#this is kinda long so read if you want

[ochibrochi]

spontaneous magic manifestation was NOT mentioned in the parenting handbook 😬

I know this isn’t how magic in dc works, but the fact that Damian’s ancestry includes some pretty powerful magic users is… INTERESTING 🤔? Drabble under the cut!

I wanna preface that I'M NOT SAYIN' that Damian should/does have magic powers, but there’s still so much unexplored potential with Damian's character, and the thought that he has a dormant adeptness in magic is somewhat compelling to me. Most importantly it would FREAK! BRUCE! OUT!!!!! What is this, magic puberty 😭??

By DC laws, anyone has the ability to learn magic, but it is also possible to be an innate ability. The Al Ghuls are no strangers to the occult-- Ra's has had increasingly been portrayed as a magic user, and the recent establishment of his mother being a sorceress/witch?? Even Talia dabbled in a bit of magic, I think. There is a catch that their power is suggested to be due to Lazarus exposure, but for arguments sake let's say the Al Ghul lineage is inherently proficient in magic (and Lazarus exposure simply enhances it).

I can't recall "magic" being a part of Damian's training/upbringing (I'm still slowly catching-up on Damian comics so apologies if I miss any canon examples of magic use). Not sure why Talia wouldn't want her little "heir to an ancient assassin empire baby" to learn magic, but it would at least give reason to Damian not knowing about his magic potential, or lack of interest in it.

Through the power of pseudo storytelling, what if Damian's encounter with Mother Soul could have triggered a manifestation of magic that was once dormant; like a pressure cooker waiting to explode with energy when it hasn't been given a safe outlet.

I've yet to read a satisfying arc where Damian truly gets to contemplate his Al Ghul roots outside of "dad is good guy, mum is bad guy". Damian's initial character growth stems from him running away from, and renouncing his association with the League (i.e. "I'm nothing like you, mother and grandfather!").

The most recent thing I've read was Robin (2021), and whilst Damian is much more cordial with his mother, there's still an emotional distance and sense of distrust/resentment (for good reason, even if the context was some cartoonishly evil writing). But there is a silver-lining that they still appear to be fond of each other, in a melancholy kind of way.

Realizing he's "genetically" primed for magic would be especially confronting to Damian. There's no denying his Al Ghul blood, forcing him to confront a facet of himself he can no longer ignore or reject. A family that he likely has to approach for help/guidance.

Damian is put in a position of acknowledging this power could be used for good, to be stronger, to fight crime, balancing it with the implication that what he possesses could be rooted in dark magic (Lazarus enchantment).

If he decides to embrace it, would that be too much of an endorsement of the Al Ghul's dark occultism? Can he separate the two ideas? What if he can't control it? What if he accidentally hurts someone? What if has the ability to save someone where his other skills fall short?

Ideally, I'd love for this hypothetical story to lead into Damian exploring his Al Ghul heritage more intimately, historically, and spiritually (à la RSoB: Year of Redemption adventures). Another little coming-of-age self discovery journey.

I have my own little personal thoughts on what Damian decides to do with his magic powers, but I'd like to leave that open to interpretation... By the end of it I hope that he will at least find some forgiveness over resentment, and a balance between accepting that side of his family a little easier. It is finally a sense of inner peace :)

Any thoughts? Did I get any characterisation wrong? Let's talk over on my DC blog @arkhamochi! I'm currently trying to read all Damian-centric comics until I catch up with the current run. I'm hungry for discussion and analysis!!!!!!

[elizabethzoopzoop986]

I hate this fucking manga how am I supposed to have a life and write essays about shit when I sit down start to think and all that comes to mind is some gay little toilet freaks istg it’s a hard knock life

[little-pondhead]

[inspired roughly by this post. My brain snails started going nuts so I thought it'd be easier to post this separately :)]

…

It was a lovely day in Gotham. Well, as lovely as it could be. The sun was up, peeking through the overhead cloud cover and making the buildings gleam in the rare sunlight. The air was fresher than usual, and faucets ran clear of strange and unusual toxins.

Somewhere in the Upper East Side, in a little neighborhood tucked away from the rest of the city, marched around the new boss of the area. She was a young girl, just barely in high school. But despite it being the middle of a work day, she wandered around her chosen streets, content to do whatever she wanted. Above her, a pair of siblings watched on and discussed the unique situation.

"So let me get this straight: that fourteen-year-old goth girl is a crime boss?"

Mia smiled at Leon, her older brother, and his dumbfounded expression as they rested on her balcony. "She's fifteen, actually. Her birthday just passed. We all got together and threw a block party for her!"

"You know how insane that sounds, right?" Leon turned to her, a bit miffed that she dared to say those words to his face. "She's a kid. Why do you all listen to her?"

Mia shrugged and sipped her beer. "She does good work. Holds her own pretty well, and the kid has connections. Good ones, too. That can be the difference between life and death in Gotham."

Leon rubbed his forehead in frustration. "I just don't get it. How did she end up in this line of work? Do child labor laws even apply here?? Why aren't the Bats doing anything?"

"Don't think about it too much, dipshit." Mia crushed her now-empty beer can in her hand and tucked it into a paper garbage bag hanging off of a hook on the balcony rail. A familiar set of green arrows was printed on the side.

"And now you're recycling?!" Leon realized. "When did you start doing that, Mia??"

The woman shrugged and got up, stretching. "Probably around the time Brambles absolutely reamed out Mrs. Zalinski for littering at the park."

"Wait, who's Brambles?" Leon scrambled upright and followed his sister inside.

Mia laughed. "Brambles is our fifteen-year-old crime boss!"

...

"I can't believe you got a cool name right off the bat," Danny grumbled, flopping onto Sam's bed face-first. Sam smirked and shoved him off with her foot. Danny just squawked and let himself ragdoll to the ground.

"It's your fault for not having a better gimmick." She said to his prone body. "Besides, it could've been worse."

"I think Inviso-Bill is the worst possible nickname for anyone." Danny groaned. "But you got something cool immediately. Who even thought up 'Brambles'? That's such a unique name!"

"Well the kids call you Grim; that's pretty cool."

Danny flopped over, twisting himself much farther than any human was supposed to just so he could glare at her face. "They only call me that cause one of the is obsessed with Harry Potter." He grumbled, pouting.

Sam just rolled her eyes and went back to sorting through piles of papers scattered all across her duvet. Since moving to Gotham several months ago, Sam had taken it upon herself to turn the experience into something useful rather than just moping all the time, as she originally wanted to. That 'something useful' had landed her as the newest crime boss in Gotham, with about a third of the Upper East Side as her current territory.

So many problems had popped up in the last year, and the group had decided that taking it on alone would never work. The GIW had been trying to close Amity's borders, Danny's parents had a scientific breakthrough, tensions in the Realms were high, etc. There was a lot on their plate! Sam's solution was to create a foothold in Gotham City. She would lay the foundations for Jazz to work in Arkham and forge a safer environment for the residents of Amity Park to sneak off to if the GIW went too far. She was essentially weaving a cushion for everyone to fall back on.

Danny, using the power of duplication, was splitting his focus between foiling his parent's plans and resolving issues with his rouges to create a united front. He was the main distraction, and Sam's own heavy hitter when she needed help establishing dominance.

Tucker planned to gather intel with the help of Technus and Jazz. They were trying to gather as much evidence as possible so they'd be in the clear when the whistle blew. The GIW would crash and burn, legally speaking. They were the bugs of the operation, spreading themselves thin and hoarding information like it was candy.

Dani was their wild card, their jester. She was keeping the JLD's attention focused solely on her and all the supernatural hijinks she was stirring up. When the time was right, she'd point them in the direction needed and let them loose. After winding them up so much, the hope was that the Justice League Dark would descend upon the GIW like hellfire.

But those were their future plans. Right now, Sam was in possession of specific files from Arkham Asylum and the GCPD. She was looking for anything to give her an edge in the upcoming meeting with a few other crime bosses. Some annual thing they host to renew Goonion contracts, see who's still alive, and examine how much the territory lines have changed. Stuff like that. Red Hood was supposed to be there, and she knew she needed an ironclad defense against him and his nosy colony of Bats.

Danny untwisted himself all of a sudden, making a weird face. "Sorry, got to go." He apologized. "Vlad just showed up to my house."

Sam waved him off. "Go, I'll be fine for today. Just be on time for the meeting on Friday. And I want you, not a double."

"You got it!" Danny did finger guns at her and promptly melted into a pile of green goo. Right on her bedroom floor!

Sam sighed and got up to throw a towel over the puddle. The ectoplasm would evaporate eventually, returning to the original Danny little by little. But for now, this would keep anyone from asking about it until it was all gone.

Sometimes she really hated living in student dorms. People always felt the need to burst into her room for no reason.

Who even made dorm rooms for high schoolers in the first place??

...

Jason couldn't help but stare at the new recruit.

Well, 'new recruit' wasn't exactly accurate. 'Potential to be the most headache-inducing supervillain' was more like it. Standing at a solid 5'10" with platform boots, Brambles, the newest crime lord who had taken over half of the Upper East Side in under four months, was almost tall enough to look him in the eye straight on. Which she tried to do anyways, tilting her chin up oh-so-slightly (in that stupid way aristocrats do when they want to look down at you) and glaring at him with open hostility.

Brambles was young, way too young to be in this line of business. At the start of the annual underground crime meeting (yes, they couldn't come up with a better name), she had announced that she was fifteen, went by she/her, and would snap the dick off of anyone who looked at her funny. Most everyone laughed at her, thinking it was an empty threat. Brambles proved it wasn't by sucker-punching a younger lieutenant who tried to get handsy with her five minutes into the meeting.

When the lieutenant's boss protested and threatened a gang war, Brambles had snapped her fingers and summoned what could only be a fucking pit demon from the depths of hell to threaten the man back. The creature looked like a teenager, just like Brambles, at first. But it was...off. The longer you looked, the worse it got.

It wore a draping black cloak that covered most of its body, with the ends turning to mist when it reached the floor. It had a pale, young face and white hair. Its eyes glowed just like Brambles', except they were a toxic green that made Jason's heart skip a beat in fear. The creature was snarling, with a fucking muzzle on it to keep its sharp teeth away from wandering fingers.

With a nod from Brambles, the creature bounded forward and knocked the guy to the floor, its arm elbow-deep into the guy's chest. The dude looked terrified, and a little sick "Would you rather lose a lieutenant or your life?" She had snarled, sounding almost a bit demonic herself. The other boss had backed down without another word, writing off his subordinate as dead and gone.

Instead of killing the guy, however, Brambles simply banished her little guard dog to a corner of the warehouse to play with its new toy in peace.

"Is she allowed to do that?" Someone whispered.

"They weren't unionized, so the Goonion won't say anything." Another answered.

It was the most awkward meeting in the history of the criminal underworld. No one even died since they were all focused on the newcomer.

Jason could feel a headache forming as the meeting came to an end. Brambles was still sitting in her chair. The creature had grown bored of its toy and was leaning against her, sprawled out lazily and barely flicking an ear at the onlookers in acknowledgment. A few people were idling around her, mostly women, trying to talk some big game and get on the kid's good side. Brambles was humoring them, taking tight control of the conversation when they got too prying.

Jason sighed. He knew he'd have to go over and have a talk with the kid, even if it was just for Bruce's files. He hauled himself upwards and stalked over. "Pardon me, ladies and gents, but I'm going to borrow the kiddo here for a moment."

The creature hissed at him, tensed at his approach. Brambles kept a tight grip on the back of its muzzle, keeping it grounded. The other criminals scattered like flies. They were the only two (three?) left in the warehouse within minutes.

Bramble rose to glare at him. "What." She spat. "If you're here to convince me not to get involved with anything, I will set Grim on your ass after lighting it on fire."

The creature, Grim, growled in agreement. The sound echoed strangely like he was hearing it from underwater.

"Relax, I'm not here to do any of that." Jason raised his hands in surrender, immediately abandoning that possible line of thought. "I'm just here to talk business. You're young, and while you don't want to admit it, inexperienced."

"Stop the fancy words, Red Hood." Brambles' eyes glowed again, and she released her hold on Grim's muzzle. "If you want to make a deal, say it to my face. If you're here to dig for information, either ask me or hit the road. I prefer honesty over flower talk, so tell me what you want before I take over your area, too."

Jason bristled. His vision was tinted green as he snapped, "What the fuck is your problem, kid?! I just wanted to make sure you were safe and not being forced to do this. I was even going to offer my support and protection if it was too much! I know you aren't going to stop, but that doesn't mean I want a kid to die just because they got into something they shouldn't and they think their fancy guard dog will always be there to protect them!"

Brambles' eyes stopped glowing, and her stare softened a bit. Grim went deadly still, just floating there, staring at Jason. His heart beat like crazy in his chest. What was he saying? It was all true, but he could've been nicer about it. Dick would've found a way to be nicer.

-krrrk- "Ibis, reporting in. I think you can trust him, guys. Even if he's a Bat, his connections and experience would be useful in our plans. Ibis out." -krrrk-

Jason flinched from the sudden noise, looking around to find the source. It sounded like it had come from everywhere, even inside his own helmet. Brambles immediately switched out her hostile look for an annoyed one, tapping an earpiece he hadn't noticed before.

"Ibis, you really have to stop opening up our comm lines to the public." She snapped, but there was no real heat to it. "And I thought I told you to stop eavesdropping!"

-krrrk- "Sorry, can't help it. I'm everywhere now! You shouldn't have given me this power." -krrrk-

Grim hissed.

-krrrk- "Don't hiss at me, young man! You were the one who suggested this!" -krrrk-

"I'm sorry, time out!" Jason made a T with his hands. The green from his vision had completely disappeared now. "What the FUCK is going on now?"

Brambles sighed, rubbing her temples. "You know what? Fine. We'll trust you. My name is Sam. Nice to meet you, Jason Todd."

Jason stepped back, immediately reaching for his gun. Grim darted forward and promptly flew through him, stealing all his weapons in one go. "I'm Danny!" Grim-Danny?-chirped in a human voice, giving him a shit-eating smile. "Sorry for the act, Mr. Hood. And sorry about the name drop, I'm the one that told them."

-krrrk- "I'm Tucker! There are more of us, but they're busy. I have literally so many questions for you, Mr. Hood." -krrrk-

"Now that introductions are over-Danny don't eat his smoke bombs, you're not gonna look like Dorathea-we'd like your help."

Jason squinted at them. "You understand this is all suspicious as fuck, right? And how did a pit demon find out who I am?"

-krrrk- "Yeah, we know. But lives are on the line here, and I think you'd really be a help!" -krrrk-

Brambles-Sam-sighed and pulled out a flash drive. "I was going to use this as leverage, but I guess it'll have to be useful in other ways." She tossed it to Jason, who numbly caught it. "Look over it if you want. If you don't, then just burn it. Do not try to plug it into the Batcomputer. Don't try to send it to the Batcomputer, either. A virus will target that specific IP address as soon as it makes contact. Any other computer is fine."

"Look it over, and we can go from there," Danny added, spinning in midair while chomping on one of Jason's knives. (His good one, too!) "And I'm not a pit demon, but I am dead. That's how I knew about you. Whatever brought you back to life gave the Realms a real headache for a while. It wasn't hard to look you up in the records."

"This is so much information. Lives are on the line? And two, three kids are dealing with it? By becoming crime bosses?"

-krrrk- "Technically, Sam's the only crime boss here. And that was kind of an accident. She was supposed to create a safe foothold in Gotham in case we needed to evacuate our town. But we all got cool nicknames out of it! And you're the only adult we've told this stuff to!" -krrrk-

"I'm what?"

"The only adult." Sam's unwavering gaze seemed to pierce his soul. "There are quite literally no other adults that can help, Red Hood. None that we trust, not really. Any adult intervention needs to be planned carefully so it doesn't backfire on us. We're trusting you here, Jason. Not only are you like us, which technically puts you in danger too, but you have power and connections to support a whole town of people the government wants to eradicate."

Jason looked at the little green flash drive in his hand. He didn't want to ask. "And this...?"

"A fruit basket," Sam said simply. "Originally, it was supposed to be blackmail. But instead, this is a present to show our goodwill and faith. To show you our skills. That drive contains information on other gangs, upcoming rogue attacks, chemical breakdowns of Joker Venom and Fear Gas, unfinished antidote formulas, etc. Tucker and his team scoured the underbelly of Gotham and gathered dirt on every single prominent figurehead. Including Bruce Wayne, should you choose to use it."

"I would never-"

"But you've thought about it." Danny cut in and scratched his neck. Jason's hands shook. "It's not a bad thing. It's just the nature of the dead. Wanting to right the wrongs left over from their time with the living. Even if you walk and breathe now, that doesn't mean desire disappears."

"The point is, we need help. Even if I'm loathe to admit it." Sam rolled her eyes, and suddenly, Jason didn't see a potential supervillain in the making. He saw a teenager trying her best, shouldering the responsibility of hundreds of people, both in Gotham and her hometown. Danny looked the same, no matter how other-worldly he was. What battles were they facing? Why weren't there any adults to turn to? What kind of lives were they leading if they immediately trusted a known crime lord with their lives upon the first meeting?

"I'll think about it." Jason finally said. Danny trilled in excitement, and some tension bled out of Sam's shoulders. "If the situation is bad enough, however, I'm calling in someone else for help."

Danny shrugged. "As long as it ain't Batman! I don't think he'll appreciate us smuggling a town of liminals into his city."

Sam poked Danny's shoulder, prompting him to look at her. "Let's go, before you break his brain with more info-dumping. Bye Red Hood!"

"Uh, yeah. Goodbye!" Jason stuttered. He watched the two kids walk towards the exit door, before shimmering out of sight before they even touched the handle.

What the fuck.

[puppyeared]

i like him

[night-triumphantt]

Me when I’m having @infamous-if brain worms lmaooo,,,, It’s ok their story isn’t over

(also I have never drawn Sev before let alone a baby Sev XD nd they fought me the entire time, on brand i think fdsfdsfs)

[corntired]

Fanfiction is so goated actually

No monetary incentive, just writing in one's free time. Some incentive for like kudos and comments, because who doesn't want to hear that someone else enjoyed what they wrote. Just writing a story that is good and/or enjoyable, no real-life pressure to keep it going because god forbid you and other people are depending on it financially.

Writing a story because you want to write a good story, so you can write what they want the way you want, at a pace that is realistic for you, with exactly the plot pacing you want there to be.

[spookygibberish]

Dogstock are typical of what are often deemed the ‘evil’ races in many other fantasy works. They were created by some higher force to be slaves, they are carnivorous by nature, they resemble animals other than human in dentition and build. They growl and bite and walk behind.

The Uhasr (a dogstock culture) are descendants of such slave-infantry that was abandoned when the empire that used them to capture the steppes decided the land wasn’t so profitable after all, and more pressing matters drew their attention elsewhere. Like tools left spent on the ground, the unneeded, excess dogstock were left to survive on their own in Hochkiskuph. The native peoples, of course, did not welcome them any more, or see them any less as oppressors when the hand released the lead. To the Hochkiskuph peoples, the Uhasr are a predatory ghost, an echo that consumes them even in absentia. To the Uhasr, one human is much like another, differing in number and equipment, but never in essence. Uhasr are a species of wild animal with a human face. Humans are prey on two legs. Humans smoke and poison uncovered dens on principle, Uhasr abduct and consume men and women and children all the same.

A common trend I have noticed in media which aims to humanize monsters, is that it often relies on passivity. Humanity is contingent upon kindness. The monster that is A Person only so long as they are a harmless thing at heart, something which can be understood and befriended. Their violence is reluctant, their hearts noble. Grace is a concession to the dominated. Only the toothless beast, declawed and pinioned and caged, is one which has earned its personhood. The ontological enemy supersedes the ontological man.

[daily-dose-of-dopamine]

ok he looks less like a corpse now 👍

[entropyvoid]

Golden Hour (+ lineart below cut)

I took a picture of the lines for once and did some basic crappy photo editing on my phone, so you could probably print this out and use it as a coloring page or something if you so wish lol. Do with it what you will.

[phatcatphergus]

I think something so wonderful about sunny is that she is such a little girl. The admin that plays sunny does such a good job of giving her a distinct personality but in a way that everyone who was a little girl can identify with. I’ve seen so many people talk about how they acted like sunny did as a kid or would remember specific memories with their dad that they made as a kid that sunny and tubbos dynamic brought back to the surface.

Sunny being a little firecracker and “spoiled” girl while also being incredibly shy and kindhearted and wanting to be friends with everyone. The way she has an idea of what people like (money, fame, respect) and trying to demand that because she wants to be someone important and respected like a leader or princess would but still giving “poor” members diamonds to become rich because she would never want to turn away a potential friend.

It’s genuinely so sweet and beautiful that so many people can relive personal parts of their childhood as a little girl/kid and remember the good times and awkward time and see how they’ve grown as a person just from a Minecraft egg. It’s so fun to watch sunny interact with tubbo and think of how often I would “help” my dad with projects or how I would demand wearing a dress over a skirt because I wanted to look fancy for dinner.

It really just reminds me how we are all people and all experience similar things growing up. No one had the same situation, or the same family or even the same country, but we all had the same emotions and feelings and we can all identify with them by watching a Minecraft egg as silly as it sounds

[trashpandacraft]

hi! ok so i'm going to talk about one of my top-five favourite things, which is: dyeing stuff! this is going to be specifically about dyeing protein fibres (animal fibres—wool, alpaca, silk, etc) in a pretty low-key way in your kitchen.

to be clear up front: this is not the most scientific, most perfectly reproducible, or most Objectively Correct way to dye things. i get a lot of fibre that i like this way, though, and i think that other people can, too.

fibre i've dyed that i think is neat:

you can also dye yarn like this:

yes, i like blue a lot. i also really like variegation and heathering, which is why most of the fibre here has patches of white—it's an intentional choice that i've made. you can make different choices.

here is what you need to dye things:

fibre, vinegar, dye, a pot, heat, and some water.

that was so you don't get overwhelmed by the impending wall of text. here is what you need to dye things (it's the same stuff!), but with way more detail:

fibre or yarn. this is the big one, obviously. i tend to dye in 100-200 gram batches, because that's approximately what fits on my stovetop easily. if you're very nervous about felting or harming your fibre, you can use stuff that's been treated to be superwash, start with yarn (which is harder to felt than fibre is), or use a felt-resistant breed like dorset or suffolk. honestly, though, i learned with merino because that's what i had, and it was fine. again, though, this guide is only for protein fibres. it will not work for things like cotton. the only exception to this is nylon, which will take on some colour, but less than a protein fibre will.

a mordant. this is a fancy way of saying a thing that makes dye stick, and for what we're doing here, it's citric acid or vinegar. your grocery store definitely has at least one of them, though if you can choose, i prefer citric acid, because i love wet wool smell but i do not always love wet wool vinegar smell.

dye. i use acid dyes, and am personally deeply loyal to dharma acid dyes, but ashford and jacquard acid dyes work the same way. if you don't want to buy dye or don't have access to it, food colouring will often work, as well, though i haven't tried this with natural food colourings and have no idea how well they'll work.

a dedicated dye pot. ok, if you're doing food dyes, you don't need this. if you're not, it's definitely best practice, though i don't know how dangerous it is not to. any large metal pot will do, but my favourite option is hotel pans, which are those huge metal pan/tray things that hold food at buffets and the like. i have a full-size one that's 15cm deep, and a half-size one that's 4cm deep. they're great because they let you lay out the fibre you're working with so you can see most of it in a single layer.

dedicated dye utensils. as before, i don't know how much of a huge deal this is. i'll be honest and admit that for several years i had a single pair of tongs that got used for all tong-requiring events, including dyeing, and i'm still alive. i suggest that you have at least a big spoon, and a big spoon and tongs are even better.

something to mix the dye in. yeah, i use empty plastic sports drink or soda bottles for this. you can be fancy and get mason jars or little squirt bottles or whatever, and if you get super into dyeing you'll want to mix up dye stocks, but that's way outside the scope of what we're doing here. i like the powerade bottles that have a little squirty mouthpiece, because it's fun to squirt dye onto things.

personal protective equipment. i think this is the part of things that freaks people out. ideally, you wear plastic gloves and a mask (yeah, like your covid masks) when you're working with dye. realistically, i almost never remember to put on gloves and just accept that my hands are going to be blue sometimes. you should wear a mask, because dye is an irritant, but the world is an imperfect place and i have wicked bad adhd and sometimes i forget. this isn't advice. i'm just being honest. you should use some kind of safety stuff. you probably won't die if you don't.

you might also want some little random bits: an old toothbrush or paintbrush, a pipe cleaner, some toothpicks, etc. this is mostly if you like speckles, or if you want very small patches of colour.

so first: there are a million ways to dye things, and i'm not convinced that any of them are objectively correct. i do what i do and it works for me. some of the things i do are the opposite of what most guides suggest, but i do them because i like the effects they create.

ok, that's all the background stuff you need. let's dye some stuff!

the number one most important thing to remember when you're dyeing is this:

you can always add more colour. you cannot take it away.

that's in fancy writing and bold because every once in a while i forget this, and every single time i end up regretting it.

here is how to dye things:

put water, citric acid (or vinegar), and fibre into a pot. add dye and heat. let cool completely. rinse the fibre in cool water, then hang to dry.

like, sure, we're going to go into way more detail, but push come to shove, if you do that, you're going to end up with dyed fibre. there are a lot of tutorials telling you that you must soak your fibre first, or you must add your citric acid this way, or hold the water at exactly this temperature, and i'm here to tell you that while any of these things can give you different results, those results aren't necessarily better.

the only way that you can totally screw this up is by accidentally felting your fibre, so before i get into the way more detail part of things, i'm going to talk about that.

how not to felt your fibre

i feel like if you've read this far, you know how things felt: wool, heat, and agitation. you may also notice that at least two of these things are required for dyeing. this can be stressful! but you don't have to be afraid of it. there's only been one time that i felted something to the point that it was unusable, and that happened because i literally fell asleep for several hours while the pot was on the stove. you can avoid doing this by simply setting an alarm—this is a good idea anyhow, because you'll want to check on your dye pot!

when you're dyeing, use the lowest heat that you can while still keeping the water at a simmer. if your stove, like mine, has one burner that's wildly unpredictable and sort of out of control, you may want to look for some sort of flame diffuser, also called a flame tamer or a simmer ring. i bought one on amazon for about fourteen dollars, and it's literally just a thick metal circle. it works fine.

you can also keep the heat low by using a pot with a thick bottom, though in my experience those are expensive, and if i had one i would be using it for soup, not wool.

avoid shocking your wool—never put room temperature wool into hot water, and never put hot wool into cold water. leave your wool in the dye bath until it's cooled completely, which for me usually means overnight.

finally, obviously you have to move the fibre around some. you'll need to peek under it in the pan, and when you're done, you have to rinse it and squish out the water. try to minimise handling, though. don't run water directly onto the fibre, don't get a wooden spoon and stir your dye pot around, don't wring the fibre dry when it's done.

you're probably never going to be perfect. i often find that i lose a gram or two of wool where fibres have grabbed onto each other, or where parts of the ends clumped up. it's not really felted, just sort of compacted, but it's not great to work with, and i'd rather lose a gram of fibre than fuss with the clumpy bits.

back to how to dye things

let's take it step by step, assuming a hundred grams of fibre.

put your pan on the stove and fill it halfway with water. add either a teaspoon of citric acid or a tablespoon of vinegar. this is going to help the dye strike, or stick to the fibre. the teaspoon/tablespoon is a guideline, but one that it's fine to exceed. adding more will help the dye strike faster, which can be useful if you're trying to create blocks of colour on your fibre. i usually err on the side of a little more than the guidelines, and just eyeball this—if you feel like the dye isn't taking well, you can add more later.

add your fibre to the pan. this is the first place you have to think about what you want the finished fibre to look like! you can put it into the pan any way you want, but i suggest trying to keep it in a relatively even layer, regardless of what that layer looks like. here are some ways to get specific effects:

if you want a gradient from one end of the fibre to the other, use a rectangular pan and lay your fibre out so that the line of it is parallel to the short sides of the pan

if you want a short, repeating gradient, use a rectangular pan and lay your fibre out so that the line of it is parallel to the long sides of the pan

if you want something that starts with very close repeats that get further apart as you go down the fibre, make an approximate spiral

if you don't want A Pattern (i usually don't) just lay things out in a single layer, more or less

here comes the next exciting part! decide if you want to let your fibre soak or not. again, doing or not doing this gives you some different effects!

soaking your fibre will mean that dye takes more evenly. if you want consistent colours, you'll want to soak.

not soaking your fibre means that the dye takes less evenly. the fibre on top will have less acid available to it, spends less time in the dye bath, and also has to actually get wet before it will start to dye. i actually love doing this, and think it affords a lot of cool opportunities to play with and layer colours.

if you're soaking, leave the fibre there until it's submerged. if not, don't.

now you're going to add dye! decision time, again.

you can add dye when the water is cold, which will give you more even dye coverage, and in my experience gives the colours more time to mix together

you can add dye when when the water is hot, which will give you less even coverage, and tends to encourage the colours to stay more delineated

probably surprising no one, i tend to heat the water first unless i'm starting with a base colour or i'm doing a two-colour gradient.

time to mix up some dye

as i mentioned earlier, i'm assuming that you're using powered acid dyes for this. if you're not, this mixing up part is technically optional—but doing it gives you way more control about how and where you place your colours, so i'm going to assume that you'll do it.

i usually mix dye in some sort of empty drink bottle. regardless of what you're using, before you add dye to anything, put some water in the bottle, wipe off the lip, put the lid on tightly, and shake the bottle vigorously. if there is any leakage at all, do not use that bottle. find a better bottle. if your bottle cap doesn't seal well or if you have an empty condiment bottle that's just a little wonky or whatever, you will get dye all over the kitchen, and your landlord will be really really mad about it, and you will regret your life choices. (if you own your kitchen, you can do whatever you want, but this isn't about you and you know it.)

so you have a bottle that seals tightly! great job. dump out the water and carefully put some dye powder into the bottle. remember earlier how i said you should be wearing a mask? this is the part where you should be wearing a mask.

i know that people are reading this and going, ok, but how much dye do i put in?

my answer is put in the amount that feels right in your heart, and don't forget the number one rule of dyeing things, which is that you can always add more colour, but you cannot take it away.

this isn't a very scientific answer. most dyes have a guideline about how much to use, expressed as a percentage of the dry weight of the fibre, which is what you use to get the whole quantity of fibre dyed evenly. for dharma dyes, it's like 1.5-2%, i think ashford is 1%, and jacquard is more like 2-4%, depending on the colour.

here is the problems with doing that in your kitchen: first, using that much dye will get you an evenly dyed piece of fibre, which—for me, at least—is basically the opposite of what i want. second, and more importantly, unless you have one of those teeny tiny scales used by jewelers and drug dealers, your kitchen scale will not weigh out such tiny quantities with any accuracy. third, if you do it like this, you really have to plan what you're doing ahead of time, because there's a point after which no more dye will bind! the fibre will be like enough thank u that's it i'm good and that'll be it, so you lose some of your ability to decide that actually, you want more green.

you can probably guess, at this point, that i don't weigh the dye. once you've done a couple batches of fibre with a given brand of dye, you'll start to get the vibes for how much you should use. if you really want a guideline, for a hundred grams of fibre, start with a quarter teaspoon of a given colour. you can add more—either more of this colour or a different one—later, as desired.

put your dye in the empty bottle, and then fill the bottle partway with hot water. the amount of water doesn't really matter here, nor does the specific temperature of the water. i usually fill about 3/4 of the way, because that way there's plenty of room for this next step, which is: wipe the lip of the bottle, recap it tightly, and then shake it up real good. the dye powder is going to dissolve into the water, and you now have a bottle of dye!

if you're going for a gradient, you might want to mix up your second colour so you can add them at (basically) the same time for more even mixing. if you're not, or if you only have one mixing bottle, you can do them one at a time.

oh my god we're finally putting dye on the fibre

are you ready? it's time!!

you have basically infinite options for how to do this, and many of them will give you different effects. here are some ideas:

pour the dye all at one side of the pan. and if you don't add anything else, your fibre will fade from the colour of the dye to the natural colour of the fibre

pour two colours, one at either side of the pan. depending on how much dye you use (and remember, you can always add more), this will give you either chunks of colour surrounded by white, or a two-colour gradient

add all the dye to unheated water and mix it gently, then let the fibre soak for a few minutes longer before turning on the heat. this will give you a fairly even colour

pour randomly all over, and you'll either end up with a tonal yarn or a heathered one, depending on how much dye you're using

add the dye to the water under the dry fibre, which will sink in and take up more dye on the bottom of the fibre than the top

if your heat wasn't on before, it should be now, and you're going to let the dye hang out in the hot but not boiling water for a while. how long? well, one of the cool things about dyeing with these dyes is that they exhaust, which means that when the dye has been sucked up by the fibre, the surrounding water will be clear. how long this takes will depend on the specific dye, how much of it you used, how much mordant you used, etc. i try to check every fifteen minutes.

reminder: if you started with room temperature water, the dye's not going to start taking until the water heats up, so don't check it after fifteen minutes and freak out that nothing has happened. it is fully normal for it to take up to an hour for the dye to exhaust. don't turn up the temperature, just give it time.

yay it worked!

at this point, you have a pot of hot water with some beautifully coloured fibre in it! but maybe it's not beautiful enough. maybe you want...more colours.

that's cool as hell and you should go for it. we mentioned two-colour gradients up there, but what if you want something else?

the answer, probably obviously, is adding more dye.

first, a caveat: while you can successfully make multicoloured gradients like this, it's more difficult than you think, and if it gets messed up—all the colours bleed into each other, say—it turns into a muddy mess. my suggestion is to stick to two (or three at most!) colour gradients until you have a much better feel for what you're doing.

let's talk about ways you can add more colour. you have two options: big colour and little colour.

big colour is going to add a lot of colour—you're going to mix up the dye and pour it just like you did before, but paying more attention to places that don't have dye yet. sometimes it's the middle of a gradient, or the white splotches from random pouring, or the half of the fibre that wasn't submerged when you started. or maybe you dyed the whole thing yellow, and now you want to add a blue gradient over top. whatever!

if you don't want to freehand pour, consider buying a couple large syringes, or a bottle with a squeezy top. these are also fun because you can easily get more colour between the laid-out fibre, or even under it.

in the pictures at the start of this post, the red-and-gold top and both yarns were dyed by adding big colour.

little colour isn't going to add big patches, but is going to add speckling, tonal depth, or smaller patches of colour. all of the blue-base fibres and the yellow-and-blue yarn were dyed like this.

if you're still reading this closely, you might have caught that i just said both yarns were dyed with big colour, and that the yellow-and-blue yarn was also dyed with little colour. these are both true! the base colours of the yarn were done to make big colour, but if you look at the full-size image, there are also a bunch of speckles. you can do whatever you want! no one can stop you!

here are some ways to add little colour:

mix up some dye, but use less water. add drops of the dye, either directly onto the fibre (more dramatic!) or in the water (tonal!)

use a toothpick to grab a little bit of dye powder and drop it into the dye bath (similar to the previous one, but a little less predictable)

put on a damn facemask. take a clean toothbrush, paintbrush, or pipecleaner, and just barely touch it to the dye powder. gently flick or tap the brush to add speckles of that colour

find a salt shaker that you're never going to use for anything but this. put citric acid, salt (to make it distribute better), and dye powder into it, and shake it up (with the holes covered, please cover the holes) to make sure they're evenly distributed. gently shake this over the fibre to add speckles, but more of them, and clustered together

put a little dye in a spray bottle and gently mist the exposed fibre, kinda glazing it with colour

another thing is that if you like a natural coloured yarn with dyed speckles, you can do any of these techniques without doing big colour first. the only thing to note when doing this is that you'll want to be very sure to spread out the fibre well, and maybe to consider dyeing one side, then very very carefully flipping it over and getting the other side.

ok, now what?

let's say that you've added all the colours that you want, and you've let your bath simmer long enough that the water is clear, or nearly clear. (if it's not, check troubleshooting, below.)

put the lid on your pan and walk away. if you don't have a lid, just walk away, but it's less dramatic.

the super frustrating part here is that the safest thing to do is wait until the water and fibre is fully cooled before you do anything else.

have i ignored this? yes

has it ever gone horribly wrong? not horribly wrong, but it's definitely caused me to lose an inch or two of roving on occasion

is it way more stressful if you don't wait? absolutely yes

honestly maybe just go to bed and deal with your fibre in the morning

so now let's say that it's morning and you slept long enough that your water and fibre are both room temperature, which often actually feels quite cool on your hands.

you have to drain your fibre. there are two ways to do this:

lift the fibre out of the water. this has the upside of not risking dumping your beautiful fibre into your sink, and not needing to maneuver a full pot of water, both of which are admirable. the downside is that wet fibre is fragile, and you'll want to be careful to support it.

dump the water out of the pan. this has the upside of minimising how much handling you're doing of the fibre, as well as (in my opinion) making rinsing easier. the downside is attempting to keep the fibre into the pot while you dump the water into the sink, and also needing to carry around a full pot of water.

secret third option: dump the fibre (and the water) into a strainer. upside: very easy, and you can keep the fibre in the strainer while you rinse, minimising both how much it needs to be handled and the weight on the fibre. downside: i never remember that this is an option until i'm already elbows-deep in acidulated water, discovering every tiny cuticle tear.

you're going to fill your dyepot with water again so that you can rinse the fibre. you want to minimise thermal shock, so keep the water temperature as close to the temperature of the fibre as you can, and don't run the water directly onto the fibre. i like to pull all the fibre to one side of the pan, and fill the pan on the other side.

side note: if you, smart person, remembered that you can use a colander, simply fill a pot with water, put the colander in the pot, and gently agitate the colander.

if you, person who is deeply relatable, did not remember you can use a colander and now have a pot with clean water and fibre, gently move your fibre in the water to encourage any excess dye and also citric acid to get out of there.

drain your fibre again, and this time, you're going to squeeze it dry. you're still trying to minimise agitation, so this isn't a 'wring it out' situation, it's a 'gently squish it between your hands and/or a hand and the side of the pot' situation.

hang your fibre to dry. remember what i was saying earlier about it being fragile? let me suggest, here, that you do not simply drape the entire length over a single hanger or something and hope for the best. if you literally have a single hanger, at least drape it back and forth a bit, but better if you can use more than one hanger, or a clothes drying rack, or that weird metal wine rack thing that came with your fridge that you've never used, or whatever.

important reminder: drip-drying things will make your floor wet! if you live somewhere very clear with no major roads or pollen nearby, you can probably dry things outside, but if you don't, you'll probably want to position the drying rack in a bath, shower, laundry area, or otherwise over something that will catch and/or absorb the water.

how long it takes for the fibre to dry is another unknowable variable. if it's warm and dry where you are, it might literally be overnight. if it's damp and cool, it can take days. the batch i posted a couple days ago literally took almost a full week to dry. spread it out as best you can, gently squeeze out the water you can, and otherwise you just have to wait.

you're done!

when it's dry, that's it, you're done! you might find that you need to pick off some little lint balls or a bit of compacted or slightly felted fibre from the tips, but other than that, you should be good to go.

like most fibre stuff, this is best maintained by handwashing in cool water. you may see a little bit of dye or colour loss the first time you wash it, which is pretty normal and nothing to worry about.

congratulations! you made it to the end of this incredibly long post, and if you followed along, you've just dyed some fibre!

troubleshooting

this isn't dyed enough! i want more colours!

add more dye! i'm not the boss of you.

this is true even after the fibre is all done and dryed. there's nothing that says you can't dye it again—you can, and i have.

some fibre seems to require more dye than others. silk, for example, dyes beautifully with acid dyes, but also needs way more dye than i expect it to.

remember that if you're dyeing something that's a wool/cotton blend, for example, the cotton isn't going to dye. the only exception is nylon, which will kinda dye, but not as dramatically. this guide will not work for plant fibres.

this is too dyed! i want fewer colours!

please refer back to the number one most important thing about dyeing, which—as you know—is: you can always add more colour, but you cannot take it away.

pull out some more fibre and try again. this has a learning curve, just like any other fibre craft.

these colours don't look like i expected!

this can be about a lot of things.

colour guides, especially if you're looking at them online, aren't always very accurate.

colour guides tend to assume that you're dyeing a single colour at the suggested dye percentage of weight, and using less than that will give paler colours.

dyes, especially if you're mixing brands, can interact with each other and behave in ways you didn't expect.

dyes can also break, which is when they split into their component colour molecules. this happens commonly with blacks and browns, food colouring, and anything that dharma trading has marked as 'advanced'. some people find this very desirable and seek it out; some people are very frustrated by it.

the ph of your water can sometimes affect your dye. i've been lucky enough that i've only lived places with lead problems, not weird ph stuff, so i haven't investigated this closely, but if you're consistently not getting the results you expect, even going for a single, solid-colour dye, look at the ph.

my dye water's not clear!

if you used a quarter teaspoon of dye and a hundred grams of fibre, and it's been, say, 45 minutes of actually hot water and your water still isn't clear, you probably didn't use enough mordant, and you should add some more citric acid or vinegar to encourage the dye to get in there and do its thing.

if you used you used more like a teaspoon of dye, or if the citric acid doesn't change anything, you used too much dye for your fibre. you can either shrug and pour it down the drain, or you can add some more fibre and dye that, too.

my rinse water's not clear!

you probably used too much dye. it's ok—just keep rinsing it, gently, until it's more or less clear.

some colours just like to run—you know how every once in a while you get a yarn and it just bleeds a little bit every time you wash it? sometimes it's just like that. i wouldn't worry about it too much.

my fibre has felty/clumpy bits!

a little bit of this is normal, especially at the ends of a fibre that felts easily (this means you, merino!)

pick off the bits that you don't like—this is generally fairly easy, and involves very minimal fibre loss. i don't bother doing it until i sit down to spin, and then just pull off bits as i come to them.

if there's a lot of felty/clumpy bits, more than you can reasonably pick out, you agitated the fibre too much. there's not much for this other than trying to card it out, which may or may not work.

sometimes this happens because your stove got weirdly aggressive and boiled your fibre. especially for wool that's prone to felting, the bubbling and jostling can be enough to encourage more clinginess than you'd like.

i want my dyeing to be reproducible!

this is kinda doable. it's a handmade thing, so it's always going to have some natural variance, but you can do it.

buy a jeweler's scale that measures in fractions of a gram.

start measuring your dye and acid, and take detailed notes about what you do.

follow those notes in the future, and you'll be probably 90% of the way there.

i want to dye with natural dyes!

i fully support this and have played around with it a little bit myself, but absolutely do not know enough about it to advise you.

the internet is very large and full of many people who are much smarter than i am, and i feel confident that at least one of them is desperate to tell you all about how to do natural dyeing.

i am, at this point, not that person.

i want to dye plant fibres!

i am begging you to find another guide, because this one will not work.

you didn't answer my question!

that's what my inbox is for

i have to reiterate that i'm just a person with real specific interests who started dyeing things because i couldn't find or afford the kinds of colourways that i wanted.

i am not a professional

i will do my best to answer questions, but sometimes the answer is 'just fuck around until you find out'

plant fi—

shhhhh

the end

thank you for reading this incredibly long post! i might make another one in the near future, either so i can show pictures or because i took out an entire section about how to choose colours and pick a colour scheme and work with colours, and i kinda want to talk more about that, but this is no joke almost six thousand words long, so i thought, you know. maybe not tonight.

anyhow, i hope that this was useful to someone! thank you for letting me talk about one of my very favourite things.

[palskippah]

Oooh mareach preg ftw!

Ngl Im kind of curious, how did mario and peach handle the birth? 😳

Hi! Yess 😭 Them expecting babies is so cute to me ;-;

They (mostly Mario) handled the labor and birth like champs, although at the beginning both had the downside of panicking, but later on they had the help of people with more experience than them (Luigi or the doctors) or that were less panicky during the situation (like Toad). Mario was scared shitless bc giving birth is intimidating, but once he's with Peach and Luigi he's much calmer.

Btw I don't think I'll set this on stone, bc there's other ways the labor and birth could've gone that I also had thought of and actually written or drawn askdlsa but I'm sharing this one bc I like it c: Like, Toad's singing (like that person at tiktok that dresses up as him and sings shakira's songs?? them) makes him laugh too hard and that makes him break his water and he's like 🧍 bc he doesn't realize at first and all-

Under the cut there's a much more (I mean it 😔) detailed description of how it went! It's pretty long (mostly the labor part) and you'll scroll a lot sorrie, I thought of shortening it, but then left it like it is- the moments are separated by star emojis, so if you wanna skip to the birth, go ahead jiji

Birth isn't explicit but I'll give you a warning about it anyway! Also, it's kinda cartoonish (I think? maybe not) for the fun of it, I'm not a big fan of serious stuff sdlksdks

BTW! here's the bebis :'v

[Nettarina was born like half an hour before Mariella was, so she had more experience with being out in the harsh, cold world out of the womb- so she was peacefully sleeping while her twin was being delivered akjsdkd

Imagine those scenes in TV where there's in the first plane a very peaceful thing going on and at the background there's a ruckus- something like that but with Nettarina wrapped in her warm blanket and sleeping comfortably in her bassinet, and in the background there's Mario grabbing the hell out of Peach's and Luigi's hands while he pushes and grunting in effort and the other two are encouraging him and stuff, she doesn't wake up at all despite the noise.]

Also, there are some drawings that are kinda vague about birth- and also the newborn baby will not look like an actual just newborn baby bc that's too much 🧍

Anyways, enjoy the thingie if you read it!

🌟So! The whole thing is very fast and tiring- like when Mario wakes up, he doesn't even hope he'll go into labor that day, and before the sun even sets, he already had both babies in his arms.

Also, I read that first-time pregnancies are a tiny bit more likely to go past full-term and I was like sure why not, let's put Mario in situations. So, he's overdue by just a few days and honestly the babies are really taking their time with getting there, and that's why he isn't even worried that particular day that he'll go into labor.

Also, the doctor had said they'd have to consider induction if the babies didn't make act of presence in the next week. Bc twins usually are expected to arrive like at the 38th week, where they are already full-term, and over that is considered overdue- so maybe Mario is like 38 weeks-and-something pregnant in this day where he has the babies.

🌟 About the labor-

For when Mario goes into labor, I'm torn between doing it sitcom-like, where Peach for ABC reason is very far away from Mario, and she has to go through frustrating drawbacks to get to him quickly, or go with that it happens when they're together and all comfortable and stuff sdkjskd

But going with the first option, imagine Peach is at a meeting that she definitely didn't want to go to, where the king was adamant about her presence and of other royals to see the matter (which in Peach's opinion, could've been handled via email!), so she couldn't send in Toadsworth to sort it through.

Peach warned the host king that Mario could go into labor at literally any minute, and she wished to stay with him when it happened (Mario was supposed to go into labor a few days ago, she was really anxious about it!), but the other thought she was being overdramatic, surely Super Mario would be fine without the princess for a few hours.

Many royals think that way initially, whenever Peach requested that meetings be held at her castle, or that may Toadsworth go in her behalf, since she doesn't want to leave Mario's side for too long. But, they wholly understand when they see Mario, who definitely looks like he's ready to pop. Others are more understanding, because they have been the pregnant person being fretted over, or the partner that frets, so they indulge the princess on her requests.

And well, she was overly worried the whole meeting, and barely paid any attention. At the beginning Peach texted Mario every few minutes to make sure he was okay and calm her anxiety, but after one too many judging looks from the host king, she apologized and asked one of the servants to take her phone until the meeting was over, knowing she'd keep using it otherwise- she had duties to attend as a princess, despite her worries as a soon-to-be mom.

Meanwhile, back at the Mushroom Kingdom, Mario had woken up not long ago, stretching as much as he could and groaning because he slept like hell. His back hurt a lot, like was usual lately. He briefly wondered when the babies would dignify themselves to show up, so he could have a proper night's sleep finally (as if! with two newborn babies it wouldn't be very likely), because they overstayed long enough, he was supposed to have them in his arms by now, while also he wished Peach was there to just magic his pain away.

Mario resigns himself to hurt and keep being pregnant for a few days more. He throws a look at his side, and then checks his phone, smiling at Peach's (fretting) texts, so he starts answering to each of them, while getting himself more comfortable on their bed.

[Good morning my love! 😚😚😚] Good morning bella mia :33 [Are you awake? 🥰🥰] I am [Maybe not, it took you a lot of time to fall asleep 🤕 just wait until the little rascals are born, I'll give them a harsh lecture right away] Me too bc my back hurts like a beach I wish you were here to make it better :c [I love you] I love you very much too! [Te amo mi amorchito pechocho💓] Ti amo la mia luce 💖 [Mi amore] 🥰 [Wake up mi amore] I did :D pick your phone peachy [King Calami keeps talking about I don't know what hepl] Pay attention and don't pick your phone peachy [Mario 🥺🥺] Peachy <3

Peach appears offline from not long ago; and Mario hoped she actually had put her focus on the meeting. After that, Mario does the extenuating routine of getting off of bed, showering, grooming, dressing on his own -which proves much harder than when Peach just does it for him, especially with the overalls and shoes, but he's in the mood for them, so he tries anyway (and almost falls off the bed trying to reach his feet- but at least no one's there to see him struggle). He does all this while feeling a bit restless the whole way, but it's been a few days of the same feeling, since the babies weren't born when they were supposed to.

Mario has a very late breakfast and then spends a while just nibbling on treats and lazing around (Resting! You're resting - says for the nth time a voice that sounds like Peach's). He made some plans with Toad over text, and soon he met Mario at the lounging room in the castle, ready for a walk around Toad Town.

Mario wasn't very sure if he still wanted to go, still feeling like something (read: labor) was about to happen. Toad offered staying at the castle, if he wasn't sure, and they could eat ice-cream right there too and maybe watch a movie, or just walk through Peach's gardens. The thought of the ice-cream stall at the middle of Toad Plaza makes him salivate and reconsider- oh his damned cravings. Also, to walk and enjoy the sun and bustling streets would do him good, so they go.

The walk to Toad Town is very slow but filled with conversation (mostly from Toad). At certain times Mario felt cramps on his belly, but he has been feeling them from weeks ago, so he doesn't get too worried about them. At the platforms Toad very carefully helps him. And while they walk down the steps, Mario looks at the pipes systems and all the toads going through them, which was a much quicker way of getting anywhere. Not for the first time Mario lamented that traveling through pipes was not safe for him anymore, and it made him too dizzy anyways (and in some of them he didn't even fit any longer- but whatevs).

Through the walk many toads greet both of them as usual, some commenting lightly about the babies not being there yet, which had Mario chuckling politely (bc, of course they're not there yet, Mario is clearly still huge!) and by the time they get to the ice-cream stand Mario's too tired and feeling kinda out of breath, so Toad tells him to sit and wait for him to get the ice-cream, and Mario does so gratefully.

When he's at the bench, the cramps only get worse, and he briefly wonders if maybe they're contractions- He hopes they are, because the babies are overdue and he is tired as hell of carrying them, but also- he wishes it's not the case, he doesn't want them to come out yet because he is still way too nervous of giving birth. Either way, the cramps hurt and are uncomfortable, and after a while they stop, and he realizes he'd have to pay closer attention to them, lest he actually was in labor.

Toad gets back with their stuff and they eat and talk and it's very nice, because the day is sunny and calm, and the babies aren't as energetic as other times (which is always good, because they would beat up Mario's ribs, bladder and whatever was in their way whenever they kicked or stretched).

Suddenly Mario feels a particularly bad cramp, and he has to take a moment to breathe through it, wincing in pain and placing his hand where he's kinda feeling it. It catches Toad's attention, and he gently pats Mario's arm to be of comfort.

Toad then gasps excitedly, "Wait- are you having contractions yet?"

Mario shakes his head, then signs, "I don't think so."

"Aw... I want to meet your babies already, Mario," Toad laments, taking a sad lick from his ice-cream cone. "I want to receive my Uncle Toad title from you too."

Mario smiles at him and shakes his head again, in amusement, the toad had said years back that he was happy to receive the title from Luigi, and now from Mario, as if they were some sort of university of unclehood by simply becoming parents.

At some moment, their conversation takes a turn towards Mario's relationship with Pauline, for some reason. Toad can't believe Mario had sung with the Pauline! And why is he just now finding out about it?!

It leads to Toad begging Mario to sing something for him someday, and Mario saying he can beg all he wants. Toad shakes his head in feigned disappointment and says, "I would never deprive you from my singing skills, Mario!" And Mario does a 'really? prove it' face, so Toad graces him with the most off-key, shrillest and loud cover of Pauline's Jump Up, Super Star!

It had Mario laughing almost hysterically- it probably wasn't even that funny, but he was caught off-guard bc Toad started off strong with the main vocals and from then on, his singing didn't get any better. He was holding his belly while trying not to drop his ice-cream and waving slightly at Toad with it to stop- or he's sure he'll... oh- have an accident.

Mario stops laughing all of a sudden and looks down with a grimace. For a few seconds he thinks not again! because he has two heavy babies resting right over his bladder, he can't help it sometimes! But this time it's much more than usual, and he can't even stop it.

He turns to Toad in panic and embarrassment, because he's sitting in the middle of the crowded plaza and there's no way other toads won't notice! Toad notices his exalted state and stops singing. He tilts his head in confusion and worry.

Mario signs "I peed myself."

"Oh- that's huh..." Mario looks more embarrassed. "That's okay! Don't worry, bestie, I'm going to fix it. You just stay here, Mario!"

Toad shoves the rest of his ice-cream in his mouth and while he munches the waffle cone, he jumps out of the bench and scoots somewhere in the crowded place. Mario huffs in discomfort, throwing nervous glances around him, hoping no one suddenly decided to speak to him. He looks at his cone still in his hand, melting down. He gives it some licks, entirely out of anxiety, because he doesn't have much appetite anymore.

Toad returns soon enough, carrying a folded blanket with himself. Very subtle, especially with the nice weather and Mario in his long overalls. The man kicks himself mentally for being picky about Toad's ideas, when his friend is clearly trying. Toad jumps on the bench and gets closer to whisper to Mario, "I asked some friends to bring you clothes. Don't worry though, I told them to be discreet about it- also got this blanket so we can walk to a bathroom."

Toad sits back down beside Mario on the bench, to wait for the other toads. Mario decides to occupy that brief time by finishing eating his ice-cream, and rubbing his belly while silently scowling at the babies for putting him in situations. When the toads arrive, carrying a little bag, they discreetly leave it on the bench, and walk casually in the other direction, not even looking at Mario or Toad. Mario lets out a relieved sigh, glad that they left them alone. Toad stands on his seat and extends the blanket, leaving it ready to use over the bench, and then jumps back to the floor.

"Let me help you up," he says, extending his little hands to him with a big smile. Mario smiles a bit funnily, knowing that Toad wasn't precisely strong enough to pull him up.

After much effort from both, Mario is on his feet, and he has to suppress a disgusted shiver, because the wetness is very uncomfortable and has gone cold. Toad notices his discomfort and hurries to hand the blanket to Mario, who wraps it around his shoulders. The toad makes sure it covers all the damp spots, and then they get to it, looking for the nearest bathroom either of them can think of.

Toad peaks his head in a restaurant, and quietly asks the receptionist to use the bathroom without being clients, who refuses, being strict about their rules, but Toad says with a knowing smile, 'it's for Mario' and the other toad quickly agrees for them to just come along, anything for the Mushroom Kingdom hero! (But Mario's sure it's because he's very pregnant, it's obvious).

When Mario's inside and Toad's doing guard outside the door, he strips from his wet clothes and rummages through the little bag, pulling out one of his red maternity dresses and underwear. He smiles to himself in relief as he thinks 'perfetto...' because having to ask for help from Toad to put on his overalls would probably be the last drop in the glass for Mario to- to have a breakdown or something.

When he's almost done and letting the dress down his arms, he feels such a strong cramp in his belly that he's just sure it must be a contraction. Mario panics for a few seconds because his arms are stuck in the dress and he's in pain and all he sees is red! He has to double over and support his weight with his hands against the wall the best he can, while he tries to quiet down his pained groans and tightly closes his eyes.

When it passes, he gives himself a bit of time to catch his breath back, and then quickly lowers the dress the rest of the way, to dress himself properly. Mario then holds his belly, looking around the bathroom nervously. He slowly paces on the small space in building panic- he's sure it was a contraction! It was way too strong- and- and the accident? What if that was his water?

He stops waddling and looks down at his belly, placing his hands on it as if silently asking the babies if that was the very important liquid that signaled that he was indeed in labor. Mario notices that he's breathing way too quickly, so he tries to do the breathing exercises that Doctor Toadlina taught him to do- he clenches his fists tightly over his belly while the babies move leisurely as if their mamma wasn't freaking out.

Outside, Toad hums to himself patiently, giving Mario all the time he needs to get comfortable in the changing of clothes. He nods to passing waiters and clients alike, with a big smile.

Back inside, finally Mario's calm enough to think of what he should do now if the babies are coming- he immediately thinks of Peach and that she's far away and literally on another whole kingdom, with no pipe system attached to theirs! Mario scrambles as fast as he can for his phone, feeling his hands and his lower lip trembling in fright.

He calls her and places the phone by his ear, while trying still to breath calmly and failing spectacularly. His fear only spikes up when it sends to voicemail. Mario calls a couple more of times, each without success. He tries to write to her instead, being a bit difficult with his shaking fingers and his blurring gaze due to the tears.

Pech I don't wanna scare you but i think I'm in laborr Pelsa answer Nd come back soon I'm very scared

He holds his phone in his hands for a while, still trying to convince himself that everything will be okay... Mario frowns and looks to the side for a second, those words remind him of something.

Everything will be okay...? Right, Luigi! Mario should call Luigi. He calls him this time and smiles in relief when his twin answers right away.

"Ciao, fratellone!" Luigi says happily.

Mario's smile drops when he realizes just then that he must talk if he called- Oh, fuck! What an idiot! He's bringing more despair for himself on his own!

He opens his mouth and then closes it and shakes his head- why does he never think things through?! He curses himself, now with tears of frustration in his eyes and the thought of just hanging up and texting instead goes through his mind.

"Bro? Mario? Is everyth-" Mario quickly hangs up and goes to text him. He blinks his tears away the best he can and writes down while his phone rings and the notification of Weegee calling... appears just above the chat.

M in labor nd pach isn't here Can you come ?

A few seconds pass when Luigi answers:

On my way Where are you going to be?

Mario sniffles and thinks quickly, should they go to the castle, or maybe just wait for Luigi to get to the restaurant? Mario didn't want to be in that bathroom all alone, he felt too scared and defenseless. But he doesn't think he had the energy to go to the castle quick enough either.

Gret toadcimu restornat Oki I'll be right there bro Pls be calm Everything will be okay I promise Are you with someone? Let them help you Mario To stay cal M Ok

Mario opened Toad's chat this time, feeling at least a tad bit calmer now that he knew his brother was on the way.

Tod Come in pls

A short moment later, a knock sounds at the door, and Mario unlocks it and let his friend in, Toad closes the door and looks at Mario in thinly veiled worry when he notices his tears and panicked expression.

"What's wrong, Mario?"

"I'm in labor," he has difficulty even signing, his hands trembling too much. Toad seems to have difficulty to understand what he signed too, but when he does, he opens his eyes widely and seems absolutely ready to start panicking. Mario braces himself for his shrilly screaming, but the toad shakes his head quickly and sets his face on a determined expression, that Mario would not be surprised if he started speaking in a very deep voice.

"We have to go to the castle, then! I'll tidy this up, you- you just focus on not having the babies yet and calm down. Calm down, Mario!" he says in his regular voice, with a very subtle hint of panic that Mario can easily ignore for his own sake. The toad starts gathering his wet clothes in the little bag, then hurries on folding the blanket while Mario focuses on doing the breath exercises.

Another contraction hits in and Mario has to lean against the wall again, groaning in pain and holding his back. He feels like it lasts even longer and hurts worse than the previous- how is that possible? They were supposed to grow very gradually in intensity and time!

He feels a hand on his back, and he turns to look at Toad, with a pained expression on.

"Do I call the princess?" His friend knows Peach isn't in the Mushroom Kingdom, but Mario shakes his head. She didn't answer him, it'd probably be the same for Toad.

Mario breathes through the contraction the best he can, and when it's over he tells Toad that Luigi's on his way. The toad nods and leads them slowly to the outside of the restaurant, going through the tables occupied by many toads since it was lunch time, saying his thanks to the receptionist (and Mario awkwardly nods at them in thanks too).

Toad looks around quickly, looking for a bench for Mario to sit on, when he spots one, he leads them in its direction.

Just as Toad is helping Mario to take a seat, they hear, "Bro!" and Mario straightens up right away, looking around for his twin, almost losing his balance, and he and Toad and Luigi all panic that he'll fall, but Mario manages to keep standing as he grabs onto Toad's cap and the other hand supports his back, while Luigi runs to his side.

When Mario and Luigi are close to each other, the first thing Mario does is hug his twin, feeling like he wants to cry. And he does, actually, while Luigi gently shushes him and holds him tightly (albeit a bit awkwardly due to Mario's belly in the middle).

"It's-a okay, Mario, I'm here," Luigi says, subtly trying to catch his breath, he surely must have run all the way from the pipe that connected their kingdoms to the Great Toadchimu restaurant. Mario nods and buries his face on Luigi's shoulder, feeling much less scared than he did moments ago. The only thing to truly make him feel complete would be that Peach was there with him too.

Luigi takes care of the situation and instructs Toad to please get him a super mushroom so he could easily carry Mario to the castle. Once he eats it, he goes up the hills on a careful walk to not accidentally drop Mario or jostle him too much, while Toad hurriedly walks beside them, carrying Mario's stuff and calling Peach's father to let the doctor know they were on their way (and so were the babies-).

Back at Peach, the blessed (cursed) meeting that seemed like it lasted hours just ended, and the (damned) King Calami finally let them leave, but of course, he invited all the royals to have lunch first. But Peach is absolutely ready to tail it out of there and return to her own kingdom and to her Mario.

After exchanging quick pleasantries with the rest of royals, and passive-agressive words with King Calami that left no space to argue her reasons and determination to leave, the king kindly instructed a worker to prepare a vehicle for Princess Toadstool, as she's in such a hurry to leave already, and isn't even able to stay for lunch. The servant bows and leaves to do as instructed.

Peach smiles while inside she wishes unpleasant things for the king. She bows her head and walks calmly out of the meeting room, but one of the servants standing at the doors stopped her, "Princess Toadstool, your phone, your highness."

Right! Peach smiles thankfully as she receives it and immediately checks her notifications while walking out of the room. Her smile drops when she sees the three missed calls from Mario. With worry she clicks on the notification that says [New messages from Marito❤️] and her smile comes back in full force again while reading Mario's responses to each of her texts. And finally, her smile fully drops as does her stomach, all the way to her feet, when she reads the five last messages.

Mario's in labor?! Peach anxiously hurries to walk in a direction, then halts and turns around and prepares to walk the other way, then realizes she doesn't even know where she is supposedly going, and she's just panicking. Peach looks at her phone and quickly calls Mario's number, while trying to calm her breathing as she places a hand on her chest. There's no use on her losing her mind, she needs to stay calm.

Peach gets more anxious with each ring, until the line picks up and she jumps into talking.

"Mario, are you okay? Where-?"

"Princess, it's-a me!" She gets interrupted. It's Luigi.

"Luigi! Where is Mario?!" So much for keeping calm, she mentally scolded herself.

"He's-a with me, don't worry, we're-a going to the castle, oki? We'll wait for you there, Toad talked to Toadsworth, so he can notify the royal doctor."

"Hi! Princess, it's me, Toad, Mario's best friend- he's good and he's not talking now!"

Peach lets out a mildly relieved sigh, at least they had the situation under control.

"I hope you are okay, Mario," she says, lacing her words with the most fondness she can, while she smiles. "Please wait for me, I'll be there as soon as I can."

Luigi chuckles after a while, "He says he will, and he loves you, and you're his very beloved light- Hey! Don't-a hit me, I'm-a just adding-!"

Peach giggles to herself, imagining Mario swatting Luigi.

"I love you so much too, mi chaparrito bigotón pechocho," she says, allowing herself to be utterly corny, at least Luigi wouldn't get it.

"Aw please, Peach, that's so cheesy!" said Luigi while laughing and Peach's face burned. Right, he knows some Spanish, Daisy is teaching him only the things that are convenient for him to learn- like Peach's terms of endearment. When she hears Mario's own chuckles, she's glad she said what she said, despite her embarrassment. She smiles brightly, "I'll be there very soon, Mario! Stay strong, I love you!"

"Wait, when you're-a on your way here try ta do a videocall," says Luigi before she can hang up.

"Okie-dokie! Bye!"

Peach allows herself to jump in place for a few seconds, while holding her phone to her chest, closing tightly her eyes and smiling so widely that her cheeks hurt. Mario's in labor! They'll finally meet their babies! How exciting! She must get there as soon as possible.

As if on cue, the servant that King Calami talked to was walking to get closer to her. Peach walked to reach them quicker, expecting for them to tell her that her vehicle was ready.

"Your highness, I'm very sorry-" Oh great. "-but we have a few complications with the long-journey vehicles. But if you're willing to wait, by late afternoon-"

Peach shakes her head worriedly; Mario needed her now! Not by late afternoon- and she'd get to the Mushroom Kingdom by night if that were the case!

The servant patiently waits for the princess to arrange her thoughts, as she seems lost on her own mind.

What could she do? What to do... There wasn't a pipe system between this kingdom and hers, so she couldn't go quickly there, and the journey on any vehicle was longer than two hours, but there were closer, neighboring kingdoms to this one, that had agreed to install the pipes! She could go to them first, and then go to her wished destiny!

Peach is struck with a feeling-like-an-idiot urge to facepalm, because that's literally the way she got into King Calami's kingdom to begin with. She sighs, lamenting that her first-time parent panic is affecting her good reasoning.

"Are there available any vehicles for shorter journeys?" she asks with a falsely calmed smile.

The servant nods, "Yes, your royal highness. The smallest allow for a very fast travelling- but they fit only one member inside, you'd have to leave on your own."

Peach quickly nods, "Yes, I will- It's perfect. I'll, um- arrange for my toads to return the vehicle safely once I no longer use it, yes?" she says, trying to be convincing.

The servant nods and leads Peach to the room where the vehicles are (a royal garage i guess?), while mentioning how they will not notify the who was in charge (whoever that is-) first, if all because the princess looked so antsy that it was making the servant a bit nervous too.

Peach apologized for her clearly anxious state, delightedly (and unsubtly terrified) saying that Mario's in labor and she's in a hurry to leave. The servant looks back at her in surprise, because why didn't she say so before?!

After that, things go very quickly, both the servant and Peach hurry to get to the vehicle, where Peach puts her few belongings in and hops in, ready to drive as quickly (and safely-) as she can to the nearest kingdom with a working pipe system to the Mushroom Kingdom.

As she puts on her seatbelt, the servant, whose name Peach still doesn't know, bows respectfully, "I wish you luck and very healthy babies, your royal highness!" Peach smiles and nods hurriedly saying 'thank you so much!', and she starts her journey towards Mario.

Back with Mario, they are received by Toadsworth already fretting over the whole situation, while Luigi takes him to his bedroom, where Doctor Toadlina and two young toad nurses are already setting everything to attend his birth.

Luigi leaves Mario gingerly on the bed, in a sitting position. On the way up the hills Luigi asked Toad to take the time between each of Mario's contractions. They were way too close to each other if Mario supposedly started labor not long ago, Luigi is sure it must have been much earlier.

The doctor informs what will be done from then on, to pass labor and check his contractions and to check his dilation depending on how the labor progresses and the babies' position and all that (vague labor stuff, y'know 🧍).

Luigi (after asking one of the nurses to pinch him hard to wear off the super mushroom effect-) gently helps Mario into a more comfortable sleepshirt and underwear, while he makes some light conversation to distract him from his worry at Peach's absence. Toad isn't let in, and he asks to at least be updated if anything important happens, like the babies being born or Mario needing something. Doctor Toadlina politely closes the door on his face with a, "Thank you, Toad, we'll let you know!" while the nurses lightly giggle as they arrange water bottles, and very light snacks in their little coffee table, and arrange Mario and Peach's bed for more practical use, tying the bed drapes as tightly as possible to avoid them becoming a burden for any of them.

Mario breathes slowly and tries to keep himself as calm as he can, while closing his eyes as Luigi helps him to lay on the bed for a check up, Doctor Toadlina puts on a glove meanwhile. He feels Luigi's own gloved hand caressing his hair.

"It's-a okay, bro," he says softly, and Mario turns to look at him with a small smile, that turns wobbly after a second. He just wishes Peach was there too.

After the check-up, the doctor muses that he must be very far along in labor, because his dilation is very advanced. She announces that in no time he would be ready for the pushing stage. Mario nods with a very nervous smile, glad and also terrified to hear so.

So, Mario and Luigi do anything for him to dilate further, like walking around the spacey room, or doing different exercises together (the ones Luigi remembers from when he was in labor, and also the ones the toad doctor recommends them).

They are face to face a bit far away from the bed, both with their feet a bit apart and hands on their hips, both moving them in a swaying motion- Mario thinks his twin is doing much better than he is, and briefly wonders if he's doing it wrong himself, but then remembers that Luigi's not even pregnant, and Mario smacks himself mentally for being an idiot again, always realizing things too late. He shakes his head, he's not even sure anymore if it's the pregnancy brain or he's always been like this.

Luigi frowns, "No? But I thought you already settled on tha names-"

Mario blushes a bit, now realizing he and Luigi were supposedly talking. He shakes his head again with a bashful smile, letting Luigi know to just ignore him. His brother smiles comprehensively. "You're-a not even paying attention- Is your mind on tha princess? She hasn't called yet..."

Mario frowns and settles his gaze on the nurses quietly talking among themselves, a bit sad about the matter. He supposes she's still busy getting to their kingdom if she can't call, but still...

Back at Peach, she just exited the outskirts of King Calami's kingdom, now entering the long, deserted road that connected both realms. Now that the risk of running over someone were diminished almost to zero, she pulls out her phone, finally she can videocall Mario! She thumbs around on it, throwing brief glances at the road, and then back. As the phone dials she keeps it in her hand, not about to risk it flying away from the speed she was driving at.

The other end picks up and her big smile falls a bit when it's Toad's face that receives her, she muses that Mario must be a bit busy, then!

"Hello, Toad!"

"Hi, Princess Peach!"

"Where's Mario?"

"Oh, he's inside with the doctors and Luigi, he left his phone with me- when they kicked me out. I'll hand it to him, don't hang!"

The brothers end up going to the balcony for Mario to take some air after he realizes he's again way too nervous (so close to giving birth and Peach's nowhere to be seen!), while Luigi pats his back, and he leans on the railing. Mario looks up to the sky, the day is so nice and sunny, and it feels ironic with the way he feels- all heated up and tired already.

He gets another contraction and his hands clench on the railing while he whimpers and winces. Oh, Peach should get there sooner, she could help him to not feel pain! He tries to breathe through it as he's been doing it since they started, while Luigi rubs his lower back. It almost feels like the same rubs Peach usually did to ease his pain with her magic, only that Luigi's just brought him emotional comfort and nothing more.

They hear some commotion at the door that leads to the hall and both twins turn to look and see (nosey 🤨) what's going on. It's Doctor Toadlina scolding Toad-

"I told you already! You can't come in, Toad, only the queen and the princess can, Mario needs people that can bring him comfort and support-!"

"Yeah, I know, that's why I need to give him his phone, it's the princess!"

Mario gasps, Peachy is calling?!

He turns to Luigi and signals with his head for him to go deal with it. Luigi nods and leaves his side briefly (not before throwing a dirty look at Mario for ordering him around-) to go to the toads and see the situation. Mario doesn't have to wait long for Luigi to come back, talking to his phone with it in front of his face. Mario's heartbeat gets quicker at the idea of finally seeing Peach. When he sees her, he smiles brightly at Peach's face, being hit with a lot of wind and making her hair fly behind her.

"Hi, Mario!"

From then on, Peach and Mario talked as if she were right there with him, while Luigi did as an interpreter - given that the princess couldn't look too long at her phone while she was driving -, and Mario felt much better about the matter, now only longing that she was physically close to him.

He keeps doing exercises and staying hydrated and complaining from the contractions - at which Peach reassures she's going to calm all his pain away once she got there! -, while the doctor checked every now and then the position of the babies and stuff.

At a certain moment the connection halts because Peach had to go through the pipe system- and after that Mario had to resist the urge to laugh at her, because Peach was clearly running as fast as she could while still trying to keep her face on the camera. Mario also felt the excitement that she was very close to getting there. The background behind her changed fast from the outside of the castle to the main floor, and then to the hall where their quarters were, and finally she all but bolted inside the room, making Doctor Toadlina jump in fright and the nurses squeal in surprise.

"Mario!" she says, phone held in her hand. "Where- where are you?" She looks at the room, at the exalted toads, and then at her phone, looking at Mario's happy face.

"We're-a here!" says Luigi while waving his arm from the balcony's entrance.

"Oh!" she all but glides through the room, after saying quick hi's to the medical toads. And when her and Mario are finally face to face, they embrace the other so tightly and tenderly that Luigi quietly leaves to give them some privacy. Mario exhales in utter relief, at finally feeling completely safe. And Peach let her chin rest over his hair.

They walk to the bed and Peach lovingly helps Mario to sit close to the pillows, while the plumber keeps his hands at all times in hers.

Doctor Toadlina suggests Peach changes her royal clothes into something less cumbersome, so Peach obliges- and Mario reasonably knows it's better that way and it wouldn't take her very long, but he looked worried when she started to back away, in direction to their wardrobe- she smiled and said she wouldn't take long. Yet he still held into her hands until she pulled back too much, and they slipped from his.

At Mario's very puppy-kicked eyes, Luigi laughs and says Peach will be back to his side soon! Mario wipes his eyes and lays back on the pillows, smiling a bit ashamed of his reaction. Soon enough, Peach gets back from the bathroom where she changed, with her hair tied up, her crown still on and dressed in a white shirt and pink trousers, without her gloves or her blue brooch.

From there, Peach takes Luigi's place and is the one to help Mario with the exercises and helping him walk around or lay down or help with his contractions. She uses her healing magic several times each hour to numb his pain, and Mario sighs in relief each time she does. Also at certain times they sit at the little coffee table while she feeds him nibbles from the light snacks the nurses left. Luigi is glad to simply sit back as back-up support until the birth, enjoying the lovebirds' interactions, which in his opinion are adorable.

(Y'know those moms that do their make-up all pretty for when they give birth?) Since Mario had been crying and wiping his eyes so much, let's say his eyeliner had kind of wore off almost completely- and, in a moment of relative calmness while they waited for Mario to be able to push, Peach went to their bathroom and came back with his eyeliner. She proceded to apply it while humming to herself, as she has done many other times (this post!), while Mario smiled all relaxedly. He wasn't in pain, the babies were barely moving or bothering him, and both his girlfriend and brother were there with him (as were the doctor and nurses), so he was feeling all safe, although tired.

Mario doesn't feel pain anymore, but he is still so very tired. And the next few hours of labor and contractions became taxing way too soon, feeling the pressure at his pelvis as the babies got ready to be born and all that. As Peach helped him walk around, he finally decided he had enough of that, so he squeezed her arm to let her know, and from then on he kept himself out of his feet.

He looked tiredly at his brother from time to time, looking for additional support, while Luigi said comforting words, because he knew all too well how Mario was feeling. He spent the last moments before pushing mostly supporting his weight on the bed while on his knees, or laying propped up against the pillows, or sitting at the edge, all while still trying to vaguely do the exercises to help dilation and stuff.

🌟 During the whole ordeal Toad is outside and so is Toadsworth, because none of them were let in, for Mario's (and the medical toads) comfort. The old toad is more or less a nervous mess, so Toad takes on distracting the soon-to-be grandpa, while his daughter and son-in-law (never mind that Peach and Mario weren't married, he'd consider him so if he wished!) were going through the whole thing.

Mario at most was grunting or groaning loudly and stuff, not really screaming or anything, so from outside they couldn't hear much- which was more worrying than comforting, bc they couldn't guess what was going on.

Almost a couple of hours later, one of the nurses peaks their head out, excitedly saying that the first baby has been delivered and it was a healthy baby girl. It leads to Toadsworth being all tears while Toad excitedly (and quietly) celebrates.

Maybe he (or maybe even Luigi) had been keeping their friends updated on the matter? They have a big friend group chat or something and he's been writing the few updates he has been getting, like:

First baby's a girl!!!👶🥳🥳

And he receives a bunch of confetti emojis and crying faces and excited replies in the next few minutes, and asking for pictures (which are sent by Luigi a lot later, when Mariella had been born too, and Mario was sleeping and so were the babies).

🌟 During the birth-

The birth of each baby is extremely quick.

Doctor Toadlina gives the ok to Mario that he's free to push, but he's nervous and he quickly turns to look at Luigi, with his eyes teary and clearly very scared. His brother hugs him and is quick to reassure him that it'll all be okay bc he's right there with him (the meaning behind the words is that as long as they're together everything will be okay :''''v cries in brotherly love), and Mario smiles and nods.

Despite that, he is still feeling terribly nervous, but he's determined to do it anyways (because what other option does he have? Not give birth? He has to do it!), so he firmly grabs Peach and Luigi's hands. He takes a deep breath to brace himself- and then he exhales and takes another breath. Then he quickly looks at Peach with a pout. She smiles brightly back, full of encouragement- so he takes one last breath.

And then, he pushes with all the strength he can muster, holding and clenching Peach's and Luigi's hands firmly, not bothering to hold back (so maybe it feels like the man is trying to break their fingers, but Peach and Luigi don't say anything about that, of course-)

(pipipi kinda sad of these drawings, in the sketches they looked better and like he was really putting force into it skdjks whatevs I lost them)

After the first push, the doctor is pleased to notice that he made a lot of progress right away. And Mario's all slumped back on the pillows and trying to catch his breath, but he smiles very slightly bc he's making it despite his tiredness, woo! Peach and Luigi congratulate him quietly on his efforts, while the princess squeezes his shoulder and his brother pads at his sweaty face with his wrist. That helps too in giving him more determination to keep pushing with all he got.

The thing is that (for the sake of funny, remember) Mario is very strong and it takes one more, really strong push and the first baby pops out in the whole sense of the expression. She just shots out and Doctor Toadlina is definitely caught off guard, but she still manages to hold the baby, the thing is that she stumbles back, and she would've fallen if the assisting nurse toads hadn't hurried to help her stay upright, all caught by surprise.

She's like obviously surprised, as are Peach, Mario and Luigi (who actually took a lot of effort to push his own baby out, so he's like 'wowie bro :0'), but she quickly snaps out of it and congratulates the now officially moms for their baby girl, while the baby cries with all her little lungs' strength, looking too big in the doctor's arms.

Then she instructs the nurses to cut the umbilical cord and do all the procedures to check on the baby's health, while Peach cries because "A baby girl! that means we'll have two baby girls! Oh, Mario!" and Mario looks almost heartbroken that they had to take their baby away (he knows it's for her own wellness, but he just wants to see and hold her already), but then smiles widely at Peach's words, and at his bro's excited congratulations and hugs.

Doctor Toadlina offers Peach to hold their first born so she can bring her to Mario, but Peach is kind of scared and feels shaky from excitement, so she hurriedly tells Luigi to hold their baby instead, since he has more experience. And when he does, Luigi first holds her to Mario's face, and after making the baby kiss his cheek, he places her in Mario's arms.

When the baby is placed in his arms, Mario can't help all his tears because she's so cute! (she's actually a bit ugly, like any newborn baby is) and small (not really, she's bigger than average, especially for a twin pregnancy), and she's utterly perfect (that part's true).

Peach and Mario lean their heads together while admiring their baby (and having so many tears running down their cheeks, but they don't care).

"Oh, Mario- she's perfect," Peach barely chokes out, feeling her heart overwhelmingly full. She turns to him and kisses his head a bunch of times, while Mario smiles brightly. "You did great!"

Then Doctor Toadlina tells Mario that, given baby two's position, it'd be a while for them to be born, so he's allowed to rest and maybe take a quick nap if he wishes to. And Mario takes up on the offer right away.

He leans his head back on the pillows and, with his baby still held in his arms, he knocks out immediately. Peach lets out a surprised but amused giggle. And Luigi shakes his head in amusement too, he gently brushes Mario's hair from his forehead, and then pats his head tenderly. Mario's arms go a bit lose around the baby, but Peach and Luigi make sure he still holds her firmly, supporting his arms with their hands. While Mario naps they whisper about the baby, and how cute she is, with her little cheek squished against Mario's chest.

Peach notes all the physical features that she notices, the clearest one being her round Mario™ nose! And her brown hair, and her little dot eyes, so similar to how she knew Mario's were when he was a baby!

(Mario and Peach totally fall in love when they see their oldest baby- and fall in love again with the second- who arrives almost half and hour later.)

🌟 Once both babies are in Mario's arms, Luigi takes 23429 pictures of the three while claiming that each picture is absolutely perfect, because Mario looks happy in them (and the babies look adorably ugly- like newborns usually do), and Peach, while crying her eyes out, says how she's going to put all 23429 of them in their photo album (that so far has many pictures of Mario's pregnancy process-).

Mario's sure he looks terrible, because despite his joy he feels really exhausted, he can barely keep his eyes open enough to look at Luigi's phone while he snaps several pictures, and even though Peach ran her fingers through his hair to fix it up a bit for that moment, he knew it probably was still a mess.

It's just that everything happened so quickly and it was taking its toll on him, but at least he's very glad that both babies (baby girls! They're Mariella and Nettarina!) are in his arms already.

After everything is done, and he knows his babies are going to be well-cared for, Mario just passes out the rest of the night, and nothing wakes him up. When the babies start to get fussy because they feel hungry, Peach and Luigi take care of them, and they keep doing it for the whole rest of the afternoon and night, all while quietly speaking among themselves how cute the baby girls are and how much they look like either Mario or Peach (definitely more like Mario). Peach tears up almost each time she looks down at the babies' little faces, but it's out of her overwhelming happiness, while she whispers to herself: 'stars, they're finally here!'

At some moment, Peach hands Mariella to Luigi's arms so she can drink some water, since the baby seemed adamant about not joining her twin (and mamma) in sleeping.

"I feel very dehydrated-" she says quietly and then serves herself a glass from their coffee table. Peach makes the mistake of looking back to her brother-in-law and the little bundle of light green blankets in his arms, and she has to cover her mouth to sob again, turning to look at her glass. Oh, she was so small! And so real and there already! She hadn't felt this overwhelmingly happy since... maybe ever. And also, Peach is sure the lack of sleep has something to do with her very emotional state.

"I don't blame you, you've-a cried so much, Peach," mutters Luigi distractedly, as if he hadn't been crying a lot too, while very gently rocking one of his newborn nieces as the baby slowly blinked at him.

She had a round nose like all the Marios did (he, his bro and Magma-), and very relaxed little eyebrows, and almost a full head of reddish chestnut hair. And her little mouth was not even pouting, but Luigi couldn't help but think that she (and her sister, since they were identical) reminded him very much of when Magma was a newborn, and just placed in his arms (he also briefly remembered Mario's and Bowser's weeping when they saw her properly, and he huffed a laugh to himself).

-By the end, Peach puts only some (but still many) of the pictures in their family album, several of Mario holding the girls, either smiling or kissing them, others of her holding them, others of both new moms with their babies, and others of Luigi holding his nieces.

🌟 The next morning, Mario wakes up and the first thing he does is stretch as much as he can, realizing that he actually slept pretty well (and he was even laying on his back!). He feels a bit sore and all but less... heavy. He looks down to his body and sees his still round and swollen belly, but much less than it should be if he had two babies inside. He panics for all of a few seconds as he looks around the room, and a huge relief envelops him as he sees the two wooden bassinets that hadn't been there the day before, until the previous afternoon, when one of the nurses brought them in from the nursery to lay the babies.

He looks at the other two sleeping adults in the room, at Peach sitting in one of the armchairs in their room, with her cheek against her fist in what must be an uncomfortable position, with her crown still placed perfectly on top of her head. And to Luigi, sprawled at the foot of the bed, hatless and snoring slightly.

He smiles to himself slightly and slowly gets out of bed, wincing a bit because he still feels kind of tender from the previous day and the toll it had in his body. Mario waddles sluggishly to the bassinets and his soft smile turns bright as he looks at the little babies' faces. They're still as perfect as they were the day before, when he had them in his arms.

He looks at the oldest baby, Nettarina, wrapped in the red-pink blanket, just like he and Peach accorded that the first baby to be born would be, and then to Mariella, who's wrapped in light green. And whose little dot eyes are blinking open. Mario gets closer to her bassinet, and he leans a bit while smiling softly to her.

"Hi, baby," he whispers, holding out a hand to lightly caress her very soft cheek with a finger. Mariella just keeps blinking, with her little closed fists close to her face. She does a big yawn with her eyes tightly closed, and then she keeps looking and blinking in Mario's direction.

She was just born yesterday, and of course her vision was just terrible, but Mario still smiled at her widely as if to show her how happy he was that she was finally there. After a while the baby fell asleep, all while Mario kept looking at her.

He spent some very good minutes on his feet beside his babies, until Peach stirred awake and, upon seeing Mario standing, scrambled to her feet and with a smile asks how he's feeling-

The morning goes all nicely and stuff while both new moms (and uncle!) spend the time caring for the babies and tending to them. When it's the afternoon and Mario's feeling much better, they first let Toadsworth in -who got there early to ask for Mario's and the babies' state- and he's all weepy while looking at his grandbabies!

Maybe a few days later their friends meet their babies, as do their niblings and Daisy and all :''v

[greenerteacups]

thoughts on Ginny and Harry as a couple?

There are a lot of people who find their romance in HBP forced. I don't think it's forced so much as underwritten, and the books don't get the chemistry quite right (though the movies certainly don't, either). There's potential, but they just don't get enough actual scenes of substance (besides Harry thinking she's pretty or feeling jealous of Dean) for a lot of readers to buy that they're not only in love, but deeply enough in love to break up, get back together, and wind up married.

That's not to say I don't see the appeal. There's a very cool scene in Book 5 where Harry's doing a woe-is-me-Chosen-One act, and Ginny effortlessly puts him in his place about it by reminding him that she was possessed by Voldemort at eleven, which is a rare glimpse into her character and also a great synecdoche for their relationship — Ginny is a grounding presence who, like Ron and Hermione, isn't going to be awed by his past adventures because she knew him before they happened. In that respect, Ginny's probably one of the few women Harry could feasibly wind up with, because he only ever seems comfortable around people (let alone girls) who can see past the Chosen-One schtick and treat him like a normo (see: Ron, Hermione, the Weasleys, Luna, Hagrid). True to type, he doesn't get interested in Ginny at all until she's ditched her celebrity crush and ceased to view him as an idol, because in his heart of hearts, Harry wants to be a normal boy, and it's stressed over and over that part of what he likes about his relationship with Ginny is how normal it feels. He kind of has a horribly supercharged version the celebrity dating problem: after the Battle of Hogwarts, anyone he meets is going to know him first as Harry Potter, Chosen One, Boy Who Lived, and Actually Fucking Resurrected Messiah of the Wizarding World, which is... I mean, it's possible that there are witches out there who could get over that, but Harry's not an extroverted guy, and I'm not sure how he'd go about finding them. Ginny's the one who's been there since the beginning, doesn't need anything about him or his past explained to her, and actually likes him for who he is.

When you look at it that way, it's not surprising he married his high school girlfriend. She's one of the few people still alive who doesn't see him as a demigod.

[yuriyuruandyuraart]

Hi? Gosh how do I even start with this :'D

I know it's been ages since I've last popped up on here. I've been debating when to post this for a while, but I kept adding to my draft more and more and now it's the end of JULY omgg I felt so guilty disappearing with zero updates but then thought my birthday would be the best day to finally address this considering it'll feel less random? idk but Ive always celebrated my bday with you guys and I'd feel so bad answering your kind asks without me at least explaining why I was gone for months.

Truth be told, I was dealing with a lot of stuff irl. health issues and sudden declining grades that left me stumped and drained for months now- along with technical issues like having to replace some parts of my computer that took a while for me to find to even draw digitally, which I didn't have the time for anyway with how tired and weary I felt every day.

I'm frankly shaken up by a lot of shit rn and I don't know how to be active online with this burden on my chest- Especially as it's been a while since I've even looked at utmv related content and my motivation dwindled. I swear I'd hype myself up to post or reblog something- but I'd see just how much I've missed or the overwhelming amount of posts I'd need to go through and I'd feel so swamped with exhaustion and most importantly guilt, for not clearing the air up sooner to reassure you guys that I'm, y'know, alive, and not dead in a ditch somewhere. And I'd procrastinate cause typing it all out is hard and I'd give up halfway every time and it's just not fair to you all!

I thought I was handling it well when I started going out and socializing more, instead of staying cooped up at home on my computer all day. and in the first draft of this post I made months ago I was gonna detail some of the fun plans I had, for my life and for this blog :D but relaxing my strict study schedule and letting go a bit of my tight routine, thinking it was better than wringing myself dry to keep it up, backfired horribly, to say the least.

I know right?? so silly to be hung up on stupid shit like studies of all things! but this is a very important thing for me considering my career plans and the competitivity encouraged by everyone I'm surrounded by, the pressure of keeping up adding to my already stressful days. I had to fix myself up first and I couldn't handle the strain nor interact with people and thinking of jobs and exams sapped my energy so much it's frankly embarrassing. writing this feels so cheesy too and it frustrates me to know I could've come back a month earlier if it weren't for that, but I also know putting all of this into words then would just sound like incoherent venting (not that this is very different tbf) and I wasn't in the right headspace to address my absence, or anything really- I didn't want everyone to see me return when I couldn't muster up a genuinely positive message, let alone talk to anyone with a shadow of my usual cheer

I feel like a complete mess and It drives me up the wall how depressed I've gotten. I debated deleting this blog so many times 'cause the fear of disappointing my audience and my friends, for lack of a more fitting sentiment, made me feel even shittier. I'm constantly thinking if this wall of text is worth posting, or if it's better not to burden you all with all my sappy troubles as if it's the end of the world. Trust me, I'll be fine. I'm not trying to dramatize this situation, but I don't think I'm up to pretending I'm all sunshine and enthusiasm you're all accustomed to.

So sorry for worrying you all! I'll try to catch up, deliver some missed birthday gifts, and answer some asks while I'm at it! Again, I can't state how much I appreciate your support throughout the years. It's frankly a miracle I kept any of you around with how much I keep popping and leaving at random with no warning. I definitely can't promise for my stay to be without a hitch, and if you don't mind an inconsistent schedule you're free to stay of course, but I'm afraid I can't sustain the pace I had when I first started this blog. I'll keep posting art, but lower my activity in the fandom sphere to reduce the strain on my mental health. so fewer rants and walls of text, more art, and less stress overall. Love you all and thanks for waiting for this long <3

[demigod-of-the-agni]

Spider-Man India, but... where from India?

A SUPER long post featuring talks of: cultural identity, characterisation, the caste system, and what makes Spider-Man Spider-Man.

I’m prefacing this by saying that I am a second-generation immigrant. I was born in Australia, but my cultural background is from South India. My experiences with what it means to be “Indian” is going to be very different from the experiences of those who are born and brought up in India.

If you, reader, want to add anything, please reblog and add your thoughts. This is meant to be a post open for discussion — the more interaction we get, the better we become aware of these nuances.

So I made this poll asking folks to pick a region of India where I would draw Pavitr Prabhakar in their cultural wear. This idea had been on my mind for a long while now, as I had been inspired by Annie Hazarika’s Northeastern Spidey artwork in the wake of ATSV’s release, but never got the time to actually do it until now. I wanted to get a little interactive and made the poll so I could have people choose which of the different regions — North, Northeast, Central, East, West, South — to do first.

The outcome was not what I expected. As you can see, out of 83 votes:

THE RESULTS

South India takes up almost half of all votes (44.6%), followed by Northeast and Central (both 14.5%) and then East (13.3%). In all my life growing up, support towards or even just the awareness of South India was pretty low. Despite this being a very contained poll, why would nearly half of all voters pick South India in favour of other popular choices like Central or North India?

Then I thought about the layout of the poll: Title, Options, Context.

Title: "Tell us who you want to see…"

Options: North, Northeast, Central, East, West, South

Context: I want to make art of the boy again

At first I thought: ah geez. this is my fault. I didn't make the poll clear enough. do they think I want them to figure out where Pavitr came from? That's not what I wanted, maybe I should have added the context before the options.

Then I thought: ah geez. is it my fault for people not reading the entire damn thing before clicking a button? That's pretty stupid.

But regardless, the thought did prompt a line of thinking I know many of us desi folk have been considering since Spider-Man India was first conceived — or, at least, since the announcement that he was going to appear in ATSV. Hell, even I thought of it:

Where did Spider-Man India come from?

FROM A CULTURALLY DIVERSE INDIA

As we know, India is so culturally diverse, and no doubt ATSV creators had to take that into account. Because the ORIGINAL Spider-Man India came from Mumbai — most likely because Mumbai and Manhattan both started with the same letter.

But going beyond that, it’s also because Mumbai is one of the most recognisable cities in India - it’s also known as Bombay. It’s where Bollywood films are shot. It’s where superstar Hindi actors and actresses show up. Mumbai is synonymous with India in that regard, because the easiest way Western countries can interact with Indian culture is through BOLLYWOOD, through HINDI FILMS, through MUMBAI. Suddenly, India is Mumbai, India is a Hindi-only country, India is just this isolated thing we see through an infinitely narrow lens.

We’ve gotten a little better in recent years, but boy I will tell you how uncomfortable I’ve gotten when people (yes, even desi people) come up to me and tell me, Oh, you’re Indian right? Can you speak Hindi? Why don’t you speak Hindi? You’re not Indian if you don’t speak Hindi, that’s India’s national language!

I have been — still am — so afraid of telling people that I don’t speak Hindi, that I’m Tamil, that I don’t care that Hindi is India’s “national” language (it’s an administrative language, Kavin, get your fucking facts right). It’s weird, it’s isolating, and it has made me feel like I wasn’t “Indian” enough to be accepted into the group of “Indian” people.

So I am thankful that ATSV went out of their way to integrate as much variety of Indian culture into the Mumbattan sequence. Maybe that way, the younger generation of desi folk won’t feel so isolated, and that younger Western people will be more open to learning about all these cultural differences within such a vast country.

BUT WHAT DOES THIS HAVE TO DO WITH SPIDER-MAN INDIA?

Everything, actually. There’s a thing called supremacy. You might have heard of it. We all engaged with it at some point, and if you are Indian, no matter where you live, it is inescapable.

It happens the moment you are born — who your family is, where you are born, the language you speak, the colour of your skin; these will be bound to you for life, and it is nigh impossible to break down the stereotypes associated with them.

Certain ethnic groups will be more favourable than others (Centrals, and thus their cultures, will always be favoured over than Souths, as an example) and the same can be said for social groups (Brahmins are more likely to secure influential roles in politics or other areas like priesthood, while the lowers castes, especially Dalits, aren’t even given the decency of respect). Don’t even get me started on colourism, where obviously those of fairer skin will win the lottery while those of darker skin aren’t given the time of day. It’s even worse when morality ties into it — “lighter skinned Indians, like Brahmins, embody good qualities like justice and wisdom”, “dark skinned Indians are cunning and poor, they are untrustworthy”. It’s fucking nuts.

This means, of course, you have a billion people trying to make themselves heard in a system that tries to crush everyone who is not privileged. It only makes sense that people want to elevate themselves and break free from a society that refuses to acknowledge them. These frustrations manifest outwardly, like in protests, but other times — most times — it goes unheard, quietly shaping your way of life, your way of thinking. It becomes a fundamental part of you, and it can go unacknowledged for generations.

So when you have a character like Pavitr Prabhakar enter the scene, people immediately latch onto him and start asking questions many Western audiences don’t even consider. Who is he? What food does he eat? What does he do on Fridays? What’s his family like, his community? All these questions pop up, because, amidst all this turmoil going on in the background, you want a mainstream popular character to be like you, who knows your way of life so intimately, that he may as well be a part of your community.

BUT THAT'S THE THING — HE'S FICTIONAL

I am guilty of this. In fact, I’ve flaunted in numerous posts how I think he’s the perfect Tamil boy, how he dances bharatanatyam, how he does all these Tamil things that no one will understand except myself. All these niche things that only I, and maybe a few others, will understand.

I’ve seen other people do it, too. I’ve seen people geek out over his dark brown skin, his kalari dhoti, how he fights so effortlessly in the kalaripayattu martial arts style. I��ve seen people write him as Malayali, as Hindi, as every kind of Indian person imaginable.

I’ve also seen him be written where he’s subjected to typical Indian and broader Asian stereotypes. You know the ones I’m so fond of calling out. The thing is, I’ve seen so much of Pavitr being presented in so many different ways, and I worry how the rest of the desi folk will take it. 

You finally have a character who could be you, but now he’s someone else’s plaything. Your entire life is shaped by what you can and can’t do simply because you were born to an Indian family, and here’s the one person who could represent you now at the mercy of someone else’s whims. He’s off living a life that is so distant from yours, you can hardly recognise him.

It shouldn’t hurt as much as it does, yeah? But, again, you’re looking at it from that infinitely narrow lens Westerners use to look at India from Bollywood.

AND PAVITR PRABHAKAR DOESN'T LIVE IN INDIA

He lives in Mumbattan. He lives in a made-up, fictional world that doesn’t follow the way of life of our world. He lives in a city where Mumbai and Manhattan got fucking squashed together. There are so many memes about colonialism right there. Mumbattan isn’t real! Spider-Man India isn’t real!! He’s just a dude!! The logic of our world doesn’t apply to him!!!

“But his surname originates from ______” okay but does that matter?

“But he’s wearing a kalari dhoti so surely he’s ______” okay but does that matter?

“But his skin colour is darker so he must be ______” okay but does that matter?

“But he lives in Mumbai so he must be ______” okay but does that matter?

I sound insensitive and brash and annoying and it looks like I’m yapping just for the sake of riling you up, so direct that little burst of anger you got there at me, and keep reading.

Listen. I’m going to ask you a question that I’ve asked myself a million times over. I want you to answer honestly. I want you to ask this question to yourself and answer honestly:

Are you trying to convince me on who Pavitr Prabhakar should be?

... but why shouldn't i?

I’ll tell you this again — I did the same thing. You’re not at fault for this, but I want you to just...have a little think over. Just a little moment of self-reflection, to think about why you are so intent on boxing this guy.

It took me a while to reorganise my thinking and how to best approach a character like Pavitr, so I will give you all the time you need as well as a little springboard to focus your thoughts on.

SPIDER-MAN (INDIA) IS JUST A MASK

“What I like about the costume is that anybody reading Spider-Man in any part of the world can imagine that they themselves are under the costume. And that’s a good thing.”

Stan Lee said that. Remember how he was so intent on making sure that everybody got the idea that Spider-Man as an entity is fundamentally broken without Peter Parker there to put on the suit and save the day? That ultimately it was the person beneath the mask, no matter who they were, that mattered most?

Spider-Man India is no less different. You can argue with me that Peter Parker!Spidey is supposed to represent working class struggles in the face of leering corporate entities who endanger the regular folk like us, and so Pavitr Prabhakar should also function the same way. Pavitr should also be a working class guy of this specific social standing fighting people of this other social standing.

But that takes away the authenticity of Spider-Man India. Looking at him through the Peter Parker lens forces you to look at him through the Western lens, and it significantly lessens what you can do with the character — suddenly, it’s a fight to be heard, to be seen, to be recognised. It’s yelling over each other that Pavitr Prabhakar is this ethnicity, is that caste, this or that, this or that, this or that.

There’s a reason why he’s called Spider-Man India, infuriatingly vague as it is. And that’s the point — the vagueness of his identity fulfils Lee’s purpose for a character that could theoretically be embodied by anyone. If he had been called “Spider-Man Mumbai”, you cut out a majority of the population (and in capitalist terms, you cut out a good chunk of the market).

And in the case of Spider-Man India? Whew — you’ve got about a billion people imagining a billion different versions of him.

Whoever you are, whatever you see in Pavitr, that is what is personal to you, and there is nothing wrong with that, and I will not fault you for it. I will not fault you for saying Pavitr is from Central due to the origins of his last name. I also will not fault you for saying Pavitr is from South due to him practising kalaripayattu. I also will not fault you for saying he is not Hindu. I also will not fault you for saying he is a particular ethnicity without any proof.

What I will fault you for is trying to convince me and the others around you that Pavitr Prabhakar should be this particular ethnicity/have this cultural background because of some specific reason. I literally don’t care and it is fundamentally going against his character, going against the “anyone can wear the mask” sentiment of Spider-Man. By doing this, you are strengthening the walls that first divided us. You’re feeding the stratification and segmentation of our cultures — something that is actually not present in the fictional world of Mumbattan.

Like I said before: Mumbattan isn’t real, so the divides between ethnicities and cultural backgrounds are practically nonexistent. The best thing is that it is visually there for all to see. My favourite piece of evidence is this:

It’s a marquee for a cinema in the Mumbattan sequence, in the “Quick tour: this is where the traffic is” section. It has four titles; the first two are written in Hindi. The third title is written in Bengali*, and the fourth title is written in Tamil. You go to Mumbai and you won’t see a single shred of Bengali nor Tamil there, much less any other language that's not common in Maharashtra (Western India). Seeing this for the first time, you know what went through my head?

Wow, the numerous cultures of India are so intermingled here in Mumbattan! Everyone and everything is welcome!

I was happy, not just because of Tamil representation, but because of the fact that the plethora of Indian cultures are showcased coexisting in such a short sequence. This is India embracing all the little parts that make up its grander identity. This scene literally opened my eyes seeing such beauty in all the diverse cultures thriving together. In a place where language and cultural backgrounds blend so easily, each one complementing one another.

It is so easy to believe that, from this colourful palette of a setting, Pavitr Prabhakar truly is Spider-Man India, no matter where he comes from.

It’s easy to believe that Pavitr can come from any part of India, and I won’t call you out if the origin you have for him is different from the origin I have. You don’t need to stake out territory and stand your ground — you’re entitled to that opinion, and I respect it. In fact, I encourage it!!!

Because there’s only so much you can show in a ten minute segment of a film about a country that has such a vast history and even greater number of cultures. I want to see all of it — I want him to be a Malayali boy, a Hindi boy, a Bengali boy, a Telugu boy, an Urdu boy, whatever!! I want you to write him or draw him immersed in your culture, so that I can see the beauty of your background, the wonderful little things that make your culture unique and different from mine!

And, as many friends have said, it’s so common for Indian folks to be migrating around within our own country. A person with a Maharashtrian surname might end up living in Punjab, and no one really minds that. I’m actually from Karnataka, my family speaks Kannada, but somewhere down the line my ancestors moved to Tamil Nadu and settled down and lived very fulfilling lives. So I don’t actually have the “pure Tamil” upbringing, contrary to popular belief; I’ve gotten a mix of both Kannada and Tamil lifestyles, and it’s made my life that much richer. 

So it’s common for people to “not” look like their surname, if that’s what you’re really afraid about. In fact, it just adds to that layer of nuance, that even despite these rigid identities between ethnicities we as Indian people still intermingle with one another, bringing slivers of our cultures to share with others. Pavitr could just as well have been born in one state and moved around the country, and he happens to live in Mumbattan now. It’s entirely possible and there’s nothing to disprove that.

We don’t need to clamber over one another declaring that only one ethnicity is the “right” ethnicity, because, again, you will be looking at Pavitr and the rest of India in that narrow Western lens — a country with such rich cultural variety reduced to a homogenous restrictive way of life.

THE POLL: REINTERPRETED

This whole thing started because I was wondering why my little poll was so skewed — I thought people assumed I was asking them where he came from, then paired his physical appearance with the most logical options available. I thought it was my fault, that I had somehow influenced this outcome without knowing.

Truth is, I will never really know. But I will be thankful for it, because it gave me the opportunity to finally broach this topic, something that many of us desi folk are hesitant to talk about. I hope you have learned something from this, whether you are desi or a casual Spider-Man fan or someone who just so happened to stumble upon this. 

So just…be a little more open. Recognise that India, like many many countries and nations, is made up of a plethora of smaller cultures. And remember, if you’re trying to convince Pavitr that he’s a particular ethnicity, he’s going to wave his hand at you and say, “Ha, me? No, I’m one of the people that live here in the best Indian city! I’m Spider-Man India, dost!”

(Regardless, he still considers you a friend, because to him, the people matter more to him than you trying to box him into something he’s not.)

*Note: thank you dear anon for letting me know that the third title was Bengali, twas my mistake for literally completely forgetting

[necrotic-nephilim]

I started in DC by reading fanfics, but as I began to read actual comics, I started to be unable to read the actual fanfic that got me into it in the first place because it's so out of character.

But there are still some stories that I love to read because I love the found family trope so much, even if it isn't really accurate to the source material.

As a comics purist (sometimes), are there tropes that you like enough that you'll still enjoy a fic even if it's not accurate to canon?

oh my god this is SUCH a fun question. bc while i started with the comics, there were certain characters and/or character dynamics where i was exposed to the fanon before the canon (just bc it's hard to read everything when you start out just to read some fanfic) and so i've definitely experienced the fanon to canon transition. (*especially* with Jason Todd. i had only read 80s/90s stuff where he was already dead or the New-52 bc that was on-going when i got into comics and man. the fanon misunderstandings i had about him before i got frustrated and sat down to read all his pre-Flashpoint stuff were absolutely bonkers.) and aside from that, whilst i tend to prefer canon over fanon, i'm not past giving fanon its flowers for occasionally having really interesting insights. occasionally. so some of my fanon "guilty pleasure" tropes would probably be

Morally Grey Tim Drake - this is one where if you try to back it up with canon, i *will* get salty about it. of everyone in the Batfam aside from maybe Bruce and Cass, Tim has the *most* black and white morals. often his internal conflicts are routed in such an inability to compromise his moral views and it can cause him to clash with other characters. he's *very* stiff and rigid in his beliefs and is *rare* to compromise in even the smallest ways. i mean, DC has repeatedly used Tim Drake of Tomorrow/Savior/Gun Batman!Tim for a reason. it's to demonstrate that of everyone, Tim *cannot* have his morals compromised. there's no grey area for him. he's zero or a hundred, so if he tips over the edge of "too far" he tips *all the way*, and doing so is one of his worst fears, how he could go "too far" if he let himself. a couple panels out of context from Red Robin (2009) (which was a grief spiral for Tim to begin with) don't change that. now that said. if it's done *right*, i sort of love Tim being morally grey in fanfic. it takes a specific flavor for me, and it's incredibly important to include that mental spiral along with it, of him struggling to justify it. i don't have any interest in "Tim Drake is loosy goosy with Bruce's morals and has the highest kill count and no one knows teehee" bc it doesn't play with the interesting parts of making Tim morally grey, which are fracturing his psyche. but all in all, i think it's fun to put Tim in a morally grey area and i will read it in fanfic and i enjoy writing it a lot

Joker Junior!Tim Drake - i've not written it on this account (yet) but on my main ao3 account one of my biggest fics surrounds this concept. this is one of those "well *technically* it's canon but only in a specific very divorced from the comics universe and would not work at all in the main timeline" so, i categorize it as fanon in that 95% of fics exploring the concept are not doing so within the Batman Beyond universe, but the main timeline. i just love it. I'll take any excuse to whump Tim, but this concept is so fun. psychologically breaking Tim will always be my favorite pastime. there are so many ways to explore the long-term effects this could have on him, how it could affect the Batfam. i'm not a fan of it being used as a "gotcha" to Jason or Babs' trauma with the Joker to paint Tim as the Ultimate Victim, but it is fun to see how their relationships would be affected by being mutual victims of him. (i have a vague JayTim idea where TIm fully retires from being Robin after being Joker Junior and killing the Joker, making Steph Robin for most of his typical Robin era and Jason still tracks him down out of curiosity bc he wants to know what happened and all. very underbaked but i've got thoughts.)

Renegade/Apprentice of Slade!Dick Grayson - this is another one where yes, this happened *sort of* in canon, but i highly doubt most people writing Renegate!Dick have read or are actually pulling from Nightwing: Renegade. it's just an exploration fo the concept fo Dick being Slade's apprentice and i will always eat it up in any capacity. whether Dick grows up with Slade from a young age, or chooses Slade for whatever reason later in life. it's not anything that works in canon bc it compromises Dick morally (similar to the above with Tim) and therefore will always come across incredibly fanon in most fics. but i can't say i don't enjoy it. it's fun to make Dick a little morally fucked up and see what you can make him under Slade's tutelage.

Jason & Damian Meeting in the League -there's no world where i believe this could work in the canon comics. (maybe in the Young Justice cartoon i suppose, but even then i think it's iffy) i would go as far to say it's wildly unrealistic. i don't see a world where Ra's would let Jason anywhere *near* Damian, bc Jason was Talia's pet project that he didn't approve of. that all said, there's something very interesting about how they *could've* met and them potentially bonding during that timeframe. them being somewhat brotherly during this time because Jason sees Bruce in Damian and sort of latches onto the kid and Damian is full of wonder hearing real stories about Batman and Robin, then that getting violently ripped away by Jason leaving the League is fun to me. it's fun how that could affect them within the Batfam and all. it's super fanon to me, but i do not care. i will eat it up

Bad Dad Clark Kent/Good Dad Lex Luthor - i will admit as a late, i've been less and less kind to this particular fanon bc of everything i've argued with people about, *this* one seems the most pervasive as misunderstood fanon. i don't mind when fanon exists, my gripe is when ppl try to claim it's canon. and the *arguments* i've had over this with people who can never seem to cite an actual comic are... frustrating. but that said, i think there is something fun to this strictly in fanon. the duality of who you expect to accept Kon and who you expect to hurt him being flipped is just sort of fun for the occasional guilty pleasure fic. it can make Kon's internal conflict a bit more interesting. the same goes for the Jon favoritism from Clark, it's not a canon thing (and i rlly wish ppl understood how complicated the timeline of Kon and Jon is and any distance from Clark toward Kon isn't malice, it's that Kon is from a timeline that Clark does not remember in the current canon so Clark just straight up doesn't know the poor kid.) but it's sort of fun to give Kon that complex of being overlooked and forgotten sometimes. making Kon just a *bit* more Luthor than Kent will *always* appeal to me in fanfic, especially if he *knows* it's wrong but craves approval from anyone who will give it.

Good Dad Bruce Wayne - i'll die on the hill Bruce is canonically a shitty father. maybe not to the extreme some people write him as, but he's not great at it. that said, i enjoy it in fanfiction. sometimes, i just want silly fluff or hurt/comfort where Bruce finally gets it right and manages to comfort whatever Batkid is in the fic. one of my favorite fics of all time is hinged on Bruce being a good dad, so i think it's just fun to explore how good the relationships *could* be, if Bruce was slightly less of an asshole. i usually prefer him as an asshole, but there are times i want low stakes nonsense.

Gotham Rogues Having Soft Spots for Robin(s) - just about every Rogue in Gotham has done something absolutely irredeemable, and most of them don't like or care about anyone in the Batfamily. but if there's a fic where one of the Robins inexplicably is sort of close with a Rogue and they have a cute silly relationship out of it? I'll eat it up i fear. Steph and the Riddler are besties? I'll believe it. Tim and Scarecrow get along pretty well? give me ten of these. Rogues protecting Robins just hits a spot. the unexpected nature of the relationship, as well as the fact they see each other regularly, can make a lot of good fodder.