#this is not meta but it’s also equally important

[iridescentmirrorsgenshin]

masterpost of alhaitham being endeared by kaveh because im so tired of this behaviour

the 1 second kaveh is in the archon quest

the two times alhaitham indirectly mentions him in the archon quest (isn’t it something to be totally normal about that alhaitham is the only character to mention or hint to kaveh and yet alhaitham asks kaveh where he was when SUMERU needed him the most okay)

it is embarrassing you got caught musing aloud about your missing roommate, he’s verbally scribbling hearts and initials in the corners of his notebooks

kaveh returning home being linked to alhaitham’s happiness? It’s extremely likely because it happened, this is a thing that exists and we have to live with it

[anghraine]

Speaking of the social context of P&P and Austen in general, and also just literature of that era, I'm always interested in how things like precisely formulated hierarchies of precedence and tables of ranked social classes interact with the more complex and nuanced details of class-based status and consequence on a pragmatic day-to-day level. I remembered reading a social historian discussing the pragmatics of class wrt eighteenth-century English life many years ago and finally tracked down the source:

"In spite of the number of people who got their living from manufacture or trade, fundamentally it was a society in which the ownership of land alone conveyed social prestige and full political rights. ... The apex of this society was the nobility. In the eyes of the Law only members of the House of Lords, the peerage in the strictest use of the word, were a class apart, enjoying special privileges and composing one of the estates of the realm. Their families were commoners: even the eldest sons of peers could sit in the House of Commons. It was therefore in the social rather than in the legal sense of the word that English society was a class society. Before the law all English people except the peers were in theory equal. Legal concept and social practice were, however, very different. When men spoke of the nobility, they meant the sons and daughters, the brothers and sisters, the uncles and aunts and cousins of the peers. They were an extremely influential and wealthy group.

"The peers and their near relations almost monopolized high political office. From these great families came the wealthiest Church dignitaries, the higher ranks in the army and navy. Many of them found a career in law; some even did not disdain the money to be made in trade. What gave this class its particular importance in the political life of the day was the way in which it was organized on a basis of family and connection ... in eighteenth-century politics men rarely acted as isolated individuals. A man came into Parliament supported by his friends and relations who expected, in return for this support, that he would further their interests to the extent of his parliamentary influence.

"Next in both political and social importance came the gentry. Again it is not easy to define exactly who were covered by this term. The Law knew nothing of gentle birth but Society recognized it. Like the nobility this group too was as a class closely connected with land. Indeed, the border line between the two classes is at times almost impossible to define ... Often these men are described as the squirearchy, this term being used to cover the major landowning families in every county who were not connected by birth with the aristocracy. Between them and the local nobility there was often considerable jealousy. The country gentleman considered himself well qualified to manage the affairs of his county without aristocratic interference.

"...The next great layer in society is perhaps best described the contemporary term 'the Middling Sort'. As with all eighteenth-century groups it is difficult to draw a clear line of demarcation between them and their social superiors and inferiors. No economic line is possible, for a man with no pretensions to gentility might well be more prosperous than many a small squire. There was even on the fringe between the two classes some overlapping of activities ... The ambitious upstart who bought an estate and spent his income as a gentleman, might be either cold-shouldered by his better-born neighbours or treated by them with a certain contemptuous politeness. If however his daughters were presentable and well dowered, and if his sons received the education considered suitable for gentlemen, the next generation would see the obliteration of whatever distinction still remained. The solid mass of the middling sort had however no such aspirations, or considered them beyond their reach.

"...This term [the poor] was widely used to designate the great mass of the manual workers. Within their ranks differences of income and of outlook were as varied as those that characterized the middle class. Once again the line of demarcation is hard to draw..."

—Dorothy Marshall, Eighteenth Century England (29-34)

(There's plenty more interesting information in the full chapter, especially regarding "the poor," and the chapter itself is contracted from a lengthier version published earlier.)

[aletterinthenameofsanity]

This might be the smallest of nitpicks i had with Moffat's era, but my mom is a nurse and I was constantly irritated by the implications that being a nurse was less than being a doctor. Nurses do twice the physical work for half the money/praise. They have to have a good bedside manner and should have a certain kindness to them that a Doctor doesn't necessarily have to have.

There was an angle that could have been played in the actual show if the writers were interested in Rory as a character rather than a prop. We got it occasionally like in the doctor's wife with Rory asking how the doctor just moves on from death/closes Idris' eyes, but most of the time it was just played as him being a lesser version of the doctor which irritates me because there is something gendered about the concept of nursing being lesser even though nursing is not a women only field (my uncle is also a nurse).

And I know that Moffat/the writers thought exactly on those lines, like nursing somehow emasculated Rory instead of being a strength, and it would have been SO EASY to make his skill useful (which I think is why I liked the handling of Rory being a nurse the most in 7a which is ironic because I mostly hate 7a but he got to help heal both when it came to his father and in the hospital). There could have been something INTERESTING in the concept of Rory as a caretaker, Rory as the one who heals hands-on, Rory finding a purpose. This TARDIS team could have been equals, but because Rory was only ever a stand-in for the “right sort of man” for the writers, he was never going to be fully-fleshed out & never a true equal to 11amy.

[somewherefornow]

GREEN LANTERN 2021 ANNUAL + MENTIONS OF SIMON

[untamedmetablogiguess]

One of the wooorst things about the Lan, I think, is that they don't differentiate at all between "rules that are there to make society function smoothly and pleasantly, and so breaking them is rude" and "rules that are there because following them is a moral imperative, and so breaking them is evil."

so we end up with a bunch of people who think being loud and obnoxious and undisciplined is equally bad as being violent or bloodthirsty - and, conversely, that opens you up to being vulnerable to people arguing that being violent is probably only as bad as being obnoxious and loud.

also, they apparently believe that "following the rules" is, in itself, a morally virtuous act, regardless of what the rule is, whether it's a "manners" rule or an "ethics" rule.

[commsroom]

Happy belated birthday! Just wanted to hop in again saying I love your posts about Wolf 359. They’re all so good.

I’m on a relisten again and am at the end of season 3. And I’m thinking about how fascinating it is that Hera remembered the Thanksgiving with her at the table physically. And in a post if yours I read recently or you posted recently you talked about Hera getting a human body and I think that scene kinda hints at maybe wanting to be physically there? Idk.

If you’re up for it you can share your thoughts on this. I just wanted to wish you a happy birthday and leave you with some of my Wolf 359 thoughts.

Sending you good vibes over the internet.

thank you; you're always so sweet!! 💙

we're absolutely on the same wavelength here, too!! that scene in particular is a big reason why i feel like hera would want a body - what it says about her self-perception, sense of physicality (even without experience to contextualize it), and... as a result, that she experiences physical loneliness. and, notably, that all of those things are subconscious framing in what she misremembers. i've posted about that scene before here, and in my... way too long essay about hera here, which i'll try to paraphrase a bit. and in other places, too, probably! i think about it a lot.

so: i think there's a big difference between existing differently (which can be isolating in itself, but... through lack of understanding) and feeling like she's always being kept away from the others - somewhere else, physically. she clearly conceptualizes herself in that space as within the hephaestus, separate from it and the systems she runs, the same as everyone else. that's the difference between "other people need to change their attitudes" and... well, other people still need to change their attitudes, but there is also something fundamental about her circumstances that she's unhappy with and needs to change.

(and, obviously, like... because you know i see hera as a trans woman, i think some of the parallels you could make to medical transition are pretty clear in that framing, too.)

minkowski says “you weren’t here with us [...] we were over here, and you were over there” but minkowski would never actually say that - from her perspective, hera was as there with them as she's ever been. but if hera doesn't feel that way - if - like the sound design suggests - she's always hearing their voices the way they hear hers... if she's always felt that she's somewhere else... then it's hard for me to imagine there's a way to resolve that without giving her the autonomy to physically interact with the others, to be seen the way she sees herself - and that's something i think is really highlighted in the finale, too.

[welcometogrouchland]

Lesbian Stephanie Brown...oh you're so real to me

[opbackgrounds]

Out of curiosity what would you do with Kid? I know you said he’s similar to Luffy, but Blackbeard is his main foil

Well, firstly, Luffy has a lot of foils. I wrote a long meta on my main about it, but it’s one of Oda’s favorite things to do with important characters, especially villains, and different characters will highlight different parts of Luffy’s character or personality. So yeah, Blackbeard is one of Luffy’s foils, but so are Doffy and Kaido and Arlong and Krieg and Big Mom and a bunch of others. It’s a staple of Oda’s writing, some more obvious than others.

But since you asked, I think Kidd could benefit from featuring in a mini arc before Wano. One of my big criticisms of Wano is that it’s too long and has too many characters, and I think if you whack about 6 months off the arc and send some of the Supernovas and dinosaur minions to a precursor arc you could alleviate a lot of those problems. Kind of how Little Garden mops up several of the Baroque Works agents. Like, in all seriousness, what did Apoo accomplish on Wano? Why not have him and Hawkins, and maybe a dinosaur minion be the overseers of some minor Kaido colony or something. You can get in, beat them up, then head into Wano with a more streamlined villain roster.

As for Kidd himself, I think the most compelling contrast to Luffy that we haven’t seen in other characters is his impulsive brutality mixed with him also dreaming of the One Piece. Luffy at one point was equally hot headed, if less violent, but he learned from characters like Vivi and Iceburg how to be a more effective leader. Kidd either hasn’t had that, or has refused to listen to the people who tried to teach him, and that’s ultimately what causes his undoing against Shanks. It wouldn’t have to be all that different from the manga, but having his backstory and personality more fleshed out would go a long way in having his last scene feel more tragic and less ridiculous.

[wandixx]

Ghost of fries and hero of cookies part 6

All work words count: 14 643

Words in this part: 2 686

Summary of whole work: Duke wasn't expecting to wake up from his quick rooftop nap to some meta kid with fries. He also wasn't expecting kid to stay

Or

Danny asked Dani to stay safe while she was in Gotham. Where would she be safer than under the wing of local hero? And he looked like he needed bad day combo anyway

This part summary: Batman wants an explanation. His kids however, wouldn't be themselves if they did add some chaos

Beta read by @audhumla-sailor though English is second language for both of us, so proceed with this in mind. I also know all of the charaters through fics alone, so probably ooc. Stay catious if it's something you don't like

First part, Previous part

“Signal.”

Duke bit back a sigh as his last hope to leave Cave undiscovered disappeared. He shot Steph message of:

Having The Talk. Come as moral support

and turned around to face Bruce.

“Yes?”

B grunted in disapproving and ‘Signal report’ way but Duke decided to buy some time and answer only questions that were actually asked. He slowly sat at the briefing table and looked at the man expectantly.

Lift chimed and moments later Tim and Cass went to Batcomputer and training mats respectively. Duke was, like, 80% sure they were there to eavesdrop. He knew them well enough. He knew them well enough.

“The girl”

“Izzy?” Was Duke annoying on purpose? Yes. He really didn’t want to have this talk. Like, at all. Psychological warfare it was “I mean, I know she is civilian and you don’t approve but at least she isn’t doing anything illegal, right? Like, you know, robbing museums or killing people?”

Bruce looked repulsed and Tim snorted.

“Low blow Narrows, low blow” Jason announced through speakers. He was slightly winded as if he just finished a fight “Good job kid”

“So you’re listening too, great” Duke muttered under his breath before louder he added “Is everyone who wants in on a show, here already?”

“Give me a sec- here Dick you’re going live now”

“Thanks Babs, you’re the best”

“I know. Donuts, you know which one”

“Of course. Glad we’re finally going to talk about Duke’s kid”

“Shut up, she is not my kid!”

“Steph ETA 2 minutes” Cass interrupted.

At least Damian didn’t show up- as if summoned by this thought Damian stomped down the stares, Alfred the Cat curled in his arms. Maybe others had a point, calling him Demon kid and stuff.

“What is an emergency?” he demanded and Duke decided to take what little relief he could from the fact that Bruce seemed equally defeated by sheer number of people around for this talk. 

“It seems like… oh, literally everyone lost an adoption bet” Babs explained. Huh, so Steph didn’t change her stance.

Damian looked genuinely terrified as he muttered “No” eyes darting between everyone present in silent calculation.

“Oh, shut up” Duke whined knowing all too well his stalling had to come to the end. Maybe it was wishful thinking but he almost heard roar of engine of Steph’s motorcycle. Her presence would be double edged sword but she would help him advocate for Dani and that was more important.

“Thomas, what have you done?!” if it was anyone other than Damian, Duke would call sound he made a whine. As it was, he preferred his entrails to stay inside and since the boy showed up, called by thought, the older boy preferred not to take risks.

“Nothing, Babs is overreacting”

“Don’t deny it. She went about it kinda Tim Lite style but it worked”

“I don’t even know her surname, where she stays or really, anything about her life outside of our patrols, how do you expect me to go about adoption?!”

“B knew even less about me when he decided, yes this tire thief is my new son!” Jason chimed in and Duke knew he was grinning despite voice modulator.

“What from my origin story was lost to make Lite version?”

“Identities weren't breached as far as we're aware. Just ‘came one day and refuses to leave’ part and some light stalking. She was smart about it, invisible, keeping out of sight and to the hot spots. Wouldn't find her if I didn't know she was there”

“She could still just not tell, I mean I knew for years before telling anyone…”

“There is no way. Believe me, she has no brain-mouth filter, I swear”

“But-”

“She introduced herself by her first name,” Duke deadpanned ”She told me civilian names of heroes from her hometown, in context that didn't require me to do any actual research to clue me. I did anyway. I don't think she even realized she did it. If she knew our identities we would know already”

There was a moment of silence as everyone digested the thought of just how gigantic breach Dani accidentally caused.

“Well, it's as good of a proof as we can get for now,” Babs bristled. 

“Who let her in on such secrets then?!” Damian sounded genuinely appalled and Duke wasn't too surprised.

Like on a cue, Steph stormed inside on her Spoiler in civies. Bruce looked about ready to get aneurysm. Duke was a bit glad that everyone was doing such good job in distraction department.

“IT’S OKAY, WHY? BECAUSE I AM HERE!” Steph yelled, jumping from before her vehicle fully stopped. She threw something small in general direction of Batcomputer “Timmy plug it in, I made a PowerPoint!”

Duke felt blood leave his face. He wasn't sure if he wanted to know what Steph put together but he probably didn't. Tim opened it anyways.

WHY HOOPOE IS ADORABLE&CHAOTIC BEAN AND SHOULD BE PART OF THE TEAM

The title slide said, one of the clearest photos of Dani from before she started wearing mask in the background. It was close-up of girl smiling, bits of brownie on her cheeks.

“Was this photo taken with a goddamn calculator?” Tim asked with disgust so clear Duke could taste it. Metaphorically of course.

“Nah, just body-cam. Her powers mess with technology a bit”

Tim still looked displeased at the craftsmanship.

“Don't worry, it's not  a bad photo. Baby Bird is just being perfectionist,” Dick placated.

Duke didn't realize that Damian froze until he unfroze and made his way to the screen, stopping less than one foot away from it. His movements were rigid, his face scrunched with distress. Alfred the Cat escaped its master probably due to hoe tense he was. Everyone in Cave quietened as soon as boy took first step and expecting mood had to run through microphones because nobody from the on-line crowd quipped in.

“This is the green of Lazarus” he whispered finally, sounding actually scared. Jason swore. Bruce and Cass visibly stiffened. Tim choked and he wasn't even drinking. Dick did his whinny breezy name saying thing when he wanted explanation and felt lightly betrayed. 

It was Duke's turn to freeze because… it wasn't. Of course he wasn't all that well versed in the Pit, less alone its color but he did bust quite a few trafficking rings with Jason and he saw his eyes afterwards all raging, toxic, neon green glory and it wasn't the same as Dani’s. As much as he liked English and how good he was at it, it failed him at simple task of describing the obvious difference between each other. He'd have more luck describing tastes with set of color samples from IKEA or something. And really, even if he tried he would lose the fight of competence with Damian. Who wouldn't.  But-

“There is no way she has any connection with LOA”

“Why is that?” Damian seemed to misinterpret it as challenge like he always did when emotions were running high. Duke took a deep breath. Well, it was a moment to use all of his diplomatic skills and speak in the language of the demons.

“I've seen her fight. She would be utter disgrace”

“It does not prove-”

“It does” Duke interrupted with the tone and mimic of person who saw too much because he did ”None of you have any say until you watch a tiny and I mean tiny ten year old tackle five Joker goons like it's a joke, by sheer virtue of super strength and intangibility-means-I-can-ignore-bullets-Signal-don’t-be-such-worrywart. She should get shot, like, three times at least. And she kept laughing!” he was low key wheezing at the end because even after all this time (a week) it was fucking horrifying. Bruce made a huff that meant he was laughing and put a hand on his shoulder as a sign of support. Dick's lighthearted laugh sang from the speakers.

“Don't worry Duke, it never gets better” B said with mirth.

He refused to elaborate whether he meant ‘kids keep jumping into danger like there is no tomorrow‘ or ‘it's equally terrifying every time’ and Duke decided to reflect on that sentiment later. It put some things into perspective. A lot of things if he was being honest.

Also, he was not ready for stuff like that to become even semi-normal occurrence. He was ready to give her all of his Alfred cookies if it could change anything. He knew it wouldn't. 

“Do you have any other evidence that your new acquaintance does not just fake being less experienced to make you lower your guard?” Damian asked warily.

“I had to teach her out of putting her thumb in her fist,” he deadpanned. Several people hissed in empathetic pain. Steph coughed to bring attention to where she stood in front of Batcomputer, other slide of her Power Point open. Duke recognised video from his body-cam.

“Exhibit A” she announced. She played a video with Dani’s first mugging attempt he witnessed. Let it be said, it was a disaster.

“Exhibit B '' One of Dani’s most epic fails at side-kick that ended with her falling face first to the ground.

“Exhibit C” Dani fumbled with zip-ties, looking at him utterly at loss.

“Exhibit D” the talk about her prior training.

“What’s was that sound?” Dick obviously on the verge of cooing when girl on video growled. Steph stopped video.

“Very angry kitten” Tim stated with soft smile.

“Honestly, furious girl” Cass corrected “She was really mad at you”

“Yeah, I know but promise of Alfred’s cookies was enough to placate her”

“You gave her Alfred’s cookies?!”

“She started by giving me a lot of food on a really shitty patrol, had to repay somehow”

“Was it from your share or-” Dick asked like it was most important thing in the world.

“Miss Hoopoe was added to my plans after she picked her new name” Alfred explained and shit, Duke really should get used to how man just appeared sometimes. Jumpscare the original.

“Alfred, you knew?” Bruce sounded so utterly betrayed.

“I have yet to meet her but I was informed about her presence about two weeks ago”

“He caught me printing mask for her”

“About that” Steph clapped and skipped her slide show “Look at thi clueless child with such horrible disguises and codename ideas” There was whole list of every name Dani wanted to try out and photo of her bare face.  Duke kinda repressed his memories of it. It was worse than he remembered.

“Did she really tried kenting that?”

“Got it after her cousin. He used his first name as part of his alias for almost half a year” Duke admitted in carefree tone, knowing it would cause a mess.

“Cousin?!” several people yelled in surprise.

“Caped cousin?!”

“Yup. Small time hero from Illinois. As far as I’m aware she’s alone in Gotham but they’re in regular contact and she has strong believe that he can and will help her if she used her panic button”

“Who in their right mind let’s kid alone in Gotham?!” Jason sounded about ready to strangle Phantom.

“He seems to be fifteen himself. And has anti-meta parents if I’m picking things up correctly. She didn’t mention them much. I highly doubt she has present parents at all, so…”

“What the hell Narrows.”

“I don’t know, it’s just a wild guess”

“Does it call for the rescue?” Steph asked eagerly.

“We’re not going to Illinois to rescue Phantom if he doesn’t ask for it. He has means to it” Bruce interrupted with bone deep sigh.

“How do you know I meant Phantom?” Duke perked up because he never mentioned this name.

“He is from Illinois, looks almost the same as far as I can tell from the photos and they share a lot of powers”

“I didn’t know you knew about random kid hero from other state?”

“He dropped by on few Justice League’s mission. There is still dispute whether we should approach him in his city or not. He was very clear on his opinion that we should stay away. I think we really shouldn’t”

“How you haven’t gone or sent anyone there yet?” Tim teased.

Bruce just stared at him then gestured at mountain of cases they were currently working on. Yes, they were printed. Apparently for man it made it easier to work on them like that.

“Can we focus back on untrained child you let join you on patrol, Duke?”

“You act like I could stop her from doing her own thing if I didn’t  let her. Plus, even though she doesn’t have combat training, she can handle herself well enough. And has this damn intangibility that makes her really hard to punch”

“Why didn’t you tell me?”

“I didn’t tell anyone other than Alfred and Steph and I wanted to wait a bit before leaving her to the wolfs”

“The bet”

“Shut up Steph”

“When did you plan on letting us know?” Bruce ignored what blonde insinuated. Duke was utterly grateful for that, he knew he would get lecture for that later but he was more than happy to leave it be for now.

“Somewhen next week. I hoped to introduce her gradually but apparently everyone knew already?”

“Kids tell me things. Hoopoe made a good impression on them” Jason explained.

“Hero sightings on Twitter” Dick admitted without a shadow of shame.

“What he said” Tim agreed “This person from crochet dolls made one for your kid too, so in public eyes she’s our already”

“For the last time, she isn’t my kid!” Duke groaned but as always went ignored.

“Nobody expected old man’s tendencies to rub on you so fast, Narrows”

“Shut up and this is half a reason I didn’t let you meet her. All of you”

“With all due respect Duke” Babs started teasingly “You gave us ammo yourself. You improved her diet, you brought her to The Food Track Of Mental Breakdowns, you teach her stuff, you check in on her almost as often as her cousin and their friends do…”

“How did you hack her pho- No, wrong question, why?!”

“We’re all paranoid bastards, I needed to check out the newest bird. She legally doesn’t exist btw so I suspect some shady stuff with her birth but otherwise nothing sus about her. Comms and trackers for her are waiting in drawer C19. You will give it to her tomorrow”

“Aye, aye captain Oracle ma’am” he joked.

“Wait, you showed her The Food Track?”

“She deserved it” he gritted out.

Before this could turn into a fight or something, Alfred demanded:

“Since we are all on the same page now, I would like to extend an invitation for family dinner to miss Hoopoe”

“We’ll eat it down here in full costumes”

“As you wish master Bruce. Master Duke make sure to let her know”

“Of course Alfred”

And he planned to do that but Dani didn’t show up. He hadn’t thought much of it because she was unpredictable like that. She tended to disappear from the face of the Earth for a day or two and return with tales of her “autograph hunting trips”

But then she didn’t show up on the next patrol too. It was unprecedented. And she hadn’t responded to the check in. Three times in the row. He was getting kinda sick from the stress.

He knew Dani well enough, she wouldn’t ghost him like that and in Gotham disappearing meant three things: getting kidnapped, trafficked or six feet under. To their knowledge, Dani didn’t have anyone who would pay ransom for her other than Signal and no demands were made so the first option was out.

Bats launched full fledged search.

Duke himself found and busted two trafficking rings in three weeks which was around how much he did in two months on a daily basis.

Thanks to Oracle, they found Dani’s utterly crashed phone in the dead end in the Narrows. It didn’t look any better.

Duke really hoped they wouldn’t be too late.

With each day it seemed more likely.

********

Bruce: *wants to have private conversation with his son about unknown child he's been working with*

All of the Batfam: Hello there

Duke: I managed to keep Dani secret my family of detectives!

Everyone other than Bruce: I knew for past two weeks, but goood job kid

Random o Twitter: I'm sooo disappointed with Signal for letting Hoopoe fight crime. She is just a little child, she shouldn't have to witness Gotham's worst

Other Random: Have you heard about Robin????? Have you seen teories that Signal is teenager???? With proofs????? Are you mad at child for not taking proper care of the other child????? That's messed up my dude/gal

Yell at Batman

Signal: You act like she isn't personification of feral cat I try to coax home so I can prevent her from getting in trouble. I dare you to try and stop her

Phantom: I do too, 100$ if you manage. It would save me from so much stress

Random: Now, who the f*ck are you?!

(Guess who never touched Twitter with 20 meters stick in her life)

Next part

Tag list: @pickleking8 @mynameisnotlaura

[imhereonthekitchenfloor]

Barbie explanation and thoughts from a long time Barbie fan (no spoilers):

The movie is about Barbie the doll, not Barbie the character!!!!

It's also about the growth of Barbie as a brand and the positive impact yet negative criticisms from haters

It's also also about toxic masculinity and what leads men to become that way

(Minor spoiler) also how some men give in to toxic masculinity and blend into the culture but deep down don't believe it

Barbie = woman. All barbies are unique and yet represent woman as a whole (like yeah Barbie is an astronaut. Not this Barbie, but Barbie CAN be an astronaut)

Barbieland is the Real World in gender inverse

Greta Gerwig is obsessed with feminism, so she had to make the point of "maybe we should be equals, hahaha mostly but women still in charge"

She also added a speech that would have been amazing 10 years ago but now felt like regurgitating feminist points we made when modern feminism was discovered by Taylor Swift circa 2014

The film was super meta. I did not expect the company Mattel to make an appearance or be so important

(Minor spoiler) THE NARRATOR SAYING "there's no way you can call Margot Robbie ugly btw"

It was a fun time!! You will not see bibble or classic barbie characters, but you will see barbie toys you played with in your youth and that was fun to watch out for

[batbusiness-schooldropout]

Unfortunately, I'm low on inspiration for our Girl's Night adventure. I shall leave off with what Bruce thinks is happening and what is actually happening. Feel free to take the story and do whatever you want with it, just tag me or something.

Bruce's Idea:

Conner ran afoul of some magic and is now up the duff with Tim's kid. Tim, being a paranoid gremlin, has called in a favor with Barbara and she is having a facility built for the purpose of caring for mother and child (Yes, Bruce does get a new gray hair everytime he thinks about what Tim and Conner have done).

Phantom is mostly likely hired muscle and a go-fer for the group. After the information about the pregnancy gets out, Tim receives a phone call, most likely about a health concern given his behavior and leaves. Probably to resolve whatever issues arose before returning and bold faced denying anything to do with the plot outside of threatening to explain in great detail how Conner's condition came to be

What is actually happening:

Someone was able to get a message to Oracle asking for help for 2 metas, one being very sick and the other injured. They said that they were being hunted by the government and that they needed to keep a low profile. (Ellie could also be heard shouting that if they were bringing a pity party, to not come at all) Oracle calls up her most trusted enforcers, Steph and Cass, who decide to disguise the mission as a Girl's Night that just took too long. Dick was invited because the "cruiser but secretly a bruiser" is a stick shift and only hipsters and old people know how to drive those.

After picking up Selina and the Fentons, they split into 2 teams with members coming and going to keep any one person from having a clear idea of what's going on.

One team is working on turning an abandoned building of some kind into a one room hospital. (Not important but they had to go out of their way to get old equipment because no one wants to risk any ectoplasm or magic mixing with new technology in unexpected ways. You wouldn't want the bed to start raising itself after all)

The other team is working on gathering intel on the GIW and sneaking any ghosts out that they can. The goal is to have everything ready to execute a raid within hours, if not minutes of the Anti-Ecto Acts being repealed.

Out of fear that the Justice League and its members might be traced back to the operation and jeopardize everyone's safety (if Vlad finds out what's happening, there's no telling if he'll possess a hero or not) Oracle tasks Tim with the civilian side of things. Some concerned reporters happen upon the Acts and write about them, and some equally concerned billionaires throw their opinions (and money) into the conversation, and public concern grows, and you know how this song and dance goes.

For better or worse, she also tasks Tim with ensuring that everyone, including the man himself, is too distracted to notice Bruce's finances. Since he's bank rolling the whole operation, even if he doesn't know yet. Tim decides to call Conner to unleash their greatest distraction plan. The old-fashioned "Teen Pregnancy Scare" tactic. The fact that they are both male barely slows them down or convinces anyone that they're lying.

Everyone looking at them is like, "I'm pretty sure you're lying, but with all the shit you all get into, I can't rule out honesty"

(Also maybe Ellie has to revert to a core and she needs someone to "carry" her. Before anyone else can process the information, Conner sees an opportunity for more chaos and volunteers. The absolute flabbergasted look on Clark's face when he sees a medical record detailing his progress was priceless)

[vidavalor]

Hello!

This is random but I remembered your posts regarding The Situation with NG’s involvement in Good Omens when one of my followers on Twitter tweeted a screen cap of an old conversation on bluesky where Neil sorta confirms Amazon had pulled back his influence on production from S1 so there’s a lot of truth in what you said

Hope you’re doing great! ❤️❤️❤️❤️

Hi there! 💕 Hope you're doing great yourself. I usually offer snacks but this is a large sherry or Talisker topic so *gets the glasses*...

That's interesting info-- thank you for sharing it. Like I was saying in that original post, I don't know any of that for sure but that was definitely the impression I was getting. One of the several reasons I was getting that impression was due to other, equally unprofessional posts like the one you're talking about here that speak to already-existing conflict with Amazon long before this particular Situation became publicly known.

I'm not sure why he'd be trying to fight the studio publicly like that if there's not something happening behind the scenes. It's just unprofessional. I was shocked when I saw posts like that because it's not like he was being a whistleblower to egregious behavior or something-- he was bitching about his boss and the budgets to fans on Tumblr. It feels like he was trying to use the fanbase as a shield to keep himself from being fired, as a way of saying "you can't get rid of me-- I will tell my fans you are the issue and they will believe me and not you and I have a million of them-- just look at my little Tumblr thing. You'll lose money if you don't back me."

You know what kind of guy does shit like that? The same kind that tells young women that no one is going to believe them because he's a famous, award-winning writer and they're nobody.

If you don't mind, I'm going to use your ask here for a moment to add a bit to what I was saying about Good Omens being a through-and-through Pratchett novel because I think it's important to remember that this story has another author here. I've had some people ask me to expound on that a bit. So, for anyone interested, this is what I mean when I say that Good Omens is a Pratchett novel:

As most of you probably know, most of the posts I write about Good Omens have to do with the use of language in the story. The diction in Good Omens is extremely specific. Its quirky word choice, its "gayer than a monkey on nitrous oxide"- type of wordplay? It's funny on the surface level and it's a whole other level of funny when you dig a bit deeper. The cleverness there is familiar to Pratchett readers, as it's part of the distinctive style of his other novels. As a writer who is a bit obsessed with etymology myself, I spotted his love for it right away in his writing. It's in every. single. one. of his books that I have read and I have read quite a few.

The exact same thing is in Good Omens. It's a really specific way of writing where word-related jokes are the vehicle for the humor and etymology-based diction choices are chosen with great precision and inform the piece on every level. Pratchett's signature style of writing came from the fact that he used etymology as a tool to help him convey the messages in his writing. The thematic connections he was making were supported by the complex histories of the key words around which he was forming his stories.

For example, there's a meta one of you asked me to write about the halo in S2 and, when you look at the etymology of the word, as we're going to do in that meta, you'll see that halo comes from discus and discus is the root of discussion, the root of the word desk, and the ancient sport that is like ring toss. It was also the name of a threshing floor for oxen, which ties both to dancing and to the threshold of a door, like the bookshop entry. By the time we get through looking at this one, key word of halo, we're going to have taken this whole trip-- through other discs-- the magic ring trick, record albums, Velvet Underground cds, etc., through what it means to dance to the ox ribs to what it means to have (or not have) a desk to what it means to talk through your frozen peas to what's up with the invitations into the bookshop. Good Omens is not random. Everything is very specifically chosen to work together to serve an overall story that is structured around using the etymology of words to underpin its meaning.

This is just one example and it's the same thing in the novel and S1. Much of the S2 stuff connects back to S1 & the novel. It's a story that loves words and it's a story that is threaded together, thematically, through being told by using very specific words and their histories. Good Omens is written like a Pratchett novel and feels like a Pratchett novel because it centers word history in exactly the same way as Pratchett does in his other novels.

You know where that halo thru-line that connects everything came from?

Discworld. It comes from Terry Pratchett's Discworld.

The same, core themes in his books are being explored, just in a slightly different way, in Good Omens and, often, using the same words in the exploration.

Because that's the thing-- all of these posts I'm writing about wordplay in Good Omens? I could, if I wanted to, also be writing them about any one of Pratchett's other novels, and a lot-- and I mean a lot-- of the specific words being used in a big way in Good Omens actually overlap with Pratchett's other books.

One of you has been waiting patiently for me to write about Mrs. Sandwich and the seamstress-themed language happening in the show and, to do that? We're going to not only talk about her and what she stands for in Good Omens but we're going to talk about the etymology jokes Pratchett was making with The Seamstress Guild in Discworld. Mrs. Sandwich might have been new in S2 but seamstress language is not-- it's baked into Crowley & Aziraphale's speak back in the novel and, as you'll see, there are instances of it in S1 and the novel that only become more apparent once you know to look for them after S2.

When NG said that, back in the day, he and Pratchett decided that Aziraphale should have a halo that was like a ring toss-- no.

Pratchett decided that.

The idea comes from the wordplay that is literally *in the title* of his own book series. Aziraphale's halo is related to why Pratchett's series is the Discworld. It's the same ideas. NG has fuck all to do with it.

Think about how I was just saying that all this love of etymology that is in Good Omens is also throughout Pratchett's books and is the driver of his word choice in all of them.

Now? Ask yourself who came up with Crowley and Aziraphale's secret language. Whose idea was it that it be so punny and etymology-based?

Probably the guy who wrote all of those etymology-based, other books.

Who invented the rules for that language?

Probably the guy who wrote all of those etymology-based other books.

If Pratchett wrote basically nothing but intentionally, lovingly, word-nerdy books... and if Good Omens is, soup-to-nuts, a love letter to etymology to a point that its main characters have a secret language built around it, then Terry Pratchett is who really wrote Good Omens. He's the true author of the book.

There are even interviews that show they had much different takes on how the process for the book happened. Pratchett, in one of the ones I read, said he wrote more than 2/3rds of the books straight up on his own and that he'd have phone calls with NG before NG wrote his bits of it and something politely vague to the effective of 'editing over' when writing the next chapter. In the same paragraph where he said he wrote more than 2/3rds of the book, he also said with all that discussion happening "who can say" who really wrote what-- yeah, exactly. It sounded a bit like NG needed the phone call to be told what to write on his end and then Pratchett edited it/rewrote bits of it before he wrote the next bit.

It comes off sounding like this book was like a partnered school project where Pratchett was the diligent one who did all the work himself so it would get done and be actually good and then assigned a bit of it to NG to do that he then had to go and fix so they'd get a decent grade. I wasn't there so I don't know but that's a bit like what the Pratchett interviews about it sound like to me and I'm much more inclined to believe Pratchett's view on their process than I am NG's take.

All I know is that Good Omens was successful when it was first published and any even moderately successful book makes publishing houses jump up and say "MORE NOW" and if you were those publishing houses? And you had a popular project with two writers? And one of the writers became tragically ill? You know what you'd do?

You'd eventually ask the other writer to finish the series.

It is known that a trilogy was planned from the start, which makes sense because most books are planned that way. You actually have to rough outline the entire story arc and then divide it amongst the books first. The story already existed in full when Pratchett began to get sick. Never-- in over two decades-- did anyone ever go to NG and ask him to both honor Pratchett and make them some cash by writing the rest of the trilogy?

Not even with how popular this book is?

That seems pretty suspicious to me.

Like a 'they know NG didn't really write it' kind of suspicious.

When both the publishing houses and the tv studios seem to be doing handstands to minimize his involvement with it, I'm thinking it's not too wild to infer there that it's because he never really wrote much, if any of it, in the first place.

More to the point? They know he's incapable of emulating it.

Because he's no Terry Pratchett.

[flawlessflesh]

at arm's length

CW: Discussion of CSA and trafficking

I originally wrote this meta in response to a retrospring anon - These are my thoughts on the impact of child abuse on Thistle's ability to form relationships or feel attraction.

Keep in mind as you read that this is based on my personal interpretation of Thistle as a present-day teen who was trafficked for several years before being taken to the golden kingdom. This meta is canon-adjacent, not canon, and can be considered supplementary info for my fics.

-

Thistle has a heaping pile of trauma centered on interpersonal relationships and intimacy. This, along with his lifespan, inhibits him from forming equal relationships with others, and outside of his very small family group he doesn’t feel safe or capable of reaching out to people or letting people in.

He can feel attraction towards others but he shuts it down and doesn’t act on it because it feels like something bad will happen if he does. I consider him to be more comfortable around men than he is with women because he thinks he knows what he can expect from men (men were the main perpetrators of his abuse, but men like Freinag and Delgal are also the most important relationships in his life), but he has no idea what to expect from women. Best to avoid them. Most of his attraction is towards men as well and that complicates things due to the likelihood that these historical fantasy tall-man societies are homophobic - and Thistle isn’t treated like a man but he also isn’t a woman, so is it allowed? Is there something wrong with him for feeling this way? He doesn’t know. It isn't safe. So he keeps it all to himself.

In my timeline, Thistle doesn’t start puberty until a few years before the kingdom is turned into a dungeon. He never has the typical experience of crushes and childhood romance because he has no peers to engage in them with - his slower aging and his race isolate him. Everyone sees the silly little elf jester first and not the person. All he has is the royal family. Delgal goes through puberty, fools around, gets married, and through it all Thistle only understands that behavior like it’s something he’s read about in a book. He's disturbed by it too, having only had negative experiences with human sexuality, as little as he remembers of it. As an aside, I think when Thistle was brought to the castle he briefly had a crush on the king, but it was a child’s harmless emotion directed towards someone safe who he perceived as having saved him. If you’ve ever had a strong attachment towards a teacher or mentor growing up it was like that, and Freinag wasn’t aware of it and did not encourage it.

This is going deep into headcanon territory now. Thistle was trafficked by the troupe master of the traveling performers who had him before he was given to King Freinag. Thistle has suppressed the entire thing and can’t clearly recall the last twenty years of his life before Freinag. The information he has about that time is what people later told him (“your parents abandoned you”, “you were part of a traveling troupe”, “you already knew how to play the flute and follow instructions well”, etc). Freinag unintentionally replicates the emotional abuse that Thistle suffered — he calls Thistle his child but treats him more like a pet who has to perform for approval, and he is overly physically affectionate while neglecting the very real parental needs Thistle has as a young child. Thistle's hurt is like a barely scabbed over wound that keeps being picked at until it bleeds again.

Thistle grows up with an incorrect idea of how adults are allowed to treat him which leads to wariness towards everyone who is not the immediate royal family. They’re safe, they don’t do anything bad, but he can’t trust anyone else. Plus - he doesn’t like when strangers single him out for being an elf. He wants to fit in so badly and instead they invade his space and point out how he’s different and are always reaching for his ears. The few times he feels attraction he suppresses it on instinct without trying to understanding what it is or what prompted it. He doesn’t want to feel drawn to anyone he isn’t already close to. It’s a self-preservation mechanism and a reaction to the abuse he suffered, and after a while the curiosity is blocked off altogether.

In a post-canon future where he’s found a will to live and is healed to the point where he is interested in meeting new people, I still think he wouldn’t want to have an intimate relationship. It’s like a chasm, a frightening abyss of possibility for new experiences but also for getting hurt, and he has been hurt too many times already. Friendship would be daunting enough - I genuinely think he’d struggle with it - but anything more is equivalent with ruinous loss of control in his mind. Things can get better with time, conscious work, and understanding, but this mindset is where I see him staying for a long while. Thistle doesn’t do well with change or admitting truths to himself that he’s worked very, very hard to suppress.

[difeisheng]

duel meta — a brief addition

written in reference to the original meta here. i'm making this point its own separate post, as it doesn't fully fit into the thesis of that essay.

in my previous discussion of the donghai duel, i highlighted three lulls in the action where di feisheng could have decided to attack li xiangyi, but didn't, even when he was the one forced into a defensive position. instead he paused, until li xiangyi chose to make a next move against him. my point in talking about these moments was that it demonstrated how di feisheng saw this fight as a proper back-and-forth between equals, not the battle to the death that li xiangyi intended for it to be.

however, what i ignored in that analysis was the point in the duel at which di feisheng moves before li xiangyi, breaking away from their locked blades. it's right after this line:

before this is a cutaway to the battle on the mainland— fire, screams, people on both sides dying. and it's with that carnage weighing on both di feisheng and li xiangyi that di feisheng says this, then shoves aside shaoshi and stabs li xiangyi through the shoulder, pinning him to the roof.

if i had been trying to integrate this into my prior reading of these two's motivations during the duel, this moment would have been an anomaly. my point at the time was that di feisheng pictured the duel as being between two swordsmen, just himself and li xiangyi. while to li xiangyi, this was a battle between sigumen and jinyuanmeng, and the two of them were simply two figureheads. for di feisheng to draw attention to the other fighters he and li xiangyi have with them, is not quite in line with this. i said before that di feisheng purposefully isolated himself on his ship knowing li xiangyi would find him there, as well, so that others in the battle could not interfere.

but, to push that aside and examine this on its own: i find it very interesting that this dialogue, the sole point where di feisheng acknowledges the world beyond the duel at all, is also the singular moment that causes him to alter his previous behaviour throughout the entire fight. it's not li xiangyi attacking him that finally makes him strike first. it's not his own injuries or desire to win, or desperation. it's the awareness of the fact that other people out there are dying while they fight.

di feisheng's leadership of jinyuanmeng warrants a lot more analysis that i'm not going to do here, but to summarize some things myself and others have observed before, he's efficient. he's established the alliance in such a way that there's a clear hierarchy and duties for each person, and that level of organization can function even when he's off dealing with his own matters, communicating things via wuyan. although he shows little interest in managing jinyuanmeng in the present day, i don't think he could've built the alliance up to such a state that it would keep running without him, even while he abruptly went into seclusion for ten years, unless he actually cared about the people who were serving him. and we do his anger when those who were loyal to him die, like when he snaps at jiao liqiao for the deaths of his twelve phoenixes, even though they got a blink-and-you'll-miss-it amount of screentime. they were still important to di feisheng.

(i know jiao liqiao was the one who kept jinyuanmeng going in his absence, but it seems she didn't make any huge changes to how jinyuanmeng was functioning up until di feisheng recovered from his injuries. before that she was ruling, at least outwardly, in his name and interests.)

all this is to say that, looking at his choices in this moment of the donghai duel, i think that that line of dialogue— breaking from his precedent of letting li xiangyi lead the fight— is fascinating characterization to add to di feisheng this early in the show. i've said before that from the moment he appears onscreen, after the opening monologue declaring him a villain and a 大魔头, our expectations of him begin to be subverted. this does honestly alter how di feisheng and li xiangyi could be viewed; di feisheng is now seemingly the one whose people are being attacked and who cannot stand the wasting of unnecessary lives, while li xiangyi is the one who led all this followers to battle for the sake of his dead shixiong's body, and arrogantly miscalculated that he could win.

i love how this show plays with character perception, and how they've built up di feisheng in this way, especially when the majority of his screentime isn't from the source material. this is just one part of it.

[booksandabeer]

Ramblings on Fandom: Peggy Carter, Steve Rogers, Delusional Shippers, and Alleged Misogyny

So with the release of Season 2 of What If…? emotions are once again running high, the outrage is outraging, and people are up in arms about the whole Captain Carter situation. While I do think that some reactions are a little overblown, even needlessly aggressive in tone to the unfortunate detriment of their otherwise convincing arguments, I share the confusion and frustration about the sudden centering of a long-dead & never excessively popular character, the sidelining of the Steve-Bucky friendship, and the as-inexplicable-as-it-is-total exclusion of Sam Wilson as Captain America. However, I’m not here to talk about the show because (1) I haven’t watched this season and have no plans to (why waste time torturing myself with something I know I’ll hate?) and (2) other people have already written dozens of metas about it, so what could I possibly add at this point.

What I do want need to talk about (lest I explode) is something that has irritated me for a long time and that is now happening again: Every time someone even mildly criticizes Peggy Carter, expresses doubts about her suitability as a heroine, or even just questions her disproportionate importance to the franchise post-EG, inevitably a certain section of fans will come out of the woodwork to immediately throw around accusations of misogyny and yell about how we’re all just a bunch of delusional Stuckies who are mad that she got "in the way" of our ship. Sigh.

This is gonna be a long one, so I’ll put it under a cut. Rant incoming. You've been warned. If you don't want to read, simply keep scrolling.

First of all, let me state very clearly that I’m not debating the existence of misogyny and sexism in fandom spaces—or in the media from which these fandoms originate. At all. It exists, it’s a thing, I’m not denying that. Which is exactly why it frustrates me endlessly to see these accusations thrown around as a gotcha! argument to shut down any and all critical debate around a female character. All it does in the end is escalate rhetoric and radicalize attitudes.  

In the case of Peggy Carter, specifically her treatment by Stucky shippers, I’ve always found 'misogyny as a motive' to be a largely unsubstantiated accusation.¹ Now, I neither presume nor do I want to speak for the entirety of Stuckynation, so I will not claim that there aren't corners of the fandom where people discuss her in ways that I find off-putting and deeply unserious, but I will say this: If you genuinely believe that disliking one (1) fictional female character equals “hating all women” and wanting to suppress and marginalize their presence in fiction and real life alike—then I think we need to take that word away from you until you’ve learned its true meaning.

You might also want to ask yourself how exactly reducing a female character to a mute trophy wife or a heroine who has to act out her love interest’s recycled storylines helps your feminist fight.

As for the “getting in the way of your ship” part of the argument. Very simply put: No character can get in the way of something if there never ever was “a way” to that something to begin with. “Being mad” implies that there was a reasonable expectation that wasn’t met, a substantive hope that was crushed. Now, I’ve said this before and I’ll gladly say it again a million more times: No Stucky shipper in their right mind ever truly thought that there was even the slightest chance that Marvel Studios owned by the Walt Disney Company would allow Steve “Captain America” Rogers and Bucky “Winter Soldier” Barnes to be canonized as an explicitly romantic pairing in their billion dollar franchise. Be serious. That was never in the cards. I wish we all lived in a world where it was, but we don’t, and it wasn’t. The best we could ever hope for was for Steve and Bucky to get a good, satisfying, in-character ending. And if, in Steve’s case, that would’ve included hints (or more) about a possible rekindling of his, uh, aborted romance with Sharon—then so be it. But we never got any of that. The characters never got any of that. Instead they sent Steve into 1950s suburban hell, literally trapped him behind a white picket fence, and condemned him to a life of passivity and lies, all so he could be married to a woman he barely knew a long time ago in a completely different world; who built and ran a top-to-bottom Hydra-infested organization, but apparently never noticed that there was anything wrong with her life's work. For decades. Great. As for Bucky—well, we’ve all seen the devastatingly grim-faced, utterly lonely, and deeply sad version of him that was presented to us in TFATWS. Happy endings all around, I guess.

So. Am I mad that Steve didn’t get to ride into the rainbow-colored sunset with Bucky at the end of EG? No. Because that was never going to happen anyway. Would I have been mad had he ended up with Sharon or another female character in the 21st century? Also no. Granted, I wouldn’t have been ecstatic about it, but mad? No. But am I mad that Steve ended up with this specific female character under these specific circumstances as presented in canon? Fuck yeah, I am.

The thing is: I personally believe Steve and Peggy to be fundamentally incompatible when it comes to the way they view the world and their respective places in it; their morals and values; their capacity for compassion and empathy; their ability and willingness to compartmentalize, compromise, and collaborate with people and institutions whose ethics and/or politics do not align with their own. I have a real hard time believing that a relationship between these two (or worse, a hasty marriage) could be either happy or long-lasting.

I don’t believe Peggy to be inherently evil, I don’t hate her, I simply think she operates within a different moral framework than Steve (and even genuinely believes it to be a righteous one).² Your mileage may vary, but I personally happen to find that framework reprehensible, even indecent, and ultimately dangerous. After all, over the course of the 20th century, we have seen exactly where that kind of “the ends justify the means” brand of pragmatism leads—over and over again. Not to mention that the people who use this line of argument to defend characters like Peggy (or real-life politicians for that matter) never seem to want to look too closely at who gets to define what "the ends" are in the first place and who decides when they've finally been met.

(Never. The answer is never.)

And to be clear, there is absolutely nothing wrong with depicting, and even centering a narrative around a morally (dark)gray character—oftentimes it’s actually the more interesting option—but you cannot at the same time claim that they are purely good and should be only admired as such when their actions literally tell an entirely different story.

So, no. I will not accept Peggy Carter as the shining aspirational heroine that the MCU so badly wants to sell her to me as—while simultaneously continuing to reveal things that paint an increasingly darker picture of her character. And I will certainly not celebrate seeing one of my favorite characters of all time—whose defining trait was that he couldn't ignore "a situation pointed south"; who used to fight for the little guy and against the establishment; who once said about the very organization that Peggy Carter helped build that it was so corrupt, it all needed to go—rendered morally inert for some hollow happy ending that may as well be a conservative’s wet dream full of false nostalgia for an America that never really existed. I cannot find it in me to be anything less but mad about that.

But that does not make me a misogynist. It does not make me a delusional shipper. It makes me someone who looks at what the MCU has been telling me about Peggy Carter for years now—over and over again—and takes it at its own word.

--------

¹ If you’ve actually read a a fair number of Stucky(!) fanfics you will have noticed that the reverence afforded to and "page time" devoted to her character and her relationship with Steve is somewhat disproportionate to anything that's backed up by canon—well, up until EG, where she was suddenly reanimated as The Great Love of Steve’s Life—and in my experience, it's highly unusual for any fandom to put so much (mostly) positive attention on another character, let alone a potential love interest that is not part of the endgame ship.

² I also want to emphasize that if you love Peggy and she's your fave: good for you! I genuinely have no beef with you. People can agree to disagree. All I ask for is that we maybe stop willfully ignoring the less savory aspects of her character. You don't need to pretend she's perfect to justify your affection for her. I LOVE Steve, and yet I have no problem conceding that he is FAR from perfect.

[hoverboards-and-dragons]

Lucifer appears to be the only fallen angel in hell in the hellaverse

(even vaggie as pointed out can still enter heaven), with the other sins being far more clearly demonic and somewhat implied to have been created along side hell

and, I love this change, that not all the big names in hell were originally angels, makes hell really feel like it's own place with its own history and power structure that got haphazardly repurposed into an afterlife as a second thought

(there's a very interesting meta-narrative to follow if you assume the human realm of the hellaverse has the same understanding of Christianity and the Lucifer story as we do and all reinterpretations are in world misconceptions, it makes it look like the story was reframed to make hell existence more defined by heaven, to delegitimize their right to self-determination, that anything in hell is just a result of heaven's defects going to stir trouble, which is a justification that commonly pops up in imperialism, and on top the resistance from oppression being used to justified even greater atrocities, golly the themes-)

right where was I?

i like that Lucifer stands out so much, his silly little guy sits a top the throne works cause he feels like he's operating on an entirely different Power system to everyone else, it doesn't matter how weak of an angel he lets himself be they'll never even begin to touch him (overlords cry themselves to sleep over not being able to beat the whimsy out of this stupid little guy that ranted about differences in scale colourization of snake breeds for 3 hours)

the contrast of the other sins being giant demonic creatures while he's this small angelic humanoid of light in chef's kiss

Everyone talks about the other sins being like aunts and uncles to Charlie but we need to acknowledge the equal importance notion that that means Luci crashed into the sins' realm at mach 5 with the impact cater alone probably forming a whole ass new ocean (his distraught sobbing filled it) and they immediately accepted him as their new not-sibling (they fucked at some point lets be honest, you can't convince me he and Lilith have a monogamous exclusive relationship, she invented feeling restrained by a relationship) in the sins weird eternal dysfunctional found family

Fuck, I Need That Fic with a freshly fallen Lucifer and the other sins So Bad, link me if you know one

The Six: No Angels allowed in hell

:Lucifer

The Six: OK we'll make an exception because he looks very polite-Prideful

there is one(1) acceptable angel

It's so important to me that Luci has his sibling archangels in heaven just so they can watch him have a better family in hell

Given it seems like Lucifer's fall wasn't a result of being intentionally cast out but some inherent consequence you know they miss him so much, that twist of 'how could he do this?' and 'why didn't I stop him?', you know there's this awkward mix of pity, anger and longing whenever they interact that Luci's grown both resentful and numb to

He needs to lose his entire family only to find a new one please Im so attached to this concept, shaking him

Trading in one group of assholes that lovingly give him shit out of jealousy(dad's favourite) for a different group of assholes that lovingly give him shit out of jealousy(highest ranking prince, also A Mess)

Luci: "Hey, Can you finish signing off on those trade-?"

Belph, yawning: "Can you talk to your daughter?"