#they're not bad opinions necessarily they're just like. where did you do the thinking part did you just assume like

[gilbertscarrot]

I try my best to keep things positive on here, but the hate comments for TLM '23 are ridiculous lol

[elytrafemme]

i really do wish at least one of my family members had a normal perspective on politics. not in the sense that any of them have bad takes persay but just that literally none of them approach the broad concept of Politics in an effective manner

[thoseyoulove]

Hello,Can you rank your Armand favorite relationshipw and why ? (I just love reading opinions , nothing serious)

Hi!

Fistly, thank you for the question! I get sometimes sending messages can be uncomfortable and you may not receive the nicest answers, but you don't need to explain yourself. Whether is a fun or serious question, asking my opinion or sharing your own: I LOVE talking about this universe and always welcome it.

Anyway, now to ranking!

P.S. This is long and contain spoilers. These opinions are based on the sequence from The Vampire Lestat to The Vampire Armand and aren't necessarily permanent.

Lesmand / Armandstat

Favorite relationship on the books as a whole for basically three reasons: it's always interesting (even on its smallest moments), they are deeply mirrored so it provides a compelling dynamic and is often intense. They are two sides of the same coin and parallel one another so much in terms of personalities and experiences. From their first interaction, it already seemed that they knew each other their whole lives because they could read one another like an open book. There is this mix of unconscious, but immediate recognition, understanding, curiosity, care, attraction, insecurity, fear, anger and frustration because they're the only ones that fully get each other. It's one thing to know someone for what they share or you observe, but you only fully comprehend somebody when you have a lot in common like they do. Still, that's terrifying because you're completely bare, vulnerable and forced to confront stuff you want to run away from. They have a lot of sharp dialogue and arguments where they throw the hardest truths on the other's face and they know how to push each other's buttons from day one. Yet, the fascination, affection and protection are still there and they always stay somewhat close. And that results in a lot of first class tension: what brings both together also pulls them apart and they're often fighting so many conflicting emotions (as a duo and individuals) because they keep going back and forth. Obviously, they're far from perfect and have both tremendously hurt one another verbally, physically and with Claudia's death (which Armand's is responsible for). But even then, they were never enemies or rivals. I get why people would use such words, but I think they would need to hate or wish bad things for each other to be classified as such and that's never happened. Even if they did something to give that impression, it wasn't genuine and they made themselves suffer in the process too. There was definitely hate for words said and things done, but for the person it was always love. Through the good, the bad, the ugly and the complicated. This dynamic defies definitions and there aren't enough words in any language I know to fully and precisely categorize or desxribe even it. For better or worse, they're on a league of their own and I've never seen anything like it on books, movies or TV shows.

2. Armand x Bianca

I love Bianca. She's been such a great addition and it's a breath of fresh air whenever she appears. It was so satisfying to see them being friends, connecting and Armand having something that was entirely his own without Marius being involved (though considering the pattern of this book, it will probably change). I also enjoy the fact they met and bonded as humans, you know? There's something lovely and unique about it since most pairings had one or both parties already being a vampire on their first encounter. And another sweet thing is that even centuries later Armand still emphasizes how he'll never forget her. They have become really special to me.

3. Armand & Riccardo

Usually relationships where one is a small or Marius is somewhat involved don't work for me, but that's an exception. Riccardo isn't as developed as Armand and part of this (creepy) palazzo where Marius keeps several teenagers/children in, but you do know enough to grow attached to him. Actually, given the situation these boys are in, I ended up caring about the ones who don't even have a name. And despite the proximity Marius has to them, the kids have friendships of their own. Obviously, this isn't the healthiest environment and they all deserved better, but I'm so glad they had each other and a sense of family (specially because some of them don't even remember their own relatives well anymore). That brings me some kind of comfort. There are these moments when Armand gets emotional thinking about how much he loves them all and would die for them and when he almost does and they're all (with Bianca) crying and Armand is surprised by their reactions because they loved him so much... It really moved me So, I adore them.

4. Armandiel

The Devil's Minion chapter is one of my top favorite pieces of The Queen of the Damned. Its best aspect is seeing Armand on his self-discovery journey and how Daniel was just patient and supportive. And that's so important, because a big part of Armand's characterization is how he has no sense of identity. He's gone through so much trauma since early and formative years and always adapted to please others or even make out alive. This made him lose key parts of his memory and every sense of self and he definitely needed that. So, to see Daniel not tell him what to do, but instead let him try new stuff, see what he loved or not, on his own terms and pace and Daniel just going along with him... It was wonderful. The only downsides is that I believe Daniel deserved more individual development and it was rushed. Twelve years deserved more chapters, probably books plural. That said, I bet the show will take its strong points and only elevate their story. And I can't wait because I've already lost my mind with them on season 2 (they have my favorite scene on the show, by the way).

Honorable mentions:

Armand & Benji + Sybelle

Haven't seen a lot of them, but Armand opened his book saying he was full of love and excitedly talking about these children he took in. There's also this moment he asked David if he liked his kids and he just sounded like a proud dad. It was adorable. I'm definitely looking forward to seeing more of them.

Armand & his family

There's been very little of them and I doubt there will be more, so I can't talk about their relationship per se, but the chapter they say goodbye is devastating and beautiful. Those recent posts of me losing my mind were because of it. I've never cried so much with art and rarely cried like that even in real life. It was an experience I'd never had before and an emotion I didn't know was humanly possible. I was mentally, emotionally and spiritually touched to the point of exhaustion. It's been the best part of The Vampire Armand, if not of the whole chronicles. And it will stick with me forever.

[pebblysand]

Why’s fan fiction so bad these days.

hi anon! i can't tell if this is a dig at my fics, a dig at other people's fics, or just a standard observation. having said that, i typically don't answer asks that don't say hello/thank you/some sort of minimal human acknowledgement but i did find this an interesting question to raise, so.

i don't necessarily think fanfic is "bad" "these days". IMO, the ratio of good v. bad fic has been pretty much equal in most of the fandoms i've been in overtime. about 30-40% are so bad they're unreadable (i'm talking: awful grammar, terribly OOC, plot that makes no sense, etc.). about 50-60% are "a bit meh", meaning that if you're in a very small fandom where there is nothing else to read, you'll probably read them out of sheer content starvation, but they won't really give you anything of substance. if you're in a big fandom with loads of content, you'll probably pass on them. then, you have probably about 9% that are really good. this, to me, is the stuff you would recommend if you were building a rec list for others, which you believe everyone should read. and lastly, you have the top 1%. those are the fics that have taken your breath away, are imprinted in your brain forever, you've re-read them ad nauseam and have written love letters to the authors about.

i find this ratio pretty much invariable. it was the same when i was writing for Silk, for The Good Wife, and now for HP. it also seems to be the same per HP niche. to me, there's a top 10% of post-war fics, there's a top 10% of harmony fics, etc.

but the major thing to note here is that what is top 10% for me might not be top 10% for you. that's why you don't have everyone reading or reccing the same things, and that's the joy and the beauty of diversity of taste and opinion, as far as i'm concerned. it's why i disagree with your general assessment that "fanfic is bad" "these days". that's something you think - not necessarily something someone else would think, on the basis of the content published. to give you an example, in hinny circles, i see floreatcastellum and northumbrian recommended a lot. on tiktok, i see manacled recommended a lot. having skimmed through these works, they -- personally -- do not do anything for me. but that doesn't mean they're "bad" fics. i'm sure they're great fics. they are loved by many, many people. they're just not something i vibe with, and they're not in my top 10%. just like loads of people think my fics are not for them. and that's absolutely fine. as long as you don't come in screaming in all caps insulting authors whose works you don't vibe with, we can all very happily coexist.

having said that, i have to admit that as far as my taste goes, i'm currently building a massive Google Sheets rec list (yes, coming soon, i promise ^^). one of the things i'm tracking in this rec list is the date of publication/completion of the work. and from what i can see at this stage, the average date of publication of my top 10% works is 2016. which, i think, does also say something. while i do still find loads of fics published semi-recently that i like, i also do have to acknowledge the fact that if we're looking at my own personal taste... you're probably kind of right.

so, why is fanfiction so bad these days?

i think a large part of it is that my personal taste doesn't necessarily align with that of the wider public. i'm not on-trend, let's say. AUs are pretty much the gold standard now, and particularly what-if AUs (e.g. what if Harry was a Muggle? what if Ron was in Slytherin? what if Sirius survived? etc.) you see tonnes of these recommended on reddit/being published all the time. loads of people are also interested in more exploration of characters and niche ships i'm personally not interested in (marauders, death eaters, etc.) there is also a prominence of fluff (or low-stakes romantic angst), particularly in the hinny, dramione and drarry fandoms. it's escapism from canon (and possibly, escapism from the harsh reality of our world), that i just personally don't vibe with/am not looking for. we see this in original fiction as well, with the drive towards fantasy/romantasy in recent years, and more recently still, with "cosy" literature. i don't particularly enjoy these genres in original fiction either, so i think that's probably also why i don't particularly vibe with the fanfic in that same trend.

i also think, just overall, there is less content being published in the HP fandom in general. thus, proportionally, less fics people will vibe with. this is in part simply due to the age of the source material (this happens to TV shows a lot: once a series is over, people tend to gradually drop out of fandom). it's also, i believe, due to the fact that there was a boom of fandom involvement during covid (as people had nothing else to do), and that people have now gradually dropped back out. lastly, it is probably also due to the fact that a large portion of people who used to be in fandom have dropped out due to JKR's controversial opinions. all of these things combined means that there is less overall content, and thus less content you're going to like as an individual.

additionally, globally, many countries are currently experiencing a cost-of-living crisis. this matters because, as i always say, "fanfiction is a rich person's hobby". meaning that: if you're going to truly make an effort in writing, and truly get involved in fandom, you need to have time on your hands. time you won't have anymore if you're struggling, having to work multiple jobs to make ends meet. writing at a high level is a massive time suck and very few people, right now, can afford to spend hours upon hours producing free content. it's sad, but it's true. so, of course, that's inevitably going to drive good writers out of fandom. and, sadly, it will disproportionally impact good writers, because they will be the ones who will spend the most time on their craft. it's very quick to write shit fic with loads of grammatical mistakes, much harder/longer to write something high-quality. it also disproportionally impacts, of course, marginalised communities, who will then not produce the high-quality content that represents them.

lastly, i also think that one thing that demotivates writers at the moment, is an overall drop in community engagement. i was very reluctant to buy into this up until very recently because, tbh, i always get the ick when people try and argue that things were "better before" but i have to admit... i've been getting loads of comments/DMs lately from people telling me things like "i never typically comment on fanfic, but...[your fic is great]" or people coming out of the woodwork telling me they've been reading castles for years, without ever making contact before. and, not to criticise any of these people, because i truly cherish every single comment, and i understand people might feel very nervous engaging, but you have to admit that if So Many People do the same thing, you end up in a situation where many good writers get demotivated thinking no one is reading their fics because they're not getting any engagement. and, while yes, people should write for themselves first, it's easier said than done when you're just posting into the void.

so, yeah, idk, maybe instead of complaining, we should be looking at making writing conditions better for online writers and encourage more diversity in fandom. you're always going to have trends and writing styles that you more ore less vibe with, that's immutable, but creating the conditions for more voices to be able to participate is definitely a very large factor in that.

[corvuscorona]

"You Never Forget Your First Love."

The other day, a mutual (hi! you know who you are I think probably hello hi! thank you for the Posting Impetus!) said something that made me curious (for, like, the 80th time, actually; lol. I Have Thoughts) about something: what's the split on people who subscribe to the "Stranger of Paradise probably intended for us to believe that Jack & Sarah were in love" mindset, vs. not? In general, but ESPECIALLY around these parts.

I genuinely didn't read it that way myself (& I do NOT normally give media (general) this much credit, but the writing in this game is sublime; I had no choice but to fully engage Scholar Mode on it), + I think it's interesting that SPECIFICALLY any of my fellow tumblr people / AO3-heads / Gay People Online / etc. seem to have. (I expect nothing from people who haven't been basting themselves in the same online sub-subcultures as me for over a decade. They're allowed to write wrong things on wikis, and have done so already; it's whatever.)

I wanna metapost badly again, so let's go. Join me. No poll. If you have an opinion on this, I'm looking directly into your eyes and beckoning you towards your own keyboard + also the reblog button / comment section, like a weird ghost. What did you think when you first played the game?? What do you think right now? What are you about to think after you have read a bunch of my words. Tell Me. I Need To Know This.

Spoilers for, idk, everything? Today we will use everything we've got to talk about Princess Sarah.

1. As a Narrative Element

This game makes a point of referring to Sarah as things like "a symbol of hope and peace" as often as possible, & when it isn't doing that she's usually in the role of An Object Or Device Of Some Kind, anyway. She's important because she's capable of holding light and dark in balance & SOMEONE'S gotta hold onto this dark crystal for safekeeping, and also we're gonna need to upset that balance on purpose later. There's that conversation in the Wicked Arbor about whether the Strangers would "choose" her (as opposed to "treasure") as the "reward" for succeeding in their mission[1], & there's the one in the Sunken Shrine where Jed asks Jack what he thinks of her and Jack says that he doesn't care about her as a person[2] BUT that protecting her is mission-critical (lol), too.

Sarah's death is metaphorically charged. It's the point of no return: the dark crystal breaks, the balance of light & dark gets extremely ruined, & Literally All The Darkness In Cornelia converges in one place (Fool's Missive XXVII). That's the payoff for the "symbol of hope and peace" motif, and communicating this idea that "the metaphorical light of hope just For Real Died, Like Catastrophically Imploded, No Take-Backs" feels to me like it was the highest priority here. Second-highest goes to "Jack had way more humanity before, but he set it aside on purpose and is actively in the middle of losing the rest of it." "Sort of." "I'm not getting into what counts as humanity or doesn't because if I did we would be here forever."

Basically, I'm saying that the tidiest read on the situation is "Jack despairs because Sarah dying means in a very literary and final way that everything is ruined forever, which doesn't necessarily have anything to do with, like, Love (romantic)." I don't think the text of the game is particularly signaling that Love (romantic) is involved, and I think that if it meant to, it would be more obvious about it. You could bundle "an romance" into the "humanity" thing if you wanted to, but I'm not inclined to, based on some additional list items that you can read below this one.

[1] The fact that Neon ALSO says she feels bad for her for being thought of in this way only reinforces my conviction that the game is pointing at Sarah & yelling "REMEMBER THAT SHE IS MOSTLY A SYMBOL!", tbh. Who wants to go point out how freaky the mechanics of Being An Royalty are w/ me and the boys??

[2] I will give the Wiki WrongPosters this: I can totally see this as some kind of irony thing, given that he's still missing like a fucktillion of his memories when he says it. However! As mentioned above, I have other reasons not to read it as evidence that he was ever, like, romantically interested in her.

2. As a Sheltered Youth™

We don't have a TON of information to work with RE: Sarah as, like, a person, but here are a couple of hard facts to start with: she's 19 (per the data book, but she'd have to be somewhere in the 18-to-early-20's age range regardless or her whole deal wouldn't really make much sense, imo. She's a baby...!), and she's royalty. I think this ties into her utility as a walking metaphor, among other things; she's archetypically young, fresh, & idealistic. I'd call her naïve but the game obviously isn't interested in portraying it as a weakness, so positive words only; why not.

You could argue that people look to her as a symbol of hope because she hasn't directly experienced enough strife to exhibit hopelessness or fear in response to bad news in the abstract. I find it interesting that before Jack, like, knocks the wind out of her & tells Sophia to take her outside so she can see for herself how bad things have gotten at the end of the game, she says that her duty is to die with her people if she has to, & it doesn't even seem to occur to her that she could lead at least some of them away to safety...? When she changes her mind, she still talks about herself as a symbol before she ever uses the word "leader". She sees HERSELF in terms of symbols and metaphors, and takes action based on her designated role As One Of Those. Not very practical.

There's also the dialogue you can have with the queen the first time you're allowed to run around in the throne room at the beginning of the game, where she asks Jack to smile in front of her daughters (NOT just Mia; daughters, plural). Even if she only means "dude can you be polite please," the fact that this is The thing she has to say to Jack is telling. Is it going to upset your 19-year-old daughter to see that the Guy Whose Job It Is To Kill Monsters looks serious? Why do you think this? Does your 19-year-old daughter understand how serious the situation is, generally speaking? Do you not WANT her to for some reason? Boats don't work anymore unless a weird elf messes with them first. Not thinking very hard about the implications of this is something a sheltered person does.

Residual time loop un-memories aside, a young woman in this situation is so obviously going to have a huge crush on Jack Garland no matter what. He Is So Cool, first of all, & he's also Different from the adult men she gets to see on an everyday basis (family, guards, rando townspeople[3]...). It's not like the political social scene could POSSIBLY be thriving in this world, either; it all seems to be one kingdom we're dealing with and they're kind of busy with the external threat of being Under Fucking Attack By Monsters. Does she even get fun treats like "handsome visiting dignitaries" & what-have-you? The game doesn't present us with any potential options, here. Jack is mysterious, he has special-boy Warrior of Light status, his one job & apparent life's purpose is protecting the kingdom she loves, he's pretty nice to her (even in later cycles he at least goes out of his way to be polite!), & additionally, he's shredded. THIS makes sense to me.

There's a Q&A in the data book that has something to say about JACK as a symbol & what that has to do with this whole thing but we'll get there. We'll get there.

[3] Tangent: what's up with how Cornelia's entire adult male population appears to consist of aging queens. Why did they only make models that look Like That for the NPCs? It's awesome but I have 1 quastion

3. JACK JUMPSCARE !

I'm not about to say that he's just humoring her, or anything, but please humor ME for one second & put yourself in Jack's shoes. Not the default shoes; we can have more fun than that. Maybe the Banded Boots. Blurple ones? Shaped like a cartoon would wear them? Big spikes on the back for no reason? I love those things. Anyway, you're Jack. You're working for literally the king, & the work means Everything to you for reasons you can't even necessarily explain except to say that it JUST does. The king's eldest daughter (very young adult; Never Been Outdoors; a little overly-sociable but nice enough & what do you expect from a princess, anyway) has imprinted on you like a duckling for whatever reason. You would be nice to this person, yes? You'd be patient with her while you're in town. You have Brutal Murders to be doing, but not until, like, 2 days from now, or whatever; you're sharing space with her in some capacity in the meantime & it's in your best interests to keep her happy. (You probably even enjoy doing this, if you're Jack of a Way Earlier Cycle; I'm in no way ruling that out. Sharing your music collection with an enthusiastic Baby Adult? That's fun. I think he was probably having fun. Okay, you can step out of the fun purple shoes if you want; the Humoring Me Minute has concluded; thanks.)

Also, @2000sanimeop and I think that if Jack felt that way about her Astos would have been a little More Something about how much it was gonna suck for him when she died. In Fool's Missive XXVII he uses the word "painful," but that's about it. He doesn't even bring it up in XXV, which is the one where he says he's curious about whether she'd survive being turned into a fiend (side note: Astos fucking rocks. Why did he write that down?? I love him). & Hey SPEAKING OF ASTOS,

4. I wouldn't put Jackstos on a wiki, either.

The writing in Stranger of Paradise, SERIOUSLY, WITHOUT EXAGGERATION, is some of the best I've seen in literally anything ever. It suits not just its medium but also its sort of Place in History Relative to Other Video Games & the things it chose to DO with that medium & that niche INSANELY well. It is CUSTOMIZED. It's SO INTENTIONAL. I can't get too far into this or we'll be here all day, but the essence of what I want to say here is: there are relatively few facts presented to us by this game, compared to the implications we can go about drawing from those facts & other, external sources of context.

Sarah calls Jack her first love; that's a fact. No facts are presented to us that REALLY say much one way or the other[4] about what Jack thinks of this, himself; "fucktillion memories missing" Jack says he doesn't care, but he's missing a fucktillion of his memories, and DLC2 Jack has a set of dialogue options (hi Anne the Malboro I love you Anne the Malboro) that can point either way depending on what the player chooses, which is kind of nothing, on balance. As the audience, we can (should!) draw whatever conclusion we want about it, but none of those conclusions are text.

[4] I WILL GET TO THE DATA BOOK IN ONE SECOND. HOLD ON.

And, okay, please let me level with you. Let's be on the same page. Jack & Astos had some kind of thing going on, imo, OBVIOUSLY, but I want to be CLEAR and I want to get CREDIT for the things I'M bringing to the table to help generate this conviction. I drew that conclusion & I read that reading based on subtext, context, personal history, personal preference, & sheer gay zest for life. It is also, emphatically, NOT TEXT.

Astos refers to Jack with the ol' "...friend" in Fool's Missive XXI. He calls him "my Jack" in Fool's Missive XXXI. Canonically, textually, he has some big fucking COMPLICATED fucking feelings about this man. These are facts. If you're playing this game as Some Guy, I can see how you could potentially absorb these facts & still pay them much less regard[5] than I did & continue to. My argument here is that god I wish I lived in a world where Some Guy could extend the same courtesy to me and not treat Sarah's textual affection for Jack as something that necessarily indicates Some Kind Of Reciprocal Romantic Whatever, Definitely, Obviously, Of Course.

[5] Longer Tangent: I have been informed that the Some Guys of the world are currently pretty good at Recognizing a character that behaves in a way that's Pretty Gay, but tend to stop there, possibly for the combined reasons that A. they're not very familiar with a lot of the the ways gay relationships often work (you know, soul resonance. mutual recognition. sharing a brain etc.) and B. the Object Of Affection is usually the player character and they subconsciously shy away from thinking of a Guy They're Supposed To Identify With as gay. This is practically a lead-in to an entire separate post I could make, so I'll leave it at that, lol.

The writing is too good for that kind of assumption! I'M SERIOUS!! It's mind-blowingly subtle & endlessly fascinating to hold up to the light & view from every possible angle, and "Jack & Sarah were in love" + "Jack & Astos were in love" are BOTH ANGLES. I'm personally very very interested in giving the text credit for that. I think it's impressive. I think it's really, really cool, and I think it was on purpose. Speaking of which,

5. Word of God agrees with me, btw

This is from the Q&A section on page 156 of the Confidential File. The translations below are my own (I think they're straightforward enough, but lmk if you know more than me & I'm actually being stupid in there somewhere. Alt text has the JPN, if you want to copypaste it or something). Someone asked:

Why is it that you established Garland as someone Sarah has a romantic interest in?

The answer is from Daisuke Inoue (director, one of 3; the other 2 are from Team Ninja; he's from Square Enix):

That was because, from a narrative standpoint, we wanted Sarah to be the kind of person who holds onto hope. You can imagine that she saw the "hope" to save the world in Jack, a potential Warrior of Light. Sarah is seen by her people as a symbol of a bright future, but if there were nobody to give her hope, that might destabilize her emotionally. As for whether she felt genuine love for Jack, or just mistook her feelings of admiration towards him for "first love," we'll leave that to your interpretation.

The first time I read this, I thought the question was implying the aforementioned Reciprocal Something, but on closer inspection that doesn't even seem to be true! "思い人" seems to indicate a directional relationship; as in, the question assumes that Jack is an object of affection to Sarah, but assumes nothing about what Jack thinks.

Also, the answer uses the word "初恋" (hatsukoi), which is a very established Concept as far as "first love" goes, but in that one cutscene, Sarah says "初めての恋" (hajimete no koi), which is. Different, but I couldn't tell you how, lol. It's Not The Exact Same Phrase, but I'm not sure whether it's meaningfully different in this context. If I had to guess, I'd say that IF ANYTHING it could be a way of saying "first love" without invoking the cultural CONSTRUCT of First Love (as much)? But it's whatever. The localization holds up. All sources show that Sarah had Feelings about Jack, and all sources CONSPICUOUSLY neglect to mention Jack's feelings about her.

It was on purpose. This is my license to be as annoying as I want for one second here. I am right. All the other writing in this game is notably subtle, efficient, intentional, and skilled, AND ALSO, WHEN do you ever see anyone write such a richly beautiful, mostly-subtextual relationship between two men, which can easily be read as a romantic thing, and NOT explicitly canonize a very possible romantic relationship between at least one of those men and a woman, like not even in an interview or anything. What the fuck, man.

I'm putting away the Respectable Scholar Hat now. This is so funny. The person asking this question didn't EVEN go as far as assuming Jack & Sarah had any kind of Actual Romance going on, & the answer STILL dials it back to "she might have been conflating her feelings about Jack AS A SYMBOL with actual affection, also. We'll let you decide : ) ". This game is everything ever.

[race-week]

I don't have a particularly good opinion on Senna, but I think F1 fans are being just as weird as they're accusing the drivers of being.

Like in Imola, we had Verstappen and Bottas getting flamed for not wearing the shirts. We had Lando getting flamed for wearing a McLaren rain jacket over his shirt for part of the time. We had Oscar getting flamed for seemingly not being present. We had both Ferrari drivers getting flamed for "actually taking it seriously."

Now this weekend, we have McLaren more so celebrating his accomplishments as a driver than commemorating his death, and you still have both their drivers getting flamed because the special helmets are too much, they're milking it now, etc.? But then before the special helmets were announced and it was just the special livery, half the comments were about how their OG helmet colors wouldn't go well with the special livery.

I'm honestly convinced F1 fans just like having things to complain about.

F1 fans just like having things to complain about.

Pretty much.

Thing is there’s nuance and shades of grey with everything and I think social media is definitely an echo chamber where this nuance gets lost.

Like, I struggle to say fully either way whether Senna was a good person or not, I didn’t know him, I was born after he died, growing up I was told stories about his greatness.

I also know that he had a romantic relationship with a teenager when he was considerably older which makes me incredibly uncomfortable, but likewise I also know that the charitable organisation that he set up before his death has invested over $80m into education and development for children and young people in Brazil.

Did he do bad and questionable things in his life? yes, did he also do good? yes. I don’t necessarily think you can one to detract from the other though, they both exist, humans are multi faceted.

I think it’s so easy to get caught up either side of the discussion/argument that there isn’t a perfect way to handle these sorts of things.

I just struggle to dictate (?) how I think someone should be remembered, I think it’s good to acknowledge the bad stuff, but that doesn’t mean that you can’t celebrate the good as well.

[cuephrase]

What are some things introduced new52 to current day that you like and think are an overall net positive for batfam continuity? (As in, it's not uncommon for me to see fan things that mainly focus on post crisis/pre flashpoint stuff but still incorporate new comic aspects, such as slightly changed family dynamics/new developments, and it's interesting for me to find out what different people think is and isn't worth keeping from what got added after the reboot)

ooooh this is a fun question!!

i was going to say i haven't read that many n52 and onwards runs, and then i realized i have actually read most of the ones i want to, i just haven't read any batman/'tec/batgirl/or duke's runs yet. (i read like...half of We Are Robin, Joker War, and i've read batman from where zdarsky come in so like have also read Gotham War.) (might read Catwoman?? not the point.)

since we're sticking strictly to net positives, i'll include something that i like, even if i have criticisms of it, but i won't get into those criticisms so we can stay positive!! (future cue, so this is kind of a lie but i swear i didn't go overboard.) i'm going to include stuff as minor as like costumes bc why not. also nothing is going to be in order of like what i like the most to what i like the least, just fyi. also, probs not definitive, knowing me i will forget something lmao

New52 Era-

tim's red robin costume. that suit is *chef's kiss* imo. i love that he has wings. i...i don't know if i necessarily want it back rn bc i am sososososo in love with his current robin costume, but i do adore the n52 red robin suit

i personally like that they went ahead and made jason less villain, more anti-hero. i think him trying to reintegrate with the batfam creates some very compelling crises

dick as Agent 37!! which...okay, no criticisms nvm. michael janin's art tho >>> okay well actually maybe sometimes i wish this was like elseworlds/black label instead of mainline but

might be a bit of a reach, but i really enjoy the first handful of arcs in n52 b&r and the relationship dynamic they established for bruce and dami

i like that tim and jason are somewhat friendly. i think it makes sense. for a lot of reasons. this is a somewhat controversial opinion, which i understand. but this is where i stand

did i like anything else from this era specifically?????????

OH

DUKE!!!!!!! i loooooove him very happy he was added

Rebirth Era-

the outlaws, specifically jason's relationship with bizarro. (i enjoyed artemis a lot too!! tbh, haven't read these guys outside of this run tho so zero clue how accurate these portrayals are, so grain of salt?)

the return of dick's fingerstripes!!!!!!! best part of tom taylor's run /hj

TIM'S ROBIN COSTUME AHHHHHH. i'm sorry i love that suit way too much

love damian's current robin costume, although...does he have combat boots rn still? can't remember. if he doesn't, they should give those back

damian + jon's relationship, ik it gets obliterated by the stupid age up, but super sons is still very special to me

tim being bi!! now do kon dc you cowards

alfred's death. i refuse to elaborate. i could, but i shan't (this is not alfred hate tho i swear)

i'm forgetting something rn i know it

oh yeah, i do like tim being robin again. IK. IKKKK. no, i don't think he should be robin forever. no, i don't think dami is a bad robin/shouldn't be robin.

um...i liked dick getting shot in the head. the ric era is not how i would've wanted the aftermath but

i don't want to comment on anything super recent, but i do think there's stuff going on rn that could end up being net positives

the titans being reassembled. jury's out on their location but, i do like that they're back

i'm not counting yj because they're not doing anything with them rn, but they should ugh

i think...i think that's it? there could honestly be a lot more that i'm forgetting. i hope this was interesting!! if there's anything i didn't mention that you're curious about, or something i did mention that you'd like a more in-depth answer about, please feel free to ask!! i'm curious what you consider net positives anon, you should shareeee

[hawkogurl]

Yeah, I basically had a similar reading on Insomniac!Harry as you did, I think - I do like him a lot, and I definitely see why he would the most popular version of him in the fandom right now, but he's a very smoothed over and simplified version who feels written to be as broadly loveable as possible, if that makes sense? I read a very thoughtful critique of the game recently that described Harry as being Peter's 'comically perfect' best friend, and I think that gets at the game's take on him and ties neatly into what you said about how the characters in Insomniac feel like they're written mostly to serve Peter's story and character, which is not necessarily a bad thing when he's the protagonist, but can flatten characters into narrative devices who don't necessarily feel like full characters; and any time Harry could be perceived as doing or saying something flawed, he's justified, or at least it's understandable, and it doesn't help that the last part of the game where he's Venom was rushed (not the fault of the devs for being pushed by corporate to meet a deadline they couldn't meet ofc) and it's not really clear how much is the symbiote amplifying his emotions, manipulating him, or outright controlling him like a puppet for its own agenda - but any way, it's very easy and probably correct to read him as not being truly at fault for anything.

Regarding Norman, my take is that I don't necessarily mind an interpretation of him that focuses on corporate greed and lack of ethics while exploring what if Norman was villainous, but genuinely loves and cares for his son in this universe, but MSM2 weirdly wanted both that and the usual drama from Harry being jealous of an abusive Norman choosing Peter over him, so we got that awkward scene where Norman is doing no such thing and still being a great father, but Harry mistakenly believes he's choosing Peter - so it's manufactured drama to follow the universes where Norman is abusive and Harry has issues from that, but here, everyone is still a good or at least neutral person at worst and it's all an honest mistake, which goes back to what you said about taking the edge out of the characters here - doesn't mean they're bad, like you also clarified, but definitely softer.

Can’t form intelligent thoughts because I need to go to sleep but I’m going to say I agree with all of the above. He’s very palatable in a way that just becomes boring for me. I’ll probably come back and contribute later when I’m not barely conscious.

For now, I agree especially because them wanting the Norman drama but also sort of pussying out of the Norman drama sort of like… feels like a good example of what I mentioned in that when you write an established character but change a major aspect of them, you need to compensate. They wanted the benefits of those arcs but weren’t willing to either include the original arcs or do the work to come up with something that can get to point b in a different way with what they’ve kept. It’s not the best writing decision in my opinion. And I agree with that articles assessment he feels like, comically perfect. Scrubbing away all his unsavory aspects lost him a lot of the ways he’s flawed and interesting because it often feels he exists solely to progress Peter’s arc rather than having the personal drama he often has.

I don’t personally like these softer versions. I’m not gonna say it’s bad or wrong to like those versions, but they definitely feel watered down when it’s not looked at in isolation or looked at more critically. It rapidly became boring for me.

[sophsicle]

i started putting this in the tags of another post and then it was too much so here we are but; i think one of the big problems with fic recs on tiktok is that fanfic authors have no control over how their fics are being presented or what other media they're being put in conversation with and this sometimes results in people reading the fics that were recommended and feeling they did not get the story they were promised. And when this happens the person they get mad at is not the person who recommended the fic but the author. it takes on this very transactional tone of "i did not get the service i was promised" or "you sold this to me using false advertising" which is a) yet another way fanfiction is being packaged and understood as a commodity and b) is not what happened, fanfic authors have no control over how other people present their fics to you or how the fandom has decided to talk about their fics etc. etc. etc.

another thing that fic recs tend to do, is come in list formats, very "top five fics you have to read" or "the best wolfstar fics" or "my favourite fics ranked in order" which creates a hierarchy that should just not exist in fandom. at least in my personal opinion. and lots of times, even if the video itself is respectful, the comment sections are not. and they will tear down the fics on the list that they feel like don't deserve to be there or should have been ranked lower etc. etc. which i think is just like, idk, in bad taste?? and fostering conversations and attitudes i don't think belong in this space. and not for nothing, but i personally hate it when people compare me and my friends and like, pit us against one another? like i know i'm being a baby but i can't help it. it feels awful and it makes me anxious. so it's like, yes, of course, i love it when people recommend my stories because it's so lovely and flattering and makes this feel like a big book club. but the flip side of that is i hate it when people present my stories as products that you "just have to buy" or make promises about them that i have never made, or use them to put down other fics. which i fear is almost an inevitable part of recommending fics on tiktok where the rec video itself is content that they are trying to sell, to get views and likes, so they need a hook, they need something to make it interesting, and fanfic authors a lot of the time i think, end up being the victims of that. which isn't me saying that no one should recommend fics on tiktok. or that people who do are somehow doing something wrong. cause i dont think either of those statements are true. but i do think that these are things that the people making these videos aren't necessarily considering, and that maybe, it would be good if they did????? I DON"T KNOW I DIDN"T REALLY COME UP WITH A CONCLUDING ARGUMENT I"M SO SORRY thanks for coming 2 my tedtalk

[utilitycaster]

the thing is, the accounts on cr twitter who have these wild takes aren't even shippers

they're all about nuance about the gods, aeor, ludinus, ruby vanguard.....but then have these extreme views about orym, say he's got bloodlust and pretty much equate him to a cop/military soldier

Hey anon! So I will admit as I have in the past that I largely avoid CR Twitter because I hate Twitter as a platform and the community of CR Twitter specifically (more below) but I will say the tweets I have seen have largely been from people who are, if not the most rabid of shippers, shippers. I did in fact just go there and click on "Orym" as it was trending, and the tweets to this effect are largely from people with black and purple hearts in their names. I don't think they're necessarily conscious that this is the reason why they try so hard to discredit Liam's characters (and I think the desire for Laudna to be a Traumatized Innocent rather than a person who has done her own share of harm is an even larger factor) but I do think it is part of it.

I should note: a significant point of reference for me is that the person who famously said "do not uwuify this" re Orym post episode 63 is Wally Wests on Twitter. Look, I know I use the word "stupid" a lot, and I'm trying to reduce it not because I think it's a problem to use but because it reduces the impact and also heavily implying people are stupid without outright saying it tends to be more effective on every level but god this person is the dumbest motherfucker in the fandom and I'm not even kidding. Like, they're the "Australian white person who writes like Rupi Kaur but worse" I've referenced. Because of The Algorithm they are weirdly popular in that space and it baffles me because I honestly don't understand why every single thing they say isn't just filled with replies saying "are you fucking stupid." Like I physically cannot understand how you can have a brain and read a single word they say and go "this is a person I should listen to." They are also not a big shipper, but they do like the ship from what I understand. Specifically on Tumblr, the people echoing this nonsense are pretty much shippers.

With that said yeah, I do think it's worth addressing the soldier aspect. First off, if we're talking cops, why is Bryce, pleasant but forgettable minor NPC, inexplicably popular in this fandom despite them being an actual crownsguard of an actual authoritarian government. Like are all fictional cops bastards or no (fwiw my opinion is no, because the context of the world in which they exist is extremely important; I'm just pointing out the inconsistencies)? But also...I've run into this with Worlds Beyond Number too, and it actually came up on the Fireside chat, but there are words people hear (empire, religion, soldier) and automatically go "BAD BAD BAD" and don't spend any time thinking about how we've come to these conclusions. And for what it's worth I think Empire is always ultimately going to be bad because of its source in conquest; religion is neutral with the potential to harm or hurt; and soldier is deeply contextual and inherently gray; but all are very valid things to explore in fiction, where the war crimes and abuses aren't real. I remember seeing a take about Candela Obscura shitting on how half the party is former soldiers, and like...the messaging of this season of Candela is undeniably about the immense psychological damage of war, and the soldiers were defending their home against a colonizing force rather than doing any sort of invading, but some people are so high on a paper-thin unexamined concept of what I presume they tell themselves is leftism that they cannot see that. Orym's husband did not die trying to invade a nation for their oil. He died because people trying to unleash a horror ran an attack on their town as a practice run. Orym's experience as a soldier has always been one of defense, never conquest or destruction, and that is important to understand. It doesn't mean that in the future Zephrah couldn't become an oppressive power (and various worldbuilding in Exandria does explore the idea of small community watches or protective guards growing deeply corrupt or expansionist over time, but god knows the people saying this shit have the lore knowledge of a dead pigeon), but the aspects of being a soldier he is engaging with are those of personal sacrifice and protecting one's own, not killing for resources or ideology (which, let's be real, is usually an excuse to take the resources of those you disagree with).

[blluespirit]

Episode 6 thoughts babey,,,,

Here are my thoughts on: episodes 1-3; episode 4 and episode 5!

Things I like:

Okay I see we’re starting off with emotional devastation write off the bat with a Zuko flashback. Dallas does a good job at portraying now-Zuko and before-Zuko. HES JUST TRYING HIS BEST HE JUST WANTS TO MAKE HIS FATHER PROUD OF HIM!! HE WANTS TO HELP OTHERS AND HES PUNISHED FOR IT!! 😭😭😭

Finally!!!! we are getting more Zuko and Zhao conflict. We needed to see more of Zhao as a villain

June flirting with Iroh is so funny and far better than in the og

anyone: this place is impenetrable. zuko: say no more 😉

oh my god they did the zuko sequence of him taking out those guards to get to Aang so well!

Love the whole zuko rescuing Aang from Zhao it was perfect ✨

Zuko meticulously finding out all the information he can about the past Avatars to the point where Aang says no one else knows this stuff is so important to me

Also I like how Aang and Zuko got a longer conversation than in canon. they had a nice moment there 😌 that will get Zuko Contemplating Treason for sure. Well actually - more treason than what he’s already done (thinking about you: siege of the north)

the 41st division being Zuko’s crew is an interesting choice!!! I’m actually sobbing about it!! To me it’s both a bad and good choice. I’ve explained my thoughts below and in the next section

Despite what I say below, Zuko’s crew bowing to him after they find out Zuko’s actions saved their life is such a good scene. Zuko seeing the product of having compassion and empathy for others as something positive, rather than something he’s ultimately punished for.

things I don’t like:

Zhao’s speech kinda sucked tbh. in the og it was much more grand and terrifying. He's on ground level with the soldiers instead of on that grand balcony. In the original he goats how fire is the superior element, how they're going to raze the Earth Kingdom to the ground. But in this one, it's just not the same level of brainwash-y propaganda-ryness that would have made SO much more chilling

idk but i preferred when Koh was a bit more mysterious and we didn’t really know much about him except that he stole the face of Avatar Kuruk’s lover and like some more vague info that leaves you intrigued about the mystery. like who the fuck is the mother of faces (i know she’s from the comics but still). And why did Roku steal it from him at all? idk im confused

Idk why they made Zuko stand and fight Ozai????? Ozai burning his own child who refused to fight him was a part of the horror of it all. Zuko refused to fight his father and begged for his forgiveness but Ozai still burned him anyway. I guess it still gets the cruelty across and that Zuko’s own compassion is used against him and Ozai is an irredeemable monster, but i still think it’s Not A Good Change.

Like I said above, Zuko’s crew being the 41st is not a bad thing! But I do just want to say that in the original, the attack goes ahead, and presumably, those soldiers die. It’s horrible. Zuko’s sacrifice is in vein and it was always going to be in vain because the Fire Nation as its stands would not allow it. Ozai would not allow it. I think that, like I said, it’s not necessarily a bad choice, but I think it does take away some of the horror of Zuko’s story (same as it does with making Zuko fight back in my opinion). HOWEVER, I do think it’s not all bad. I loved the scene where the crew bows to him - like I said above 🥹

Aang just giving Koh the statue and then all the people are just freed and he doesn’t even say anything wtf 💀

also i was so excited for roku’s appearance but i just thought it was disappointing. stop info dumping!!!! leave something up for interpretation I am BEGGING. “And she is Koh’s mother. Koh longs for the same thing we all do. Family.” maybe i’m being a bitch about this but it just annoys me!!!!!!! stop spelling things out! Koh is so much better when he’s mysterious and unknowable!! why is Roku's whole presence to be here and info-dump about Koh instead of all the meaningful and wise interactions he has with Aang in the original. simply ✨no✨

As you’ve seen from my previous entries, I try to have more positives than negatives but there were some things in this episode that irritated me and that i couldn’t ignore lol hopefully it gets better.... 😅

There were still parts i loved! Aang and Zuko's interactions were great and teh whole sequence of them escaping was wonderful. I likes Zuko interacting with the crew and Iroh trying to care for Zuko but not really knowing how to reach out to him.

On to the next one!

[curejiraiya]

So AiPri huh.

I posted my live reactions on Twitter, but tldr of that was I was initially really excited. I think the idea of two arcade games, one that's more aimed children and one that's more aimed at long time fans is honestly genius. I think that they're going to make a lot of money out of that concept.

I also compared it a lot to Aikatsu. The art looks like Aikatsu, the plot that we know feels like Aikatsu. I think the two new main girls are pretty cool, they're designs are a lot simpler than PriMagi and I can't say I like that, but I don't dislike their designs I just like them less than PriMagi.

I'm also really excited for the music. I honestly feel like I called Auru's VA being the lead, but she deserves the role. She's really young and if this show stays around she'll grow into it. We didn't hear much but I liked the song we heard from the snippit of the arcade game, even a little more than Matsuri's song.

Though once the live stream ended my excitement has dropped a little bit. The anime is being done by a completely different production company, that means it's not going to keep a lot of its staff. To be blunt the writing is just going to be different, and I'm scared it's going to be more like the modern children's anime landscape where they're afraid to have things happen lmfao. They don't get deep enough into the plot as I want, and they leave all the crazy world building to the last few episodes. Now PriChan did this too so like there was a chance this was gonna happen anyway, but giving the show to a studio that's known for working on fucking pokémon terrifies me a little bit. I'm scared it's going to be shallow and bad.

Actually I think I'm just scared It's going to be Aikatsu. Aikatsu isn't a bad show, but it's not the Pretty Series. There isn't crazy lore and things that you could never expect to happen happening. The Pretty Series has a certain magic that I haven't felt in any other show, and I'm worried a new production team isn't going to be able to capture that.

The other two parts of my theory that lead me to believe this is true is 1. the split arcade game, because the arcade game that's meant more for adults has the old series girls on the front of the machine. Like it's being very blunt that it's pushing nostalgia, and the show itself isn't. I'm worried that their intentionally dividing the audiences so they can aim the show at a slightly lower demographic and not alienate the adults. and then 2. The theme of the show being makeup. Makeup itself is not inherently childish, but two-fold one it makes the show pointedly more for girls than unisex, which also is not a problem I just think the only reason they would do that is if they want to capture a very young child audience.

But the other point and this to me is the important one, is children's makeup toys in Japan are made to be temporary because the students are not allowed to wear makeup to school. So they have formulas meant for the kids to be able to rub off easily in their lip gloss and nail polishes. Because of this adults cannot buy these toys, because they're not going to wear fucking temporary lip gloss. It concerns me slightly that their main toy line with this series is something that adults aren't going to want at all. In comparison to something like prepara where the main toys are little plastic mics which make great display pieces for adults. Fun for all ages.

Now; lowering the target demographic age of the show doesn't necessarily mean a bad show, But I can't help but look at other shows airing for the demographic like PreCure or Aikatsu or even pokémon and as an adult viewer you can see that the shows have been slightly dumbed down then where they were when they started airing. or even where they were when Pretty Rhythm started airing. and it's my personal opinion that I don't really like these new shows that much, they're not bad but they're not as good as they used to be lmaooooo and it's not nostalgia because I didn't grow up with PreCure or Pretty.

That's the crux of my fears though, like I'm just afraid new production company, new people who haven't touched the show before, they're going to dumb it down. But we don't know yet.

Someone on Twitter pointed out that this opens up the production company to work on projects like PolePri or hahahaha omg say it with me, King of Prism 🤡 but I do like those kinds of shows that they've put out, and they seem to he pushing cheer screenings, so this could lead to good things in the end.

Sorry if this is slightly gloomy, I'm still excited! I'm just cautious.

[spaceorphan18]

Not the OP but I imagine that last ask was re the fact they talked about The Box Scene in today's podcast episode and said they can understand why it was cut because it was 'lackluster'. 🙄

Nonny #2 - Sorry second nonny, I didn't realize I copied and pasted wrong, and deleted your message before adding it correctly. <3

@wowbright says : In case you didn't have this context, and the latest episode apparently they said that the box scene was probably cut because it was "lackluster" and "not very good." That has set people off. (And personally I think it's a weird opinion. Like, it was probably cut for time because of less relevance to the rest of the episode?)

I'm going to kind of hit all of this at once. Because I have some thoughts.

First of all, about the actual scene, while I understand why it was cut - in that there were time constraints and, no, it isn't pushing the story forward, it is a cute little scene that reestablishes where their relationship is in the grand scheme of things. And you know what? They made it canon at the end, so there's that.

It's not a bad scene, nor is it lackluster. It's of equal value, honestly, as the Santa Baby scene.

Secondly, that's a shame they downplayed what it did for charity. That's a huge deal, it's a shame they can't recognize the significance of a fandom movement -- especially as they raise money for things like Snixxmas and Alexandria House.

My third point is of two parts….

A) Kevin and Jenna do not know (or care) how to be objective. They just don't. They've proven time after time that they're watching things they like and do not care about the rest of it. It doesn't make me want to listen to it, and it's a shame they can't muster enough professionalism to try, but it's their podcast, and at the end of the day I can't change that.

B) You guys keep acting as if there's some big conspiracy theory as to their reasonings and at the end of the day -- more so going back to my original Nonny from earlier today -- they just do not care about Klaine. They think about Klaine in the way that I think about Jarley. They're there -- they take up screen time that I wish was given to other things -- and it's not something I particularly enjoy sitting through.

[But as an aside - I like to think I can be objective enough to admit when something is written or done well. And going back to point A, Kevin and Jenna don't know how or don't care to even put the work in on that.]

It is not about Chris. It is not about Darren. (And the speculation is a little odd there -- but we don't know them, maybe they do hate Darren (doubtful guys) but either way, I really, really do not think it has to do with this.)

And interestingly, I don't necessarily think it's solely a dislike of Blaine either. I know they praise Chris a lot, but they really skip over some great Kurt things, too, that aren't related to Klaine.

And yes, it really is about Naya and Cory and themselves. They are more personally invested in those stories and those people and that is going to color how they see the show. It just is. It's how people work.

Going back to point B - the reason it hits hard for us is that for them (like how I feel about Jarley) it's not personal and it doesn't mean much. It's just kind of there. But for us, it is personal. We do see all the good things (along with the bad) and it has meant a lot -- it's been a personal love -- it has meant very deep things to people.

And what may hit hard for people -- and what Kevin and Jenna are completely missing because they're really not good at the objectivity or the looking at the big picture -- is the fact that when you disregard the thing, it feels like a personal judgment on /you/.

And guys - it's not. They just happen to dislike/not be invested in a thing we really love, and that's kind of it. I find it unfortunate. I am kind of disappointed in their lack of understanding I really have stopped listening to the show other than interviews I want to listen to. I wish there was a way that I could explain that to them - but I don't really know how.

I don't really have any answers other than that guys. :/

It'll be interesting to see how they handle Seasons 4-6, where Artie is almost a prop, Tina goes crazy, and there is a fuckton of Blaine, Kurt, and Klaine.

Or maybe they'll end it at Season 3. Who knows. shrugs

[tiltingheartand]

virgin mary you fucking alien pls :D (this is lexie)

also:

tagging @wakeupnew and @chobani-flip both in this one!

so, okay, first, the title comes from voltaire's song "the man upstairs" (... side note: i remember telling @chobani-flip how horrified i was at discovering the devil's bris came out in nineteen-ninety-fucking-eight; i am still appalled, for the record). absolutely not the title i'll be using, but as working-titles-in-gdocs go it serves its purpose (i.e., telling me which file it is without me having to think too hard).

but. anyway. this is the "tommy lived in buck's building already when he moved into the loft" fic that i posted snippets of here and here. i don't actually even remember what made the things connect in my brain that i got the initial idea for this fic anymore, although it's possible if i dug around in my chatlog with christine on discord i could find it.

but i think part of it is, you know. if buck and tommy did know each other before the helicopter rescue in s7, but neither of them were necessarily in a place where their relationship would be anything but friendship, what would that change? would that change anything? (this is also related to my deeply-held belief -- reflected in at least one other WIP of mine -- that buck just. desperately. needs more goddamn friends. people in his life that actually mean something to him that aren't in the "colleagues who've been promoted" category. that's one of the things that pissed me off the most about his relationship with taylor turning into a Relationship actually.)

and, hey. some things change. some things stay the same. buck's gonna buck, after all. i haven't 100% decided at what point they're going to get together yet -- i think i need a full-series rewatch before i can work on this much more, honestly -- but the one place i keep coming back to in my brain is in s5b, after the speed rescue with lucy. is this in large part because i fucking hate that arc? maybe. i love lucy but jesus fucking christ i hate that shit. >_> and here, another snippet, double-sized because there's two of you!

to: Tommy no it’s fine don’t worry it’s the middle of the day anyway i shouldn't be drinking

from: Tommy Lunch wouldn’t be the worst idea in the world, but if you want to drink, just drink. Leaving yourself beholden to an artificial standard of when it’s okay to indulge is less healthy than day drinking. Also shift work means that you can drink whenever you want to, in my opinion. I’ll be worried about you either way. You might as well have a bad day with somebody else’s beer.

to: Tommy i promise that wasn't what i was trying to do i worry enough people as it is we don’t even work together

from: Tommy This is a free service from me to you. I get it if you don’t want to, but don’t feel like you have to say no to be polite. If I didn’t mean the offer I wouldn’t have made it.

(ask me about any of my WIPs, if you'd like!)

[yakool-foolio]

Okay, now on the other end of things

Morality wise, what about the NDA? Like they're the "good guys" in the story but who's the morally best and worst in your opinion? Also Kurumi as well if you want, because she kind of counts as am honorary NDA member ig?

Ooooooooh man this is a whole other can of worms, isn't it? Ranking the peacekeepers on their morality is much more cut n dry, but there's a whole lot more to think about when discussing the much more nuanced ethics each detective has. So to not devolve into too much chaos, I'll once again only be basing my ranking off of what is seen in canon in the game, so no talk of Number One Yuma (though that is definitely its own decisive topic, which will become evident soon). And as usual the list will go from best to worst, so we'll ease ourselves in before really diving into the nuance.

To start us off is the lovely Fubuki! Oh, you sweet summer child. The most morally sound out of all the detectives. Not a single bad bone in her body. She may be uneducated about many things in the world, but that doesn't stop her from being inherently kind and sweet, even with her unconventional compliments.

Next in line is Halara! I was honestly a little conflicted on whether they would be placed above or below Desuhiko, but I after some thinking, I believe Halara has the moral high ground. Obviously their stinginess and greed lowers their score, but the road is paved with good intentions. The reason they ask for so much money is so they can put it toward a program to help save cats! Even though they have trust issues with people, they care deeply about animals. And once they do gain some trust in human allies like Fubuki and Desuhiko, they say that their companionship is considered enough payment for the time being when partaking in casual investigations.

Climbing down to the next rung is Desuhiko. He's definitely got some issues with his ethics regarding his flirtatiousness. He is not afraid to flirt with any woman he meets and that is not good. Thankfully, he doesn't necessarily force any interaction and does back off when scolded or ignored enough, but that doesn't make his words any less uncomfortable. He needs to learn some self control or else he's gonna get a boot to the head.

Now here's where things get really interesting. Vivia takes third place in moral deviance. This is without going into the possible meanings of the teardrop tattoo, god forbid I bring up the idea of him murdering someone or being part of a gang; things would get much worse if I did. Even then, Vivia's overreaction to Yuma's determination to expose the truth definitely sits him firmly on the lower end of the ranking. He threatened to kill Yuma just so they could go back to living in blissful ignorance of Yakou's involvement in the case. He only resigned from his murderous intentions after hearing Yakou's spirit, calming him down and making him realize that he can't turn away from the truth and has to believe in his heart (kinda gay ngl). Vivia as a whole is harder to exactly pin down with his moral grayness regarding honesty, but ya can't really ignore the intention to slit someone's throat open, can ya?

And now we reach the actual murderer: heyo Yakou. Despite all the manipulation pulled by Yomi and Makoto, Yakou didn't have to kill Huesca. He did it for vengeance and atonement, leading all his detectives into the lion's den in order to execute his plan. Despite taking advantage of his allies, he undoubtedly had good intentions and is a very good soul overall. He wanted to bring justice to his wife who died because of an absolutely awful man and make up for not being able to save her. But murder is still murder, regardless of motive (I would say to put a pin in this, but I don't need to when the topic is coming up again right around the corner).

And here's the actual mass-murderer: Yuma! Now I know this may come as a shocker (or not depending on how much this game has been rotating in your brain like it has with mine), but Yuma is far from innocent, as much as we love to call him 'baby.' With the help of Shinigami, Yuma has killed many culprits. It can be argued that the very first reaping of Hitman Zilch doesn't fall under the same umbrella of awareness of his crime, but he still killed him! And afterward, Yuma made the decision to enter the labyrinth knowing that the culprits would die. He didn't have to use the labyrinths. It's especially egregious in chapter 3 when help was already on the way and would've put a stop to Dominic smashing Yuma to bits since they had the culprit with them! A death could've been avoided, but hindsight is not Yuma's Forte. And like I said, this isn't even talking about the corrupt fuckery of the WDO and what Yuma might've done as Number One.

[aceing-on-the-cake]

I know this might be an unpopular opinion but I actually agree that the first part of the doctor who specials were trying too hard to give queer representation

BUT

I think it's important they tried anyways. And I'm glad they did it even if they could've done it better.

So in the first three specials, I loved Rose. I loved them throwing her in there, I loved the things she represented, I loved the little look they gave us into her family dealing with her transitioning at different rates.

But then they gave us scenes like the one where Donna and Rose say that as a male identifying person the doctor would just never understand just letting it go, and it just felt, weird. It felt like the kind of thing people say when they're trying to be politically correct but aren't necessarily trans themselves.

Whereas a scene like the one where Rose tells the doctor he's assuming their pronouns, that is an actual conversation I've seen my queer friends have a lot, and just offhandedly. I think that's how you do it better.

But then they gave us the Isaac Newton scene, and like no it wasn't the most forced thing in the world, but it kind of felt like a conversation that was thrown in a couple minutes later to point out to us that the 14th doctor was gay. And like, don't get me wrong, Isaac Newton was hot, and I'm glad 14 is confirmed gay and not just kind of implied, but it still felt regardless, a little bit forced.

To contrast, in the fourth special with the new doctor, it just gave us representation of people living their lives, and that's I think the best kind of representation.

15 giving a line about a "hot summer" with Harry Houdini didn't feel out of place because they were in the moment discussing that topic.

There was a trans woman and she just was there, and she just knew Ruby, and there was nothing made of her existence good or bad because she just was a person.

15 in a skirt was treated as just immediately hot by Ruby and everyone around him because it was, but they didn't even need to state that he was wearing a skirt. It was no more consequential then when he was hot wearing a suit.

All of these things worked better I think because you didn't have to explain them to us as the audience. 15 just behaved queer because he is, but he didn't need to spell it out to you. Trans women exist because they just do and we don't always need to see them experiencing transphobia because trans people can and do just live their lives. Clothing doesn't have a gender but that doesn't need to be specifically stated when you show the people wearing that clothing just living their lives.

So I guess what I'm trying to say is, loved the fact that they did have representation and clearly are going to try to continue giving us more representation, but yeah, people weren't wrong that for the first three specials, that representation was forced.

However, it's important they tried in the first place, and it will always be more important to try and to fall a little short, than to not give us anything at all.