#things that don't come naturally to me or things that feel beyond me and out of my grasp.

[changbinlov3r]

The very first night | L.M.

Pairing: Lee Know x afab!reader

Summary: after a few months of dating Minho, you two finally have your very first night.

Genre: fluff, smut, friends to lovers

Words count: ± 3,200

THIS ONE AND ALL MY CONTENTS ARE +18, MINORS DO NOT INTERACT!!

If you like my content don't forget to ✨reblog✨

Warnings: virgin!Minho, virgin!reader, very sloppy and eager sex, unprotected piv(wrap it before you tap it), fingering, oral(F receiving), biting(I think that's all)

A/N: I was reading this fic by @moonlinos and had this thought: "what would be like to have your first time with inexperienced bf Minho" and it came out like this 🥺 I'd like to tell @/moonlinos that I just found out about your blog and your writing is amazing, you're really an inspiration 🫶🏻

You met Minho on your first day of college, you were lost in the campus trying to find the orientation room when you bumped into someone, letting your books and bag fall to the floor.

It was your fault, you were looking around and didn't see the man coming in your direction. You apologized right away, more preoccupied with picking up your things rather than looking in his face but he didn't answer you, waiting for you to properly look him in the eyes.

To say that you two hit it off instantly when your eyes met his, it's an understatement. You even blinked a few times making sure you weren't dreaming. That guy was the prettiest man you have ever seen and it's not even an exaggeration. He was wearing a light pink sweater with a white dress shirt below, dark blue jeans and all stars. It was an outfit that would look average in anyone else but it looked like a masterpiece in him.

You didn't want to let him go so in the spur of the moment, you asked if he knew where to find the orientation for your major, just to find out he was also going there. After that day you two got closer like it was nothing, you were never good at making friends but it seemed so natural with him, like it just happened you didn't have to put a lot of effort into it.

You first realized your feelings for him when he told you he had a date coming up. You felt like throwing up and the ache on your chest just made the whole situation more excruciating.

You avoided him for a week after that, trying to convince yourself that you weren't in love with him or at least that you could pretend not to be in love with him.

When he showed up at your dorm in the middle of the night looking extremely tired, eye bags under his eyes and hair a mess, he inquired why you were being like that and you suddenly didn't want to pretend anymore. You decided in the split of a second that it was worth it to confess to him, so you did.

He blinked once, twice and for a third time, not letting out a single word, making you suddenly regret everything that you said to him. What if he wanted to end your friendship? You don't think you could handle losing him as your friend too.

But in an unexpected turn of events he stepped close to you, cupping your face with his hands and kissing you.

“I thought you didn't like me back”, he whispered after pulling away, breathless. “That's why I was trying to move on”

You felt relief wash all over you, so he liked you back it seems.

After months of dating, you still hadn't gone beyond kissing and some light touching. You always let things flow in your relationship, knowing that you two would give the next step when you were ready. And it was sooner than you expected.

The end of the semester had arrived, finals were finally over and you could take a deep breath. You and Minho would meet in the cafe in front of the college gates, grab some coffee and go back to his apartment to watch some movies and cuddle. His roommates would be out tonight partying to celebrate the end of the semester and the apartment would be just yours.

“Fried chicken or pizza?” He asks, scrolling on his phone while selecting something to order.

“Fried chicken?” You ask back, making him glare at you. He hates how indecisive you are so he always tries to give you few options.

“Ordered”, he tells you.

“I'm gonna take a shower”, you get up going to the bathroom.

Your bath is a bit longer than usual, you are not in a hurry today since you can stay up all night and sleep all day tomorrow but when you open your eyes there's a surprise in the wall next to you.

“Minho!” You yell, screaming like you just saw a ghost. You grab a towel and jump to the other side of the bathroom, watching as your boyfriend swings the door open, worry in his face.

When he looks at you and sees you are safe and sound, he scowls.

“What is it?” He rushes you, impatiently.

You point out in the bathroom, tears in your eyes.

“Did you make all this scandal because of a cockroach?” He asks, huffing but goes after it and kills it for you.

“You know I hate them”, you make a disgusted face. “They are gross”

He sighs, just now paying attention to you and noticing that you have only a towel covering you. You only remember that fact when his cheeks and ears turn pink and you look down, instantly covering your chest.

“Don't look!” You whine, hiding behind the door.

“Okay! Okay!” He puts his hands up in surrender, turning around and closing the door.

What follows after that is an awkward atmosphere, you are boyfriend and girlfriend but never have seen each other naked. You know it's something that is certain to happen but you never really discussed much about it.

You decide to address the issue when you are already on your second glass of soju. You look at him challengingly, narrowing your eyes.

“I think I should see you without a shirt since you have seen me too”, you tell him. It's not what you wanted to say, you wanted to ask if he ever thought about your first time but the moment you were going to say it you chickened out.

“I haven't seen you without a shirt though”, he says, “you were covered by a towel”

“But that's the equivalent of me being naked in front of you, so now you have to pay me back”, you roll out your words, trying to form a coherent sentence. You're not drunk enough to be doing that but you're definitely embarrassed enough to be doing that.

Minho sighs, knowing you won't drop it. So he puts his hands on the collar of his shirt, pulling it off, revealing his abs.

You can feel your cheeks burning, you have never seen him without a shirt and the only thing that comes to your mind to describe him is: tempting.

You gulped down, feeling a strange pool form in your panties, you can feel it getting soaked.

“I think now it's your time to pay me back”, he raises a brow, making you bite nervously on your bottom lip.

“I'm not wearing a bra”, you whisper, feeling your heart beat faster at each passing second.

“I wasn't either”, he jokes, making you punch him in the arm. When Minho doesn't look away, staring at you intensely, you realize he's being serious about that so you gather all the courage you have, grabbing the rem of your — well, it's actually his, shirt and pulling it off, letting it fall down to the ground as you become completely mesmerized by the look on his face.

Minho has his bottom lip stuck between his teeth, lust emanating out of him. You can see his chest rise and fall at a fast pace.

“Can… Can I touch you?” He asks, looking into your eyes desperately and you nod, watching as he comes closer, cupping your breasts with both of his hands. He's on his knees in front of you, kneading on the soft flesh of your chest. Minho pinches your nipple, groaning when you let a moan escape. He's sure it's the prettiest sound he has ever listened to.

He leans over you, taking your lips into his. The way he kisses you stays the same, calm and gentle. He trails wet kisses down your jaw, to your neck, seizing the opportunity to mark you with his teeth, something he loves to do and that's the closest he has ever been to your chest until today. He goes down tracing kisses till he's in front of your breasts, Minho kisses the hill between them and attaches his mouth to the right one, still massaging the left one, pinching the bud eventually because likes to hear you whimper and sigh.

Your hands go to his hair, pressing him against your chest. You have your eyes closed shut, probably an unflattering face of pure pleasure but you really don't care. Minho sucks at your other breast before going down, trailing wet kisses down your stomach.

You're embarrassed, no one has ever seen you so vulnerable like that and you really want to have him go down on you but you're a bit scared since your friends always talk about how guys find it a hassle to go down on girls. You know Minho is not an asshole, he won't want you to do the same to him if he can't pleasure you first.

“Can I?” He asks when he notices your hesitancy, his fingers are hooked at the waistband of your sweats, playing with the elastic while you decide if you'll let him continue.

“You don't have to feel obligated”, you bite on your bottom lip, not very sure on what to do next.

“I don't, I really want to do it”, he says, but seeing as you don't look like you believe him, he chuckles. “Chan said he really enjoys going down on his girlfriend, I wanted to try it since we started dating but didn't know how to ask”, you can see his ears turning a dark shade of red, making your heart beat faster.

You nod, feeling more nervous than before.

“Can we kiss a little bit more?” You ask and he nods frantically.

“We don't have to do anything tonight if you're not ready”, he says, hovering over you and kissing your neck.

“I'm ready”, you cup his face, making him look at you. “I'm just nervous”, you chuckle awkwardly.

“It's fine”, he gives you a peek on the lips. “Should we move to the bed?” He asks and you nod, getting up as Minho collects your things and his, following you to his bedroom.

It takes you half an hour of making out to grab Minho's hand and pull it down to your core, you lift the waistband of your sweats and panties so his hand can find your soaked pussy. He slides one of his fingers between your folds gathering your slick and pressing it on your clit.

“Is it good like this?” He asks, even though your face should give it in right away that he's pleasuring you.

“Yes, please don't stop”, you put your hands on his arms, digging your nails on his skin. Minho chuckles, doing what you asked but also adding another finger, making you open your eyes in an instant to stare at him with wide eyes. “Oh”, it's the only thing you can let out when you feel the knot forming on your lower stomach.

He kisses you, turning the experience into something much more deeper. By the way he kisses you, no longer the calm and gentle but now an eager and hungry kiss, you can feel how urgent he's feeling, how much he wants you and that's enough to make you come on his fingers.

You take a few deep breaths before opening your eyes just to witness your boyfriend putting his fingers into his mouth and licking them clean. You gulp, feeling a burn run through your body.

“Can I go down on you now?” He asks, eyeing you eagerly and you nod, still too dazed by your orgasm.

Minho doesn't lose time, moving to your bottom part and pulling off your pants and underwear with him. He looks at your pussy enamored, like you're the prettiest creature he has ever seen and that makes you embarrassed, moving your hands to cover yourself but your boyfriend shakes his head, preventing you from continuing.

“Don't cover yourself. You're so beautiful, I have no words to describe it”, he tells you, eyes so sincere you can't even tease him about lying.

You nod once more, laying down comfortably as he trails kisses up your legs. Minho kisses your ankles, then your calves. He follows the path to your knees, kissing the inside of each and then going to your thighs, doing the same thing. When he leans down on your core, you hold your breath, feeling his hitting on your skin. You have goosebumps all over your body when he kisses your clit, making you sigh and let go.

Minho licks a huge strip between your folds, gathering all the juice he can get on his tongue, enjoying your taste. You moan loudly, earning a glance from him, he was so concentrated by his own pleasure on feeling your pussy on his mouth that he forgot to check what was your reaction and he's glad to find that you're enjoying yourself, hands flying to his hair as you pull him more into your cunt. He keeps licking your clit, sucking and even biting just to make you shudder glaring at him. He chuckles every time, making the vibrations stimulate you even more.

Minho puts on a finger, testing the water to see how you react, he puts on another one when you look unbothered by just one, earning a reaction from you as you whine and moan. You can feel your second orgasm of the night being ripped out of you, as he intensifies his sucking on your clit and his fingers thrusting inside you.

You let out the louder couple of moans of the night, holding onto the sheets for dear life as you tremble and arch your back in pleasure. You're absolutely fucked out and have no idea how Minho can keep going, his hair is a mess and his lips are swollen, his face is covered on your juice from his mouth until his chin. When he kisses you again, you can feel your own taste on his tongue, making you groan.

You can feel his hardness pressing against your leg. He still has his pants on looking painfully tight.

“You wanna keep going?” He asks and you nod, biting on your lip. “I think Chan has some condoms stocked, I'm gonna take a look”, he starts moving out of the bed but you hold his wrist, pulling him back to you.

“I'm on the pill”, you bite on your bottom lip, “I’ve been taking it since we started dating”, you prop yourself up, leaning on your elbows as you kiss him, “wanna feel you”, you say, making his breath hitch and his face turns red.

He nods, blinking a few times before leaning over to kiss you once more. His body hovers over yours as he positions himself between your legs, his cock teasing your entrance carefully.

“If it hurts, tell me”, he checks with you for the last time and you nod. He starts pushing his cock inside you, your hands are holding him by the shoulders, digging your nails on him but he doesn't seem to mind.

He closes his eyes briefly, feeling your velvet walls squeezing him so much it's hard to keep going. Minho stops when he hears you sniff, opening his eyes just to find your eyes full of tears and trembling lips.

“Am I hurting you? You should say it if I am”, he scolds you gently, something only he can do.

“The first time is supposed to hurt”, you explain.

“But I can do something to make it hurt less if you tell me what you're feeling”, he kisses your forehead, having all the care to not move inside you.

“You're already making it so much more comfortable”, you smile, kissing his nose.

“Maybe you should be on top, that way you can have the control”, he tells you and you ponder for a minute, nodding.

He pulls out of you, making you whine to the sudden loss, making you feel empty. Minho chuckles, kissing you before laying down to watch you be the one to come on top of him.

You grab his cock, position it in your entrance and push it in. You're much more brave than him, Minho thinks, but also you're the one who knows how much pain you can handle so it's only right for you to have the control — at least on your first time.

You sink down on his cock slowly, making him grab the sheets rather than your hips, too afraid to put too much pressure on you and hurt you. Your face tells him you're in pain, but he knows there's not much he can do about it other than soothe you. So he caresses your back with one hand and your face with the other, sliding his hands to your breasts and kneading at them so you can at least relax a bit.

When you finally have all of him inside of you, you sigh, staying still for a couple of minutes. Minho feels like he can explode at any second, you're squeezing him like crazy but he doesn't want to hurry you so he waits for you to move.

You start grinding on him, rubbing your clit on his pelvic bone and trying to relax the most. After a while the pain is almost not perceptible and you start riding him at a fast pace.

“Fuck, you feel so good”, Minho says, finally grabbing at your hips to pull you down on him.

You can't really form coherent sentences, so the chant of “ah-ah-ah” followed by your kisses on him and you marking his chest is the biggest form of communication you can manage at the moment.

Minho thinks you're the prettiest person he has ever seen, he thought that the moment your eyes lock for the first time and he'll think that until you two are too old to remember what you ate the day before.

When he feels like he's about to cum, he warns you and you nod to let him know you understand but keeps sinking down on him even deeper. He paints your walls white while trembling, his bottom lip stuck between his bunny teeth as he holds your hips with such strength that you know it's gonna bruise. But you don't mind, not at all.

You didn't cum this time, it wasn't as painful as it could be but still painful enough to not edge you.

“I'm sorry you didn't finish”, he pouts as you pull out of him and snuggle yourself in his arms.

“You made me come twice”, you chuckle, making him smile before kissing the top of your head.

“But I wanted to do it a third time”, he huffs.

“We have all the time in the world”, you tell him, resting your chin on his chest as you watch him grin.

“Yes, now you're mine forever”, he giggles to your widened eyes.

“Should I be worried?” You ask and he shakes his head.

“You were already mine from the start, you just didn't know it yet”, he kisses you, pulling away just to stare at you for a few seconds. “I love you”, he confesses and you feel your cheeks burning.

“I love you”, you say, closing the distance between the two of you and kissing him again.

[lick-me-lennon22]

How they'd comfort you after you've been betrayed by your friends

(requested by anon, who's recently experienced something that would be difficult for anyone to cope with 💘 I hope I'm able to provide you with some comfort during this rough time 💕)

John

when you share this news with John, he reacts with a mix of empathy and righteous indignation

he is gutted for you and vengeful, channeling his protective instincts and offering to confront the betrayers on your behalf

he recommends some of the outlets he uses to handle his anger (most of them aren't exactly healthy, but he means well)

he suggests writing a song together as a form of catharsis, spouting silly lyrics full of jabs at your "friends"

John would plan a date and take you out to the pictures to see a nice feel-good film

he records your favorite songs and some affirmations (as well as a few silly jokes) on cassette for you to listen to on particularly rough days

You know what? Screw 'em. You're too good for that kind of nonsense. You're a gem and anyone who can't see that doesn't deserve a spot in your life. It's their loss - not yours. Those so-called mates don't know what they're missing. And if you need me to kick some arse on your behalf, just say the word.

Paul

when you explain what's happened, Paul invites you to vent your frustrations over a few drinks or a cuppa

he adopts a gentle and reassuring tone, validating your emotions and reminding you of your strengths

he reassures you that what happened isn't your fault and that you've done nothing wrong

Paul would offer to arrange a small gathering or cozy night in with some friends and the other lads, complete with homemade food and lighthearted conversation

You invested a lot of trust and time in those relationships and you don't deserve to be hurt in such a way. It's beyond me how people can be so cruel, especially to someone as wonderful as you.True love, true friendship, they're built on a foundation of honesty and respect. Chin up, my dear. You're a beautiful soul with so much to offer. They're missing out on something truly special.

George

after you divulge what you've just been through, George shows you to a secluded spot - one where he often meditates - so you can vent in the privacy of nature and without feeling judged

has to tamp down his own frustration on your behalf - he knows people can be pretty unreliable, and he wants to guide you towards growth instead of resentment

he offers a reflective and philosophical perspective, telling you to have patience with yourself and set boundaries that honor your worth

he reminds you that sometimes these painful experiences can serve as catalysts for profound growth and self-discovery, and that karma has a way of taking care of things

George suggests exploring creative outlets and introduces you to some literature that will foster healing and help you take on a different perspective

Betrayal cuts deep, but it also reveals the true nature of those around us. You're not defined by the actions of others. The right people will be drawn to your radiance, and you're better off without that drama in your life. Trust that the universe has a way of aligning things in your favor and know that you're worthy of nothing less than genuine, unconditional love.

Ringo

as you vent your frustrations to Ringo, he offers a listening ear and shoulder to lean on without judgement

he provides constant reassurance and reminders of your worth and strength, making sure you know that the behavior of your "friends" says a lot more about them than it does about you

he tells you to focus on the present moment and emphasizes the importance relationship of self-care when it comes to healing

he'll lend his help with practical support such as running errands and helping with daily tasks, allowing you space to recover and take time for yourself

Ringo would suggest a spontaneous day trip or adventure to lift your spirits and create new memories

I know you've had a bit of a rough go lately, but you've got me to lean on. And I'm here to listen, to comfort, to support you in any way I can. You're strong, you're resilient, and you've got a whole lot of love to give. Rise above it - keep shining your light. Life's too short to give those pricks any more of your time. You're a treasure, love, and don't you forget it.

[moe-broey]

I need like. A Don't Make Me Tap The Sign about Alfonse Fire Emblem specifically about his character and how he's perceived sometimes. Like Book 7 Chapter 12 he's just like that. He's always been like that.

I feel like I've def said it more eloquently before probably in Book 5 (regarding Reginn and Fáfnir), where like. He Will try for and favor a peaceful solution, but if it's clear there's no way out without violence and killing the threat/adversary. He won't hesitate. He won't falter. Crit line literally references this actually, "Above all, the mission".

Like I feel like the difference between Alfonse just doing Alfonse things (most recent chapter Seidr having to kill Kvasir, no way out of it -- plus also even considering killing Seidr herself, if that were to end Gullveig) and the Letizia moment was like. The Letizia moment was a BOLD gambit he played, which is WHY it was so shocking in the story and as an audience member, and why I think it left such a deep impression. Still very in character for him and the way he thinks/problem solves on the fly, carefully evaluating the situation and what would be the best move with the highest rate of success. (THAT LAST BIT ACTUALLY........ he'll do this even with low rates of success, out of sheer stubbornness as well. Which is why I still stand by him being rash at times, a LOT of his rashness is disguised as "calculated risks" and he just has the willpower to pull it off. The worst-best type of guy to me LMFAO)

Going back a bit though, the Letizia moment also stands out as an example of how far Alfonse is willing to go to win, especially if his back is pushed against the wall. It gives you a FASCINATING glimpse into his character and into his mind. A lot of times Lif would be an enigma to me, beyond the basics, character wise. Like yeah I guess that would fuck up a guy. But his methods (working and making contracts with gods when especially as Alfonse he knows better than that??) would be inscrutable to me. But everything absolutely finally clicked when Alfonse made that gambit, playing to Letizia's personality and whatever preconceived notions she may have, that maybe Alfonse could find a weak spot in and take advantage of. Lif is doing the exact same thing. His judgement is maybe a little worse for wear on account of, well *gestures vaguely to all of him* but he's still very much doing The Same Thing.

LIKE. I'm def straying from my point which is. Alfonse isn't shy about having to resort to violence. It Is a resort. But if it has to be done, it will be done. Any damage control (such as Sharena's feelings -- she has CLEARLY been extremely upset these past chapters) can be resolved later. (This.... is also fascinating to me..... bc it's always been clear to me his loved ones are the people who ground him, who stop him from losing himself, from becoming cruel in his practicality and tendency for detachment. There Is his morality as well -- but his loved ones are a huge part in what keeps him kind.)

I guess what I'm really trying to say is. Hit me up next time Alfonse is playing 4D chess with the enemy or throwing himself in a ditch on purpose just to indulge his baby sister's current pet project. THOSE feel like standout examples of Alfonse Off The Shits (but still completely in character for him tbh), while like. The rest is just par for the course for him. Just another (especially traumatizing) Tuesday.

[slytherinslut0]

Theodore Nott. | that’s what i said.

info: your boyfriend was telling you about his day, when he began speaking fluent Italian, knowing damn well you only knew select words. when you asked him to repeat it, he had you come sit on his lap and ended up doing a little more than just repeating it.

word count: 3k

tags: 18+, literally pure smut. pure lorenzo italian daddy type smut. lots of italian translation (apologies to all my italians out there if they’re a little off) lots of praise, riding, piv, dirty talk.

Reclining across from you, Theodore Nott your lovely boyfriend, exuded an air of relaxed confidence while seated comfortably on the expansive leather couch in his dorm room. His legs were stretched wide, one arm casually draped over the armrest--each of his current mannerisms acting as physical testaments to the ease with which he inhabited the space.

As he delved into the narrative of his day, you, nestled in the love seat opposite him, eagerly absorbed the symphony of his voice. It was a melody that effortlessly traversed between English and Italian, a linguistic dance that had always held a special place in your heart.

His words held an irresistible charm, each syllable cascading like liquid honey off his tongue. The profound rasp of his voice, entwined with his seductive Italian accent stirred something indescribable within your body. The prospect of listening to him like this every day for the rest of your life fueled your anticipation, a certainty that the allure would never lose its magic. It was a sensation you eagerly anticipated, knowing that the richness of his voice would forever remain a timeless delight.

Yet, within the fluidity of his storytelling, Theodore suddenly shifted into Italian, weaving complete sentences with a gaze that lingered through half-lidded eyes, as if this linguistic transformation were the most natural thing in the world. Ordinarily, you might have interrupted him, gently reminding him of your language limitations, but today, well, you just couldn't bring yourself to do so.

You were almost in awe, unable to deny that there was an enchanting quality to the way the words curled off his tongue. That, coupled with the intensity of his stare, seemingly compelled you to stay silent, as if under a trance. You found yourself captivated, clinging to every indecipherable syllable, a familiar heat beginning to kindle between your thighs.

It was as if he momentarily lost himself in the labyrinth of his thoughts, forgetting, if only for an instant, that your understanding of the language was confined solely to select phrases and words. This linguistic detour left you with a quizzical frown, a silent plea for translation in the midst of his enchanting monologue, and finally, noting your confusion after what felt like ages, he paused, cocking a charming eyebrow at you.

"Something on your mind, Bella?" he teased, leisurely spreading his legs further as his gaze meandered from your eyes to your lips, only to return, locking onto your gaze once more. "You appear a touch...lost."

"Theo, I must confess--I haven't the slightest idea what you just said," you admitted, a playful pout gracing your lips. Your eyes sparkled with a blend of curiosity and mischief. "And I know you're well aware that was far beyond my linguistic expertise."

"All this time, and you still haven't mastered my language, Bella Mia..." Theo, with a dramatic flair, feigned a hurt expression, his stormy eyes widening ever so slightly. "You're truly breaking my heart."

Smirking, you teased, "forgive me, amore..."  your fingers traced an absent pattern on the armrest, a subtle invitation. "Please, feel free to repeat it--I love the way it sounds..."

A mischievous glint sparked behind his irises, a playful confidence dancing in their depths. With a self-assured grin, he patted his lap invitingly, his messy brown locks falling effortlessly over his forehead.

"Why don't you come over here," he suggested, his tone velvety, "and I'll gladly repeat it for you?"

Your grin widened, a flicker of anticipation igniting within you as you slowly rose from the chair, not needing a second thought. His burning stare followed your every move as you veered closer to him, an intensity in his eyes that set your senses ablaze without effort. As you approached, a slow, deliberate stride, the air thickened with a tangible tension, your pulse thumping in your throat.

No matter the duration of your relationship with Theo, each touch remained an electric encounter, perpetually reminiscent of the initial spark. His reverence for your body endured, a devotion that unfolded afresh with every caress, as if every moment were a new discovery for his hands and eyes.

Stalling in front of him, you giddily pulled your lip between your teeth as his hands found yours, guiding them to his shoulders as he pulled you down to straddle his lap. The warmth of his embrace enveloped you, his hands finding a natural place on your hips.

"Mm," he purred, burying his head in the crook of your neck, inhaling a sharp breath as his fingers dug into your skin. "So beautiful, Bella..."

You stifled a mewl as he pressed careless kisses along your neck, the playful banter giving way to a charged silence as his teeth softly grazed your pulse--the unspoken language between you both pulsating with desire and connection. The messy brown waves of his hair framed a face now tinged with a sultry charm, and the mischievous glint in his eyes promised a shared secret in the language only you two understood.

As if completely instinctively, you rolled your hips against his crotch, head falling back as his hands slid around to your ass, groaning against your neck as he aided your movements, guiding you back and forth against his growing bulge. You could already feel him throbbing beneath you, your cunt clenching in need for his touch as the only thing separating your heat from his groin was your thin layer of underwear, rubbing against his trousers.

"Ho voluto scoparti tutto il giorno..." he murmured, the same phrase he'd said earlier, the one in which you didn't understand. "...sei tutto ciò a cui riesco a pensare."

Your brows furrowed, about to question him, but exasperation quickly took over as he sank his teeth into your neck. He left vivid, possessive marks on your skin, his hands sliding up and under your skirt, tracing the supple contours of your ass. As you continued to move against him, a whirlwind of desire engulfed you, and you quickly lost yourself in the intoxicating rush.

"You're so fucking sexy," he breathed, his voice a low, deep murmur, reverberating a shudder of desire down your spine, his tongue trailing a flat stripe up the side of your throat. "Ho bisogno di te, mia bellissima piccola troia." (I need you, my beautiful little slut.)

"Theo..." you whimpered, your hands entwining in his hair, fingers weaving through his tousled auburn locks. His mouth ascended, planting tender, moist kisses along the ridge of your jawline. "Please-please-"

"Mm, you like that don't you, principessa?" His voice was a seductive purr, the words wrapping around you like silk as he pulled back a hand and gave you a sharp smack on your ass, eliciting an immediate squeal from your throat. "Tu ami grinding that dolce piccola figa on me like this, hm?..." (you love)(sweet little pussy)

In response to his words, an unabashed moan escaped your lips, louder than you had initially intended. Theo responded with a low growl, his free hand moving to your jaw, cradling it delicately as he guided your lips to his. The ensuing kiss spoke a language of its own--one of desire, need, and an unfiltered passion that surpassed any linguistic expression.

Your hold on his hair intensified as you pressed against him more urgently, the rhythm quickening. His tongue boldly slipped past your teeth, exploring your mouth with fervor. Simultaneously, his hands glided to the hem of your blouse, lifting it along your stomach. The kiss briefly broke as he encouraged your arms upward, swiftly pulling your shirt over your head and discarding it on the floor.

"Così bella..." he praised, his eyes fixated on your chest adorned by the delicate, lacy fabric of your white bralette. The intensity in his gaze felt scorching, as if it could sear your skin to ash. "Così, così bella, amore mio..." (So beautiful)(so, so beautiful, my love...)

His words took your breath away, slamming your chest like a fifty pound brick, the worship in his tone enough to render you speechless. You writhed in his lap, seeking friction, more friction that what you were currently experiencing--wanting him; needing him in every possible way. You captured his lips again, rolling your hips harder, the deep moan that escaped him found itself muffled by your mouth as you worked at the buttons on his shirt, fervently popping them free as quickly as you could.

The second his chest was exposed, you scoured it like a starved animal, the skin-on-skin contact sending a desperate clench to your cunt. You mapped his muscles to your memory as though it was the first time you'd ever seen them--the strength of his biceps, his strong, powerful abdomen, all of it hot and vibrating with need--you were breathless at the sight of his beauty under your palms, a feeling that had never once even partially faltered, no matter how many times you fucked him.

"Are you going to tell me what you said, Teddy..." you murmured, a playful smile dancing on your lips as your fingers skillfully moved to his belt, assisting in its release. "That was the whole reason I came over here, was it not?"

"Words can wait, amore," Theo muttered, his voice husky with desire, his gaze locked onto yours as he undid the zipper on your skirt, watching with blaring eyes as you tugged it off, along with your panties and tossed them to the floor. "Actions speak louder, don't they?"

"Mmfh," you moaned as he pulled you back against his mouth, his tongue running along your teeth as your bodies rocked together, his fingers gripping and caressing and squeezing every bit of your body that they could.

Pulling away, he met your eyes, heavily panting for breath as he gazed at you with a hunger that matched your own. His hands shifted, urging you to back up for a moment as he pulled his pants and boxers midway down his thighs--growling low in his chest as his thick, throbbing length sprung free, glistening with precum as it smacked against his chiseled stomach. You clenched.

He pulled you back against him, gliding you in slicking your soaked cunt along the length of his cock, his eyes burning wounds into your flesh as he watched you, lost in pleasure, lost in your need for him.

"Lo vuoi, amore mio?" (You want it, my love?) His voice barely rose above a whisper as he posed the question to which he damn well knew the answer. "You want this fucking cock inside that pretty little cunt?"

You shuddered, clenching hard in anticipation, nodding as you leaned closer, grazing your lips against his, panting heavily into his mouth.

"I want to hear you say it," he growled, one hand sliding up beyond your shoulders to grip the back of your neck, locking your gaze onto his. "Beg me to fuck you."

Your nails dug into his shoulders, entire body vibrating. "Please-Theo, please fuck me..."

"No, no," he playfully clucked his tongue, delivering a sharp smack to your ass with his free hand. You instinctively clenched again, the sensation electrifying. "In Italian."

"Gods," you groaned, his ceaseless teasing consistently pushing you to the brink of physical exhilaration in all the most delightful ways. Fortunately, this was a phrase he had taught you from the very beginning, a linguistic lesson that lingered since day one. "Per favore-per favore...ho bisogno di te..." (please-please…I need you.)

He exhaled, grunting. "Good girl."

It was a combined effort--he fisted his length, angling it at your core, your hands clutching his shoulders as you sank onto him, his thick girth stretching you wide with ease. You both collectively groaned, your walls pulsing and clenching around him as you took a second to adjust to his length, before rocking your hips in a slow, erotic rhythm; working yourself open on his cock.

Theo's eyes were glued to yours, watching your every movement as though he was afraid he'd miss something if he looked away. With a grunt, his big hands found your tits, palming and groping at the soft flesh with primal urgency, brushing his thumbs against your nipples, teasing them with soft circles. Your eyes rolled, your head falling back on your shoulders as you increased your pace, soft moans slipping past your lips.

"Esatto, piccola angioletta...così perfetta..." (That's right, little angel... so perfect) he murmured, his voice low, torn with husk. "You're so goddamn tight...squeezing me so good...così buono."

"Gods, Theo..." you whimpered, relishing in how deep he was, how big. "You're so fucking big."

Your boyfriend's hands shifted again, finding your hips, sharp fingernails digging into your skin as he thrust upward to match your movements, his cock hitting all the right spots. Your own fingers burrowed into his shoulders while you throbbed around him, lungs desperate for air, and he snarled, increasing his movements, setting a brutal pace that you couldn't match.

Cries fled you, pushed from your lungs by the carnal force of his hips, and Theodore consumed you--lips sucking at your neck, hands bearing bruises into your ass. His dick stretched you wide, fucked you deep, wracking your body with its punishment, breasts bouncing, his breath coming in ragged gasps against your skin.

You tilted your head back, his fervent mouth tracing down to your collarbone, claiming his territory across as much of your skin as possible. His cock pumped into you, beckoning an orgasm from the bottom of your brain--and as if sensing your clit screaming for attention, his hand snaked between your legs, fingers smoothly gliding over it. In response, you squealed, digging your nails into his shoulders with enough force to shatter the skin, body awash with pleasure.

"That's it, amore..." he groaned, breathless, teeth nipping at your earlobe, free hand gripping your ass with enough force to batter the skin. "Ride me like the good little whore you are."

"Fuck-fuck yes," you cried, your hips moving faster, chasing your orgasm as Theo's fingers rubbed tighter circles against your clit, increasing their relentless pursuit in bringing you over the edge. "Don't stop, Theo-fuck, please don't stop..."

"I won't, my love," he murmured, lips pressed against your ear, breathing the words into your eardrums. "Wouldn't fucking dream of it."

Theo's fingers worked magic on your clit as he thrust up into your cunt faster, harder--his cock hitting your g-spot with each aggressive movement. You could feel the pressure building inside your core, your body coiling like a tightly wound spring as he worked you closer and closer to the edge.

"Theo-" you gasped, your voice practically a scream. "I'm going to-I'm going-"

"Going to what, principessa...hm?" He implored, his voice a low, husky whisper escaping through his teeth; your entire essence pulsating, trembling amid his passionate pursuit. "Verrai per me? That tight little pussy going to cum on my cock?"

You wailed, head falling back, chest swelling for air. "Yes!...Theo-please!"

"Fallo. Cum for me." He graced your ass with another harsh smack, placing wet, sloppy kisses against your jawline. "Let me feel you."

With only a few more strokes, you came undone, cunt clamping around his cock, your whole body shaking as your orgasm washed over your entirety, blazing through every nerve ending and every fucking cell. Theo's fingers continued to rub you through it, prolonging the pleasure until you were left gasping for breath, nothing more than babbling nonsensical moans and pleas leaving your lips in the aftermath of his wrath.

Theo grunted, finally peeling his hand off your clit once you were whimpering and squirming against him, gripping the back of your head and drawing your mouth to his, meeting your lips in a sloppy wet kiss, each of you sucking in sharp breaths through your nostrils as you continued to ride him, your walls tingling in post orgasmic rapture.

"Brava ragazza," he moaned into your mouth, his body shaking with the force of his impending release. "So fucking good, bambina."

His movements grew erratic, hips bucking hard as he struggled to hold off his own orgasm, the force of his pace bordering on violent. You gasped, squealed, held onto him for dear life as you rode him, attempting to match his pace, but he was possessed, starved, breaking the kiss to lean back, both hands gripping your hips, holding you steady.

"You want my cum, little slut? Hm?" He gritted out, forehead glistening with sweat, his pupils blown wide with lust. "You want me to fill up this tight little cunt?"

You gasped, nodding frantically. "Yes! Please-please!"

"fuck...I'm gonna cum..." his lids fluttered, dark eyebrows pinching in concentration, his face contorting into a scowl of effort. "Cristo-you feel così buono-shit.."

With a final thrust, he growled, groaned--his movements slowing, breath sputtering from his lungs as he exploded, pumping once, twice, three times--all before coming to a halt, cock twitching inside you as he drained his hot cum deep into your pussy. Sweat beaded each of your foreheads, bliss buzzing between your bodies as you kissed him softly, panting into his mouth as you each worked silently to come back down to earth, pulses pounding in ruthless rhythm.

Spent and fully sated, Theo cradled the back of your head, pulling you into him, his free arm snaking around your back. You wrapped your arms around his neck, keeping him inside you as you two stayed like that for a moment, relishing in the intimacy between your bodies as he softened, his lips placing tender kisses on your shoulder.

"Ho voluto scoparti tutto il giorno..." he murmured softly, a hint of amusement in his tone as he repeated the words he knew you had no idea of their meaning. "sei tutto ciò a cui riesco a pensare."

"Stop teasing me." You huffed, burying your face into the crook of his neck. "It's not very nice of you, Theo..."

He chuckled, a low hum from deep in his chest, smirking against your skin as he tightened his grip around you, brushing loose strands of hair behind your ear.

“I wanted to fuck you all day...” he murmured, lips brushing your temple. “You’re all I can think about..."

You pulled back, meeting his stormy eyes. "Is that-"

"Yes." He interrupted you with a gentle kiss, smiling against your lips. "That's what I said."

[justanotherbirdbrain-blog]

A Workshop for Creating Magical/ Fictional Crystals: A Guide from a Geologist

Hi folks, its me, here to talk about fictional writing again! Today I'm just tackling the idea of magical stones/mana stones by looking at existing minerals today and some neat properties that they have, and how you can apply these things to a fictional world. The goal is mainly to help you if you are stuck trying to come up with a unique magic system, or a unique identification/characteristic of your mineral.

First Things First: Mineral Shapes

I am exhausted, petered out, down-right fatigued by seeing every mineral depicted with having the crystal structure of calcite and quartz. There are soooooo many cooler, more interesting crystal structures, don't you think you would stop and take a look at a perfect cube in nature? It is completely unsettling.

Second: Color

Color within minerals can either be really important, or not important at all! It is your choice to decide if color is going to be something that means something to your mineral. But what are some times when the color is important? Well.... there are some elements that are called chromophores, this classification just indicates that these elements, when present, will determine the color of whatever they are in. So, if you wanted to treat mana like a chromophore, you could say, "Oh everything that contains mana turns green!" This could mean that regardless of the mineral, if that mineral is a specific color, it means it contains mana. This concept is exciting because you can just stop here and use minerals that already exist! You can also use it as an indicator for a magical ore! Chromophores are typically metals, so if you are making a new metal weapon, making the ore of that metal a unique color would make a lot of sense!

However, your mineral can also just be every color of the rainbow like quartz and perhaps that's what makes identifying your mana stones elusive and create an illusion of scarcity that your character can solve.

There are other things that can change the colors of minerals, like radiation damage, and electron exchange, but I think that is beyond what would be helpful! So lets talk about some unique color properties that happen in nature that seem magical in the first place! Maybe you don't need to design a mana stone, but you want a unique gemstone that only the royal family passes down or something (IDK).

The first one is the alexandrite effect! This is where a mineral can change color in natural light vs. incandescent light. (the mineral itself is not changing, but the lights contain different amounts of different colors that then get absorbed by the stone). Even if you don't use electricity in your fictional world, you could have the colors change in the presence of light magic. This could create fun misunderstandings about what the mineral is reacting to!

Pleochroism

Pleochroism is something that most minerals have, it is frequently used to help identify minerals in thin sections, however minerals are usually not pleochroic enough for it to be visible to the naked eye! Pleochroism is just a fancy name to describe the change in how light is absorbed based on the angle of the mineral! So if you scroll up to the first image where I showed a lot of crystal shapes, most of them have angles where they are longer and shorter! This will effect the way light travels in the crystal. Tanzanite is a popular mineral that does this.

Photochromism

This is when a mineral will change color (in a reversible way) when exposed to UV light (or sunlight), I am not going to go too into the details of why this is happening because it would require me to read some research papers and I just don't feel like it. The mineral that is best known for this is Hackmanite!

Alright! These are all the really cool color effects that might inspire you or maybe not, but now I am going to talk about how you might find your minerals within a rock!

When I see a lot of magical caves/mines, typically I see them with some variation of a geode honestly, but most minerals are not found like that! Now I am sure most of you guys have seen a geode, so I will not really talk about those, but I will talk briefly about porphyroblasts which is when the mineral grows larger than the minerals around it, this happens in metamorphic minerals!

sorry random stranger, but this is an image of garnets inside a finer-grained rock at gore mountain in New York!

Another way you might find minerals is in a pegmatite! This is when all minerals are really large! This is a formed from really slow crystalizing magma!

But something else to think about is that your mineral might just be massive, it doesn't have to have distinct crystals, it may be similar to jadeite where small grains grow together which leaves it looking smooth and seamless! A note about all of these is that you would have to mine into the rock to find these, there would not be any natural caves in these rocks! Caves are only ever really formed in limestones and maybe marbles (rocks that react with acid).

How can your characters identify these minerals?

Typically when you are out in the field you will look to see what type of rocks the minerals are found in (The overall texture of the rock will tell you how it formed). If you know how the rock formed, it will narrow down the amount of minerals you need to think about by quite a bit! Next, you are going to look closely at it and observe its crystal structure, does it have an obvious crystal? if so what is the general shape? If it is broken, how did it break? Did it fracture like glass or did it break along uniform planes. Some minerals have a thing called cleavage (breaks along planes of weakness). If a mineral exhibits this habit, it will again help narrow this down. Next we can look at color. Color can be misleading, because minerals like quartz can be any color imaginable, but minerals like olivine will always be green! The next thing your character can do is test for hardness, minerals all have a specific hardness that can help identify it as well.

After you go through all of this, your mineral might have some special property! This could be magnetism, fluorescence, reactions to acid, or any of the color changing effects I mentioned above! Other than that, your character can take it back to a lab and do a number of things to identify it, but the most typical thing would be for them to make a thin section (very thin piece of the rock) and observe it under a cross polarized microscope!

On that note folks! I hope this helped in some way in thinking of new magic mineral properties! I have other guides that explore some different fictional worldbuilding issues you might run into, but if you have any topics you would like me to cover please that I haven't mentioned already, let me know!

[awearywritersworld]

she mumbled that i was peculiar

sukuna x reader summary: impressively, sukuna is still trying to find ways to deny his feelings for you. nevertheless, he keeps you safe from harm when a late night trip to the store doesn't go as planned. will seeing his violent nature for yourself change the way you feel about him? he seems to think so. w/c: 4.2k (oops) tags/warnings: angst to fluff. attempted kidnapping. canon typical violence. depictions of blood. reader throws up. reader is in shock for a bit. cursing. aged up!yuuji. not canon compliant. fem!reader. no use of y/n. *please mind the warnings for this chapter* a/n: i'm sorry this took so long! im ngl, i struggled quite a bit to write this chapter. i'm still unsure about the pacing, but here it is anyway. thank you for reading and i hope you enjoy! series masterlist // masterlist

it's not often that you go out for the evening, but tonight is one such occasion. you leave around seven, excited to meet nobara and maki for dinner.

when yuuji falls asleep a few hours later, sukuna doesn't take over right away. he spends a while in his domain, engaging in what some people might call sulking.

before long, however, he begins to feel restless and he tells himself it's because he's grown accustomed to his finite hours of freedom. of course, it has nothing to do with your absence.

so he assumes control of his vessel's body and pulls a short novel from your bookshelf. settling on the couch, his fingertips brush over the cover: the stranger by albert camus

it's the first time he's ever been alone in your apartment, a fact he's well aware of, and his eyes wander to the front door. it'd be all too easy to pull it open, to make his way downstairs and out onto the street.

how long would it last before yuuji regained control? are you nearby? would you get caught up in the havoc he'd doubtlessly wreak?

the thought makes him grimace. returning his focus to the book in his hands, time seems to pass by faster as he makes his way through the pages.

even so, he deems the narrative a bit boring. in his (what's the opposite of humble?) opinion, dead mothers and nagging girlfriends don't make for the most captivating story, so his mind begins to wander once he happens upon the quote:

"so why marry me, then?" she said. i explained to her that it didn't really matter and that if she wanted to, we could get married. besides, she was the one who was doing the asking and all i was saying was yes. then she pointed out that marriage was a serious thing. i said, "no." she stopped talking for a minute and looked at me without saying anything. then she spoke. she just wanted to know if i would have accepted the same proposal from another woman, with whom I was involved in the same way. i said, "sure." then she said she wondered if she loved me, and there was no way i could know about that. after another moment's silence, she mumbled that i was peculiar, that that was probably why she loved me but that one day i might disgust her for the same reason.

sukuna thinks about you— the woman who forced her way into his solitude.

although, what if it hadn't been you? what if the brat had been involved with another woman? would he have eventually taken an interest in her too?

are you really that special, or is he just going crazy inside the cage that is itadori yuuji? the latter is much more likely, right?

he supposes he prefers the idea of madness over... feelings for some human.

all of a sudden, your apartment door seems much more inviting. would it be so bad if he were to step through it? what did he really have to lose?

yeah, that's right. he'll get up any second now and act on every horrible impulse he's been repressing. any second now... any second...

he can't quite figure out why he's unable to bring his limbs to move, weighed down by some force that's beyond him.

it's at that moment the door clicks open and for a split second, he thinks it must be his sign to go, but then you come waltzing in.

"'kuna!" you greet in an excited manner, disrupting the peaceful quiet.

kicking off your shoes haphazardly, you make your way over to him and promptly drop yourself into his lap. it elicits a bout of unwelcome clarity for the king of curses.

no, he wouldn't have taken an interest in just anyone, that much becomes obvious. it wasn't through a medium as flawed as chance that he came to... tolerate you. you're much too annoying for that to be the case.

"hello???" you wave your hand in front of his face. "i'm home."

"i can see that."

"welcome home, darling," you say in a deep voice, a poor imitation of him. "i missed you so much— that's what you're supposed to say."

yeah, definitely too annoying.

"but i didn't miss you." one of his hands comes to rest on your thigh, a betrayal of his preceding assertion.

"you're sitting alone reading—" you pause to inspect the book lying open beside him. "existential fiction about a nihilistic frenchman. of course you missed me."

he changes the topic rather swiftly. "you're drunk."

"i'm tipsy, at best." you roll your eyes. "can't i just be happy to see you?"

"you'd be the first."

"i don't mind making history."

you place a kiss on his lips, casual and affectionate in way that makes sukuna's body stiffen, and stand up.

"i need to get ready for bed, then we're gonna watch tv together because i missed you— gosh, see how easy that was?"

you run off to the bathroom and his body doesn't fully relax until he hears the shower turn on.

the thought of missing someone is a strange notion to him, because it implies eagerness and desire. for as long as he cares to remember, those emotions have been reserved for proclivities much more sinister.

so he hadn't missed you. he just would have preferred it if you stayed home. that's all.

when you return to the living room around fifteen minutes later, you're wearing one of yuuji's shirts, and as far as sukuna can tell, very little otherwise.

making yourself comfortable on the floor between his legs, you pass a hair tie behind you. "can you braid my hair?"

he's watched you get ready for bed enough times that he's fairly certain he can manage it. taking the tie from you, he still asks "why can't you do it?"

"because i'm sleepy," you frown, reaching for the tv remote.

gathering your hair in his hands and carefully dividing it into sections, he sighs. "you require so much looking after."

"you're not going to die if you can't have cookies tonight." sukuna states dryly, glancing at the clock that reads eleven o'clock.

"please don't trivialize my struggle," you begin, pulling on your jacket. "i want miso butter cookies— my grandma's secret recipe."

most of what you need can be found in the kitchen, but a trip to the store is in order for a few final ingredients.

"my mistake," he huffs, rising to his feet. "how insensitive of me."

"oh, it's alright. just don't let it happen again."

"sure. i'll keep that in mind, princess." sliding the apartment door's chain lock off the track, he does little to hide the vexation in his tone.

just as he reaches for the handle, you stop him and wrap a scarf around his neck, forcing a hoodie into his hands. "put this on. you'll be cold."

he looks at you as if you're crazy. "i don't have to worry about things as insignificant as the weather."

"well, put it on anyway," you insist.

he decides that acquiescing will be easier than arguing for the next five minutes and slips the hoodie over head. when you both step out into the chilly air of night, there are still a decent number of people traveling the streets.

stopping at a crosswalk the next block over, you begin to prattle on about what you need to pick up and the different steps in your recipe. naturally, you completely miss it when the pedestrian sign turns green.

"come on," sukuna commands, his hand wrapping around your wrist and tugging you along with him. "i don't have all night."

you scoff. "to be fair, i didn't say you had to come with me."

"yeah well it's late. you shouldn't be out alone." there's a hint of exasperation in his voice, like he truly had no choice in the matter.

despite that, once you reach the other side of the street, his fingers slide down your palm and thread through yours.

you glance over at him and find he's looking off to the side, so you bite your lip to suppress your pleased smile. is he avoiding your gaze intentionally? you decide that bashfulness suits him better than you would have expected.

offering him a light squeeze of the hand, you hope it conveys your appreciation of his small display of affection.

"so, are you going to help me make the cookies?"

his lips press into a thin line. "as thrilling as that seems, i don't particularly have a penchant for baking."

"you think you'd humor me a little! you know, since i'm your only friend and all."

"if anyone else asked me such a ridiculous question, they wouldn't live to see tomorrow." you ponder whether he's joking and quickly decide that he isn't. "this is me humoring you."

"you're so mean to me."

"hardly."

"fine," you pout. "then you can't have any!"

"now, hold on." the threat does make him hesitate. you've come to learn that if there's one thing he loves as much as reading, it's food. "let's not be hasty."

you're approaching the store, the sliding doors just a few strides away.

"it's only fair! besides, you're not going to die if you can't have cookies," you throw his earlier words in his face.

he exhales deeply. "have i ever told you how irritating you are?"

"woah! now you're definitely not getting any, mister!"

"alright, alright," he groans as you step inside. "i'll help you bake your stupid cookies."

"perfect!" you exclaim as if you knew he'd give in eventually (you did). "then you can start by finding the miso paste while i get everything else!"

you scamper off before he can tell you not to order him around like some common servant. he's never even been grocery shopping, how the hell is he supposed to find anything in here?

wandering the aisles, he stews over how domestic this is. for god's sake— the king of curses, shopping for ingredients and making baked goods. what have you reduced him to?

just as he considers giving up, he spots the item he's looking for and grabs it so aggressively that it knocks a few packets of instant miso soup to the floor. wrinkling his nose in distaste for the entire experience, he sets off looking for you, though his efforts are to no avail.

he wonders where the hell you could have gone off to when a flickering light catches his eye, filling him with a strange sort of unease.

it's emanating from a narrow hallway tucked away in the back corner of the store. at the very edge of the hall, a phone with a familiar case is lying on the floor, the screen shattered.

his blood runs cold, a sensation that is fully unknown to him, and the miso paste slips from his fingers. he appears in the hallway the very next second and the sight that greets him ignites a furious hostility in the center of his being— heavy and consuming.

you're struggling against one man as he drags you out of the backdoor and into an alley. another man is holding the door open, urging his partner to hurry up.

the hand over your mouth keeps you from yelling, but you're unsure you would have been able to make a sound regardless.

one second you're cast into darkness, and the next, the light seems blinding. the flashing is unceasing and it makes your head hurt.

two limbs are wrapped around your torso, keeping you firmly in place, and your arms are trapped at your sides. you might be kicking your legs, but they may just be dragging along too. you really can't be sure.

there's a thrum of a heartbeat at your back. it's pace is unforgiving, the intensity mirroring that of your own. you've a vague concern that your heart may very well beat right out of your chest.

then there's an abrupt shift in the air and a sickening crack echoes through out the night. crumpling onto the concrete, you think it must have started raining before you realize that the droplets on your face are warm.

you wipe at your cheek and your fingers stain crimson, the color matching that of an increasingly large puddle seeping across the pavement beside you.

there's a heap lying a few feet away and you recognize that it's wearing clothes. it's a sight you struggle to make sense of.

needing to focus on something else, your eyes find sukuna and the expression he's wearing is fierce and unreserved. "tell me what you wanted with her."

you've never heard him speak in such a way. his tone is low, his cadence nothing short of threatening.

"s-s'kuna?" your own voice sounds foreign to you and it goes unheard by him.

he has your attacker pressed against the brick wall of the alley, both hands wrapped around his throat. he's too livid to realize the pressure on his windpipe is preventing him from answering.

sukuna throws him to the other side of the alleyway out of frustration, the man rolling onto his back and wheezing to appease his lungs.

"tell me!" sukuna commands again, louder this time. less collected.

the man scrambles away from his looming figure. "th-they sent us, told us they needed her for an important matter."

"who?"

"they'll kill me if i tell you—"

sukuna crouches down, laughing dryly. "and what do you suppose i'm going to do?"

his eyes are almost unrecognizable to you. they're frenzied— a few shades deeper than the scarlet you've grown so fond of.

"you'll k-kill me either way, so at least i'll die with honor—"

"tch. useless." sukuna waves his hand, and you can hardly comprehend what happens right in front of you.

neat red lines appear across the man's body, then it ruptures into nothing at all. the only evidence that he was ever there in the first place is his blood.

the stench of which is perhaps the worst part— intense, coppery, and hot. it makes your eyes water, and before you know it, you're hunched over and emptying the contents of your stomach onto the ground.

sukuna is at your side in an instant, pulling your hair away from your face, but while one of your hands is braced against the concrete, the other endeavors to push him away.

his body doesn't budge at the contact, but he takes a step back anyway in an attempt to respect your wishes.

your mind is a mess filled with racing thoughts— what the fuck? this cannot be happening. what the hell even happened in this first place? that man was there and then he wasn't.

inhaling sharply, you wipe at your mouth and shift to pull your knees to your chest.

"what..." you trail off, surveying the unutterable, incomprehensible scene before you. "what did you do?"

he doesn't respond, though his features noticeably soften. somewhere in the back of your mind, you know very well what he did, but you can't help repeating. "what did you do?"

"we need to leave." it's not that sukuna couldn't handle whoever might show up, but seeing as this is your reaction, he has no desire to. "if you let me touch you, i can take us home."

you take a moment to think about it, then nod wordlessly. as soon as his hand falls on your shoulder, you're met with that same sensation you felt the night gojo teleported you and yuuji home after one too many drinks.

though this time, the sick feeling in your stomach isn't caused by liquor. you don't stand up, you don't so much as move a muscle when you feel the surface beneath you shift from concrete to carpet.

sukuna breathes out your name, his uncertainty evidenced by the way he's shoved his hands into his pockets. meeting his eye, you reiterate the same inquiry once more. "what did you do?"

it's almost as if you want him to tell you that he didn't do anything. that the whole experience was some disturbing nightmare.

"those men would have hurt you."

"that doesn't mean they deserved to die." you choke on the final word.

"yes— it does."

with that, silence hangs in the air like a suffocating miasma.

looking to your hands, you're reminded of the blood you've been spattered with. "i need to wash up."

you still don't move from your spot, too fixated on your flesh and the dreadful hue that it's been painted with. sukuna notices now that you're trembling.

he approaches you hesitantly before extending his hand. "let me help you."

you decline his offer, shying away from him. "i think you've done enough already."

god, the look in your eye is utterly despondent. he struggles to swallow the lump that forms in his throat.

his arm falls limply to his side and he looks across the room, your copy of the stranger earning his attention.

he's overcome with chagrin when he realizes that his concern brought about by camus' quote the other night was wholly misguided. he'd been focused on his own feelings, whether they were genuine or simply wrought by his isolation.

how foolish was he to ever question what you truly mean to him? with the anguish that's settled in his chest at the sight of your current state, the fact he ever doubted it makes him feel like a hopeless idiot.

had he any sense at all, the part that resonated with him would have been—

she mumbled that i was peculiar, that that was probably why she loved me but that one day i might disgust her for the same reason.

disgust. is that what you're feeling now? he's certain it is.

it was just last week that he relayed the story of his past. you're the only person alive to know the truth of how his wickedness came to be, and you met him with unconditional sympathy and understanding.

you pulled him close and embraced him, but now that you've seen him for what he truly is...? you can barely stand to touch him and it's like a knife to his heart.

you're so fucking warm— like the sun against his skin after weeks of endless rain.

and if you're the sun, surely he is the moon— cold and barren on his own, but brilliant when in the presence of your light.

to be without that? to be without you? it's a prospect too terrible for him to bear. it makes his stomach twist miserably.

you're startled (as is he) when his form falls to the floor, his knees meeting the carpet with a dull thud. he calls out your name again, but this time, his voice cracks as he speaks. "please."

he doesn't have a clue what he's even asking for. a chance to explain? forgiveness? a way to turn back time?

you don't say anything, but you do shift your gaze to him. he knows that he needs to fix this, so he wracks his mind for the right words.

"i didn't enjoy killing those men." he's somewhat surprised to find he's telling the truth.

"you didn't?" your voice is so small and timid that he can hardly decipher your words.

"no. my only concern was to keep you safe— to make sure they never put their hands on you ever again. all i felt was rage and... and... guilt. i should have never left you alone and it's my fault—"

"stop," you interrupt him.

there are tears welling in your eyes, making it difficult for sukuna to breathe. he's positive you're going to tell him that his intentions were of little consequence and that you never want to see him ever again.

instead, you push yourself forward and collapse against his body, your own wracked with violent sobs. the reality of the situation is only just now hitting you. it'd been much easier to focus on what sukuna had done, rather than what almost happened to you.

"i was so scared, 'kuna."

and still, despite the way you're clinging to his shirt and burying your face in chest, he's under the impression that it's him you were afraid of.

"i'm sorry," he tells you earnestly. "i never meant to frighten you."

"n-not of you. those men." you're struggling to speak in between desperate gasps. "why did they do that? what did they want with me?"

"i don't know." though, he is going to find out.

sukuna is not a man well versed in comfort, so he's not entirely sure why he begins rocking you back and forth, but he does it anyway.

when you finally start to breathe a little easier, he mumbles into your hair, "come on. let's get you cleaned up."

he doesn't give you a chance to respond before he scoops you up in his arms and carries you to the bathroom. setting you down on the counter gently, he searches the linen closet for a cloth.

it's quiet, save for your intermittent sniffling, as he runs it under warm water and wrings it out. his free hand moves to rest against the side of your neck and he dabs at the blood on your face, rinsing the washcloth every now and then.

he tries his best not to show it, but sukuna is agonizing over what might be going through your mind.

do you still feel safe with him? have your feelings changed? do you still love him, even when you've been so harshly reminded what he's capable of?

when you speak for the first time your words are hoarse, barely above a whisper. "thank you for saving me, sukuna."

he thinks about telling you not to thank him, not when it shouldn't have happened in the first place. he left your side, an error in judgement he'll never forgive himself for.

he considers your mortality— your weakness— in relation to his feelings for you. he's always seen this exceptionally human quality as despicable.

but now? all it does is terrify him.

"in the past, i was only concerned with my own whims and desires." his hand moves to cradle your face, his thumb running over your cheekbone. "though after tonight... you have to know..."

it's clear that he's struggling. his eyebrows draw together and his mouth twitches as he ponders his next words.

"i care about you, angel." his voice is hushed when he adds, "very much."

your eyes widen briefly and you murmur his name, but your mind is still reeling from the events of the past twenty minutes and you can't think of anything more to say. you're emotionally exhausted in a way you would have never thought possible.

it's plain to him too, so he knows his next question is selfish, but he can't go on without knowing. "does what you saw tonight change things between us?"

the silence preceding your answer seems to stretch on forever.

"i thought it would," you confess eventually. it was as if you'd put up a wall in your mind separating sukuna the king of curses from sukuna the man you spend your evenings with.

and it's difficult to reconcile the fact that the hands you saw used to murder two men are the same hands that are caressing your face so delicately.

at some point, however, you realized that the only time you felt fear tonight was when you were without him. his arrival and ensuing actions inspired shock and apprehension, though in some twisted way, you knew it meant you were safe. "but it doesn't."

the next question tumbles from your lips thoughtlessly. "does that make me a bad person?"

he chuckles and some of the tension in the room dissipates. "i think i'm the last one on earth that can pass moral judgement on you."

he tucks your hair behind your ear and scans your face, relief coursing through his body when he sees you smile. in this moment, there isn't anything else in the world he would have asked for.

"i guess you're right."

and now, the hand over your mouth is your own, an attempt to stifle your tired giggles. the light of the bathroom is warm and steady. sukuna's hands rest atop your hips, his touch firm but comforting. while you can't feel your own heartbeat, you're positive it must be beating in time with his.

when you crawl into bed that night sukuna pulls you close, your back pressed to his bare chest. you're thankful for the softness of his demeanor, because you need it tonight more than ever.

he doesn't recede to his domain until yuuji wakes up the following morning. he's determined to keep an eye on you as you sleep, to watch the slow rise and fall of your chest with newfound gratitude.

he knows he needs to speak with the brat about what happened. someone is after you and while he hates to admit it, he knows he can't ensure your safety alone.

and he will keep you safe, no matter the cost.

taglist: @96jnie @ay0nha @sad-darksoul @bbysatoruuu @luciiferian @risuola @lirasmoon @disaster-rose @archivist-ghoul606 @creative1writings @sloppyzengarden @omismicrowave @cecesharktales @tanyeonn @hiqhkey @ruixrei @yellowsubiesdance @thefallofruins @anything-and-everything-here69 @emzalot @elusivemoon @annoyingstrawberryballoon @miabiar @hyeon-yi @iluv-ace @thepup356 @browneyedgirl22 @lantsovheiress // users in bold could not be tagged. if i forgot to tag anyone, my apologies!! just give me a heads up.

[ew-selfish-art]

Dp x Dc AU: That one episode of teen titans where they all dress up as Robin + Tim being a gremlin about his legacy + Danny look alike/twin AU.

So there is that episode of Teen Titans where Starfire, Cyborg, Beast Boy and Raven all dress as Robin (Dick) while he's out and it's admitted that the outfit makes them feel cool. Imagine a young Tim hearing that story mentioned in passing by Dick while trying to manage what becomes Young Just-us. And then when Damain becomes Robin?? Gremlin mode activated.

Tim hosts regular 'Robin' Parties, where the idea is that you come in Robin colors, get a mask at the door and everyone gets to basically hang out in civilian clothes without the identity crises for those just getting started. "age appropriate" drinks, games, and good music are all staples. The parties become more frequent once Damian becomes Robin and he pointedly doesn't attend Tim's parties which... Neither of them are really happy about. Family is complicated, but finally, after a few years of cooling off, it's decided that Robin will actually host this years Robin party.

Meaning Tim shows up in casual clothes (MIT sweatshirt) and a mask, and Damian is actually dressed as Robin when the party is starting to get into the swing of things. The point of it is to make sure all the young heroes get to come and start to befriend each other, so there are a few people who show up and have to actually say that they're *insert alias* and this is met with basically "Dope, nice to meet you Robin" etc.

Insert Danny Twin AU (Or just look-alike fuckery) (for either brother but my brain is on Tim Twin au mode).

Danny decides to show up as his human self, grabs a mask at the door before coming in, and is slowly integrating himself into a conversation when someone grabs his arm- "Hey Red your brother is fighting with a newbie about meat products again-"

And Danny doesn't have a brother but my god has he heard this fight too many times with Sam and Tucker- He's going in and he's defusing this situation because he cannot handle the thought of this argument taking over his new friend group. He deals with it enough, okay?

Robin (like, the real one) looks at him curiously while Danny is talking down the other hero Robin (insert here), and the whole room notices when Robin doesn't take the opportunity to dismiss or belittle his older brother (Lmao because its danny). Damian cannot place his unease about Drake (again, Danny, who is not hiding his identity beyond a mask), and simply decides that this isn't worth the effort.

The party moves on but now instead of everyone calling themselves Robin, Danny is distinctly being called Red. It confuses him a bit, he didn't even know Red Robin was going to be at this party (he hasn't met the guy and doesn't know the lore), but he rolls with it because he's made fast friends with Robin (Bart), Robin (Cassie) and Robin (JON). The kid was full little bro energy and it made Danny laugh, he was so surprised when the real Robin joined them and fell into easy conversation with Robin (Jon).

Danny is playing games with a few others when someone goes to grab a broom to clean up- Turns out Red Robin and his boyfriend Kon had been making out in the closet for most of the party- and the whole room looks at Danny like he's tried to trick them. Tim is at first uneasy that so many people mistook him, but once he's in front of his dupe, puzzle pieces start to move around in his head.

"And who are you again, Robin?" Tim asks carefully, though he suspects he has his answer.

"Uh, Phantom, but you know, a lot of people were calling me Red tonight and I didn't get why until just now." Danny laughs nervously.

"Yeah I bet- Find me monday and we can see about a geneology test."

"That leaves us the whole weekend, to do what exactly? Fuck with people by pulling a parent trap style swap?"

"Nature vs. nuture and all but I don't know how you could be anything but my brother with a question like that." Tim grins and they get to scheming.

[gotham-daydreams]

How would it have gone differently if Reader didn't try to be an "overachiever" and instead just stayed quiet and didn't interact with anyone besides Alfred until they left? Their room they left being mostly blank, with only the music journals? Giving up on trying to get their attention.

I think what's so funny about this ask, to me, is that I already have a concept like this written down (along with 3 others since the current reader I'm writing for the "Not [ ]" series is one of them but with a few missing details), so this'll be fun!

I guess it generally goes how you'd expect? Which is different for the most part, but the reader's perspective on what's happening is also different.

Granted, I would like to point out that, at least for this particular concept and the idea I have for it of how this would go, does have more stuff going on pre-Batfam that do affect how they perceive what's happening, and that's what makes things interesting in my opinion. Because someone can be naturally shy or just overall more reserved either out of nature or because they feel a certain way, but still feel bad about being neglected and, despite their lack of effort, feel that pain just as much as someone who's tried. Which is valid! Besides, someone's definition of 'trying' can vary as well.

Everyone should have a chance to have a family, and form some kind of connection with people. Just because you aren't going above and beyond for one person, doesn't mean you're undeserving of certain things. Especially not a chance to have a family, or feel like you have one. That's what I think anyway.

Nevertheless, back to the reader!

From the original concept, I will be tweaking a few things to fit the ask, but the same general outcome remains! Though again, the reader's perspective on things is a tad different. But how about this- I'll show two versions of the reader.

One that's quiet and more reserved because they gave up much earlier, or just generally hopeless really early on because maybe they felt as if anything they'd do just wouldn't be enough, who'll be accurately named Quiet!Reader. With the other being more closely related to the concept I wrote for such an idea, that we'll refer to as Waiting!Reader.

Quiet!Reader would change up things quite a bit! I won't lie!

They might already have bad self-esteem that's quick to develop at the start of things, which is something to note as that doesn't get better with time. They grow more cold and distant from the family at a quicker pace both from personal and external reasons.

Put simply, they don't feel good enough, and even if they did- anything they could do to get the Batfam's attention would never be enough in their eyes. To which, they see very early on when they try to engage and do some things with the family, only to be turned down. What doesn't help is when Quiet!Reader sees Damian get adopted and almost immediately showered with love, (compared to them) and that really cements some ideas that were already developing in their head about the family.

When Damian comes into the picture, they feel replaced. Seeing him as someone to fill in the 'youngest Wayne' role instead of them, so that Bruce and the others actually have someone to acknowledge for such a title. Just someone else to further take away the little they had.

So, they further step out of the way, glaring at the Batfam with tired eyes before that eventually stops too. Envy clawing at their heart, hatred being sent through waves of pain all throughout their body. Hurt unmatched. Yet they still remain invisible. Quiet as ever. Unnoticed. Everything they ever felt dies down, and forms a cold numbness that they begin to associate with the family.

Maybe through that, they feel closer to the family in some twisted way. Now just as cold as them. Just as talkative, and just as engaging. Almost mirroring them, but they're honest about how they feel. Honest about what they think, and therefore better. At least when compared to the Batfam- and to them, even if it wasn't a high bar to reach anyway, at least it counts for something.

It was never Damian's fault, or really about Damian at all. It could've been anyone else and Quiet!Reader would've still reacted the same way, they know that. Though just seeing the Batfam show love and care to him and not them just makes them feel... worse.

Clearly they're capable of love, and can notice new additions to the family (to which they may have mostly believed that the Batfam's neglect was just something the family did for whatever reason, and thought that them being the youngest had something to do with it for a while) and that breaks the reader. It doesn't hurt, not as much as it would've, maybe, but whatever hurt is there dies down quickly as Quiet!Reader, well, quietly accepts their fate.

The Batfam clearly wants nothing to do with them, so why should they try to do all of these things for them? It's simple, they shouldn't. So they don't. Quiet!Reader gives up, and continues to live their life without them.

The Manor just becomes a place they sleep in, and nothing else. It isn't anything close to a home, and not even Alfred can help with that.

It's because of that little fact, however, that Quiet!Reader leaves much sooner than the reader in the "Not [ ]" series. Maybe once they get a friend they can trust, they essentially end up living with said friend, hence why their room remains so empty. The notebooks they even keep in the room they have in the Manor is from when they were way younger, instead of just being from a few months ago or so. We're talking years since Quiet!Reader has touched those things now.

Maybe they do 'officially' leave a month or so before they usually would as an overachiever in the "Not [ ]" series, having only bothered to return so often before because of Alfred. Though even then, they'd forget to return most nights- only being reminded to even try and go back once Alfred would personally call them, and ask them where they were.

However now, after a while of just the time between them basically living with their friend and sleeping at the manor, they stop returning altogether. Though this time around they instead personally go to Alfred to say they're goodbyes. Not explaining much, but just saying that while they might still try to come and visit him sometimes, they don't live in the Manor anymore. Alfred already knows this, and the embrace they share fully hammers in that fact.

Yet when Quiet!Reader turns away, and leaves the Manor for good- even through the front door at that. Alfred can't help but just... miss them already.

You see, while Quiet!Reader is indeed quieter and more reserved, especially towards the Batfam, with Alfred really being the only exception, they still made music.

Maybe they didn't have as many concerts or physical, grand, live performances compared to the reader in the "Not [ ]" series, they not only started earlier, but may have actually started out on a social platform such a youtube. They really started out small, but were able to find and start their passion much earlier!

Most of what they played was when they were in the Manor, but slowly they started to get involved with things music related outside of the Manor and in Gotham- and from there were able to build themselves up even more. Hell, I'd even say that Quiet!Reader is a little more well-known and popular than the reader in the "Not [ ]" series because of the amount of extra time they dedicated to their passion.

So basically, Alfred this time around has more recordings and such of Quiet!Reader actually doing something they love than with the one in the series. However! Funnily enough, they're gone for a shorter amount of time despite having left earlier than normal.

Alfred is just, extra fed up with this nonsense, and so pulls his tricks more early on, but also make them hit harder.

He doesn't clean Quiet!Reader's room to show how long they've been gone, adding onto the emptiness and almost abandoned feeling the room itself gives off because of how bare and empty it is. They're music haunts the halls, subtle, sure, but still noticeable- especially to those who are hyper aware all the time. Pictures of Quiet!Reader and Alfred begin to be hung up, and if he can manage- some with Quiet!Reader and their friends during important parts of their life.

No one is safe from the guilt and anguish Alfred seeks to cause to not only have the Batfam look for you, but most importantly, to finally notice you.

Let's just say, things work out a little too well.

---

As for Waiting!Reader? Oh man, I've been wanting to rant about them for a while!

Unlike the reader in the "Not [ ]" series and Quiet!Reader, Waiting!Reader had some semblance of a life before getting adopted into the Batfam. Though the idea and character themself isn't musically inclined/involved in music, or even all that interested in music for that matter- for the sake of this ask, lets say they are!

I won't dabble too much into the life Waiting!Reader had before the Batfam, as if I do end up writing them I'd also like to keep some details vague (for the sake of leaving it up to interpretation and everything), but just know that during the time they were still with their original family, they were essentially taught that they should 'wait their turn', and eventually their parents would spend time with them and care for them. Hence the little name I've given them.

So! When they get to the Manor and are officially adopted, only to be neglected and ignored during their first few attempts- because of their young age, they immediately think "oh! they're just like mom and dad!" So they 'wait' for 'their turn', believing that eventually, should they wait long enough, they'll be rewarded with bonding and such from the Batfam just as they were with their previous parents.

This mindset changes what they do as well, as Waiting!Reader even goes out of their way to not bother anyone, or "get in the way" of whatever they could be doing. Waiting!Reader treats the situation so much like their previous home life, that sometimes they might even forget that the Batfam are completely different people from their parents. The only real difference that they can think of is that they're not acknowledged at all and it seems like their 'turn' never comes. Though for a while that doesn't get them down. The Batfam is busy like they're parents were! Waiting!Reader is sure that when things die down then they'll have their time.

... Hopefully.

I can imagine that part of the reason why Waiting!Reader holds on to hope for so long is because, again, their own parents constantly reassured them that they would have their time eventually. That if they behaved, and stayed out of the way, then they would go somewhere fun with their parents and essentially be rewarded for their efforts. They were conditioned to wait, to be patient, and just comply until those around them decided to actually take care of them, and spend time with them.

Of course, as they grow up the reality of the situation does hit them eventually, but during that time they do try.

Waiting!Reader helps Alfred around the house, and so they mostly bond over doing chores, among other things. They are also more mindful, and try to keep the amount of noise they back down— so they actually don't play at the Manor all that often, and instead play literally anywhere else. If and when they do play outside, around the area of the Manor like in the gardens or something, they make sure no one is around before even thinking of playing.

Alfred does help them break a few of their habits that they got while living with their parents, but the one thing he can't seem to 'fix' is how absolutely quiet Waiting!Reader is when they walk around. Which, as on can imagine, doesn't exactly help in a situation where the whole family, except for the butler, is neglecting you.

The amount of times Waiting!Reader has caught Alfred off guard is more then you'd think for someone that works with the Dark Knight, and his various sidekicks and such, over the years. Which does say something, sure, but it's also funny!

Regardless, similar to Quiet!Reader, Waiting!Reader is able to start their musical career earlier than normal, and thuse becomes a little more popular than they would originally. However, they're more known for their live performances and giving back to the community. Seemingly just like Bruce as they attend charity event after charity event, and try to do good by the people.

Waiting!Reader also does genuinely try to become a vigilante as well, but they do so in a way where they only take care of the smaller/medium guys, and leave the bigger ones to the rest of the Batfam. This is because they want to remove possible distractions for their family, and while they would try to take on "bigger guys", they don't think they're skilled enough or experienced enough to even think about it. So they don't even try. (They also don't have the same theme as the Batfam- since they don't want to 'ruin' their reputation with what they're doing or something. Which does hell them further detach themself from the family later on.)

I'd say that with Waiting!Reader, the difference between them and the Batfam is more clear to them? Like, to them, the Batfam are just so good at what they do that they have no hope of reaching them. So instead of trying to reach for them, they just do their own thing and try to help in their own way.

Because Waiting!Reader takes care of smaller guys, they are kind of closer to Waiting!Reader as a vigilante.

The best way I can put it is that while the community trusts Batman and the members of the Batfam to save their city, they trust Waiting!Reader to save their homes.

So basically- Batfam is the bigger picture while Waiting!Reader focuses on the smaller picture.

Nevertheless! Also like Quiet!Reader, Waiting!Reader actually leaves earlier. Except when they leave, they leave.

Waiting!Reader straight up leaves Gotham City to attend the college that they want to go to, in an area that has more opportunity for them, that isn't close to where the Batfam lives or patrols.

So they not only leave earlier, but it also takes the Batfam longer to find them. Especially because Waiting!Reader does still do some things in Gotham, they just don't live there anymore.

I feel like out of all three readers, Waiting!Reader definitely feels like the kind of person that someone would assume is some kind of "Phantom of the Wayne Manor," y'know?

So Alfred definitely tries to make the Batfam feel bad like he does with Quiet!Reader. Except how anyone in the Batfam is reminded that Waiting!Reader even exists, and that they've been gone for a while now is through a letter that is accidentally sent to the Wayne Manor from one of Waiting!Reader's fans. From there, some research does start and the more the Batfam learns, the more they want to go and find the reader- you know the deal.

I hope this answered your question even if I really did ramble on this time- if you'd like me to clarify anything or go into more detail on a specific part, feel free to send in an ask!

[funshape]

I AM BEYOND EXCITED TO PRESENT TO YOU MY FIRST EVER WEBCOMIC, TOYHOSPITAL!

WHAT IS IT?! To keep it short, it's a Christmas-centric comedy horror comic - with more of an emphasis on the horror part of that. Believe me, there's no shortage of blood and guts and horrific body horror in this, and though there's jokes and the occasional bit here and there, it gets very dark, very quickly!

More specifically, it's about a version of the North Pole where Santa (or, as he's referred to as in-universe, Father Christmas) encounters a shortage of workers. So, instead of having the elves make the toys, he decides to open up an isolated, ominous segment of his workshop dedicated to turn the adults on the naughty list into toys by brutally transmorgifying them. He does this by employing the use of a disease fittingly dubbed Toyetic Syndrome, which has the ability to turn living matter into toys - albeit slowly as the science behind it is still pretty experimental. This establishment is called the Toyhospital - but it has a duplicitous veneer to it as to not raise suspicion from Father Christmas' wider community of workers. To most of the elves, they know the Toyhospital as it's much less prominent side - a toy repair shop where toys from all over the world are sent in and fixed. This side has been internally dubbed as the 'nice' side, while the real, actual hospital side of the Toyhospital is dubbed internally as the 'naughty' side.

The most evil, vile, or easy to manipulate elves and holiday creatures are in employ at the 'naughty' side of the Toyhospital, and they tend to be pretty relentless to those unlucky enough to end up as 'patients'. Fortunately (or unfortunately if you find yourself taking sympathy on them) the Toyetic Syndrome affects them, too. They're staffed there to basically prolong the patient population's suffering as long as possible, be that through physical or psychological methods. The thing is that Toyetic Syndrome is such a biohazard that everyone in there is locked in for the public's safety, making escape near impossible.

SO WHEN'S IT COMING OUT??? Uh! Sometime in the near future! No exact date yet. It's still getting it's footing established for now so nothing official will come out for a while. I've still got a lot of work to go through to get this thing out there, but all the main character designs that you see here have been finalized and the concept's tight enough where I feel comfortable presenting it in a loose form like this, so here you go! I've still got some characters I'm withholding for the story's sake, but these are the main players.

On the topic of these guys, let's get into the characters! (info about them below the cut)

CINNAMON is one of the protagonists of Toyhospital alongside IAN! He's your traditional cheerful, tooth-rottingly adorable Christmas elf. He used to work at the 'nice' side of the Toyhospital before his curiosity over the building's unusual floorplan led him into the 'naughty' side of the building. He got locked in, and he's looking for a way out. He's also infected with Toyetic Syndrome - albeit a much less outwardly harmful version of it that manifests in him becoming a cute, cuddly plush worm - but he's still desperately seeking a cure for his ailment before things have the chance to get ugly. Naturally, raised in an environment of pure sugary happiness and then suddenly getting thrusted into a hellhole of blood and disembowelment, Cinnamon is utterly terrified. Despite his horrified state, Cinnamon always approaches situations with a pacifistic, 'understanding everyone' mindset and is more than willing to give others second chances even if they don't really deserve his kindness.

WHITTAKER is the Toyhospital's dentist! He has an extreme aversion to seeing others discontent and will do anything to make them smile, physically altering their faces to get them to do so. He's prone to laughing fits, often interrupting himself mid-sentence to burst out giggling at nothing. Though he seems driven to achieving his goal of making every person in the Toyhospital 'happy', the guy doesn't actually seem all that...lucid. He tends to seem kind of 'out of it' a lot. Disconcertingly a lot, in fact. Sometimes, though, he can have brief moments where he snaps out of whatever funk he's in; and when he's not being giddy, Whittaker is surprisingly critical of those around him, most notably his other coworkers. While some of his criticisms towards others are as petty as them not smiling enough or having bad posture, a lot of them are troublingly grounded and more centered around the morality of what they do to others.

PEPPERMINT is Toyhospital's clown! But they're not all that good at it. Peppermint mainly just sees the whole 'clowning' gig as another stepping stone towards the real career they want for themselves - that being in Broadway musical theater. His dreams aren’t exactly accommodating of others, and he’s always had a tendency to put others down to elevate himself. Now that he’s employed by the Toyhospital, that immature, egotistical behavior has fostered into something downright dangerous. He has no regard for the lives of others, being totally apathetic if people around him die to the point where he has no qualms with hurting others himself if it can benefit him in some way. When they’re not dramatically complaining about others, they’re definitely gloating about themselves. Even at their worst points, their actions are still reflective of their love of performance, and their mannerisms are appropriately incredibly theatrical.

PHONESLEY is the receptionist! Phonesley is certainly an odd character to come across. The guy’s super unsettling, he has a tone that’s a bit too cheery and a bit too jovial considering how gruesome his workplace is - and that’s completely overlooking whatever’s going on with his organs, which he seems to be completely oblivious to. He’s really absentminded and has a tendency to lose track of what he’s doing and drools excessively. There’s a lot of mystery that surrounds Phonesley, from occasional slips mid-conversation that imply that he knows more than he lets on, to his questionable familiarity when it comes to elf culture and just the overall way the North Pole functions despite being employed by them. Who knows, if you stick around him for long enough, you might just happen to hear him rattle on about a few conspiracy theories of his….

SNOWBALL is the nurse, and perhaps the nicest person you'll come across working in the Toyhospital! They seem like a complete sweetiepie who loves rainbow and glitter and just wants to make sure everyone's taken care of. Although, that niceness of theirs is a double-edged sword. While they can seem like a saving grace when you first encounter them, come to spend enough time around them and you'll realize that they're actually suffocatingly overprotective and possessive. Snowball loves toys, and to them, turning naughty people into toys is a complete universal good. They'll do anything they can to speed up the process of that, and they always seem to keep a few patients for themselves so they can 'care' for them. Snowball's niceness melts away once someone even hints at leaving their care, as they'll quickly become enraged at the mere thought of being left behind.

BALTHAZAR is the head surgeon - the brains of the operation, one could say. She was put in charge by Father Christmas himself, and it's easy to see why she would be heading something like this. Balthazar has an undying, burning, festering hatred for naughty individuals. She seems to believe in a grand conspiracy that somehow, anyone on the naughty list is responsible for ruining her life and turning her into what she is now. Needless to say, she does not hold back when it comes to punishing those she believes to be in the wrong. For an idea of what her punishments look like, her favorite among them is to cut a person's legs off and watch as they bleed out and die in the struggle to escape her wrath. Even most of her own staff is terrified of her, as she's always insisting they be more brutal with their punishments, even when they're already being as relentless as physically possible. Her hatred for naughty people makes trying to reason with her completely futile. While most people view her as a cutthroat force of terror, the very few among her staff that are close to her have nothing but good things to say about their boss. Strangely enough, these few tend to describe her like she's some sweet, misunderstood person - a complete juxtaposition to how she actually is.

BEAU is the plastic surgeon of the Toyhospital! She's completely obsessed with being the 'it' girl, having modified her own body to be utterly unrecognizable from the elf she used to be - much more resembling a human than an elf in her current state. She viewed every part of herself as flawed, and now that she's become 'perfect' in her eyes, she now projects that former self-hatred for herself onto others. It goes without saying that Beau is an incredibly judgemental and self-centered person. She preforms unnecessary surgeries on others, not just to inherently improve them, but purely because she, personally, takes issue with the very way they look. She's very talkative, and with the amount of dirt she has on other people, has a habit of just letting their secrets slip randomly. Her entire persona of being a cool, collected, perfect girl completely falls apart once someone mentions a perceived flaw about her - at which point she'll either become violent towards them or become obsessed with fixing whatever's 'wrong' with her.

CHILLBLAIN is the hospital's mortician! Unlike the others among the staff, she isn't an elf or even a human - she's a snowperson, one who's incredibly intent on tormenting humanity for how they've treated her kind like disposable holiday novelties. And though her job has to do with laying the dead to rest, she's not all too keen on that. She is, perhaps, the most cruel individual to walk the Toyhospital's halls, as she's not even insistent on punishing people via infecting them with the Toyetic Syndrome. She dishes out a far worse fate. She's incredibly fond of heat torture, melting people down into puddles of flesh and blood and keeping them alive just to hear them writhe around and scream in agony. She refuses to let any of her patients die, instead locking them away in the mortuary ward and taking them out when she feels like having a little bit of 'fun' with them. She's much more cunning, clever, and for lack of a better word, cold than her peers are. There's a certain eeriness that surrounds her. 'Sadistic' is just about the best word there is to describe her.

and last but not least, there's IAN! Ian is the protagonist of Toyhospital, with Cinnamon accompanying him on his travels throughout the complex. Unlike the other patients, Ian ended up in the Toyhospital by pure mistake. He was on the naughty list as a kid, but throughout the years he's matured as a person through a lot of self-reflection and therapy and has far since outgrown his 'problem child' status. He's just here because of an issue in the naughty-nice list sorting system that sorted him into the naughty list. His main motivation is to get out of this place and sue whoever's behind it.. He's a very rational person and tries to comprehend everything that's going on from a logical perspective even if he's completely out of his element in this strange, magical world. He has no patience for the people behind this operation or whatever motivations they might have, he just wants his freedom. He has a tendency to lose composure whenever things get stressful, a facet of himself he's not too proud of. On the inside, he's very afraid of regressing back into the person he used to be before he went down his path of self-improvement - and fears his time in the Toyhospital may just be his breaking point.

[astrologylunadream]

Everything Your Person Loves About You♡🧁🍇🖤 (Pick a card/Tarot love reading)

Hi it's Lunadream!! I will be showing you all the things that your person loves about you♡ hope you find your message💌🖤

Notice: Only take what resonates because the most important thing is your own judgement!♡ If anything doesn't resonate, don't worry! It's not your message right now <3 (Entertainment purpose only. All rights reserved)

Now, shall we begin~? ^w^ Think of the your person, and pick whichever pile that fits the energy you're feeling~🍇🍨☕

Pile 1🧁

Pile 2🍇

Pile 3🍨

Pile 4☕

Take your time and choose carefully with the heart~♡

On to the readings —> 🍨☕🖤

Pile 1🧁

Sign energy: Love at first sight, Twin flame, Pride, End, Book, 8th house, South node, 5th house, Aquarius, Taurus, ☄❤🦢⚖

👤Your person's energy: Very romantic energy for this pile's person, omg this is a connection that has been going for a long time possibly beyond this lifetime. I'm seeing this as someone you have hit a roadblock with, and the relationship may have slowed down or come to a stop.🤚 Scorpio, Leo, Aquarius and Taurus placements, specifically could be Taurus over their 8th house or Aquarius over their 5th. Your person has a passionate and deep nature about them, they probably love the story of romeo and juliet as it is their idea of true romance. When they love, they love so deep and endlessly. Omg this person loves like they're in a romance book.📖💞 I think they are very physically attractive to my pile 1's, ohh and their voice is so addictive to you lol. They are very prideful in themselves and their talents, this may be someone who reads or writes online a lot. Some of my pile 1's fell in love at first sight with this person!!🥰 This could be a twin flame connection for most of you take what resonates, you may see them as your other half that compliments you perfectly.☯⚖ I feel like they just came into your life and just completed you in some way, soulmate vibes~💓

🖤What they love about you: Concert, Desert, Hug from behind, Despair, Ring, Mercury, Mars, Fire, 5th house, Gemini, 🧛‍♀️❌🍬🌃 Omggg my pile 1 this is getting good!!😍 First of all they love your mind and the way you think, the way you sort out your thoughts and the things you talk about. They love hearing you speak (especially on phone calls I'm hearing📞) and they feel like you have such a beautiful rhythm to your voice and the way you think.💭💕 Ahh your person LOVES the way you hug and hugging you too, I'm definitely seeing that they love the way you pull them in every way especially physically very interested in you😍🙊 They love how creative and sweet you are! Also this is so funny but I feel like they love the way you react when you're angry or sad like it is attractive to them??😳 The way you say no to things that don't serve you is so amazing to them, like they can just see the fire in your soul and it lights up! Your interests, hobbies and music you listen to all makes them more in love. Physically they really like your behind, that is what is came up😭😳 There's more but this is not that type of reading so we'll leave it there for my pile 1's😂😂 I think they really love seeing you have fun and enjoy things, they can't ignore the spark in your eyes when you love something.💓

💌Messages from your person: Who are you? I'm playing with fire, Your soul is mine, It's hard to explain, What have you done? It's meaningless, I can save you, Something is pulling us together. (Ahh a soul connection is real between you two💞) Extra cards: Closed, Choice, Actor, Drown, Lean

Thank you my pile 1's! If you feel this resonated, you may tap the heart to claim this message!💌

I hope you enjoyed your reading! ʚ(｡˃ ᵕ ˂ )ɞ If you did be sure to let me know pile 1 with the cupcake emoji~🧁 Thanks for scrolling through, Hugs hugs hugs!! See you in the next reading💞

Pile 2🍇

Sign energy: Short term, Imagination, Fit, Ego, Reach out, Sun, Scorpio, Neptune, Leo, Moon, 🌅🧜‍♂️🎰🕺

👤Your person's energy: I'm getting very intense vibes from my pile 2's person, almost like they got something to prove. Leo, Scorpio, Pisces and Cancer placements, I'm getting Scorpio and Leo vibes the most. They are very captivating and their stare is so deep, they have a lot of confidence and self respect. They have quite an imagination and fantasize often, mostly of themselves and their life I'm hearing. I think they know you are attracted to them or tell themselves that, like "pile 2 is definitely into me😎" haha. They may try often to fit your ideals or their own, striving to be a living fantasy. You or them could be reaching out to the other but I feel like it's more likely your person. They are very attractive and alluring, I think they put a lot of effort into themselves. Omg pile 2's person loves showing off, and getting attention, probably have people obsessed with them secretly. They are reaching for the stars I'm hearing, very ambitious.☀️ The number 7 may be significant, I am seeing a lot of self energy with your person. They are heavily focused on how they appear to others, and to you. Illusive siren vibes, they draw you in deeply🖤

🖤What they love about you: January, Lay down, Solitude, Self love, Siren, Leo, Lilith, North node, 9th house, 7th house, 🎫🔍😗🤷‍♂️ Ahaha okay for my pile 2's your person loves your aura and who you are. They see you as a reflection of themselves in some way, they are in love with the way you treat yourself with self respect and confidence.👑💞 Also I think they are heavily into your attitude and outlook on things, honestly they are so attracted to your edgy side.🔪 Like your more intimidating self, they actually are really attracted to that side of you. Your person has a thing for your dark side🙊 Also you may spend time alone for yourself and they love that about you, that you make time for yourself and put yourself first when needed <3 Also how curious you are about deeper topics like occult and for some of you it's shadow work, your person loves how interested you are in those things.🖤 I do see that your person may love the idea of a relationship with you, having you as a potential romantic partner for them. Also they love how mysterious and beautiful you are, like your energy is so magnetic to them. They think you're very smart too, even if you don't think so. Of course take what resonates but I'm seeing your person loves fantasizing hot scenarios with you😳 Over all they just love how you radiate confidence and pride in life and they love how you take control of the things you want in life.♡✊🖤

💌Messages from your person: You might get scared, You made a mistake, You should have texted me, I won't let you be with anyone else, Please don't hide your pain, Tell me the truth, I won't forget this, It can't be (My pile 2's your person wants to know how you're feeling💓) Extra cards: Hands, Longterm, Wild, Grey, Disturbance (Some spicy energy from your person but I'll leave it up to interpretation for this reading🚫🙈🖤)

Thank you my pile 2's! If you feel this resonated, you may tap the heart to claim this message!💌

I hope you enjoyed your reading! ʚ(｡˃ ᵕ ˂ )ɞ If you did be sure to let me know pile 2 with the grapes emoji~🍇 Thanks for scrolling through, Hugs hugs hugs!! See you in the next reading💞

Pile 3🍨

Sign energy: Prank, Final, Drive, Prove, 6th house, 4th house, Water, Aquarius, Sun, Venus, 🗡🐏🌉😰

👤Your person's energy: Okay so we have some interesting energy for my pile 3's person!! First off they may have their sun in 6th house or Virgo, but I'm also getting Aquarius sun or venus. Cancer, Leo, Libra and Taurus placements aswell for you guys💓 Your person has a touch of soft femininity to them (no matter the gender) like they are just very caring and sweet at heart.🥺 I'm getting that this person gets very defensive if you play with their feelings or emotions, they dislike being tricked or mislead. Some of you know this person through online, or there is a connection to them with that in some way. You think of this person often or on a daily basis, some of my pile 3's overthink about this person!!💭 Lol I think one or both of you try so hard to act like there's nothing going on between you to like friend zoning or trying to remain professional, but like the relationship means so much to you both I'm hearing♡ You feel very familiar with this person, they are very protective over you too like family. I am getting that they are also very supportive of your love for them. They make you feel safe and in love, omg and I am hearing that they have a fierce side to them when it comes to protecting their loved ones like no one will want to mess with them because they will fight hard to keep you safe💗

🖤What they love about you: Desperation, Mall, Handsome, Model, Captive, 4th house, Pisces, Aries, 9th house, Uranus, 🗡😖😗💢 Ahh my pile 3's your person loves your soft side and the way you show your emotions. This is a strange message but I'm hearing they really love when you are desperate over something like them, like they are so into that😳 It's a weird kink of theirs. But anyways they love how passionate and vulnerable you are for the things you care about, your hopeless romantic nature. Your person thinks that is so attractive of you😭💞 They love if you blush over them too like "omg they're so cute/attractive/so magnetic" like they really love you like that~ <3 I think they love being stuck on you or the idea of like, not getting over you🥺😢 They fantasize about you on every level from physical to emotional, also they love when you get angry/aggressive🤬 Idk but they think you're so attractive when you're angry like whaaat??😂 But also... they love being able to protect you or keep you to themselves, hugging you and touching you to make you feel at home.💕 Aww pile 3 your person really loves just having you with them or knowing you are safe. They do fantasize about holding you I mean not taking their hands off you LOL they love how delicate and cuddly you are. Also you may have exotic model features that they find very appealing, your legs may be something your person loves about you😍 They really love the way you love them because it feels so soft and sweet to them🥺🍰💗 Also the way you dress is very lovable to them, like they wanna go shopping with you <3

💌Messages from your person: I want to, I'm touched, No one loves me like you do, I finally found you, Your laugh is contagious, What's yours is mine, Why can't you tell me? We would be perfect together (Omggg pile 3 your person loves you so much!!😭💞 They want to you to say you both are perfect for each other💞💕) Extra cards: Explosion, Competition, Honest, Crazy, Message

Thank you my pile 3's! If you feel this resonated, you may tap the heart to claim this message!💌

I hope you enjoyed your reading! ʚ(｡˃ ᵕ ˂ )ɞ If you did be sure to let me know pile 3 with the sundae emoji~🍨 Thanks for scrolling through, Hugs hugs hugs!! See you in the next reading💞

Pile 4☕

Sign energy: Difficult, Saturn, Only one, Compulsive, Inactivity, 1st house, 12th house, 4th house, Vertex, Mercury, 😥👩‍🎨🤙👉

👤Your person's energy: Okay so there is definitely a block between you and this person right now, it could be emotionally or physically but there is definitely something between you guys that feels confusing and hard to read one another.💭 Capricorn, Aquarius, Aries, Pisces, Cancer, Gemini and Virgo are possible placements for your person, could have Mercury or Saturn in 1st house. This person may not be able to comfort you right now, or perhaps trying to comfort you too much. They may think or talk like an older person even if they are younger, they think responsibly and may be very strict with themselves. This is a very hard time for both of you I'm hearing, and you are trying your best to stay strong.✊ There are definitely confirmations of reaching out spiritually with this person, through tarot and such as this may be the only way to truly call out to them right now. Fate is in the works for you two though, and eventually communication will become more stable and upfront. This person feels like home to you, and you feel connected to them on a higher level.🌠🖤 This is someone you are familiar with, they may keep coming back to you. Some of my pile 4's see this person as the one.💍 But I definitely think this person isn't communicating the best with you right now, But they are trying their best in this connection. This is someone who fantasizes often about being in touch with another's emotions and desires, truly connecting on a level beyond physical.🔗♡ Very dreamy and spiritual individual.

🖤What they love about you: August, Audience, Silence, Lost in translation, Number, Water, Neptune, Aries, Virgo, 10th house, 🧚‍♀️🛏💦😏 Okay my pile 4's I'll try not to go into to much detail but your person is being very naughty right now so we'll just have to keep it simple😬😰 They love your artistic sense of beauty, you have an aesthetic eye and they find that very attractive. They love how illusive and mysterious you are, and your emotional intuitive side. My pile 4's your person loves getting lost in you while thinking of you, dreaming of you is something they love to do. They may have more dark or intimate dreams of you, fulfilling all their fantasies.😅😳 They have a lot of subconscious thoughts they need to translate into their conscious mind, there are things they may not even know they love about you or weren't aware of. But also... your person loves the thought (just the thought😰) of taking you under their control or dominating you in some way most likely mentally. Your vulnerable and fragile side is strangely attractive to them. They would love if you were addicted to them, but they love being that way with you regardless. They may love how your subconscious mind works or seeing you unconscious.. You are like a fairy to your person, they want to catch you and keep you just because you're pretty to them lol.😂🖤 I feel like they're just waiting to say "are you lost?"🥺 so they can take you in and hold you tight.🤧♡♡ They don't mind waiting for you too.

💌Messages from your person: I shouldn't, I'm stuck with you, You can decide, Save me from myself, Believe me, I'm lost without you, You know what I'm doing, Would you kiss me back? (Aww pile 3🥺💞) Extra cards: Fishing, Practical, Heart, Lost in translation, Secret admirer

Thank you my pile 4's! If you feel this resonated, you may tap the heart to claim this message!💌

I hope you enjoyed your reading! ʚ(｡˃ ᵕ ˂ )ɞ If you did be sure to let me know pile 4 with the coffee emoji~☕ Thanks for scrolling through, Hugs hugs hugs!! See you in the next reading💞

Wanna see more readings like this? Check out my tumblr for accurate readings for you!💗🌊🌸

Thanks for reading! \(*^w^)/💌 -Lunadream <3

[fandomapocalypse]

Love and relationships in Hazbin Hotel

Episode 7 has something interesting and in the song that is called "Out for love" is sung by a character that is referring to a type of love different from a romantic or sexual one, Carmilla is openly talking about familial love. Vaggie of course relates this to her romantic feelings towards Charlie and how she wants to help her. But something else interesting happens in episode 7, Rosie is properly introduced as Alastor's bestie. This leads to showing another type of love: platonic love.

Now to the main point of this post: Alastor. It's canon that he is aroace and as an ace myself (I'm still questioning whether I'm aromantic or demiromantic but this post isn't about me lol) I'm extremely happy to see myself through him. Plus, the fact that the perfect Tumblr sexyman is aroace is genius and hilarious, you can't possibly top this type of humor.

Alastor for me has been a great ace representation and I've seen myself mainly in how he acts around his friends or other people.

When it comes to Niffty it looks more like a relationship between someone with their feral cat or their crazy little sister. But it's still a genuine connection and a fun chaotic one at that, he even lets her touch his hair and climb on him. In regards to Mimzy, he has shown he cares about her and welcomes her with open arms. He openly hugs her, which shocks everyone in the cast. This is extremely important because Alastor usually only starts physical contact to mock others or to pretend physical closeness as a manipulation tactic (like he often does with Charlie). When it comes to people he hates Alastor may touch them but will quickly wipe his hand on his clothes, like what he did with Lucifer. Personally, I don't like personal contact and only accept it if I start it and usually I use it as a way to show affection with close friends. Also, they have known each other since they were alive, so Mimzy probably knows a lot about Alastor that the rest of the cast doesn't. Mimzy also says that they used to dance together. But that doesn't exclude the fact that she uses Alastor's friendship and affection to save her own ass and taking into account how Husk reacted to Mimzy, this isn't the first time she does this. Also, the relationship between the two starts to crumble after what happened in episode 6 and Mimzy seems to be the kind of friend who will pretend that they are still on good terms and still ask Alastor for favors in the future.

Now jumping back to Alastor's true bestie: Rosie. They probably bonded at first over their cannibalistic natures but it's clear that it evolved beyond that. Personally, I don't ship Alastor with anyone, but when it comes to Rosie I headcanon they are in a QPR.

There are various reasons why this relationship is so great and wholesome, the first one being that there is no power imbalance, they are equals. Both are cannibalistic overlords and are on equal footing in terms of power. When Rosie first sees Alastor she is genuinely happy which is something new because most people react badly to him out of fear or hatred.

Alastor respects Rosie, he even compliments her, in her introduction he says she is "the most darling, delightful, and dangerous Overlord of this side of the pentagram". Considering how self-centered and narcissistic he can be, it means a lot. Alastor would rather die again than compliment another Overlord who isn't Zestial, which he respects but out of fear. Alastor respects Rosie as his close friend. When they stand next to each other they give an air of equals, something that never happens thanks to Alastor's ego and sadism towering over everyone else. With Rosie it's different and Rosie can openly tease Alastor with the "Look at you, so polite! Alastor you can learn a thing or two" when comparing him to Charlie when meeting her, or "I'm just kidding, I know you're an ace in the hole" to tease him about his asexuality. This is something that not a lot of people can do because Alastor is obsessed with control and respect. After all, we see how badly he reacted when Husk insulted him.

He also harmonizes with her, he willingly makes a duet with her in "Ready for this". He isn't interrupting her, instead, he agrees with her and they sing together in unison. This is the first time he doesn't openly hijack a song or fight for control over it, like he did with Vox and Lucifer (although this also happened because this is Charlie's song, but who cares the point still stands). Also, this is the first time we see him dance with someone, instead of forcing them to join his musical number (like he does with Charlie on various occasions). Alastor and Rosie are in perfect sync and it's so wholesome and precious to see him being so openly happy with her. Many have pointed out that the only times Alastor is genuinely smiling is when he is with Rosie and it shows by his expression in his eyes.

Finally, Rosie is the only one capable of bringing the most human emotions out of him, the most obvious one being confusion. In the scene of "ace in the hole" Rosie manages to confuse and surprise Alastor for a solid second, which is a huge change of his persona around everyone else of control and manipulation. Also, it's hilarious that Alastor doesn't know what being aroace is, he probably thinks he is above all that.

He is openly relaxed around Rosie and lets her touch him in an affectionate way, something that not even Mimzy can do. It may be because of the height difference but Mimzy only touches Alastor to hug him and to emphasize he is a "heartless son of a bitch" and Alastor clearly gets irritated by her touching him that way and even moves her finger away from him. This never happens with Rosie and he even welcomes her touching him by not having any walls with her. It's Rosie the one starting the physical contact and Alastor doesn't seem to mind and he never tries to use physical contact to take advantage of her like he does with other characters. Rosie is one of the few people who can touch Alastor without losing an arm and instead have a positive reaction out of him.

The most genuine relationship Alastor has is with Rosie, he even has the confidence and comfort to stop his elegant and reserved persona of not swearing. Which he only does when he is truly angry, like what happened with Lucifer. Or when he is threatening someone like he did with Adam. Or when he is shocked when his microphone breaks. He swears to insult Susan, which is someone they both despise equally. Something that you would only do with your closest bestie.

Finally, let's talk about Alastor's breakdown in the last episode. We've already seen that Alastor is capable of having friendships that aren't based on an end goal. Alastor knows this but he rejects it because he is at the hotel originally for selfish goals and doesn't want his emotions to get in the way. He is terrified of ruining his reputation as a sadistic killer and becoming an altruistic who cares about his friends. Alastor wants to stop himself from starting to care about the crew the same way he cares about Rosie, Mimzy, or Nifty to some degree. This is confirmed by his conversation with Niffty, where he admits he has grown accustomed to the main crew and perhaps he is growing feelings of affection towards them in his own way.

In regards to shipping him with Rosie, I see it as a platonic ship or a QPR. Some people have a headcanon that if they had known each other when they were alive they would have married for tax benefits and to avoid the social stigma, which is the only right answer. When they first met in hell they probably had dates in cannibal town where they ate human flesh while gossiping and trash-talked about the other overlords. Which is exactly what an ace person like myself wants from a close friendship.

As an ace, I really like Alastor not because he is the ultimate Tumblr sexyman or see him as hot but because he is an extremely fun character that I can relate to. I'm grateful for the crew and VA that take into account he is aroace and take seriously that aspect of his character. I don't mind that the aroace representation in Hazbn Hotel is a narcissistic psychopath, if you want a more wholesome ace representation you can check Todd in Bojack Horseman or Saiki in The Disastrous Life of Saiki K.

I don't mind people shipping Alastor, after all, it's just people having fun, but you can't ignore that he is aroace and how this affects his relationships. So yeah have fun and respect and aroace community :)

ok thanks for hearing my rant bye

[stellamancer]

beyond the unending night (reader + satoru gojo)

notes: it's finally here. the long awaited halloween fic. yes, i know it's march, but i did start working on it in september. haha. there's so much i could say, but i will leave it at that this fic is, in every sense, a fic that i would not normally write. and yet here we are.

contains: f!reader (no physical description or gendered language is used), no explicit romantic pairing (though you don't have to look hard to find the reader x gojo implications), major character death (played with), semi-graphic depictions of death, blood and violence, minor suicide ideation, canon retelling (lines of dialogue are pulled from the jjk english dub because i'm a dirty dub watcher). opening poem is from higurashi no naku koro ni (minagoroshi-hen). fic title is from giga's beyond the way.

please note that this is a time loop fic and, by nature contains repeating scenes (particularly from canon). please do not read this fic if you do not like that sort of thing.

wc: 21,883 read on ao3 (account required) || playlist

Please tell me what happened in this night. It's like the cat inside the box.

Please tell me what happened in this night. You don't know if the cat in the box is dead or alive. Please tell me what happened in this night. The cat in the box was dead.

The first time, it is instant— you don’t even know what’s happening.

The second, it is by flame, but you barely realize it, barely feel it— a second of mind numbing heat before nothing.

The third time, it is something slicing across your throat; you see the blood spilling everywhere, then the pain follows— a moment of pure agony before nothing.

The fourth time you realize what’s going on; what’s really going on.

You realize you’ve been dying.

You think your head is going to explode.

At first, you think it’s because the subway platform is crowded, insanely so— there are hundreds of people shoved into this space alongside you, packed like sardines in a can. You’ve never been one for crowds, but it’s the reality of things when you live in Tokyo. For the most part, you’ve learned to accept it, but even this crowd is a little much and you wish you hadn’t listened to your friends when they said you should go party in Shibuya for Halloween; you don’t even like partying.

There’s a sharp pain in your temple followed by a thought so loud that it feels like someone is screaming it at you through a megaphone positioned right next to your ear.

It’s the night of October 31, 2018— Halloween in Shibuya.

For the eighth time.

Before you can even question the thought, images flash in your mind’s eye, blurry at first before they come into focus. The platform gates open. Chaos ensues. People dropping onto the subway tracks— spontaneously bursting into flame— their heads, necks sliced off, stomachs cut open—

Bile rapidly builds up in your throat, and you clamp your jaw shut, trying to force it down. Not here. Not now. You try to focus on something else, anything else happening outside of your brain. There’s a pair next to you musing about the people standing on the subway tracks, wondering what the two (the four?) of them are talking about. You blink back tears as you look. You can only see two: a freakishly tall man with white hair dressed in all black, and another man, dressed in strange, yet more traditional looking garb. Are those costumes too? You don’t have a lot of time to think about it as another image forces its way into your brain.

Your corpse— lifeless on the ground.

Your corpse— burning to ash.

Your corpse— bleeding out.

You can’t hold it in any more. Every fiber in your being screams at you to get away from the subway tracks, but instead you rush toward them, shoving people left and right as your hands desperately reach the stability of the gate. You grip it like a lifeline as you retch over the side of it, the contents of your stomach spilling all over the subway tracks.

There’s a quiet murmur of disgust behind you but you can’t be bothered to respond. You need to get out of here. You need to leave. You need to do it before—

The gates open and the crowd starts to move like a tidal wave, pushing and shoving their way through the gate. You’re swept away, vomit long forgotten as you and a few dozen others tumble onto the railway.

Alarm bells go off in your brain, loud and deafening. A voice in the back of your head screams for you to get off the track! Get off the track now before—

The platform erupts into a cacophony of screams, drenched in horror, saturated in fear. You are surrounded by people, by corpses— beheaded, sliced open, bursting into flames.

Your terror roots you to the ground as the carnage ensues around you. It’s only when another person, another corpse, dressed in a magical girl costume collides with your body that you can finally move. But it’s too late, you realize, despaired and helpless, as your bodies fall to the ground.

It’s too late.

You die an eighth time.

You think your chest is going to explode.

At first, you think it’s because it’s so hard to breathe, frustratingly so— there are hundreds of people squeezed into this space alongside you, packed like cattle for slaughter. You've never been one for crowds, but it’s the reality of things when you’re in Shibuya. For the most part, you’ve come to accept it, but this crowd is way too much and you wish you had just stayed home and ordered a pizza; though honestly, the thought of pizza kind of makes you sick.

There’s a dull throbbing in your forehead, followed by a thought so loud that it feels like someone’s hollering at you from a loudspeaker that’s been installed in your brain.

It’s the night of October 31, 2018— Halloween in Shibuya.

You think it's the ninth time now.

Behind you, you hear a woman screaming, her voice crazed and terrified. You turn your head automatically to look at her and when you see her you realize you recognize her yellow and white magical girl costume. You can say with certainty that you’ve never seen her before and yet—

Before you can ruminate more on it, images— memories assault your mind’s eye with a clarity that is absolutely sickening. That woman colliding into you, your bodies slamming into the subway tracks before you both— Your stomach churns violently,

and you feel like you’re going to puke, but you force it down— can't afford to right now. Instead, you make your way over to the woman.

Her head is in her hands as she mutters over and over again about how everyone is going to die. People around her figure that being stuck in here with the crowd has probably gotten to her. You, however, know better.

“...hey,” you say softly.

Her muttering comes to an abrupt halt and slowly she raises her head to look at you. There’s a flash of recognition in her eyes and she grabs you violently by the shoulders. “You! You know, don’t you? That we’re going to die?”

If it weren’t for the fact that you have indeed experienced death here eight times already, then you would have thought she’s lost her mind. Slowly, you nod and she seems relieved by it, her grip on you loosening.

You can’t help but feel a little relieved too— glad to know that you’re not the only one experiencing this nightmare. There’s a voice in the back of your mind that’s confused though. Why is she only remembering now? But then again, it took you a few times before you realized yourself.

Around you people start to gasp, and you glance back toward the railway to see an abnormally tall man with white hair and dressed in all black jump down from the atrium onto the railway. He lands rather gracefully for someone who jumped at least one floor and starts to converse with the other three people (you think they're people— two of them are in some pretty wild costumes) on the track.

Wait. Isn’t it supposed to be just two people: the tall man and the one in the traditional clothes? Where did the other two come from?

“We have to get out of here,” the woman says. “Before they kill us.”

Her grip shifts from your shoulders to your arms and she starts to shove at everyone around you, trying to force her way through. She seems to know, just as well as you do, that any second now the gates will open and the crowd will start spilling onto the railway, littering the tracks with bodies and ash. Neither of you can let yourselves get swept up with the rest. If you do and you end up on those tracks, you’re as good as dead.

People move aside at a snail's pace, many of them too focused on trying to see what is going on on the subway tracks. This isn't good. You need to move faster or else—

The collective sound of the gates opening echoes in your head, a metallic hiss that makes your stomach fold into itself. Before either of you can stop yourselves, you both whip your heads back to look, to confirm, but it’s a mistake.

The briefest lapse in attention is enough to pull you both into the current of people, and try as you might to fight against it, the crowd splits you and the woman apart as it swallows you both whole. You’re both spat onto the tracks at the edge of the platform and your head collides with the metal rails of the track. It feels like your skull is about to crack in two, and it takes every fiber in your being to scramble to your feet. You're close enough to the platform that if you can just climb up it, then you'll be—

“Help! Help!”

It’s the woman’s voice. You turn to see that she ended up a couple meters away from you. She’s staring at you, eyes brimming with fear filled tears as she extends her hand in your direction. You take a step toward her, reaching out.

And then, her entire body is engulfed in flames, the skirt of her magical girl costume a ring of fiery death around her.

Her blood curdling scream is the only thing you can hear, her burning flesh, the only thing you can see. You don’t know what to do.

You can’t save her.

There's something touching your back. You can barely feel the pressure, but it's hot, scorching hot, mind numbingly hot, painfully hothothot.

You know this sensation. You have felt it before. The scent of burning cloth, burning hair, burning flesh clogs your nostrils. It's too late, you realize, helpless, despaired as the flames eat at your body— your soon to be corpse.

It's too late.

You die a ninth time.

It’s October 31, 2018— Halloween in Shibuya.

This is the tenth time.

Your head hurts, but you ignore it. There’s something more important that you need to attend to. You immediately make your way to the woman you met during your last round, the one you watched burn to death. Her costume is still pristine, unmarred by fire and death.

For now.

She’s not screaming this time and while there’s a little voice in the back of your mind that’s concerned by this, you try to ignore it.

“Um, excuse me?” you say when she doesn’t acknowledge you as you approach.

The woman turns to look at you. You’re taken aback by the distinct lack of recognition and it feels almost as if the woman you encountered previously and the one before you now are two separate people. In a way, they technically are.

“Do I… know you?” she finally asks when you don’t say anything.

Your mouth is dry. How do you even answer that? You don’t know her. You just watched her die twice. You know her. She begged you for help. You couldn’t save her.

If you explain all of this you know she’s just going to think you’ve lost your mind. Maybe you already have— you’ve died nine times after all.

You give her a weak smile. “I… just wanted to tell you that you think your costume looks great.”

She blinks, taken aback by your words. There’s no doubt that she wasn’t expecting you to say that. It’s the truth though, her costume is nice; she’s dressed up as a character from a magical girl anime that was popular a couple years ago.

“Thank you! I made it myself!” The woman breaks out into a genuine smile and your heart hurts. In a few moments she’ll die and the costume she worked so hard to make will be nothing but ash on the subway tracks.

“Sorry,” you blurt out before you can stop yourself.

“For?”

For watching her die. For not being able to save her.“...I just kind of came up to you all of a sudden…”

She laughs. “It’s okay.”

It’s not.

You consider telling her that she should try to move. That if she stays here she will die. You don’t want her to die. Again. You can still hear her screaming in your ears as she burned to death. You want to tell her.

You don’t.

“Stay safe, okay?” you say. It almost sounds like you’re begging.

She gives you another smile, kind and gentle and you think you’re far too undeserving of it for not telling her what fate will soon befall her. “You too.”

“I’ll try,” you say and move away from the woman just as the gates open and the crowd surges toward the railway. You do not fight it as you are swept up into the crowd and despite what you said, you do not try, this time, to stay safe.

You die for the tenth time.

It’s October 31, 2018— Halloween in Shibuya.

This is the fourteenth time.

There’s a slight ache in your head, but it’s subtle enough that you can ignore it. The pain you feel lessens with each round and you think it’s a sign that your body no longer feels the need to remind you of the precarious situation that you’re in.

Or maybe you are just becoming numb to everything: your death, the death of the people around you, the death of the woman in the magical girl costume—

You try not to think about it too much as you reach into your bag to check the time on your phone: 8:37PM. There’s not a lot of time: you need to move.

At the very end of your last attempt to escape this nightmare you realized something. You need to know exactly what is going on around you so you can plan accordingly: where to not stand, where to not go. Up until now, you’ve relied almost solely on the knowledge gained from your previous failures to try and survive, but obviously it’s not enough to keep you alive. You’re not sure why you didn’t realize this earlier. The panic, maybe? The fear?

Maybe you really are becoming numb to all this.

Unlike previous iterations, this time you elect to move closer to the gate, positioning yourself somewhere against it where you’re unlikely to be pushed off the platform in a couple minutes when they open. You take great care to place yourself where you can see the ones responsible for the slaughter very clearly. At the beginning, you could only see one, the one who looks the most human, but with each repetition, the other two have become more and more clear. You wonder why. You don’t have time to think about it.

Murmurs nearby alert you to the arrival of the fourth major player involved in the night’s events. You look up and see the white haired man dressed in all black descending upon the platform like an angel from the heavens. This is your first time really looking at him and you realize there’s something almost inhumanly attractive about him. You can’t quite put your finger on it, but it occurs to you that you shouldn’t even try; you don’t have the time to be drooling over some handsome stranger.

You’ve naturally never taken the time to try and listen to whatever the conversation the man and his opponents have before all hell breaks loose on the platform, but you try and lean closer to listen. It’s hard to hear over the dozens of conversations going on behind you, but you try anyway. There might be a clue to what’s actually going on— or better yet, a clue on how to get out of it.

It’s obvious that you’re missing context from what bits of the conversation you do manage to hear, but honestly it all sounds like stuff out of a shounen battle manga. There is one part of the exchange that you manage to hear with a startling sort of clarity. It feels almost as if your heart stops beating as your blood turns ice cold in your veins.

“If I run away, you’re just gonna kill everyone here, right?” the man in black asks.

There’s a pause, and if your heart was still beating it’d be long enough for just four heartbeats.

“If you run away?” The monster with cane repeats, the sadistic grin spreading wide across its features, displaying its charcoal black teeth. The gravelly sound of its voice sets fire to the blood in your veins, your stilled heart thumping wildly, in fear, in anticipation. Soon. It’s happening soon. You brace yourself. “We’re going to do that even if you don’t!”

You die a fourteenth time.

It’s October 31, 2018— Halloween in Shibuya.

This is the seventeenth time now.

Things are going surprisingly well, even as the people around you tumble onto the tracks. You manage to hold on, desperation keeping you from falling into the abyss. This is good, you tell yourself, despite the fact that it’s not the first time you’ve achieved this. Every little victory is worth celebrating, but you have to remain vigilant. This is yet another information gathering loop, and while you know that maybe this time you’ll be lucky and live, there’s still a chance, a big one, at that, that you will die again.

You have to make the most of each and every death.

It’s such a morbid thought, but the ends justify the means, or so you tell yourself. If you have to die a few times to make it out of this unending nightmare, then so be it.

The spot you’re in is a good vantage point; it’s easier to see everything happening below you. It’s so good that it’s actually sickening. You watch as the monster with the cane and one with what looks like branches for eyes slaughter the people on the track, mowing them down, setting them aflame. In another life, in another many lives, that was you down there, and for what feels like the first time in forever, you feel like you’re going to be sick. You feel like, at some point, you likened the scene before you to some kind of shounen battle manga, but you think that was wrong.

This is borderline horror.

Everything plays out before you like a scene out of an action horror flick. If you didn’t know better, you’d think you were just an extra on set, but you know the reality is that you’re just an extra to whatever phantasmal battle is taking place in front of you. The monsters and the strangely dressed man all try to attack the man in black, but he manages to block every hit effortlessly, as if he is protected by some sort of invisible barrier. When it seems the two monsters are about to hit him, he merely jumps out of the way and the two monsters seem to collide, the force of their combined strength sending a gust of air throughout the crowd. The man in black neatly lands on a nearby platform half wall and says something about curse users, whatever those are, to the monsters, before he starts to mock them, pulling down his strange blindfold in the process.

And this, you’ve found, is where you start to get in trouble.

You clearly remember thinking, at some point, previously, that there was something attractive about this man. You still don’t know what it is. You haven’t had the time to try and figure it out, but there is one thing that you do know: you can’t keep your eyes off of him.

He drops back down onto the tracks, antagonizing his opponents in an arrogant tone as he approaches. When he comes to a stop between the two monsters, the second round of their fight begins. They try to hit him, but he dodges still, gracefully, fluidly, like the three of them are embroiled in some sort of passionate, yet violent dance.

You cannot turn your eyes away as he cruelly rips off one of the arms of the one-eyed monster.

You cannot turn your eyes away as he brutally kicks the branch-eyed monster in the abdomen, sending them flying to the other side of the platform.

You cannot turn your eyes away as he effortlessly hurls the one-eyed, now one-armed monster in the same direction, sending them smashing into the wall.

Only when the man in black seems to fly to the other side is the spell over you seemingly broken. Still, your eyes give chase, and your body too, rushing from one side of the platform to the other. You can’t lose sight of this fight, you tell yourself, settling in a spot you recall being safe during your last round. Doing so could mean another death, another loop, another October 31.

You watch as the man in black acrobatically dodges what looks to be vines or roots that the monster with branches for eyes seems to have summoned from the depths of the Tokyo metro. He lands on the monster’s shoulders, balancing on them as he uses its branch-eyes for leverage. The look in the man’s eyes is so crazed that you can see it from where you’re standing. He says something to it and then—

With a feral and sadistic smile, he rips their eyes straight out of their skull.

Your heart is pounding wildly in your chest as you watch the fight unfold. It is horrifyingly, disgustingly violent, yet still you watch as people on the track are killed by the human-like person, blood raining down as their freshly beheaded skulls go flying into the air. He and the one-eyed monster launch their counter attacks against the man in black and the blowback is so intense the power goes out causing everyone to scream.

There’s a faint glow where the man in black is standing that starts to grow brighter and brighter. You can make out his form turning to face the wall, and it seems almost like he’s slammed the monster that had branches for eyes against it with some sort of telekinetic power. Despite the panic from the people around you, you manage to hear him, chuckling like a mad man as he draws closer and closer to the monster.

The one-eyed monster yells out a name, a name you think must belong to the man, but he doesn’t hear it. He doesn’t hear the one-eyed monster as he extends his hands out toward the eyeless monster, exerting some kind of force that you can’t really see. He doesn’t hear the one-eyed monster as the eyeless monster’s entire body is vaporized in a flash of blue light. He doesn’t hear the one-eyed monster, as the lights flicker back on revealing a smoking crater stained with purple blood where the eyeless monster once stood.

But you do.

Satoru Gojo.

You make sure to remember that.

It’s October 31, 2018— Halloween in Shibuya.

And this is the eighteenth time.

You watch as the man called Satoru Gojo stalks through the crowd of people on the subway tracks, chasing after the one-eyed fire monster. It throws people at him, in a clear attempt to slow him down.

It does not work.

Satoru Gojo climbs back onto the platform in a way that you can only describe as inhuman, and the people nearby shriek and move away from him, out of terror, out of fear. You, on the other hand, draw closer, refusing to lose sight of him.

He is relentless in his pursuit of the one-eyed monster. It continues to throw person after person at him, but he does not stop and the people float there, suspended in midair before they are gently lowered to the ground by some unseen force and scramble away.

No one dares get close to Satoru Gojo, everyone on the platform seems to know that doing so means certain death, yourself included. But you still feel the need to keep an eye on him. The monster and the strangely dressed man are focusing more on him than the crowd— anyone in between is just collateral damage.

But not you.

Especially since you’ve made it this far— you’ve never made it this far before.

A voice echoes throughout the platform; you realize it’s the automated announcement.

An eight car train is pulling in. Please wait behind the yellow line.

You can hear everyone’s relief coming from all sides. The train is coming! The train is coming! A ripple of hope makes its way throughout the crowd. With the train comes the chance to get off the platform and the senseless violence that’s been happening here. Some of the people around you are talking excitedly and others are running toward the gates, toeing the yellow line they’ve been instructed to wait behind. And you, you should be excited, you should be hopeful.

All you feel is dread.

It eats at your stomach, at your chest, at your mind. Clawing and gnawing at you in a way that leaves you paralyzed on the platform. There’s something wrong here. You can’t be sure because you’ve never made it this far, never survived long enough for the train to come, but something is just not right.

No.

You must be paranoid. The train coming is a good thing. It has to be a good thing. You are just paranoid. It’s normal. It’s natural. Dying seventeen times would do that to anyone— rob them of hope, condemn them to an existence full of fear.

It is not lost on you that the thought of dying more than once, much less, dying seventeen times is not normal or natural in the very slightest.

But you need hope, you crave it, wildly, desperately. The hope of freedom, of escape is the only thing getting you through this unending nightmare. Every time you die, every time you wake, it is with the hope that maybe, just maybe this iteration will be different, maybe this one will be the one where you make it out, make it back to your friends who must be waiting for you, make it back home where you can be safe and sound. You need the hope to keep going. Because without hope, what will you have left?

The train screeches as it pulls into the station and the people around you laugh in both disbelief and relief. They start to push and shove toward it, fighting to be able to board because there’s no way everyone here will be able to get on an eight car train and being left behind at this point is practically synonymous with death. Unable to decide if you believe in the train as a symbol of hope or a new layer of fear, you are pushed along with the crowd toward it.

The doors of the train cars slide open and the current passengers all rush off as they disembark. You as well as everyone else on the platform can see with a horrifying clarity that the train is filled to the brim with monsters. Monsters that reach out and grab anyone their hands can reach. The woman to your left. The person to your right.

You.

Hope is gone.

What do you have left?

You die for the eighteenth time.

It’s October 31, 2018— Halloween in Shibuya.

This is probably the twenty-sixth time now.

If there is anything this entire ordeal has taught you, it is that you are resilient. Whether it is some innate trait that you never had any reason to uncover before or just a byproduct of being trapped in an unending cycle of being dead and not dead, you don't know. What you do know, though, is that even if you no longer have hope, you at least have your resilience.

Whether you want it or not.

You check the time. It’s 8:35PM. Something flickers in your chest, like a faint light in a sea of darkness, but you ignore it. You don’t have time right now.

With a nimbleness born from your previous failures, you weave your way through the crowd. You’ve done this enough times to know where the gaps are— who will yield and who won’t. Your destination is the escalator that leads off the platform and up to a higher part of the station. You’d noticed previously that the escalator along with every other entrance onto the platform will eventually be blocked by vines or roots of some sort (the work of the branch-eyed monster probably). It’s not a perfect plan because you don’t know what happens on the other side, but whatever it is has to be better than whatever is happening on the side that you’ve been on.

You’d tried to get to the stairs during your last two rounds, but you’d just missed it. You hadn’t been fast enough and had gotten caged and slaughtered along with the rest. But this time, this time you have more time. It’s just one minute, but it’s enough. You know it is.

The flickering in your heart grows stronger. Hope. You try not to pay attention to it— you don’t want to be disappointed yet again. But you want to so badly. A voice in the back of your mind tells you to focus on the good, tells you that if there was truly no way out of this endless nightmare, then why would you get more and more time with each round to escape your fate?

With that thought in mind, you break out into a run, recklessly rushing through the crowd, shoving anyone who will not yield to the side. Out of the corner of your eye you can see the stark white of Satoru Gojo’s hair as he descends upon the platform.

You need to get up those stairs.

Now.

If you remember correctly, the roots and vines don’t close off the area the moment he touches down, but a little after they start talking, so you think there is probably some time, but you can’t leave it to chance.

The stairs are packed, and for some reason no one is moving. The escalator right next to it is just as full and the power doesn’t seem to be working. You don’t have time for this. You clamber onto the escalator’s rubber handrail, ignoring the weird feeling that passes through your body as you do so. You don’t have the time to worry about whatever that is. The people around you start exclaiming around you, but you don’t care, you don’t listen. You wobble as you try to balance yourself and when you think you’re steady you try to run.

But you trip.

And you die for the twenty-sixth time.

It’s October 31, 2018— Halloween in Shibuya.

This marks the thirtieth time.

And you have, finally, finally made it up the escalator, up the stairs with barely a second to spare. You pause, glancing back as the roots or vines or whatever the hell they are seal off the entrance to the platform. You notice that the area where the plants come down is actually fairly clear, despite the crowd. It seems weird, but you don’t dwell on it.

A strange feeling envelops your entire body and your legs turn into jelly. As you sink to the floor, you realize what you’re feeling is relief as all the tension, maybe thirty iterations of Halloween 2018 worth, seeps from your being. You don't remember the last time you felt anything other than fear and dread; it’s weird, but not unwelcome.

That voice in the back of your mind tells you that you can't relax just yet: October 31st isn’t over. Even though you have repeated this night again and again, burning the events that play out on the platform into your memory, you do not know a single thing that happens over here. It would be smart to scope everything out.

Legs still shaky, you rise to your feet and start walking. You think it’s probably for the best to try and head up to the surface and you make your way up to the next floor.

It’s packed with people here too, but relatively peaceful, especially when you compare it to the pandemonium taking place beneath your feet. Still, you can make out the undeniable hum of displeasure resonating throughout the crowd. People complaining about how uncomfortable their costumes are, people complaining about how much they want to go home, people complaining about how much their nights have been ruined because they couldn’t meet up with their friends and—

A thought hits you like an eight car train.

You were supposed to meet up with your friends.

That’s why you were on the platform in the first place— you were waiting for them to arrive, but then the trains stopped working, and people just started pouring into the station out of seemingly nowhere (you think you heard some people say they’d come from the crossing?). Soon after that is when everything went to shit.

You check your phone, though, for once it’s not to look at the time (8:56PM). Instead, you open LINE to check your friends’ group chat. There’s no signal here, for whatever reason, so if there are any new messages, you haven’t received them. The last one was from Kei, mentioning he was enroute, but as far as you know, you’re the only one who made it to Shibuya before the trains stopped.

Did one of them maybe make it here though? Surely, you would have run into them if—

The image of a woman in a magical girl costume fills your vision, burning to death before your very eyes as her screams echo in your ears. It is the first time in what feels like forever that you’ve thought about her and your stomach churns violently. You couldn’t help her, you can’t even help yourself, so how could you even expect to do the same for your friends if they were here? The mere thought of having to watch them die over and over is almost enough to send you over the edge. You don’t know if you could do it.

Would you even have a choice?

No. You can't think like that. You have choices. You've had choices. If you didn’t then, you would still be down below, among the fire and brimstone. Dying, if not dead already. However, instead, you are up here, where, for the moment, it is quiet and peaceful.

That thought, in of itself, is enough to give you a shred of solace, a glimmer of hope.

You take a deep breath and fiddle with your phone a little more, changing your lock screen to a picture you and your friends took at a photo booth not too long ago. The four of you are huddled together, faces squished as if you're all struggling to fit in the frame, despite there being plenty of room. You're mid-laugh because it's the first time you've been in a photo booth in years, Mio and Shin are grinning mischievously and finally, Kei is smiling, but only just slightly, the embarrassment clear on his face. It's probably only been a few months since you all took this picture, but the fact that it feels like it's been years makes your heart ache.

You press your forehead to the screen, like a prayer, like a promise.

You will make it out of this nightmare.

No matter what.

A shrill scream yanks you from your thoughts and you are instantly on your feet, alert as your eyes flit around frantically to identify the source. It doesn't take long for you to find it and when you do, you think you might have stumbled upon a new layer of horror to this nightmare.

It’s not the corpse, dangling by a noose, that terrifies you— by now you’ve seen dozens upon dozens of dead bodies that the sight of just one more doesn’t faze you in the slightest. The thing that’s the most mortifying, that’s the most disturbing is that right next to where the body is tied are two girls, two teenage girls still dressed in their school uniforms.

You can accept monsters and weirdly dressed men being responsible for the carnage tonight, but children too? Both girls look like they’re barely in high school and try as you might to rationalize things, to chalk it up to coincidence, you cannot ignore the ominous energy radiating from them.

The very notion that these two children could have killed someone here is a hard pill to swallow, but so is the fact that you’ve died.

And you’ve had to swallow that pill thirty times now, so what’s once more?

“Listen up!” one of the girls yells over the crowd, but she is mostly ignored; you don’t think everyone here has noticed her and the corpse dangling from the rafters. She scowls and turns to the other girl and says something quietly to her. The other girl nods and almost instantly she’s stringing up another person, another example. You want to look away so badly, and yet you cannot bring yourself to and you watch the poor soul choke to death.

“I said listen, you dumb monkeys!” the girl shouts, and this time she’s caught most of the crowd’s attention. “If you don’t want to end up like these two, you’ll listen to what we have to say!”

There is clear dissent among the crowd, people dismissive as they utter their disbelief. Some seem to think it’s a prank, but you know better. It takes two more examples before the crowd goes silent before the two high schoolers.

“About damn time!” The girl roars and then points toward the atrium, which is currently covered by roots and branches. “All of you move over there!”

You have a bad feeling about this.

Still, you comply; the girls have made it abundantly clear that failure to do so will result in death, though, at this point, you're almost certain this iteration is a bust and death is all but imminent. You try to keep positive— thinking you can at least gather information or, who knows, maybe there's a chance that this one is the one.

Yet when you step onto the mound of vines and branches that cover the atrium it feels as if you've crossed the threshold into hell. Your footing is stable… but for how long?

An eight car train is pulling in. Please wait behind the yellow line.

It's faint, but you can hear the announcement from below. The liquid in your stomach curdles at the sound as you recall the train and, in particular, what is on board. Soon enough, those monsters will be swarming the platform, massacring everyone in reach, guzzling down their blood, feasting on their flesh—

It dawns on you that the people on the platform are the monsters' first course.

And you, and those around you here in the shrubbery, are the second.

As you realize this, the branches and vines disintegrate beneath your very feet and suddenly you are mid air— falling, falling into the abyss below.

You die for the thirtieth time.

It’s October 31, 2018— Halloween in Shibuya.

You've done this nearly sixty times now.

After countless failures, you've decided that you're just not going to go upstairs any more. No matter where you try to go, you still end up herded onto the death trap above the platform where you ultimately fall to your death. You've tried positioning yourself in the same spot, tried bracing yourself for the drop— but nothing seems to work: upon landing, assuming you manage to land without hurting yourself or dying in midair (which has happened a couple times) you get grabbed and killed by one of the monsters from the train. It's probably not impossible, you just don't have the physical prowess or reflexes for it.

If anything, you can try again later, but you sincerely hope you don't have to.

It's 8:32PM, and you have plenty of time to get to your chosen spot for this loop��� it's close to the stairs, in the very center of the platform. Here, there's little risk of getting pushed off onto the tracks when the gates open. You'll probably have to move when the train comes, or even before (assuming you survive) to avoid the monsters, but you'll get to that when it's time.

You can't really see the fight once it breaks out after Satoru Gojo arrives, but you still try to keep track of it as best as you can. You see when he hurls both monsters across the platform and you're not sure if it's muscle memory or what but you have to fight the urge to move to the side and watch. It's been a while, yes, but you've seen the fight countless times before— it doesn't change. Satoru Gojo will give chase. He will rip the branches from the branch eyed monster's skull. He will use some kind of power to eviscerate them.

You don't need to watch, but there's something in you that wants to.

It doesn't make sense, you've seen it all before; if you're unlucky you'll see it all again.

The lights go out and people start screaming; Satoru Gojo is ending the life of that one monster. Soon enough he'll be back on the platform, in pursuit of the other. You think at that point it would be good to move, reposition yourself as far from the incoming train as possible.

When he rises from the tracks like a demon straight from hell, you realize it's the first time this loop that you've actually gotten a good look at him. You remind yourself, again, that this isn't the first time you've seen this man, this scene. You can't help but watch, but stare at Satoru Gojo as he stalks through the crowd in pursuit of his prey. His expression is an eerie sort of calm that's at odds with the acts of violence you've seen him commit— his eyes an unnaturally bright blue.

He's a terrifying sort of beauty and you can't help but be captivated by him.

An eight car train is pulling in. Please wait behind the yellow line.

The sound of the announcement sends your heartbeat into a frenzy, snapping you out of your little trance. The train is coming and you need to get moving. As you dart to the edge of the platform, the thought occurs to you that even if you avoid the initial wave of monsters, it's likely you will inevitably be caught by them and killed. It wouldn't be impossible for Satoru Gojo to turn his attention to them instead of the two he's currently facing, but he's just one man— can he truly defeat all those monsters?

You can see the train pulling in and you brace yourself, praying that it'll work out somehow.

The doors hiss open and the screaming starts again as the monsters come bursting out of the train, biting and mauling anyone they can get their hands on. Those who were lucky enough to not be at the front start to scramble away and the monsters give chase. Your body is taut, ready to try and dodge any that come your way.

Out of the corner of your eye you notice something moving through the air. A person? With blue hair? You take the risk to look— they're attacking Satoru Gojo. He tries to punch them but they fly away from him to dodge— disappearing into the crowd.

You hear a loud cracking sound over the cacophony of the crowd and your stomach twists; you know what that sound is. The roots above the atrium disintegrate and bodies from above start to rain down onto the platform.

And then, you're not sure what happens— it's so quick that you only manage to see what looks like an explosion of blood surrounding Satoru Gojo. Corpses litter the ground around him and even from here you can tell he is shaken by the carnage.

The monsters have finally reached where you're standing, and you duck under one as it lunges at you. Although it's big and scary, you realize it's moving kind of slow. Right after it another one comes at you and you take a side step to avoid it; this monster is kind of slow too.

Maybe you can do this.

As soon as you think that a strange feeling courses through you. Every hair on your body feels like it's standing on edge and the voice in your head is telling you to look at Satoru Gojo. You don't understand why because you think he's the least of your worries right now, but you do it anyway.

He's in some sort of stance, one hand raised to his face, fingers bent in some kind of gesture. There's some sort of aura, oppressive and frightening emanating from his form.

Satoru Gojo is doing something.

You just can't tell what.

It’s October 31, 2018— Halloween in Shibuya.

And you are utterly confused.

Barring your first few loops when you weren't fully aware of what was happening, you have very distinct memories of how each of your previous iterations of this night have gone— of each and every one of your deaths. But for your last round, the last thing you remember was feeling the immense power radiating from Satoru Gojo's body, but that's it.

You do not remember dying.

In fact, you don't think you did.

And yet, here you are again, back at the start: it's 8:32PM and the monsters and strangely dressed man are standing on the subway tracks waiting for the arrival of Satoru Gojo.

You don't understand what's going on; you didn't die but you're still stuck in this damn loop. Up until now, your death has served as the trigger to restart the loop. It's not impossible that maybe you suffered a quick and painless death but you're almost certain that isn't the case.

Something else must have happened.

Something having to do with Satoru Gojo.

You have to find out what. If you don't, you won't know how to avoid it, and if you can't do that, then you really might spend an eternity stuck in this nightmare. And so you take great care to repeat the steps of your last round. You need to make sure to survive to the same point you made it to last time.

Miraculously, you do.

The moment you feel that sensation again, a prickling sort of feeling that envelops your entire body, your eyes are on Satoru Gojo— trying to figure out what the hell he's doing. His eyes are crazed with a desperate kind of focus. You see his mouth move— he's saying something. A spell? A prayer? A curse?

You don't know.

You do know.

Your brain feels like it's going to explode.

Again.

It’s October 31, 2018— Halloween in Shibuya.

Again.

You do not know how many times it's been the night of Halloween in Shibuya: you stopped counting around the hundredth loop. It feels like it's been a while since then. Or maybe it hasn't? You don't know any more.

What you do know is that this night ends up going one of two ways before you are forced to repeat it. Either you die, in some way, shape or form or something happens just after nine that forces you to reset. You still don't know what it is exactly; you only know that Satoru Gojo is responsible for it.

You do prefer it to dying— it's far less painful.

But if anything, you wish you could just die permanently and never have to repeat this night ever again.

Unfortunately, you know better.

The only good thing you’ve noticed about all of this is that you really do seem to keep waking up earlier and earlier. The last time you checked, it was at around 8:30. It might take hundreds of thousands of loops, but eventually you’ll certainly wake up early enough to avoid this damn entire mess.

But by the time that happens… will your sanity still be intact? Will you really be able to go back to a normal day to day life after living the equivalent of hundreds of years, repeating the same night over and over again? You don’t even know how you’ve managed to stay sane all this time and as much as you want to believe you could do it…

There has to be a breaking point.

For both your mind and this time loop.

If you’re lucky, you’ll reach the latter first.

There’s a dull ache in your head that feels foreign yet familiar. Your mind is foggy, all your thoughts hazy as you try to recall what the word for this feeling is.

Groggy.

It feels as if you’ve woken up from a nap and you blink the sleepiness away from your eyes. When was the last time you took a nap? It’s been a while… You think you maybe tried once or twice, but you were too nervous, too on edge. Awake or asleep, it didn’t matter because, either way, you were doomed to repeat this nightmare.

As you think this, you realize that something is different.

You’re used to how the start of each loop feels like waking up suddenly and abruptly and it becomes clear to you that you haven’t looped. This is completely uncharted territory.

You need to find out what’s going on.

The first thing you notice is that it’s quiet. Almost eerily so, especially when the last thing you remember was screaming and chaos. You glance around you and find that it looks like all the monsters from the train are dead, the ground littered in their bloodstains and corpses. There were so many of them, you don’t know how someone could have wiped them out so quickly… Could it possibly have been Satoru Gojo’s doing?

More concerning than the complete eradication of the monsters is the fact that nearly everyone else on the platform is standing stock still, their mouths ajar with blank expressions on their faces. It’s almost as if their souls have completely vacated their bodies…

Were you like that too before you woke up?

You hear voices, and your body immediately goes tense as you turn your head in their direction. A little ways ahead of you, you see a man dressed as a monk conversing with the blue haired person from earlier and before them is—

Your heart nearly stops: it’s Satoru Gojo, restrained and on his knees.

Honestly, you can’t make heads or tails of the conversation they’re having; it’s more shounen battle manga nonsense. Satoru Gojo doesn’t seem to be enjoying their conversation either, and he interrupts them, clearly annoyed.

“Are we gonna do this or what?” he asks. “The view sucks and I’m just kinda bored.”

“I wanted to enjoy this sight for a little bit longer, but you are right,” the monk says. “I wouldn’t want anything to happen— gate, close.”

When he says that, Satoru Gojo’s restraints move, the weirdly shaped cubes at the ends of them closing in around him, trapping him in a giant red cube. It starts to shrink until it’s small enough to fit in the monk’s hand.

You gulp and hope they don’t notice that you’re awake. The fact that they haven’t slaughtered the rest of the people standing around you is a good sign, but you don’t want to find out what happens if they know you’re cognizant.

It’s not hard to play the part of a living statue, especially when you compare it to everything else you’ve had to suffer through on this night. You watch as the monk’s allies, the ones who had attacked everyone on the platform, wake up, but before they can do or say anything, the box holding Satoru Gojo slips through the monk’s fingers and makes a dent in the concrete. The look on the monk’s face makes it clear that it’s a problem he wasn’t expecting.

You don’t know a damn thing about Satoru Gojo, but you feel like this kind of thing is the norm for him.

The blue haired person suddenly looks in your direction and you nearly stop breathing. Have they noticed you? It takes everything in you to keep perfectly still, in hopes that maybe they didn't, that maybe they’re looking at something else. They raise their arm and it extends, their hand acting like some kind of projectile. You almost shut your eyes and brace yourself for impact, but their hand flies upwards and hits something on the ceiling, destroying it.

Inwardly, you breathe a sigh of relief— you’re still safe.

For now.

You listen to their following conversation and while you still don’t fully understand everything, it’s clear they’re talking about what to do next since they’ve taken care of Satoru Gojo. Something having to do with someone named Yuji Itadori? The group seems split on what to do about him but it’s clear he’s their next target.

Eventually, everyone but the monk (you heard the blue haired person, who is apparently named Mahito, call him Geto?) runs off, probably to find this Yuji Itadori person. Once they’re gone, Geto speaks and, at first, you think he’s talking to you, but it becomes clear he’s addressing someone else. “Those cursed spirits are actually smarter than the two of you.”

“Give him back!” a voice hidden among the crowd hisses. Your blood runs cold at the sound. You recognize it; it’s one of the high school girls from the upper floor.

“We cooperated with you fully and kept dropping monkeys for you,” says another voice; it must be the other girl that was with her, the one who hung all those people.

“Now give us back Master Geto’s body like you promised!”

“Don’t toy with Master Geto any further than you have!”

You blink in confusion. Isn’t the monk named Geto? The way the girls are talking it sounds like they’re talking about someone else… Is it possible that the body is ‘Geto’ but the person they’re talking to is someone else possessing it? It sounds kind of crazy, but then again, so is every single thing you’ve experienced tonight.

Your suspicions concerning this ‘Geto’ are confirmed only seconds later as he says, “Now begone, or is it your desire to be killed by this body?”

One of the girls vows her revenge and you hear shuffling somewhere else in the crowd as they scurry away. Now you think it’s just you and whoever it is that’s puppeting Geto’s body. You see him plop down in front of the box (the prison realm, you think he’d called it) that’s holding Satoru Gojo.

“You can come out, you know,” he says after a while.

You freeze. The rest of the platform is completely silent. This time you think he might actually be talking to you.

“I know you’re there,” ‘Geto’ adds, his voice casual. “If you’re insistent on hiding, you should know that I’m not afraid of using whatever means necessary to smoke you out.”

Given everything his allies have done, there’s no doubt in your mind that he’s serious. You were hoping to hide out among the crowd until he decided to leave, but it looks like you won’t be able to now.

Looks like this loop is a bust after all.

Your heart starts to race as you weave your way through the crowd. In every single one of your loops, you were always treated like a bit character, never noticed or singled out by any of the major players of the night. Although this is your first time encountering this ‘Geto’ it’s clear to you that he’s involved with everything that’s happened here and honestly, you get the feeling he might actually be the mastermind behind the massacre.

That makes you even more nervous.

You come to a stop in the place where Satoru Gojo was once kneeling before he was put in that box. Now that you’re out in the open, ‘Geto’ looks you over with some sort of nonchalant curiosity.

“You’re…” he starts, sounding thoughtful, "not a sorcerer, are you?”

Sorcerer. You heard that term thrown around by him and his group a few times. It’s what they’ve been referring to their enemies as. It probably wouldn’t be smart to lie and say you are one; you get the feeling he’d see through your lie anyway. “I’m not.”

He hums. “How interesting.”

“...what do you mean?” you ask before you can help yourself.

“It’s just you have an abnormally large amount of cursed energy for a non-sorcerer,” he explains. “Though, I suppose that all just sounds like gibberish to you."

You nod and look down at the box lodged in the floor. It has eyes, big creepy looking eyes. "...are you going to do the same thing to me as you did to that man?"

He laughs, "...fortunately for you, the prison realm only holds one person at a time and I need him sealed away more than you."

"...does that mean you're going to leave him in there forever?"

"If I'm feeling nice, I might unseal him in a hundred years or so."

One hundred years? At this point, you've probably lived roughly that amount of time through your loops alone, but for Satoru Gojo… "Won't he die first?"

"Only if he decides to," 'Geto' says, looking completely and wholly unbothered. "Time doesn't doesn't flow in the box, so when I unseal him, he'll be the same as he was just now. Physically anyway. Who knows how deteriorated his mind will be after all that."

Time doesn't flow in the box.

The words echo in your mind over and over. Time doesn't flow in the box. In other words, that means time has stopped in the box, and if that's the case then—

"Anyway, rather than worry about him, shouldn't you be more worried about yourself?"

You look at 'Geto' and he's smiling at you, it's friendly, but ominous. There's no doubt what is going to happen next, though you had already resigned yourself to this iteration being a bust; it was only a matter of time.

Time doesn't flow in the box.

"I was thinking I might keep you around, even if you aren’t a sorcerer, your wealth of cursed energy would serve my plans well," he muses. "But… it would be too much trouble trying to teach you how to use it in time."

As he talks, you realize this is probably the first time your death is intentional— every other death you've suffered has just been a byproduct of the ongoing slaughter. You were just another casualty, a victim, never a target.

You're scared.

Even though you know that once he kills you, once you die, you'll just loop back to around 8:30 again. You'll be on the platform again. And you'll play out some sequence of events before you eventually die again. And again and again.

Time doesn't flow in the box.

"I'll be nice, though," 'Geto' says, raising a hand and another monster appears out of nowhere. You don’t even bother trying to figure out from where. It doesn’t matter, especially since this monster will surely be the one to end your life. "I'll make it painless."

"...I appreciate it," you say and close your eyes hoping that he's not lying about it.

Time doesn't flow in the box.

He didn't lie.

You die again.

It’s October 31, 2018— Halloween in Shibuya.

And you're trapped.

You don't know how and you don't know why, but you are stuck in a time loop— forced to suffer through the horrific events of the night before you die and begin it all again. It's been a long time since you stopped counting how many loops you've gone through, but if you had to guess, it's probably somewhere in the hundreds now.

You are so very tired.

But it doesn't stop. It won't stop no matter what you seem to do. You are stuck. You are trapped. You are doomed.

“Time doesn't flow in the box.”

Ever since that first loop where you heard whoever is possessing Geto's body say that, the words have been stuck in your head, playing on loop.

You finally realize why.

“Time doesn't flow in the box.”

It's 8:25PM when you wake up; that should be plenty of time.

You need to find Satoru Gojo.

After hundreds of loops you've come to a singular conclusion: you need to prevent him being sealed in the prison realm. You've witnessed it enough to know that you won't be able to do it alone; you'll need his cooperation.

You rush upstairs as fast as you can, ignoring the shiver that runs down your spine as you step onto the stairwell. According to your previous loops, Satoru Gojo arrives on the subway tracks at 8:40PM. With how crowded the upper floor is, you don’t know if you’ll have the time to intercept him and talk to him, but if you can at least figure out where to find him, then you can try and talk to him during a subsequent loop.

When you reach the fourth basement floor, however, you don’t know where you should even start. He’s pretty tall so you think you could spot him in the crowd, but… there are still so many people. It occurs to you that maybe it would be better to try and look from a higher vantage point so you head to the stairs that lead up to the third basement floor. You check your phone again. It’s 8:35PM; you need to hurry.

Luckily for you, you find him very easily on the third basement floor.

The only problem is that he’s in a hard to reach spot— squatting above a sign hanging over the crowd.

You check your phone again. It’s 8:38PM and he’s starting to move, presumably to meet with those waiting for him on the subway tracks. It’s good that you found him, but there’s no doubt about it.

You’re going to need more time.

The moment you wake up, you immediately bolt toward the stairs. It's taken many, many more loops, but you've finally brought the time you wake down to around 8:15. You're still not sure if it's enough time, but there's only one way to find out.

You barrel your way up to the next floor and zig zag through the crowd to get to the next flight of stairs. By the time you get to your destination, you're completely out of breath, your chest heaving as your lungs clamor for air. You’ve done this so many times, yet your body acts like it’s always the first. It sucks, but there’s nothing you can do about it. You slow to a brisk pace to catch your breath and check the time. It’s 8:27— a new record. Hopefully it’ll be enough.

The goal is to catch Satoru Gojo before he moves to his lookout point above the crowd. While not impossible, it would be difficult for you to follow him there. You eye the safety barricade that blocks off the area where he’ll be moving in just a few minutes warily.

Yes, getting over there would be extremely difficult.

You don’t want to think about it right now; you’ll deal with it when the time comes.

Especially since Satoru Gojo has now entered your field of vision.

Your heart starts to race at the sight of him and it feels like it’s beating a million times a second. There isn’t a lot of time. You need to talk to him, but your legs only wobble, your feet planted firmly to the ground. This is not good. You need to move. You need to move.

Finally, after what feels like both an instant and an eternity, your feet finally budge, propelling you in Satoru Gojo’s direction. The beating of your heart only grows louder as you make your way toward him, mingling with the single thought that’s echoing throughout your mind right now: will he even hear you out?

You need to make him.

“Excuse me!” The words nearly come out in a stutter as you realize that you are actually talking to Satoru Gojo. You have watched this man at a distance for so long that it almost felt like he wasn’t real, like he was just another fixture in this nightmare that you’ve been living for far too long. And yet, here he is, right in front of you, in the flesh.

And his attention is on you.

All sound stops: the crowd around you, the thoughts in your head, the beat of your heart. Even though you cannot see them through that blindfold of his, you know that Satoru Gojo’s eyes are on you and the thought of that, the knowledge of it is actually a little overwhelming. Your mouth is dry and suddenly you don’t know what to say, but you need to say something. You need to say something before he thinks maybe you bumped into him by accident and just walks away without a word.

“I need to talk to you!” The words just burst out from your mouth and something about it is just absolutely embarrassing. You’re not sure if it's desperation or the fact that you haven’t really talked to anyone other than the existence occupying Suguru Geto’s body in nearly forever.

Satoru Gojo’s lips slowly start to form a smile, “Oh, yeah?”

The sound of his voice makes your mind go blank. There’s something different about it right now; more playful, amused even. Maybe it’s because he’s talking to you, a harmless human being and not a monster trying to kill him. It’s almost kind of jarring, but you know, with certainty, what Satoru Gojo’s voice sounds like. And the fact that he’s actually talking to you right now has you kind of excited. You nod, doing your best to not show how thrilled you are that he’s not ignoring you.

He hums thoughtfully, “Sorry… but unfortunately I kind of have some business to attend to right now.”

“I—” You start to say that you know that he’s headed down to the platform below to fight with…Choso and Jogo, you think their names are— you don’t know the name of the monster with the branches for eyes. “It’s— it’s really important!”

Gojo tilts his head a little, clearly thinking. You should probably say something else, something to try and convince him to stay a little longer and hear you out, but your mind is both full and blank. Where do you start? From the beginning? Or do you start with what is most important? Maybe you should say what you think will get his attention. You’re not sure, and you realize you really should have thought about this earlier because you’re running out of time right now.

“...mind handing me your phone?”

You stare at Gojo, completely and wholly confused, but he just holds out his hand expectantly. When you don’t move, he wiggles his fingers a little, a silent gesture telling you to hurry it up. Without thinking, you reach into your bag and unlock your phone before handing it to him.

“Kind of sucks that cell service isn’t working right now,” he remarks as he types something into your phone before handing it back. “But! Here's my number.”

You look down at your phone and, sure enough, Satoru Gojo has added himself as one of your contacts. He’s even added a little star to the end of his name. That’s… a little unexpected. Why his number though?

“Are you… hitting on me?” you mutter in your confusion.

He laughs, “Well, you said you had something really important to talk to me about, right? So just give me a call when you get home or some time tomorrow and we can talk then!”

You’re not going to make it home, or even to tomorrow, and neither will Satoru Gojo. As you start to tell him this, he steps past you. Desperate, you try to grab him, but somehow, for some reason, you can’t. You remember he did this with Jogo and the other monster, made himself untouchable.

This is not good.

He gives you a little wave, cheery as he says, “I’ll talk to you later!”

You watch, helpless as he hops over the barricade beyond your reach.

Gripping your phone tightly, you take a deep breath. It's fine, it's not like you didn’t expect things to go well anyway.

You'll just have to try again.

Every time you’ve tried to solicit help from Satoru Gojo, it has gone the same way. He just won’t give you the time of day, and in some ways you can’t blame him; he’s clearly here to deal with the monsters down on the platform. You’re fairly certain that he probably thinks that whatever is going on with you is a much lesser issue in comparison.

Plus, it probably doesn’t help that in the times that you’ve approached him, you haven’t been able to articulate yourself particularly well. Once you start talking to him, you just get hit with something akin to stage fright and the connection between your mind and your mouth just stops working. It’s gotten better with each attempt, but…

It’s just so frustrating.

It is interesting that Gojo has given you his number every time, star symbol and all. You’re not sure what kind of person you were expecting him to be, but after witnessing him literally and viciously rip monsters apart, you’d figured he’d be a little more somber. However, in the fragmented conversations you’ve had with him he’s come off as far more friendly and playful than you would have thought. Is he the type of person to get more serious when the situation calls for it? You can’t help but wonder, but ultimately, it doesn’t really matter.

What really matters is that you’re able to convince him to help you.

You have to convince him.

“Excuse me!” you say, stepping in Satoru Gojo’s path. You don’t stutter this time, and your voice is more sure. This is good.

“Yes?”

His head turns in your direction and you gulp. Gojo’s gaze, despite that blindfold of his, still feels just as overwhelming as it did the very first time you approached him. You have no doubt that he’s sizing you up, but there’s just something about it that makes you feel like you’re being picked apart.

You take a deep breath and step closer to him, hoping your voice sounds firm enough as you say, “I need your help. I’m trapped.”

He chuckles a little, “I know, but yours truly is on his way to go beat up the bad guys keeping you all trapped here, so soon enough you’ll be all free to go on your merry little way.”

Right. You were so caught up in your own plight that you nearly forgot that technically you’re not the only one ‘trapped.’ Satoru Gojo obviously knows that everyone else is confined to this station, but you doubt he knows that you’re confined to this night alone.

“That’s not what I mean!” you sputter.

“Then what do you mean?” Gojo asks. Should you tell him that you mean that you’re trapped in a time loop? You’re honestly not sure— in the movies and manga you’ve read about time travel, revealing that sort of thing risks creating a time paradox which seems to be a bad thing. If you have to tell him, you will, but— “Oh, I get it.”

You stare, bewildered. Did you maybe just spew all of that aloud?

Gojo gives you a mischievous smile. “You’re hitting on me, aren’t you?”

“No!” The word comes flying out of your mouth. You can’t deny he’s attractive— you’ve thought it all this time, but that is not what’s happening here.

“No need to be embarrassed,” he continues, ignoring you. “I totally get it, so if you want, I’d be happy to give you my number!”

Again? You’ve received Satoru Gojo’s contact details in every loop you’ve talked to him, star symbol and all— you even have his number memorized. There’s something kind of odd about how he keeps giving you his number. Part of you wonders if he’s got some sort of ulterior motive, but you haven’t thought too deeply about it. There are way more important things going on.

“I don’t need your phone number,” you say. “I need to talk.”

Your response seems to give Gojo pause. Did you somehow manage to get through to him? No way. Your suspicions are all but confirmed when he gives you that familiar apologetic smile.

“Like, I said, I’m sort of in the middle of something, but…” Gojo reaches into his pockets and rummages around until one hand fishes out a folded up piece of paper. The other hand keeps digging around in his pocket and when Gojo seems to give up on whatever he’s looking for, he turns his attention back to you. “Got a pen?”

What?

Gojo tilts his head. “Well?”

“I do, but…” You trail off, unsure why he’s asking.

He holds out his hand waiting for you to just hand him the pen. You still don’t get it, but you reach into your bag’s front pocket and pull out the pen and hand it to him. Gojo looks almost like an excited child when he takes it from you, quickly scribbling something onto his paper before shoving it and your pen back into your hand.

You look at the paper; it looks like a receipt. For a disturbing amount of mochi that Gojo bought earlier today. The amount of money he spent is almost sickening; way too much to be paying for mochi. More importantly, you notice something juxtaposed over the receipt’s print.

It’s Satoru Gojo’s name and number.

He even drew a little star next to his name.

“If you change your mind later, just give me a call!” he tells you cheerily. “I promise I’ll make it worth your while!”

You gawk at him. He cannot be serious. You literally just told him that you didn’t need it and yet he still gave it to you. He must want you to contact him later, but you can’t even begin to understand why. It can’t have been something you said or did, right? Unless, he’s actually—

“Later!” Gojo’s voice cuts through your thoughts and you notice him walking off with a wave.

You can’t let him get away.

Again.

You crush the receipt in your hand and rush after him. Despite the crowd, Gojo seems to move through the people with ease and it almost seems like they are yielding to him naturally. It’s good for you. Makes him easier to chase.

“Wait!” you yell, but Gojo doesn’t even look back. Bastard. Your muscles strain as you try to run faster. You know you won’t be able to grab him if you get to him, but there has to still be something you can do to stop him. Circle around him? Cut him off before he—

Satoru Gojo reaches the barricade.

“Wait!” you yell again. “Satoru Gojo, wait!”

He does not even acknowledge you.

You’re almost there though. Almost. If you reach out your hand, then maybe, maybe you can grab him. Something in your head tells you that it’s useless; you’ve never been able to touch him. But, you don’t care, you don’t care because you have to try. You stretch out your hand, desperate and hoping, but just as you do, Gojo effortlessly jumps over the barricade, moving to survey the crowd.

Due to your momentum, you almost collide into the barricade, but you manage to stop yourself. You stare at Satoru Gojo through the glass. He watches the crowd for at most three minutes. Is this just another bust? Is there really nothing you can do? There must be a way you can get his attention. Is it possible to climb over the barricade? No, it’s too high. There’s nothing you can grasp onto or use as footing either.

This fucking sucks.

Another minute or two and Gojo will be on the move again, and there will be no way you can follow, no way you can get his attention. You press your hands against the glass, pushing against it. Naturally, it doesn’t budge. Why would it? If only you could get it out of the way. If only you could break it. This stupid barricade is the only thing between you and Satoru Gojo and there’s no way you can climb it, but if only you could break it.

If only you could fucking break it.

Suddenly, the glass feels warm. Satoru Gojo’s image starts to look a little distorted as the warmth beneath your fingers grows. Something is happening. The glass starts to vibrate and shake. Violently. The tremors grow stronger and stronger. You should stop. You should back away.

You don’t.

The barricade starts to crack and fracture and soon the sound of shattering glass resounds throughout the entire room. Everyone starts screaming. No one knows what’s going on— not even you. But you don’t care. It’s gone. The barricade is gone.

You take a step forward, toward Satoru Gojo. He’s on a beam that’s about a two meter drop from where you’re standing. That’s fine. That’s okay. You can make it. You have to. Without a second thought, you jump—

And you land on the beam. You look up and Satoru Gojo’s attention is back on you. He’s finally, finally turned toward you, face twisted into an expression you can’t decipher or even comprehend, but—

Something’s wrong; your world is turning on its axis, but—

Satoru Gojo is looking at you, and—

Up is very quickly becoming down, and—

Satoru Gojo is coming closer, but—

You’re slipping—

But he’s right there, and—

You’re falling, but—

He’s trying to catch you, but—

It’s too late. It’s too late.

The last thing you think you feel—

—is Satoru Gojo’s arms around you.

It’s October 31, 2018— Halloween in Shibuya.

And you are causing a commotion.

“Shit! Fuck!” you curse loudly. The people near you start to shift away but you barely notice; you don’t really care.

You were so close, so fucking close and yet… yet here you are again. It’s quarter past eight and you are back on the goddamn platform. You don’t know what happened; you remember falling and thinking you were going to die, but you are absolutely certain that, once again, this time, you didn’t die.

Is Satoru Gojo at fault again? Did he do something? Like he did all those other times you looped without dying? When you think about it more, you don’t think so. You don’t know what happened; all you know is that you tried to get to him, but you slipped.

And he caught you, you definitely remember that.

You still don’t understand why you looped, but there’s not much you can do about it now; it’s not like you can go back anymore. It just sucks, because you think he might have actually listened if you’d talked to him.

Or he would have come after you for… whatever happened with the barricade. It could have been taken as an attack on the crowd… But if he thought you were doing that, then why would he catch you?

You don’t know.

All you know is that you have to try again.

The only problem is that you don’t know how you managed to shatter the barricade. You think about it as you make your way up to where you’ll find Satoru Gojo. There is the possibility that it wasn’t you and something else happened to it instead, but that feels way too coincidental. It had to be you. That’s the only thing that makes sense. You just can’t figure out how you did it outside of wanting, wishing, praying for the barricade to break. It’s not like you have supernatural powers like Satoru Gojo and his enemies.

Despite your mind being completely and wholly occupied by trying to figure out how in the world you managed to break through that barricade, you still manage to make it to the second basement floor of Shibuya Hikarie by 8:25PM— a brand new record. Satoru Gojo doesn’t show up until around 8:34PM, so that gives you almost ten minutes to try and figure out what you need to do to try and replicate shattering the glass barricade again.

Except—

Except Satoru Gojo is already here.

The thought that maybe you’re mistaken flashes in your mind before it’s quickly dismissed; there’s no way you’d mistake anyone else for him. There is absolutely no denying it: that is Satoru Gojo. Bewildered, you double check the time on your phone. Maybe you misread it and you’re actually late but sure enough you read it right— Satoru Gojo is here early.

What the hell is going on?

Of the thousands of times you have experienced this night, this hell, this sort of thing has never happened before. Everything happens at a specific time, as if adhering to an unseen schedule. It’s likely that what happened in your last iteration did delay Satoru Gojo’s arrival onto the platform, but other than that there has never been a deviation to the time table.

And yet, here Satoru Gojo is, nine minutes early now.

You realize that that’s not the only thing that’s strange: he’s not moving. In previous rounds, when you encounter Gojo here, he’s walking to the lookout spot beyond the barricade. But, right now, he’s just standing there, hands stuffed in the pockets of his jacket. It almost looks like he's waiting for something.

Or someone.

This unexpected turn of events has you rooted to the spot. You’re not sure what you should do. No. This shouldn’t change anything. You need to talk to him. As concerning as a change like this is, the extra time it gives you should be a good thing. Despite knowing that, your feet are still firmly planted to the ground.

The crowd shifts and you see Satoru Gojo start to move. Toward the barricade? No. He’s not heading in his usual direction, rather he’s—

You stop breathing.

He’s headed toward you.

All sound stops: the crowd around you, the thoughts in your head, the beat of your heart. Even though you cannot see them through that blindfold of his, you know that Satoru Gojo’s eyes are on you and the thought of that, the knowledge of it is absolutely mind numbing.

He comes to a stop before you, lips curled up to form an amused sort of smile as he says, “Soooo, you needed to talk to me?”

You try to answer but no words come out of your mouth. Are you dreaming? You have to be, right? There's no way that this is actually happening. Could it be that, after thousands of loops, you’ve finally lost it? Your mind shattering along with the glass of the barricade at the end of the last one?

Gojo tilts his head, indicating that he's still waiting for an answer. When you open your mouth, at first, nothing comes out, the words stuck in your throat. You force them out, your voice cracking, “...how did you know?”

He smiles, looking almost mischievous as he reaches up and lightly taps the side of his head. “I remembered, of course!”

All you can do is stare at Satoru Gojo. He remembered? How is that possible? From his perspective, this is the first time you’ve met and while it shouldn’t be possible for him to remember there’s something in your mind that’s keeping you from completely dismissing the possibility.

Gojo laughs, “I take it from the look on your face that you’re not used to this sort of thing happening. Is this the first time?”

“No.” The fact that the word is out of your mouth before you can even really think about it surprises you and you really have to think. Your face scrunches together as you try to remember. Is this really not the first time? Then, the memories assault you, overlapping as they replay simultaneously in your head— a woman in a yellow and white magical girl costume— begging you for help as she burns to death— smiling as she tells you she made her costume herself. “...it happened just once a long time ago.”

“‘A long time ago,’ huh. Sounds like you've been at this for a while now.”

“...unfortunately.”

Gojo hums. “So when you said you didn’t need my phone number…”

“You’d already given it to me a few times,” you say, figuring that’s where this conversation is going.

“Really now?”

Does he not believe you? Or is he just being an ass? You’re not sure, but since you had taken the liberty of memorizing Satoru Gojo’s phone number you recite it back to him to prove your point.

Just when you think you may have stunned Gojo into silence he starts to laugh, obviously finding something funny about the fact that you know his cell phone number. “Seems like you've got quite the fascinating technique there.”

Technique? What is he talking about? Your confusion must be plain on your face because he adds, elaborating, “The time travel.”

You continue to stare at him. You don't think you'd consider what you've been going through time travel, because traveling implies moving from point A to point B, but you've been stuck walking in circles at point A for a long time. What really gets you is… “What do you mean by ‘technique?’”

“You mean you don’t— oh. I get it; no wonder you’re trapped.”

That does not answer your question in the slightest. “Can you please explain what you're talking about? What do you mean by ‘technique?’”

“Right, right… So basically, a technique is like a special sort of power,” he finally explains. “Like I said, your technique seems to be a kind of time travel. Whenever you activate it, your mind is sent back in time.”

What he's saying makes sense, but… “How come you were sent back too?”

He laughs again. “Isn't it obvious? Think back to before— do you remember that I caught you as you were falling?”

You nod slowly. The memory of his arms around you is almost embarrassingly vivid. “...is it because we were touching?”

“Ding, ding, ding! That's correct! Anyone you happen to be touching when you activate your technique gets affected by it too!”

Something about his tone annoys you, but you try to ignore it. He could have just told you rather than make you guess. “How do you know that for sure?”

“Well,” he continues. “You’ve done your little time loop a bunch of times, right? If your technique affected everyone, or even a few people in a select range you would have noticed for sure. And if it affected only just you then we wouldn’t be having this conversation right now, now would we?”

When you think about it, you do think that the woman in the magical girl costume might have bumped into you before the loop where she remembered.

“That’s honestly just conjecture, but I've got pretty good eyes, so I’m hardly ever wrong.”

Gojo gives you a grin and while you do think that his reasoning is sound enough his confidence is a little grating. More than that, though, you’re glad that this conversation is actually going really well.

“Either way,” he says thoughtfully. “It doesn’t look like you can control your technique. Usually a person’s technique manifests when they’re a kid, but you seem to be a special case… in fact, I bet your technique activated for the very first time tonight— probably under some pretty extreme circumstances, too.”

“...dying counts as an ‘extreme circumstance,’ right?”

“Oh, absolutely. Or legitimately thinking that you’re gonna die, but it seems like your body has been unconsciously activating your technique as a sort of defense mechanism. Which is why you’re trapped.”

“So, if I could control it I’d be able to make it out of this time loop.”

“Yeah, but in this case it probably wouldn’t end very well for you,” he points out with a chuckle. “It’s not like you actually want to die, right? I mean, if you did, then your technique wouldn’t even activate in the first place.”

You don’t; what you want is for this night to finally end. To be free from the endless cycle of dying over and over again and again. You don’t think death is quite the answer; even if you were to learn how to control this supposed technique of yours, there’s no guarantee that you would just unconsciously activate it when the grim reaper comes knocking on your door. No, the answer is…

“Anyway!” Gojo’s cheery voice cuts through your thoughts. “I highly doubt that you’re the type that makes a habit of jumping off ledges for the funsies, so the fact that you’ve been dying tells me that some pretty gruesome stuff is about to go down, so, tell me what happens tonight.”

The sudden drop of his voice sends a shiver running down your spine. If it weren’t for the fact that you’ve seen how serious Gojo can get, the sudden shift in demeanor would probably freak you out a bit, but it doesn’t. This is the Satoru Gojo you’re familiar with.

You do have one concern though. “That… won’t create a time paradox or anything, will it?”

“Nah,” Gojo shrugs. “You wouldn’t cause one with the way your technique works, besides, if you’ve only been going back at most an hour or two in time it’s hard to believe you’d be making a really big impact… unless you really believe in the butterfly effect.”

You’re still not quite sure.

“Trust me, it’ll be fine.”

His voice sounds strange. Gentle. Kind. It's the most soothing thing you've heard in a long time and it makes you want to believe him.

“...okay.”

Anxiety is still gripping at you, but you try to dispel it, taking a deep breath before beginning your explanation. For the sake of brevity, it’s probably best that you’re as concise as possible. There isn’t much need to really get into the nitty gritty of things unless he asks specifically.

Naturally, you begin with his arrival onto the platform and how soon after a fight breaks out and how the crowd is unfortunate enough to be involved. Gojo’s expression is passive for the most part, but he does crack the faintest hint of a smile when you mention how he manages to eviscerate one of the monsters.

It disappears once you tell him about the arrival of the train. Between the dozens upon dozens of people being dropped onto the platform by those two high school girls and the hoard of monsters disembarking from the train, everything devolves into pandemonium.

“Wait,” Gojo holds a hand up and you pause. This is his first interruption since you started recounting the night’s events for him. “Everyone is able to see the monsters?”

You stare at him. What a weird question. “...yeah?”

His mouth twists and it looks like he’s thinking about something. You can’t even begin to imagine what. Finally, he comments, “Makes sense.”

It does not, but you don’t ask him to elaborate. Surely if it was important he would have just done so.

“Anyway, in the middle of all that, you… you do something.” Your brows bunch together as you remember the stance Gojo took, the crazed and desperate look in his eyes, the feeling of your head about to explode. “I don’t know how to describe it. At first, it would just force me to… activate my technique, I guess. But now, it just knocks me out for a few minutes.”

Gojo frowns and he rubs at his chin, obviously thinking about what you’ve said. Eventually, he raises a hand and bends his fingers into a familiar gesture. It’s the one that preludes whatever he does on the platform. “Do I do this?”

“Yeah.”

He hums. “Interesting.”

You wait to see if he’ll explain. He doesn’t. Great. Even if he doesn’t think you need to know, it certainly would be nice to. It’s annoying otherwise, but you ignore the feeling and continue. “I can’t tell you what happens when I’m knocked out, but when I come to everyone is basically a zombie and all the monsters from the train are gone. I think you kill them.”

“I probably do,” he says casually. “But what about Volcano Head?”

“...you don't…get a chance to kill him,” you say slowly. Gojo tilts his head, waiting for you to elaborate, but you hesitate. You have to tell him, you know you do, but…

You have seen the interaction so many times and though you don't know the exact nature of the relationship between them, you can tell that seeing Suguru Geto (or rather seeing his body) shook Satoru Gojo to his very core.

There's no doubt in your mind that he will not take this news well.

“Come on now,” Gojo's tone is light-hearted, unaware. “Don't keep me in suspense here.”

It's as if you're withholding the punchline to a joke. In a way, you suppose you are, but you don't think he's going to find it funny.

You take a deep breath. You need to tell him. The worst thing that could happen is that he doesn't believe you, but if that's the case… you'll probably just end up repeating this all again until you find a loop where he does.

Having made it this far, you'd like to avoid all that.

“Before you can get Volcano Head you get restrained by something called the prison realm,” you say slowly, “by someone calling themselves… Suguru Geto.”

The second the name leaves your mouth, there is a clear and obvious shift in the air. Gone is Gojo’s laid-back and frivolous demeanor, replaced with something more somber and almost frightening. The tension grows more and more palpable to the point that you think it might almost choke you.

You almost wish that it would.

“You can’t be serious,” Gojo finally says, once your words have fully sunk in.

“I—” You start to speak, but come to an abrupt stop when you see him shove his hand into his pocket to yank out his phone of all things.

The both of you know full well that there’s no reception here, but you don’t think that he’s planning on making any calls. Gojo scrolls and scrolls on his phone before he stops and shoves the screen in your face. It shows a picture of three people— a teenage girl with a cigarette in her mouth, a younger, happier version of Gojo sporting a pair of round sunglasses and—

“When you say ‘Geto’ is this who you’re referring to?” Gojo demands, using his other hand to point at the third person in the frame— a handsome young man with long dark hair pulled up into a bun.

“Yes, but—”

“That’s impossible. It can’t be him,” Gojo interrupts, his voice firm, cold even. “He’s dead.”

There’s a note of finality in his words that is definitely meant to leave no room for argument. It doesn’t stop you, though. Instead, you glare at Gojo’s stupid blindfold and say, “...being dead doesn’t mean a damn thing! I’ve died hundreds of times and yet I’m still fucking here, but—”

“Your situation is different,” he interjects, the temperature of his tone hiking up, his words like heated hissing. “I killed him almost a year ago. There's no way—”

“You didn't get rid of the body properly!” You cut him off, raising your voice in hopes that he'll take even just a second to stop and listen. It seems to work and you add something you remember ‘Geto’ saying. “You should have had Shoko Ieiri get rid of it, but you didn’t and now some… some kind of gross brain thing is possessing the corpse!”

The air between you both is silent as the grave. Though you can't see it, you can feel the weight of his gaze pressing down on you. He’s definitely having second thoughts about everything you’ve said so far. There’s a chance he might even think you’re his enemy now. You stare him down though, refusing to look away. You’ve made it this far, you can’t— you won’t back down.

“...you’re not lying, are you.” Gojo’s words are more of a statement than a question. There’s no doubt in your mind that he knows the answer, and yet he’s still asking. You wonder if maybe he’s clinging onto some vain hope that maybe, just maybe this all a sick, cruel joke that’s gone way too far.

“I’m not.”

Gojo holds your gaze for a second longer before he lets out a curse. “Fuck!”

“...I’m sorry,” you say quietly, mostly because it feels like the most correct thing to say at this moment. You don’t know the whole story, but it seems like they were close. If so, then it must have hurt Gojo a lot to have killed him, and must hurt even more to know that someone is desecrating the body. You hate that you, a complete and utter stranger, happened to be the person to tell him, but…

It had to be done, for the sake of getting past this unending night, it had to be done.

Gojo runs a hand through his hair and lets out a ragged sigh. “Okay. What happens after that?”

You give him a rundown of what follows; he gets sealed, the monsters wake up and all but ‘Geto’ leave in search of their next target. When you mention the high school girls demanding the brain give Geto’s body back, Gojo snorts loudly.

“Fat chance of that,” he says derisively.

You nod in agreement. It was clear to you that the brain parasite has no intent on giving it up any time soon. “After they leave, he… talks to me.”

“Probably couldn't ignore all that cursed energy you have,” Gojo remarks offhandedly.

You stare at him, expression twisted in a way that shows that you have absolutely no clue what that means. It should be fine for you to ask this one question; it actually concerns you after all. “What does that even mean?”

“Exactly what it sounds like, though… probably doesn't make much sense to you, does it?”

You give him a pointed glare and all Gojo does is laugh.

“Just think of it like having a lot of MP.”

“...Like in a video game?”

“Exactly!” Then, Gojo tilts his head, clearly thinking. You don't bother asking; you don't feel like he'll explain.

“He does ask me if I'm a sorcerer, whatever that is. Is that why?”

“Probably. Ordinary people don't have even a fraction of the energy you're packing.”

‘Ordinary people’ he says as if you’re not an ordinary person who got caught up in all this supernatural sorcery bullshit. Or at least you were, but if the time loops are really a product of your own doing…

“Does he kill you when you answer?” Gojo asks to get the conversation back on track.

“Not right away. What happens next kind of varies,” you answer. “He usually lets me have a question or two before he kills me; I've asked him a couple different things.”

“Really taking advantage, aren’t you?” Gojo says and you're not sure what to make of his tone. Is he mocking you or is he easing back into that laid-back persona of his?

“If I’m doomed to repeat the same situation over and over, I might as well make the most of it,” you respond flatly.

“You know, your technique kind of reminds me of save scumming.”

He’s definitely gone back to acting almost completely unserious— all signs of his earlier agitation are nearly gone.

“So what did you learn?”

“Well, the prison realm only holds one occupant. Once they’re sealed, time stops for them and the only way out is if the bearer unseals them or if they choose to kill themselves.”

“I see… And what about our body jacker?”

“He didn’t go into detail but he said something about… striving toward the evolution of mankind?” You frown a little at the memory. He didn’t explain further because he said that you wouldn’t understand.

“Huh. Interesting. Wonder how he was gonna go about doing that.”

“I don't know, but I can't imagine you'd like it since he goes out of his way to seal you into that box,” you say. “Said you’d get in the way because you’re too strong.”

Gojo shrugs his shoulders and grins a little. Cocky. “Well, I am the strongest sorcerer around, you know.”

You would think him overconfident if you hadn't seen the magnitude of his strength first hand.

“Anyway, that's as far as I ever go. When he's decided he’s done talking to me, he kills me and I loop back.”

“So, in short, what you want help with is getting past that point, right?”

“More or less.”

“And all I have to do is avoid getting caught by the prison realm?”

You nod.

“What’s it look like?” he asks. “A big cage with a bunch of metal bars?”

Now that you think about it, you haven’t woken up early enough to see it before it traps him, but you can’t imagine it looks that much different. “No.. It’s a small box with eyes… It gets big enough to fit you in it, though.”

“Huh.” He stretches his arms out above his head as if he’s trying to emphasize how large he actually is and shoots you a grin. “Should be easy enough then. I bet our body snatcher used the shock of seeing Suguru to trap me but since I'll see it coming, avoiding it'll be a piece of cake.”

Gojo makes it sound so easy, and maybe it really is as simple as that, but you can't help but be worried still.

“Don't tell me you don't think I can do it,” he says, tilting his head.

“It's not that,” you admit. “I'm just concerned I might die before we can get to that point.”

Truthfully, since you know that will just result in another loop you're less concerned with dying itself and more worried about losing the progress you've made in convincing Gojo to help you. Even though it's been clearly proven you can loop him as well, there's no guarantee you'll be able to make the physical contact needed to do it upon death.

“You've made it pretty far on your own, though, right?”

“Yeah, but… I’ve messed up plenty of times.” More than you can even count. “There's also the possibility that taking the time to talk to you might have thrown things out of whack.”

Speaking of time, you check your phone. It's 8:39PM. You curse.

Gojo leans over to check your phone. “Let me guess, I'm supposed to be somewhere right now.”

“Yeah, this is when you’re descending down onto the platform.”

“You know where I am down to the exact minute?” He asks and you tilt your head back and forth a little. It’s not exact per se, but it’s close enough. Gojo chuckles a little. “Man, I didn’t realize that you were actually that into me.”

That earns Gojo a glare from you, but he just laughs it off. “I doubt being a few minutes late is going to make a big difference.”

You certainly hope so.

“Don't worry,” Gojo says and you notice he's using that tone from earlier. “You won't die.”

It’s hard to argue with him when he uses such a reassuring sounding voice and yet, you still open your mouth to try— to voice your doubts, but what he says next silences you before you even can.

“I'll protect you.”

You think your heart stops beating in your chest and your words dissolve in your throat.

He grins at you. “Did you fall in love with me just now?”

That catches you a little off guard. You're willing to admit he's hot, but surely he must be joking. “How could you even think of something like that at a time like this?”

Gojo laughs again. “Well, since someone is so worried about their time table being all messed up, I better head down there; can’t keep Volcano Head and friends waiting, right?”

You blink. Is that it? “Wait, shouldn’t we make a plan or something?”

“Isn’t the plan for me to not get caught in the prison realm?”

Yes, but… “But what about me? Is there anything I can do?”

Gojo stares at you, or at least you think he does. “...I don’t know, is there?”

You’ve seen the encounter between Satoru Gojo and those monsters so many times and you try to picture a version of it where you intervene and… all you can see is yourself getting in his way. You’re no fighter, no… sorcerer, or whatever he is, you’re just some ordinary person that was unfortunate enough to get all caught up in this mess. The most you can probably do is kick the prison realm out of the way when the time comes, but otherwise… “...no, I guess not.”

His expression turns sympathetic. “You’ve done plenty by telling me everything that happens. So just wait up here, and let me handle the monsters.”

You almost nod. Almost. But then you remember what transpires up here above the platform. You know it sounds safer up here where you’re less likely to get involved in the carnage, but… “Wait, no, if I stay up here then I’ll fall to my death when those girls—”

Gojo laughs, interrupting you. “Don’t worry about that. It’ll be fine.”

“How?”

“Just trust me.”

“I…” It’s hard to. After everything you’ve gone through it’s hard to trust in anything, to believe in anything. Even though you’ve made it this far this time, the worry that something will go wrong and that you’ll have to do it all again still lurks in the back of your mind.

Despite all that, you want to believe.

You want to believe that you can make it past this unending night, that one day you’ll wake up and it’ll no longer be October 31, 2018. And the first step towards that is trusting in Satoru Gojo.

“...okay,” you say quietly. “Okay.”

Gojo chuckles then asks, “Anything else before I head off?”

You start to ask if there’s anything you should say, in case things don’t work out, but you stop yourself. You’re choosing to trust him, to believe in him— you can figure out that stuff later if things end up going south after all. So, instead you give him a smile and it feels a little weird because you don’t remember the last time you did. “Good luck!”

For a split second, Gojo looks almost surprised, but then he laughs again, beaming widely at you. He starts to move past you and reaches out to give you what you think is meant to be a reassuring squeeze of the shoulder and then he’s off. You turn to watch him go, the crowd, once again, parting almost naturally for him.

When he reaches the barricade, he pauses, raising his hand as if he’s giving you one last wave. Then he jumps over it onto his little perch and then less than a minute later he’s gone, descending to the platform below.

Now, all you can do is wait.

You check your phone again and it’s 8:44PM. If you remember correctly, the high school girls start threatening everyone right before 9PM. With Gojo’s arrival being shifted back almost five minutes, does that mean that they’ll be shifted back too? It would make sense, but you’re not too sure.

Out of habit, you keep checking your phone and at nearly 9PM, you hear the shrill voice of one of the girls over the crowd, commanding everyone to do what she says, her partner stringing up bodies until everyone listens. Everything plays out just as you remember it, which is mildly comforting, though you know that the events that happen up here are more or less independent from what happens below.

Surely, just as Gojo said, a few minutes aren’t going to change anything, but—

No.

You agreed to trust him. To trust that everything would be fine.

When the girls start to demand that as many people as possible climb onto the roots and vines covering the atrium your heart starts to hammer in your chest. In just a few minutes, all the foliage will disintegrate beneath you, and you and everyone else here will fall into the abyss below.

You are afraid.

There isn’t a single loop where you’ve really survived this fall. If you don’t die in midair, you die right after landing. It’s a death trap, and that’s why you’ve stopped coming up here. There’s a part of you, the part that knows what’s about to happen, that wants to try and run back onto stable footing. But you can’t, because you know if you do then the girls will kill you for sure; you have to stay.

It’ll be fine, you tell yourself, it’ll be okay.

You just have to trust Gojo.

An eight car train is pulling in. Please wait behind the yellow line.

You hear the announcement faintly below you. It’s almost time. You brace yourself and try to stay calm. Gojo said he would protect you, that you wouldn’t die. You don’t know how he intends to keep that promise, but all you can do is believe in his words.

It’ll be fine. It’ll be okay.

The vines and roots start to crack and the ground beneath you starts to give out. You squeeze your eyes shut as that sickening weightless feeling overtakes you. It occurs to you that this is actually quite literally a trust fall— will Satoru Gojo really be able to catch you?

As you fall, you realize almost instantly that something is different.

You’ve experienced this fall dozens of times and so, even though it has been a while since you’ve gone this route, you are very familiar with what it feels like. Something is different. You’re falling faster. The trajectory is changing. It’s like some force, other than gravity, is pulling at you.

Is this Gojo’s doing?

Just as your body collides with the ground you hear the sounds of mutilating flesh meld with the screams surrounding you. Blood and severed limbs litter the ground, but you try to ignore it. You need to focus on your own survival right now. Quickly, you scramble to your feet scan the area around you; you’re on the platform right now and right in front of you is—

Right in front of you is Satoru Gojo.

His back is turned to you, his focus currently elsewhere. Looking at him you realize you recognize this scene, though it’s much closer and at a different angle. He’s about to do that thing, that thing that knocks you out.

Something in you tells you to move closer to him, after all, he used his mysterious powers to deliberately bring you closer to him, right? You rush toward him and as you do something he said earlier pops up in your mind.

Anyone you happen to be touching when you activate your technique gets affected by it too!

Whatever he’s about to do… Is that his ‘technique?’ And if it is, would it work the same way as yours? If so, there’s only one way to find out: you need to touch him. You dodge monsters and other people as you run toward Satoru Gojo and—

A monster still manages to grab you, its large hands wrapping around your wrist. You try and yank it free, but it's much stronger than you are.

“Shit!” you hiss as the monster starts to pull you toward it and away from Gojo. What do you do? Your other hand is still free, should you try to punch it in the face? Or—

Before you can do anything, something blasts the monster’s head clean off. Shocked, you stare as the monster’s body slumps onto the ground, its grip loosening on you instantly. You whip your head around to find that while Gojo still has his back to you, his arm is bent back in your direction, his palm open as if he fired some invisible blast from it.

Then you feel it again, something pulling at you, but this time it's more forceful. Your body is yanked toward Gojo and the second you feel his hand press against you, you see him make that gesture with his other hand.

“Domain Expansion,” he whispers in a strained voice. “Infinite Void!”

Something happens and your vision flashes for a fraction of a second. And then—

The room is enveloped in an eerie stillness; all the violence and bloodshed coming to an abrupt stop. Monsters and humans alike stand like the living dead, unconscious with their eyes wide open as if they are staring into an infinite abyss. You recognize this scene, you’re familiar with it because it’s similar to the one you wake up to after being hit by Gojo’s ‘domain expansion.’ The only difference is the presence of the monsters, who are all but gone when you regain consciousness.

The pressure from Gojo’s hand is gone and he says to you, his voice still low. “If you’re squeamish when it comes to blood and gore, it might be best for you to close your eyes.”

And then he’s gone.

You do not take his advice. You do not close your eyes. How many loops were you unable to witness what’s about to unfold? A few hundred? A few thousand? And if all goes to plan, then you will never get another chance again: there’s no way you could possibly look away.

And what you see unfold before you is that Satoru Gojo was right.

He is the one to kill all the monsters.

It’s not as if you really had any doubt, after all, it seemed like the most logical conclusion to come to and yet…

There’s a difference between knowing and seeing.

All the violence resumes and the platform is engulfed in the sounds of carnage and slaughter once more. The lack of terrified screams makes everything more disconcerting— without them, all you can hear is the squelching echo of mangled flesh and blood splattering all over the place. You can’t really see him, but you can tell where Satoru Gojo is in the crowd as he leaves dozens upon dozens of decapitated heads soaring in his wake. Once or twice, he leaps out of the crowd and even from where you stand you can see the crazed glow of his inhumanly blue eyes as he massacres monster after monster.

Even though you don’t think you have anything to be scared of, you are still terrified: Satoru Gojo is no longer a man, but violence incarnate. You want to move closer to where Gojo gets trapped, but you’re afraid to. What if you get in his way? What if he kills you by accident?

Dying again when you’ve made it this far is definitely not ideal, but isn’t being killed by Gojo the best case scenario? Because then the two of you would probably loop together again and—

No.

Gojo said you wouldn’t die.

He said he’d protect you.

It’s hard to believe when he’s in the middle of a massacre, slaughtering monsters left and right, but you remind yourself yet again that you have to believe in him.

You take a deep breath and start moving, taking care to keep an eye on where Gojo is. You don’t know how long this is supposed to take, but you do know where he ends up when he’s just about done. The closer he gets to that spot, the sooner the prison realm will be unleashed upon him.

There’s a small group of zombified people nearby and you settle yourself among them. It’s not super close, but you think it's close enough that you'd be able to run over and kick the box away from Gojo if you have to. You do a quick survey to see if you can spot the body snatcher, but he's nowhere to be found. Hopefully, he hasn't noticed you moving around, or, if he has, he's more concerned with Gojo than he is with you. Given that you always seem to be the last thing he acknowledges, you'd like to think that he doesn't consider you a threat.

Which you're not, not really anyway.

The sounds of slaughter start to die down and you look to see Gojo approaching the spot where he gets caught. He looks beat, his eyes unfocused and his breathing heavy. You do another quick scan around him and notice a small box a few meters away from him, wrapped in what looks like paper charms or seals or whatever they're called. That has to be the prison realm— though it looks different than what you saw before. Gojo seems to notice it right after you do, his gaze honing in on it, examining it with some measure of bewilderment. Then, some invisible force slices through all the paper seals covering the box and it expands, the corners of the box floating up in midair to reveal what looks like a large sheet of dark red flesh with a large bloodshot eye stapled to the middle.

Disgusting.

If Gojo didn’t realize before, he seems to now, because he takes a step back, away from the grotesque thing. Good, good—

“Hey! Satoru!” Your blood runs cold at the sound of the body snatcher’s voice. He emerges from the crowd, smiling widely as he gives Gojo a wave. “Long time no see!”

Satoru Gojo’s entire body goes rigid. Shit. You told him, you warned him about what was going to happen, who he was going to see, but was that not enough? It’s possible that no amount of warning would have been enough to mentally prepare Satoru Gojo for the sight of the man he said he killed a year ago. After all, you know that there’s a stark difference between knowing and seeing. Even then, if Gojo doesn’t gather his wits and move now then he’s going to get caught and you can’t let that happen.

Your body moves before you can even think about it.

You scramble out from your hiding spot in the crowd and throw yourself in between Satoru Gojo and the prison realm. There’s no way you can kick it away from him now, not when it’s in this form, but maybe, if you get between them you can at least keep it from capturing him.

The eye quivers erratically, as it flits from Gojo to you. Every hair on your body stands on end as it watches you, the pupil dilating and contracting uncontrollably. You can’t look away from it, your own gaze fixed to your image reflected in the black abyss of the pupil. Something in the back of your mind tells you to stop, to get away, it’s dangerous, but you keep your feet firmly planted to the ground.

A second, or maybe even a minute passes and the prison realm shifts, its fleshy form morphing to restrain you.

The body jacker looks at you, his frown tinged with disgust. “Don’t you think you’re being rather rude by butting into what could have been a touching reunion?”

You scowl. Is he still trying to play the role of Suguru Geto?

He sighs and looks past you at Gojo. “Satoru, I thought bringing lesser sorcerers to fight alongside you was more trouble than it was worth?”

You hear Gojo snort from behind you, “It is… but this person here isn’t a sorcerer… Just like you aren’t Suguru Geto.”

The faker almost pouts and presses his hand to his chest as if Gojo's words have wounded him. “Satoru, I’m hurt, how could you say such a thing to your best friend?”

“Cut the bullshit,” Gojo snarls. “You can’t fucking fool me. You might be in Suguru’s body but I know with all my heart and soul that you’re not him.”

The corpse snatcher stares at Gojo, expression blank before he sighs once more. Then, his gaze shifts back to you, his eyes narrowed as he looks at you with sheer disdain. It feels as if you’ve been drenched in ice cold water. There's no smile this time but you already know what's going to happen.

He’s going to kill you.

“I intended to deal with you later since you seemed harmless enough,” he says, raising a hand to summon a monster— the same one he always uses to end your life. “But you’re in the way. So, I think it’s for the best if I just get rid of you right now.”

Instinctively, you try to take a step back but the prison realm’s restraints keep you in place. Not that it would have mattered much, even in the loops where you’ve tried to escape the faker’s monster, it still kills you, too fast and too agile for an ordinary human like you to avoid. All you can do is squeeze your eyes shut and wait for the monster to kill you. At least, it’s always painless.

Something touches your back.

Your eyes shoot open.

Before you is the monster, wiggling and writhing only mere centimeters from your face. It gurgles and snarls at you, desperate to fulfill its master’s wishes and kill you but it doesn’t move any closer. You stare at it with wide eyes, unsure of what to do.

Someone behind you clicks their tongue— Gojo. You try to turn your head to look at him, but your movements are too limited, the most you can do is turn your head to the side. The sounds the monster is making start to change, sounding more frenzied, almost as if it’s in pain, and you flit your eyes in its direction just in time to see its entire body explode. The monster's guts and bright purple blood fly off in every direction, getting on the floor, the ceiling, the zombified bodies of the people unfortunate enough to be nearby, but not on you.

This is Satoru Gojo’s doing.

He steps in front of you, half turned towards you as he moves in between you and the body snatcher. His hands are shoved in his pockets as he loudly says, “Did you really forget about me?”

You’re not sure if he’s talking to you or the body snatcher.

Past him, the imposter scowls, raising his hand once more, probably to summon even more monsters, but Gojo’s quicker, and it almost looks like his eyes are glowing even brighter, the blue looking almost white as he whips his head in the faker’s direction. The sound of mangling flesh and breaking bones echoes throughout the room as Gojo, using that mysterious power of his, seems to break the faker’s arm.

The body snatcher hisses loudly and despite the fact that his face is twisted in very obvious pain, he tries to shoot Gojo a mocking smile. “Do you really think you can kill your best friend again?”

“I already told you,” Gojo turns to fully face the monster inhabiting Geto’s corpse. He tilts his head a little to the side and some force starts to squeeze at the faker’s neck. “You’re not Suguru.”

You hear a loud crack as Gojo telekinetically snaps his neck.

The head rolls onto the ground and you almost look away, but then you notice his eyes still moving, looking around. Is he still alive? Then you remember: the thing possessing Suguru Geto’s body was some kind of parasite. “Gojo! Wait! The brain!”

He reacts almost instantly, head turning and in an instant the skull is crushed and all that remains is red splotch on the ground.

You almost relax. Almost.

But the body is still standing.

Horrified, you watch as it quivers violently before falling to the ground. Then what looks like dozens of black spirits start to erupt from the corpse and the entire room is engulfed with a shrill howling.

What the hell is going on?

“Those must be all the cursed spirits he consumed,” Gojo explains uselessly, voice barely audible over the screaming. “Guess he was empty before.”

You don’t bother asking what he means. There are bigger problems right now. “What do we do?”

“No choice to exorcise them,” he answers plainly.

For him to exorcise them, he means. You both know that there’s not much that you can do. You still can’t move and honestly, you don’t even know if it’s possible to get out of the prison realm’s restraints. Not without dying. And if you die now…

Everything will have been for naught.

You’ll reset time and have to do this all over again— assuming you can even get to this point again.

There has to be something, you just have to think outside the box.

Or rather—

“Gojo!”

He glances back at you.

“You need to seal me in the prison realm!” you exclaim. He turns to face you fully, looking bewildered and you start to explain as fast as you can. “Those things are going to attack any minute right? I can’t move or try to hide and I can’t expect you to protect me the entire time and if I die then I’ll end up looping time again, but— but, if you seal me in the prison realm then that won’t happen.”

Gojo frowns, looking conflicted. “You don’t think I can do it?”

“Wouldn't it be easier if you didn’t have to?”

He tilts head and you think he’s conceding your point.

“Please,” you beg, staring at him desperately. “We don’t have much time. The other… cursed spirits will wake up soon too!”

You don’t have to explain that you mean Volcano Head and friends.

It takes only a second for Gojo to consider the very few options you have. “...how do you seal it? Do you know?”

“I think so,” you answer. “There’s no guarantee it’ll work but I think that if you say ‘prison realm, gate close’ it should seal me inside.”

If anything, it’s worth a shot.

Gojo nods. “Do you know how to break the seal?”

“I… don’t,” you confess. You never asked, and you don’t think the body snatcher would have told you even if you did. He only told you that it holds one and that…

That time doesn’t flow in the box.

“...you don’t have to break the seal.”

Gojo frowns, “Wait a sec—”

“Even if I make it past tonight… What if this all happens again? What if I inadvertently trap myself in another time loop?” you ask. “I… I don’t want to have to go through all of this again. It’s better for me in a place where time doesn’t pass.”

You don’t know for sure if it’ll be better, but right here, right now, it seems like the best option.

It feels like an eternity passes before Gojo says anything.

“...fine,” he agrees and you don’t quite know how to feel about it. The howling around you all grows louder. You wonder why the cursed spirits haven’t attacked yet. Maybe Gojo’s power is holding them at bay… for now anyway. You both know that he can’t ignore them forever.

“...before I do, though, mind if I ask you just one thing?”

You blink. “Not sure what I can do for you in this state…”

He laughs. “I just want to know your name.”

What an odd request. Though, now that you think about it, you don’t think that during this loop or any other loop really, you’ve ever told him your name. It only seems fair to tell him, since you’ve known his for longer than he’s known of your existence.

You tell him your name.

He nods, looking as if he’s committing to memory. Probably easier to remember than his phone number. “Any last words?”

You try to think of something. Nothing comes to mind and you just shake your head.

Gojo takes a deep breath, “Alrighty then… Prison realm, gate close.”

Just as it did the many times you’ve seen Satoru Gojo sealed away, the boxes and restraints around you vibrate a little before they start to close around you, growing large enough to fit your body as they approach.

You won’t see it, but once you’re inside the box will shrink and become small enough to fit in the palm of someone’s hand.

Will it be quiet inside?

In your final seconds, some words, some last words come to mind, and you say them, hoping that he hears them in time. “Thank you, Satoru Gojo.”

You burn the glittering glow of his brilliant bright blue eyes into your mind.

And then, everything is engulfed in an unending black.

It’s November 30, 2018— morning on the campus of Tokyo Prefectural Jujutsu High School.

Satoru Gojo strides through the school grounds, casually tossing a small silver box with eerie blue eyes known as the prison realm up and down in his grasp. Walking at his side is Shoko Ieiri, a pretty woman who’s been unfortunate enough to have been Satoru’s friend since high school.

“Are you sure this is a good idea?” Shoko asks, twirling a few strands of her long brown hair.

“What do you mean?” Satoru responds nonchalantly. “All my ideas are good ideas.”

Shoko hums in clear dissent, but doesn’t say anything more. Even she knows better than to try and waste her time trying to argue with Satoru. “I’m just worried about their mental state. Didn’t you say that time doesn’t flow in the box?”

“I’d be worried if it was some normal person,” Satoru says. “But after what they’ve gone through I think they’ll be fine.”

“...well, if you say so.”

The two arrive at their destination: the largest training area on the Jujutsu High grounds. Satoru places the prison realm at the center and takes a few steps back with Shoko standing behind him, in case anything happens.

He doesn’t think it will, but it’s always good to take at least a few precautions.

“Gojo, are you sure we should be doing this?” Shoko asks again. “Didn’t they want to remain in the box?”

“Of course I am,” Satoru says with his usual air of confidence before looking back at the prison realm nestled in the grass. He grins and then—

“Prison realm, gate open.”

if you made it this far. thank you. it's my sincerest hope that you enjoyed the ride.

[muwapsturniolo]

✯Humming Bird✯

Summary: Y/N has a crush on Chris but falls back when she notices the feelings aren't really reciprocated.

Warnings: none really, small angst.

✯ ✯ ✯ ✯ ✯ ✯ ✯ ✯ ✯ ✯ ✯

Y/N and Chris have always had a weird relationship.

They were friends, but Y/N had this huge crush on him, and he knew it. It's hard to miss when the girl is doing everything in her power to get you to notice her.

She's always holding his hand, hugging him, kissing his cheek when she feels it is appropriate, buying him gifts, and cooking for him and his brothers.

It was clear as day she had a crush on the youngest Sturniolo.

However, Chris thought it was annoying.

He saw her as a pest, an annoying pest that he couldn't get rid of. She was always there hugging him, kissing him, acting like a girlfriend.

He hated it.

Not completely though.

You see, Chris had a hard time showing and accepting affection from people who weren't his family. It made him feel weird so he resulted in acting like an asshole.

He would gently push the girl away when she would hug him, wipe her sparkly lipgloss off his face, he would even go as far as avoiding her completely.

But he also returned the acts in his own way.

If he knew she was coming over to film a video, he would make Nick DoorDash her favorite candy. If he knew Y/N was coming to cook dinner like she did every weekend for the triplets, he would clean the kitchen for her. One time she lost her favorite Lipgloss and Chris went into a beauty supply store to find it (he was so confused and overwhelmed when all the aunties were looking at him crazy).

Small acts of affection were his forte.

Y/N didn't know this though.

All she saw was the annoyance on his face when she would come around or be clingy, so she fell back from him. No more hugs, kisses, gifts, none of it. The only thing she kept doing was cooking for the boys because a diet of McDonald's and pizza was not healthy.

It took him a while (a month) to notice the bubbly girl stopped being so bubbly towards him. He found himself missing her hugs that left a sweet cherry scent on his clothes, he missed the sparkly gloss that would be left on his cheek. and most of all,

He missed the affection.

He didn't realize how good he had it. He had a whole girl who looked at him like he was the whole world, and he didn't appreciate her to the full extent.

It wasn't until they all attended a party, he snapped.

Y/N was dressed in a pair of black flared jeans, a crop top with a random design, and her curls were out in their natural state. She looked good.

However, she was in a corner holding a drink, talking to a guy with a huge smile on her face. "Nick who is that dude Y/N is talking to?" Chris found himself asking. He didn't like how close they were.

He swore he could see hints of her sparkly lipgloss on the guy's cheek.

"I think that's the guy she's been talking to for the last month. Justin is his name? I think, but I'm not too sure." Chris never turned his head so fast.

"What?! She's talking to someone?"

Nick nods, "Yeah for like a month. He's taken her on multiple dates, given her flowers, the full thing."

Chris is beyond confused by this information.

"I thought she liked me."

All Nick can do is give Chris a dirty look.

"Are you being serious? Chris you literally woul-you know what? I'm not getting into this." Nick throws his hands up and walks away.

All Chris can do is stare at Y/N flirting with this guy the whole night.

Everything she would do with Chris, she was doing with Justin.

Chris felt sick to his stomach.

"You like her don't you?" Matt asks as he walks up to Chris. He's been watching his brother the whole night and he could see the hurt on his face.

"It was only a matter of time," Matt thinks to himself.

"What? No!" He tries to play it off.

"That's how you lost her-" Chris looks at Matt in confusion. "You would act like you didn't like her and you pushed her away. Now that she has someone else, you wish it was you."

Chris cant even be mad at Matt's words because he's right.

He does wish it was him.

When he looks back over at the girl, he sees she's now alone.

Without a word to Matt, he walks over to her, adrenaline at an all-time high.

He leans down and whispers in her ear, "Can we talk, please?"

Y/N feels her whole body heat up as Chris proceeds to be in her personal space. All she can do is nod, and let Chris guides her to the back patio.

"What did you want to ta-Why are you talking to Justin?" Y/N is stunned by Chris cutting her off. "Because I can?"

"So you just drop me and start talking to other guys?" Chris scoffs.

It's clear as day he didn't think anything through, he just went straight into attack mode.

Y/N frowns at Chris. She was never the one to argue or fight people, especially her friends. "Chris, you can't be mad I decided to stop being thirsty over you and moved on. I tried for the longest to get you to notice and like me but you never reciprocated... it's not fair for you to be mad at me for that."

Chris sighs to himself, she was right. it's not fair for him to be like this.

"I did reciprocate though...."

Now it's Y/N's turn to be on attack mode, "when? when you would push me away? When you would roll your eyes at me? Was it when you stopped coming out of your room when I would come over? Oh, I know how about when I caught you calling me annoying and clingy?"

Chris flinches hearing her words, He never meant for her to hear those words.

"I'm sorry, you didn't deserve that. " Chris finally looks at her.

"I don't know how to show my feelings, let alone allow myself to show affection to anyone who isn't my family...I did try to reciprocate though, it may not have been noticeable but I did."

Y/N stares at him with now soft eyes.

Chris wasn't the type to show emotion. So the fact that he is now, she wants him to know she's listening.

"I would make Nick get your favorite snack when you came over, I would clean the kitchen when you came to cook. When you lost your favorite lipgloss I went to that beauty supply store you love and bought a whole case so you would always have some when you came over... "

Y/N feels her heart swell.

She never knew Chris did those things. Nick told her he was the one who got the snacks and cleaned the kitchen, Matt also told her he found her lipgloss at a random store.

She never knew it was all Chris.

"I just... I didn't notice how much I liked you until you fell back. Seeing you with that bozo made me realize I have feelings for you and I don't want to see you with anyone else."

Chris feels like a weight has been lifted off of his shoulders. He finally admitted he had a crush on someone.

"He's not a bozo..." Y/N mumbles with a small smile. Chris gives her a look.

"kid came to a party in a dolphin jersey and khakis. He's not your type nor can he dress." they laugh for a few seconds before calming down.

Y/N finds herself looking at Chris, "What is my type then?"

Chris turns and looks at the girl, "Hopefully it's someone who can dress well and may be a bit of an asshole, but still shows he cares by small acts of affection." he lets his hand grab hers.

Y/N looks down at their intertwined hands and finds herself smiling.

"That does sound like my type."

Now it's Chris's turn to smile.

"I like you Chris...a lot."

" I like you too...a whole lot"

They stand there, holding hands. Y/N gently rubbing her thumb over his fingers.

"Give me a chance. I may be an asshole at times but I promise i'll do better and actually appreciate you the way you deserve." Y/N looks up at Chris.

"You really went into a beauty supply store for me?"

"Yeah."

"Were you dressed like a bum?"

chris laughs a bit.

"I was in my sweats, a tank, and slides."

"Did the ladies stare at you like you were crazy?"

"Yeah. I was scared they were going to yell at me like your mom did when I sat on her nice couch."

They laugh and Chris finds himself wrapping his hands around her waist.

"I think I could give you a chance after that."

Chris can't help but smile as he looks down at her, "yeah?" He slowly leans in.

"yeah," Y/N confirms, also leaning in.

both of them close their eyes as they share a soft, passionate kiss.

When they pull away, they see the smile on each other's faces.

"I like the cherry lipgloss." Y/N giggles and mumbles for him to shut up.

"Come on, let's go back inside."

Chris guides them inside and back to their friends. "Yo where have you guys been?" Nate asks.

Chris puts his hands on Y/N's waist, and rests his head on hers,

"finally getting my girl"

✯ ✯ ✯ ✯ ✯ ✯ ✯ ✯ ✯ ✯ ✯

I TOOK LIKE TWO DAYS TO WRITE THIS AND I LOVE IT BUT HATE IT LMAO. I ONLY GOT THIS IDEA BECAUSE I WAS WATCHING PUCCA AND I SAW HER RELATIONSHIP WITH GYRU.

[luveline]

Ok this sentence from your hotch fic "You're so busy, I could never," you say, shaking your head. 

got me thinking what about a lil story about a non bau gf being very upset but trying to hide it from hotch bc he’s busy and she doesn’t want to add to his plate

hope this is ok!! —hotch assures you he's never too busy to listen if you've been upset by something, 1k♡

You're doing the dishes when it starts to come back. It's weird that the nature of the things that hurt us is their ability to come back, to metastasise while we're unaware; you think you're doing a good job at moving forward and the claws of it sink into your back, your chest. One talon at a time. 

You ignore it, focusing instead on Aaron behind you at the dinner table. The sound of papers fluttering across each other as he turns a page, the click and drag of his pen as he writes. You can picture his cursive, and the frown he wears as he works. 

You're dying to tell him about what's hurting you, but beyond feeling small in the eye of the storm that is his job, he's been busy, evidenced by paper work at home and a yawning gap of communication. This is the first time you've seen him all week. You dread filling the time (wasting it, even) with something that doesn't concern him. It barely concerned you, someone else's unresolved issues turned to a bad mood and all the fallout on your shoulders.

"Is something wrong?" Aaron asks. 

He's like a shark for emotions, your tiny sniffle a drop of blood in the water. You wipe your nose with a soapy hand and shrug casually. 

"Nothing's wrong. Are you nearly done? Maybe we can watch a movie." 

Aaron stands up. You stiffen at the sound, but relax when his hand squeezes your shoulder. He braces his hands on the countertop and leans forward, looking at you. You meet his eyes. Usually so serious, softened slightly by worry. 

"You stancing up on me?" you tease. 

He doesn't buy into your jokes. You clear your throat, wondering what you might be able to change the subject to. You've been thinking about asking him if he wants to get a pet fish with you, an aquarium—

"You're upset by something," he says. "I think it's best if you tell me." 

"You think?" 

"Please, honey." 

You set the last dish on the drying rack and dry your hands slowly, buying time. Aaron indulges your behaviour though he undoubtedly knows what you're doing. 

"You're really busy, Aaron, I don't want to put more water in your levy." 

You've barely stopped talking when he begins. "If this is about my being busy, put it out of your mind. You know better than anyone that things have to wait sometimes, regretfully, when I'm working, but I'm here now." He fixes you with a fond smile. 

"Exactly, you're here, so let's not waste time on silly stuff that's bothering me." 

Aaron bears his weight on his hip against the countertop, taking your water-warmed hands into his, tacky skin sticking as he rubs your knuckles. Easing your forward with a gentle pull, one of his hands runs up your arm until his fingertips are nudging under your sleeve. An encapsulating hold, it says, I'm right here. Not too busy. Nothing too silly. 

And still, he says aloud, "Time talking about how you feel isn't wasted, even if you're upset by something small." 

You frown then, nose aching, eyes burning, because it doesn't feel small at all. "Are you sure you're not too busy?" you ask weakly, a high pitch attempt to salvage it and keep hiding how upset you are, but a simultaneous giving-in. 

"No," he says softly, all empathy as you descend into tears, "of course I'm not too busy." 

He hugs you close right there in the kitchen. Words won't come out and your shoulders shake under his hands with every attempt to explain it to him, not just that something bad happened to you, but that it's been really heavy to carry alone, and that weight being taken from you —by him, and so easily— is a moving relief. 

He pulls it out of you, an explanation made of fits and starts, and he gets mad on your behalf, but he pushes it aside to talk you through it. When you can cry without nearly choking yourself on breathlessness, he sways you minutely from side to side. 

"I knew something was upsetting you," he says, still so gently, "but I didn't know it was this bad. I need you to let me know. I'm sorry, honey, but I need you to tell me when it's bad like this if I miss it." 

You shudder in a breath. "It's not that bad." 

You both know it's a lie. Aaron pulls you in for another good hug, hand at the small of your back rubbing a dedicated circle. Your shirt bunches up and he takes a handful of your naked skin, thumb tracking around, his cheek pressed to the top of your head. "It's okay," he murmurs. "Take a deep breath. I will always be here for you, you know that?" 

It's odd to hear him strung like that. You take a deep breath like he asked you to, arms clasped behind his, your face too hot in his neck. 

"Even if I'm busy, I'm here at the end of the day. I promise. If I'm sitting at the table with you, that means I'm waiting for you." He cracks a small smile, his hand at the nape of your neck encouraging your head back. The other hand, dedicated to the patch of skin just above your coccyx, rubs upward. It releases a little of the tension building in your spine. "I love you, honey, I'm busy, but never too busy to hear what's wrong. Never." 

"You'll make me cry worse," you whine, letting him tip your head further back again, hand at your cheek now giving a soft squeeze. You blow a warm breath out at his thumb.

Aaron kisses you lightly, lips only half-touching. 

He pulls away. "Let me make you something to drink, hm?" 

Thus begins a night of adoring pampering and over the top doting. You pretend it's too much, but it's really, really perfect. 

[sincerelybubbles]

"idk izuku just doesn't seem like he would make a good boyfriend."

izuku midoriya? him? the one who has analyzed nearly everyone he has come across since a young age? the one who loves to figure out not only what people can do, but what they need? oh, love, you have no idea what you're signing up for when you agree to a relationship with izuku.

when i say he pampers you? i mean he plans everything he can think of, down to the letter, to ensure everything will be perfect for you. he memorizes your drink orders and can recite them off by heart, he has three pairs of the type of fluffy socks you mentioned liking once waiting for your next visit to his apartment, he even has a separate calendar just to keep up with things you mention wanting to do/having plans to do.

beyond that, he just cares so. much. about you. even when he's not obsessing about every way to make you smile, even just for a second, even when he's relaxing and just being human with you, he cares so much about you. never for a second do you ever feel like he's just humoring you. even when he's tired, eyes slipping shut, and yawning every few seconds, you know he's listening to you talking. you're not sure you've ever met someone more attentive of a listener than him until you catch him spacing out in conversations with others. he let mina drone on for twenty minutes about some tv show but you could tell he was just nodding and humming at her, nothing like the questions and reactions he gives to even your most boring of stories. he cares about everyone, but you especially. to him, you couldn't ever been uninteresting and everything you have to say is worth listening to, even if it's just because you're saying it.

even more than that, izuku doesn't ever stop talking to you! sure, you expected it going into the relationship: everyone knows izuku is a bubbly rambler, but he truly wants to tell you everything. you're amazed by how many times he texts you quick things that reminded him of you, stories he heard that you might find funny, updates on the couple you two were just gossiping about, and just every thought that passes through his head.

"i dunno, i just like that you know me best. i wanna keep it that way" he admitted one day, smiling sheepishly and running his fingers through his hair, "plus, you just always seem to like to listen, i don't really worry about boring you."

there's this sort of comfort in your relationship. nothing is non-negotiable, everything is easy, everything is calm. he brings you peace, deep in your bones that's hard to shake. he loves the sort of way that settles into your bones, so natural that it's almost too easy to adjust to the weight of it.

[angelltheninth]

From 100 dialogues prompts, they’re all sukuna coded I wouldn’t mind you choose one at least

22. "do you really think that toy can replace me?"

23. "don't tell me how to feel.”

26. "what would they think if they saw you right now?

38. "if you do what you're told, you'll get a reward."

49. "if you can look me in the eye and tell me you want me to go, I'll go."

82. "seeing you with them made me realize you should be with me."

All of these are so good. It was hard to choose.

Pairing: Ryomen Sukuna x Fem!Reader

Tags: nsfw, smut, rough sex, degradation, toy use, overstimulation, restraints, blindfolds, punishment

Word count: 0.5k

A/N: I like this one the most. It was also the most fun.

22. "Do you really think a toy can replace me?"

"You're lucky I'm still letting you get pleasure at all after what you did." Sukuna growled above you and pushed the dildo in deeper. You could feel it reach the deepest parts of you and stay perfectly still there.

As you whimpered and bucked your hips uselessly, gripping the toy with your pussy you heard him scoff above you. His face must have been an angry one.

"So shameless of you." An unexpected slap on your clit made you cry out, sensing your hips into a bucking frenzy. "Dripping over this toy when the real thing is inches from your grasp. If it were only that I would have forgiven you. But riding this thing because you couldn't wait for me to come out and play? Your whore nature knows no bounds does it?"

"I'm sorry. It was only because-" Sukuna shut you up fast by making the toy vibrate at the lowest speed, not nearly enough to make you come.

"I know why. But you should have saved yourself for me, it's what a good girl would do." You felt him take and move the toy in and out. Agonizingly slow. "Do you really think a toy can replace me?' Sukuna scoffed at the very idea. It was beyond offensive to him. You needed to learn your lesson. "Let me show you... the difference!"

You felt the toy taken out of you but it was quickly replaced by Sukuna's hard cock. The blindfold prevented you from seeing it but you could imagine his cock going in and out rapidly. "Please, forgive me. I... I promise I'll be good."

"Why should I take the words of a slut like you? From the moment Yuuji and I met you it was clear you were only good for one thing. I'm just the only one brave enough to use you for it." His hand pulled you closer, as much as the ropes around your wrists allowed. You felt him lift your hips up while grabbing your tits hard with two other hands. "I'll be sure to use you thoroughly and completely."

Your pussy drooled around his cock, being mercilesly drilled down by it with every thrust. If only you could see him doing it. "I want to see."

"Don't you make demands of me." He locked your legs upwards with his, planting his feet firmly into the floor. "Sluts like you should be grateful they get my seed. Go ahead. Be fucking grateful!"

"T-Thank you Lord Sukuna!" Your cunt clenched around him, wanting every drop.

"What a greedy little hole you have. Here then, let me give it what it needs." Sukuna's hands grabbed your hips, the others still playing with and kneading your breasts while he halted all movement of his hips, slamming his rigid cock balls deep and letting his cum wash over your inner walls.

You wanted to move your hips but it was futile in the hold he had you in. "There's so much. I can feel you."

"There's a lot more where that came from." Yes, you noticed he was still hard. Your punishment wasn't over. Not even close.