#this is barely analysis

[moonliithe]

While I was rereading the latest BNHA chapter and doing some higher quality staring at AFO’s eerily familiar childish mug at this point, I became possessed by the spirit of loose connections and obsessive pattern recognition. For that reason alone, you may all have this now:

Visual Influences and its Narrative Cousins

(This first part is not to be taken too seriously as I was being insanely pessimistic and contrarian on purpose, these were originally all WhatsApp ramblings)

Bonus:

[thegunssawyerstole]

ive said this once and i will say it again, grady is the most nuanced character in KOTLC. Purely from just how he is written in canon- there is so much we can draw from his character with little inference.

On the one hand, you have a walking tragedy: he manifested one of the rarest and most dangerous abilities in the lost cities at a young age, he lost his daughter to her fiance, (if we're talking theory, he may have been in the neverseen), you can't help but feel sympathy for him.

But then- you realize something terrifying.

Gisela and Vespera are right.

Grady is the most ruthless elf in the lost cities.

But he's also one of the kindest.

Despite the danger it poses, he and Edaline adopt the Moonlark, they put themselves at risk. Despite everything been through, they willingly give their love to a girl who needs it. That is one of the kindest acts someone can pull off.

However, as alluded to earlier, there's another side to him. Despite how concerned, kind, and thoughtful he is; he is also vengeful, impulsive, and distrusting.

Let's look at Everblaze again. Partially because it's the best example of his darker nature, partially because I have it on hand right now, partially because it is my favorite book in the series.

In Everblaze, Grady's vengeance and impulse is seen in full. Take King DImitar, for an example. Sophie was going to be taken away; and Grady jumped in. He believed it to be the right thing to do; and believe me it was, but there is a dark tone to it. A feeling of impulse; that he wasn't truly thinking at the moment. And he almost violated the treaty, if it wasn't for the Councillors coming to his defense.

This scene serves as subtle foreshadowing for later and sets up something very important about Grady:

He could kill someone if he wanted to. And he knows that.

But what could push him that far? Well, there is an answer to that, an answer we later find out:

Jolie's death.

When he finds out the true circumstances to Jolie's untimely demise, his sheer ruthlessness is demonstrated. There's a deeper level to this however, it is his underlying fear of being taken advantage of showing to its surface.

Brant took advantage of Grady and Edaline, and that is the biggest injustice to Grady. Because it's what he has been fearing, it's why he had closed himself off to the world.

That fear causes the sheer level of terror that is caused in Grady. Terror that builds into his impulses, which causes him to go out to find Brant, with intent to kill.

That's why he doesn't want Sophie to come with, he doesn't want his daughter to see the monster he was about to become.

The monster he believes himself to be.

It's not just Everblaze, but a feeling that permeates his character and his choices.

His distrust of Keefe stems from two things:

The similarities he sees between himself and Keefe (the sense of humor, the blond hair, and later in the books; the ability of control).

How that, in a way, is all Grady has ever known.

Elves manifest young. Meaning that he has spent a majority of his life being distrusted by his peers, as well as distrusting the world and fearing someone would take advantage of him.

So when there's a talented but terrified young kid that needs his helps; whether through adoption or through training, he obligies.

Why?

Because he sees himself so much in that situation. Because of that deep feeling of kinship, he feels a need to take care of people in that situation.

Grady's empathy trumps his distrust.

And that's why he starts helping Keefe. That's why he adopts Sophie.

tl;dr: grady's character absolutely FUCKS why does no one talk about this???

also he is hotter than hell and i will fight people on this

[transmascutena]

it makes me feel crazy how much this frame in particular looks like a stage. the way it's framed by the curtains. utena in the middle, the actor, not looking at akio, the audience and the director, unaware of the role she's playing. the bouquet of roses, a stage prop, and anthy somewhere behind the scenes, not visible, there but not really. the lights of the amusement park and the ferris wheel, a symbol of childhood, the backdrop setting the scene, she's looking at it but it's not real.

[princessofghosts-posts]

I've been thinking about Nico's sword lately and honestly? That weapon alone is extremely OP,even more than whatever other weapon we had in the books (that don't include magical artifacts,because those are part af a different category).

Riptide is made of celestial bronze,so it can harm demigods and monsters,and has a special feature of always returning with Percy no matter what because it's enchanted.

IVLIVS could always be with Jason because it was a golden coin that turned into a javelin,but it got destroyed pretty fast in the narrative so we don't know if it had some other frature. It was also made of imperial gold so again,could slay monsters and immortals.

Katoptris's original use wasn't for battle,since Helen used it as a mirror,but with Piper it mainly focus on its special feature: visions. It was quite useful for them but Piper hated it so we never got to know much about the dagger.

Backbiter is a modified version of Kronos's scythe (sick enough with just this,since Luke can open portals and travelable rips through space and time),but it's made of tempered steel and celestial bronze so it can kill mortals,demigods and monsters and sever their souls.

All of those swords have different feature that distinguish them from normal ones,but they are still made of typical materials for demigods: imperial gold and celestial bronze,while stygian iron is only used for one sword in the books. Luke's sword,in this list,is the only one that is similar to Nico's in term of powerfulness,but it's still quite different.

Stygian iron is a magical metal capable of absorbing or destroying the essence of: monsters,Gods,Titans,demigods and Giants. And,unlike imperial gold and celestial bronze,it can harm mortals,monsters and immortals alike,and prevent the souls of monsters from returning to Tartarus,and traps those of the people it touches.

Technically stygian iron is the strongest,of all the metals,in the books. And the only sword made of this material is Nico's. Only the children of the Underworld can touch the material,but the sword itself can only be touched by Nico,otherwise everyone else souls get trapped and things can get ugly.

Like,not even Percy or Luke had this much power in their weapons: Riptide is a "normal" sword,for how much "normal" its user is,and Backbiter had so much power because it got modified to be similar to Kronos's weapon,but originally it was just made of different metals. But Nico? Nico got a weapon of mass destruction and extermination of humanity in his hand every day. And we never talk about how much damage it can cause,and how much OP it is compared to the other swords.

It doesn't even have a name like the others,but people already know to not fuck with a black sword laying around,becuse they know it's Nico's. Because he is the only one to have,use and held that sword. That's just how iconic it is and how unique it is to everyone. And just like Riptide and IVLIVS (before it got destroyed),his sword is always with him since he can summon it from the shadows and the darkness.

That weapon is OP,literally the strongest of the whole main timeline (we are talking about more than almost 20 books) and we never gave it much more than a look.

This is just another moment of Rick "I don't want someone to overshadow Percy but I already added this....I'll just made sure to not use that too much so people will not give it much attention" regarding Nico.

I'll probably do a list for how many times it happens.

[a-confused-spoon]

⚠️SPOILERS FOR ARCANE SEASON 2 ACT 1!⚠️

I'm absolutely convinced someone has already pointed this out, but this parallel between 01x08 and 02x03 is haunting me:

"This is how things are, how they've always been- I was so stupid to think they could change!"

Do you see how in the "break up" scene of season 1 the camera frames both Caitlyn and Vi at eye level, therefore at the same height, because the leading cause of the split is the powerlessness of two equal individuals to change a system that is bigger than them?

"I keep telling myself that you're different, but you're not! It's her blood in your veins!"

...and how the break-up in season 2 takes the pov of the two characters (Vi looking up at the topsider that just hurt her after pointing out how her actions are being part of the problem, and Caitlyn looking down at the zaunite she hurt blinded by her own anger and refusing to see her own faults), making it a representation of the bigger class/system issue at hand?

[teanshan]

ok so this was He Tian's plan after seeing the heartbreak box. He's going to BE in Mo's life. They're going to spend so much time together that Mo hopefully will forget how much he hurt him.

[shannonsketches]

To what is almost certainly a child on tiktok who thinks Daima making Vegeta ‘simp’ for his wife is the worst thing to ever happen to his character -- Sorry you thought that was news, but Bulma being the biggest armor gap in his stubborn pride has been a running gag for 30 years

^ Goku's been dead for seven years and he knows he can use Bulma to stop Vegeta in his tracks

^ It's how Goku convinced Vegeta to fuse

^ He made this face learning his wife and child aren't perma-dead

^ He bit Goku's head off for offering a photo of his wife to a lech

^ He cites the desire to protect her (and Trunks) in his humility monologue as an incorrect assumption he made about Goku's power

and then the next time Toriyama wrote a Dragon Ball Script, he decided to write a story in which Vegeta spends half of the movie trying to non-violently redirect a gods' wrath away from his wife's birthday party

then fully outclasses ssj3 when said god hurts her

Daima did not make Vegeta a simp for his wife. Bulma made him a simp for his wife. Toriyama's been saying this man is crazy about her since the 90s.

Bulma did not buy her breeding kink on amazon, friend.

But what's crazy is that the bathtime gag when she says 'if you put me through this shit again i'm over it' to her husband who got killed doing the same stupid stubborn shit barely six months prior was not even Vegeta simping. That was Vegeta stepping over the bar his wife left on the floor for his convenience. That was bare minimum green flag husband behavior.

Listen I'm sorry if you've grown up with another shounen series and an anime adaptation that writes everyone with the emotional intelligence of a 13-year-old but some of y'all need to remember this man is a husband and a father and it's not strange or out of character for him to prioritize his life accordingly, especially when he's nearing a full decade of practice.

[greenteaandtattoos]

the way in the v9 poster, wby are surrounding ruby but not really seeing her, causing her to feel trapped and smothered.

but then in the new art, wby are behind her. they are giving her space to breathe but they're right there, watching, ready to catch her in case she falls.

[beargregor]

wait i'm curious, what makes you say that gregor doesn't like everyone else (if i read that post right)? just curious since i've never seen anyone else say that

i don't necessarily think gregor dislikes everyone else at lcb but i do think that gregor is an incredibly petty person that isn't nearly as close to the rest of the sinners and even outright dislikes some of them cough cough rodya cough cough which a lot of people just Refuse to see because he's as much of a doormat as he is. there's several examples i could get into to try and prove my point however i'll just focus on what i personally think to be the biggest ones.

additionally, this is going to be kind of long, so i'm adding a read more. read more! read it. sorry for being so wordy. i have several diseases.

Pt1. gregor is the type to try and get along at least decently with everyone, especially if he gets a good first impression from them.

this is less a point in favor of gregor's distance w/ the rest of the sinners and more just a contributing factor to it. once again there's several examples i could point to here but i think the most in your face one happened in canto I with yuri, as several people have pointed out. even before gregor comes clean about growing attached to her as quickly as he did because she reminds him of his sister, we get this interaction.

i'll go ahead and make the disclaimer now that i don't necessarily think gregor is the most reliable of narrators, especially when it comes to his feelings and interactions with most people, but from the way he acts when the topic of yuri comes up (and the way we still see him act even all the way up to c7, nearly a whole year after yuri's death) i don't see reason to question his sentiment here. gregor immediately got that aya and yuri were close, potentially even taking note of their traded belts, and went out of his way to get something nice for yuri despite hardly knowing her.

i feel like a lot of people have forgotten as much, especially since it's been so long since c1, but gregor actually spent a good bit of season 1 doing the exact same thing with the other sinners! gregor reads a connection between him and ishmael pretty quickly despite getting off to a rocky start

mostly because gregor can tell that ishmael is pretty sardonic in a very similar way to him. there's been multiple instances where ishmael and gregor have essentially expressed the same sentiment at different moments, most notably gregor's little argument after ishmael got shot with a decay ampule in c4

and ishmael's response to pilot talking about self-sacrifice in c5

i could go ahead and pull up more examples, but in general pm has gone out of their way to show us that gregor and ishmael are pretty similar, so it makes sense for gregor to assume that they're friends, right?

this will be pushpin 1. keep note of this for Later.

ishmael's only the first sinner we see gregor trying to do this with in s1, we also see him try it out with heathcliff, sinclair, and ryoushuu

he's tried to get along with charon, being one of very few sinners that we've seen actually try to establish a connection with her at all

even rodya, despite my insistence that gregor doesn't like her nearly as much as the fandom thinks he does

all of these seem pretty fine and dandy, right? sure it frequently leans towards self-degradation, micromanaging, and commiseration, but gregor can at least be pretty chummy with most of the sinners, can't he?

Pt2. hell's chicken was more than just comic relief guys please

i'm fully aware that this is quite the hot take, but i think hell's chicken deserves a lot more credit for character writing than the fandom gives it. hell's chicken gave us foreshadowing for several events, such as the donqui bloodfiend reveal

heathcliff's distortion in c6 (as well as hong lu's highly speculated distortion at some point in the future)

and ryoushuu and sinclair's continued connection by making him the odd one out on her team

which, hey! that implies something about gregor's odd one out, don quixote, too, doesn't it? yes. yes it does. that's pushpin 2. keep note of that for later.

speaking of pushpins, hey! that's pushpin 1!

splitting into teams is one of the major events in hell's chicken, and most of the sinner's choices are either motivated by very little, backhanded, or motivated primarily by not wanting to be on the opposite leader's side. i didn't include all of the picks, just because i feel like including most of them already gets this across, but i think gregor took one major thing from this: most of the sinners, when push comes to shove, will only side with gregor when they refuse to or can't take his opponent's side.

now, don't get me wrong, i'm fully aware that this is primarily intended to be comedic relief, but when gregor is being described as having his trust broken by ishmael or nearly crying because no one on his team properly sided with him for him, i feel like it's pretty fair to read into this.

something that i think is pretty important to remember in conjunction with this is that we know that gregor is the type to hold a grudge, both from his general attitude towards the G corp soldiers in c1 as well as his continued distaste for vergilius

even beyond the splitting into teams of hell's chicken, the sinners have given gregor plenty of reasons to feel bitter. i feel like this is something people have noticed but haven't really put a finger on, but it's kind of wild just how often the rest of the sinners make gregor the butt of the joke

and sure, we could argue that a fair few of these aren't really made with any ill intent. quite a bit of it could have been meant as harmless teasing, but with gregor being more sensitive than most, it coming from nearly all sides, and as often as it does? yeah, i think he's prone to taking it a bit personally.

Pt3. yes i do still think gregor was the third most important character in canto VII you guys gotta hear me out okay

of course, all of this leads up to the bit of the story i highlighted, doesn't it? c7? i totally get why people haven't really picked up on all the gregor things i did in it, seeing as they were mostly not *directly* said about him or by him.

personally, i think that gregor's distaste for talking about himself on any serious level and thus leading to him getting sort of "sidelined" narratively (which i take issue with that claim, but still. it's effective for getting what i mean across atm) is supposed to lead players to take a deeper look at the times gregor gets held up to other characters and compare and contrast what's being said about them by the matchup. as i showed earlier with his immediate latching onto ishmael, i think this is something gregor himself is at least partially aware of too.

so, that begs the question, who was gregor compared to in canto VII that makes me think it's one of the most critical pieces in understanding his character?

really, i'd like to avoid getting too lost in the analysis of this canto specifically, since i'd like to do a proper post about this later, but i figure i can bury the lede a little before doing it properly.

c7 features several characters being made to perform in sansón's play, acting out the relevant backstory for this segment of the plot. a lot of these characters have rather direct, degrading reasons for playing the roles they do.

outis, a character with an inflated ego who wants her journey to have a purpose, is made to play an aimlessly wandering villager with a single line.

hong lu and ryoushuu, two characters for whom families and the expectations placed upon them are likely going to play a major role, are made to play bloodfiends.

rodya, a character who resents her lot in life and is constantly shown to be eager to leave her destitution behind her and become someone special, is made to play a helpless villager that's too poor to even offer any money to the hero that saves her.

heathcliff, a character that has spent most of his life getting dehumanized by comparing him to beastly animals, is made to play a literal bear whose sole purpose in the plot is to get beat up and then quickly left by the wayside.

sinclair, a character that has two opposed parties essentially treating him as a macguffin to procure for their side, is made to play the character who was arguably the catalyst for this entire canto, not to mention playing a decently major role in ruina.

our star don quixote is made to play her father, the first kindred, but there's someone by their side the entire time, isn't there? don quixote's dear, steadfastly loyal companion. a character which don quixote has tasked themself with getting to come out of their shell?

hello again, pushpin 2.

gregor has been made to play our unreachable star, sancho. someone had to, of course. you can't really tell a story without it's main character, now can you?

now, i should once again give a disclaimer. i am not trying to say that i think adapting what happens to donqui/sancho in c7 to gregor is the road pm is going to take here, not only would that toe a bit past the line of foreshadowing, but it'd also just amount to rehashing that plotline again, which i don't think would make for a particularly exciting story.

what i DO think is that we can take a lot of the things that are said to either directly be the case for sancho and use them to inform how we see gregor.

and god, does playing sancho have some fucking implications for our favorite ossan archetype.

starting off, the earliest moment we get to see of sancho is quite literally her just waiting for death to take her in a pile of ashes.

which, i should remind everyone, is actually pretty damn close to what happens to gregor's literary counterpart at the end of the metamorphosis. gregor samsa experiences one final breaking point that pushes him over the edge and makes him decide to just wait for starvation to take him.

gregor and sancho both consider themselves to no longer be human, something which sancho goes out of her way to highlight repeatedly throughout the canto and gregor is quick to get defensive on her behalf for when outis starts really tearing into her

sancho spends quite a lot of this story denying herself the joys of community and friendship, despite knowing that, even with the rest of the sinners frequently making jokes at her expense and outright insulting her, they were things that she desperately craved.

and, while this is getting into my "outis is a red herring meant to distract us from gregor's eventual betrayal" theorizing, i also think it's worth noting for this discussion that sancho's fellow kindreds, her family, all seem to be under the impression that she dislikes them and ultimately her departure was an act of betrayal

and that, despite gregor being one of LCB's resident mood makers and attempted conflict de-escalators, one of the sinners that's most prone to making appeals to the bonds they've all forged together, only him and faust remained silent during everyone's speech

so yeah, i think there's quite a lot of little details and hints building up to the reveal that gregor's not quite as fond of everyone as he presents himself to be. i do think a lot of this ultimately comes down to gregor getting in the way of his own happiness, similarly to donqui, particularly because he's been frequently portrayed as something of a self fulfilling prophecy, especially by giving him as many christ allegories as they have by way of priest and garden of thorns. gregor is convinced that the rest of the sinners don't like him because he's not convinced anyone could like him, so he convinces himself that he hates them because why should he care if someone that he hates hates him too?

a lot of this ultimately ties back to my personal interpretation of what happens in the metamorphosis as well as my own theories regarding all the times gregor has made weird callbacks and references to lobcorp and ruina, but yeah. i think about this guy and his deeper characterization a fairly normal amount, i think.

to end this off i'll highlight one of my favorite little "gregor is fucking seething and trying so hard to keep it cool" moments, in the credits CG for c7 we see rodya teasing him by drawing a little horse on his window and actively pointing and laughing at it, which gregor really doesn't seem all too pleased about.

i personally think this ties into the other cruel part of sansón forcing gregor to play rocinante, which is the more literal "he's actually just straight up playing rocinante" side of things. gregor was quite literally made to play something less than human, less than even animal really, as he was reduced to nothing more than the shoes don quixote wore as she got to play the leading role. sansón directly makes jokes about gregor being nothing more than shoes in the play twice, which adds to this reading, i think.

this, imo, really plays into the adaptation of the metamorphosis! i've seen a lot of readings for the book that posit that, despite being the protagonist, gregor samsa can't really be considered the main character due to nearly everything he experiences in it being used to further his family's character development at his expense, which i think fits nicely with limbus gregor seemingly having the most said about him through indirect means by holding him up to other characters. also it's rodya carelessly making fun of His Big Major Insecurities™ again like she did in c1 which i always find fun. rodya i love you but god you're the worst.

[dysfunctionalcreature]

just rewatched Dune Part 2 and noticed something, when Feyd Rautha enters the area for his birthday fight, and after he wins the fight, the people in the audience of the arena are chanting his name in a very rhythmic and quite frankly terrifying way - "Feyd Rau-tha! Feyd Rau-tha! Feyd Rau-tha!"

And after Paul kills Feyd Rautha, takes Irulan's hand in marriage, and declares war on the great houses, the Fremen people around Paul begin to chant - "Lisan al Gaib! Lisan al Gaib! Lisan al Gaib!"

They chant for Paul with the same rhythm and ferocity with which the Harkonnen audience chanted for Feyd Rautha earlier in the movie. If that doesn't show Paul's transformation and loss of humanity then idk what does

(also FeydPaul parallels in general yessssss I love every connection between these two fucked up boys, it's tragic that they barely even get ten minutes of screentime together)

[vryfmi]

soft worldbuilding in L&Co is so special to me especially how telling talents are:

Sight is associated with with people who look after others, who are always at the look out for danger, the ones who constantly see death and are tied to it no matter what (kipps (with talent and then with goggles), lockwood, skull (in life))

Listening is the warning sign, the haunting before haunting ever began, it gets into one's head and makes you trapped in there with voices of times long passed (lucy, kat)

Touch, in the world where one touch kills, is the most high risk, a conscious decision to put yourself into one's shoes and feel what they felt, ache with empathy all alone in a world of constant pain (lucy)

and having a bit of every talent makes one less vulnerable to psychic effects, but that means that you are fully submerged into haunting, into the past, once you are confronted by it, and in this profession it's constantly there and around you (george, holly, flo)

[robby-bobby-tommy]

The parallels that hurt so much

They both jinxed the most important event in their lives trying to help...

They both lost their closest friends to this....

And both were abandoned and hurt in the worst way possible by the sibling they've looked up to....

They had good intentions, they were so young......

And they're the monsters others have created.

[piosplayhouse]

Wwx is the only mxtx main protagonist who would not be a my little pony fan. But he does own a 20% cooler shirt

[leonsliga]

I love that thomas and manu ship themselves. with a lot of other duos, it's just wishful thinking (totally fine) but their friendship? god <3 so real. the pictures, the "we've been married for 15 years", the interviews... why so romantic if not romantic lol in another universe, they are 100% together

Right? Everything’s so easy and natural with them. And while I don’t mind a bit of wishful thinking myself, the bond Manu and Thomas have is so authentic and genuine that it’s hard not to get a least a little sappy about them. And there’s just. so. much. lore. Even setting aside the iconic decade partners Instagram post and Thomas saying they’ve been married for 15 years, we’ve had so many moments that just really only make sense with them. Like when Thomas named one of his colts Manuel because he was born on Manu’s birthday, or how, during Bayern’s dominant 2012/13 season, Thomas would train with Manu during matches to keep his reflexes sharp. Or, well, just about any of what they said about each other here:

And, along those lines, sometimes they say things that just have such old married couple undertones that it’s genuinely hard to interpret them any other way, like the time reporters asked Manu if he would go golfing with Thomas at the DFB training camp and he replied with “I can’t golf. I could carry his luggage or whatever.” Or the time Thomas was asked about Manu’s perfect match against Porto back in his Schalke days and he immediately remembered his platinum blonde hair from back then. And then of course there’s the time Manu said Thomas was more than a teammate for him (aka Neuller heritage).

We also can’t forget when the two were decorating Bayern’s Christmas tree in 2015 and Thomas asked Manu if he holds onto the ornament baubles as tightly as he would a match ball (translation: Thomas wanted Manu to hold onto his baubles tightly 😏). Or how, when asked about whether or not Thomas would like to be Bayern’s official captain one day, Thomas was quick to reply, “I hope not. I’ve always tried to take responsibility in the team, but Manu is very welcome to remain my captain until the end of my career.” (in case you needed more proof that these two were robbed).

But that married couple-ness isn’t just in their words; it’s in their actions too. Take any of the times they’ve held hands during matches, or all the loving face cradling, head rubs, and head pats. And of course, the hugs. The many, many hugs. Especially from the side, so Thomas can grab onto Manu’s waist.

Also, I refuse to let any of you overlook that time Thomas gave Manu a full-on neck message in the tunnel (which, I might add, Manu was so unfazed by that it’s hard not to wonder if this had happened before).

And while we’re at it, talking about niche Neuller moments and all, there was that time they might very well have kissed behind a poorly-timed German flag back in 2010. And all their other Euro 2012 qualifier shenanigans that same year.

Fast-forwarding a bit to the 2012/13 season, and we were in for a treat; we had Thomas pulling a Luis Suárez and going in for a little nibble on Manu’s arm. Because not even the great Thomas Müller is immune to the cute aggression Manuel Neuer inspires.

Also, what about the time Manu got absolutely piss-drunk during the treble celebrations that same season and decided he needed to hug Thomas IMMEDIATELY? Or how we got the closest thing to an actual kiss we might ever get when Thomas kissed him on the cheek here?

Honestly, 2013 was Bayern’s year in more ways than one, because not only did it bring us the treble, it also brought us this iconic verse in the Neuller gospel:

But let’s get back to the way they talk about one another, because it doesn’t matter what the situation is—they always back each other. Before the 2014 World Cup even started (and Manu all but fingered him during the post-win festivities), he was already convinced Thomas would be the key to their success—a sentiment that carried over to club level, where he insisted Thomas was the linchpin in Bayern’s attack.

With Manu, it’s often the little things that speak volumes, like trusting in Thomas’ fitness, his ability to influence a match, and his importance for Bayern. He’s quick to remind everyone that Thomas always stands up for the team, that he’s dangerous regardless of position, and that his constant communication is a game-changer. As Manu would put it, “we (Bayern) need Thomas”.

Even when Thomas fell out of favor at Bayern for a time, Manu rushed to his defense, reminding everyone that “he’s a mature player who doesn’t buckle so easily”, and, despite dealing with a lot of criticism, Thomas remained important for the squad and was always in demand (in one way or another). Put another way, he had faith that Thomas could handle it.

For Thomas’ part, he has no problem casually reminding everyone that he thinks Manu is the number 1 goalkeeper in the world, that he makes a good striker, and, even though there are many good goalkeepers, Manu is special—just a step above the others and superb on the ball.

When his mans was shafted for FIFA World Player of the Year in 2015, Thomas knew just what to say: even if Manu didn’t win, he was the FIFA World Player in his heart. In fact, his decade partner was pretty much the reason Thomas felt so confident going into Bayern’s 2020 Champions League tie versus PSG; after all, in his words, “we’ll still have Manuel Neuer between the sticks”, a sentiment he echoed after they won.

And let’s not forget about that time a reporter asked Thomas to weigh in on the debate of who should be Germany’s number 1: Neuer or Ter Stegen. Thomas’ answer was immediate: “It’s a difficult decision, of course, but Manu has always been my goalkeeper. That’s why I’m standing by him.” Long story short, they’re always in each other’s corners, and they make no secret of it.

The point is, even when they make mistakes, they’re each other’s most fervent protectors. If the world is against them, then at least they still have each other and always will. Take Manu conceding against Gladbach, a team many would consider to be our goatkeeper’s kryptonite; Thomas was quick to remind the media that he’d saved Bayern’s points plenty of times in the past, and that this time, he just didn’t have as much to do before the goal and was probably a bit cold at the time.

Then you’ve got Manu on the other side of the things, supporting his husband’s rights and his husband’s wrongs, speculating that his red card (yes that one) was because he didn’t see Tagliafico and pretty much already had his foot up, aiming for the ball.

Hell, even when Manu was out of commission for a majority of the 2022/23 season (due to his nearly career-ending injury), Thomas visited him in rehab every day, no doubt for emotional support (and so he could tell his husband his best dad jokes). Although Manu was away from the squad physically, he was there in spirit; Thomas made sure of that, posting Manu’s autograph card from that season above his locker:

But it’s more than sticking around in each other’s darkest moments; they celebrate each other’s achievements too. Whenever Manu wins anything (and I mean anything), guess who’s first in line to congratulate him. It doesn’t matter if it’s World’s Best Goalkeeper, best goalkeeper of the 2019/20 Champions League season, FIFPro World 11, or even his DFB Pokal performance, Thomas will be posting about it (and probably already has). It doesn’t even have to be football-related, like when Manu was awarded the Bavarian State Medal for Social Merit for his charity work. Hell, even when Manu was one of the 3 FIFA World Footballer of the Year finalists, he was overwhelmed with pride (chill babe, the results weren’t even in yet). But by far my favorite instance of these two celebrating each other’s victories actually came from Manu: when he made sure the squad celebrated Thomas’ milestone 500th win with Bayern and refused to let him even try to be modest about it.

Honestly, let’s face it: we could make an entire separate post about all of the Neuller content that came out of Thomas’ 500th win. We had Manu running the length of the pitch to celebrate Thomas’ goal in that milestone match, Manu’s comments in his post-match presser, Thomas’ special thank you to Manu after the fact, the “married for 15 years” comment, and a new Neuller ad where Manu gave Thomas a special anniversary gift…there was so much content that it was almost overwhelming. We were so well fed that week 🥹

Also, speaking of Manu’s comments in his post-match pressers, I’m pretty sure at least a good 1/4 of Manu’s love language is praising Thomas in them, as you can see here, here, here, and here. The rest is him basically reciting his glorified wedding vows to anyone who will listen (and physical touch, duh).

Then you’ve got Thomas turning every Instagram story he can into him gushing over his Schnapper’s skills:

And he has no problem following Manu’s lead either, waxing poetic about his man in post-match interviews.

For as much praise as they heap on one another to the press though, they’re also no strangers to openly flirting with each other as well, if you couldn’t tell from that video from the Audi FCB Tour at the beginning. So, in that spirit, lovely people of the jury, I present to you exhibit A, where Manu told Thomas he’d “given himself a present 😉” after his 400th Bundesliga appearance (whatever tf that means).

Alright, now onto exhibit B: Thomas posting a picture with his two dogs and Manu asking “who’s more handsome”, only for Thomas to answer, “you, dog 😀”. Get a room you two!

Oh, you need more evidence, you say? Well, I’ve got you covered. Have a pic of Thomas brazenly checking out Manu’s ass, because not even he can resist the biggest bakery in Germany.

What’s that? You still need more? Well, aren’t you demanding! But don’t worry, there’s more blatant homoeroticism to come, because here we have exhibit D, where Thomas called doubles tennis with Manu “a dream come true”:

Actually, speaking of doubles tennis with Manu, I’m pretty sure this clip was the inspiration for the movie Challengers. The DFB has yet to confirm this of course, but I have no doubt that that confirmation is coming any day now 😉

Anyways, Neuller is so real and so powerful that at one point Bayern just caved and started funding some club-sanctioned dates. Usually they’re chaperoned (because Bayern might be a little homophobic with it—either that or they don’t trust Thomas not to try and conquer Manu any time they’re left to their own devices—it’s a toss-up really) by the likes of Basti, Mats, or even half the squad (see: 2022 Audi Summer Games). But not always. Sometimes we get Schafkopf dates (because they’re literal senior citizens and their date nights are just them playing cutesy little card games like the old bitties they are).

But anyways, back to our regularly scheduled shipping nonsense, because we still have exhibit E to go through: one day Thomas decided to make Manu’s goalkeeper training a little extra special by showing up shirtless (pretty sure the point of goalkeeper training is to keep him focused, not distract him with your lean, muscular body, Thomas, but I digress):

And lastly, I believe this gem deserves at least an honorable mention:

Let’s take a minute for Manu’s “Schnapper” nickname as well, which, although it may not be one that originated with Thomas, I think we can all agree he’s made it his own. After all, he uses it pretty much every time he talks about him.

As a brief little side note though (I feel like a lawyer giving my closing statements atp 😅), I’d be remiss if I didn’t mention the fact that Thomas literally follows a Neuller fan account. Whether it’s intentional on his part or not, it’s still a fun addition to the lore.

So, in conclusion, if not romantic ship, why romantic ship-shaped? 🥺 I’m with you; in another universe, perhaps one not so distant from ours, they got married and grew old together, settling into a house in the mountains, surrounded by horses and doggos. I’m just glad they found each other in this universe at least, because, as it turns out, a Schalker and a Bayern Ultra make one hell of a dream team ❤️

They didn’t know it yet, but they’d go on to coparent the most dominant and successful club in Germany

[mauvearts]

What a beautiful thing to feel this young again.

Maedhros closes his eyes as a wave of warmth rises through their shared bond. Doubts wash away, leaving him marvelling at the sensation. To see his memories, hear his thoughts, feel his emotions.

It casts the world in kaleidoscopic perspective. Gods, how he missed him. Missed this.

How effortlessly Fingon tears down his defences – the walls Maedhros built so carefully to shield his mind and cage his shadows. But to whom, if not Fingon, could he lay bare his scarred heart?

No constraints. No illusions. Just them. Just this, once again.

[midnightkolrath]

One thing I like about DMC is the parallels they sneak in where at first you may not think it is...but the more you think about it...

Like the scene in 3 with Arkham is essentially Vergil's first big footsteps into hunting for his father's power years later after the tragedy he endured. He's looking for a way to grab that power, and here comes Arkham to begin to properly set him on the path that builds up the domino effect that THEN sets up the rest of the suffering he has to endure. From his clash with his twin, to his defeat, then his attempted clash with Mundus that leads into his enslavement and weakening that sets the stage for DMC5 with the birth of V and Urizen.

Then, in Visions of V, the climax has it where V embraces Urizen and encounters essentially the form of his fears and weakness as his younger self. Of course, V is met with immediate act of aggression through instinct of self defense by his younger manifestation but he still is prompted to not show his special book to return to him, but also remind him that 'Power alone is not enough'.

That line alone has me thinking like....wow. A complete opposite to the context of the moment with Arkham, where there's the talk about power and the desire for it. The fact that its basically himself on the other side of his own sword in VoV telling him that is, to me, such an interesting display of character growth. I don't know if that moment in VoV was meant to reference the Arkham convo in 3, but I like to believe it was. Its so alike, that it'd be weird if it wasn't to me.

Here's another cheeky one I like too, by the way.

The very night that Vergil reclaims Yamato and heads home to split himself into V and Urizen has a full moon. JUST like the very night when Vergil first defeated Dante that would eventually lead into the escalation of 3's plot and even having an ironic callback in 5 that would lead into Dante unlocking his Sin Devil Trigger.

One's a moment of victory over his twin brother, asserting his power. The other? A moment of reflection of losses that haunt him to this day, reminding him of the weakness he's desperately trying to chase away. The said desperation that peaks his desire for power and pushes him to believe abandoning his humanity is a benefit.

Of course, these thoughts still haunts him even as V (and especially Urizen, but I've mentioned that before) to the point where he reflects over it a few times. I often talk about these moment in VoV, but its just...man. One of the best things we got for DMC. A good addition for Vergil's character and essentially the icing ontop of the cake for 5 alongside the Before the Nightmare novel. There's several things it calls back to for Vergil's journey subtle or not. I hope we get more content like it in the future (maybe even have VoV localized officially), alongside games of course.