#this is not necessarily ship art but also you know that post that's like: the character dynamic w someone who gives you permission to rest

[anodymalion]

local man experiences a moment of rest for first time in entire fucking life

[romana-after-dark]

Dead Dove December

Hello everyone! This December I’m hosting an event for the Oscar Isaac and Pedro Pascal fandom that I’m calling, Dead Dove December! From 12/01/2023 - 12/31/2023 I’m encouraging others to create something that expresses their deepest and (most importantly) darkest desires. I will be reblogging all pieces of art or fanfiction, and will post a masterlist in January. 

Details below the cut…

What is Dead Dove Do Not Eat?

Dead Dove: Do Not Eat, or DDDNE has its origins in one of my comfort shows!

The phrase comes from a meme referencing the 2003 Arrested Development episode "Top Banana", in which Michael Bluth opens a paper bag labeled "DEAD DOVE DO NOT EAT" and, upon discovering that there is a dead dove inside the bag, says, deadpan, "I don't know what I expected." - fanlore.org

In short, what you see in the tags is what you should expect to see in the fic. This can apply for any type of fic, including the fluffy ones, but it’s usually associated with darker themes. That being said, this is your warning that this is a DARK THEMED EVENT. If you aren’t comfortable with darker topics like non-con, excessive violence, blood/gore, death, toxic relationships, 18+ age gaps, and more, then I encourage you not to participate in this event.

How to Participate

For the month of December, post your Dead Dove fanfiction or fan art on your blog. Use the tag #deaddovedecemeber2023 and tag me. You can also send a link via ask or DM if you like! I will not be posting anything for you, just reblogging and linking. At the end of December I will post a masterlist with links to everyone’s works! Side Note - Since Tumblr doesn’t really allow for NSFW art, you can post your work on Twitter or any other site that allows it and just send me that link so I can add it to the masterlist.

Rules

You MUST be 18+ to participate. I will be checking your blog/social media to be sure. Please make sure your age is easy to find. If I find that you’re a minor or if your age isn’t readily present I will be blocking you and you will be unable to participate. You can just add that you are over 18 if you don’t want your age out on the internet. As the creator and promotor of this event, I need to know I’m not interacting with minors given the nature of this event.

The work MUST be dark in some way. There’s no limit to how dark your work needs to be or can be, but it needs to contain some sort of dark theme in order to qualify. If non con isn’t your thing, dub con via stockholm syndrome or brainwash can let you write a more comfortable scene while still remaining dark. Fics and art do not necessarily need to be NSFW.

Do NOT post anything before 12/01/2023. I will not count submissions prior to that date or after 12/31/2023. Masterlsit will be posted in January.

Your work MUST contain the proper tags. I won’t police how detailed your tags should be, but, for instance, if your work contains non-con, and you didn’t tag non-con then your work will not qualify. Please be inclusive in your writing where you can.

You may submit no more than two (2) pieces. This can include a fanfic and fanart, two fanfics or two fanarts. This is to allow someone to write a piece and make a work of art to accompany it.

I’m not going to yuck someone’s yum, but there are some things I’m just personally not comfortable with and since I’ll be reading/viewing all of these, I have a few things not allowed in the event. The list of what’s NOT allowed is shorter than the list of what IS allowed so here’s a list of the things that will NOT be tolerated in this event:

No underage/aged up minor content - To clarify, this includes things popular ships like - TLOU 1 or Show Ellie x Joel or Miguel O’Hara X Gwen Stacy. No "ageing up" minors for the purpose of a fic.

No Bestiality - To clarify, monsterfucking does NOT count as bestiality (at least to me). For example, werewolves, venom, Khonshu, e.t.c. are all allowed.

No incest - To clarify, step-sibling/step-parent relationships are permitted as long as everyone is 18+. Selfcest relationships are also allowed (like Moon Knight or Miguel with his alternate self, e.t.c.).

If you’re unsure if something is allowed or not, you can send me a DM or an ask for clarification prior to posting.

You can use any prompts you want or none, you aren’t tied to any one idea but here are some to get the ideas flowing if you need them!

Also, you can absolutely use a fic to inspire your art, or art to inspire a fic! Your inspiration piece, whether yours or someone else’s does not have to be from December, but you MUST obtain permission from the original creator before I promote your work. Most creators are happy when their work inspires others, and all my fics are open to being used for inspiration, but please reach out to the creator first.

I’m very excited! I’ve never done anything like this before so things may be updated as I go so bear with me! Looking forward to seeing what you all come up with!

Dividers and header made by the amazing @melodygatesauthor

Please consider reblogging to spread the word!

[ao3commentoftheday]

Hello there! This question isn’t so much about popularity as it is about feeling lonely in fandom spaces. I’m in a relatively small fandom where it’s easy to “run into” the same users who write fanfic and draw fanart a lot. Over the years I’ve tried doing all the usual things to make fandom friends, like commenting a LOT on fanfic when new works are posted, being friendly in my author’s notes, being friendly on tumblr, complimenting artists works and reblogging and just generally trying to share the love so to speak.

People will reblog my art on here, but on AO3 I tend to get crickets on most of my stuff. Especially on fics for my OTP. My OTP is notttt popular in the fandom. It’s actually a lot of people’s NOTP because it “takes away” from the canon couple. I’ve accepted a long time ago that I’m going to get less readers because of the shipping stuff alone. But even on my works that aren’t shipping focused at all, it’s just crickets.

It just kinda sucks to try so hard to make fandom buddies and see them all having fun together and constantly feel like the kid sitting alone in the corner. I keep wondering if people in the fandom don’t like my fics just because of the shipping thing because I know I’m not a bad writer. But like I said, I’ve tried reaching out to people, be encouraging and show joy at what they create, but I just keep wondering what I’m doing wrong to make fellow fans not want to be friends with me. I’ve been focusing on just doing my own thing but yeah, it sucks not having anybody to fangirl with.

First of all anon, *hugs*. Being lonely sucks, and I'm sorry to hear you're in that situation.

When it comes to the other folks in your fandom, I don't think it's necessarily that they don't want to be friends with you. I think you might just need to do a little extra legwork to get in the friendship door.

It's not really fair, but it is kind of human nature, that if there is a perceived difference with someone else, we tend to keep them at a bit of a distance. It doesn't mean we dislike them! It just means that it takes more effort for us to get past that difference and see them as a friend. The more we do it, of course, the easier it gets and you might not even notice the hiccup anymore - in person.

You're probably in the "acquaintance zone," if you'll allow me to use the phrase. People probably have a generally positive impression of you because you're nice and you're friendly and you're encouraging. But if most of their conversations are happening in a ship-centric venue, for example, then you're not going to have access to the full spectrum of community with them.

You mention that other folks see your OTP as a NOTP. Do you feel the same way in reverse? They might assume that you do, and that's what's keeping you out of those convos. If you actually don't mind their ship and simply prefer your own, you could always attempt to make a foray in that direction? Let them know you don't mind being exposed to their shipping talk?

Another thing you could try would be to identify the multishippers. In my experience, those are the folks who are most open to befriending folks who don't ship the main pairing. They can see possibilities all over the place, and they're happy to be exposed to new ideas.

Small fandoms can be rough when you're into a niche part of it ❤️ Let's see how others handle your situation.

You can also find this question and answer on Dreamwidth.

[wispscribbles]

hi i just discovered your beautiful art so i obviously needed to scroll down your whole blog to catch up on everything you posted haha

i just wanted to say that i got way too emotional after reading that post of yours regarding mw3 and your mental health… on one hand i’m so sorry that you felt that way, but on the other i feel it with my whole heart

ghoap content especially for me helped me these past few months with my mental health in ways i would never have expected, it was my solace and inspiration, i started working out too and got back into drawing, got a lot better at it as well!

but unfortunately i get way too fixated on fictional stuff and there comes a time that my brain switches up and connects the things i liked and comforted me with things that make me extremely uncomfortable and stressed out, especially if i fall down a fandom rabbit hole that i would never have searched up, beacuse i know myself, i know my limits and triggers but i feel like i’m not a part of the fandom if i don’t like and interact with every single headcanon, art and ship

these past days i was really down because of that, and the things i read (why did i do that???) and now when i think of ghoap i think of that stuff and im scared that i alienated myself from the one thing that made me happy

but discovering your art and with that your post reminded me that im not alone in these feelings, even if it’s not the same exactly, and i wanted to thank you, for sharing your thoughts that time i guess haha <33

((sorry for rambling))

Long reply under 'keep reading' !! CW: talk of triggers and MCD

Always feel free to ramble my way!!! How nice you could find some comfort in my art and ghoap stuff. Especially in my mw3 post. I've been considering deleting it a few times, but hearing it maybe helped to read in some way makes me happy I left it up.

I get where you're coming from - I very much use these fictional characters as a safe space, but ppl view them very differently. There's room for it all, "don't like, don't interact" is very much a policy I agree with. It's important to mute words and be aware of your own triggers as you browse stuff in this fandom, because there's such a wide variety of stuff out there. You do NOT have to interact and agree with every thought people have on this ship, that's impossible and super stressful. There's plenty of stuff and headcanons I don't vibe with. There are no 'requirements' that you have to meet in order to enjoy fiction.

It's part of why I enjoy ghoap - that their dynamic resonates and has sparked so much creativity and outlets for so many - but it also means there's gonna be a lot of stuff u don't necessarily agree with or feel comfortable with. For example, a lot of folks use the MCD in mw3 as a way to explore grief, which I think is really cool, but on a bad day that could potentially get my brain in a bad headspace, so I only check out that art and those fics when I feel okay. There's also a bunch of stuff I'd never want to interact with, and that’s fine !!

I'm personally quite vanilla and a sucker for exploring the softer, more domestic aspects of these characters. It's what brings me joy. I know there are parts of this fandom who don’t vibe with what I make at all, and would call it untrue to the characters. Some creators enjoy exploring the more violent or toxic sides to the source material. That's just how it is, we all need different things from fiction. As long as we're capable of chilling in our respective sandboxes, then all's good.

But if you're like me, and enjoy the softer things, then definitely be aware and careful while exploring this ship and fandom. I've seen takes on these characters that are so far removed from how I view them, that they're basically the complete opposite, and it can leave a very bad taste, especially if you're the type to hinge your safe space on fiction.

Just... be mindful of yourself and your potential triggers, be respectful and don't interact with things that make you uncomfortable to the point of feeling unsafe. Shape your own online experience to your best ability.

Hope you're doing okay and still find joy in ghoap <3

[captainzigo]

Welcome to me blog

If you are a mutual, DM me for an invite to discord server and subsequently to minecraft server

that’s a bunch of pictures of oc(/ponysona) Prickly Pear. she’s a cowgirl

FAQ below the break

i do take requests. i do not currently take commissions, but don’t be shy about sending requests. i can always say no. or fuck it up really bad.

you can send me asks and DMs at my sideblog @snapewife-divorce-lawyer any asks you send me should be like Strongbad emails. one paragraph. no attachments. unless you are sending me refs.

i reblog most stuff at my other sideblog: @3amgaypotion

you are fine to DM me, but remember i am not obligated to respond at all.

in any interactions, please keep in mind that i am a stranger on the internet and act accordingly

i am autistic. i say this because representation matters, but also because i would like to ask that you please be very frank with me. i don’t even really need your patience. just say what you mean and we will get along fine.

you most certainly can draw any of my ocs. i’d love that acually. tag me

you can redraw, dub or do whatever to my works with credit. i expect credit to include clickable links. also please try to keep the spirit of the original work. don’t add nsfw subtext for example. don’t redraw a ship art as a ship with an inappropriate age gap, and so on.

do not post my art on other platforms. do not repost my art period. I don’t really exist on other platforms since I deleted Twitter. So if you see my stuff on other platforms, it’s not me. 

i’m in my twenties. i keep my blog SFW as a strict rule. PG13 except i swear a lot more. i do not keep myself that way, and i have no aversion to that sort of content, but i keep all of my posts SFW.

in my opinion, all romance real or fictional should be between people who are not related, similar in age, doing age appropriate things, all with mutual consent. i am not interested in witnessing or interacting with anything outside of these parameters.

i am a trans woman. i am also bisexual. i am also poly and demi since im listing things. i am out online becasue i know how important it is to know that you aren’t alone.

if you follow me and you post art, regardless of frequency or perceived quality, i want to be mutuals. shoot me a message or something

do i take constructive criticism? NO 🖕👹🖕 FUCK YOU!!!!!!! GET BLOCKED IDIOT!! unless you are a marginalized person who feels i have unintentionally made you uncomfortable somehow with my art or otherwise. in that case i am sorry and you do me a great favor by calling me out. OTHERWISE FUCK YOU DUMBASS IF YOU DONT LIKE MY ART GO DRAW YOUR OWN 🖕🖕🖕🖕

i don’t have a DNI list, but i am pretty left politically so you can probably imagine what’s on there.

“i hate bronies” i don’t necessarily hate you if you self identify with that label. i like to make myself off-putting to keep creeps away

i don’t hold a lot of nostalgia for old brony stuff. infact it’s quite the opposite

i like all generations of mlp including the new stuff. gen 4 is just the one i grew up with

why is my header aurora, bori and alice from the best gift ever? well that would be because i hate them like a mother hates a child. like the sun hates the moon. like sickly victorian child hates the slightest morsel of bread.

i often draw stuff about cozy glow x flurry heart. this is with the understanding that cozy glow spends about a decade turned to stone. nullifying the age gap.

i am dyslexic. i spell stuff wrong all the time and i type weird. please don’t bother correcting me. wooptydoo your brain is wired normally. sending you a medal.

[cohborikardok]

Chiss Fan Survey 2023

Here's the results of the Chiss fan survey for this year! We had a huge turnout, with 464 responses! Here's a link to the slide deck if that's more accessible for you.

First some demographics: most people surveyed came from Twitter but we also had a pretty good turnout from Tumblr this year!

The majority of people surveyed still came from the United States, but we also had some new countries make it on the map this year.

Most people fell within the 18-34 age range.

As always, I love how Thrawn attracts the autistic audience. Interestingly, the same percentage of people said they’re neurodivergent this year as did last year, but the proportion of them that are autistic grew by about 7%.

Again just a disclaimer that these results are not necessarily representative of the overall Thrawn fan community as I reach a very specific demographic, but over half of the people surveyed are women and almost a third are non-binary. 20% identify as transgender.

About a third of people surveyed are bisexual or pansexual.

Another thing I love is how many people in the community fall under the asexual and aromantic umbrellas. Asexuality is the second most common sexuality reported on this survey.

There’s about 8% fewer single people and 4% more married people than last year so congratulations!

A new question this year is how people's partners feel about Star Wars. For most, it seems they’re the bigger Star Wars fan between them and their partner(s)

Moving on to the actual Thrawn questions, the majority of people surveyed got into Thrawn around 2020.

The spikes on the read/watch order graph show the most popular reading/watch order, so Rebels> Thrawn> Alliances> Treason> Chaos Rising> Greater Good> Lesser Evil> Ahsoka.

Most people had seen Star Wars Rebels and read at least Thrawn (2017).

Over half of people surveyed have read Heir to the Empire, and overall more people report reading Legends than in last year’s survey.

To get the book ranking, I gave each book an average rank based on people's votes and ordered them that way. Thrawn 2017 was by far the most popular of the books.

The most popular choice for a new book book was an "Eli Vanto in the Ascendancy" book.

Despite Ahsoka filling in what happened after Rebels, the percentage of people who are interested in a Thrawn and Ezra Post-Rebels story has not decreased and has in fact increased slightly.

The love for Thranto is very apparent in the ship portion of the survey.

There’s also a good percentage of people who don’t ship Thrawn with anyone, and then OC or selfships are also somewhat popular.

I included a reminder as to what the Thrawn Designs options were. Ascendancy Thrawn was far and away the most popular design for Thrawn. People also liked the 2018 comic version. Least popular was the Heir to the Empire comic design.

Despite what people may have expected, overall Chiss fans were happy with Live Action Thrawn.

In particular, they liked the casting and the dialogue. The most disliked bits were Thrawn’s storyline and inconsistencies with the books.

I also need it to be noted that more than one person wrote in that they liked “how cunty" live action Thrawn was.

Thrawn fans get involved in several different ways

Almost a third have made Thrawn art and 40% wrote something.

Several people went to the Chiss fan meetup this year.

60% of people bought something Thrawn related.

Books was the top item purchased, with over half of people who bought something buying at least one book and most buying several books.

Comics were also popular with the reprinting of the 2018 comic.

Please let me know if you have any questions or would like me to cross-analyze anything!

[utilitycaster]

Weirdly specific and overly long Critical Role Ask Meme

The annual Thanksgiving Hell Drive tradition that matters only to me!

Character you don't particularly like, but will defend vehemently when people dislike them for the wrong reasons.

Favorite unhinged shopkeeper.

Minor character people in the fandom are obsessed with that makes you go "them? why?"

Minor character you are (correctly) obsessed with.

Meta you would write if you did not fear people would be SUPER weird about it. This is also an invitation to write that meta and block the haters.

NPC you would most like to see as the subject of a Tales of Exandria series.

Alternate outcome in a main campaign that you don't necessarily wish happened, but that you wish you could see played out in an alternate universe before returning to ours.

You may personally require that Liam O'Brien plays a non-core four (ie, not a Rogue, Wizard, Cleric, or Fighter) character for at least 10 episodes - he cannot in any way be one of those classes, even as a multiclass. If you like Orym, assume this has no impact on him. What class or multiclass do you have him play?

Location in Exandria you'd like to see in a possibly canonical one-shot/EXU but with non-main campaign characters (as in Song of the Lorelei/The Darrington Brigade)

Favorite and least favorite Matt Mercer Original Subclass.

A common stance within the fandom you would most like to eliminate on the specific grounds of hypocrisy/self-contradiction.

Best ship of the literal seafaring vessel or skyship variety.

Favorite D&D PC (guests & EXU included but must be a PC) of [class provided by the asker]? Note that as of posting there is only one option each for artificer (Tary) and ranger (Vex), so don't ask those.

Describe the art you would most like to create or commission if talent/money were no object.

Favorite one-on-one conversation (can be between two PCs, or a PC and NPC).

Favorite group (all/most of the party) conversation.

You know that post that's like "I wish you could filter in ao3 on 'attitude towards a canon event'?" In the world of imagination, you can! What's the event or attitude?

Share one unpopular opinion but it must specifically only pertain to Sam's ads.

You can swap one subclass (not class) for any one main campaign main cast PC. Which character, and what's their new subclass?

What non-D&D TTRPG would you most like to see Critical Role run a one shot in?

You can eliminate one ship that did not become a canon, reciprocated relationship from the fandom's consciousness. It is entirely gone - no fics, no posts, no doctored out of context gifsets inexplicably claiming that Travis ships it, no anon hate, no drama. Your blocked tags list becomes several entries shorter. A weight is lifted from your shoulders, and you take the deepest breath you've taken in a long time. Anyway, now that you're feeling relaxed and inspired, what do you think Bertrand Bell's fighter subclass was?

Assume that every single non-multiclassed wizard PC OR significant wizard NPC (includes EXU Calamity) are in a battle royale, and all are level 16. Who would you bet on as the winner?

You can guarantee that Vax lives at the end of Campaign 1. However, you must trade his permadeath for the permadeath of a different PC who was dead for more than a minute. Your options are Percy dying permanently in 1x68; Scanlan dying permanently in 1x83; or Laudna dying permanently in 3x34. Do you choose to do so, why, and whose death do you trade?

You can guarantee that one Evergreen Question you write is pulled on 4-Sided Dive AND that the four cast members you most want to answer it are on that month. What's the question, and which cast members answer it?

What class do you most want to see Matt play if he is in a future EXU campaign as a new (not Dariax) PC?

You must swap one nat 1 die roll with one nat 20 die roll. They must both be from the main campaigns, but can be cross-campaign. Which are they, and why?

Pick one character, ship, or party; and one song you associate most with them, and explain why. This song cannot be on an existing playlist from the main cast. It also cannot be We Have it All by the Pim Stones nor Dust Bowl Dance by Mumford & Sons; I love those AMVs but please think for yourself.

Think back to all weird or bad opinions (pertaining to Critical Role) you've seen but which were not elaborated upon. You get to make one, and only one, person have to provide an honest response about what the fuck they were thinking. Which opinion do you receive the honest explanation for?

You can give any PC a Staff of Birdcalls. Who do you give it to?

What is your favorite theory or headcanon that has absolutely no bearing on the plot and isn't important at all, but which is completely compliant with canon?

A really weird fey entity grants you the following boon: you can magically make it so that whenever people try to draw Imogen with glasses, the glasses magically disappear. All you need to do is hit the DC. The DC begins at 15, it is a simple d20 die roll with no modifiers/additions, and you can reduce it by one for every month you live with canon, pre-episode 2x26 Mollymauk Tealeaf. You do have your own room, but the walls are thin. After 15 months you automatically succeed and Molly disappears as though he had never existed. How many months do you live with Molly?

If the CR main cast were to play the original 7 tombtakers per The Nine Eyes of Lucien (Brevyn, Cree, Jurrell, Lucien, Otis, Tyffial, and Zoren) in a one shot, who should play whom? Assume Matt DMs, but you do not need to have Taliesin play Lucien.

You may ask any member of the cast one, and only one lore clarification question. What do you ask?

You meet an old woman in the grocery store and help her with her bags. In return, she tells you she can guarantee that Campaign 3 will be fantastic, and that there will be a Campaign 4 set in Issylra that is also fantastic. However, she warns you, the price is that Marisha and Laura's characters will never be in a romance together, nor will Taliesin and Liam's, though there will be significant queer romances aplenty, both F/F and M/M, in said campaigns. Do you take her up on her offer?

You can set the time and place of the next EXU series, but it cannot be within 100 years of the Calamity nor Divergence. When and where do you set it?

Every cast member must create a main campaign character loosely based off a character they played in a one-shot not set in Exandria, a la Chetney from Chutney (as a result, Travis is excused from this exercise). Who should they choose? (Please note that Bar Room Blitz is set in Exandria. You cannot pick Jayne and you're boring for thinking it.)

You have to take a 16 hour road trip with one NPC from each campaign (all at once, ie, three other people). The NPCs cannot shorten the road trip in any way and the road trip must be via driving but you can do it in two 8 hour days and share a motel room if you'd like. Who do you pick?

Assuming that your rent and basic living expenses are paid regardless, nothing cataclysmic happens while you're there, and your race and class are perceived as completely average and nothing to comment on, which city in Exandria would you most like to live in for a year? You must spend the vast majority of your time there.

Favorite parental figure NPC?

What named but as of yet unseen character do you most want to see onscreen?

[stop-breaking-my-heart-telltale]

I read Clementine Book Two so that you didn't have to: an in-depth review from a fan of the Telltale games.

Rating: 2.5/5

Spoiler free review: While better than Book One, it’s still not great.

“When is it safe to fall in love? After another brush with death, Clementine and her new friends are rescued by an island community led by an enigmatic doctor named Miss Morro. But, just as Clementine’s scars are finally beginning to heal, the safety of the island is called into question and Olivia reveals a shocking secret. With her world falling apart, Clementine must choose—keep running… or dig in and fight?”

Some things are improved with Book Two, and some things are worse.

The art style looks nicer, particularly with the establishing shots and environments. It’s cleaner without losing the grunge that comes with a post-apocalypse. The characters look better, even though they still sometimes have potato heads. Once again I wish this was done in color because I know how great Tillie Walden is with her coloring, but this is the walking dead and color would be too hopeful, I guess.

The pacing is better, but still not good. I had an issue with pacing in Book One where it dragged, then it gave me whiplash in the last few chapters. It was all over the place. This feels smoother, yet it’s the same issue as before: chapter seven feels like whiplash as everything spirals, then we go into a slower ending.

The dialogue is still awkward in a lot of areas; sometimes it tries to be whimsical, which is something prominent in Tillie Walden’s other works where it lands, but here in this setting it feels cheesy and unnatural.

There are a lot of flaws with Clementine’s writing, though, but that’s a given when you’ve played the games. If you haven’t and you don’t have context for her established character there, then I think this will feel like a natural progression from Book One.

The new cast is likable, but I have a few issues with Miss Morro’s role in the story. Olivia gets some much-needed development, but not all of it necessarily for the best.

The romance between Clementine and Ricca progresses, taking up more of the spotlight than it did in Book One. I went into Book Two with an open mind about clemricca. I can set aside my bias for clouis, I can tuck violentine, gabentine, and any other Clementine ship away to give clemricca a chance to show me it’s a good relationship. Except I don’t think it is. I have a lot of problems with it.

As for the actual plot, I enjoyed the island setting and the community, but it feels like a massively missed opportunity. The ending is… a lot.

My full detailed review is below. I give a quick recap of Book One and spoil everything for Book Two.

A Quick Recap of Book One

You can read my full review of Book One here, but to summarize:

Clementine left Ericson because she was unhappy. She felt like a liability to the group, so she’s traveling on her own when she comes across a group of Amish survivors. While there, a doctor treats her leg and gives her a new prosthetic, as well as some other supplies. Out on the road again, she meets Amos, an Amish boy set out on his Rumspringa to help build houses in the mountain in exchange for a ride in a plane.

Clementine and Amos become buddies by the time they make it to the mountain. There they encounter the twins, Georgia and Olivia, and Ricca, another survivor looking to help with this building project. Clementine decides to stay and help, too, since she’s untrusting of the twins and wants to look after Amos. They build in terrible, snowy conditions. Clementine, Amos, and Ricca form a little friend group all while Amos and Olivia grow close… apparently, it’s barely a thing but it’s important to know.

Clementine and Ricca also grow pretty close. Ricca confides in Clementine that her vision is worsening, and she fears she may not find another pair of glasses that work for her. She has some past trauma with her sight given her brother broke her glasses so that she had no choice but to rely on him, and once she found a new pair, abandoned him to set off on her own.

When Ricca falls into a pit on a trip to get a generator, Clementine reveals that she named her new leg Kenny. Ricca climbs up out of the pit and promises to look for help, but Clementine decides to explore and gets surrounded by walkers. Luckily, she’s saved by a man named Tim, who gets bitten. Tim gives her some encouragement about building a better world, and she leaves before he can turn.

Georgia and Olivia get into a fight, but everything else seems well and good: they got the lift working with the generator, and Olivia tells Clementine that she plans to leave with Amos. But then Georgia pushes Amos off a cliff, and then tries to kill Clementine and Ricca.

From there, everything goes to shit and they manage to overpower Georgia. With her and Amos gone, that leaves Clementine, Ricca, and Olivia as the survivors. They go back to Olivia’s place and it’s revealed that her mom was actually a walker this entire time and building the houses was pretty pointless. Good thing Olivia knows how to fly a plane, though—the three escape via plane. That leads us into Book Two.

The Plot: I'm on an island of grief, surrounded by an ocean of disappointment

Before I dive into individual characters, the romance, and other thoughts, I want to go over everything that actually happens in this book.

We pick up only weeks after the events of Book One; Clementine, Ricca, Olivia, and their cat, Dr Barnwell, survive crashing the plane they took... somehow. From what I can tell, there were no injuries due to that so props to Olivia for not only knowing how to fly a plane, but crash land it good enough to not die.

They've landed somewhere in Canada, which is where Ricca's originally from. The three girls and their cat are on what looks to be a roof, talking about how they need to get to the coast since Clementine feels they're getting closer to something. Then we get the first inklings of romance in the air with Clementine being a little optimistic, and Olivia telling Ricca it's because of her.

This leads into the section of pages that was teased prior to release. They're going over their multiplications when they see a rabbit. Ricca chases after it because of course you want to send the person with the worst eyesight to catch dinner, but I suppose if she didn't go, then Clementine and Olivia couldn't talk about how not okay Olivia is.

Which makes sense; her twin sister, Georgia, murdered Amos, her... boyfriend? Honestly I don't know if we can even call him that, the Amos and Olivia "relationship" in Book One was underdeveloped and practically non-existent... yet it has great consequences that we'll get into... oh boy, will we get into it, ugh.

But Olivia's feeling like the screw up of the group; she's worried that she'll ruin Clementine's plans; "I'm bad luck. I'll... just hold you two back." / "Georgia and Amos are dead. I keep waiting for them to be next to me when I wake up, but every morning they're not there. There's no place in the world that will make that feel okay."

Clementine has no time to comfort her as Ricca's lost the rabbit to a herd of walkers that chases them into this little shack. They grab a walker and begin smearing its guts all over themselves.

The manage to escape. It's raining as they try surviving off dandelions and acorns, and they're out of willow bark, which is the stuff Rabby gave Clementine in Book One to help with pain. "Kenny" has felt so uncomfortable since the plane ride, and I've been uncomfortable ever since Clementine decided to name her prosthetic after Kenny, of all people.

But never mind that, it's time for Clementine and Ricca to share a moment in the rain. On top of her leg hurting and Olivia struggling, Ricca's eyesight is getting worse.

And then Olivia gets grabbed by a couple of men. They demand that Clementine and Ricca drop their weapons, and Olivia asks them to not hand over the hatchet since it belonged to Tim... this is the last mention we ever get of Tim.

And they get away from them super easily.

These men never come back and have zero impact on the story.

Our three protagonists take refuge in an abandoned home where we see them bandaging their wounds. And this is where cheesy dialogue that might sound better in another work sounds less great here:

Ricca: Why is every day so hard? Clementine: It won't be like this forever. Ricca: The world might not give us a choice, Clem. Clementine: Then I'll change the world.

...Right. Also, take note that Clementine and Ricca's hands are touching. The build up of the romance isn't terrible, honestly... I just wish the actual couple wasn't Clementine and Ricca, but I'll get more into that later.

They're getting closer to the ocean when they hear other survivors above them... and just like that, Clementine's feverish. She can't get up from the ground, her leg looks terrible, and she starts blacking out. It's jarring how out of nowhere she's suddenly in terrible condition. I think we're to assume that the lack of rest, being stuck in the rain, and being covered in walker guts made her condition decline, but when you realize just how bad it is... it doesn't make a whole lot of sense.

Ricca and Olivia do their best to carry her. Ricca begins singing a Jewish song about angels, and they make it to the beach. There's a boat in the distance that they have to flag down if there's any hope in Clementine surviving.

This is very dumb on their part. Olivia just runs into the ocean screaming, Ricca goes to help, and they leave Clementine on the beach with the cat... bad idea.

And we get our first dream sequence.

When I said I wanted Amos back, I meant that I wanted a big reveal that he survived the fall and was back for revenge, but nope! In Book One, we had Lee showing up in these bits, but he doesn't make any appearance in this book. Neither does AJ.

My extreme disappointment aside, Ricca and Olivia scream at the boat for help. But the waves are strong, and Clementine ends up swept into the ocean... dreadful sorry, Clementine. Who could've seen this coming?

Don't fear, though, she gets grabbed and pulled into the boat... and we fast forward to a month later. Yes, really.

Clementine wakes up in a new room, a comfortable bed, with a lovely view of the cliffside and ocean. She's been in a coma for a month... a month! Olivia's been feeding her and changing her bedsheets the entire time which... I don't think that's how that works?? You can't just spoon feed someone who is in a coma? You need feeding tubes? Which she wasn't connected to any! And with the way Morro explains her condition later, by all accounts, Clementine should be dead!

But why did she black out and fall into a coma, you ask? Her leg had a massive infection. I guess she wasn't cleaning it properly.

Whatever, Clementine still maintains her protagonist powers, so she's awake and well. Suspension of disbelief, y'know.

They're in this place that isn't actually given a name. It's made up of five little islands that almost connect, but they only use one. They farm, compost, build; every week there's a list of chores that everyone signs up for, they all have their own little houses and areas. They don't have to worry about walkers too much, other than when they wash up on shore from the water. It's a pretty damn nice set up... sure hope nothing bad happens to it.

Olivia's happy to see Clementine when she wakes, but they can't get Kenny back on. Clementine's rolled out of the house in a wheelchair to go to a birthday party. At this party, Clementine and Ricca reunite with a hug, and we're introduced to our new group of eight survivors:

Emi - She picked Clementine, Ricca, and Olivia up in her boat as she's the only one not afraid to go out on the water and fish. John - Morro's son. He does a lot of work on the island, like building walls and taking care of the cow. Amir - A young boy who lost his arm when he was bitten by a dog and his father didn't believe him. Shu-Fen - but they mostly call her Fen. She's quiet and keeps to herself. Ginette and Giles - a old, married couple who only speak French. Mercy - a young girl that Ginette and Giles take care of. Morro - she's not at the party, but at this point we learn she's in charge of things around here. Also, she's a doctor.

It's a lot of characters thrown at you all at once, but they're fairly easy to pick apart and remember. Definitely easier than trying to keep track of Georgia and Olivia in Book One.

So, what's the deal with this birthday party? Not everyone in this group could remember their real birthdays, so they decided to make one new birthday for everyone. There's cake, games, little party hats, all around good time.

But Clementine's not convinced. She's uncomfortable, she's asking a lot of questions, and this is where we start to see some tension between her and Ricca.

Y'see, Ricca really likes this place, and wants to settle here. Remember, while Clementine was in her coma, she and Olivia have lived here; they've already settled in nicely. They live in the house that's on the highest cliff and is deemed quite safe.

But Clementine is naturally suspicious of everything and is looking for something to be wrong, like that there's only one boat- one escape. This is an ongoing thing where Ricca wants to act like everything is fine, everything is safe, this is what they were looking for to begin with... and Clementine doesn't want to ignore any possible red flags; "Everything is fine until it isn't."

Clementine can't sleep and takes her wheel chair outside for some fresh air, and there she meets Miss Anne Morro. It's actually a well done interaction where we see these two poke and prod at each other the way two strong, leader-like personalities would butt heads. It's also just a little... unsettling. Morro's got that vibe, y'know?

We learn that Morro used to be a pathologist who performed autopsies, but she knows enough to help the living. She says she surprised that Clementine survived given she was nearly septic and she didn't have much in meds... if Clementine was nearly septic and in a coma, she should be dead but it's fine. She just really wanted to survive, I guess. That's what Morro believes it was; "You must've really wanted to stick around." / "You held on like some one with unfinished work."

Morro asks Clementine if she's going to stay as a lot of resources went into keeping her alive, and Clementine points out that was Morro's choice; "Don't pin your regrets on me."

Morro tells her that, while trustworthy, Ricca and Olivia are depressed, and insinuates that Clementine probably is, as well.

Morro smirks, and tell Clementine she'll be expected to work, and that work is everything before leaving Clementine to watch the sunrise alone.

We then get another time skip. Amir shows up on his bike to tell the girls that walkers breached the wall at Borgot. The three of them agree to go help, but they've all got issues; Clementine's been off her feet for weeks and Kenny's not fitting right, Ricca's vision isn't great and it being so gray and rainy doesn't help, and Olivia's been throwing up all week. But it's fine.

They get down there and meet up with Fen, who is surprised Clementine's there to help. Clementine snaps at her that she's been dealing with this shit just as long as she has and can handle a few walkers. She's just gotta get her sock that Ginette's knitted for her first. Ginette also gives her a new hat, the one we see her wearing on the cover of this book.

There are a lot of walkers by the time Clementine gets there. Ricca can't see anything, so Clementine tells her to go to safety... and I want you to really keep in mind how much this book tries to hammer in that Ricca can't see, okay?

Once the walkers are dealt with, we learn from Emi that all of the walker bodies are dragged to Morro so she can "deal with them." Emi thinks it's a waste of time given she's the one who provides the food for everyone, I'm sure it's annoying for her to know what Morro does. John and Fen are too busy helping Morro to help gut fish, so Clementine volunteers Olivia to help with that.

Clementine goes to find Ricca in this little shed where she's working on a project. Clementine tries to comfort her, but Ricca says she just needs to wallow for a little bit and clear her head while she works. She won't let Clementine see what she's working on.

Clementine asks Ricca to meet her on the docks at sundown, and I'm forced to roll my eyes because the miscommunication is exactly what you think it is; Ricca assumes this is a date, but really, Clementine wants to check out Morro's place to see what she does with the dead.

We get Amir's backstory behind his amputated arm: He got bit by a dog, but his father thought it was a walker bite and he was too little to stop him. His father drowned right before this boat crashed on the island. He and Clementine has some cute banter about how she grew taller and waited for her stump to grow, too.

Then we get to know Fen a little bit more- She's originally from Taiwan, but her family was on vacation here with the apocalypse hit, and she's been trying to piece together a world map so she can make it back home. Emi's helping her build a boat but she's still unsure. The map's... well, it's inaccurate.

That night, Ricca and Clementine meet up. Ricca's clearly cleaned up for a date and expresses her disappointment when it's an investigation instead... Clementine's oblivious to this. Truthfully, I feel sorry for Ricca here. I mean, it always sucks when you're excited for something, like a date, only to show up and oh... it's not what you wanted.

Emi comes to pick them up in her boat, and Ricca asks Clementine what it's going to take to convince her that they could be okay here.

But here's Clementine's concern- She's liking the island, but not enough to settle yet. Ricca's eyesight is bad, her prosthetic isn't great. Olivia's depressed. What if there's more out there for them, like an eye doctor or schools? Something even safer?

Ricca isn't satisfied with that answer. In fact, she's kind of hurt with the way Clementine said, "I don't want us to miss out, make the wrong choice."

They go to Morro's place, who is annoyed at being interrupted and tells Clementine her suspicion is tiresome. Turns out Morro's just doing autopsies on the dead. Doesn't matter how degraded they are, she examines each one, takes note of defining details, items on their person, etc. They're assigned a number and buried. It's a lot of work that Clementine questions.

Clementine: Why? Why spend all this energy on them? Morro: They are people. They deserve to be remembered. Clementine: They deserve to be thrown back in the sea. Each of these "people" has maimed and killed who knows how many others... Morro: And? Clementine: And!? In case you hadn't noticed, that corpse and ALL the others are the reason our parents are dead and the world is a pile of garbage. Morro: On this young man I found a medical bracelet. He was allergic to penicillin. I also found a ring in his pocket. Older style. Perhaps it belongs to his mother. His first death was a bad one. Burns, from what I can tell. Anywhere else, he'd decompose and disappear. But instead he washed up here. Kind of like you and your friends.

...okay, we're doing this, I guess. I don't think I need to say that TFS did it better with James and his viewpoint on walkers; how it was deep rooted in his trauma from time with the whisperers, and was meant to make the player think about what actually happens when you become a walker... Are you truly gone? or is there still a piece of you inside that walker? And it showed how far James was willing to go for his fucked up vision of "peace," but it made sense with his character.

This is meant to show how Morro is older, doing autopsies used to be her job, and so she has a different view on the dead. Clementine, however, was raised in this world and has no other view outside of "they're monsters."

But here's the deal, I don't believe Morro's intentions are purely about doing what's "right" for these people. It's about ignoring the real problems on the island and trying to make herself feel like a better person... which I don't think she is. I mean, did'ja see that final jab at Clem? Morro's kind of a passive aggressive ass, and believe me, it's going to get worse.

But Emi shoos them out, and they meet up with John, who is also working this late at night. Ricca steps away from the group and asks Clementine what's out there since everything's fuzzy. It's the graves where all the walkers are buried. Ricca admits there's something off about Morro, and that maybe she's missing something about this place. Maybe it's not safe, but she's scared to start over again, scared of waiting for Clementine to figure out what's wrong and they'll have to leave.

Then Clementine tells her they can stay.

...what?

When I say that I think Clementine's a little fickle with Ricca, this is what I mean. She's watching everything on this island like a hawk, looking for something to be wrong, worried that there might be something better out there... and then she does a 180 like "Okay, we can stay. Didn't realize this was wearing on you."

But that stance isn't going to stay the same! She goes back and forth on things, then we get this:

Ricca: You can still surprise me, Clem. Clementine: I'm sorry that it took me a while. That I made you wait. Ricca: Oh, come on. You know I'll wait for you. Clementine: I know you will.

Put a pin in that exchange; it's important and makes me upsetti spagetti.

Speaking of upset, by now we're at Chapter Four... this chapter makes me unhappy for so many reasons.

The group is waiting for dinner, and we see Clementine's learned how to knit. Amir comes in and tells everyone that the boat is at the beach but Emi and Olivia are no where to be found. He looked everywhere for them but it's so foggy that he couldn't find them. Something's wrong, but Morro is weirdly against sending out a search party... and we see the way she treats her son.

Uhm, first of all, rude. Second, it's gonna get worse.

The group goes searching. Clementine and John talk about Morro, and he says that she's only a jerk to him. She wasn't always that way, but after his sister's bite, she changed.

His sister, Sarah, snuck out one night and came back with a tiny bite. This was back when they didn't know what that meant, so Morro bandaged it up and they went to bed... only for her to turn and eat nearly everyone: his dad, his other sister, Fen's parents... but Morro was able to save him and Fen. And even though all of that happened, they still live in the inn because Morro told them they need to face it.

How funny given Morro doesn't want to face certain things later.

Then Clementine guesses why she does autopsies on the walkers: if Morro looks at each one, then she'll never miss another bite.

That makes no sense.

They're already dead. It doesn't matter if they're bitten. Pi and I were talking about this the other night; wouldn't it make more sense for Morro to be obsessed with checking the living for bites? Every night, they're to report to her office so she can examine them for any bite before they're allowed to go? Who gives a shit if a walker has a bite? What's that going to do for you? Everyone else on the island wants to burn the dead and not waste that much time, but Morro just doesn't listen.

Again, this is why I don't believe her intentions with it are pure. Morro made a mistake that wasn't even her fault, and she lost most of her family because of it. That's traumatic, and this is probably her way of working through that, of "atoning," but she's neglecting the living because of it.

Also, she treats her only living son like shit, so honestly? Fuck her. John doesn't deserve it. I'm team John, he's chill.

He then goes on to explain the backlog of walkers behind the graveyard.

...an entire community of walkers backlogged, you say? And Morro keeps putting them off? I'm sure that won't be the downfall of this group, Anne.

John and Clementine eventually find Emi and Olivia in the lighthouse. They go there to chill after fishing, and Olivia's upstairs getting some air. Clementine rushes up there and we get the first big twist. Are you ready? I bet you're not.

Olivia tells Clementine she got bit.

Except she didn't.

Olivia: I got bit. It's over. Clementine: What? You- show me, Olivia! Where? I'll cut it out! Olivia: I don't know what happened! Clementine: Where!? We have to hurry! Olivia: You can't cut it out, it's inside! I'm starting to turn already, I feel it! Clementine: It's... inside? Olivia: Something moved in me, it's the start of it. I'm becoming one of them. You know, I really liked being alive. Clementine: Olivia, show me where it moved. Olivia, clutching her stomach: Here. Clementine, sobbing and hugging Olivia: Okay, okay, don't worry... it's not a bite.

I... have so many feelings about this.

Just in case you don't get it, Olivia's pregnant. With a baby. And she thought it was a bite.

Remember how I said Amos and Olivia's "relationship" was important? Apparently they had sex in Book One and now she's pregnant. With a baby.

But... why?

I will tear into this more in Olivia's section, but know that I am unhappy. And so is Clementine. She goes off by herself, climbs a hill to overlook the backlog of walkers and just starts screaming at them.

....she says as if this is a new concept to her?

And y'know... given she already raised a baby- you remember Alvin Junior, yes? AJ? Yeah, the kid she left at Ericson? That one, she raised him from when he was a baby, so you'd think she'd bring that up in all this anguish.... but she doesn't. Which is bizarre. This paired with the fact that there are no mentions of Lee makes me think we're moving farther and farther away from the games, trying to establish this as its own thing. Which is fine for those who haven't played the games, but it's a glaring issue for those who have.

Anyway... dream sequence. This time Clementine and Ricca are on a boat that has a bed. It's snowing, Ricca tells her to come sleep, but there's a walker in the bed. It's so... honestly, the only way I can describe the imagery is it's so Tillie Walden, and that's a positive thing, that's a compliment.

The next morning, Olivia doesn't want to talk about her pregnancy. She's going down the "la la la I'm not ignoring this except I totally am la la la I'm going fishing" route, and storms out. Clementine tells Ricca about it, we learn Ricca tracks their periods, and Clementine asks if you don't have a period when you're pregnant... I think Kate must've missed that bit of info when she was giving her the talk in ANF.

Clementine mentions she saw a baby born but blocked it out because it was so scary... either she's talking about Christa, or Rebecca. Christa's the only one we know she was there for since for Rebecca's, she could either help Kenny or help the group, but she wasn't actually there for the birthing process... she was likely watching Sarah get eaten alive, assuming she lived that long.

But that's not important because Ricca's upset again.

Ricca: Do you regret all this? Staying? Clementine: No! No. We'd have problems like this anywhere. It's more that... I've been distracted. I know we've been, like, um... and I want to do stuff, but I need to make it safe first. Once everything is safe, then we can, um... Does that...? Ricca: Oh. Clementine: Ric? Ricca: I think Olivia had the right idea. I'm gonna go. Clementine: Ricca, I didn't mean- Ricca: You did mean it. Go fight your battles. They'll keep you company. Clementine: I- [interrupted by Ricca slamming the door]

What the fuck, Ricca?

I'll be honest, the first time I read this, I had to reread it, like, ten times because I didn't understand why Ricca was so pissed. But just wait, we'll get it to. I keep saying that, but I need you to trust me on this.

So Ricca storms out because reasons, and Clementine goes to talk to Morro about the backlog of walkers. Morro doesn't want to deal with the walkers right now, even though she knows they have to be dealt with eventually. She believes there are more important things that need done first; "Summer is precious here. There's grain to harvest, fish to cure, wood to store. If this isn't done, winter will end us. On top of that, we're behind on herb collection. We're behind on the sea walls. We're behind on laundry."

Gee, I bet y'all wouldn't be so behind if you spent less time on autopsies and more time helping out, Anne.

But Clementine's not having any of it, nor should she.

She knows there's no secure way to hold walkers, and can't wrap her head around how adults can read, write, and know so much that she doesn't and yet still not grasp the way this world works now. So, she'll take care of it.

What could possibly go wrong?

Clementine recruits John and Fen to help her build a tunnel with a door that'll let them control how many walks come out, that way they can deal with them slowly but surely. John's pumped about getting to help so that he can show his mom that he's not a screw up. Some time passes, they build the tunnel, and Morro tells Clementine to be careful that she doesn't lose herself in her work.

This book's definitely making Clementine and Morro character foils, which I like.

On the beach, Clementine and Olivia show just how much they know about pregnancy and their bodies... as in very little. Morro told her "some wild stuff" about the cervix and uterus, and then Olivia's like "she kept asking me about my last period, and I was like, um, why?" She doesn't even know why her period is important! This sweet summer child! How did she and Amos even figure out how sex worked!?

It really showcases how young Olivia is, though. Apparently the baby will be here in about four or five months. It's so... casual? I don't think the whole group knows, but Morro and Emi do and no one is like... "hey, there's gonna be a baby, we should probably prepare for that."

I guess we don't have time for that, though, because we have more clemricca drama to deal with.

Deep breath... okay. It's raining. Clementine's in her wheelchair. She goes to the little shed Ricca's used for her secret project. She won't let her in, by the way, even though it's pouring and they're both getting drenched. This is the conversation:

Clementine: I, um... Ricca: What? Clementine: I don't want you to think that anything is more important to me than you. Ricca: That's kind of how you made it sound. Clementine: What I meant to say was that I want this island safe for us. We can't do anything if we're dead. Ricca: What do you mean "do?" Kiss? Date? Talk about how we actually feel? The dead decide when that can happen!? Clementine: ... Ricca: I love you. And I'm pretty sure you love me, too. But you're not making me feel loved. You're making me feel like you just want to protect me or... Clementine: But I do want to protect you. It's all I think about. Every minute of every day. Ricca: I don't need saving, Clem. I need you to love me. And I need it to be always. It can't start and stop. Clementine: ... I... Ricca: Oh my god, maybe this has all been in my head-- Clementine: Ricca-- Ricca: I get it, okay? Clementine: If I let... if I let myself... Ricca: Forget this. Clementine: You said you would wait for me! Ricca: That's not fair. You want me to wait for the impossible!? Clementine: No, I-- Ricca: I'm done, Clem. Clementine: Ricca, don't go in yet, please, we can talk more-- Ricca, going back inside: What else is there to say? [slams door]

I..... hate this.

Again. We will dive into it in the Ricca/clemricca section, just know that I hate this so much... but wait, there's more coming!

So Clementine's left in the rain, crying, and I'm trying to keep my composure over all of this. Then we cut to her sitting on the beach, presumably the next day, where Giles and Ginette find her and Clementine breaks down crying in Ginette's lap.

We've made it to chapter six; they have the walker tunnel built, they're stabbing the walkers through it, and they're taking the bodies to Morro because of course she's still doing her autopsies. Fen tries to talk to Clementine about Ricca but she's not having it.

Morro's grumpy about this whole situation. When John offers to help her, she's just an asshole to him. She's going off about how this and that needs to be done, and Clementine stands up for John.

It doesn't go well.

And Clementine snaps at her with, "Your daughter getting bit really didn't convince you how dangerous walkers are? But I guess you didn't take that situation seriously, either."

Not gonna lie, I applaud Clementine with that one. But Morro's not going to just take that sitting down. She tells everyone to get out, and poor John is gripping his head, wide eyed, crying...

But Morro, suddenly calm, adds, "Oh, Clementine, I'm sorry to hear about the little break-up. My marriage didn't work out. My only regret is not leaving him sooner. I suspect you might be like me. We're just not suited for love. Better to realize that while you're young. Some things about yourself, well... you just can't change."

Ma'am, you are an asshole.

John is literally right that, and you just casually drop that you wish you'd left his father sooner even though he was eaten by walkers, eaten BY YOUR DAUGHTER who turned, and that you're not suited for love like??? Is that why you treat your son like shit??

Oh, but you're suuuuuuuch a good person for doing these autopsies and burying the dead, right?

Also, this is the second time someone's questioned Clementine's ability to love in this series. The first was Georgia before she was killed: "You've never loved anyone, Clementine, I can see it. You have no idea... how far I'll go... what I'll do..."

Hey, speaking of Book One- hard cut to a dream sequence with Amos and it makes little sense. Clementine's asking him how he and Olivia made their relationship work, they made it look easy and never seemed scared but like..... what relationship?? I have read Book One 10+ times! The relationship was practically nonexistent! He made a comment about her bright eyes and she invited him behind the curtain with her! Then suddenly she wants to go away with him back to his town!

But in this dream sequence, Clementine asks if she's too broken for this romance with Ricca, asking why she's so scared and shit, and just-

Clementine: Am I too broken for this? Amos: You think Ricca isn't broken, too? The only difference is that she isn't ashamed of her scars. She wants to face her fears with you. Not for you. Clementine: She deserves more... so much more than me. Amos, holding a baby??: She deserves the world. And that's you, Clementine.

I'm at a loss for words, I am so tired...

Ricca and Olivia find Clementine passed out in front of Ricca's shack. Fen told them what Morro said and apparently Ricca threw a plate at her head. Finally, she does something I approve of.

Ricca finally lets them in her shack to see the big project she's been working on- a synagogue; "It's like a church, but for Jews."

It's actually a really nice set up she's made, and it feels like Ricca's the only one who has the baby in mind since she's still trying to figure out a crib. She made groves in the floor so that she can move around even when she can't see. She talks about how this is a place for all of them where they can celebrate holidays, rest, pray, sing', etc. She's hoping to have a bat mitzvah one day, so the girls suggest they have one right now for the three of them.

So they gather together, light a bunch of candles, wrap themselves in blankets and put flowers in their hair. Ricca starts by reciting what she can remember from the Torah, and translates what she can for them; "Some of it is peace and God and stuff, then rest I really don't know. I just know that saying the words makes the ground feel... deeper. And it makes the sky seem so much higher up. I guess what I've learned is that I'm actually really lucky. To be here, right now. To have found you guys, this island. The mountain."

Now this is some development with Ricca I like. We've gotten snippets of Jewish culture with her character throughout these two books but this is the first time we've actually explored it and what it means to her.

Olivia goes next; "'It's not gonna be easy, it's gonna be really hard.' It's from a book we read in Vermont. Oh, and my favorite word from the dictionary. Speckle. It means 'a small part of something.'" She shares that she's thought about how everyone starts out as a baby and someone kept them alive without them even asking, and she's thought about them being super little when they had nothing to worry about... I'm sure this is all coming from the fact that she's soon to have a baby.

Now it's Clementine's turn to talk, and she asks to see what Ricca wrote down. It's a paper of words and phrases, symbols, and such that she could remember, and Clementine focuses on, "May there be abundant peace."

And this makes her realize that she does love Ricca.

....wait, what?

My head hurts. Breathe, CJ, breeeeathe.... It's fine, it's only Clementine apologizing even though she did nothing wrong. It's only us ignoring the fact that Ricca was out here pulling the, "I guess you never really loved me" guilt-trip because Clementine wasn't moving at her pace, it's fiiiiiiiiiine.... I'm not upset, I swear.

So... Clementine and Ricca confess they love each other and are officially girlfriends now, and we get more cheese from Clem; "Making it right between us... it feels like the whole world's been saved."

Oh boy. The girls talk about how they feel more adult after their bat mitzvah.

From here, we get into chapter seven where shit hits the fan. The problem I had with Book One had to do with pacing where it had this slow beginning and middle, and then crazy shit happened all at once toward the end... while the pacing for this book is a little better, this is where we just into that whiplash, "what the fuck, how did this happen??"

The girls fell asleep and now it's night. Everything seems chill as they deal with a stray walker and talk about Morro, and we get this line from Ricca, "Anyone who is mean to Clem is dead to me." which I find hilarious since that's literally the attitude the twdg fandom has. But the irony of that aside, shit's going down because they're surrounded by walkers.

The backlog of walkers got out.

There's hundreds of them.

Dr Barnwell, the cat, is back at the house so Ricca offers to go get him while Clementine and Olivia go to Morro's place where they assume everyone's held up... Remember that- Ricca, the one who can't see in the dark, is the one to go get the cat. They plan to meet at the docks.

Ginette, Giles, and Mercy are dead, being eaten by walkers outside of Morro's place. John's also dead inside, having been bitten. That's FOUR off-screen deaths, and lemme tell you, I'm pissed that John's dead. Morro's just standing there while while Emi watches the door and Fen holds a sobbing Amir.

Morro's still an asshole even when her son's dead, she's like, "My sweet, dumb boy." Lady, you were awful to him this entire book!

It turns out John was so upset last time we saw him that he convinced himself he could take all those walkers on, so he made the tunnel bigger for more to come through. He got overwhelmed and couldn't shut it down, got bit, panicked, and ran to his mother. Then he died on the floor. Just like that.

I..... am so upset about John, y'all.

The group plans to take Emi's boat and get outta there, but guess what? Morro's not going; "I'm not leaving my son."

She knows he's going to turn and doesn't care, AND this action of hers indirectly gets Amir killed. I'm serious. She's staying, so Amir starts throwing a fit that he wants to stay with John, too.

Before they go, Morro tells them to get to PEI, since years ago she traded with an herbalist named Saa who could potentially help them.

They leave, and a crying Morro goes to John while walkers break through the windows. She's dead.

Can't say I feel bad about that one, Anne, got gonna lie...

But then Amir gets killed when he continues to scream about going back to John. He gets away from Emi, goes back to the house and opens the door to find John as a walker. Walker John attacks Amir, killing him.

Characters are just dropping at this point, and we're not done!

Emi's crying out in distress, Clementine has to hold her back, and they all gotta make a run for it. They make it to the docks and Ricca's not there. Clementine refuses to leave her behind, and they get overwhelmed... and Emi saves Olivia, but gets bitten. Emi grabs a bunch of the walkers and drags them all down into the water with her... and she's gone.

I need to stress this... everyone except Fen from this new group is dead now, all killed in a SINGLE CHAPTER. This isn't like S2 where everyone from the cabin group eventually dies; that happened over the course of the season with each death hurting more and more until it all ended with Luke's death on the lake, and by then you're so numbed by the loss... this is just boom boom boom, DEAD.

And guess who shows up. They try to fake us out by making us think Ricca's a walker, but no. She's fine, and she has the cat.

Tell me... how the fuck did Ricca navigate the island in the dark to grab Dr Barnwell and make it to the docks in time when she can't fucking see anything??? HOW??? This book has hammered home that Ricca can't see. She can't see in the dark, she can't see in bad weather, she can barely see in the light! You expect me to believe she did all of this without getting chomped? That she made it back in time? UGH.

John's dead. Emi died to save Olivia. Amir's dead. Giles, Ginette, and little baby Mercy are dead....... but somehow, somewhat, Ricca managed to survive, I'm.......... I'm not saying I want her dead, I'm saying I'm upset laughing right now.

Anyway... that bullshit's over. Chapter eight, three weeks later, they're in this community looking for Saa. Their boat got stolen, they're living off rotten potatoes, and they still haven't found Saa. Clementine and Fen wander around until someone can point them in her direction, and they find Saa and Derrick.

Saa's a woman in a wheelchair, both legs amputated from before the outbreak, and Derrick seems to be her right-hand man.

Saa has Derrick get them a supply bag and lets them on her boat. She's planning to leave town and shows Clementine and Fenn her world map. Remember how Fen was trying to piece together her own map? Yeah, she gets overwhelmed when she realizes just how off her map was. Taiwan's farther than she expected, so she leaves believing she'll never make it home.

By the way, I am happy Fen survived. I think she's a neat character and I'm interested where Book Three takes her character.

Saa's quite likable for a character introduced so late in the book. She talks with Clementine about how amputees existed before the dead rose, and Derrick comes back with a box of supplies. We learn that Saa wants to go to Greenland since she got a letter from a friend who went there, and Clementine's surprised that letters are a thing.

Also, Saa's crew might be dead. She doesn't believe they are, but Derrick does. This gives Clementine a lightbulb moment, and she offers her group to be Saa's new crew.

Saa: Woah, woah, we need five experienced hands, not two kids. Clementine: Olivia is experienced! She knows boats! Saa: Are there five of you? Clementine: Yes! Saa: Are you lying to me? Derrick: Definitely. Clementine: No! No, it's just... Only four of us can help. One isn't born yet. Derrick: Oh my. Saa: No. No.

But don't worry, Clementine sells the group well enough that Saa reluctantly agrees. I guess we're going to Greenland in Book Three.

They camp, and in the morning Clementine drags Ricca and Olivia to this person who takes polaroid photos... because there'ssomeone who just does that, I guess. Then they head to the boat. They set sail, it's a grand ol' time.

Then Clementine and Ricca have their first kiss.. and we head into chapter nine.

I think everyone's heard of chapter nine by now, but whether you've heard of it accurately is another story. Do you know how many comments I've read on reddit about this chapter that are just... false?? Spreading misinformation?? It's ridiculous.

Clementine and Ricca have sex this chapter, but there's no sex scene. It doesn't even show any kissing. It's literally a fade to black. It's not explicit, and no, reddit, it's not like 50 Shades of Grey, you dumbasses.

They're laying together in what I assume is their room on the ship, talking about scars, and this is how conversation progresses:

Clementine: Back in Vermont when we’d bump into each other in that tiny cabin… my whole face would feel hot. Ricca: I remember. You were hard to reach, then. Clementine: I remember. Ricca? Ricca: Hmm? Clementine: Have you had sex before? Ricca: Yeah, have you? Clementine: No… I’m still not totally clear on what it is… Ricca: A lot of it is instinctual. Clementine: Bullshit, maybe for you. Ricca: I’m serious! You and the other person respond to each other. Clementine: Stabbing walkers in the head when they’re trying to kill you is instinctual. This… this is… so overwhelming. Ricca: Doing anything for the first time is… Think about the first time you shot a gun, or started a fire. Clementine: I remember my first walker… I was so scared that day. That year. Ricca: You were alone? Clementine: I was. But I’m not now. I don’t have to figure this out myself. You’ll show me everything? Step by step? Ricca: Of course. We can take our time. Clementine: Doesn’t it feel like… like we have to hurry? Do everything we can as soon as we can? Ricca: Why would we need to? I’m not going anywhere. And we are in the middle of the ocean. Clementine: I know, I know, it’s not that, it’s… Whenever I feel happy, when it’s peaceful like this, it always seems to get cut off. I want to make this feeling… this night… last. How do I do that? Ricca: You mean… How do we stop time? Clementine: Yeah. Can you teach me that, too? Ricca: Hmm… Clementine: I’m not asking for much, just for tonight to last a little longer. As soon as the sun comes up, there’ll be so much to do. Ricca: For you, Clementine. I’ll have a word with the sun… and ask for a little more time.

Clementine wakes up the next morning to the sunlight pouring in through the window with tears in her eyes.

The end; to be continued in Book Three.

That's the whole plot. That's everything that happened.

It's a lot. Book Two's longer than Book One, but I found myself enjoying it a little more... but with that comes even more disappointment than before. I can see a good, solid story here but it wasted a lot of opportunities. I hate that it introduced a new cast of characters just so it could kill all but one of them off in a single chapter, that hurt. The romantic subplot is bad because, in my opinion, the couple involved shouldn't be together. There's stuff to like, hence why I've given it a higher rating than Book One, but it's bogged down by some major flaws.

But let's get into the character's now.

Dreadful Sorry, Clementine...

The best way I can describe Clementine is she's incredibly inconsistent with the game's depiction of her, but she's consistent between both books. Ignoring the games, this feels like a natural-ish progression of her character from Book One.

I believe I mentioned this in my review of Book One, and if not there I've said it before, but this Clementine is like if we skipped TFS. Book One felt like we picked up right after ANF, except Clementine decided not to go after AJ and instead went off on her own, that's how angsty she was... even though that doesn't make sense because we know she was at Ericson and AJ was the one to cut off her leg. It's a regression you won't notice if you haven't played the games, but most of us have. That's why people call her Tangerine. We're backtracking to tell the same character arc in a different, less compelling way.

There were more points in this one where I feel the real Clementine peaking through, though, usually when she's sassing Morro. But the rest of the time it's just a shell of who she once was.

I will say that I find the approach to Clementine's knowledge... interesting? She's definitely dumbed down a little, but it feels like a situation where the book needs the reader to know something and uses Clementine to get that information across, resulting in her looking dumb. Remember when she didn't know she needed to wash her leg in Book One and everyone threw a fit? It's like when you're watching a movie and a character pulls the, "As you know," out; if the character already knows, why are you telling them? You're not, really, you're telling the audience. It's the same vibe; we need to know she needs to clean her leg.

But here we get to also look at Clementine's lacking in educational knowledge. I've already read some people being grumpy that she struggles with reading and writing her name, and fair enough... but remember that Clementine's education stopped at first grade. I think these books are trying to tell the story of someone who grew up in this world... as in Clementine's not exactly practicing her reading and writing every day the same way an average student does in the modern world. She's going to struggle. That's something the games just ignore and make her read super well, and they did the same thing with AJ. No five-year-old can read that well, especially if taught by another less educated person, c'mon now.

Also, y'all crack jokes about how Clementine has a first grade education and can't do math and shit but then the comic presents that in a more realistic way than the games and suddenly you have a problem? Mmhmmmm.

I like that Clementine airs that frustration with Morro about how adults know how to read and write and they know all these things she doesn't understand, but she has the knowledge of how to survive in this world better than any adult because she grew up in it and has little knowledge prior to this life.

She's also paranoid for a lot of the time on the island, which makes sense. She's witnessed enough community failures to be wary of things seeming too good to be true. Plus, she was in a coma. She has every right to wake up unsure about everything, and it's annoying that Ricca and Olivia never stop to consider that they've had a month to settle in and get comfortable, Clementine hasn't. She's trying to catch up. Ricca especially gets annoyed that she won't just hurry and feel safe already and that's a whole can of worms I'll get to.

This book hones in on Clementine becoming an adult after growing up in this world...whatever that means. By now I think we're to assume she's 18, and it gives us two growth scenarios where Clementine has a birthday and a bat mitzvah, which I think is supposed to show a "new chapter" in her life, so to speak.

This book also tackles her falling in love like it's the first time... which I guess means we're dealing with a single Clementine from TFS. I mean, if we have to do this, I'd prefer that. So y'know... anyone acting like this series made Clementine a "cheater," that's inaccurate and you know it, you're just trying to make everything worse than it really is.

I just wish Clementine fell for someone who didn't twist things to be her fault or guilt her into moving at a pace she clearly wasn't comfortable with. Then the book acts like Clementine had to have an epiphany that she does really love Ricca as if that's growth like.... stop. Stop trying to tell Clementine she's incapable of love as if romantic love is the only valid love that everyone has to learn to have. Clementine did love. She loved Ricca and Olivia as friends in this shitty world; she loved Dr Barnwell; she loved Amos enough to dream about him in order to seek his comfort, like... this Clementine is capable of love.

She apparently didn't love anyone at the school enough to stay but ahem not the point-

I can tell that Tillie Walden's not as comfortable writing for a character that's already established versus her original characters. It's so easy for everyone to throw around "this is just fanfiction!" like it's an insult [how ironic given the fandom tends to thrive on fanfiction but sure lets use it as an insult when convenient] but let's be serious about that for a moment.

There's a certain skillset in writing what's considered "good" fanfiction; I believe anyone can write fanfic, but tastes will always be subjective as not everyone will agree what's in character or not, and not everyone finds the same prose enjoyable. There's always room to improve when you're writing fanfiction, but not everyone will like your stuff.

I've read a lot of what I'd consider bad fanfiction in my time; clunky and awkward prose, unnatural dialogue, unappealing storylines and decisions, characters behaving in ways they never would in the source material. We all know how the thought of "They wouldn't say that," can take you right out of the fic you're reading.

When writing, the source material is a helpful tool that I encourage all fanfiction writers to take advantage of. The characters already have an established voice that you have to mimic, mannerisms and facts of their life to consider, and there's a lot of interpretation at play. Based on what you know of them, how would they react in this situation, or that one? If you're familiar enough with the source material and have the dedication, you can create some amazing stories.

I don't think Tillie has the right "toolbox," if you will, for fanfiction. She's skilled in writing her own characters and stories, something that's impressive as not everyone can do that, but she clearly struggles with Clementine. She's played the games [yes, I believe her when she says she played them, keep your snark in your lip] but she hasn't played them the way fans and fanfiction writers have. She's not using the source material the most effective way, and that might be on purpose, honestly. She only uses enough to remind us that this Clementine's originally from the games, but not enough to make her convincing.

All in all, Clementine's the most developed character in these books, obviously, but she's not as great as she could be. She's definitely more tolerable in Book Two than Book One.

Oh, Miss Morro, how you've disappointed me...

I don't like her.

I got beef with Anne.

I so desperately hoped she was conducting science experiments on the walkers. I wanted her to sew body parts onto walkers to see if they functioned; to see her create monstrosities for the sake of science or whatever other bullshit.

But no, she's just an asshole doing autopsies on walkers to make herself feel better while ignoring the big problem that eventually lead to their downfall. She mistreats her son even though he does most of the work around the island.

And she knows there's a lot of work to be done but spends that precious time doing these autopsies despite everyone knowing it's a waste of time... then she has the gall to lecture Clementine about not wasting time. She's passive aggressive, aloof, and just... unpleasant? Even when she's being nice, you get the sense it's fake.

While she's a better "antagonist" [if you can call her that] than Georgia was in Book One, she's just another disappointment. Why not go ham with it? We're on an island that seems too good to be true, you've got this old woman who leads the group but goes off to her little shack at night to work with the dead, you've established there's only one way of escape and that's Emi's boat... make her fucking crazy!

I get we're trying to be deep and psychological with her trauma over losing her family after she disregarded a bite, but it falls flat. You can't just make her an asshole the entire time and then her son dies and she's suddenly like, "ah, my poor, dumb son... I'm gonna stay here and be eaten by walkers now, I don't want to go on."

Imagine this, m'kay? Remember how I said she should be more concerned over checking the living for bites? Say she's obsessed with doing that and everyone sees her point since they don't want a repeat of what happened... then one of them does get bitten, either by a walker or something else, and they gotta deal with it... and then it's revealed that Morro used them in her experiments when Clementine finds them as a walker with parts sewn onto them and shit. Have John be in denial that his mother's doing anything fucked until he has to face it head on! Have everyone turn on Morro! Make her dangerous!

She's not a compelling character, she's just a bitch and I don't like her... and that's the wasted potential of this book right there.

Ricca upsets me

Okay, listen... I don't like Ricca.

I don't think anyone does, but I don't think any of you understand, y'know? She isn't a bad character just because she isn't Louis or Violet, or because you're pissy about the comics existence.

There are layers to why I don't like her. This is a "you don't understand her like I do" situation, except most people use that phrase when they're up their own ass and wholeheartedly believe their interpretation of their favorite is the only correct one, but me? I'm up my own ass about this character I don't even like!

Most of y'all haven't read the comics like I have. That's why you're here. Either you've read through them once or twice, you've only read other peoples reviews and formed your opinions based on them, or you've watched a video of someone reading the comic and they've influenced your judgement.... but me? I've studied these comics! I've read them critically, analytically! I went into this with an open mind about Ricca; I gave her a chance! I gave clemricca a chance! Which is more than I can say for most of you!

And all I've gotten in return is a headache!

Let me get the good out of the way, because there are things about her character that I do like. If you'll recall in Book One, Ricca mentions that she thinks she's the last Sephardic Jew left, and in this book we see her singing Jewish songs, she builds her own synagogue, and we get the big bat mitzvah. I really like that it wasn't just a throwaway detail that Ricca's Jewish, and that we get some exploration into that side of her.

Her worsening eyesight was interesting for me as someone who also has terrible sight and needs glasses to function, but it kind of gets ruined when we've built it up for so long only to toss it out the window in the end. She's supposedly blind at night, yet she made it through a herd of walkers back to their house, grabbed the cat, and made it back to the docks in just in time leave with everyone?

Absolutely not. The only way I could see that working is if she had a way of knowing where she was at all times without her sight, like what she did in her shed with the floor. It's unclear if she's covered herself in walker guts, but that's another way she could've made it without getting bitten... but that still doesn't help that she cannot see and doesn't have a means of seeing without her eyes.

Sorry, this is supposed to be what I liked... I do like the glasses stuff, just not when it's inconsistent. Ricca also has some funny lines here and there, she's definitely a little snarky and sarcastic at times. She's hardworking, and picks up the slack when Olivia's too depressed to do anything, which I appreciate, but... that's it. There isn't a whole lot else I enjoy about this character.

Everything I dislike stems from her relationship with Clementine.

First of all, they have little to no chemistry when it comes to romantic banter. It's bizarre, though, because I believe the trio's friendship more than I believe Clementine and Ricca have some sort of deeper connection. Without Olivia there, it's awkward.

Clementine's focused on the island, determining if it's safe, looking for something to be wrong or dangerous. Ricca wants to turn a blind eye to any potential danger as she wants this island to be their safe place to settle, and gets irritated with Clementine's paranoia.

And just... it pisses me off that Ricca tells Clementine that she'll wait for her. At this point, it's pretty obvious that they have romantic feelings for one another, for some reason. But, Clementine's rather fickle about it due to fear. Ricca telling her that is meant to be this romantic notion that she loves her enough to wait until Clementine's ready for a relationship... except no! When things don't go the way she wants it, Ricca throws it back in Clementine's face and it's so shitty!

Clementine wants to protect her and Ricca acts like that's a bad thing? You don't feel loved because Clementine wants you to be safe? You don't need saving?? Girl, you DO need saving because you can't fucking see! We've spent this entire book establishing that you need help because of it! And then you use that to tell Clementine that you need her to love you always!

Ricca's so awful in this moment. Then she accuses Clementine's feelings of not being real just because she's not responding the way she's "supposed to," and that's cruel.

"I'll wait for you," is a lovely lie, isn't it? Pretty, but hollow. You don't get to say that and then when Clementine calls you out on it, throw a fit that she's in the wrong for making you wait for the impossible, as if you're a victim in all this!

Ricca, Clementine doesn't owe you shit. She doesn't owe you a relationship just because you supposedly love her. Hell, if you did love her, you wouldn't be acting like this! If Clementine isn't ready to kiss, or say she loves you, then she isn't ready and pressuring her is bullshit.

"Oh we should talk about how we actually feeeeel~!" Fuck off, Ricca, she told you why she's scared of having a relationship right now and why she wants to island to be safe.

Can you imagine if Louis and Violet behaved like this? Imagine ep2, Clementine tells them, "Hey, I like you but I want to make the school safe, we need to deal with the raiders first before we focus on us," and they were like, "I'll wait for you, Clem." Only for ep3 to come around and they're like, "That's not fair, you want me to wait for the impossible! I? I'm done, Clementine, your feelings for me weren't real!"

But Louis and Violet never did that because they respected Clementine as a person with autonomy! If she rejected them romantically, neither blew a gasket. Neither accused her of toying with their feelings. The only time something like that comes up is if Clementine romances Violet and then lets her get taken by raiders, but in Violet's defense, I think she has a good enough reason to throw that around, y'know?

Ricca's just being mean. She's intentionally trying to hurt Clementine's feelings because she's sour that the relationship isn't progressing exactly as she wants it and she's tired of waiting.

But the worst part? The book presents this as Ricca being right. At the bat mitzvah, Clementine realizes she loves Ricca and that she was wrong and I'm furious. Not a single mention of Ricca's shitty behavior, no apologies for the guilt-tripping or being vindictive, nothing! Clementine was wrong to prioritize the island's safety over her feelings for Ricca! What a lesson she's learned, folks!

How.... dare you, frankly. I hate it so much. It's acting like it's this deep relationship that's exploring conflicted feelings and handing all these emotions with care but... all I see is Clementine having valid reasons for not wanting a relationship right now and Ricca guilting her until she changes her mind. Clementine shouldn't be the one apologizing here.

I guess we gotta talk about chapter nine now.

I don't want to say all of you have blown it out of proportion, but most of you have. Clementine and Ricca have sex. It's not explicit. Nothing is shown. There isn't even any kissing. There's cheesy dialogue. It's a fade to black. I don't think it could've been done any more tastefully than that.

If it wasn't Clementine involved, not a single one of you would've batted an eye. But because y'all are white knights who put Clementine on a pedestal, her fictional honor is apparently at stake and here we are.

Look, I'm no prude, okay? I read and write Dragon Age fanfiction, and sex can be a big part of those games, for better or worse. I've read my fair share of fics with smut in them, and I'm writing a Dragon Age fic with sexual content in later chapters. I'm not here to clutch any pearls or act like exploring sexual topics is a bad thing, because it's not.

I don't love that this is in a book rated ages 14+. I don't think it was necessary, but I understand why it's here in the context of "Clementine's stepping into adulthood in a world where death forever lurks." I just wish the target audience for these books was older, like... if you're going to include sex and a teen pregnancy, your audience shouldn't be middle grade.

The reason it feels icky to me is I don't like the couple or how they got together. This isn't a good relationship. It's not built on a foundation of trust. The sex is consensual, which is good, but I can't help feeling like Clementine deserved someone who respected her more than Ricca does.

So yeah... Ricca's not a bad character just because she's not Louis or Violet. She bad because she's selfish to her core, but the books portray her as selfless and right.

And to everyone screaming "but Clementine's not 18 yet is she???!?!? UNDER AGE SEX!?!?!?!" I argue that you don't actually give a shit about ages. Y'know why? Because not one of you, not a single goddamn one of you, has had the same energy about Olivia's pregnancy. Amos was 16 when he and Olivia had sex in Book One, and I have feeling she's also around that age.

Y'all really glossed over that, didn't you? So no, you don't care about whether or not a character's old enough for sex. If you did care, you would've been just as alarmed, if not more, about Olivia and Amos... but you're not because you don't care about Olivia, she's not you're precious widdle Clemmy.

Olivia's pregnancy bothers me way more than Clementine and Ricca having consensual sex... which is a great segway into--

Olivia is my new child and that's why I'm mad that she's probably going to die in Book Three

I like Olivia a lot, actually. I'm adopting her. She's my child now, and her baby is my grandchild.

But I'm pretty sure she's going to die. It's predictable, y'know? So predictable that I hope Book Three subverts expectations and this isn't the case, but... my prediction is Olivia will die giving birth to her baby, leaving Clementine and Ricca to raise the baby.

Insert Amos Junior [AJ 2.0] joke here.

Olivia gets some much needed character development in this book. She's showing signs of depression; it's hard to get her to do anything in the beginning and Ricca has to pick up her chores. It's understandable, given her twin sister murdered Amos and then died, too. Her mother's a walker, she's lost everything.

It isn't until she and Emi go fishing together more that she comes out of her shell. I wish we got to see more of her and Emi's friendship, actually. Especially since Emi gave her life and boat to save her. She's kind and naive, a lot like Amos was but in a different way. Olivia's more aware of how shitty the world is than Amos was.

The pregnancy is bullshit. I hate it. Why are we doing this again? And with a teen pregnancy? Why are we bringing in another baby after we jumped through hoops to make Clementine leave the first baby behind? It's not going to end well. Either Olivia's going to die, or that baby is. These comics, and TWD in general, aren't above killing off kids or babies. What are the odds that both Olivia and the baby survive? That would be too happy for our nearing conclusion.

And with how little Olivia knows about sex, periods, and babies, and that Amos came from an Amish community, it's amazing that they even figured out how sex worked to begin with.

Thinking back on it, is THAT why Georgia pushed him off the mountain? Not only did she feel he was trying to take Olivia away, but he slept with her? That actually makes a little more sense! Too bad Georgia never bothered giving us that reason, huh?

It's just... this pregnancy is such a heavy thing for Book Three. Poor Olivia's doomed, and she's the only likable one of the trio.

I don't blame Tillie for this, or for anything else in this comic, since she's not the only one making these books happen. Skybound approved this, her editors approved this, everyone involved thought, "yeah, pregnant Olivia, good idea, that'll bring some tragedy." and I'm just sitting here with my head in my hands like, "noooooooooooooooo...."

These books already took my son away, wasn't that enough?

Speaking of-

Until I see a body, Amos ain't dead in my heart

We have one more book left, just let me hold out hope that Amos survived the fall and will come back as twist antagonist in Book Three, okay? Mark my words, if he comes back, Book Three will get an immediate 5/5 stars, regardless of the other bullshit.

Amos is just a vision in Clementine's dreams this time around. I miss my boy, he didn't deserve this treatment.

And now watch, the book will be cheeky like "You want Amos back? Here's AJ 2.0, that still counts!" Not what I meant!

This review's long, let's lightning round the rest of the characters since I don't have that much to say about them that I haven't already said

--I'm happy Fen survived and look forward to seeing what Book Three does with her, assuming it doesn't just kill her off or some other bullshit.

--I'm pissed John died. If we're going to kill everyone else off anyway, why couldn't Fen AND John survive? He worked his ass off on that island and his mother treated him like shit. To kill him off-screen's bullshit. Would've been way more compelling to have him survive and face the guilt of losing his mother even after the way she treated him.

--Emi's another great character that hurt to see go, but it's fitting that she saved Olivia and gave her the boat before taking the walkers down with her.

--Amir's great. Also pissed he died. Shitty way to go. Did we really need to see walker John eat him?

--Ginette, Giles, and Mercy are just kinda there. They're not too important, but it's still sad to see they got eaten alive by a herd of walkers... especially Mercy.

--I'm actually excited for Saa and Derrick. I hope they play a big role in Book Three and this isn't a Christa and Omid situation; as in they're around for five minutes and then die/separate from the group. They seem really chill and I look forward to hearing more of their backstories.

In conclusion, it's not great but it's better

Even though the clemricca romance legitimately pisses me off, I enjoyed this book more than I thought I would. I definitely had a different attitude going into it versus how I went into Book One which I think helped me have a better time. There are things to like about it if you'll give it a chance, but I understand why people aren't.

It has issues with pacing, character development/progression, and the romance. I hate that everyone but Fen from the new group got killed off. I hate that we have a pregnancy plot now. I'm disappointed with Morro as a character and antagonist.

But the art's improved greatly. Olivia's a better character now. The new cast is quite fun and likable prior to dying. There are themes and elements that are explored and done well.

The hate Tillie gets for these is absurdly gross. They're just comics. No, shut up, they're just comics. The games still exist. Tillie didn't ruin them, and in my opinion, if you truly believe she did ruin the games, that's a you problem. That's you letting these books ruin the games for you. No one's out here making you read them. No one made me read them, I chose to do that just as I chose to see them as not canon. Sending hate and threats to her and Skybound does nothing but prove what a piece of shit you are. By all means, hate the comics all you want, that's your right, but leave real life people out of it.

I've said this before, and I'll say it again: Clementine isn't real. I get that she's important to you, but she's a fictional character. She's not going to come to life and reward you for your twentieth comment on Tillie's instagram calling her vile names or threatening to find her for what she did. Clementine isn't going to like your video of you screaming into your mic about what an injustice these comics are, and she's not going to sign your petition to get the comics cancelled.... because she's not real. Go outside. Touch grass. Remember that you're only alive for a short time and try to do something of worth with that knowledge.

We only have one more book in this trilogy left, but do y'all really think it'll end there? Do you think Skybound will give a shit that fans hated the comics and will respectively leave Clementine alone? No, that's not how money's made.

I hope once Tillie's done with this series, she continues to have a great career. It's strange, like... I'm of two minds where I want Book Three to be super good in hopes that fans will just leave her alone... but then there's a little gremlin inside me that also kind of hopes she gets a final fuck you in aimed at the fandom. I'm sorry, the fandom's been embarrassingly terrible to her and they deserve it.

I hope she kills Clementine off... yeah, I said it. She won't because Skybound definitely won't let her, but it would be so good. I say kill Clementine off, turn her into a walker, let her eat AJ 2.0! No happy ending for anyone, just a middle finger!

Literally everyone else would be fuming and frothing at the mouth with shit posts on reddit about how Tillie "rUInEd" TWDG and then killed Clementine off and I would be in my corner just cackling and applauding her.

"How can you say that, CJ?? you fake fan???"

Look, my Clementine's still at Ericson, vibin' with AJ and Louis. Willy made her a new leg, she didn't name it Kenny, she named it Legolas [she still doesn't know who that is even after Aasim and Louis explained Lord of the Rings to her]. She and Violet play competitive cheater's uno every Thursday. She's living her best life.

Comic Clem's another Clementine to me entirely. If she lives, great! If she dies, oh no! Anyway-

To wrap this up... Clementine Book Two has issues, there are missed opportunities, and I think the romance is bad. But there's enough good here that made it enjoyable enough. I don't feel right about giving it a 2/5 stars, but 3/5 feels too high, so 2.5/5 feels right.

I also encourage people to actually read it for themselves. Don't just take my word for it, or reddit's, or whatever. Read it yourself and form your own opinions instead of parroting someone else. It'll make for better discussion rather than a cesspool for hate.

When Book Three comes out, I'll read and review that one, too. As of right now, we haven't heard anything about it, but I'll be sure to keep an ear out and share the news with y'all.

Now I'd like to hear from you; did you read Book Two? What are your thoughts? Do you agree or disagree with any of my takes? Feel free to send in asks or leave comments below.

Thanks for reading! 💚

[irldiancie]

All Kagehina “proof” I know of

Ok i wasnt gonna post this but ive been told by a friend to explain why some might ship Kagehina so... try me. i dont exactly ship this myself but lets just say im a pro when it comes to this topic also it's not as bad as i thought it was there are worse ships idk why i was a hater also i lowkey got some of this from shipping wiki but most of it i knew already, plus NOT ALL OF THIS IS NECESSARILY REFERENCES TO THE SHIP it kinda just adds on to it anyways lets just get into it

ok so starting with common knowledge i think everyone knows that Hinata is the protagonist followed with Kageyama being the deuteragonist, they get the most screen time together and are pretty much paired MOST of the series, we get a lot of content with them together while also getting content of them on their own, they're known as the "freak duo," the "greatest teammates" and like 100 other names they've been called I've seen a lot of people intemperate their relationship wrong, I've seen a few say Kageyama was downright "abusive" to Hinata which I think is a little farfetched, but to each their own! They genuinely do care for each other and it shows, even at the end of the manga you can tell how far their relationship has come, even if they consider themselves rivals, they are without a doubt still friends Now a lot of people have said "well they're not gay they're just friends", while this is true, it has been referenced/implied officially in many places, including manga panels and english dubs, so while it isn't canon there is a few cute things about it which we know are official which is why I'm sharing this, I myself know it isn't canon, plus I didn't really make this to prove anything it was kinda for fun sorry if that made little to no sense but I'll start getting into more interesting stuff 1. at the tip of the iceberg we have the fact they're in so much official art together

theres like a 1000 more of these btw theyre often put near eachother even in official arts not based off them

I have like 1k more of these but i have more proof than this but i think you get my point some of this is probably promo art but that's also considered official art so 2. moving on i think another known one is that Ukai calls them lovebirds ONE TIME in English dub and I have no idea who approved that but I think it's funny and obviously this probably meant nothing but take it as you want video of it here 3. this is kinda randomly thrown in but the fact that they also trust eachother, they've mentioned it a couple times but I think it's nice to know 4. i dont remember when this was or what chapter or something but kageyamas grandfather said "somebody even better will come for you", which just happened to be Hinata of course 5. ALSO after that whole fight scene back in season two, Hinata says this

he didnt really consider kageyama as a friend, but he considered him a partner which i believe is more important to hinata. teammates/partners were always something Hinata wanted, as before he went to Karasuno, he didn't feel like his friends in Junior high were necessarily teammates. Meaning he valued Kageyama more because he was his partner.

(credits to triananero for these images) and when him and Kageyama started working together, they most definitely were perfect together, as they balanced each-other out, which made them become an unstoppable duo or whatever they called them 6. the fact that they have matching jersey numbers 9 and 10 moving on to less canon stuff, there is a light novel of Haikyuu called Haikyū!! Shōsetsuban!! which probably isnt close to canon but Furudate was a part of it even though it wasn't written by him, so it's at least somewhat official 7. anyway according to shipping wiki there is a chapter where Kageyama feels "fluttery feelings at the bottom of his stomach" when Hinata texts him, it's on volume 8 chapter 1, I REALLY WANTED TO SHOW YOU GUYS BUT I COULDNT FIND IT ANYWHERE ONLINE. i searched countless tumblr posts and websites but i could only find chapter five and chapter three so im fully convinced this is lost media LMAOOOO 8. also in Haikyū!! Shōsetsuban!! apparently there's a part where Hinata daydreams about him and Kageyama eating under cherry blossom trees i just found that cute AS MUCH AS I WANNA SHOW YOU GUYS I LITERALLY CANNOT FIND ANYTHING OF THIS LIGHT NOVEL ANYWHERE i just know it's real, if I ever get my hands on it which I doubt, I'll share proof it exists btw AND THIS IS REALLY RANDOM AND SOMEONE WANTED ME TO INCLUDE THIS BUT 9. Basically there was a ad for deodorant a couple years back, collabing with Haikyuu, where you could buy deodorants to “smell like them” or whatever, some shippers believe it’s a Kagehina reference as they also advertised Kageyama and Hinatas scents together as some like matching couple thing

and then there's this

And I think I've said enough, there's way more you can find out about this ship, but I hope with this post you've learned something new or whatever... I MIGHT MAKE THIS A SERIES should i do kenhina next or kuroken ANYWAYS DISCLAIMER I didnt look too much into most of these things but I can gaurentee this stuff is true also this was just for fun and not serious but i hope you liked my little post!

[foldingfittedsheets]

If tumblr were to disappear tomorrow, which app/platform would you go to?

Siiigh. I really really hope it doesn’t. Short of them turning off the lights, I’m staying put. It’s not like my art isn’t being actively scraped basically anyplace I could put it.

I also have basically no following on any other platform, and I know from personal accounts that your audience doesn’t necessarily follow you when a ship sinks. I’ll be on Ko-fi if anyone loses me, and I did make a Bluesky @khalico

I actively don’t know how to USE Bluesky as an artist which dissuades me from posting there as much. If anyone has a step by step on how to use it I’m all ears.

[mintytealfox]

Hi! I'm super new to IDV and keep seeing a lot of art (official and fan) with Fools Gold and Alice! I love it all, but I was wondering is there a canon or fanon reason for their connection, or is it just a ship that developed based on their personalities? :)

EEYYYYYY~ I would LOVE for nortalice to be canon but I will be shocked if they make any coupling canon outside of psychologist (Ada Mesmer) and patient (Emil) and if they throw in Geisha's husbando and AKA mostly those who were already coupled before the manor games~

But I personally think there is potential there~ the Da Capo game (the one they are concentrating on in the main story) heavily leans on the Greek Lore of Orpheus and Eurydice~ with the cast consisting of The confirmed roles are these two: Orpheus: Novelist Eurydice: Alice/Journalist then the potential roles are as follows: Hades: Norton/Prospector/Fool's Gold Persephone: Melly/Entomologist not sure where Frederick goes, he will probably throw a wrench into this entire thing LOL

EDIT: So technically Melly and Norton could fall for each other cause of Hades and Persephone (I wouldn't be opposed to that either honestly cause that ship is my second love LOL I don't necessarily see them as romantic but I wouldn't be upset if they got together cause of the hades and persephone thing. plus whenever they are in anything together they are constantly memeing on the other and trying to get ahead at the cost of the other loool so I think they meme on each other a little too much for things to get romantical lol but who knows they could prove me wrong one day)

BUT WE AREN'T HERE TALKING ABOUT NORTMELLY RIGHT NOW LOL right now is NORTALICE TIME LOL

but I love em cause of their personalities and I feel like they would balance each other pretty well~

for example, Alice with her OCD would be calmed by Norton's matter of fact and 'it will be fine just work hard' view on things. ((that is what helps me with my OCD anyways lol is someone I trust taking my hands and saying its fine) I have an entire post about hand movements and I went into how Norton's movements are quick and precises and deliberate and Alice would need that for grounding 👀 While Norton needs a gentle touch cause that would be so unfamiliar to him that it would make him stop in his tracks I think~)) ANYWAY OFF TOPIC

Then vice versa with Norton and his gloom view on the world and Alice comes in with optimism and cheery-ness lol. She will protect her lil grumpy people LOL

Alice 👇 Norton👇

So I guess to answer your question, its definitely on their personalities and completely based on potential~ The potential and nuance is there with what we know about them so far and there is the hope that Norton will turncoat in the story, with Melly convincing him to help her save Alice 👏👏 I just like adding the little bit of spice of 'you two get together and heal together okay' I feel like they would balance each other out well~

Norton needing that softness and Alice needing that wall to lean on. And I think they would work so well together~

I hope I somewhat answered your question, I feel like I was all over the place LOL my baaaad

also I have no idea why they keep having Alice looking so down bad for Fool's Gold 🤣🤣🤣🤣BUT I LOVE IT SO DARN MUUCCHH LOOOOL (and added to the fuel for this raging fire that is my love for Nortalice)👏👏👏🤌🤌🤌🤌💞💞💞but it has me LAUGHING at the fact that on hallucinogens drugs she STILL sees Norton as a knock out BABE -WHEEEZZEEE-

[antimony-medusa]

Hi! To preface: I don't think there's any one right or wrong answer to my question necessarily, but I value your opinion as a level-headed adult in this fandom who can probably provide sensible input on the issue I'm having, so I thought I'd ask.

If a CC asks for their character not to be drawn (specifically referring to fanart, which they likely saw on Twitter) in a sexualised way, what does that mean for written fanwork content? Is it "wrong" (putting this in quotation marks since that's a loaded word, to say the least) to write nsfw content about said character and post it on Ao3, considering the differences in visibility/CC knowledge of those platforms, as well as the general consensus/expectation that CCs don't generally read fanfic anyway? Where is the line between "you should respect the CC's wishes" (avoiding the word "boundaries" since that's also very loaded in mcyt spaces) and "you can do whatever you want forever; fanworks are created by and for fans, not for the creators" drawn? Does "just don't put it where they can see unless they go looking" (i.e. correctly tagged on Ao3, not on a CC-frequented site like Twitter) apply? Would it be better not to do it at all, or only create and share said content in private spaces like Discord? Or is this all a "there is no single 'morally correct' answer, make your own personal judgement" thing?

(Sorry for the long-winded question but this is genuinely something I'm struggling with right now, lol. As I said I value and respect your opinion and views about these kinds of things in fandom, so if you have anything to say on the matter I'd appreciate your input!)

Alright so, obligatory warning for discourse on this one right at the top, and possibly also long post. These tend to be me rambling.

This is a situation that I think it's fair that a lot of people disagree. Your personal comfort level with making NSFW content in general is not where my comfort level is, we can come to totally different equilibriums. And then you add in creators expressing that they don't like seeing NSFW content of their characters, and people end up in a whole lot of different places, whether that's a complete no on shipping or NSFW, or people feeling fine to consume it but not create it, or only if it's archive locked, or only specific ships or smps, or whatever. I think it's fine that we don't all agree on this, creation is a fickle beast and we are in a weird place as a fandom of being not rpf but kinda cousins, and we can get *really* close to the creators with twitch and twitter, so people's comfort level in meshing all the parasociality and roleplay and real life of it all can end up in a lot of different places.

I just think that the most important thing for the fandom being a healthy place to spend time on the internet is that we don't go aroud sending hate/abuse to those we disagree with. a) i don't agree with internet mobs or suicide baiting or anon hate in general, b) the number of times I have seen internet games of telephone happen when it comes to this subject is unreal. To use an example from literally today, I saw someone saying that Pac of qsmp pacmike was uncomfortable with shipping art and fic and we all should stop shipping immediately, and once I tracked it back to its source, it turns out that what had happened was the creator said that he wasn't a fan that all the art was of him in the jumpsuit that used to be his skin, he has a new skin now, which turned into sexy jumpsuit art was the problem, which turned into pac hates all sexy fan art, which turned into "pac is being bombarded with nsfw art and shipping and he hates it". Now he might actually also not like NSFW art, but that's not actually what he was adressing, but it was certainly what was being circulated! So like, people warning me off of certain subjects— how do I know that they're actually accurate or if twitter just went twitter on a passing mention of something someone said on a twitch stream?

So I think it's way way way healthier for us as a fandom to sometimes disagree on the subject of "what we're drawing/writing about" and when that happens we implement Don't Like; Don't Read, and we just ignore that, or block if necessary. Don't Want To See it? Simply Don't See It. It's a bad idea to start hate campaigns for sinners, and half the time it's based on bad information anyways.

But in cases that you do know that the creator doesn't want to see that, you found an accurate clip? So this is a case where I think that there's no single moral answer to this that everyone is gonna agree on. We're all coming at it from too many different cultural backgrounds and different streamers in mind and comfort levels with NSFW in general. I don't think there is a firm answer that is gonna make you morally safe. But my personal feelings is that in cases where we know the creators doesn't want to see that, I think the important part there is that the creator never sees that, not that we stamp it off the internet entirely.

I do think, personally, ymmv, that you are not necessarily doing anything morally wrong with drawing or writing NSFW of someone's character, even if they think it's weird. There's a long history of creators saying "you can't do [this] with my characters," and it happens to be you can't [make them gay] enough to make me uncomfortable in general principle with saying creator of the character gets to call the shots in all settings forever. This happened with Anne Rice and with the supernatural fandom and like— it's the internet, we get to make the characters be gay together. This is the making sex jokes about fictional characters website, and Ao3 is the making porn about fictional characters website. I think it's fine if it exists on the internet, the question comes down to one of what we're forcing the creator to see, or what we're putting where they'll stumble upon it. Like, examples from real life— if you have a friend who's vegan, it's polite to not spend time rhapsodizing about how good meat is around them, and if you know that meat makes them sick, it's polite to do a meatless meal around them. That's a human person you want to be okay around you. But that's their boundary for their life, not yours, so even when you're being polite you have no obligation to go vegan when they're not around. And they have a politeness obligation to not walk into a steakhouse and freak out because there's meat there. They have a boundary for their life, and I'm going to respect it, but my life is a different story, and they need to take reasonable steps to protect their boundaries and not just expect everyone else to conform to them.

Or walking by someone on the street and waiting till they're out of earshot and then going "jesus christ that guy was hot" to your friends— that's fine. That's normal human behaviour. What becomes rude is when you make it hot guy's problem and yell at him. Being attracted to someone in your own space is not a problem. I'm aroace, I am not going to be in a relationship with anyone. I'm not going to ban having crushes on me, as long as you don't make it my business. Talking about an attractive person in your own space is not a problem. Being sexual in your own space— and again we are talking about fictional characters, the way I see it, these are lies we're telling about folks that are not real, who live in little minecraft worlds— that's fine. The problem is if we start catcalling people about it.

When you walk into fandom spaces you are walking into a space where we all like taking fictional guys and telling stories about them and a good portion of those stories are going to include kissing. That is not necessarily baseline normal for like, all of humanity, but people talk about tv shows they watch as one of the classic work small talk techniques. Fandom takes the "I hope ted gets together with jessica" "no he needs to work on himself first" discussion and writes stories, is all, to share with each other. Privately. On our special private website where there's a button you can click to hide your work from search engines and another one to hide it from logged-out users. If you log into the website and search things up, no tags blocked, what you find is on you for saying "I will see literally anything that exists on this subject in a space meant for literally anything". You will find gore. You will find kissing. You literally just opted in to seeing it. That's on you.

So like, there's my little defense of nsfw work existing in general, I think it existing is not a problem. I do think that we should keep it FAR AWAY from streamers. They get to set the rules for their spaces, and if someone doesn't want to see sexualized fan art, I do think we should make sure that in a reasonable way, they never have to see sexualized fan art/fic.

So like me personally, I'm going to hit that Ao3 button to hide my work from search engines, and anything NSFW (or shippy, depending on the person) is not going to go into the main tags on tumblr or twitter or anywhere I'm aware that the creators ever check that tag, and I'd probably archive lock it if the creator had publically mentioned being uncomfortable with it, and if I was regularly posting NSFW I'd block the creators on social media with any account I discuss NSFW with. I want to make sure that I am talking to my friends about the cubitos, not catcalling someone.

And I would probably err on the side of caution when it comes to social media sites that creators are on? Okay so the fandom has a habit of saying that NSFW and Shipping is BAD and can't exist, on the one hand, but on the other hand it says that anything that isn't Bad Wrong Shipping/Explicit NSFW is fine, which leads to like— extremely sexy thirst trap art being drawn and then the creators are tagged. People putting family dynamic fics that really pushes that envelope in the main tag. Gahhhhhh????? No? Don't do that?

I think it would be healthier in the fandom if we did a lot more going "this is for the fandom, not the creator" and we don't tag creators on twitter, and we took our little kissing fics, or gore, or kidfic, or neurodiverse headcanons, or anything else it might be not for the creator to see, and we kept it in fandom spaces and away from creators. But Ao3 is that fandom space that you have to opt into, it's literally archive of our Own, for fans, in that space as long as you tag it you're good.

So the TL;DR of this all is that my opinion is that if you tag it correctly on Ao3 you're fine. Maybe archive lock it. Keep it off twitter. Don't make it the streamer's problem, and you're good.

[writing-for-life]

“M/M Ships Smash The Patriarchy”—But Do They?

Little disclaimer first: I don’t have a problem with m/m fics or art, quite the opposite. I’m a bisexual woman, I can find the idea of m/f, f/f and m/m interesting and yes, sexually arousing (each for different reasons though). And I’m saying this so explicitly because the idea that women need to engage in mental gymnastics to justify m/m ships is relevant to this post.

So please don’t take this personally if you like m/m, especially not if what I write very obviously doesn’t apply to you. This also has nothing to do with shipping m/m as a queer person, because the context invariably changes in most cases. This post is exclusively about the “justification” of m/m ships as something that “smashes the patriarchy”.

With that out of the road:

I’ve seen so many posts stating that m/m ships are removing “the whiff of patriarchy from fandom”. That the same dynamics would be problematic in a m/f or f/f ship, but they’re less “harmful” in a m/m ship.

And yes, of course women have been bearing the brunt of these objectifying dynamics since the beginning of time, totally true. But here’s the thing:

a) Problematic dynamics are okay to explore (not necessarily to condone, they are two different things) in fanfiction; it’s happened for as long as fanfiction (no, fiction) exists. We could go off on a whole tangent about what’s “problematic” (or not) in fiction now, and I’m not overly keen on that term, but it’d lead too far because we’d need to talk about a lot of stuff that’s not really the topic of this post.

b) Problematic dynamics don’t magically change because you apply them to a m/m ship, especially if you’re a (straight) woman heavily projecting onto characters. If there’s an age gap, it stays an age gap. If there are power imbalances, they stay power imbalances. If there’s violence/objectification/whatever else going on IT STAYS THAT. The mental leap from, “Men in m/f relationships are often, either consciously or subconsciously through what society condones, the perpetrator in that particular dynamic,” to “that’s why it’s not a problem in m/m relationships,” honesty baffles me.

So my question is:

If you want to remove the “problematic whiff of patriarchy from fandom”, but you are ONLY and EXCLUSIVELY centering two MEN in your fics, art and what you consume, are you really doing that? Where are the protagonist WOMEN that are written or portrayed in a way that isn’t patriarchal?

Too much of a stretch?

Why bring in “the patriarchy” (or whatever other justification) instead of just saying you like the idea of two men getting it on, and that you project on at least one, if not both of them? And I know many women are honest about this, so this is obviously not aimed at them.

And I’m not writing this in a vacuum—there are endless posts about exactly this, and quite frankly:

It is actually patriarchal and misogynistic to deny women the right to just feel horny when they read about/look at two guys fucking. Without justifying it in any way, or making it about something that feels performative (“We like the m/m ship because we’re queer-positive feminists”. Please…). That, right there, is internalised misogyny:

Women don’t need to morally justify their horniness. They don’t need to justify whatever they’re into and turn it into a performative event. They’re just allowed to like it as is. The end.

Why not just like what we like while still critically engaging with the question whether some of what we read and create is potentially fetishising gay/queer men instead of calling it “feminist and queer-positive”?

Because let’s face it: Straight women who ship m/m don’t like gay men because they’re gay. They like them because they project a straight woman on a gay persona that has nothing to do with actually being gay (just like most lesbian porn never had anything to do with being created for lesbians, or f/f relationships in books written by men were always serving the male gaze, but it’s easier to holler about that, right?):

At least one of them is the guy you fancy (sometimes both of them are), and sometimes one of them is (at least partly) you. It has always worked like that and always will.

But back to the main topic of “smashing the patriarchy”: We are talking about fanfiction and fanart here. YOU create it. It’s not the adult entertainment industry making billions that throws it at you. You are the CREATORS and CONSUMERS. You get to CHOOSE. And yes, that choice can absolutely be a m/m ship if that’s what you want. Again, there’s no problem with that.

But if your main argument is that you want content without the stench of patriarchy, how about actually centering women in it, at least from time to time?

[alrightsnaps]

Jily Fanfiction Recommendations

So, I’ve received more than one ask about giving some Jily fic recommendations... but tumblr is determined to drive me mad and if it didn’t crush after I’d spent hours compiling a list, making me lose everything, it refused to process my post as an answer to an inbox message *sigh*. But I’ve been meaning to make a list of my recommendations for a while so I’m posting it separately here! 

Buckle up cause this is going to be a LONG post.

The first half consists of sort of canonverse stories (in that they take place in the magical world of the hp books) but not necessarily canon compliant. The second half consists of varying non magical AUs.

There are some stories that I’ve revisited time and time again over the years as well as others that I haven’t read since I was a teenager but remember liking at the time. 

At the end of the post I’ve also included some fics and new authors that are on my TBR- I’ve hit a big slump over the pandemic, but I’m still keeping an eye out and there are some new jily writers that have began writing over the past 2-3 years whose work looks amazing and I can’t wait to check out!

Enjoy!

HP UNIVERSE (CANON-COMPLIANT AND  AU)

LONG MULTICHAPTERS (90,000+ words)

The Life and Times by Jewels5

She was dramatic. He was dynamic. She was precise. He was impulsive. He was James, and she was Lily, and one day they shared a kiss, but before that they shared many arguments, for he was cocky, and she was sweet, and matters of the heart require time.

Words: 613,762 Status: Abandoned

Pretty much my holy book. Anything I say about TLAT will not be enough to describe this masterpiece that has owned a piece of my soul for years, more so than the hp series itself. The perfect Marauders era story to read even for those who don't ship or particularly care for James and Lily. No other fanfic has managed to make me feel attached to its ensemble the way Jules' story did. While it's abandoned, the way the last two chapters are structured could serve as a nice conclusion of sorts- in any case do NOT let its abandoned status put you off!!

An Unexpected Attraction by thegingerhairedlass

A telling of the Marauders Era and the romance that shaped it all. Lots of teenage angst & romance spanning from the Marauders' seventh year until the end of the First Wizarding War.

Words: 648,698 Status: Complete

My second favourite Marauders era canon compliant long fic and by absolute favourite portrayal of Marlene McKinnon (Jules' Marlene doesn't count, she's a Price and I view her as a whole different character,  okay? 😝)

All Right, Evans? by CokeBottleK

Part I of in-progress trilogy [6th year]: The thing about being Lily Evans and James Potter was that you couldn't do anything without everybody else saying something about it.

Followed by Dangerous Crowds by CokeBottleK

Part II [7th year]: "As in all wars, life goes on."

Words: 106,188 Status: Abandoned

The Rise and Fall of the Stag and the Doe by SiriusUntiltheVeryEnd

Moments. They make or break relationships. Lily didn't just happen to fall in love with James. It wasn't an accident, but a long drawn out process that grew out of the relationships of the people around them. And when it came down to it, even Lily and James couldn't fight fate.

Words: 379,212 Status: Complete

Turning Tables by scared of clouds

Lily Evans' and James Potter's relationship has always been a complicated story; it's just about to get a lot more complicated. And so is everything else. They might not know each other well, but they're about to know each other a lot better. Cover art by anxiouspineapples.

Words: 205,589 Status: Complete

Followed by My Kind Of Love by scared of clouds

James and Lily are out of Hogwarts and engaged; add in the Order of the Phoenix, complicated friendships and deranged Death Eaters, and things can only get more difficult from here.

Castle on the Hill by ac0llecti0n0fn0nsense

After graduating Hogwarts, Lily finds herself quietly fighting the First Wizarding War from an Order of the Phoenix safe house in Scotland as a potions mistress. As the war escalates, Lily and James learn about love, fear, and what it means to grow up.

Words: 200,042 Status: In Progress

Sunshine in My Eyes by monroeslittle

Mr. and Mrs. Evans are killed when Lily's only a girl, and she's supposed to go to a home with her sister. Instead, a relative they didn't know they had comes to collect them, and introduces Lily to manners, magic, and a life that's just the slightest bit different from the life she was supposed to live. Or, an AU in which Minerva McGonagall raises Lily.

Words: 93,410 Status: Complete

Crazy Little Thing Called Love by Breanie

The story of how James convinced Lily that he wasn't actually the arrogant bullying toe-rag she claimed with help from her new best friend, Sirius Black, who is working to help Lily through difficult times. Can be a standalone, but also works as a prequel to my Beginning Series.

Words: 234,367 Status: Complete

First James/Lily fanfic I ever read back when I first discovered fanfiction is a thing. Aw nostalgia.

Sparks by BirthOfAPhoenix

Lily was certain her final year at Hogwarts would be the best yet. She had amazing friends, top marks, and was a shoo-in for Head Girl. Everything was as it should be. But with a war brewing on the outside and a new relationship heating up on the inside, she could no longer pretend it was business as usual when, all around her, there were sparks.

Words: 154,134 Status: In Progress/Abandoned

Every Other Midnight by Kathryn's NomDePlume

Professor Potter and Head Girl Lily Evans... The Dark Decline

Words: 997,210 Status: In Progress

What About Now? by SiriusUntiltheVeryEnd

She noticed him, of course she noticed him but Lily didn't let her gaze linger. She had always thought James was fit, but she didn't particularly want to. James Potter was trouble and she had enough problems.



MULTICHAPTERS AND ONESHOTS (10,000-70,000  words)

Kiss and Tell by SunshineDaisiesWindmills

The rules were simple. Provoke each other. Scream at each other. Snog each other. Do this as frequently as possible, but don't ever, ever kiss and tell.

Words: 47,861 Status: Complete

Talk Me Down by gxldentrio

James is determined to stay away from short, freckled redheads. Lily, having had enough drama for a lifetime, is equally resolved to avoid dark-haired troublemakers. But he rarely does what he ought, and she is too stubborn for her own good. It should be an interesting year.

Words: 54,647 Status: Complete

October Thirty-First by jamespotterthefirst

Even before they were a couple, they always seemed to spend Halloween together. Series of oneshots.

Words: 17,557 Status: Complete

In Fields of Poppies by SunshineDaisiesWindmills

Her father's war and her grandfather's war were fought with metal and manpower. Hers was done with magic.

Words: 41,527 Status: In Progress/Abandoned

Playing the Hero by MeganRachel09

James Potter never thought he would be found guilty of a prank he didn't actually commit. When he realizes that Lily Evans may secretly be Hogwarts' greatest prankster, however, he finds he doesn't mind taking the fall for her, especially when she turns out to be unexpectedly enthusiastic in her gratitude. His only hope is that it all ends up being worth the punishment.

Words: 46,343 Status: Complete

Sober by LovelyFlowerAK

The first time James and Lily get drunk are very interesting stories. As are the last. And, really, everything in between.

Words: 49,097 Status: Complete

Let's do something you're not supposed to by Oynnej

Lily isn't happy. Although she should be with a seemingly perfect life and perfect boyfriend to boot. But then James Potter comes along and shows her you're not always supposed to do...what you're supposed to do.

Words: 15,628 Status: Complete

Crossing Paths by twilightstargazer

She knew him in Hogwarts; wildly popular, overly confident and a massive flirt. Honestly, she'd never expect to see him again when he left school but now he's back and, oh goodness... he's going to be working side by side with her now, isn't he?

Words: 37,508 Status: Complete

Just Stay Here Tonight by monroeslittle

AU. Lily Evans isn't a witch.

Words: 38,077 Status: Complete

And the Wolves All Cry by monroeslittle

AU. if a certain person doesn't hear a prophecy, does it still come true?

Words: 31,769 Status: Complete

Time Lapse by Apalapucian

three years ago, lily discovered that she could fly. two years ago, james stopped flying.

the first time they meet, he's twenty four, and she literally falls from the sky.

he thinks it's love at first sight. it's not—it rarely ever is—but close.

Words: 32,136 Status: In Progress

Eight Days by B.C Daily

During a week-long exhibition, professional Quidditch player James Potter encounters Lily Evans, Junior Quidditch Correspondent for the Daily Prophet.

Words: 40,697 Status: In Progress

Firelight Waltz by cgner

"I'd like to assign the two of you a special, undercover mission," Dumbledore says, his wrinkled fingers steepling on his desk. "I require two Order members to pose as a newlywed couple."

Words: 11,411 Status: Complete

Just Keep Your Eyes On Me by crossingwinter *AU- No Voldemort*

You’re not allowed to date your roommate. There’s practically a law against it.

So James moves out.

Words: 50,070 Status: Complete

The Twelve Days of Christmas by pratty-prongs-princesse

 With Alice and Frank's impending nuptials on Christmas Day, Lily Evans is back home for the holidays. As maid of honour, she's unexpectedly thrown together with the best man, James Potter, who has seemingly changed since their graduation. This is a Christmas love story about how the two school rivals went from hate to lust to love while planning a wedding.

Words: 68,812 Status: Complete

The Art of Self-Defense by cgner *GILMORE GIRLS AU*

Lily got pregnant at sixteen and left Hogwarts to work at an inn. After seventeen years of single parenting, she now has to manage a persistent James, nosy villagers, and a son who's all too interested in joining the Order.

Words: 22,047 Status: Complete



MULTICHAPTERS AND ONESHOTS (less than 10,000 words)

Snaps by Jewels5

James comes up with a nickname.

Words: 1,680 Status: Complete

Guess where my handle comes from....

The Incident in the Library by greenconverses

Lily Evans has been distracted lately…and it’s all because of James Potter and his stupid, unbuttoned shirt. Hardly any fluff, but plenty of shirtless James for everybody. Seventh year fic.

Words: 3,780 Status: Complete

A Wizard Walks Into A Bar by GhostOfBambi

Contrary to popular belief, it's not always the man who does all the chasing.

Words: 5,558 Status: Complete

Fundamental Laws of Magic by lizardcookie

There are certain rules of magic that Lily Evans would very much have liked not to confront in one day. What began in Defense Against the Dark Arts between two people avoiding the obvious ends in the dungeons, the same two people not the same as they were before.

Words: 4,669 Status: Complete

Yeah, Okay by CokeBottleK

A series of instances in which Lily Evans said yes to James Potter.

Words: 8,214 Status: Complete

Questions and Answers by lizardcookie

The simple question of whether or not they're dating doesn't exactly have a simple answer. Seventh Year Jily.

Words: 5,629 Status: Complete

History of a Friendship by lizardcookie

Seven years of friendship between Severus Snape and Lily Evans.

Words: 4,473 Status: Complete

Just Belong With Me by scared of clouds

Sometimes it's the smallest moments that can cause the biggest changes. Five small moments are all it takes to make the biggest change of all. One shot, seventh year Lily and James. Cover art by anxiouspineapples.

Words: 7,517 Status: Complete

The One With The Forgotten Two of Diamonds by Apalapucian

James and Lily brew Amortentia together—and nothing happens. Lily thinks she's officially gone forever numb, James thinks the dungeons smell like a swamp, and everyone concludes they're both idiots. Everybody's daft in love.

Words: 8,048 Status: Complete

Lovers and Voyeurs by MeganRachel09

Towards the end of their Seventh Year, Snape wants to make amends with Lily, but ends up witnessing a private moment between her and James Potter instead.

Words: 5,604 Status: Complete

To Live Nobly by cgner

It doesn’t feel like he’s living. In a world ruled by the Dark Lord, he’s miserable, but not because of the government. A chance meeting wakes him up, but there’s something familiar about her that he can’t quite put his finger on…

Words: 5,741 Status: Complete

For the Price of a Cup of Coffee by cgner

Something is wrong with Lily's brain. She's not sure what, but nothing good comes out of waking up in a hospital bed with no memory of how you got there. To make matters worse, the messy-haired Healer who shows up doesn't seem to know anything about Healing - he's pretty attractive, though, so that's something.

Words: 5,172 Status: Complete

Good Enough by lizardcookie

They were standing chest to chest, lungs working in tandem and minds blazing. Her wand was still pushed against his heart and he could see gold in her green gaze, but maybe that was his own eyes shining back at him. One move forward and their feet touched now.

"Duel. You and me."

Words: 4,167 Status: Complete

Couples Therapy by GhostOfBambi

Transfiguration Professor. Head of Gryffindor House. Deputy Headmistress. Love Guru. Minerva McGonagall is a woman of many talents.

Words: 4,334 Status: Complete

Two Sides of the Same Coin by GhostOfBambi

There are those who claim that Lily Evans couldn't possibly love James Potter as much as he loves her - including, on occasion, James Potter himself - but they couldn't be more wrong if they claimed that the moon was made of cheese.

Words: 8,126 Status: Complete

i (am in) love (with) you by welcometonerdworld

Five times Lily says she loves James, and one time James says it back. Cover art by viria.

Words: 2,835 Status: Complete

Keep It Sweet, Keep It Slow by Apalapucian

She needs him, needs a lot of things; needs to inspect his head for herself and make sure he didn't crack it open, because he's an idiot. She needs to apologize and berate, needs to trace his jaw with her fingertips, unearth the seasons in his eyes, taste his Quidditch-sky-laden lips.

Words: 3,870 Status: Complete

Fireside by Acacia Carter (xaandria)

Trying to reassure Lily Evans that the world isn't going to fall apart on his watch, James ends up revealing far more than he'd intended - and the emotions that have been bottled up for years are finally realised.

Words: 5,330 Status: Complete

fallen leaves by Apalapucian

they don't tell you about the quiet days.

Words: 1,017 Status: Complete

Easy, Bloody Easy by GhostofBambi

Answer to the prompt: Head Boy James is trying to keep his cool because some Slytherins are causing trouble and he doesn't want to hex them but Lily sails in to the rescue.

Words: 2,546 Status: Complete

Marlene by elanev91

Lily finds out that her best friend was killed in the war. This is the aftermath.

Words: 4,306 Status: Complete

The Early Morning Toast Brigade by GhostOfBambi

In which Lily Evans makes the best of insomnia, with the help of her womanly wiles.

Words: 2,397 Status: Complete

Stay The Night by scared of clouds

The events of a single night can have very unexpected consequences. Two shot, Jily AU. Cover art by Viria.

Words: 6,888 Status: Complete

Eleventh and a Half by Apalapucian

He has never seen her this drunk before, and he's not sure if he's more amused or worried about it.

Words: 1,092 Status: Complete

Of Crossing Lines and Changing Minds by honeylake

In which James asks Lily out... only once.

Words: 6,940 Status: Complete

Perfect Match by Franklet

“Are you coming?” James demanded. Lily raked her eyes over him with marked disinterest and rolled her eyes. “No.”' 7 years at Hogwarts, 7 years of Quidditch, 7 questions asked and only 6 refusals?

Words: 7,342 Status: Complete

The Way I Loved You by Apalapucian

"His name was Terrence Hunter, muggle-born and all kinds of perfect, but Lily couldn't help but note the lack of callouses on his fingers, the way his brown curls crowned his kind face a little too immaculately, the way his eyes were of the wrong hue…how there wasn't a pair of spectacles for her to remove before he leaned in to kiss her."

Words: 9,068 Status: Complete

That Scent by erinsailorditz

Spicy. Warm. All him. That man's cologne was haunting her, though Lily's one night with him was long over. Sweet. Floral. All her. Was that her perfume James just smelt drifting by?

Words: 2,355 Status: Complete

The Potions Missile Crisis by GhostOfBambi

As if Slughorn wasn't bad enough already, now you'll never be able to see him again without spontaneously combusting from shame.

Words: 6,425 Status: Complete

Alarming and Beautiful by stolen-whispers

What she didn’t realize until after she agreed to go out with him was that these things were piling on his shoulders until he was hunched under the weight of the world and it was all he could do not to throw it off and watch it shatter.

Words: 4,831 Status: Complete

Subtle Perspectives by amethysth

Though they've "known" each other for years, it takes Lily Evans and James Potter several moments to truly connect.

Words: 5,166 Status: Complete



ALTERNATE UNIVERSE (NO MAGIC)

LONG MULTICHAPTERS (90,000+ words)

Bloody Shangri-La by firbolging

"The way she babbled on about the place made it seem like some sort of promise land, but James knew full well that is was nothing of the sort. Sowsworth was a wasteland that comprised of seven shops, a pub, and the incredibly bored shadows of lonely people. It was not bloody Shangri-la."

Words: 128,218 Status: Complete

Covet Thy Neighbour by BeeDaily and GhostofBambi

There are lots of ways to introduce oneself to a new neighbour, but breaking into their flat, perhaps, is a road less travelled.

Words: 125,706 Status: In Progress

The Underground by elanev91

James and Lily are doing the fluffy things. Muggle AU, Mass Transit AU (lol not a thing?), Coffee Shop AU.

Words: 91,923 Status: Complete

Fighting Fate by scared of clouds *PIRATE AU*

It may have taken him a while to get to this point, but James Potter is happy with his life; as the captain of the pirate ship Fawkes, no-one tells him what to do or where to go. But when he agrees to carry a passenger - for a fee, of course - his life takes a rather interesting and wholly unexpected turn, and the past may be about to catch up with him. Jily AU, cover art by Viria

Words: 128,296 Status: Complete



MULTICHAPTERS AND ONESHOTS (10,000- 70,000 words)

A Game of Thrones by ritaskeetered *MODERN ROYALTY AU*

Lily Evans had never imagined she would meet Prince James, but when she does at St Andrews' annual Christmas Pub Crawl, her whole world is turned upside down. For who thought that a girl like her - with a sister that reads "Hello" magazine like it's the Bible - would end up with a prince like him?

Shelf Awareness by GhostofBambi *BOOKSHOP/COFFEE SHOP AU*

It's too far out of her way and she's wasting so much money, but Lily can't help but return to the bookstore every weekend, where her passion for good literature has, perhaps, been unexpectedly reignited by the messy-haired, pun-making, rather handsome bloke who works there.

Words: 28,416 Status: Complete

Elevator Love Song by BeeDaily

James unexpectedly finds himself trapped in a dodgy apartment elevator with Lily Evans.

Words: 15,995 Status: Complete

The Fight Before Christmas by GhostofBambi

The heartwarming Christmas tale of Lily Evans and James Potter - two plucky kids who hated one other, until the day they really, really didn't.

Words: 29,201 Status: Complete

Key Limes by cgner  *CELEBRITY/MODERN ROYALTY AU*

In which Academy Award winner Lily Evans discovers the periphery of internet fandom and the mysteries of Prince James’s gold star system.

Words: 23,481 Status: Complete

Followed by Ending the Stars by cgner

Five times Prince James proposes to Oscar-winner Lily Evans, and one time he doesn’t. Sequel to Key Limes. Words: 9,014 Status: Complete

Filthy Animals by GhostofBambi *BROOKLYN NINE NINE AU*

James Potter is a talented young detective who's used to doing whatever he wants. When his new boss, DCI McGonagall, tires of his troublemaker ways, she hires her brilliant protégée, Lily Evans, to keep him under control. Now, if only Lily could control herself...

Words: 65,524 Status: In Progress

Wherefore Art Thou, James Potter? By GhostofBambi

For never was a story of more woe than this of James Potter, and his sad, pathetic attempts to win the heart of a girl who thinks he's a prize idiot.

Words: 56,927 Status: In Progress

Salmon Fishing in the Olympics by GhostofBambi *FAKE DATING AU*

Modern Era AU: When Lily Evans seeks assistance from James Potter to avoid the attentions of a suitor who just won't take no for an answer, she accidentally lands them both on the front page of every gossip magazine in Britain. She should have thought about that before pretending to be the girlfriend of a famous athlete.

Words: 12,163 Status: Complete

Question Time by cgner *POLITICS AU*

Newly-elected Prime Minister Potter has his work cut out for him. If only a certain red-headed MP weren’t deliberately making life harder for him.

Words: 11,214 Status: Complete

Careless Texter by GhostofBambi

Answer to the prompt, “I left my phone number on the bathroom stall wall and you text me about your day and your frustrations for a month & it’s really nice and cute but I still don’t know who you are,” with some twists and differences.

Words: 33,121 Status: Complete

Catastrophe by GhostofBambi *UNPLANNED PREGNANCY AU*

With a best-laid plan, a naked rear end, one jalapeño and a pair of light-up antlers, Lily Evans's carefully crafted life is hurtled into chaos.twists and differences.

Words: 36,602 Status: In Progress

Say When by jamespotterthefirst *COLLEGE AU*

A version of how Lily Evans and James Potter would have met if they were only two university students in a world where magic and Hogwarts didn't exist.

Words: 33,646 Status: Abandoned

Dead Men Rise Up Sometimes by cgner *PUSHING DAISIES AU*

Lily Evans leads a simple life of making pies and waking the dead. She doesn't wake them for good, mind – only for a minute, until she and Sirius can find out who killed them. Their latest case: James Potter, moneyed heir, messy haired, and recent murder victim. Keeping him alive is a terrible idea. Too bad Lily's always been a bit reckless.

Words: 38,824 Status: Complete

Seven Things by Apalapucian

"James leans in. Lily hears the script crumple in his hands, but she doesn't look to check. His lips touch the corner of hers, a hand coming up to cup her face. He is moving. So. Maddeningly. Slow... She curses in her head, makes up about a hundred thousand excuses for the next second—and then grabs him down by the back of his neck and kisses him fully, desperately, fervidly."

Words: 19,097 Status: Complete

Sofa-king Fit by elanev91

Two new people move in across the hall and Lily gets locked out.

Based on the "oops we have to share a bed" trope.

Words: 10,277 Status: Complete

Stop Flirting with the Talent by elanev91 *THEATRE AU*

Lily Evans is the hot new performer on the West End, James snags her first interview.

Words: 12,512 Status: Complete

Build-a-Daddy by dancinglily *SINGLE PARENT AU*

The college au where Lily is a single mom struggling with finishing school and raising a child, and James discovers he quite likes babysitting.

Words: 28,540 Status: Complete

Georgia Peach by elanev91 *UNIVERSITY PROFESSOR/AMERICAN AU*

Lily Evans, lifelong New Yorker, is headed to the University of North Carolina for a job interview and she can’t find the right god damn building. Lucky for her, southern belle James Potter is there to save the day.

Words: 15,680 Status: Complete

One Wild Ride by twilightstargazer *SINGER/BAND AU*

Breaking News: Lily Evans and James Potter are not so secretly snogging. The internet is losing its shit.

Words: 14,405 Status: Abandoned/In Progreess

Provisionally Yours by snapslikethis *FORCED MARRIAGE/PRETEND RELATIONSHIP AU*

Lily Evans discovers she's been married off to James Potter without her knowledge. She and the spoiled count (in whom she appears to have finally met her match) have three days, for better or worse, to decide whether to accept the contract. With her sister adamant to make her life miserable, and a husband who seems equally determined to repel her, what else can possibly go wrong?

Words: 43,618 Status: Complete

Straight On Till Morning by ritaskeetered *ANASTASIA AU*

When Lily Evans leaves the orphanage in Cokeworth, there is much she does not understand. With no memory of the first eleven years of her life, she only knows that she should head to Paris if she ever wants to find out where she belongs. Unsure of where to begin, she meets the Marauders and strikes an unlikely alliance. They will take her with them to Paris if she pretends to be the lost Princess Lilibeth Evangeline. Jily/Anastasia AU.

Words: 17,840 Status: In Progress

Darkest Night by whatcuriousthings *COLLEGE AU*

"It’s a tiny place, warm and welcoming with soft light and softer croissants. A place so small that if you happened to, say, run into the bloke you had been hell-bent on avoiding—well, there would be no avoiding about it."

Words: 11,691 Status: Complete



ONESHOTS (less than 10,000 words)

Textbooks, Time Scarves, and Tea by cgner *COFFEE SHOP AU*

Lily visits the coffee shop because Sev works there, even though he's got a completely obnoxious coworker with admittedly fantastic hair.

Words: 7,389 Status: Complete

Lessons in Lesson Planning by cgner *FAKE DATING AU*

Answer to the prompt: “our asshole mutual friends set us up on a blind date and didn’t tell us it was a blind date, so instead of getting to know each other we spent the entire ‘date’ scheming against them and decided an awesome way to get back at them would be to pretend to date and then have a horrendous breakup but now that we’re two months into this charade we’re not sure what’s real and what’s fake anymore”

Words: 6,585 Status: Complete

Three Swipes, You're Out by twilightstargazer *CELEBRITY AU*

Sports star James Potter tries to pick Lily up on tinder. Lily Evans, a dedicated not sports fan is offended by the idea that someone thinks she wouldn't recognize James Potter's face. She laughs about it with her friends at a bar, until James Potter, who also frequents that bar, comes over to clarify that nope, he's on tinder, and he's definitely hitting on her.

Words: 4,099 Status: Complete

Sing A Reckless Serenade by twilightstargazer *FAKE DATING AU*

After an almost minute of silence, she finally relents, “I need you guys to help me with a work thing.”

A hefty pause. And then-

“What kind of work thing?” James asks, warily.

Lily takes a breath. It seemed like a brilliant idea last night, when she was more than three drinks under, but now in the light of day it just seems… pathetic. Still though, she needs help, and needs it soon, so she finds herself blurting out:

“I need you to fake date me for a week.”

Words: 7,817 Status: Complete

Mother Deer by GhostofBambi *COFFEE SHOP AU*

Euphemia Potter is the unequivocal boss of everyone, including and most especially her son, and if the sweet, bright-eyed redhead who frequents her coffee shop doesn't know that yet, she's about to find out.

Words: 6,712 Status: Complete

Cat in a Fifth Floor Flat by GhostofBambi

Modern Era AU. When Remus Lupin moves out and Lily Evans moves in, James Potter finds himself instantly drawn to his beautiful new neighbour. Little does he know that a mysterious force of nature is secretly pulling the strings.

Words: 5,349 Status: Complete

Supermarket Sweep by GhostofBambi

James Potter can find anything he needs in his local supermarket - bread, milk, the woman of his dreams - they've got it all.

Words: 4,634 Status: Complete

Foam Hearts by Sleepinghookah *COFFEE SHOP AU*

Coffee shop AU. A story in which James and Lily are blind - both in entirely different ways.

Words: 6,655 Status: Complete

Erotic Porridge by elanev91

Euphemia Potter thinks her doctor needs to go on a date with her son. This story is so named because I saw it somewhere, could not stop laughing, and my best friend professor-riddikulus hates it so much that I just had to. This story has nothing, literally nothing, to do with porridge.

Words: 6,351 Status: Complete

The Yeast I Can Do by elanev91

Dr Lily Evans had an absolute shit day at work. Luckily, there's a bakery nearby that offers a course that she hopes will take her mind off of things.

My Spellbound Heart by twilightstargazer

She washes her face and tries to compose herself before heading back out there. Marlene catches her arm and whispers, “You’ve got a soulmate.”

The word sits heavy between them and she says nothing. It’s crazy how in less than ten minutes her life has changed.

Words: 5,265 Status: Complete

Hospital Walls Have Heard More Sincere Prayers than Churches by marauders_groupie

Jily modern AU, based on a prompt - "We broke up but I'm still your emergency contact so when you have a car accident, they call me"

--

She knew she could never get James back. But she didn't care. All she wanted him to do is to live.

Words: 8,987 Status: Complete

The One That I Want by snapslikethis

She'd come without a date, dressed as Sandra D, and the owner of the bloody house, the host of the party she was attending, perhaps uninvited, the unfairly fit bloke staring down at her, was actually dressed as her fictional boyfriend. Danny bleeding Zuko. He was really, really fit.

Words: 3,688 Status: Complete

Those Lazy-Hazy-Crazy Days of Summer by dancinglily

Lily works at a country club over the summer and has to remind herself that she can't fool around with guests, even if said guests are charming, bespectacled, messy-haired boys.

or "AU where person A of your OTP works at a summer resort and person B is vacationing at said resort with their family and they both can't stop checking each other out until they finally make out"

Words: 8,826 Status: Complete

Subtle Arrangements by snapslikethis *FLOWERSHOP AU*

Person A owns a flower shop and Person B comes storming in one day, slaps 20 bucks on the counter and says, "How do I passive-aggressively tell someone off in flowers?"

Words: 3,370 Status: Complete

it continues (the beginning doesn't matter) by whitesunlars

She is the last person he expected at his door at that exact moment, despite feeling unsure about the fact that she managed to track down his address, he agrees to go out to coffee with her. A lot could be said about James Potter, but nobody could claim that he had good self-preservation skills.

They meet in a bar. Mistakes happen. They learn to keep going.

Words: 3,200 Status: Complete



Authors I love and recommend if I haven’t made it too obvious already: Jewels5, thegingerhairedlass, BeeDaily, cgner, GhostofBambi, ritaskiteered, jamespotterthefirst, lizardcookie, monroeslittle, CokeBottleK, a_c0llecti0n_0f_n0nsense

Authors whose work I really want to check out but haven't had the chance just yet: clarewithnoi, missgryffin, AlightWithHappiness, thequibblah, theesteemedladydeborough, mppmaraudergirl



STORIES ON THE TOP OF MY TBR LIST

Potter and Evans by AlightWithHappiness

She was dramatic. He was dynamic. She was precise. He was impulsive. He was James, and she was Lily, and it's about time they shared a kiss already.

This is my attempt at TLAT Chapter 37. It's Jules's world, we're all just living in it.

Words: 43,469 Status: In Progress

I've been putting this one off so that I can read it after another devastating TLAT reread but I'm sure I'll be screaming compliments at the author in between sobs when I finally check it out....in any case, bless this person for taking up the challenge!!!

Bond and Free by clarewithnoi

The year is 1977, and a group of Gryffindors are learning that the final two years of Hogwarts are punctuated by battles – big and small, mental and physical, devastating and triumphant.

It is fortunate, then, that they have grown up warriors.

MARAUDERS ERA: 6th/7th year. Canon compliant. Primarily JILY - but other pairings make significant appearances.

Words: 96,978 Status: In Progress

I Want It to Be Us in the End by theesteemedladydebourgh

"You sneak out the window and into my arms

Tell me where we’re going baby" London, 1979 West End actors and former classmates James Potter and Lily Evans enter into a secret love affair.

Words: 22,932 Status: Complete

Love Is Complicated by theesteemedladydebourgh

Three years. Longing. Academic shenanigans in Egypt. Almost-kisses. A snowed-in office on Christmas Eve.

Or, the one time James Potter’s (who is not Indiana Jones, no matter what he thinks) spur of the moment passion quest isn’t for an ancient artifact.

Words: 12,186 Status: Complete

theogony by clarewithnoi

The trip that Lily Evans expects to go on is the annual pre-dissertation jaunt to Athens with the rest of her Classical Civilizations PhD program. The trip she does not expect to go on is to 479 BCE, right on the cusp of one of the most important battles in the Greco-Persian war. Now, she has to navigate antiquity as she tries to find her way back to the 21st Century, God—or gods—help her.

James wants to win this war. No, James needs to win this war. He is a man of honor and duty, and even if it means dying a gruesome, bloody death, he will go down in history as one of Athens's great warriors. He will suffer no distractions; not even beautiful ones who speak strangely and refuse to listen to his orders.

-- OR: The Outlander-Meets-Ancient-Greece Jily AU that literally no one in the history of the entire world has ever asked for.

Words: 76,269 Status: In Progress

Not Quite According to Plan by BeeDaily

For Fleamont's retirement party, Euphemia hires her favourite event planner, Lily Evans, and wrangles her son, James, into assisting in the planning.

Words: 17,171 Status: In Progress

Last Resort by BeeDaily and GhostofBambi

Dinner with a hostile stranger was not on the holiday itinerary for James or Lily, but it beats getting hit with an ice cube.

Words: 8,085 Status: In Progress

Casablanca by BeeDaily

When James takes over Remus's Uber shift, the last person he expects to take on as a passenger is a familiar redhead who is a trifle inebriated.

Words: 5,532 Status: Complete

Thirty, Flirty, and Aubergines by BeeDaily

Bakery owner Lily is quite good at tempering her consumption of sweets…except when the treat comes in the form of one tall, sumptuous, messy-haired patron.

Words: 4,628 Status: Complete

Everything but the Kitchen Sink by GhostofBambi

Consequences ensue when James Potter drunkenly promises to bring his arch-nemesis to his friend's wedding as his date. Oops?

Words: 32,412 Status: In Progress

The Wedding Ring by mppmaraudergirl

What is undeniably worse than attending your sister's wedding looking as desolate and forgotten as a wilted houseplant?

Drunkenly ringing your ex-boyfriend and asking him to be your date.

Words: 91,655 Status: Complete

Come Together by thequibblah

It’s difficult to say when James and Lily took the first steps to love. Perhaps they had always been walking this road, unaware of the person they were walking towards until the mist cleared. They would fall in love eventually — but we would be remiss in ignoring the hiccups along the way.

Words: 738,179 Status: In Progress

tell me where your secrets lie by thequibblah

She’s Lily Evans. Her best friend is Severus Snape. She's Muggle-born. She's a witch. She's a Slytherin.

You already know how this story goes.

Words: 26,009 Status: Complete

Two's a Crowd by thequibblah

The only thing Lily Evans can share with the Earl of Devon is a healthy dose of mutual dislike.

Prompt: "there was only one bed" but make it Regency.

Words: 4,200 Status: Complete

(Didn't I?) (Didn't I?) Didn't I See You Crying? by ritaskeetered

James Potter has fancied Mary Macdonald for as long as he can remember. Everything about her is practically perfect, except for – if he were being honest and he always liked to be – her choice in friends. For Mary’s best friend, Lily Evans, is a right shrew and, much to his dismay, the Head Girl to his Head Boy.

Lily Evans had disliked James Potter with a passion after their first interaction on the Hogwarts Express. A dislike that turned into hate – never mind that she also has an infatuation going, but no one needs to know about that – as soon as he decided to make her life a living hell. Unfortunately for her, he also decided (a few years earlier) that her very best friend in the world was the worthy object of his affections. (Which was fine, really. She wasn't about to cry over it, for Godric's sake. She was a strong and independent young woman, thank you very much. And yes, perhaps she was a little in love, but it was all for nothing, so she had to keep calm and carry on.)

Certainly, their complicated past would result in major disaster if common ground was not soon established. For the love of Merlin, though, why did either of them think it would be a good idea for Lily to help James woo Mary Macdonald?

Words: 55,682 Status: Complete

It Only Takes A Taste (When You Know It's Good) by ritaskeetered

Lily Evans is 28 years old and far too busy saving - according to her friends - the world to enjoy an epic romance. If you were to ask her, she would say that the last thing she needs is a complicating relationship that will distract her from all that she deems important: 1) her organisation for teens and young adults: Exceed Expectations, 2) her friends and family, 3) Mary's Instagram cooking vlog, 4) her favourite novels, 5) her favourite shows and films, 6) actually going to bed before midnight.

Enter Prince James, heir to the British throne and the world's most eligible bachelor. There is no way she will allow him to sweep her off her feet. It's out of the question. It screams trouble. Yet... it only takes a taste, because - as Mary always likes to say - sometimes one bite is more than enough, to know you want more of the thing you just got a taste of...

Words: 62,556 Status: In Progress

(You're So) Golden by ritaskeetered

After the worst possible year and a half, Lily finds herself at her best friend’s wedding, staring at her ex-boyfriend whom she claimed to hate a year earlier but never actually did. A story of grief, heartbreak, regret and finding yourself.

This fic features James as a windsurfer and was originally inspired by the Tokyo Olympics, except for the fact that I managed to turn this into something different altogether.

Words: 20,879 Status: Complete

If We Never Meet Again by thequibblah

"By the time this is all over, you'll have to be a little in love with each other."

Written for Jilytober 2021's Bittersweet challenge: "here, use my sweater to warm up in," sweet to bitter.

Words: 42,623 Status: Complete

Shout Out To My Ex by ritaskeetered

Phoenix Radio is going through a rough period with the arrival of the new and controversial Riddle Radio. Albus Dumbledore, founder of the country’s number one radio station, asks his team to get ready to rebrand. Gone are the days of family friendly radio, a show where two exes talk about where their relationship went wrong and deliver relationship advice live on air, named Shout Out To My Ex, is exactly what Phoenix Radio needs. Who better to co-host this show than Lily Evans and James Potter, two Phoenix Radio employees who absolutely despise each other, or do they?

A Jily Modern AU inspired by Rachel Lynn Solomon’s "The Ex Talk".

Words: 108, 441 Status: Complete

So Just Act Like You Love Me by twilightstargazer

“Petunia knows Sirius, but she doesn’t know you,” she says, and her voice doesn’t wobble even once.

He doesn’t seem to catch it, but Sirius is staring at her with his eyebrows raised, just a little. She ignores it and trudges forward, steeling herself for what's to come.

“Petunia doesn’t know you. She doesn't know that we're just friends or that we argue like nothing else so–”

A flicker of understanding flares to life in his eyes and his jaw almost falls open. “Oh god.”

or, Lily was looking forward to a nice, quiet Christmas by herself. Instead she's heading back home for her sister's engagement party with a fake boyfriend in tow.

Words: 13,160 Status: Complete

The Season by missgryffin *BRIDGERTON AU*

James Potter, Duke of Peverell, has returned to London just in time for the season, where Miss Lily Evans is about to make her debut. Only, he’s not looking for a wife, and she’s not particularly interested in a husband. [Bridgerton AU]

Words: 43,361 Status: Complete

A Jily Bridgerton AU and I haven't read it. I know, I should be ashamed of myself!

foreigner's god by clarewithnoi

answer to a Tumblr prompt: "we were lovers in a past life" but the current incarnations are enemies-to-lovers, and they don't remember anything from their past selves.

Words: 17,577 Status: Complete

[ryuichirou]

Replies

Happy Holiday weekend! Here are some replies…

Anonymous asked:

Have you read the Twisted Wonderland manga adaptation yet? I think you would really enjoy them

We haven’t and we don’t really plan to (since Yana Toboso didn’t work on them outside of some tidbits that we’re interested in, such as character’s younger versions design). But the artists for the manga did such a good job, that we really appreciate the art of it whenever we see someone posts it. The Tweels and Azul specifically look amazing.

Anonymous asked:

(with the jadesil asks but also just jade in general) mushrooms do look a bit like a certain... something, no? 🍆

They sure do. I wonder if Jade thinks about it… he certainly noticed it lol Especially considering that both of these things are kind of new to him…

“Oh, but don’t put the mushrooms anywhere please!^^”

blackbutlerfandomnerddomain asked:

So you ship CrewelTrein which is funny for me cause I honestly have a AU where Crewel is his out of wedlock child he didn't know about/headcanon as a father figure, so now with this ship being shown and lowkey agreeing with it despite my AU/thoughts now thought of Crewel being a student and being so frustrated by Trein he jerked it once and discovered he has a lot of daddy issues which includes a daddy kink but not him being called daddy or bottoming just Trein being "daddy" and he fucks him

lol I love how it turned into a “daddy issues/daddy kink” but WITH A TWIST

It could be funny if these two discovered they have a blood bond…but even if they don’t and Trein is just a father figure, it’s honestly even more funny, because having him as a father figure certainly didn’t stop Crewel from doing thing lol

blackbutlerfandomnerddomain asked:

OKay! BUT! Azul and Floyd walking in on Idia and Riddle either making out (with permission from their doms) or fucking each other with a double sided toy! (inspired by a comic I red of two subs making out before their doms showed up and boom fourway/double sided sex)

Alright, now I gotta know which one of these 4 saw this scenario in their head while they were asleep, because Idia and Riddle are probably the worst people for such a thing: not only they wouldn’t dare to do it by themselves, but to cooperate?? I wonder what would make them… well, ironically, Floyd could lol

(but the visual is like a classic hentai thing and would definitely leave Azul and Floyd kind of speechless lol)

dawnstar-33 asked:

I should be asleep rn but oh well Twst is more important...

Random thoughts I cant share with my friends (smh they wont watch playthroughs with me)

-Does that black streak in the tweels hair not annoy them? I'd be so mad about it especially as I have a similar haircut as the tweels 😭

-Twst x Mean girls!!! I can't remember where I saw it first, but now I can't unsee it! Vil as the one and only Regina George, Rook as Grechen and Cater as Karen! With Neige as Cady (World Burn is playing as I write this...)

-Not sure when I thought of this- Jamil and Kalim (either as a romantic or platonic attraction) with this one quote

"You're my soulmate, my life, but I'm not yours."

And that concludes my random thoughts at 3am 😭🫶

Twst really is more important than sleep lol I hope you sleep well though! And that your friend gives up and treats themselves by watching twst with you >:3

Here are my thoughts regarding your thoughts! Sorry for the late reply.

I think they’re very used to it lol Since they had to maneuver with it underwater ever since they were young… But I can picture Floyd accidentally catching it with his mouth and spitting in annoyance lol

LOVE Mean girls and the musical version is also great, HOWEVER! As someone who simps for both Vil and Regina, I don’t really think they’re similar. Vil has way too much dignity to do the “awww I love it how cute (I hate it it’s ugly)” thing, he’s usually just brutally honest lol And Regina is one messy bitch. Ironically, I feel like Azul fits the role better, despite not necessarily being a queen bee… I can definitely see Vil and Neige playing the roles of Regina and Cady though, it would be interesting. And infuriating for Vil, probably lol

Ohhh this is beautiful and sad. Yeah, Jamil and Kalim’s relationship with each other is quite asymmetrical on every level.

[blubushie]

90% of your sniperposting posts are of the ship speeding bullet, or Sniper x Scout. Any thoughts on that you would like to share to the public, sir? (Sorry if youre not accepting asks rn :p)

Yeah gimme that microphone. Bet you didn't expect "Blu analyses shipping" when you sent this ask in, didja? ;]

I, Blubushie, hereby declare:

Tbh I just reblog all the Sniper art I see what tickles my brain. Most of that happens to be Speeding Bullet art, which makes sense since Speeding Bullet is a very very popular ship and art isn't often done of Sniper by himself. He's usually on somebody's arm, whether it's Scout or Spy or Demo. I'm there for Sniper, not for the shipping.

Awkward moment to mention that I don't really ship anyone in canon except for Soldier and Zhanna, who are canonically engaged. And that's more of a "Whelp, they're engaged, so reckon that's legit then." There's no one that I go feral over, but I've never really been involved in shipping in fandoms even as a teen when I was much more into fandoms. It's never caught my attention.

For me shipping usually verges into headcanon territory and I try to stay as true to canon as possible because of my love for source material. I'm a lore bloke. I like scanning for shit in the media to see where people get these ideas from, especially crackships for the shits and gigs, but at the end of the day I'm still a lore bloke, and also an author, and there's something a mite uncomfortable to me about what happens once stories leave your own mind and enter into the minds of others. In a "if this was the creator's intention they would've shown it more clearly" kind of way. I know most people are aware their ships will likely never be legitimised in media--that's a good thing, that awareness--but the reason why people cram two canon characters together and decide they're A Thing in their own minds is largely a mystery to me, because I've never really done it.

I think Scout and Sniper would make a good pair, with Scout keeping Sniper busy enough that he's satisfied and also doing much of the talking for him so that he won't have to, but Scout also doesn't know when to shut the fuck up and some quiet is necessary for sniping. You can't have outside distractions and Scout, largely, is one massive distraction. They're great as a friendship, I can see them as a romantic pairing, but they'd be absolutely terrible for working together unless Scout learns to shut up sometimes when people need him to.

Anyway, I'm more inclined to enjoy Sniper/Scout than I am Sniper/Spy or even Sniper/Medic or Sniper/Demo, and these are the largest Sniper ships in the fandom. But shipping has never really been my thing. Even with my fic, the focus isn't necessarily on Jesse and Mundy's romantic relationship (though that defo plays a massive part), but rather it's about Mundy's own quest for redemption and forgiveness in his own eyes after he's already been redeemed in the eyes of the person he's wronged. She's forgiven him, but he hasn't forgiven himself.

Ain't that hell, ay?

Anyway, that got off on a massive tangent. All this is to say that no, I don't really have any thoughts to share on why I reblog so much Speeding Bullet. I'm there for Sniper. It just happens that the best art I see and the level of skill that usually tickles my brain and makes me want to reblog is art of that particular ship.