#this got. VERY LONG. sorry about that

[theminecraftbee]

actually while i’m on an analysis and also bigb train i want to talk a little about the bigb/cleo relationship because. it’s VERY EASY to just read it as “bigb betrayed cleo that one time three seasons ago and cleo has never forgiven him for this” but there’s way more to it than that and it’s so fascinating i want to shake them around like maracas.

like, okay, the initial betrayal is as much a failure to communicate as it is an actual betrayal. cleo says that if bigb had just TOLD HER she would have let him, and I believe this (loyalty is an extremely consistent cleo trait). however JUST EARLIER THAT SESSION she’d also been talking about how she wouldn’t trust someone with the boogeyman curse and can’t believe someone would betray their allies. bigb heard that, decided he couldn’t tell cleo (because she’d hate him for it), and panicked himself right into a corner where he ended up doing the thing that was WAY WORSE for that relationship. also left out is that part of why cleo got that mad wasn’t even bigb’s fault; she was ALSO mad because lizzie and ren sided with him over her, and she felt betrayed by everyone at once. which she then pinned on bigb. meanwhile, while bigb apologized, he never let go of the idea that he'd had no other choice, and never really addressed the unstated hurt of 'cleo also felt like her friends had been turned against her', so it never rang as sincere to cleo. so like, more going on there than just a betrayal!

but like, let’s talk about their relationship after that, shall we?

on cleo’s end, she’s a character who tends to hold on to relationships across seasons, for better and for worse. the widow’s alliance basically never ending; martyn and cleo and their inability to be normal about each other; cleo and etho’s quiet understanding; and, as one of these important tentpoles, bigb and cleo being unable to trust each other. she carried that hurt with her into the few interactions they had in double life, and that in turn helped to color everything else. see, cleo doesn't just hold on to relationships; she holds grudges, and bigb is the ultimate target of that. unlike some of her potential grudges, she's never had a scenario where she and bigb were on the same side in order to temper the grudge. she's also never gotten the boogey curse herself, making it even harder for her to temper it and understand.

so, even after things like limited life where she's started to be less Immediately Angry the moment she feels betrayed (thank you scar for being kind of a moron and getting cleo that lesson), she still holds on to the last life version of bigb in her head. also, because of that, it makes it easy for her to just... continue perpetuating that. she shuns bigb and assumes he has some reason she needs revenge again. that, in turn, pushes bigb to doing another thing she needs revenge for, so she tries to get it, so they keep spiraling downwards in a cycle of mistrust, because cleo has also made herself untrustworthy to bigb.

meanwhile, on bigb's end... he tried to apologize and she wouldn't take it! she sees all of this as an irrational grudge on cleo's part, and there's been very little to discount that. but also because bigb has a tendency to go off and do his own thing and hold himself apart from people, he has made very little effort to meaningfully fix this. in fact, because he assumes cleo will continue to hold a grudge, he continues to treat her a bit like an enemy, continuing to provoke her at multiple opportunities.

he can't make that relationship WORSE, after all, so there's no reason NOT TO continue to mess with her. she'll never trust him, so there aren't real consequences if he keeps burning her, because the only consequence is that she'll just continue to never trust him, right? it's a simple relationship! and in some ways it's comforting, even; cleo is someone he can never mess up with, because that bridge is already burnt.

and ironically? this makes their relationship surprisingly stable. they will KEEP ON sticking knives in each other, of course. even when they don't have a good reason for it, cleo will assume bigb must have done something and bigb will assume cleo will hate him anyway. but in turn, i think they VERY MUCH know where they stand with each other. and tragically, that means neither of them have an incentive to try to fix this. they're both very, very entrenched in how they see each other now, and either of them will see any attempted olive branches as another place for everything to go wrong. they're cleo and bigb, who don't trust each other because bigb killed her one time, forever. that's who they are. that's how they see each other. and it's not just because that happened; it's because they keep reinforcing it, over and over and over again, in a way that makes communicating that they could stop nearly impossible.

that and i think cc!bigb and cc!cleo out of character really enjoy continuing to have their cubitos have a stupid irrational grudge on each other because they think it's funny but that's unrelated to the character analysis,

[endusviolence]

Rowling isn't denying holocaust. She just pointed out that burning of transgender health books is a lie as that form of cosmetic surgery didn't exist. But of course you knew that already, didn't you?

I was thinking I'd probably see one of you! You're wrong :) Let's review the history a bit, shall we?

In this case, what we're talking about is the Institut für Sexualwissenschaft, or in English, The Institute of Sexology. This Institute was founded and headed by a gay Jewish sexologist named Magnus Hirschfeld. It was founded in July of 1919 as the first sexology research clinic in the world, and was run as a private, non-profit clinic. Hirschfeld and the researchers who worked there would give out consultations, medical advice, and even treatments for free to their poorer clientele, as well as give thousands of lectures and build a unique library full of books on gender, sexuality, and eroticism. Of course, being a gay man, Hirschfeld focused a lot on the gay community and proving that homosexuality was natural and could not be "cured".

Hirschfeld was unique in his time because he believed that nobody's gender was either one or the other. Rather, he contended that everyone is a mixture of both male and female, with every individual having their own unique mix of traits.

This leads into the Institute's work with transgender patients. Hirschfeld was actually the one to coin the term "transsexual" in 1923, though this word didn't become popular phrasing until 30 years later when Harry Benjamin began expanding his research (I'll just be shortening it to trans for this brief overview.) For the Institute, their revolutionary work with gay men eventually began to attract other members of the LGBTA+, including of course trans people.

Contrary to what Anon says, sex reassignment surgery was first tested in 1912. It'd already being used on humans throughout Europe during the 1920's by the time a doctor at the Institute named Ludwig Levy-Lenz began performing it on patients in 1931. Hirschfeld was at first opposed, but he came around quickly because it lowered the rate of suicide among their trans patients. Not only was reassignment performed at the Institute, but both facial feminization and facial masculization surgery were also done.

The Institute employed some of these patients, gave them therapy to help with other issues, even gave some of the mentioned surgeries for free to this who could not afford it! They spoke out on their behalf to the public, even getting Berlin police to help them create "transvestite passes" to allow people to dress however they wanted without the threat of being arrested. They worked together to fight the law, including trying to strike down Paragraph 175, which made it illegal to be homosexual. The picture below is from their holiday party, Magnus Hirschfeld being the gentleman on the right with the fabulous mustache. Many of the other people in this photo are transgender.

[Image ID: A black and white photo of a group of people. Some are smiling at the camera, others have serious expressions. Either way, they all seem to be happy. On the right side, an older gentleman in glasses- Magnus Hirschfeld- is sitting. He has short hair and a bushy mustache. He is resting one hand on the shoulder of the person in front of him. His other hand is being held by a person to his left. Another person to his right is holding his shoulder.]

There was always push back against the Institute, especially from conservatives who saw all of this as a bad thing. But conservatism can't stop progress without destroying it. They weren't willing to go that far for a good while. It all ended in March of 1933, when a new Chancellor was elected. The Nazis did not like homosexuals for several reasons. Chief among them, we break the boundaries of "normal" society. Shortly after the election, on May 6th, the book burnings began. The Jewish, gay, and obviously liberal Magnus Hirschfeld and his library of boundary-breaking literature was one of the very first targets. Thankfully, Hirschfeld was spared by virtue of being in Paris at the time (he would die in 1935, before the Nazis were able to invade France). His library wasn't so lucky.

This famous picture of the book burnings was taken after the Institute of Sexology had been raided. That's their books. Literature on so much about sexuality, eroticism, and gender, yes including their new work on trans people. This is the trans community's Alexandria. We're incredibly lucky that enough of it survived for Harry Benjamin and everyone who came after him was able to build on the Institute's work.

[Image ID: A black and white photo of the May Nazi book burning of the Institute of Sexology's library. A soldier, back facing the camera, is throwing a stack of books into the fire. In the background of the right side, a crowd is watching.]

As the Holocaust went on, the homosexuals of Germany became a targeted group. This did include transgender people, no matter what you say. To deny this reality is Holocaust denial. JK Rowling and everyone else who tries to pretend like this isn't reality is participating in that evil. You're agreeing with the Nazis.

But of course, you knew that already, didn't you?

Edit: Added image IDs. I apologize to those using screen readers for forgetting them. Please reblog this version instead.

[stil-lindigo]

scorched earth.

a comic about a princess who died in a fire.

(this is a sequel to bite of winter, a comic about Snow and what became of her after her death.)

--

creative notes:

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all my other comics

store

[utterlyazriel]

an eternity, my love

eep! this is a bit longer than the last at just over 6k forgive me... but thank so much for all love on the first piece 🥹 and thank u for all your lovely ideas! i hope this does sum justice to the nonnie who asked for further miscommuncation... <3 part one here but u don’t need to read it to read this :)

How does one even begin to decide what to wear to dinner with a person, the person, who matched your soul perfectly?

When your friend had hunted her way through clothing stores of Velaris and stashed away a custom dress — far fancier than anything you owned — for the first date with her mate, you had laughed at her.

Now, staring at your closet in only your undergarments, you were beginning to envy her preparation.

Seriously, how are you supposed to choose?

You pick up your latest addition to your closet, a glossy dress the colour of red wine that reveals the length of your legs and planes of your collarbones— perfect for a night out dancing.

With a grimace, you place it back on the hanger. It was far more scandalous than you would want to be on a first date, even though — well, you’re sure that, being mates, Azriel would like anything you wore.

You heave a sigh. An uneasy prickle beneath your skin has you crossing your arms; it was almost alarming how badly you wanted to impress him. But… mating bonds were rare and powerful.

Almost as if you had summoned it — in fact, maybe you had — there’s a soft shimmer in your chest. Your beautiful glow, the bridge between you and Azriel humming to life. In a way you can’t explain, it’s as though you can feel him soothe across your mind, his soft touch full of assurances.

He’s comforting you. All your emotions must be shooting down the bond without your permission. Gods, that would take some getting used to. You wonder if he can feel your resounding pang of embarrassment as well.

You do your best to push back something less nervous, more of your excitement for the night to come — and you know, without even seeing him, he’s smiling.

After another moment of fussing, you decide on something simpler than your glossy night dress.

Comfortable black slacks with plenty of flow to them and a shirt you thought was one of your nicer ones. With the slightest touch ups to your makeup, you rush yourself out the door before you convince yourself to change all over again.

The Sidra keeps you company, a rush of water beside you as you wind through the streets of Velaris, eyes flicking up to take in the darkening sky. The sun was sinking below the mountain tops, rays tickling across the ridges.

And while you could admit that Velaris was very beautiful in the daytime, you were a true Night court citizen— and believed its true beauty came out at night.

Somehow, despite the lack of concrete plans made as you had ushered the male out of your office, you knew resolutely that you would be able to find him. You weren’t even worried about the timing of it all. It was… what was the word? Absurd. Insane. Utterly, breathtakingly incredible.

Sure enough, as you exit the alley and round the corner, your eyes falling on the sage green building you reside in for work, there he is; waiting for you.

You inhale a sharp breath. A thousand cells in your body fizz, hum, and glow, at the mere sight of him.

It's easy to understand just how he had garnered his dark reputation, the image of him every bit of the Spymaster of the Night Court — a title like Shadowsinger has never been so fitting for him.

He’s blurred at the edges, a thousand tiny wisps that blend him into the shadows of the nighttime. His wings stretch up behind, towering over his already tall frame, black as ink, and beneath his darkened attire, you can spot his tan skin. Your eyes drag up his neck, tracing his adam's apple, along the scruff of his sharp jaw until you reach his hazel eyes.

Your heart burns.

In the depth of it, you know, if he doesn't love you, he will undo you completely.

It's wholly terrifying to come face to face with — the intensity of the mating bond scorching through your mind like a fierce wind, burning embers left in its wake.

It's enough to make you pause, the definitive thought that doing this, offering him your heart and trusting him, could very well lead to your ruin.

Your chest squeezes tightly. You let your eyes drink in the Illyrian, the Male who waited so patiently for all those years and was prepared to wait years more, if you had asked.

Focusing, you pluck up that golden thread in your chest and hold it tightly. It heats and melts, hotter and hotter, and you know that any fear you have, you can conquer to be with him.

Ruination be damned.

—

Azriel notices you the moment your frame exits the alley, notices the moment you pause — has been able to feel you drawing nearer to him this whole time. Your every emotion is transparent to him through the bond between you, whether you’re aware of it or not.

You must not have the tightened mental shields he had come to be so familiar with over all his years. It makes sense; you are no warrior. Mental walls over your mind are not something you have ever had to concern yourself with.

Azriel vows it to be one of the things he teaches you. You deserved the privacy of your emotions, at the very least.

But... for now, Azriel can feel them all. It's why, as you round the corner, Azriel can feel your eyes on him and then, then he feels it.

The wash of fear that spills over your bond like icy water.

An old enemy rises within him. He grits his teeth, even as he feels the fear from you slide away and he tries to ignore the sting from an unhealed wound. But self-deprecation never seems to drown, no matter how much he tries to suffocate it within him.

He shifts his hands, relieved suddenly to have them covered up beneath gloves. His wings tuck in tighter, if possible, and he wills his shadows sternly to contain themselves. Something in the slightest baring of his teeth has them obeying. They shoot to his sides and make themselves scarce.

All this in time to greet you pleasantly as you bounce into view, sidling up before him with a shy grin. It's only been a few hours since he got his proper look at you and yet, you're every bit as breathtaking as you were earlier. More so, in fact.

It feels as though Azriel has never seen the sky before and you before him, are the first sunset of his life. You look so pretty that Azriel could probably gaze at you all evening if you so allowed him to.

And then, he remembers the pang of fear.

He doesn't waste time mulling over which detail of him had made you afraid — only that he would dim or change or hide any part of himself to stop it from happening again.

"Hello, again," You say, your lips pressed together to contain your smile. You have to tilt your head back to look up at his handsome face. His shadows swirl around him and despite his strict instructions, one still slips away to touch you.

You don't notice it circling your ankle, tentative and shy.

"Hello, again." Azriel echoes your words, unable to help his own glimmer of joy.

He wants to offer you his arm, his hand. Can feel it within him, down to the very marrow of his bones, the craving to be closer to you, to touch you, however he can.

Azriel swallows heavily and does what he has done over decades, over centuries; he takes the wanting and pushes it down, down, down.

The two of you begin to walk, side by side, with no destination in mind. Aimless and content at the same time.

Azriel doesn't need the bond to see the flittering of nerves hidden in your expression. The shadow still circulating around your ankle climbs higher, like it wants to comfort you too.

Azriel wills it to still, desperate to not scare you again. He drops his shoulders from his usual warrior posture in hopes of making himself a little smaller.

“You don’t need to be nervous.” He says reassuringly.

You steal a glimpse at him, your smile breaking into a grin. Your nerves are still potent but less so.

“Who says I’m nervous?”

Azriel smiles gently, his eyes dancing across your face as he reads your lie easily. “I do."

There's a scrunch between your eyebrows then, like he had seen during his time in your office earlier. Azriel places a hand on his chest, over the place where the glowing tug is strongest.

"I can feel it.”

Your eyes widen slightly as you stare at his gloved hand, the cogs in your brain spinning and turning at a rapid rate. Still strolling, your hand rises slowly and touches to the same spot on your own chest. Azriel can feel his heart stutter at the sight, you holding the spot that connected you to him undeniably.

"You can?" Your gaze lifts to his face, puzzlement adorning your features. You frown and focus for a moment, staring hard into the distance — and Azriel feels a sudden twinge of disgust through the thread.

"Did you feel that?" You ask, eyes wide and curious.

Azriel nods wordlessly and he can't help but ask. "What is it you were thinking of?"

You look embarrassed for a moment, eyes averting to the ground. You chuckle awkwardly and tuck your hair behind your ears, glancing back up at the Male with a sheepish smile.

"Brussels sprouts."

Azriel blinks once, twice, and then has to turn to hide his smile. He tries to cover his laugh with a cough. It doesn't work, given how you make a small noise of indignation. He turns back, his politest expression on.

"Don't laugh at me!" You whine, reaching out to poke him in the shoulder. Your touch radiates through his body like a drop of golden sun, blazing warm.

"You're right," Azriel hums, his lips twitching as he presses back his smile. "My apologies, my lady. This is important knowledge I should be filing away. I swear on my life I will feed you no brussels sprouts this evening, or any in the future."

He wants to nudge your shoulder with his own, just to touch you, wants to reach out as easily as you had. But his shadows slip before his self-control does, skittering out along onto your shoulder and giving you a small shock and Azriel remembers himself. His fists clench tightly at his sides.

You walk side by side all evening, like two planets in orbit — close, oh so close, but never quite touching.

—

The first date you share is nothing short of… wonderful.

Resolutely and overwhelming good, the entire date you can't help but feel as though your very soul is singing, a thousand particles blithesome at the nearness you get to share with Azriel. He's surprising in a manner of ways.

Firstly, he's terribly quiet.

Next to him, you look quite the blabber-mouth, no matter how much he insists he enjoys it. His dark eyes are intense as they watch you closely, soaking in every word that passes your lips, and yet, beneath it, his dry sense of humour comes out to play. There's the occasional tease, almost as if just to see if he could make you flustered. (He could, easily).

With a Male as beautiful as him, suited to your very being in every way, it's nearly unbearable how much you ache for him. How much his very attention creeps down your neck and makes every nerve along your spine tingle.

You know it will take some time to get used to his unwavering and devoted attention.

There’s… just one small, itty-bitty, tiny problem.

He doesn’t touch you.

Throughout that whole first evening, you had noticed it somewhat— a flex in his gloved hands, a moment where his wing strayed too close only to be pulled back in a flash, even his shadows, darting out to be near you but never quite touching you as they had on that first meeting.

His hands reach out but they do not find you.

At first, you believed it was a first date thing. Azriel was, first and foremost, a gentleman, and you thought perhaps, his skirting touch, like his hand lingering over the small of your back but not touching it, was to be polite. Courteous and gracious.

Then, you had seen him just two days after that date, all bundled up in your giddiness that it had managed to slip your mind.

The two of you had spent the day together, traversing through the market — before you quickly found a quieter space for your mate as it became clear that large bustling areas, such as the Palace of Threads and Jewels, were not so suited to his tastes.

As you had tugged him out of the crowd, laughing over your shoulder at how he fought to keep his broad wings from knocking into anyone else, the thought suddenly snapped back into you.

Though you yearned to link his arm with your own, to interlace your fingers with his, you remembered his hesitance. Remembered the hover of his gloved hand.

And so, you dropped his arm the moment you cleared the crowd.

A hurt warbled deep within you to so do and knowing you were not the deftest at schooling your expressions, you hid your face so you could contain your childish reactions. You huffed at your own upset. What matter is it if your mate has no affinity to touch?

Truly, it was a miracle to have found a mate at all, you tried to scold yourself. You would not take him for granted for a moment, not even if it was not quite the picture of perfection you had envisioned.

Rooted deep in you was a truth; you could abide by this, abstain to his level of comfort for years, for millennia, if it made him happier.

The fabric of the mating bond, connecting the two of you intrinsically, made it so you would not want it any other way.

It's a decidedly Azriel thing.

He always wears the gloves, he never touches you more than he has to, and he's got... this really specific look when you're doing a terrible job of hiding your emotions.

As he had vowed, Azriel had set about teaching you how to build the mental walls up within your mind, brick by brick by brick. While it would help you hold against daemati if that loathsome situation should ever arise, it would also shield you from your mate.

It would protect you from having your emotions ripped out for him to see, no matter how much you held back — if it was in your mind, it would travel down the bond.

So, the wall had to be built. It had been tedious, tricky, and tiring work. Yet every time you would feel yourself ready to throw in the towel, Azriel would lean in closer, his hazel eyes softened, and his hand resting upon your arm, thumb swatching up and down, to encourage you.

"I know it is tiresome," He had mused, that faint smile twitching at his lips as you scowled at the ground. His thumb was still moving, still drawing light circles on your bicep. The skin beneath it blazed with warmth. "But it is worth it, that I can promise. You deserve this privacy, my dear. I would never wish to take it from you."

My dear, my dear, my dear— the words had sunk into your sternum and bloomed, bright and golden.

It's enough to hold onto, his kind affections. The sweet shape of his mouth when it says your name. The way his lashes kiss in the corner when he can't hold back his smile.

It's enough to soothe yourself over. To take the lack of touch on the chin and swallow down your desire for more.

It's why— why you can't help yourself— why you couldn't tear your eyes away from Azriel's hand where it touches Cassian's arm.

You're meeting his family today, which you've quickly realised doesn't mean his mother or father but instead means... the literal Highlord of the Night Court.

There are several warriors crowded around the cramped entrance room to the River House. Each of them is taller than you, and two of them with the very same huge wingspans that you've come to revere on your own mate.

Your usual talkativeness has been dimmed in your shock, though, really, it shouldn't be such a surprise. Azriel is a force to be reckoned with, honed over decades, and the Spymaster of the Night Court. You know these things. The company he keeps makes sense.

Somehow... still, seeing them all together leaves you strikingly speechless. The legion that protects your home — a family.

Rhysand greets you first, dapper in his dark attire, his violet eyes equal parts calculating and welcoming as he steps forward and offers his hand.

Despite the fact you have never bowed to him before, you still have to repress the urge. His power is overwhelming, the very night lapping at his edges and you're suddenly very grateful to be meeting him as a friend and not as a foe.

"It's a pleasure to meet you," Rhysand's voice purrs out, soft as silk. When you place your hand in his, he brings it to his lips and presses a polite kiss to the back of your hand.

"Any friend of Azriel's is a friend of mine."

You can feel your own heart thundering in your chest. Azriel hovers behind you, his presence soothing in itself. You can't see it but his wings are outstretched towards you, cocooning around you ever so slightly. A shadow hovers behind your shoulder, just out of sight.

"I— the pleasure is mine, my Highlord." You manage to make yourself speak.

You almost wish you hadn't when your words inspire a burst of laughter from one of the others behind Rhysand, the other Illyrian. He's tall, his hair dark but longer than your mate's own.

As your hand is dropped, Rhysand turns to scowl at the Male laughing, and you only grow further perplexed when he gives a whack against the other's shoulder. They begin to squabble for a moment — and you don't even hear Azriel move until he's speaking, his lips right by your ear.

"You'll have to forgive Cassian." His voice is low, raspy in a way that sends a zing down your spine. You shiver lightly. "He can be well-mannered at the best of times. But I promise he isn't laughing at you."

The two Males seem to tune back into Azriel's words, even though they had been whispered for you specifically.

"It's true!" The Illyrian, Cassian you now know, pipes up. He brandishes a devilishly handsome grin at you, with his hands held up in defense. "I apologise. It just still makes me laugh to see someone address this one so formally."

You blink. "But... he is the Highlord."

Azriel speaks again, bent over still to talk in your ear, but much less of a whisper this time. "Rhys is our Highlord but he does not bother with such formalities."

"And," Cassian interjects, lugging a punch into Rhy's shoulder, much like the other had done to him not a moment before. "Before he was the o'mighty Highlord, he was our friend."

Cassian says the word o'mighty with such an air of sarcasm that you can't help but glance at Rhys, sure he wouldn't take such disrespect. But around you, there are only easy grins.

"Might we move to somewhere more comfortable than the doorway," Azriel speaks up from behind you, his voice dry. "Unless that is, you're all hoping to do one-on-one greetings with her?"

There it is, the dry sense of humour you've come to adore. The group before you seems to grumble, as if they were quite keen on the one-on-one meetings but begin to move through the house.

One of the group dips back to walk beside you and you do your best not to repeat your past mistakes, even as your eyes widen almost comically. Azriel chuckles silently to himself, feeling your polite astonishment down the bond.

"It's so great to finally meet you.” Feyre, your Highlady greets you, her pretty face rife with glee. She seems genuinely very happy to make your acquaintance. "Azriel has told me all about you."

You stumble in surprise, your eyes casting back to Azriel behind the pair of you. His eyes are fixed on Feyre, narrowed at her blatant betrayal, his shadows swirling around him. She sticks her tongue out at him playfully and you smother a laugh.

When his eyes shift over to you, you're positively delighted at how his cheeks have turned the lightest shade of ruby.

"Feyre is very persuasive when she wants to be." He murmurs, almost grumbling. You turn back to the Highlady and she grins at you, devious and captivating all at once.

It’s a whirlwind once you reach one of the many living rooms, each member of Azriel’s family all very eager to shake your hand.

Cassian grips it firm, his grin still on the side of wicked as he tells you he’s been waiting years to find the woman who could contain Azriel. Nesta, his mate as you find out, is a fierce kind of pretty with a grip as strong as Cassian’s. She tells you welcome to the family with the smile of a shark.

Morrigon is next, breathtakingly gorgeous, and every bit as charismatic as Azriel had described. You don't catch the glimpse between Mor and Cassian, not the beat of relief they both feel at your arrival in their lives— in Azriel's life.

It's swallowed up in her words, going a mile a minute. She jumps about, like popcorn in a pan, overly keen to finally speak to the one whom the Mother deemed worthy of Azriel’s heart. Where are you from? What do you do? How did you meet?

“Mor,” Azriel warns, after her twelfth consecutive question about your life. He hasn’t moved from his protective position behind you, close enough you can feel the heat of his body. His wings had brushed your shoulder just once.

“Yeah, Mor,” Rhys jeers. He nudges his cousin in the side playfully and Cassian snickers behind the group. “Give the girl some time to breathe.”

Even with all of Azriel's masterclass on who you would be meeting, it's still terribly overwhelming just trying to keep track of them all. They're each such strong spirits, each with seemingly a thousand battles in their past and far more years with Azriel.

On top of this is the fact you met both your Highlord and Highlady so casually in one single afternoon. It's difficult to not be daunted by the group that is so clearly intertwined with each other on a deeper level altogether— bonded by devastation and choosing each other through love.

Try as you might, you can feel the seed of doubt, of insecurity, make a home between your ribs.

You clamp down the shields you've spent the last few weeks learning, building the wall up and holding it tight. It's silly to feel dismayed because these Fae, these friends, know your mate better than you do.

Azriel had told you he had been waiting for you for five hundred years. For the first time since you've met him, you wonder if he was ever disappointed.

And then— then, you see it.

Azriel's hand on Cassian's arm. Then the half embrace they share, a hand on each other's neck as Cassian grins, wild and fierce, and presses his forehead against Azriel's own; brothers, sharing a moment of euphoria at the other finding his long-deserved happiness.

You should be soaking in the smile Azriel hides from you too often, showing his teeth and crinkling his eyes. But instead, you can't see past it, can't stop the loop in your own mind as it prints a fact over and over and over.

It isn't an Azriel thing; it's a you thing.

He doesn't touch you.

The mental walls in your mind feel paper-thin as a fresh kind of agony ripples through your chest. The soft rejection of a mate stings, a papercut on your very heart. You can feel it warble through you and know, terribly, the exact moment that Azriel feels it too.

His head whips around, his dark shadows that surround him suddenly spinning and flitting faster than before— a couple dive across the room to you.

You stand up and the chair scrapes noisily beneath you.

"I—" You say before you realise you haven't planned an exit or an excuse in the slightest. Azriel's gaze burns into you. You turn to Feyre instead, who had been talking across from you when you rudely stood up.

"I'm so sorry, I just—" Some excuse, any excuse! "I think I— left the stove on."

It's a lie. A complete utter lie that fools no one in the room as you retreat from it hastily. None of them try to stop you though, which you're thankful for. Each of them watches, every expression slightly concerned as you hurry out of the room, your feet walking backward rapidly until you bump into the door frame.

You pass through it with your eyes on the floor, knowing that all of the eyes are on you. You know the ones you can feel searing into your soul are Azriel's.

You leave the River House. You walk along the Sidra, your steps hurried and your chin tucked low. It hurts. It hurts the feeling inside you. A tear streaks down your cheek, unbidden, and collects on your jaw. You wipe it away meanly.

The sight of your apartment door is an overwhelming comfort, one that has you sighing aloud as you rush up to it, your fingers already digging around in your pockets for your key.

And like always, you never hear him coming.

"What happened?" Azriel asks, his voice almost pained.

You give a little yelp of surprise and whip around, remembering half a second later that there's still evidence on your face of your tears. Azriel grows characteristically still, his hazel eyes fixed on yours as you sniffle for a moment, aggravation beginning to creep in.

He could feel everything from you and you got... what? Whatever he deemed fit to offer? How is that fair?

His usually wispy shadows are inkier than usual, almost tornado-ing around his shoulders. They keep leaping out towards you before being caught in an invisible net, a barrier between you and them.

Even as Azriel remains motionless, his eyes are the opposite—they jump around, searching, hunting, begging to find the cause of your pain. Had it been one of his friends?

"Please," He tries his words again.

His heart throbs painfully when you finally find your key and turn your back on him without a word, unlocking your door and pressing your way inside. He follows quickly, wings tucked in tight, unable to keep his shadows at his side this time. They whiz to you, circling your ankles protectively.

"Please," Azriel says, an anguished growl to his words. "What hurt you? I will— my friends, if they said something— if it was someone, I hunt them down and make it right for you."

You inhale sharply and when you speak, your tone is cold in a way you have never used before with Azriel. You say the words without thinking.

"It would be impossible to hunt yourself, Azriel."

Regret howls through you like a hurricane the moment you say the words. You don't mean to be mean, jealous, or whatever unseemly emotion you can't stop from sprouting in your chest, growing in size, tangling into your heartstrings like twisted gnarled vines. It hurts.

You turn back to him, mouth open. No words come out.

Hurt is slashed across his face, his eyebrows furrowed tightly, his shadows tucked in tight. It's as though he's blended into the very air, the wispy edge of him threatening to retreat into his own shadows.

All his emotions on display just for a moment, before they're schooled away. Tucked away, hidden, not for you to see.

Inside, your hurricane howls again, this time in pain.

You can tell he feels it, even as you mentally gather your bricks. It isn't fair. How can he have every bit of you and you get what he pleases to return?

You want to know him completely, want to see every part of his rugged, weathered soul, and love him anyway. It's an untold type of agony to have him deny you.

"My love," His feet finally move, his wings almost dragging on the floor as he steps forward, slowly, as though he was afraid he might spook you.

"Tell me how to fix this pain." He pleads. His gloved hands are held out, palms up and suddenly, he looks nothing like a warrior. Just a Male, afraid of losing what is most dear to him. You shake your head, like a child, and keep building your brick wall.

"Please don’t keep this from me," He takes another step forward, his shadows sent awry as they dart across to you. You can feel them on your calves, on your arms, feel the tiny kisses they leave. Azriel speaks again, voice low. "My love, I can feel your pain.”

You can't help how you screw your eyes closed, the ache in your chest unbearable— made worse when you know he can feel it too.

"That is my problem." You utter the words quietly, eyes still clenched shut, knowing he can hear you. He takes another step, close enough now that you can feel the heat of his enormous frame, his wings bracketing around you. "I cannot hide anything from you."

Azriel makes a noise, a punched-out wounded sound that reverberates down the bond.

"My love," He murmurs for the third time. Down the bond, you can feel his sweet love, his golden gentle feelings travelling along to assure you. "I would not wish for you to hide anything from me."

“But you hide everything from me." You whine, eyes finally crinkling open. Azriel stares down at you, his eyes softer than they've ever been. You can see the hurt swimming in them, the hurt you've caused. Still, you speak.

"You hide your emotions. You hide your touch, yet you give it willingly to your friends." You share each ugly thought with him, whispered as you gaze into his face to search for your answers.

Lifting your hands, you curl your fingers around his wrists tentatively. Azriel swallows heavily, his eyes dancing down to where you're touching him. You slide your hands forward, dragging the pads of your fingers over his pulse, along his palm, til your hands are holding his gloved ones.

"Is there some test I don't know about?" You ask, your focus on your intertwined hands. "Is there— do I have to earn this?"

"No," Azriel chokes out the word suddenly. You look up at him. He clears his throat and you feel his hands grip yours back, surer and stronger than you had. "No, I'm sorry. There is no test, nothing to prove you deserving of this. I just..."

His words trail off and you watch as he closes his eyes, inhaling deeply, as if gathering his courage. His hands slide from yours, pulled backward and you nearly feel the urge to cry once more— before you realise he's removing his gloves.

The skin of them is warped, you realise acutely with horror. The skin of his hands is swirled and mottled, an injury long healed but scarred for eternity. Azriel is watching your face closely, holding his hands close to his chest as though he was prepared to hide them away at the first flicker of fear.

You're grateful for the link between and all your shoddy attempts at blocking him out. Your love and your unwavering devotion drifts along the bond.

Azriel shudders, his wings giving the tiniest shiver. Slowly, gently, he reaches out towards you. You feel his hands, the unruly scarred feel of his skin sliding along your jaw to hold it tenderly. He has never held you like this before.

He cradles your face gently — like his hands have never held weapons of war, like they aren't twisted and marred with a memory he can't forget, like they're worthy of holding something so precious.

Azriel holds you as if you're holy — and he's come to kneel at your altar.

"I was afraid of what you would think." He admits. His voice is hoarse, gravelly as he fights off the lump in his throat. "I— on the first day we met, I felt your fear along the bond and—"

"It was not of you." You interrupt him, your hands jumping up to cover his own where they hold you. Azriel inhales sharply, eyes darting to watch.

But you pay him no heed, the palm of your hand covering his like a lover would. You let your thumb soothe up at down the ridges of his skin. You let your love ripple along the bond.

"It was not fear of you, Azriel." You repeat, your voice soft. His eyes are still fixed on your joined hands. His wings have begun to pick up, no longer drooping behind his back— you're not sure if he even notices.

"It was fear for how strongly I already felt for you." You lean into his hand and Azriel lets you, lets the length of your nose nuzzle into the touch of his hands — something no one in all his years of living had ever done before.

"It was fear that you already could ruin me," The words are murmured. "And that I would let you."

You whisper his name to pull his wide-eyed gaze from where his hands touch you and his hazel eyes burn into yours. Every whitened scar on his skin, every eyelash, the adorable pinch between his eyebrows; you drink it all in and smile at him. Azriel, your mate.

"Azriel, I chose this despite that fear. I choose you.”

Azriel quivers at the words, at your unflinching tone and suddenly the world seems such a perfect place, time moving around you, untouching, with such a perfect grace.

“I choose you too,” He murmurs, an emotion so strong a fire of possessiveness streaks down the bond. This time, you can feel his wall melt away, allowing you access to all he feels — his mountain of fear and his melting relief.

“Forgive me—” He begins and you laugh without meaning to, cutting him off.

“Stop,” you say, the word light and as pretty as your grin. “We keep doing this to ourselves, tying ourselves in knots over and over.”

Azriel laughs, his lips twitching into a smile as he allows himself to stroke his thumb lovingly over your cheek. The way you melt beneath it, your lashes fluttering and heart burning so brightly he can feel it in his own chest too— Azriel knows this longing will long outlive his body.

“We do,” He agrees. He dips his head a little lower, probably the only apology you’ll let him have, and inhales shakily. His hands shift across your face, down to hold your chin, his fingers pressed together tightly to hide the way they quiver.

“Then let me apologise in another way,” He murmurs, his voice closer to playful. “In a way I’ve been selfishly depriving you of.”

And when he kisses you, it’s with a reverence that softens all your corners.

His lips are plush and sweet, and with the way he dedicates himself to your bottom lip, you can’t help how you sigh into his mouth. He finds home in the curve of your mouth.

It’s delirious the way he kisses once, twice, three times like he’s hungry for something found only in your lips.

Your hands stagger forward, leaving his own to wind over around his neck. Your fingers curl up, raking through the hair on the nape of his neck — feeling the shiver that travels up his spine, his wings giving a little flare out.

He kisses you breathless, one hand abandoning your jaw to wrap snugly around your waist, bringing you closer to him.

When he pulls back, something within you glows molten gold at the panting that leaves his lips. He’s gazing at you, his hazel eyes alight in a way you haven’t quite seen before. His wings shift behind his shoulders, curling forward to wrap the two of you together, not quite touching.

Your heart thrills. You grin, your lips still just an inch apart as Azriel nudges forward, his own twitching in that way when he fights his smile. His lips brush yours, his smile barely held back.

“Have you forgiven me yet?” He says, sweet and low, allowing the smile to finally pull his pretty mouth up at the corners.

“Or should I make it up to you a little more?”

He kisses the corner of your mouth, chaste and gentle.

“Mmm,” your eyes are bright as they peer up at him, full of playful mirth and adoring affection. “You're forgiven but... I think you should make it up to me, just a little more.”

Azriel willingly obliges, his smile as sweet as the moonlight.

—

some people i thought might want to be tagged :)

@strangerstilinski @astoriaviviane @lana08 @florence-end @lportes-22 @torrick17 @florencemtrash @sidthedollface2 @seafrost-fangirl @goldenmagnolias @jeweline16 @meshellexplosionmurder @michellexgriffey @susiekern @toobsessedsstuff @fxckmiup @littlebookbengal @elenapril0502 @glitterypirateduck @hnyclover @technoelfie @itsapunklife @coffeecares

[nocofamilyau]

man how messed up is he? (3/24)

[wachtelspinat]

i can't help but feel like my drawing days are kind of over. not entirely, i'll still be drawing from time to time. and deffo not because i want to. but i'm having this exact same feeling since mid 2022, since i was really struggling with my elective period, i kind of disconnected with art there and never truly found my way back. on top of everything that came after - moving, starting a job and working to be good at it which leaves such little room for other things because i can't handle my life well - there is just so much horrible shit going on. and i'm having a hard time comprehending it.

a part of me also feels very stupid for drawing one thing for almost 4 years now constantly, but another part of me knows "hey, but this makes you happy". it's a constant battle in my head because online spaces are like school grounds, and i don't actually wanna stand in the corner as that one kid that just can't shut up about that one character. but then again all i ever did was drawing fanart so... what does it. who gives a shit. be cringe and be free alright. but it kinda feels so hollow, esp. when you're at it for so long. a lot of mutuals move on. some are not even active anymore anywhere. and i wonder what happened. plus a huge chunk of the tone of the fandom has changed. also with the source material getting butchered so hard (since the release of ow2) it just kills the fun. playing this game used to be fun. playing this game was one thing that helped me getting through the last meters of university. it's like watching the downfall of the simpsons again without making the comparison too set in stone, just... this thing that used to be decent and nice and watching it getting ruined in real time (broken promises about pve, the recent gameplay changes?? the lore was fucked up from the start but they kind of tried, now it's just skins for 20+ dollars) while still having feelings for the characters is shit. anyway...

i recently went through a big folder of stuff i'd drawn at the age of 12-15 and there were so many fucked up but cool monster and cyborgs designs and just silly stupid stuff and all i could think of was that i felt so distanced from it, like i don't even know i think this is normal? because a lot of time has passed and a lot has happened and i knew i've drawn all this but i wasn't able to locate the person who did in my present me now and... it's just so normal that things move constantly forward but i feel like i missed huge chunks and passed a few stops and now i'm kind of lost.

i don't even know what i'm trying to say here anymore. i just feel sad because it feels like sth is slipping out of my grasp or sth has changed tremendously and i don't know how to make damage control.

i keep trying tho, i try to draw once a week at least. it's just like as soon as i take a step back and look at it i don't feel it at all. gonna continue tho, until it makes sense again i hope.

[rabbitprincessthief]

gog i still can't get over minish cap vaati's Everything. He is So Fucking Stupid (affectionate)

Like. This guy's establishing character moment is, in order:

he's introduced as having won an entire tournament to get to touch a magic chest and get a cool sword, which was the prize for said tournament

turns around and does a goddamn evil soliloquy TEN FEET AWAY FROM THE GUARDS who were about to hand him his macguffin on a platter

(like this man fucks up his own horribly planned daylight heist because he cannot keep a lid on the dramatics for FIVE FUCKING MINUTES, IN PUBLIC)

(THE BAR WAS ON THE FLOOR VAATI, FUCKING GANONDORF PLAYS THE PIPE ORGAN FOR HIS OWN BOSS INTRO AND HE STILL KNOWS BETTER THAN THIS SHIT)

proceeds to fight the guards (it is, admittedly, a curbstomp for him, but it still clearly wasn't his plan, because otherwise why bother with the tournament)

gloats evilly

opens chest, unleashing a whole bunch of monsters

exposits out loud about Zelda's powers like a nerd while she is actively charging up her magic powers to kick his ass

RECOGNIZES and IDENTIFIES said magic as the special power carried by the female royal line

completely fails to recognize it as the light force he is currently trying to get his hands on (he spends like 99% of the game not figuring this out.)

petrifies her

(i have no idea if link could have deflected this spell if he had managed to get the right angle with his shield but i like to think somewhere there is a very short and very funny alternate timeline where it happens)

(more importantly: no part of vaati's original presumed plan would have involved doing this. he 100% created this situation for himself by being an dramatic idiot and picking a fight for no good reason.)

looks in the chest

there's no light force

considering his stated goals he might be as confused as you are about the monsters tbh

uhhh

evil laugh

teleports the fuck out

He then proceeds to spend the rest of the game trying to figure out where the light force is and ends up having to wait for Ezlo and Link to figure it out first because he was, as far as I can tell, GENUINELY stuck on this part. He fucking kidnaps and impersonates the King, not for access to Zelda, but to… send guards to go look for the Light Force, presumably because he was either running out of ideas or genuinely thought that would work.

None of the guards even had any idea what he was talking about. He's not even good at impersonating the King. He's already sent like twenty people to the dungeon by the time you get there and it hasn't even been a week. Somehow the game spins this as a cunning plan and clever manipulation or something.

(Meanwhile the guards are just. Poking around in random bushes and shit hoping to find the light force. One of them asks you what you think it might look like.)

Zelda is literally right next to the throne and Vaati does not figure it out until you find an actual honest-to-goodness LORE TABLET spelling out that the Light Force is Stored in the Zelda, at which point he's like "ahahaha you've done my work for me this was definitely my plan all along" and takes over the castle and throws a bunch of monsters at you to stall for time while he figures out how to extract the force from her. Somehow he still doesn't think to actually lock the fucking door.

[originalaccountname]

putting my hands on your shoulders looking directly into your eyes why are you so insistent that Dazai is faking every emotion every second of every day except when he's acting mean or evil why do you think his dark side is more true than his happier or sillier sides

do you not also have multiple facets you show different people? are we not all beautiful multifaceted individuals? are your actions and reactions not influenced by your emotions and state of mind?

can't he laugh at his own jokes? can't he fondly think of the Agency? can't he be dramatic because he wants to? can't he be surprised by something suddenly happening, even if he knew it would happen? do you not jump when the jack in the box gets out even if you were the one working the mechanism?

why would the mean persona be more real? why would any and all joy be faked? why are you only allowing him misery?

[gomacave]

5p yuuram bloood twww

[tswwwit]

I feel like if Dipper were ever reincarnated as a demon, he wouldn't fit in super well with the others. Yes, he's been raised to vie for power and step on everyone in his way using whatever means is necessary - it's the same toxic bizz as when he was a human, appealing to gender norms. He's tougher, scarier, more powerful (than ordinary humans, that is), but when it comes to asserting control - being Evil - he doesn't have it in him. Given enough time, I think he'd grow pretty vocal about leaving living things alone. NOT torturing organisms for the hell of it, or stealing people's souls, or conquering planets. Sure, he's a demon. That's no excuse to be a MONSTER.

It's a VERY unpopular opinion amongst neighboring demons, and rumor spreads fast about the Goody Two-Shoed Activist imp raining on everyone's blood-splattered parade, so much so that it makes it to Bill, who's immediately intrigued. Call it intuition, but only one soul's capable of overriding goddamn demon nature for some preachy bullshit about "Doing Good." Lucky for him, demons occupy the same plane of existence, so all it really takes to verify the guy is a snap of his fingers, and POOF! He's floating right next to him. Sure enough, Dipper's fashioned himself a new and improved demonic form, and it is lovely!

No one likes Dipper's kumbaya "Can't We All Just Get Along" ideology, but Bill's almost instantly smitten with the guy, whoever he is, so he's gotta be at least somewhat powerful. Demons take notice when the all-powerful Bill Cipher starts lending his time (and magic?) to some low-leveler like Dipper. Is he being blackmailed? Are they working together? No. Not possible. Bill doesn't "work" with anyone, save for whatever human catches his eye every few decades. Doesn't look to be doing him any benefit, either. The opposite, even. Lending power to a saint like Dipper only makes it harder to cause chaos, after all. Why would he actively go against his OWN best interest to cater some imp's? It's almost like he's. He's.

A henchmen.

(Bill's also 30% more affectionate the first month they reunite, because he still can't believe that his adorable little human husband came back as the same SPECIES as him! He'd never complain over having a sweet human to squeeze, but one with teeth and claws and cute pointy ears doesn't hurt).

[vaguely-concerned]

it's so crushing to me that M--, in the middle of the nuclear escalation insanity, told john through the closed door of his bedroom that she knows this isn't what he really wants, that they can still fix this together, that everything can still be all right if they just stop now. both she and A-- believed in john's goodness as a man, as a person, not even as a god or a leader, so much that they came up with the crazy 'arming the bomb' plan with him because they thought he would never actually do it. (they've got a recurring problem with judgement of character I suppose lol oopsie we enabled a genocidal monster sorry folks won't happen ag-- ah shit). C-- tells him he doesn't have to do this. the rest of his little found family, they all tell him this has gone too far, walk it back while we still can holy shit john!!! and he hides in his room because people are mad at him like a kid, but like a middle-aged kid with a doctorate who won't take his finger off the one Biggest Reddest Button to end them all.

then, so many years later, cytherea says at the dawn of lyctorhood: we had the choice to stop.

and then. THEN augustine tells him, at the end of everything, "john, we still have the choice to stop, even now. you don't have to do this anymore. even if there can be no forgiveness for what we've done, we can at the very least stop doing it." without either of them knowing it he's closing the loop of what M-- said ten thousand years ago -- they're both begging him 'be the man I want you to be, not the man you apparently are'. and he still doesn't listen.

what is this whole fucking mess if not a tragic ten thousand year demonstration of the unfortunate fact that no matter what you do, you can't change someone through sheer force of loving them 😔

I just... godDAMN IT john if you had listened to the people who loved you ONCE! ONCE, at ANY of these points, instead of sunk cost fallacy-ing yourself into the fucking lightless depths of the mariana trench while getting high on your own supply and drowning the universe in blood, everything could have been so different. my head is in my hands my heart is in pieces on the ground my bones are trying to shake their way out of my body --

[scificrows]

I am going over Murderbot's and ART's first interactions again and it's driving me crazy, so I really need to yell into the void about it.

Alright, so we have ART:

ART, a highly advanced deep space research vessel, who is very attached to its crew and seems to generally do what it's supposed to, especially when not doing so could endanger its mission - but ends up accepting a suspicious looking SecUnit that is lying about being a bot aboard itself. ART is evidently aware that it is directly breaking the rules in doing so. (Aside: How often does ART break the rules?) Why? All for that tempting media package that the SecUnit has to offer?

No.

It was sent off to do some work all alone and got bored and lonely. (I think there are different ways to intepret this, but looking at our super social raised-by-humans loving-its-crew never-shutting-up research vessel, I choose to think that is exactly what it was!)

Anyway, what does ART do now that it has this lying, potentially dangerous rogue SecUnit aboard? It

lets it know that it saw right through its lies and knows exactly what it is

intimidates and threatens it by showing off its own ridiculously extensive superiority (just to be on the safe side ofc)

gets bored after the SecUnit gets too scared to do anything interesting

asks the SecUnit to "stop sulking"

learns that the SecUnit has been through A Lot and seemingly understands how it made it feel and apologizes

gets bored again and starts lurking and harasses convinces the SecUnit to watch media about ships and their crews with it

[gets way too invested and agitated by the media, probably going through its first media-induced emotional crises (but gets through them with the support of the very patient SecUnit)]

tries to have a conversation with the SecUnit to get to know it better

gets offended that the SecUnit is not answering truthfully and won't share sensitive and very private information about itself

lets the SecUnit know it can see through its lies, calling it "inherently inferior" to itself and causing the SecUnit to sulkily shut down for four hours (lol)

immediately calls the SecUnit "unnecessarily childish" upon its awakening four hours later (referring to its own extensive experience with children to really get the point across)

And apparently all of this seemed to be a perfectly pleasant and normal interaction to ART, because:

That's how you make friends, isn't it?!

God, I love ART so so so much and this is SO funny to me! To be fair, I don't think anyone ever really prepared it for an interaction like this. (Probably because its crew did not expect it to pick up a stray rogue SecUnit and try to befriend it).

Bonus:

[possamble]

do you have any particular thoughts regarding marcille being a half-elf? its interesting to me considering the fact that she seems self-conscious about being a half-elf, but denies it when its brought up

i remember marcille looking visibly uncomfortable over laios simply asking her how old she is, which i think the only reason she might feel nervous about this is because it might reveal her as a half-elf to him.

she's never corrected anybody whose called her an elf either.

never mind the circumstances of the reveal, in which thistle goes on about how half-elves are inferior and accusing her of wanting to become full blooded elf, she seemed particularly upset like he struck a nerve-

i wish the half-elf thing was built upon more. also, underrated marcille line:

okay so i revisited this sequence just to make sure I could back myself up and it's just... man. there's a lot going on.

the first reaction we get from Marcille is this huge panel that takes up half of the page

she is viscerally affected. flushing to the tips of her ears with the intensity of it. and we see it again, a few pages later

so it might seem like she's embarrassed about it and lying to herself, but... I really think it's just that Thistle is accidentally hitting sore spots. If you really look at what he says to get these reactions

"you'll live out your entire life [...] and die that way too"

"a hundred years from now, nobody will be there"

Hear me out. I think, if he stuck to harping on about her inferiority without bringing up how terrifyingly long-lived she is, she wouldn't have been as bothered. But right now, Thistle is accidentally hitting all the marks on Marcille's deepest fears-- and this is after the Winged Lion promised her that her dreams could come true in an extremely vulnerable moment, so it also hits her slightly guilty conscience as well.

I do truly believe that Marcille isn't bothered about being a half-elf the way that people assume she'd be bothered by it. To her, the biggest problem with being a half-elf is that it's isolating.

On one hand, it's not hard to imagine why she'd distance herself from elves in the west. A lot of them can clock her as a half-elf on sight, unlike other races, and therefore she's always branded with this weird stigma of being Othered -- I would even say that she considers herself lucky for being born outside of elven culture instead of having to grow up in it. I mean, just... look at the way elves talk about her.

Skipping past the uncomfortable implication of what 'not tolerating the existence' of half-elves would actually entail, this is incredibly fucking annoying. You can see why she wouldn't want to be around elves much. You see a lot of Marcille reacting badly here, but honestly, almost all of it can be attributed to her freaking out that her bluff completely failed. She's honestly more paying attention to Izutsumi's footsteps and trying to coordinate an opportunity to escape.

And in the end, you see her built-up frustration at being asked if she wants to be a full-blooded elf like 2-3 times in a row.

Yeah, yeah, "the lady doth protest too much," and all. But we know Marcille. We know that she's a lot more embarrassed and horrendously unconvincing when she's being prodded about something she's actually self-conscious about.

Moving onto the flipside of things, it might seem weird that she "pretends" to be a full elf around other races, but it's not really that strange if you think about it. Again, people are weird about her being infertile or whatever, and a lots of them don't even know much about what sets half-elves apart from everyone else. I mean, look at how uncomfortable Laios is just asking her about it

and look at how exasperated and resigned she looks

And like... she's right. Where would that come up in normal conversation? Why would she go out of her way to tell them? She's functionally a normal elf to other races anyway -- got the ears, the abnormally long "childhood", and the huge mana capacity. Unless it's directly relevant or important for people to know, I don't think it's all that strange or indicative of insecurity that she prefers not to bother with it.

(This combined with her sense of being an "outsider" to elf culture also explains why she thinks elf superiority is embarrassing. She sees the way elves treat short-lived races from the "outsider" perspective nonetheless, and thinks it's obnoxious; especially more so because she usually has to play the elf around short-lived races and deal with the reputation of arrogance that elves have built up.)

The sad thing is, this all means that... she doesn't actually fit in anywhere. She doesn't like going out West much because of how elves treat her. But she's also an outsider in the continents she was born in, treated like this exotic long-lived alien choosing to live among short-lived races for some reason. She is always an outsider, the Other, no matter where she goes. Add in the fact that she'll live longer than literally anyone she knows, and it's honestly kind of heartbreaking.

And I think that's the crux of it. Marcille really doesn't act like she's at all self-conscious about being a half-elf because of any feelings of inferiority or being half-made or whatever. She considers herself a perfectly legitimate being and might even, in some ways, consider herself superior to normal elves because she's not blind with elf supremacy or whatever. (And whatever "elven biases" she displays, all of them are born more out of the fact that she's kind of bad at conceptualizing how other races age and mature compared to herself, not that she actually considers herself better or more mature simply for being an elf.)

I think that whatever self-consciousness Marcille has about being a half-elf is, instead, related to terror and loneliness. The reminder that it ensures she'll never truly belong anywhere for the rest of her very long life. The reminder that, in truth, even she's not actually sure how old she is by other races' standards (hence the discomfort when asked how old she is). She doesn't want to not be a half elf, or be a full elf or full tall-man-- in her ideal world, she's still a half-elf. She just gets to live out her life at the same pace with the people she loves and doesn't have to say goodbye again and again and again until she dies.

and one last very important panel, right after Mithrun tells her that all her desires would be devoured

In her ideal world, she's still a half-elf and reality magically starts marching at her pace. But failing that, the second best thing is that she's still a half-elf-- but one who is able to accept reality and let go of her fear.

(But the rest of the story pans out the way it does because, to Marcille, taking reality apart and reshaping it was less scary than simply and fully reconciling with it.)

[formereldestdaughter]

ok wait i need to hear more of your thoughts on peeta owning a bakery....

This is one of those rare times where I’m pretty sure this anon isn’t someone I know personally bc I’ve subjected anyone who will listen to my rant about the Peeta Bakery Headcanon. Anyway, you’re gonna regret asking this anon bc there are fucking Layers here.

I know this is probably a controversial take based on the number of fics where I’ve seen it, but I simply do not think that Peeta would open a commercial bakery after Mockingjay!! Like on a metatextual level, I don’t think it really fits with the point of the ending of the series. It actually sort of fascinates me that it’s just such a common headcanon because the ending of Mockingjay is exceedingly vague. I think that vagueness invites us, as readers, to imagine a better world post-revolution. A world where Katniss would feel confident that her children would be safe from injustice, where she’d feel confident that her children would never know want the way she did as a child. A just world. A kinder world. Can a capitalist society ever be just? Is a capitalist society where a disabled teenager has no other means to subsist himself (or feels like there’s no other way he can be a contributing member of his community) really the post-revolution world we dream of? Is that really the best we can imagine?

(This got so insanely long I’m adding a read more lmao)

I get that showing a better world is not always the point of post-mockingjay headcanons/fics. Like there are plenty of really great post-mockingjay fics I’ve seen where, yeah, part of the fic is that society like ISN’T all that different or all that much better. I’ve seen that really well done! Hell, I’ve written them myself! It’s easy to imagine how a lot of aspects of society would not get an overhaul, a lot of the same structural inequalities would continue to exist. One headcanon that really stuck with me (I can’t remember which fic it was from) was that Peeta sells basically mail order baked goods to people on the Capitol, sending them iced cakes and pastries by train, because there are still people who were “fans” of theirs during the Games. And idk this doesn’t actually have much to do with my point lol but I liked it because it’s kind of fucked up and like! Yeah! It makes sense! If he needed money that would be a good way to make it! War often makes people rich, often for horrible reasons, and often it’s people who already have capital in the first place.

Anyway, more about the hypothetical bakery because alright. I bring up the fact that “yeah society not being all that different post-revolution and still being an unjust capitalist hellscape” could be a reason why Peeta re-opens a bakery because that’s actually never the types of fics where I see the bakery headcanon. Fics where Peeta opens a bakery are usually trying to make the exact opposite point. Like. Things are getting better, now he can open a bakery! Look at how much better the world is now, plus he’s got a bakery! Peeta is healing, that’s why he can open a bakery now! And I am so, so sorry to inform everyone who’s never had the grave misfortune of owning a family business, but there is truly nothing further from the truth lmao. Like just putting aside the immense amount of emotional baggage that Peeta has about his family, running a small business is an insane amount of work in any context and being a baker especially is physically grueling and involves early hours (and long hours) that aren’t really the best fit with the multiple ways that Peeta is disabled now. (I could go into this more because I have a lot of thoughts. But I will spare you.). I also think it’s seen throughout the books that Peeta is someone who needs time to pursue creative outlets to process his feelings and someone who values leisure and values quality time with his loved ones. And having grown up in his family’s bakery, I think he’d understand the reality that running a bakery wouldn’t leave much space of those pursuits and wouldn’t leave much space for him to have the things that keep him healthy and stable. I think he’d know that the way he is now— after two Games and the war and unspeakable torture at the hands of a dictator—isn’t compatible with the lifestyle necessary for running a commercial bakery.

And tbh with that in mind, I don’t think he’d push himself to re-open a business (one that would be a constant reminder of his dead family and his complicated relationships with them that got no closure) that would require him to sacrifice his physical and emotional well-being. Like I think he might look into the possibility, I think he might even start trying to open a bakery out of a sense of obligation/duty, maybe harboring some idea that this is who he was supposed to be, who he would've been without the Games, or that it’s this last piece of his family that can live on, or that it’s this last connection to his family so he can’t let it die too. But ultimately, I think any attempt to open a bakery wouldn’t get very far. Maybe he'd start wading into the logistical nightmare that is small business ownership and realize it's not for him (because it's probably also true that as much as him and his brothers were involved in the business, there's almost certainly parts they weren't involved with and didn't see, i.e., filing taxes). Or maybe looking into opening a bakery— how triggering it is, the stress of it— causes a downward spiral. Maybe he hates how much he's worrying everyone by unraveling. Maybe having a breakdown from the stress of just trying to open a bakery makes him realize, yeah, maybe in another life he would have ran his family’s bakery but the way he is now just doesn’t work with running a bakery, not without great sacrifices he's not willing to make. I just can’t see a bakery coming to fruition.

I know a lot of fics include Peeta deciding to reopen a bakery as a big step in his healing or include him rebuilding a bakery as part of his healing process but honestly, I think the opposite would be more true: I think Peeta either trying/failing to open a bakery or ultimately deciding not to open a bakery would be hugely healing for him. I think it would be a huge part of him accepting the way he is now as a person, his new limitations but also his strengths. I think it would be a huge part of him accepting the way his life his now and accepting that he likes his life the way it is, that he’s satisfied with his life without needing to own a bakery. I think it would be an important part of him coming to terms with the loss of his family. I think he knows he can never have things back as they were and I don’t think he would try to recreate them, especially because his family’s legacy isn’t a business. I think he’s emotionally intelligent enough and self reflective enough to realize that what mattered to him about the bakery— taking care of others by feeding them, being integrated into his community and being actively involved in it, brightening people’s days with delightful things whether that’s beautiful cakes or hearty food or delicious treats— and the things he learned from his family through the bakery, are things that he can carry on in other meaningful ways.

(Do you regret sending this ask yet, anon? Because if not, you will soon. I’m not done yet. There’s more.)

I wasn’t really sure where to put this next part in what is rapidly becoming an essay because it sort of combines the points about like “what do we imagine a post-mockingjay society to look like” with the practical difficulties of starting this bakery but here’s another thing: do people really think that the Mellarks owned the land the bakery was on?? Like, sure, the merchants are the petit bourgeois of Twelve but I still don’t imagine they really own anything. In a society where houses are assigned to people upon marriage, where property ownership and capital are so closely interconnected with citizenship (as shown by the Plinths who, by having immense capital, are able to leave their District and become citizens of the Capitol) do people really think the Mellarks would be allowed to own the land their bakery is on?? I always imagined it sort of like a tenant farming situation: the Capitol gives them the raw materials for the bakery and in return the bakery give them some absurdly high portion of their profits, or the Capitol sells them a year’s supply of raw materials at a premium on credit and at the end of the year the Mellarks have to use the money they made with those materials to pay it back, except it’s never enough to turn a profit so they always have to buy next year’s materials on credit and the cycle continues.

We (understandably) get a really skewed view of the merchant class through Katniss’s perspective so I can see why people come to the conclusion that his family owned the property and, as the last surviving member, he would’ve inherited it. I’ve seen the inheritance thing in fics a lot or a hand wavey “well Twelve was decimated to no one owns anything anymore so it can be his” or even like an almost sort of reparations type situation where he’s entitled to the land as a surviving refugee of Twelve. But I don’t know. I guess I don’t think it fits with everything else we know about Panem that the Mellarks would’ve owned that land and I think the question of whether the government would’ve let him take ownership of the land post-revolution brings up a lot of issues about the structure of society post-Mockingjay that I find more interesting to explore in other ways, especially when, from an emotional perspective, 1) I find the idea of Peeta not opening a bakery more compelling and 2) I don’t think it really fits his character arc by the end of Mockingjay to reopen a bakery, as I went on about at length above lol.

On the flip side: literally who cares!! Do whatever you want!! Headcanon whatever you want!! I get why people go for the bakery!! It’s fun, it’s wholesome, it’s a built in bakery AU that isn’t even an AU. It doesn’t matter if it’s practical or realistic!! It doesn’t need to be practical or realistic!! It’s fanfic of a dystopian YA series!! My unfortunate affliction is that I grew up in a family that owned a restaurant and that I have multiple degrees in the social sciences so I can’t see the bakery without being like “What about the overheard? What about the start up costs? Who’s spending long nights balancing the books? Is Peeta covering shifts when an employee calls in sick? Is Peeta the sole person working there until the bakery is open long enough (often a year or more) to start turning a profit? How does that sleep schedule work with his nightmares? How does that work with Katniss’s nightmares? What happens when he has an episode and suddenly needs to take the day off before he has any employees? Does the bakery just remain closed for the day? Can the profit margins withstand regular unexpected closures? Can the supplies withstand regular unexpected closures?” And if the answer is “Elliott none of those things matter he’s not doing the bakery because he needs the money but because he wants to”, then my question is why does he want to? Does he not get the same sort of satisfaction out of feeding his loved ones? Doesn’t Peeta seem like someone who would rather give away baked goods than sell them?? Doesn’t Peeta seem like someone who would prefer to make cakes for people’s special occasions upon and then when they insist on paying him for it, he only lets them “pay for the ingredients” which actually cost significantly more than he says they did??

So yeah my point is that it’s a matter of personal taste! It doesn’t fit the way I see the series but that doesn’t mean it’s like wrong, I’m not an authority on Peeta lmao.

It’s also a matter of personal taste in the sense that I find the themes that most resonate with me at the end of Mockingjay (and the end of Peeta’s arc specifically) more interesting to explore in other ways. Grief, living with loss, relearning yourself, finding hope, figuring out your place in a dramatically different world when you don’t even know who you are anymore, healing, building a new life after such complete and total destruction of your old life— those are all things I find compelling about the end of Mockingjay but for me the bakery isn’t the most compelling way to explore them.

Not to say I find the concept of the bakery totally uninteresting. I have this fic about Johanna that I’ll probably never finish where the point sort of is that, yeah, her life really isn’t all that much better after the war. It’s been years at this point and she’s still miserable and she doesn’t know how to be a person but by the end she’s trying to figure it out. And towards the end, Peeta tells her that he’s spent years sort of passively, half-heartedly trying to figure out how to inherit the land his family’s bakery was on, only to find out it was never theirs in the first place. They’d been renting it the whole time and he’d never even known as a kid. So he sort of passively, half-heartedly went on another wild goose chase to find the owner and now, finally, after years of writing to various government agencies and being sent in circles and things being barely functional, he’s managed to track down the owner. Now it’s owned by the daughter of the man who owned it when he was a kid because the original owner (who was likely up to some sketchy war crime shit) died during the war and she inherited it (the irony…). He got in contact with her and asked how much it would take for her to sell it and she told him she’s not interested in selling but in light of the situation, in light of the fact that he’d have to build a new building in order to operate a bakery, that she’d cut him a deal— she’d only require 50% of the bakery’s profits as rent instead of the 80% his family used to pay. And of course Johanna is outraged, that’s not right, the owner shouldn’t be allowed to do that, they should do something about it, they should fight back. And Peeta is like. Not interested. He was actually sort of relieved that opening wasn’t very feasible. Getting the answer was a lightbulb moment where he saw that over the years of trying to look into this, he’s built a life that he likes— one where he’s stable, where his loved ones are stable, where he’s cared for and can care for others— and he doesn’t really want to change it drastically by opening a bakery anyway. He just needed an answer, one way or another, before he could get some closure and move on. (And the point of the conversation is Johanna is having her own lightbulb moment that it’s okay to move on, it’s okay to change, it’s not a betrayal of the people and things she’s lost but that’s not my point here!!).

But anyway. That’s obviously not about running the bakery— it’s about the choice to not run one.

Anyway!! Anyway… are you satisfied anon? Is this what you wanted?

Lastly, here is my most important qualm with the bakery headcanon: must Peeta be gainfully employed? Is it not enough for him to be Katniss’s boytoy? Can’t he just paint and garden and bake and hang out with his girlfriend all day? Is that really too much to ask?

[ganondoodle]

i often really do feel like an .. unwanted part of the fandom, i dont draw beautiful landscapes, i have unpopular but strong opinions im constantly annoying about and rarely change, dont like/dont draw the pretty young popular twinks and hot gurls to fanboi over nor do i turn characters into one, the opposite moreso, draw only one ship no ones heard of really, got little energy to interact with the few people that are nice to me and send me asks so it probably looks like im ignoring everyone and unfortunately but still rarely get so stressed i get overwhelmed and emotional about pehaps seemingly minor things and spiral almost into a breakdown feeling super embarrassed about it afterwards but the damage is already done and i look like a freak or agressive weirdo

[sneakobee]

Bright colors babyyyyyyyyyyyy