comics as an art form make me insane. they’re so difficult to do well. there’s so many different ways to make sequential art work and most of them are deeply unintuitive. onomatopoeia that feels completely ridiculous to put down often reads seamlessly. panels on a page become a fractally nested image composition challenge that’s only possible to lose because if you do a good job no one will notice. you have to direct the readers’ eyes on a specific path across the page but also account for the fact that they won’t follow it. comic time isn’t linear. if the order of events isn’t crystal clear the story becomes incomprehensible. sometimes you need to do this on purpose. all this for a medium almost universally considered less effective than animation and less respectable than plain text. even its own name doesn’t take it seriously
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I meant to draw this back when I did this other doll comic as another side, to show a doll that had been cared for instead of abused, but somehow I wasn't able to finish it till like 10 minutes ago, anyway I did it *confetti*
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I miss the pre-New 52 Tim and Jason dynamic so much. It was basically Jason beating the fuck out of Tim well being all "nothing personal kid I just hate everything about you, your existence and the fact you're breathing right now" and Tim spitting up blood going "what if your mother was a whore, kill yourself" and Jason just deciding right then and there that this kid is his favourite person.
Then it just turned into a Tom and Jerry hunt across the city where Jason keeps hitting Tim with the "join me, be my robin" and Tim kicks him in the balls.
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i say if you’re gonna have the mysterious entities speak in rhyme you might as well commit (EDIT: part 2!)
(posting an unprecedented Part 1 of At Least 3 bc i actually have the entire script and most of the storyboarding for this done already)
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