kGoldn [p]

Don’t want no yellow light / don’t want no mixed message

For the crown, ‘cause we could achieve it

Love you now, but don’t you deceive me

Second lyric resonated with me esp because of that line in the book where he’s like “But the two of us? We put our brains together, you and me could run this whole town” so he knows he could achieve an empire with MC by his side. Last lyric is because Colt definitely doesn’t trust those around him and for those that he does trust, that trust doesn’t come easy. So MC, who managed to get past that, is loved, but would automatically lose a lot if she deceived him (now imagine….snitch MC? This line would hit a lot more because she ends up deceiving him so like he had a right to be wary of her holding his heart (like if we’re looking at the pov of him saying this lyric)).

Can’t Love, Trippie Redd [p]

She say she love me, I think she love me not / She say she love me, I know she love me not

How could you do this to me? / Yeah, yeah, I thought you, I thought you loved

Another Mona and her ex song teehee but I’m imagining this from Mona’s pov while she’s in jail like wow that girl never loved me like she said she loved me (first lyric) and how could she betray me like this (second lyric).

Favorite Mistake, Giveon [p]

Is my secret safe? / Safe with just you and me / We can’t leave a trace / This is my favorite mistake

Look in my eyes / Do you mind the lies? Do you feel alive?

Even when you’re gone / The feeling just grow stronger / Should leave it alone / But you’re getting closer

So I finally did a Mona route and GOD yes this song is about cheating (Mona and Hieron can’t relate) but we gon ignore that and just focus on these lyrics specifically because wow they really hit me like Mona for one was in denial of her feelings for MC from the jump and at some point she’s like god this is so ridiculous I can’t believe I’m feeling this way again so ofc she doesn’t want people to know she’s in love (like that time Toby is like man she is NOT happy about liking you! in the club scene) hence the beginning of the first lyric but at the same time….. she’s in love… so “this is my favorite mistake.” As for the second and third, the lies are that “I don’t like you” ra ra ra she’s only fooling herself and then it’s like yeah she knows her feelings are dumb but she can’t help but fall for MC anyway <3

Gonna Love Me, Teyana Taylor [p]

Sometimes we say things that we really don’t mean / We do things in between the lines

Please wait up for me ‘til whenever I get home / I know that you’re all alone / Thinking ‘bout what you’re gon’ do / I hope that you see it through, ooh, ooh

Why is it so hard to keep in touch

For the first lyric, I was thinking of the time MC says “Being with you makes a difference to me. It feels safer” and Mona replies that “It’s just an illusion. A blanket. And I’ve told you before not to count on me.” Yeah she said that wit her chest but ik she knows it’s more than that for the both of them. The second and third lyric both have to do with her being in jail by the end of the book (making it literally hard to keep in touch), and even though she tells MC not to wait up, a part of me thinks the vulnerable part of Mona would’ve hoped at least a smidge that MC would, and the last bit ‘thinking ‘bout what you’re gon’ do / I hope that you see it through’ reminds me of the advice in the diamond scene of driving Mona to the hospital that she gave MC which was that to move on, you just gotta keep your foot on the gas and look forward and that eventually, she’ll be somewhere better than she’s ever been.

Love or Lust, 24kGoldn [p]

It’s love or it’s lust, we just need to be clear / ‘Cause if you’re in love, then I shouldn’t be here

Would you walk eight thousand miles just to make me smile on a rainy Wednesday? / If so, then you gots to go, it ain’t mutual and I’m not pretending

Basically in the beginning stages of MC falling for Mona, Mona’s like oh hell nah (“I shouldn’t be here”) and she recognizes that MC likes her a lotttt (MC would definitely walk eight thousand miles to make her smile on a rainy Wednesday) and so she’s like fuck

PLW, Leon Thomas [j]

Left my fear right at the door (ooh) / She's an animal hunting in the wild, yeah (in the wild) / Doesn't move around or groove / But she come from the depth / That's why she's down to earth / An instrument of war

Baby ain't no beginner / I got love for my little winner / Flashing or finessing / That's why I mess with her, yeah

And you don't have to worry, yeah / 'Cause I know what's she worth / No, you don't have to save me / From my pretty little weapon

Ooh my baby smart, and she sharp, and she sharp, yeah / Pretty little weapon

I’ll never ever get over how this song fell into my lap and is absolutely perfect for Mona. This is for an MC who acknowledges that Mona’s a badass and that she loves her because of her strong personality and unwavering confidence because she knows she’s good at her job. The first verse is the best approach an MC could take – leaving her fear at the door because she knows someone like Mona could sniff it out. The line “No, you don’t have to save me / From my pretty little weapon” kills me, because it’s accurate – on Mona’s route, despite any betrayal, the MC is still in love with her and knows that Mona would never actually hurt her.

Sleeping With the Enemy, BbyMutha & Kindora [j]

Creeping around corners / I don't feel like myself / Studying your movements / It's a carousel / And I can't confirm that you / Mean what you say / And I'm pretty sure / That it's / Better that way

Why can't I trust in you / Am I slipping up / Over you / If it really turned to be the way / That I think / How bad could it be?

And I know that we could go for / Round and round like 123 / And I gotta question myself / Is it coming? / Possibly / And I gotta wonder / Am I sleeping with the enemy?

I'm watching my back / Like I got nothing left / I give you all I got / Wish I knew what was next

The first time I heard this song it was a toss up between whether or not it was a Colt and Mona song (or both) but I settled on Mona pretty quickly after a re-listen. Not only is the internal conflict in the lyrics a perfect description of Mona’s own battle, but it could be easily viewed from MC’s perspective as well. The idea of knowing it’s “wrong”, and mistrusting them but pursuing it anyways is quintessential early Mona route.

The World is a Marble Heart, AJR [p]

We could have been, we should have been / What your heart couldn’t handle

Run away, girl, ‘cause I let you / Now you found some other man, you see / I’m better off without you, ‘cause the man ain’t me!

I’m going right now / To the beginning / What you denied from the start / And now you can’t go breaking my heart

The world is a marble heart / It’s bullshit and we know it

I think the first lyric is definitely MC to Mona because Mona was afraid to allow herself to be in love, and then evidently their relationship couldn’t blossom because Mona ends up arrested (“we could have been, we should have been”). This song called out to me because Mona always comments on how MC’s heart got them into the Brotherhood mess, how MC always think the crew is something they’re not, so MC’s heart is the marble heart and the last lyric (“it’s bullshit and we know it”) is essentially Mona being like girl you know we are not what you think we are. The second lyric is because in a scene after the reveal, Mona drives MC to Riya’s house and MC goes I wish we could run off together and Mona is like just say the word and MC is like I can’t :/// and then Mona is like the only one stopping you is you, and then “I’m better off without you” is Mona being don’t call don’t write don’t text

Would You, Pink Sweat$ [p]

Would you die for me? I would die for you / Would you shoot for me? I would kill for you / Would you run up the bag if I needed you to? / Girl, all the things that I’d do for you / Would you do for me too?

I wanna know when it pops off that you gon’ be right next to me

This was giving Mona and her ex from that scene where MC got a glimpse into Mona’s past. Essentially, Mona’s ex and her were thick as thieves, and when they got arrested, Mona didn’t say anything and her ex did, so Mona was always ten toes down but her ex never had her (Mona) like she (Mona) thought she (her ex) had her (Mona)

Both of Us, YFN Lucci [j]

Stay with me when there's no one else to call / If you got me then I'm in it for the both of us

Look, ayy, do you love me like you say you love me? / Ay, do you vow to keep it cute when everythin' get ugly? / Ay, if I ever leave, girl would you come lookin' for me?

I think that this song and these lyrics fit into the title of the book and how “ride or die” each of the love interests are for MC and vice versa. I think the softer parts of this song are MC for sure, and Logan at times, and the second bullet point is Colt and Mona. For them, it’s more of a promise of loyalty rather than love like the earlier lyric is (which is why I think that’s a bit more hopeless romantic like Logan).

C U Girl, Steve Lacy [j]

I haven't seen you in a while, you know I miss you babe / When you hear this song, feel flattered, it's about your face / And how I miss it and I wish that I could see it more / But you're in college now and I'm about to go on tour

I love this song because it makes me think of the possibility of MC and the LI having a “song” – one where any time they hear it they think of each other. And that when they hear it it makes them happy but at the same time they’re forced do think about the distance between them and how much they miss each other.

Collide, Tiana Major9 and Earthgang [j]

Everybody's got opinions on our thing / Say we're flying down a path with no ending / And if I die before I wake / Ooh, don't let me wake up from this dream / When we collide / When we collide, it's a beautiful disaster / When I crash into you, you, you

And I don't care about the future or the past / Riding slow, 'cause you know the world's moving too fast

Without you, I'm just a fraction / Closing in on my demise / And I love you religiously / With everything inside of me / As long as I'm alive

So I think it fits for all three because the relationship is taboo since they’re criminals and she’s a valedictorian getting ready for college. Their relationship is sloppy and dangerous and comes to an inevitable end, and they both know that, so this song for sure encapsulates how little both the LI and MC care about that. They don’t that it’s a trainwreck, because colliding is all that matters :)

Heaven, Clairo [j]

Alone, for the last time / You're just a loner / Give it a try / And you're hard on yourself / And your laugh, it just melts in my hands / Lonesome in the streets

I'll get by with you on my mind / I'll get by with you on my side

I love the idea of this song being viewed as MC’s perspective of her LI, because I’m sure the other LI’s haven’t been appreciated in the way that she appreciates them. For example, the line about the laugh melting in her hands makes me think about how they’d react to her saying that to them. None of the LI’s probably have never been told their laugh is cute, and I’m sure they’d be confused about it at first, so this whole song gives me a cute late night summer drive vibe. Like the MC is in the passenger seat of Mona or Logan’s car or draped around Colt and she’s just appreciating the things she loves about them.

Heaven Ain’t Hard 2 Find, Tupac [j]

Simply because you nervous, let me start off with my conversation / Hoping my information, elevates the hesitation / I can see it clearly now / Catch you smiling through your frown / I'm askin' Baby Boo are you down?

Heaven ain't hard to find / In fact you can have it just have faith / Just like a little kid, still believing in magic / It takes a lot of sacrifice / With all the lonely nights on tour / I need somebody I can trust in my life

Oh god help me identify me truest thoughts / Your hidden motives full of passion who would of thought / Come holla at me baby, love me for my thug nature / Far from a player hater, label me a money maker / Straight heart breaker

I originally added this song because it’s canon that Colt loves old West Coast Rap, so that makes me think he’s a huge Tupac fan. I can see him listening to this in his car driving down a California highway at like 2 a.m. On the other hand, though, the beginning of the song reminds me of the first meeting with Logan at the party, or the second meeting when they go to the car show – young love jitters and all that.

Keep Me Up, Charlotte Lawrence [j]

My heart starts beating and my hands start sweating / My chest starts sinking and sometimes will even start shaking / It's physical and emotional

And I don't want you all inside my head / And I can feel you running through my veins

When I say, and I say, and I say / That I want you in my life / But you stay, and you stay, and you stay / And you never leave my side / And you take, and you take, and you take / And you say you feel so nice, boy / And you keep me up all night

I think this fits with all the LI’s and MC and how they cope after the LI’s had to leave. Read it from both perspectives and it honestly fits so well for both of them – like the first couple months of restlessness staring at their ceiling while reflecting on how much they miss each other.

Kitchen, Kid Cudi [j]

Hmm, you wanna find somebody you trust and lay low / But it seems they all on the same mission / You wanna find somebody you trust and lay low / But can't stand the heat of my love, then stay out the kitchen

Oh baby here we are, I made a wish on shootin' stars / I ain't even mad at it, we made it this far

The attitude of this song reminds me of both Mona and Colt’s feelings about relationships – they both know they’re intense people and that they don’t trust or love easily, and that whoever’s interested in them needs to know that. They’re not going to apologize for it, but they appreciate anyone who sticks around and loves them despite that.

Meet Me Halfway, The Black Eyed Peas [j]

Can you meet me halfway, right at the borderline / Is where I'm gonna wait, for you / I'll be looking out, night n' day / Took my heart to the limit, and this is where I stay / I can't go any further than this / I want you so bad it's my only wish

I think of all three LI’s when I listen to this, because it fits into the idea of them struggling to maintain both of their lifestyles and have them mesh together. And it plays into the distance when MPC has to scatter.

Moonlight, Trippie Redd [j]

I can still be your man / I was tryna see your plans / 'Cause I was tryna have this dance tonight / Your body, girl, I'm a real big fan / And I cannot lose this chance / So, baby girl, grab my hand / This moment I'm waiting for, I fantasize / I just wanna be with you, I just wanna be with you tonight / Under the moonlight

This reminded me of the prom scene and how despite the chaos, all three love interests took the time to appreciate MC and soak up their last “date”.

out for the night, 21 Savage [j]

Five foot five (Five), she my ride or die (Die) / Never tell a lie (Lie), we like Bonnie and Clyde (Clyde) / Lookin' at her thigh (Thigh), like, "Do it come with rice?" (Rice) / She don't like FaceTime, she would rather Skype / But I'm out for the night (Straight up) / Out for the night (Straight up)

When I heard this song I could definitely see Colt listening to it, but I think the flirtiness of the song fits for all three love interests! Also, I mean… “she my ride or die” and “we like Bonnie and Clyde”? Self explanatory.

Part of Me, Teo [j]

I believe there's no one in your place / So much lovely / You can cure my mistakes / You reside in me no room for escape

You're my darling / You're my love / You're rocking all of your diamonds / All dressed up / And girl I lost my mind, no, I messed up / So now I'm knocking at your doors with my chest up

You're part of me / Come again and see / Diamonds make you sparkle

This reminds me of the prom scene from the LI’s perspective. And even more so than that, it reminds me of post prom/car chase where they have to say goodbye to each other the last time. It’s like a bittersweet tribute to MC about how much they mean to them and how much they’ll think about them when they’re apart.

Special, 21 Savage [j]

We got something special / I was finna text you / But I don't wanna pest you / Even if we ain't together (no matter we're forever) / I'm still coming to your rescue

Ride with me (ride with me) / Tell the truth and don't you lie to me (lie to me) / You know I need you on my side with me (side with me) / Tell the truth and don't you lie to me (lie to me) / Baby, roll with me (roll with me)

I'mma hold you down forever / You my round forever / They just want to use you, but I'm tryna help you

I think of Colt mostly with this song, but it definitely fits with all of the li’s in my opinion! Logan, Colt, and Mona would all approach their relationship with MC this way – constantly affirming that they’re there for MC no matter what, even if things go South with them, they’re always one call away. And especially the last line “they just wanna use you, but I’m tryna help you” that’s for sure an overprotective LI about the Jason Shaw situation and generally people taking advantage of MC’s kindness.

Drunk on Love, Rihanna [p]

Take me away / I wear my heart on my sleeve / Always let love take the lead / I may be a little naive, yeah

I feel like I’ve heard MC being described as naive, and even in the book Mona is like man it’s your damn heart that got us into this mess because you thought we were more than who we are, so yeah this song reminded me of MC.

Final Goodbye, Rihanna [p]

Thought that you would stay forever with me / But the time has come to leave

Promise you our love will carry on

Final goodbye, MC saying goodbye to their LI, you catch my drift.

The Good, the Bad, and the Dirty, Panic! at the Disco [p]

If you wanna start a fight / You better throw the first punch / Make it a good one

I feel like this lyric specifically is saying that if you’re gonna stand for something, you better give it your all, and it reminded me of how MC came up with the plan to defeat the Brotherhood in the last few chapters of ROD, and to get out of it, they really had to go all out (AKA MC telling the police everything, meaning the gang had to go on the run). Also, MC just nose-dived into this life and I feel like this lyric is like ‘well sis if you gon be a criminal you might as well do your best’ (and she did when she bodied her first heist I know that’s right, my driver forever <3).

Harder We Fall, Jessie J [p]

So, whatever path we choose to take / There will be highs and there will be lows, the same / Oh, we’ll never run from our mistakes / The harder we fall the harder we try again

I just feel like this is a good song for MC to listen to in the car on her way to Langston yk crying but the windows are down and the wind is wiping your tears so you just keep it pushing because you’ll live and you’re stronger than your lows.

House of Memories, Panic! at the Disco [p]

If you’re a lover, you should know / The lonely moments just get lonelier / The longer you’re in love than if you are alone / Memories turn into daydreams, become a taboo

I think of you from time to time more than I thought I would

I just feel like this is a perfect song for MC going through the motions of leaving their lover behind and thinking about the times they shared because her life with the crew will always be so drastically different than the life she was went to have (going to Langston, being the ‘goody two shoes’, etc.).

Let It Out, Trippie Redd ft. Myiah Lynnae [p]

I need to know, before I tell you, can I trust you?

Idk man this song really just spoke to me.

Saw You in a Dream, The Japanese House [j]

I saw you in a dream / You had stayed the same / You were beckoning me / Said that I had changed / Tried to keep my eyes closed / I want you so bad / Then I awoke and it was so sad

Haven't talked to you in months / And I thought that I might cry / But I'm not that kind of girl

All good things come to an end / But I thought that this might last / But you came and left so fast

I wonder if you'll come visit me again / You're taking your time to reappear / I'm starting to believe that when I call your name / You just don't hear me anymore / And I know that I shouldn't even try / It's a waste of time

I don’t think I need to go super in depth as to why this reminded me of MC, but I do see this as MC’s defeated approach to it in the months/years after meeting the MPC.

Silent Nite, Tink [p]

I put your joy and your feelings ‘fore mine / These days I’m angry, angry inside / No words to say (oh) / One thing to do / Move on and fall back from you / It’s gonna be a silent night / No one here to hold me tight / It’s gonna be a silent night / No one here to hold me, oh, oh I’m lonely / Lost for words (lost for words)

It’s a short song so I just put the whole lyrics in here LMFAO but I feel like this could be MC during her first few nights at Langston. For Hieron at least, I know she went through a range of emotions processing this new chapter without the people she holds dear, angry at the way this is how things had to play out, but all that’s left for her to do is get over it, move on, and get used to not having that support anymore (i.e. like if MC is used to cuddling with [insert LI], they deadass gotta sleep alone now f in the chat).

Smile, Juice WRLD ft. The Weeknd [p]

I’d do anything in my power to see you just smile / I want you to prosper and come proper / Even if that means I ain’t by your side

I spent every day right beside you (‘side you), ‘side you (‘side you) / A hundred pics of me on your phone / Now you’re someone that I used to know

OKAY so I’m absolutely obsessed with this song and the first lyric was definitely giving me Logan x MC because I feel like this is something he could’ve said during his goodbye, like saying something that vulnerable and heartwrenchingly sweet is def on-brand for him, but the second lyric I feel like fits all the LIs. Like because they were part of the crew, they spent so much time with MC, and now that they’re gone, MC has all those pictures and memories that they  want to hold on to them so badly even though they can never be together again (‘now you’re someone that I used to know’)

Stuck With Me, The Neighbourhood [j]

Now I'm feeling guilty for it / Didn't wanna leave / Realized I'm less important / Than I thought I'd be, yeah / I'm not tellin' you for any certain reasons but / I just want your empathy

Our lives keep on gettin' shorter / Losin' opportunity / There might be some other ways of looking at it but / That's just what I see / I been gettin' over myself / Thinkin' about what you need / Then I realised that neither of us matter

You always end up stickin' to me / Somehow, somehow / You are stuck with me / So I guess I'll be sticking with / You are stuck with me / So I guess I'll be sticking with

So I think this song covers a lot of topics for MC. I think the vibe of the lyrics suit MC when she’s dealing with her relationship with her father, being pressured by Jason Shaw, and grappling with whether or not she’s making the right decision despite it all – homegirl was falling in love throughout all of it, too. Reading the lyrics with that lens made me think of each of the lines as a different conversation. The first part sounds like a tidbit of a conversation she could’ve had with her dad or about her dad. The next one is like a realization that despite how careful she is with her choices, nothing matters anyways, if the MC takes a nihilistic approach to it. And the last lyric is her conclusion with the LI that despite everything, she’s happy that she’s with her LI and she’s grateful for their loyalty.

worst behavior, Ariana Grande [j]

I been on my worst behavior / But, baby, I don't need no savior / I'm way outta line / But I kind of like the way I / Feel when I just don't give a fuck

This ain't no game, won't play with you / This time I know I'll stay with you / Just promise you won't say nothin' / Don't you be actin' like that, don't you be actin' like that, babe

Said baby it's just in my nature / To be a little troublemaker

Know you really like the way I / Taste when we kiss, you reminisce / But this ain't the last time / Just stay by my side

This song reminds me of rebellious MC before the gravity of the situation really hits her – the short span of time where she’s not worrying about being Valedictorian or college or her dad’s approval. She’s just living and falling in love for the first time. This could probably work for all LI’s but the specific “troublemaker” line makes me think of an MC who is trying to reassure Logan that she can make her own decisions.

1Day, PnB Rock ft. Ugly God [j]

Momma told me that I wouldn't be shit / Told her one day / I'ma be rich (huh)

One day, I'ma buy a big ass crib  / One day, I'ma buy a big ass mansion / One day, all my fucking diamonds gon' be dancing / One day, I'ma fuck a bitch in the Hamptons / One day, I'ma eat the sushi with the salmon

Dropped out of college, everybody said I'm tripping / Told them be patient, but they ass wouldn't listen / Made it big time, now they fucking with the vision / Now I'm really rich, and my diamonds really glistening

The lyrics kind of remind me of the lifestyle that they live – whether or not they fell for the MC in the process, they all kind of have the motive of money and being successful in their own way. Even though the li’s and MC have their own shortcomings and wants and needs outside of MPC, I like to think of this song as an ego booster and probably representative of their attitudes when they joined MPC at the beginning. Reminds me of Logan especially since he joined the life so early and probably romanticized it for the longest time before it really went to shit. And to add to that, the last lyric is Colt all the way.

92 Explorer, Post Malone [p]

Ooh, baby, I see these muhfuckas’ glancin’ / When my whip stop, then my wheels keep spinnin’

Made a lot of M’s, made a lot of moves

This song is literally all about Post Malone’s precious car so I was like LMFAO why not because everyone in ROD loves their cars and then the last lyric is because they be making a lot of money with their transactions/steals.

Best Friend, Saweetie ft. Doja Cat [p]

Beep beep, is that my bessie in a Tessie?

Listen... I feel like we were robbed of the peak best friend dynamic that could’ve existed between Riya and MC so this whole song is for them (also c’mon MC could’ve snatched a Tesla if she reeaaally wanted too so yup that’s Riya’s bessie in a Tessie).

Lost It, Rich The Kid ft. Quavo and Offset [p]

The Bentley don’t cost shit / I walk out the bank rich

Okay, drank sippin’, lane switchin’ / I done brought my gang with me

Ooh, I might snatch the coupe

First one because they really could get any car they wanted, second lyric because gang always together yk, and last one because they really be stealing cars out here LMFAO.

Royal Rumble, Lil Tecca [p]

My life is a movie, you not ready for that clip

It’s a Royal Rumble

ROD really is a wild ride (‘my life is a movie’) and the ‘it’s a Royal Rumble’ just reminded me of the fact that it’s basically a showdown between two crews where one wins in the end but at what cost.

Runnin’, 21 Savage and Metro Boomin [p]

Runnin’, runnin’, runnin’, runnin’

We run the motherfuckin’ city

Fuck your crew, [redacted], we’ll kill your crew

First lyric is because literally everyone has to scatter by the end of the book, and the second lyric just gave me their vibes, whether or not they truly ran the city. The last lyric makes me laugh because Colt really was about to kill the other crew, the ‘we’ is a lilll bit loose in that sense though LMFAO because I know damn well Toby was not ready to go down like that.

Stuntin’ Like My Daddy, Birdman ft. Lil Wayne [j]

What we doing? Getting money / What they doing? Hating on us, but they never cross / Cash money still a company, and, bitch, I'm the boss / And I be stuntin' like my daddy, stuntin' like my daddy

Colt and Teppei don’t get along, but I like to think that Colt not only bumps this song in his car, but secretly imagines that him and Teppei run L.A. – either together or with Colt taking the reins.

Takin’ Shots, Post Malone [p]

Drinkin’ all night, but we ain’t done yet / Waitin’ on the plug, but he ain’t come yet

Already losin’ control, this is the life that we chose

The first lyric and this song overall just give me club vibes, like the underground one they went to where MC wears that neon fit. The part in the second line that always gets me is ‘this is the life that we chose’ because being a part of this crew was a choice for most, and they knew what comes with this lifestyle.

Trouble on Central, Buddy [j]

So the entire song is pretty much the idea  “I wish life were better and I’m daydreaming about how good things could be for me”. And to be honest, I think that the vibes of that fit Logan when he was young and broke, but at the same time, I could see Colt bumping this song in a convertible.

VEGAS, ABRA [j]

The whole song reminds me of the gambling scene and the high stakes of it. It kind of reads like the MC trying to fit in with dangerous criminals while she’s there despite the MPC thinking she’s not ready for it

[ask-whitepearl-and-steven]

I’m not sure if you’ve answered this or not but how do you feel about Rose/Pink? Do you hate her for what she’s done or???

This is nothing against you, anon, but I’m SHOCKED that there is still a person on this blog that doesn’t know how I feel about Rose/Pink. It feels like I’m yelling about it every other day. 

SHE’S LITERALLY MY FAVORITE CHARACTER. 

And now before I get the metaphorical gun to my head from 450245 of you screaming “BUT SHE’S A BITCH I wanna punch her face!” in my askbox, I will explain further: 

I know she’s not a blameless character. I know she’s done many very bad things. She’s not even a good person, per se, and she can be stupid and selfish. 

But I don’t give a shit! She’s a morally grey dumbass but she’s trying her goddamn best and given the kind of upbringing she had, given where she came from and how much she legitimately tried to grow and given how far she’d come, I think she’s one of the most fascinating characters on the entire show. 

The problem is - we’re seeing Rose’s growth backwards, chronologically. And a lot of people don’t have the sense of realizing that it’s fooling them into believing her character itself is regressing. 

We fell in love with her as she was when she had Steven - loving and more aware of herself, and more respectful of humans and human life in general. She seemed like a good person because... she was! That was who she was, in the end! And she was having Steven because she legitimately thought that he would have a good life!! It was a choice made 5000 years after the war, and she presumed that the earth would remain a safe haven for her son and family, as it had until then. 

But from there, we see her past and we see the road she took to GET there, we see what she was BEFORE all that development. 

We see her as she was before she met Greg - warm and loving, but ultimately still lacking true respect for humans. 

And then, we go even FURTHER back. We see what she was like during the Rebellion and what she did - shattering Pink Diamond and building up a new legacy. We see her locking up Bismuth without actually explaining anything. And it gets even more morally questionable. 

The further we go into her past, the more mistakes we see. And that’s not a sign that she’s a terrible person - 

that’s a sign of how far she’s come!!

And honestly, she’s still not blameless. She left Bismuth where she was. She left Spinel. She bubbled the Rose Quartz gems away. And although I legitimately think she did this because she saw it as the lesser evil and was, in a way, trying to protect them, she still made poor decisions. 

And ya know what? That’s fascinating to me. She’s a character with great potential who never got her loose ends tied up and never got her ‘full redemption’ which makes people hate her.

But she’s the most realistic out of all the characters. She has flaws that are impossible to like. She has bad coping habits that helped her survive during her time with the Diamonds that ruined things for all her family. And she tried to deal with it all and ended up causing... well.... the entire damned show, for a start. 

And I just feel like it’s such a shallow take on her character: “She did bad things and I hate her.” It’s such a childish, surface-level comprehension of what her history is, and what drives her. And I hate it, and I will always love Rose. Not because she’s a good person, but because she’s real and flawed and multidimensional and relatable.

You can disagree, obviously, and you can dislike her character! But I’m gonna be in my own corner, loving every moment of it. 

[anime-lover-forever-1127]

Hi! if ur taking requests, i am in an anti cami mood (im always in an anti cami mood lmao) and i was wondering if u would consider smth with caroline coming to see klaus, klaus being thrilled bc he missed her, and cami being jealous and trying to "read" caroline the way she does klaus, hoping to dissuade klaus from being with caroline with "she wont fix u, she'll make u worse" and care taking issue with that bc klaus does NOT need to be fixed.

i just. hate cami i cant with her, cami stans be saying klaus loved her, nah, the deleted scene where klaus shows caroline the painting literally pointed out what we all know- cami was just a substitute for caroline- besides! his face with cami at the painting and then compared with when hes with caroline at the painting are two very different expressions. PLUS! he has never used, manipulated, or compelled caroline even when she was sent as a distraction for him, instead all he did was ask her out on a date in exchange for one of his hybrids. yet, he only talked to cami bc he knew marcel liked her and he was using her to get at marcel, even compelling her. where caroline had control when she turned into a vampire- which heightens who you are ALREADY- cami was wild and not in control. and as a therapist, she should know better than trying to get into a relationship with her patient, and she tries anyways. thats unprofessional. so much for the "maturity" cami stans claim she has over caroline. i truly believe the only reason klaus said ily to cami when she was dying was BC of that. she was dying and she confessed his feelings to him and itd be awkward as hell if you just stare at someone when theyre bleeding out but looking at you with expectation. another thing is that from what i can recall (i could be wrong?) is that klaus has never mentioned caroline to cami. or anyone. yet, in the scene where hes with caroline at the painting, he doesnt hesitate to mention her. sure he doesnt use her name but he doesnt need to. bc to him, shes not important. she was just a woman he knew but didnt love- he has no secrets from caroline, nothing to hide and this proves it. whereas caroline was never mentioned because klaus loves her, cares for her, and doesnt want the one precious thing he has in his life to be ripped to shred by cami and her diagnoses on klaus and his life. caroline is precious and HIS- a beloved part of his life cami is not privy to, because shes not important enough to know. not mentioning caroline's name until she comes to him also keeps her safe from the people who wish klaus harm. the LOOK on klaus's face when caroline kissed him goodbye, you can tell. he loves her. he never stopped. the way he asks "would you even be here if i wasnt dying" he was WAITING for her, he wanted her there, and we ALL know it.

sorry, this got long but KLAROLINE FOR LIFE- also i never watched legacies but i think i saw u said hope was annoying, is there a reason? im all up for being angry at annoying characters and am curious abt the hope situation, i might just watch some clips lol

Do not apologize at all. Your speech brought a smile to my face. I actually already have a chapter like this planned. So I’d be more than happy to accept your request. Also, if you do nor mind, I’d love to share your speech at the end of the character. Because you make some truly excellent points

As for Hope. Hayley raised her with this “I’m the tribrid and I can do anything” mentality. Which I hated. And the show portrays her as this orphan. When her aunt and uncle are still alive.

I also always kind of blamed Hope for Klaroline not sailing. Because their was this scene in legacies were Lizzie wishes Hope never existed.

And you know what we got, Klaroline! Sure the world was in ruines. But we still got Klaroline! So I was happy with just that.

I just never liked Hope that much. I mean I found her ok until I went back and re-watched legacies and saw how annoying she really is. But even before than, I always liked Josie and Lizzie more.

[elizabethrobertajones]

Did Bobo really create the Wayward Sisters? If so, why weren't Jack and especially Cas included in that episode? That's my biggest issue with that pilot honestly, I mean, the fact that the show abandoned Claire and Cas' bond after season 10 and gave that storyline to Salmondean. Her bond with Cas is more interesting because of their connection to the Novaks. I also think that Claire and Jack would've made a more engaging dynamic and spin off together, I think they're strong characters & actors

Hi there!

Bobo isn’t the “creator” of Wayward so much as it can even have one, as it was a very organic idea, which even involved a healthy amount of fandom input. The original campaign in season 10 was for Wayward Daughters, and the idea picked up so much steam the altered title for, I guess, a mix of copyright and thematic relevance was the Sisters one. I’d say 10x08 was the real genesis of it as something that could be really solid. Once Kim and Briana were put together the chemistry and star power they could have had together was really meteoric as far as our small SPN world was concerned. Phil Sgriccia directed 9x13 and wrote 10x08 and was more of the parent of Wayward than any specific writer in that sense. Jody and Claire were pretty much common property of the show by that point. Claire was really introduced again in relation to plotlines and questions about Cas and less to do with them really going out of their way to re-launch her. I think they’d have been much cornier about it from the start and while YA protagonist diary writing her way through the end of Wayward Sisters was cute, it’s the sort of cutesy that really has to be earned. If she STARTED that way, like maybe me and 3 friends would be stanning her and everyone else would be revolted :P

(I am a YA fantasy novel author, but I do think everyone should make room in their hearts for this level of cheese)

In any case, Bobo just threw his hat into an already crowded ring with Alex, but obviously loving the characters and having his own personal wayward child to contribute did help elevate him to the prospective showrunner seat, but also all the other writers who’d written these characters except Dabb had left at that point. If Bobo was going to shepherd them through to their new show, he’d be the legacy writer, even though he was a new baby writer in the season Donna was introduced... Attrition aside, he did genuinely write them very well, loved their stories and was great with writing Jody when he could get her, so he would also have been a good choice even if all the others were left still... 

But anyway. Season 10′s subplot for Cas was about Claire and learning some stuff about himself along the way, but she was used very much for his personal development and for Dean as well, being a mini Dean herself in a season where he had lost a lot of his sense of self. It’s a total accident of scheduling but Angel Heart (10x20) being the last episode before 10x22 is a nice touch in that regard. And while Cas tried really hard with Claire and awoke his inner Dad side so that he’d be more prepared for fatherhood next time, it was pretty insurmountable between them to have anything more than a bittersweet relationship where the best he could do was make up with her and see her somewhere safe. The fact of him looking like her actual dead father is horrendous the more you think about it and while she managed to see him for who he was instead of a horrible monster, that’s more than enough trauma to inflict on an already traumatised girl for the sake of helping Cas’s manpain and tidying up the sticky question of Jimmy and Cas’s right to the vessel. 

Angel Heart very specifically ends with TFW mailing Claire to Jody because they know she’s already good with Alex in a genuine way and can handle these sort of issues and has done it before. And also because she can be a guardian who will not constantly remind Claire that her father is dead but something is walking around wearing a perfect reconstruction of his face. Carver era did a few things here and there with bodily autonomy and the problem of angel and demon vessels, but it was also really hit and miss. They’d get random waves of feeling guilty about it but then by necessity go back to stabbing angels in their still-living vessels an episode later. Claire was a way to address at the very least that whatever Cas was being put through was only a punishment on Cas and not on Jimmy as well, which is probably why we got such sappy Heaven scenes. We NEEDED to be shown he was in Heaven and largely okay with what was going on so that the show could justify using Cas at all as a character without breaking the code of ethics they tried to make their own characters adhere to. Aside from that it also gave Cas a side plot for when he wasn’t needed in the main plot, and any emotional connection to anything that wasn’t Sam and Dean.

Anyway 10x20 caused this huge fandom high which was followed by one of the lowest lows of the fandom immediately after, and both centred on female characters (in fact, now we know, 2 lesbians even! Though I’d wonder if, The Gay Agenda aside, Bobo spite-wrote that specifically because of the roots of Wayward) and I think that galvanised the whole movement of fans and hopefully some self-reflection in the show. They DID start making an effort in season 11, which shows some of the early signs of better inclusion but also backtracking or edging nervously away from the more intense Carver era stuff. Not just because Dean didn’t have the Mark any more but in general it was like someone had opened a window and let in some fresh air... Even before Carver bailed somewhere around the midseason to go do a different show and Dabb started to step up. 

All this to say that the Wayward stuff was always about the female characters and making up for the past sins of the show. It’s even a riff on the “wayward son” line which obviously centres around male protagonists and their journey. Claire stumbled into being a part of it in the lucky way of being in the right place and time, but the journey had already started even in the season 10 momentum with earlier work and it was that which suddenly made the prospect that Jody had two young women living with her now seem like a starter for the next generation of the show as it was a mirrored format to season 1 in a way, if you took Alex and Claire as the new Sam and Dean. It was exciting but people flipped out after Angel Heart because stuff had been bubbling since season 9 and earlier in season 10, so this was just pouring more candy into an already visibly full bowl of potential tasty gems. It made a possibility seem real that hadn’t before because we already had Kim bitterly complaining that the CW refused to hear the case for a Jody spin off because she was too old. The next best thing was a Jody spin off where she was the Gandalf to some CW age appropriate characters.

(the CW is and always has been garbage)

Anyway in season 13 Jack was introduced as a Claire 2.0 but as a male character with staying power for that reason, but he was filling the space she left for Cas. He couldn’t be a father to her and neither really wanted that set up anyway. But thematically it had created the possibility of Dadstiel and the space he had in his heart for that. Since the show was in its waning years they would be looking for endgame and handing Cas an easy win with a son he could unconditionally love who would love him back unconditionally absolutely filled that gap. It was a non SamnDean thing that Cas could have for himself outside of whatever happened with them. Not sure the memo came back that he was supposed to have mORE than that but oh well it’s not real if you don’t watch it :))) But yeah Jack was always going to be linked to Cas’s endgame, he wasn’t a free-floating character such as Jody who could go where she wanted and do as she pleased. He was main story relevant from start to finish and tied inexorably to another main character’s fate. Because the show wouldn’t do that with its female characters they could be bundled into spin offs but in practical terms Jack was both never what the Wayward as envisioned by fans or writers was about, nor would he have been free to go. 

Since it would have been about centering the stories of people overlooked by the main story, Claire a case in point that she had her life ruined in season 4 and it was a footnote until season ten, and then metaphorically more the concept of having queer and non-white characters in the mix of main characters, it would have represented a future of the story where the main show was unable to tread. Probably because of the CW. Also inherent biases in the writers. Bad cocktail. Jack is both too white and too male to fit the brief to ever leave SPN, and not only that but he is so as a precise mirror to the main white male characters, being passably any one of their sons if you squint, and meant to be instantly instinctively read as such... he was one of the safest bets of representing the show as the network wanted to imagine its target demographic.

So I really don’t think that Jack has any place being in a spin off of the show unless you want more of the same. They tried to give us something different and the CW didn’t like it because it wasn’t more of the same. Ironically a Jack spin off, with or without Claire, would have more chance of being greenlit and more chance of success. But the spin off they put their heart behind was Wayward Sisters as it was. And I think it was absolutely correct that never mind leaving Jack out of it after his work was done in the lead up episode to help set the table, but honestly they could have cut all the middle scenes of Sam and Dean wandering in the woods and gained precious seconds with the girls and still had a functioning story with those guys. It was like some cowardly missive was sent that the show couldn’t actually go more than 10 minutes without showing a flesh and blood Winchester or the whole thing would spontaneously sizzle out of syndication and the money tree would wither on the spot. And in the mean time, we could have been having Banter with the girls. Or Claire and Kaia holding hands some more. The good stuff :P 

[thyandrawrites]

hi im a dumbass why do we hate gran torino?

Well...

A few disclaimers first:

1. I'm not reading the manga rn, I'm not updated on what happened ever since ch. 278 and I don't wanna be

2. I can't answer for all the people who hate him, just for myself, so this is my take

3. I have always been very biased against Gran Torino because I find him a self-righteous imbecile and I hate all self-righteous characters. So I'm not objective here.

4. I don't wanna get dragged in the current discourse so this is the last I'm gonna say about it and I'll delete any possible baits/questions I'll get after answering this

Ok so

Personally, the reason why I strongly dislike Gran Torino is because of his aforementioned self-righteousness. He thinks he's acting in the best interest of the people he cares about, Toshinori and Nana, while also essentially doing everything we were told by the narrative they didn't want.

As for Toshinori, he immediately shot down his empathy for Shigaraki by giving him a pep talk about how Shigaraki was supposedly "past the point of saving", which is a pretty damn harsh judgement considering the kid has been kidnapped when he was a five year old and abused into embracing violence ever since. In doing so, and in shooting down All Might's desire to reacue him from Afo, Gran Torino essentially:

1. Arbitrarily decided which victims "deserve" to be saved from abuse and which ones don't

2. Left Shigaraki with the man who killed Nana and ruined her future with her family, knowing how much Afo was capable of evil and his grudge against All Might and also knowing Afo was using (and abusing) a human being to emotionally torture Toshinori

3. Invalidated Toshinori's feelings of guilt and responsibility over Nana's legacy, on top of disrespecting Nana's own

Then the current war arc rolled around and he straight up wanted to kill Shigaraki. He said his existence only caused others grief when that's blatantly untrue. Shigaraki gave safety, belonging and freedom of expression to all League members. What Gran Torino meant was that Shigaraki's existence made Toshinori feel guilt. Which he should feel. Because hero society failed Tenko multiple times btw. Even when he was still living in the Shimura estate and wasn't yet "too far gone".

Let's remember here that Toshinori wanted to rescue Shigaraki from Afo. So when Gran Torino tries to kill him, he's not acting on behalf of Toshinori's best interest, but his own flawed self-righteousness.

Then there's also the fact that he justifies this attempted murder as trying to cleanse Nana's legacy. Which. Is another occurrence of him acting like he's doing something for someone else's sake while doing the very thing that person wouldn't approve of.

Nana fostered her son Kotaro because she wanted to keep him safe and away from harm. She failed, obviously, but this isn't about her. The thing is, she died trying to protect her legacy. To keep it away from Afo.

Gran Torino not only was okay with Shigaraki staying with Afo "because he's bad now", bur he also tried to kill Nana's legacy. All the while saying that Shigaraki was disrespecting it by being alive and evil.

So you see. The reason why I hated Gran Torino and I'm not sad over his death, is because he never once considered his own share of responsibilities in Tenko's disappearance and villain radicalization. That Tenko so easily fell through the cracks is a failure of hero society, but heroes like Gran Torino prefer demonizing villains (even those who didn't choose villainy, but where kidnapped, conditioned and brainwashed into it) and washing their hands of their victimhood once it starts inconveniencing them. When heroics should be all about saving and rehabilitating people.

There is no "good victim" who deserves to be saved and no "bad victim" who crossed an imaginary line, only victims and people who are too caught up in their own moral upper ground to realize that victimhood is not a choice

So yeah I hated him and I won't be missing him tbh

[kitkatt0430]

the flash and the problem of the pointless sacrifice

It starts at the end of season one. Eddie Thawne picks up his gun and shoots himself, dying to protect Iris, Barry, and the rest from his dangerous descendent Eobard Thawne.

Season two ends with its reversal, Barry creating the Flashpoint Timeline that, though its eventually set back to 'normal-ish', leaves a time remnant of Eobard Thawne alive and well (if running scared from the Black Flash/Hunter Zolomon as a speed zombie) to wreak havoc once more.

And I get it. The Reverse Flash is one of the Flash's most iconic villains - killing him off in season one couldn't be permanent. But apparently Eddie's suicide could be and the message that sends is... unfortunate.

Eddie is an extremely kindhearted person and we see that about him again and again throughout season one. He always has a smile for the people he cares about and he's an absolutely terrible liar. But we also know that he was bullied as a child/teen and since he never brings up the subject of his own family, it's likely he doesn't have a support structure outside of Central City. And the support structure he does gain in Central City was Barry's support structure first. There's not a single person we see Eddie spend time with in season one that didn't know Barry first.

And that's a big part of what wears him down over the course of the season. When both Barry and Eddie need support, Barry gets it first. Barry's secrets are treated as something Eddie has to prioritize over his relationship with Iris. Barry's loved Iris longer than Eddie's known her and while Iris loves Eddie, she also loves Barry and she's infatuated with the Flash - not realizing he's Barry's alter ego. Over the course of the season, Eddie constantly tries to connect with Barry and Barry constantly holds back. Their relationship is never equal. And that's what leaves Eddie open to Eobard's manipulations with the future news article.

And Eddie tries to make his own future with Iris anyway. But even with Iris accepting his proposal, Joe makes it clear he'll never truly accept their relationship and Eddie's sense of self worth is at an all time low. And that's the state of mind he's in during the fight in the pipeline. When Barry chooses not to let Eobard go after all, it puts them all in a position of potentially having to deal with this fight between the two speedsters just... never ending. It puts Iris in danger because Barry cares about her and because while Eddie is Eobard's ancestor... Iris isn't. From Eobard's point of view, Eddie's the only one who isn't expendable and from Eddie's point of view... he's the only one who is expendable.

His answer is suicide. And his death immediately erases Eobard from the timeline, but its also implied to have contributed to the re-emergence of the singularity. But at least Eobard was dead.

At least, until Barry created Flashpoint at the end of season 2. Presumably Eddie was alive in Flashpoint, but we never see him. Maybe he stays in Keystone instead of transferring to Central City. Never meets Iris. Never gets worn down to feel like he's not good enough. Never kills himself.

When Flashpoint is reset, Eddie's dead again but now his sacrifice has been rendered moot because Eobard's still alive as a time remnant.

It sets a rather nasty precedent for the show.

Season two also ends with a suicide. This time it's Barry's.

Much like Eddie the year before, Barry's been worn down. He had his place in his family's come into question, with Henry leaving at the start of the season and Wally's arrival midway through the season. His back is literally broken by the stress of fighting Zoom and despite everything he's suffered for the city, his honor is called into question the instant a different speedster takes to thievery. He has to give up his speed to protect Wally only for that to immediately put Caitlin in danger. His colleagues are brutally murdered by Zoom to teach him a lesson. His father finally comes back for good, only to be murdered in the same place as Barry's mother.

Honestly, there is no question (to my mind anyway) that Barry's suicidal at the end of the season. And because Barry his time remnants are fundamentally the same person at the moment of their split, the time remnant Barry creates is suicidal as well.

That time remnant tears himself apart to stop Zoom's plan to destroy the multi-verse. His very existence also lures in the Time Wraiths that take Zoom away, transforming him into the mindless Black Flash. All at the cost of a version of Barry killing himself, going unlamented and forgotten. But at least the multi-verse was safe.

Until the Red Skies Crisis when the multi-verse is actually destroyed and rebooted.

Another sacrifice rendered pointless.

HR does not kill himself in season three. But he deliberately places himself in a position to be killed in Iris' place. He arrives on the heels of a scandal on his Earth where he's been revealed to have been taking credit for someone else's work - with that person's blessing, but its still ruined his reputation. He comes wanting to reinvent himself, but from the start he's not the person the team really wants. They want Harry. Cisco wants Harry. He gets it hammered in that his strengths aren't appreciated by the team because he's not a scientist. His efforts to help STAR Labs are dismissed entirely. The only reason any attempts to help his museum venture succeed are because changing the future might save Iris.

It's not that HR is disliked, but he's left acutely aware that he's considered 'a bit much' and that he's always going to come second to the people he puts first. In fact, Tracy's probably the only one who truly and completely appreciates HR as he is.

So HR swaps places with Iris, knowing that he's going to die when he does. And while HR doesn't kill himself, there's an argument to be made that what he did was still suicide by proxy.

And this is a sacrifice that sticks, because Iris West is the love interest. She's never going to be killed off for real.

Three seasons ending with a suicidal sacrifice. And only one of them doesn't have that sacrifice reversed or nullified. Unfortunately, that's not the end of it either.

Harry leaves his Earth at the start of season four. His relationship with his daughter, which was shown to still be strong in season three, has somehow deteriorated to the point where she's thrown him off her support team and he comes to Earth-1 to reconnect with the found family he forged during season two. He's in the midst of a crisis and his understanding of himself as a parent is unraveling. And then DeVoe calls the other pillar of Harry's self identity into question, because Harry's genius isn't enough on its own anymore. He's not smart enough to out think DeVoe and his Earth-1 family is suffering. So Harry creates his own downfall, burns out his own brain trying to be the smartest. And he sacrifices his last moments of lucidity to find the answer to stopping DeVoe. In doing so, Harry puts Barry in the position to save Ralph's life.

But DeVoe still gets the last laugh when he causes the STAR Labs satellite to come falling down, nearly destroying the city and creating Cicada in the process.

But unlike previous seasons, Harry doesn't die. He gets some of his intelligence back and immediately gets exiled by the writers back to Earth-2 due to the massive problems with ableism this show has. But that's a different conversation.

Season five is probably the only season not to include a suicidal character who's kills themselves. Nora dies when she erases herself from the timeline by accident, but we know now she'll be back in the back half of season seven, along with her new brother. But one out five seasons not taking a suicide (or similar action in Harry's case) and painting it as a noble - but ultimately useless - gesture is rather... bad as far as track records go.

Season six has the alternate Barry Allen - implied to be the Barry from the 90s show - who dies in place of this show's Barry. To save the multi-verse and let this other Barry go home to his wife, something he'll never have with Tina again. And the multi-verse is destroyed anyway.

Season seven opened with Nash Wells, whose usual method of investigating mysteries and hoaxes led to the Anti Monitor's freedom and the multi-verse's destruction. His home Earth destroyed so he can never go home. He's confronted with an alternate version of his dead daughter, who can barely stand his presence. He begins to hallucinate alternate versions of himself and is possessed by the Reverse Flash and all his research on how to create a new Speed Force - to try to make up for some of the damage he's caused - points to a single conclusion. The only way to make things better is for him to die.

Instead, Nash's death immediately makes things worse. The artificial speed force is flawed and Barry destroys it in the very next episode. And while one could argue that Nash's death allowed Barry to save Iris and ultimately restored the original Speed Force, it doesn't negate the fact that Nash's suicidal state of mind wasn't addressed by the people who called him friend. And his legacy was immediately deemed a failure and destroyed.

While I wouldn't say the show is glorifying suicide, there's a subtle and incredibly troubling repetition in the story telling on the show that frames suicide as the right decision in certain circumstances. Even though what's being sacrificed for often comes to naught. And it's incredibly uncomfortable, seeing it all laid out like this.

I'm still really not sure what to make of it all, but I've got no doubt it ties into the show's ableism with regards to mental health issues. Because every time its someone whose mental health has been brought down to a low point who commits these acts of 'sacrifice' and while the team grieves these losses... they don't seem to learn from them either. Because it just keeps happening.

(Think I missed something? Please, by all means, add on.)

[avengersassemble-fics]

Leave Out All The Rest

part 01/?? “the french quarter”

next part

summary: in the summer of 1994, four years after the death of their father, a teenage witch is pulled from their roots in new orleans and moved back to their mother’s home in westminster. out of place and being pulled in two different directions, the teen is faced with a new life at hogwarts school of witchcraft and wizardry. people fear what they don’t know, a lesson their father tried to shield them from their whole life, but maybe friends will make it easier.

word count 3.3k

an: efngojkf;enb; a harry potter fic i never saw myself falling back down this hole but here we are. don’t want to label this a certain pairing and ruin the story so y’all gotta bear with me :) also this takes inspiration from tvd/to in terms of the magic showcased, and the history of new orleans. as an la resident it’s always been fascinating and i’ve always wanted to incorporate that in some way. the only oc characters are the mother/father names. also title is inspired by leave out all the rest by linkin park.

The streets are lined with lights, fluorescent and bright to indicate the exciting environment. The jazz that radiated from the four person band making their way down the street carried up into the businesses and homes that resided in the French Quarter. The sunshine from the outside world that warmed the bodies underneath didn’t make it into the apartment off of Chartres St. Inside the red bricked building and in apartment 2D in 1990, the ever growing shouts from one adult to another could be heard from even down in the streets.

It was like any other day in the observant eleven year olds life. Focused on packing things into the expensive trunk her mother had bought for her, she did her best to tune out the shouting. She ran her fingers over the blue and cranberry robes, lost in thought of what this new school would be like when she heard the sound of a slammed door followed by footsteps. She knew who it would be, and closed the trunk and latched it before they could even get the door open.

“Are you all packed?” They had asked in a calm and comforting tone.

She nodded her head, pushing the trunk out of the way before standing to scratch the head of the black and tawny screech owl resting near the window. It lowered its head further into itself in satisfaction, when a hand grazed her shoulder. The child stopped, eyes looking up to look out into the street, and subsequently to see her mother disappear just around the corner into oblivion.

“She just needs some time to cool down,” her father told her. His daughter nodded, but he knew it was just an automatic response. He guided her to the ledged seat and she sat next to him while he grabbed her smaller hand in his.

“She doesn’t want me to go,” his daughter said matter of factly. He inhaled a bit, and gave her hand a squeeze.

“Your mother thinks you should go to the school she went to when she was your age,” he carefully explained. She gave him a nod, though there was a second of hesitation before she spoke again.

“But they aren’t like me. They’re like mom.”

There it was, the acknowledgment that you knew more than he ever wanted you to know. Vincent Dupuis had done everything he could to protect his daughter from the fact that her mother didn’t know what to do with her besides send her off to that school in Scotland in the hopes she’d return as only half of herself. It wasn’t an malicious intent, not at all, but it was an attempt to take a part of you (his part of you) away. That seemed to be the root of all their fights as of late, but he didn’t want you to know that. Vincent reached over and pulled his daughter into his lap and rubbed his thumb over her cheek.

“Ilvermorny will be able to teach you not only what your mother knows, but what I know too. Safely,” he emphasized. “You’ll be the brightest witch this city has seen. I know it.”

She smiled at that, and he kissed her forehead. It was the last tender moment they’d share, though she didn’t know that before heading off to the boarding school in Massachusetts. It was the last memory she had of her father before his death a few months later.

Vincent Dupuis was celebrated in a traditional New Orleans style. Though his family and his coven mourned him, the city celebrated his life (though the strangers lining the streets didn’t really know him). That was just how it was, and your mother said he would have appreciated that.

Vincent Dupuis was a part of a deeply rooted witch lineage in New Orleans, which now was a part of you. One of the original founding families of the witch covens in New Orleans to be exact. He often would remind you (and especially your mother) of that fact. You were a respected witch family, even if you were seen as different. Because of your mother.

Vincent was born and raised in the heart of the French Quarter. His parents still lived in the same house that smelled like cookies (your grandma would always have them ready when you’d stay the night when your parents would fight). It was a second home, and it was adorned with pictures of his family, and then yours. They moved and smiled, they held life in them. It was your favorite thing to see, though your grandparents didn’t see what you saw. They only saw the still motion. You wondered why that was, but eventually that thought trickled away when you found out why.

Althea Talpin (she opted to keep her maiden name) was a part of one of the most important bloodlines in the witch world. It was never tainted with muggle blood your maternal grandparents boasted about throughout your childhood. But when it came to her daughter, to you, they were colder than grandparents should be.

Althea was born and raised in Westminster. She was raised with the finest things, and was amongst one of the wealthiest families at this time. When she came of age, Althea was sent to Hogwarts School of Witchcraft and Wizardry, and continued her family's legacy by being sorted into the Slytherin house. Over the next seven years she excelled in everything from potions, charms, to defense against the dark arts. She wanted a change after her final year, and took to traveling the world.

She eventually travelled to The Big Easy, drawn to the French Quarter because of the festivities and thrill of it all. She had always been a thrill seeker, and she found that in a man named Vincent. They fell in love and within the year were married, and when you came around shortly after was when Vincent opened up about his own life and lineage.

Althea was fine with it, she hoped her daughter would be free of that kind of magic, and she could convince Vincent to move the family back to her home. After eight years away, she missed everything so dearly. But he always refused, he was afraid of what people would say or even do to their child. The witches knew about the murders, knew the name which shouldn’t be spoken, and he was fearful of what would become of his only child. That was when the resentment started, almost immediately after she had found her daughter bringing dead flowers back to life with the touch of her hand.

Four years have passed since that day, those final moments between father and daughter. The summer of 1994 was soon coming to an end, though the fifteen year old didn’t want it to. With summer ending there was an ever looming cloud of uncertainty over her head, especially with her mother's eccentric ideas for the weekend, and future.

Westminster was nothing like the French Quarter. It was gloomy and busy with people who dressed like they were on their way to business meetings. Looking out of the average townhouse (on the outside, of course the inside felt like it had grown two sizes) it was dreadful. Your mother shouted from downstairs, and with a final sigh you scratched your owls head.

“We’ll be back soon, Arro,” you told the black and tawny feathered bird. “Don’t bother the house elves too much.”

Arro chirped at you, and you stood and grabbed the jacket off your bed. You bounced down the stairs and moved around the cleaning house elves. It was still odd to you to have these creatures in your house. You had always done the chores around the apartment in New Orleans, but your mother said you didn’t have to do that now. It didn’t sit right in your chest, but your mother was hard headed.

You missed your dad.

Your mother was transfixed on her hands, elegant and long, she barely looked up at you as you shoved your arms through your flannel. She was dressed like what you would think witches dressed like. Black jumpsuit that was sitting just below her shoulders, but also joined with a hood less black cape that just passed her elbows. Like you said, elegant and long, and daring as usual. She was like a new woman, back in her own world. Whereas you were more simple, you could even say more dressed to the times.

You had opted for a black overall and white shirt under it, basic shoes, and a loose flannel jacket. If you were honest you had seen a character from Friends wear it and you loved the look. You felt comfortable, but that faded the minute your mother looked you over.

“Did you not like the outfit I had picked?” She asked.

Right. The black stockings, black dress that looked too stuffy and had a weird collar that looked like you were a doll. No thanks. You could only offer a shrug and could see her eyes roll.

“This is more me.”

Partially true. You were at an age you didn’t know who you were really. Two halves of two different worlds ate away inside of you, but that was a topic for another day. She huffed in defeat and messed with the cape on her one more time. “Well that’s fine. Our stuff is already there, and as it is we’re late.”

She offered her hand to you, and you grimaced. “Oh no, please not this again.”

“It’s the fastest form of travel! You’ll need to get used to it.”

“It makes me feel sick,” you mumbled. She wiggled her fingers at you and you sighed. Taking her hand in yours, she led the way. You walked side by side down the hall on the first floor, and in a second were in a new location. Apparating still left your stomach in a twist, it may be effective but certainly not your favorite form of travel.

Night was falling quickly, and at the same pace as inside the house, you walked side by side, hand in hand, amongst others. The same air snapping sound rippled around you as others Apparated and approached the stadium.

The Quidditch World Cup was something your mother had been looking forward to for weeks. After receiving a personal invitation from the Minister of Magic, she insisted they both attend. With each flight of stairs upwards her stomach flipped more and more than when they Apparated. The large crowd trying to reach their respective seats was hard to navigate through, you even knocked into a boy around your age, but could barely mumble an apology as your mother kept pulling you in different directions.

Finally, the loud yells were hushed when a curtain was peeled back and they entered their destination. The private booth was full of others dressed almost like your mother. Eccentric. She detached her hand from yours as she approached a man, and you followed behind like a lost puppy. You were uncomfortable in this unknown place, with these unknown faces, and messed with the sleeves of your flannel. Your mother seemed to smile hugely, which was a rare occurrence to see, when the shorter and stout man met her eye.

“Althea,” he breathed. She laughed as he engulfed her hand with his large ones. “My it’s been so long.”

“It has Cornelius,” your mother replied. “You don’t look any different.”

He laughed and tapped her hand still in his. “Either you’re lying or you’ve been gone too long.”

“Too long,” she confirmed with a smile. The man called Cornelius looked behind him and called another unfamiliar name and a woman came over. After more laughs and smiles and embraces, your mother wandered over to what appeared to be a father and son duo. “I see you’ve grown your hair out Lucius.”

The taller man turned around, and without even a flicker down to you, his cold face erupted in it’s own smile. It felt uncomfortable to see, like it wasn’t genuine, but either way your mother embraced him

“Is this Draco?” She asked after a few moments. The man placed his ringed hand on his son's shoulder and looked to give it a good squeeze. Your eyes met the look of the young boy, while his father spoke.

“The one and only,” Lucius answered. That’s when his eyes looked down on you, and settled into something you couldn’t quite place. “And who is this?”

Ouch. So she knew of his son but he didn’t know of her daughter? You felt a pang of insult form at the back of your mind, but your mother stepped behind you and gripped onto your shoulders. It was as if she was offering reassurance. “This is my daughter. (Y/N).”

Lucius let out a humph, not disassociated but not satisfied either. His cold eyes went back to your mother and with instruction told his son, Draco, to not be rude as the parents stole one another away. You awkwardly stood before Draco, who overlooked you in some kind of judgement.

“My father never mentioned your mother had a daughter,” he finally said to break the silence. All you could do was shrug.

“My mother never mentioned either of you existed,” you said back. Draco’s brow lifted a bit, intrigued it seemed.

“You’re American,” he said.

“Guilty as charged,” you replied. Draco grinned a bit, before glancing around the room. His eyes hesitated for a moment, and you looked over to where his gaze paused. Another boy, older with dirty blonde hair and a nice smile, stood beside a man. Draco seemed to turn you away quickly and out towards the Quidditch field.

“So you’ll be coming to Hogwarts then?” He asked. Your hands reached out to hold onto the railing as you reached your body past to get a good look around.

“Against my own free will,” you joked. Draco huffed, laced behind another grin. “You’ll be the first person I know.”

Draco saw his opportunity, his eyes catching the far away look of the bunch he had just seen while travelling up here. His hands clutched the railing as well and motioned with his head across the field. “More than happy to give you the inside scoop, from one Slytherin to another.”

Hm, made sense. Your mother had explained her house background, and he seemed to fit the description to a T. You fought the urge to roll your eyes, but Draco pulled something from the side. It was like a magnifier, and he positioned it before you both, on a group of people. You glanced his way in confusion, but he began to explain his antics.

“See those red headed freaks? Those are the Weasleys. They’re pureblood like our families, but the father is fascinated with muggles. Their mother makes their clothes, and they share hand-me-downs. The twins are in Fifth year, the other one Ron is in our year, and the girl is below us. Awful family.

“Then next to them is Harry Potter,” Draco spat his name out. You raised a brow at the recognition of the name. You had heard of the Potters, though it was only small information. “He thinks he’s the bloody center of the world. Can’t believe he’s the Chosen One.

“That girl with the bushy hair is Hermione Granger,” he scoffed. “Thinks she’s so witty, but she’s nothing more than a mudblood.”

Can blood freeze? You shifted your weight a bit when the warm air seemed to hit you straight on. The Minister announced the start of the match (maybe, you weren’t too sure) but you looked over at the platinum blonde and inhaled a bit too sharply.

“Mudblood?” You repeated. Draco glanced your way before looking back to the field.

“Right, you probably don’t know the term. She’s of non-witch blood, bloody pathetic, not even half witch. Don’t know how she got into this school. It’s gone down the drain if you ask me.”

“I didn’t,” you stated. Draco looked over at you as if he wanted to rebut your statement, but a hand dropped down on your shoulder. You looked behind you and sighed a bit, the tension leaving your body though your fist were still tight in a ball you didn’t realize had formed. Draco’s expression fell, and your mother gave you a squeeze.

“You two doing alright?”

“Peachy,” you mumbled. Her thumb rubbed the back of your shoulder, before turning you to face her, and small tsk’s leaving her lips.

“Sweetie why don’t you go back down and get some fresh air?” She offered. You glanced back over to Draco, who looked uncomfortable in this moment, and nodded a bit. It was too pretentious in here anyway.

All the way back down, bumping past bodies you wouldn’t remember as more time passed, you felt the frustration reaching a boil. Finally as you pushed past the final set of bodies you breathed in the empty air.

You weren’t dumb, you liked to believe you were far from it. In ways your parents had tried to warn you about how people could be once they learned of your true lineage. You knew people could be cruel, that’s why being here, being brought to the world your mother had lived in, was so.. Wrong. You could only imagine the possibility it could get worse, the names they would call you.

No one deserved that.

Your frustration toppled over in a gust of wind that blew pieces of trash away from where you stood, blew the flaps on surroundings tents, but the release felt better than holding it in. In deep breathes you attempted to calm your mind, uncurling your fists and easing yourself into some foldable seats left out. You were sure the owners wouldn’t mind.

There were chants and hollers coming from the stadium, but they sounded far away. Your mind was drifting back to the thought of home, where you should be right now, and didn’t hear the crunch of grass as someone approached. “Mind if I join you?”

You averted your attention to the voice, met with the welcoming look of the other boy inside that pristine booth. You glanced at the chair beside you and nodded. “Sure.”

He smiled a bit, the one you recounted as being nice, and took the seat next to you. Your knees touched ever so slightly, and he leaned forward to rest his elbows on his legs, glancing up at the twirling lights in the sky. There was an awkward silence, one you didn’t know how to break or if you even should. Thankfully, he seemed to know how. “I couldn’t help but overhear what Draco was saying.”

You looked over at him, but his gaze still lingered up in the sky. It was an invitation to talk about it, and you couldn’t help but accept it. You rubbed your hands together and stole a glance at the ground. “I just can’t believe he uses a term like that so vilely.”

“Unfortunately there’s been a lot of prejudice circulating around recently,” he trailed off. You looked up to meet his gaze, and he offered a smile. “But don’t let Malfoy get to you.”

You wanted to scoff, but your throat couldn’t produce the sound. Instead you simply nodded, only to catch the slight lean in from your company. “Are you coming to Hogwarts this year?”

“It.. Looks that way yeah,” you answered sheepishly. He smiled even wider and offered his hand out to you.

“I’m Cedric,” he introduced. You hesitated only for a moment before taking his hand in yours.

“(Y/N),” you replied with a shake of your hand. His hand was warm, and nearly engulfed your own. The moment only lasted for a few seconds before shouting from the match drew both your attention, and your hands from one another. The slight gust of wind brought a fresh scent that would stick in your mind for the rest of the night.

Worn leather, the fresh scent of laundry detergent, and a hint of butterscotch.

- - - - - - - - - -

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