#this is really just a huge fucking ramble and kind of a shit quality one as well

[cybertron-after-dark]

(i'm rambling don't mind me) not sure how to phrase this but, i always found it interesting how "disconnected" the maximals and predacons were from the history of the autobots and decepticons (except for like BA and dinobot they're nerds). It's still wild to me how no one there really knew who starscream was and his shady past like come on 💀

(also the way the maximal council has certain files censored for the maximals but BA was able to just go read starscreams file like did she hack in there or do the predacons really have all that information free to read?? if so rare predacon W)

You are SO correct, I love it when they do that shit. I feel like they really tried sprinkling in little hints about the maximals as a faction and especially as the ruling party being like legitimately unethical sometimes but with how fast the show had to end they couldn't really do much of anything with that plotline the same way they totally shelved the tripredacus council.

I feel like a lot of that sort of teasing at worldbuilding is what inspired tfa to go so hard on cybertron's lore and political drama aspects, showing the autobots were outright tyrannical and authoritarian behind the scenes, and that show ended up SO fucking quality for that intrigue.

(bw and tfa never getting a proper payoff for the fucked up Cybertronian governments is also kind of a huge factor in why I started making a whole ass fan continuity where that gets to be the main plot. Not to shill my silly little fan projects lmaoooooo)

But God between some info only being available when you're a Predacon extremist, Dinobot being TERRIFIED of what his punishment might be if he gets back to Cybertron to the point where he'd rather rough it alone on prehistoric earth, and ravage being the only original Decepticon left despite how long their lifespans are? I do not trust the maximals as a whole for a fucking second.

[mass-convergence]

A collarary to the advice of "they'll read it if they want to and they won't if they don't" is - they need to find it. People not reading your work is not a mark against its' quality, it's simply evidence that people haven't found it. As a published author myself I get it, it sucks when noone reads your work. It feels that you have put something out into the world and that it is being ignored. But it is not being actively ignored, it is not being judged as poor quality. It simply hasn't been found. Courage and patience. Don't be scared to send links to reviewers or people in other circles.

Sincerely - thank you.

Long, somewhat disorganized, ramble

It is frustrating, and part of this is my (admittedly ADHD related, though trying to blame it solely on that isn’t really getting the full picture) need for instant gratification and complete lack of patience in anything. And the general insecurity that if it doesn’t get some kind of recognition, positive or otherwise, that I’m just showing my whole ass to the world and people are being too polite to mention it. I also have issues with emotional regulation so it literally feels like someone’s squeezing my heart whenever I get into this state.

And I’ll be honest: I’m frustrated with people who have said they’ll read it or check it out and then never do. And I don’t feel like keeping on poking them and asking them if they are. Because I’ve gotten the “I’m sorry I’ve just been so busy” explanation about a hundred times now (only slightly exaggerating).

And I don’t want to call them liars because I’m an adult with a day job and a mountain of responsibilities that I’m only somewhat keeping up with. There’s plenty of stuff I want to watch or consume that I don’t have mental bandwidth to handle. I’ve read the first paragraph of Gideon the Ninth and I want to read more I just haven’t gotten a chance. Which also is lending to mental health issues but we do not have the time to unpack that rn.

This is something I’m passionate about and pouring my heart into and not even getting the bare minimum of support from people who purportedly said they’re interested is not really a fun spot to be in. (And I know one or two of my friends have been reading and I love you guys). My mom said she was gonna read it which is slightly terrifying because she’s not into queer fantasy but she’s also like unabashedly supportive and has been trying to get me to publish my writing and sell my art for goddamn ages. I’m not on the level of Tolkien or Pratchett or Gaiman (Martin you stay the fuck out of this) and I’m not trying to be them either. But I think I’m like decent.

And I guess I took some of the advice when I was writing fanfic that “well people who aren’t interested won’t read it so don’t worry about posting cringe” and extrapolated it to original fic. Which isn’t a 1:1 - people legitimately do not give a shit about other’s OCs unless they’re given a reason to care.

Side note: Partially the reason that while I could advertise this (and probably should) as a story lead by queer protags, two of whom are POCs, that doesn’t really tell you anything about them. Aside from representation. Admittedly: I’m not too great at self promo because I feel like I’m hyping me and my story telling ability way too much. Which is a self fulfilling prophecy when I inevitably don’t get any bites.

It’s a rough situation all around and frankly demotivating. Part of the reason I just didn’t post on Thursday because I was just so damn tired of posting and having to deal with the pain over and over again. I have a huge buffer of words and chapters and I’m frankly having a hard time deciding if I should keep posting them. I mean my last chapter didn’t get any notes except for the one reblog … which was my own fucking reblog onto this blog.

And I think I’ve come a long way from like not disparaging my own shit. I love my writing. I love my art. I just hate sharing it and not getting the same level of excitement I feel to tell a story I want to tell.

[marsbar17]

DVA and Bridgette tonight queen 🤭🫶

IVE BEEN OBSESSED WITH THIS SHIP LATELY OMG

Anyone else obsessed with mekamechanic you should read this fanfiction by The_Big_Oof on AO3

Anyways on to the headcannons :)

CONTAINS: NSFW further below

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

《SFW》

• This ship just works so well because they're both awkward nerds in their own ways like dhdhjsja

• D.Va is obviously the most loser gamer out there (i say this affectionately :3) who's social skills are probably terrible because most of her life is portrayed on social media

• Brigitte is very family-centered and her godfather is literally in Overwatch with her, that must make relationships awkward pffff, also she's just a big buff lady who's very kind-hearted and shy

• They probably got together due to other peoples' influence, Tracer definitely takes most of the credit for getting them together

• Brigitte loves HARD, she's head over heels for D.Va, every action she takes has D.Va in mind, she watches all her streams from start to finish, she puts D.Va's feelings and happiness above her own

• D.Va is centered a bit more around herself due to all the pressure of fans and Busan's expectations of her, she has a harder time remembering that Brigitte has needs and wants aswell, but she gets the hang of it over time

• Their love languages are definitely gift giving and quality time

• Brigitte will buy anything that reminds her of D.Va, bunny plushies, keychains from her favorite games, snacks and drinks that she likes, literally anything

• D.Va just likes being around Brigitte, gaming together in eachothers rooms, fixing up Tokki after a tough mission, working on one of Brigitte's projects, sitting beside eachother at meals, they're always together

• They go on little arcade dates and fast foods dates where they set up picnics in really pretty spots and just eat junk food pffff

• They're also the type of couple to just go on walks through town, where all the shop owners know them by name and ask Brigitte to fix their shit

• D.Va likes being able to carry Brigitte while she's in her mech, she likes being tall and strong :)

• Literally everyone in Overwatch knows they're dating, how can you not when they're like a highschool couple cuddling in the hallways

• Brigitte definitely calls D.Va bunny, kanin (bunny in swedish), and darling

• D.Va calls Brigitte baby and jagiya, idk she doesn't seem like the type of partner to use a lot of pet names

《NSFW》

• They're both switches but Brigitte probably tops more often

• D.Va is the more dominant one though, we support power bottoms on this blog

• Honestly they're too sweet for any kinky shit, D.Va is definitely into toys tho

• She's got a small collection, nothing too insane or huge just a bunch of dildos and vibrators because why not

• There favorite positions are missionary and riding, I use those a lot but like yes

• Kisses during, a lot of kisses and body worship

• Brigitte makes sure that D.Va knows she's fucking beautiful, and D.Va makes sure Brigitte knows that she's pleasing her so good

• I can't think of any more hrhdjks they're too sweet man

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Thank you for reading my mindless rambling shdhjaka

If you like my work liking and reblogging takes like 30 seconds and really helps me as a creator. Requesting ships or other things also really helps me and I like it a lot, so please do!

Have a good day :)

[plutesboots]

just random musings on maplestory (do not play this game)

Extremely long post btw I was rambling

It's just so aggravating how much the entire game changed so quickly.

When the game started, it was a small world. It took a week to reach level 10, and over a month to reach lvl 30 when you got the first job change, even if you were playing every day. This forced people to learn to share maps, thus increasing mob spawn rates. This ALSO necessitated the playing of party quests, a co-op instance where you and 3 other people killed monsters, did platforming, and worked together to beat it and get huge amounts of exp.

The amount of cash shop stuff was very minimal. Little outfits you wore over your armor that did literally nothing, really. They added content slowly, and I think I got to Ludibrium when it got bought out.

Like I had a friend who played more than me (I was in school at the time) and was one of the first people, like a year into the game, to reach level 60. It was rough.

And then they changed the exp curve! Which was great, but it was SUCH a vast change. Instead of taking a month to get to lvl 30, it took like, less than a day. And suddenly there was less demand for map sharing, way less demand for party quests, and as they increased the exp reward for stuff, people just. Ending up grinding solo constantly.

I was the weirdo who did the quests btw. I could barely play in high school so I just did Literally Every Quest lmao.

AND THEN. Then. They added extra stats to your weapons. This was the fucking worst thing. So. They made super bosses have a special kind of Boss Defense, and the only thing capable of piercing that defense was a special extra stat you could get on weapons, known as "Damage to Boss Monsters" that was only available as a "hidden potential" stat. And when you got those hidden stats, it was completely random what you would get.

BUT. If you ~really~ wanted a specific stat on your weapons, you could pay cash for "Cubes" and these would randomize the potentials. But to get the GOOD stats, the ones that would let you fight bosses, you had to buy the Fancy Cubes. And a lot of them. A stack of high quality cubes would cost you like, 50$ for ten of them.

The average cost of a single weapon capable of letting you fight a boss was $300. That's was the Average. Just a long series of gacha-type rerolls trying to actually do a main part of the game.

Good god they made you want to do it though. The best armor in the game was behind these super bosses, and only by getting that armor (which was a fraction of a CHANCE of being the one you needed) could you access a large portion of the game. And these bosses were extremely hard to get to, and many of them spawned like. Once a week. Or once a month. For the entire server.

If you REALLY grinded like constantly, forever, and got lucky by making friends with richer players, you could MAYBE get to be in the arena when they beat the boss. Maybe. If you survived.

And eventually they released the "No Cash" Reboot server, which was. Better. You couldn't trade with anyone or put any equipment in your storage which was stupid as hell, and even with the buffed enemies, you could probably get to the end-game shit Eventually. Though it was incredibly grueling, and relying on RNG to get any good items was. Rough. And they still had cash in the form of pets that could heal you so it was kind of a moot point regardless.

At that point though, all the people from early on in the game's life cycle, who enjoyed like. Playing with others. Had just gotten completely burnt out on the pay-to-win shit and the updates constantly nerfing and buffing classes based on....I'm not sure. Profit margins? Complaints? Who's to say. I tried Reboot for a while but after the third guild I joined that demanded constant leveling I just noped the fuck out of there lmao.

I know people still play this game considering it still gets updates but I hope they're doing okay. I don't want to stress myself out doing the research lmao. Fuck that shit.

[schtorytime]

I'm giving myself some little at home literary workshops (thoughtful rambling about my own writing under the cut, idk)

I dunno if anyone else feels this way, but I think writing in a fandom that - and no shade here, I'm just being objective - has a pretty low bar in terms of fic quality has made me a little bit complacent or given me this false idea that I'm a better writer than I am. Not that I thought I was the best writer in the world to begin with or anything, but I think regularly sifting through the piles of steaming garbage that makes up such a huge portion of the tags on ao3 (and this might be a mcyt thing in general, or it might be because I only read one ship and said ship is in fucking dire straits, idk) has made me feel a little too comfortable or something. Recently I've discovered a few authors that are like - genuinely good at the craft, and I've realised like... holy shit. I am so MEDIOCRE LMFAO. And I don't mean it in an emo oh I'm never writing again woe is me kinda way, that's not really my style; it's in an 'i'm inspired to improve' kind of way. Like sure, I can write in the basic sense. I can create an idea and see it through and get the basic point across; I feel very confident in punctuation and grammar etc. I feel very very at home in writing dialogue that shit comes as easy as breathing. Characterization also comes super easy to me; I find it easy to grasp what a character is about and the way they think and how to predict what they would do or say in any given situation, but everything else outside of those two things?! Mid. Just so painfully mid. My description skills are so flimsy, symbolism and metaphor are virtually foreign concepts to me - I feel like I write really *simply*, and I think the stuff I do write is good! Like it's good in the simplest form, it is, but it's still just... *simple*, and that frustrates me. I know it's enjoyable, I know it's *nice*. But I don't want it to just be nice!! I want people to walk away from my work like, awestruck. I want people to be so immersed and taken back in the same way that I feel reading some of the stuff I have in the last few months. I think I'm in this weird place where I realize I have potential and I have some of the tools and ingredients to *get there* at some point in the future if I really work on it, but I'm also a little lost I'm like how the fuck do you get from point A to point B. I'm such a 'I want a clear route cut out for me and explained to me' kinda person so when I'm left floundering to figure out how to improve by myself I'm like ... where the hell do I start. I wish I'd read more growing up (I did a little as a kid but then by my early teens I'd basically stopped) - I think I'd probably be further along if I had. Kicking my younger self, stupid boy. I dunno I dunno, I'm very inspired I feel restless. I know the answer is just practice but I want to be there NOW D:< I've been doing a little studying and reading some stuff and just thinking how the fuck did you come up with that what the fuck. I just feel like I write so simply, I dunno how else to explain it. I do too much telling and not enough showing and I probably over explain things the same way I do in real life speaking (anxiety havers rise up) but I also write from characters perspectives that I think would also do that, so I don't wanna tip it too far away from that and make it feel unnatural somehow, but I also don't want it to be so BASIC I don't even know if I'm making sense anymore I'm just frustrated but almost in a good way. I think you have to feel that way to make any actual improvements. Hmmmmmmmmm.

It's like in my head I think and see in images and movie scenes and I THINK?? (Maybe I'm a narcissist) that those images and movies are fucking genius, like I'm a genius in my brain, but when you hand me some sort of writing device and ask me to get those movies in my head on to paper???? I plop my ass on the floor and start drawing nonsensically on the walls like a toddler. Okay maybe it's not that bad, but in *comparison* to the stuff in my head - it is. Source : just trust me guys It's weird being very self aware but struggling to know what to do about it. Hmm. Idk, idk. Ignore my ass. HMMMM. Much to think about..

[summonhouse]

im going to ramble abt art websites for a bit and its maybe going to be disjointed and potentially mean bc 1. i speak for myself im not here to convince anyone of anything so i dont care about sounding nice? and 2. im feeling a little offkilter lately BUT

these are no more good art websites and its a pain to see a new art website crop up every week and everyones like, thisll be the one guys! bc i dont think in this day and age its possible.

first; websites should not be profittable. ive been thinking abt this w like, twitter and tumblr and deviantart too where the problem is that people want to make more profit- they dont want to break even, theyre not trying to cover the cost of hosting and paying employees, they need an excess. it shouldnt be like this bc thats how we get the lower in quality, thats how we get this trying to appeal to third party money providers and not users and its always bad and more than that its just unnecessary. every art website that people love are the ones that remain stagnant because its reliable, people do not want continual updates to the ui of something they depend upon for posting and money. new experimental features esp on art websites are just.. useless unless theyre asked for and the garbage fed to us isnt what we asked for.

what makes a good art website? something you can post images, gifs, perhaps low quality videos on, have larger text posts for pinning and smaller text posts for status updates. id say an important feature is a gallery and featured page- profile customization is also important, at the very least have icons, text around a username, descriptions, and headers.

can you tell im thinking of deviantart? i think deviantart is the premium art website and i am so sad everyone left at eclipse- honestly not even that sad at eclipse. it was bad, it was broken, deviantart now has a fuck ton of little holes in it where pages just dont load right, ill get on the fucking new notification page and user profile later, but the way that, in the old days, it had huge spanning galleries, and it had “post type” search too! and it was annoying at the time, we hated this, trying to pick what kind of art your posts were, but it helped make searching for specific posts so much easier (now trying to find gifs on my old accs without it is impossible..). thumbs were good easy ways for ppl to spread content meant to be spread while immediately linking to the actual post- it stopped people from reposting art or using html linking the image itself without a hyperlink to take back to the post and credit, because the thumb was immediately easy to use and way easier than working around it. there was so much... community. like ok from 14-16 i was harassed hard fucking core by adults on deviantart because i was an annoying whiny kid that used dA as my support platform, because from 11-14 it really was! everyone was nice to me- my art was hot dog shit, but i dont think i EVER got a comment calling it bad. i got a LOT of comments telling me that it was good, and i really did believe that! being a preteen drawing dogs online and getting genuine support, often from other artists of my ilk but not uncommonly by artists who were immediately visually BETTER than me really really helped me get to where i am now- i never doubted myself because i was surrounded by people who were so happy to draw just like me, and people loved to see everyone elses work and characters- the joy for characters and stories is really what propelled popularity even when my art wasnt good enough to uphold this. i remember seeing a post a long time ago mentioning that like... sites like dA remained bc they werent just for visual artists which is a great point too- it hosted lurkers really well, artists were really friendly to people who commented on their stuff even if they didnt post anything, im p sure it did fairly well for people who wrote a lot of content, i know some people got popular just because they commissioned people a lot, not bc they drew anything but bc their characters and name got popular.

i miss the old dA notification page, it was SO GOOODDD the folders for where you could store old notifications, the way it was so perfectly set up to maintain a bunch of different notifications all categorized by type, the way that they took note to stop posts that were submitted in multiple groups from appearing again and again in your notifs, the birthday warnings, it was just.. so sweet! page customization too- it was just so fun finding cute little things to put on your page, and so versatile and useful too because you could get like, boundary or commission status or language stamps on there! and like, when i was 14 i had recoded my page a few times over myself, it got me interested in html coding! and now its all gone- for what? because the sleek look is modern, and modern things get more money from investors, and the platforms dont appeal to users anymore, they appeal to investors, because they want more money- they need more money. its a hole they dug for themselves, kind of- i feel like people down the line hosting THEM want more money and so it dominos.

i loved points too, ik people thought they were useless and the worth was hard for ppl to get but $1=100 points was SO GOOD like i know buying points w usd incures a fee and so ur not getting 2000 points if you spend $20 but trading between people for a lesser fee was SO FUN i got banned for doing this a few times LMAO but it really brings a community together. it encourages younger ppl without paypal to try and do commission artwork without breaking the law, and it wasnt as if points were WORTHLESS, because i know i traded usd for them!

and like, everyones like.. twitter is better. twitter is chock full of algorithm nonesense, theres ads between every post, video audio doesnt really work right (if you click on a video on mobile it just decides you will hear every video you pass now. which will be in between every normal post in the form of a fucking ad), images get compressed to hell and ive never heard any information as to how to avoid this, gifs turn into bad videos, you still cant post multiple gifs (i think youre supposed to but well it doesnt fucking work!), just fucking try and host pixel art on here, theres on way to say long form things to people easily- “use threads” real talk, as a user, if i see a thread i do not click it, its too much work if not offered to me. i am 1 person and i represent hundreds who see your tweets. if you scroll down onto any featured popular post you will see nsfw or violent bigotry. i used to report every bit of bigotry i saw and got fast reception, near immediate banning- since owner turn over, a post disparagingly saying faggot has not been responded to in the past 48 hours. the community is fucking insane and i cant blame them, its how twitter is built- there is no separation between official posts and casual posts, like on deviantart wher ethere was differences between journals and statuses- everything youd post as a status that would have gone under the radar is a big proper real post, every comment you make is a big real post as well, it forces a lot of passing commentary to the forefront of peoples attention which of course incurs drama. and ofc its an ALGORITHM BASED PLATFORM which means it REWARDS RECEPTION, inlcuding NEGATIVE- any of your posts that you intended to have as private and only for your 5 followers if it gets enough traction gets blown out of proportion and every single other user will see it only as the post itself, as a big number post which means its open for ridicule. i feel like it was host to more psyops than dA ever was? dA had a bunch of trolls but never any govt psyops like that drug minor one

anyways new art platforms dont work out bc they dont have enough people or draw- if you just are allowing people to post images and text posts, even if you have better page customization id just use twitter because despite its cons it has the major pro of, you know, having people using it- if you make a new art platform every week, theres no real point to pursue any of them, id just wait and see which one flourished- and because i dont participate, they dont get clicks, they dont continue to grow, and they ALL die. anyways moderation is impossible in the way people like- i know everyone wants to believe their niche discourse is clean cut and actually go to show deeper oppression but moderators on websites do not care- discourse is ever evolving and so heated that they cannot afford to throw out a guess and likely no one ever explains themselves, just say This ideology is something or other. and we all want it to be so simple that everyone has the Right opinion on pro/antiship, or fetishes, or terfisms, or mogai, but i promise no matter how easy it seems to you there are thousands who violently refuse and will make up their own buzzwords about how their side is right and the other is something or other. like aside from banning slurs or cruelty they really cannot do much and likely would not ban people who have a special word in their description that you and you alone recognize as a dogwhistle for x ideology. this is the problem i know a few art websites had where they had to say clearly what they would and wouldnt allow and NO ONE was happy. also to revisit that point on hosting a lot of people, an art website that is JUST an art website is like.. its not going to get community or that response i mention from other ppl. if i get on a website just to post art, why would i comment on anyone elses?

and like, dA i know it has like front page or new algorithm which spotlights a LOT of fetish content, but honestly like. you just have to accept that theres going to be fetish content, its an art website, if you want new unseen artists spotlighted you have to acccept that in the fallout of that theres going to be fetish content.

so uhmmm theres nowhere to go and nothing to do. get your asses back on dA eclipse was glitchy and sucked and showed dA didnt respect user opinion but it has not been that bad. its functional at the very least and its only ever dysfunctional because YOU all left. i cant get reception not bc dA is broken but because theres no one left to see it

[whatudottu]

Hmm, thinking about that one forgotten au/hyperspecific scenario I had once dreamed about (and it’s not because I totally watched Death on the Nile or anything no no) and that’s the fucking 2 Lies 1 Truth ‘story’ didn’t have much of one before-

For a little context because 1) it was a hot while ago and 2) I did absolutely nothing to tag it lmao- this little idea is a little TFP based plot though it could totally be taken out and just uses the prime iterations of characters where somewhere somehow Dreadwing, Airachnd and Makeshift were in some battle, Dreadwing got hurt real bad, Makeshift just so happened to have picked a dead Skyquake disguise to use as fire power and Airachnid, seeing opportunity to reap rewards out of not one but the assumed two mecha that are honour bound to pay her back a favour. Turns out- instead of wrapping two brothers around her webbed fingers, she instead scored one honour-bound mech and a shifter that would be slagged for impersonating a dead twin.

Something about watching some good old murder mysteries just made me think about this little plot, maybe seeming to be a little more dire than simply that whole ‘the mech who’s brother you’re pretending to be owes me a favour, i can have you slain without a drop of energon on my hands’ scenario, but as some form of ‘okay, we’re currently stuck and two of us are lying scumbags’ crash land or just overall kind of fucked can’t get away so easily situation.

It’s probably why I just - upon introducing the ‘au’ - opened it up to be more than simply a Transformers Prime plot but as something in that realm of ‘let’s see what happens if an astute individual finds their way into this god awful reality tv scene and has to play a game of 2 lies 1 truth’-

This isn’t really a ‘hey i’m making an actual au for this’ post, but I’m making it now because I am just really putting Makeshift through the wringer. Like- just imagine that you’re pretending to be someone else in a scenario that will not get other folk involved, probably even knowing that that person is dead and they will not find you being them. Then, suddenly, you realise very quickly that your little disguise has a fucking twin of all things, one that’s still kind of alive but is very much on the verge. And instead of getting the chance to ensure you’re not fucking killed for being a walking talking corpse of a person they now more about than you do, swooping in to rescue them is a notoriously cunning individual who knits weaves of lies and connections as inherent skill of their functioning. Makeshift went from 0 to 100 to fucking shit real fucking quick!

Something something, enter Dreadwing who has not seen his brother in so long, yada yada, the person who he perceives of as Skyquake seems to be actively avoiding him. Perhaps alone it would be reason to suspect, but with another mech Airachnid around, Dreadwing cannot specifically pin down an idea to mark- he hasn’t seen his brother in so long and Airachnid was never especially part of the main crew often if at all, he cannot automatically assume that Skyquake and this new ‘Con aren’t connected in some way.

And technically they are connected, by a tight grasp by one little arachnicon who just so happened to see that Skyquake wasn’t here and that Makeshift stood in his place. Oh to not only have a favour owed to be later cashed in, Airachnid happened to score a long duration favour where if she just so happened to give Dreadwing just that little extra sliver of information, of a little scant ‘I’ve not known him for long, has Skyquake been acting weird?’ thrown his way, she could have Makeshift’s head free of charge.

I don’t know, I just also think the idea of what Dreadwing sees as ‘Skyquake confiding in Airachnid rather than his brother’ moments to be very sweet tense moments of ‘shit shit shit have I been caught?’ whilst master manipulator Airachnid sits with her poker face grin laced with the lies of previous acquaintance.

This is a shit post but- uh... 2 Lies 1 Truth gets a tag now lmao

[beyondspaceandstars]

While You Sleep

Chapter 15

Relationship: Bucky Barnes x Reader Warnings: mentions of panic attack, mentions of violence Summary: Soulmate!AU - Throughout life, you’re given glimpses of your soulmate through dreams. As you sleep, memories flash in your mind showing you the life your soulmate has lived. Everyone around you raves about how their soulmate reads great books or volunteers in their spare time. But you can’t relate as your dreams end up being more like nightmares. Through initial images of death and violence, you come to learn your soulmate is the Winter Soldier.

Masterlist | Series Masterlist

“Would you like to explain to me why you’re here?”

“I think you already know why I’m here.”

Your therapist eyed you annoyingly at the bitter response. After your little episode during sex, Bucky had finally put his foot down. He realized you clearly weren’t getting anywhere on your own and he wasn’t the most equipped to give you the care you needed, so he set up a therapy appointment for you. 

The therapist was under the same practice as Bucky’s own but he made it very clear you two couldn’t see the same doctor. You’d never admit it, but you were thankful for that. You couldn’t imagine sitting across from the woman who Bucky also dumped his trauma onto. 

So, that was how, after some intense back and forth with Bucky, you ended up in front of a therapist you couldn’t remember the name of. It was pathetic, really, but in your defiance, you hadn’t learned her name. As if that somehow kept you disconnected from the whole process. At best, you knew her name started with a G and that’s all you were going to go off of.

“Sure,” Dr. G shrugged and glanced at your file. “I know what happened to you but why are you here? What made you want to see someone?”

You sighed. “It was just time.”

“Why?”

You slammed your hand on the side of the couch in frustration. It had been this weird back and forth for the last ten minutes. Honestly, you were hoping you could just drain the time but this doctor wasn’t giving either of you the luxury.

“What would you like me to say, huh?” You spat out, a new kind of anger springing within you. The dam wall had broken. “Do you want to hear about how for almost my entire life I haven’t been able to escape the nightmares of my soulmate? Or about how I get one little moment of peace with him and then it all goes to absolute shit? Because that’s just how the cookie fucking crumbles, isn’t it?” You bit your lip, holding back from the sob rising in your burning throat. But you certainly weren’t done. You forced on, “Maybe you’d like to listen to me ramble on about how my own goddamn apartment feels like a prison. Or how I can’t even have sex with my soulmate because everything, every little fucking thing, reminds me of that night. And it’s not just enough to remember it, I guess. Huge shoutout to whatever kind of soulmate bond this is.” You paused. “I was barely gone for two days and somehow it hurt me, it damaged me. But, really, it shouldn’t have, right? It was nothing compared to-,” Him. His experiences. Your words got stuck as you gasped, letting the sadness roll over you. The tears were flowing freely now. 

You just didn’t understand. You didn’t understand your reaction to any of this. You were barely touched, never even experimented on yet you couldn’t seem to actually escape it. You were flinching at touches. Backing out of sex. Not to mention the images of Bucky. Real images, no longer just dreams, but almost like your memories came into play. You were forced to be stuck in a tragic playback of that time. Over and over, every night, and you were to move on? Yet how does all of this come about from being gone for a few hours? You felt there was maybe more to this all and anxiety gnawed at you about it.

Your therapist sighed and placed your file on her side table. She leaned forward, hands clasped together. “Trauma is trauma, no matter how small or insignificant your brain thinks it is.” She passed you a tissue which you accepted.

You dabbed your eyes. “It’s just not fair,” you mumbled. “I finally found him and now I fear I’m ruining it.”

“You aren’t ruining it,” the therapist insisted. “You went through something catastrophic and your mind is reacting. It’s beyond justified. Don’t you think he, out of everyone else in this world, understands that?”

You gave a pathetic shrug knowing she’s completely correct. But that wasn’t how this was supposed to work. You should’ve been his rock, right? 

“Well,” Dr. G sighed as she leaned back in her seat, “I think he understands and you have no reason to beat yourself up over it. You aren’t responsible for any of it. You’re just responsible for recovering and, sorry to say, that isn’t exactly done overnight.”

You scoffed. “Well, where does it begin?”

“Talking,” she said. “Brainstorming. Shooting the shit. Whatever you want to call it, just find a way to let it out of here.” Dr. G motioned towards her heart. You felt your own pounding.

***

Bucky was right where you had left him sitting in one of the chairs in the corner of the waiting room. He didn’t notice you at first as he was engrossed in some technology magazine. You couldn’t help but notice how interested yet relaxed he was. He really did have a bit of a nerdy side to him. 

“What’s so fascinating?” You asked, taking a seat next to him. He jumped a little at your sudden appearance. You held back a chuckle, finding it quite amusing you could surprise the ex-assassin.

Bucky looked back at the magazine and shrugged. “Some new tiny cameras this company in Europe developed. Smaller than your pinky yet has the quality of a full-fledged camera, or so they claim.”

You smiled at his light skepticism. For a man that was easily wowed by the world he sure was hesitant to indulge in it - hence the flip phone he still kept insisted on. 

With a sigh, Bucky closed the magazine and placed it back on the table. He looked towards you again and asked, “How did it go?”

Truthfully, you didn’t want to talk about it, but that also sort of beat the purpose of getting guidance from a therapist. She emphasized that communication was a major key - for both of you. You didn’t want to dismiss that advice right away but you also didn’t exactly want to make your soulmate more concerned than he already was. He had insisted on coming with you to this appointment despite being confined to the waiting room. Bucky didn’t mind, clearly overshadowed by the worry showcased on his face.

“I have to tell you a few things if you’d like to accompany me back home.”

“Home?” He frowned. “Home as in-,”

You shook your head. “My apartment.”

Wordlessly, Bucky stood and outstretched his hand towards you. You mustered up a smile the best you could, letting him guide you out of the building and onto the city sidewalk. 

For as many concerns as you had running through you, you were finding some new sense of pride walking down the street with Bucky. Your soulmate. You had felt something there beyond it all. 

How many times had you walked these streets simply letting your gaze wander about hoping to just spot him? And then you didn’t even find him in the most conventional way. 

But you had to remind yourself of that hopeful gazing you partook in for many weeks. All you had to go off of was his actions. His violent, albeit unwilling, actions. And yet, in all that, you still wanted to meet him. Wanted to hear his voice and maybe get a peek into what he may be like. You certainly got way more than you had bargained for. And you wanted to keep it. Maybe you had been forgetting that in your worries of ruining it. These worries stemmed from wanting. You just had to remind yourself. 

You two had been lost in your own worlds. You were quite surprised by how quickly you had arrived at your apartment building. Everything outside of it was the same like the world had just stood still. You dropped Bucky’s hand and began fumbling for your keys. He kept a protective arm around your waist, trying to offer some comfort for the daunting task. 

After a shaky moment, you led him inside and up the stairs where your apartment door sat, seemingly untouched. You knew that wasn’t exactly the case. Agents had been in and out of your apartment upon your disappearance, Bucky had explained, but they must’ve been stealthy ones. It looked like every other door. 

And, really, that’s all it was, you told yourself. It’s just a door. It’s a first step, your therapist had claimed, but it was also just a door. You had wrestled with yourself over this concept for a while now and here it was in front of you. 

“You don’t have to do this.” Bucky’s voice broke your concentration. “You’re more than welcome at the compound. No one would blame you if you - you wanted to stay.”

“I know,” you sighed. “Thank you but I don’t want to wallow in it.”

Bucky didn’t say anything more and just nodded his head once in understanding. Taking a deep breath, you unlocked the door and flung it open.

You didn’t know what you were expecting. Part of you was ready to be ambushed by Hydra men. Another part of you thought the place would be a wasteland. But neither of those was the case. It was just...normal. It looked exactly how you remember leaving it in all its worn-down glory. Relief washed over you. 

You walked in as you had a million times before and threw your bag on the couch. You headed straight for the kitchen, pulling a bottle of water out of the fridge. Bucky didn’t comment on anything and just took a seat on your couch, waiting.

Making your back to the couch, you offered Bucky water but he declined. Amazingly, you floated around the apartment with no worries. It felt like you never left while also felt like you were reclaiming. 

You took a seat next to Bucky, keeping some space between your bodies.

“What’s on your mind, doll?” Bucky suddenly asked. You glanced back at him nervously. If he was at all anxious, he sure wasn’t showing it. Damn that assassin mentality.

“That nightmares have come back,” you admitted. The words landed like a million little bombs around the apartment. Bucky leaned back on the couch, his eyes wide with concern. 

“What?” It was all he seemed able to manage to say. 

You shifted on the couch uncomfortably, mentally working up the courage to continue on. “It all started back up after that… that night,” you explained. “I-I was suddenly seeing you fighting those men. I was seeing pretty much into your brain, feeling all that anger and relentless rage.” You paused. “I couldn’t believe it, really. I hadn’t had a single nightmare ever since we got together and now...it’s like a million steps back and I don’t know how to fix it. The doctor suggested talking and that’s what I want, Buck. You can’t turn away. Not right now.”

Bucky wasn’t looking at you anymore, instead taking strong interest in picking at your couch cushion. He seemed quite uncomfortable, which was beyond understandable, but he also had to have heard your pleas. 

“Y-You see all that?” He finally asked, his voice just barely above a whisper. “Just on a playback loop? Despite us being connected, really connected.”

You didn’t know what to do besides nod in confirmation. Bucky let out a deep sigh.

“And this, on top of everything else, hasn’t been helping you to recover, has it?”

You shook your head. Bucky now looked like he wanted to put his fist through your door. Tears welled in his eyes. 

“Of course not,” Bucky mumbled. “I-I thought it was supposed to get better.”

“Me too,” you admitted. “I didn’t tell the therapist this but I… Well, I fear there’s something faulty with this bond.”

The thought had initially popped in your head out of nowhere. One night you were half-awake, already witnessing the shine of Bucky’s arm as his hand contracted around the goon’s throat, when you began trying to think about the good memories. The reader Bucky you got to see. How lovely that was to bring up. How the conversation that followed was refreshing, fun. You wouldn’t be able to bring anything like that up again because you lost them. It took a bit for your theory to prove certain but once it was, you realized, you were stuck. 

But you also hadn’t exactly wanted to act on this theory, figuring this could be handled on your own. Date night proved wrong. 

Bucky eyed you, curiously. “What do you mean?”

“It’s very challenging to recover from something when it’s the only thing you’re reminded of, right? Well, that’s the case, nightly. Despite how serious we are in this relationship, it’s cutting through, even though it seemed like in the beginning…” Your words trailed, a bit unsure. You changed the focus. “The memories and thoughts are still transmitted disturbing reminders. I can talk about it until I’m blue in the face, but I just don’t think that’s all there is to it. The bond isn’t letting me move on regardless of our circumstances. Everything you saw...”

Your soulmate nodded in his attempt to understand where this was going. You even had to admit, it was sounding a bit bizarre. You did think it was just trauma and in many ways, it is. It all comes back to the trauma derived from the situation but to have to relive it through your soulmate’s eyes. To have to see him personally killing someone was just… It was a whole new level of memories. You were personally attached to them. You weren’t just living through it in some fucked up metaphorical way - you actually had lived it. Besides - it shouldn’t be this way.

“You think we need to see someone about it,” Bucky concluded.

Hesitantly, you confirmed his suspicions. “Are there really doctors who study it? I've heard rumors but I’ve never seen someone.” Thinking of it now, you never knew why you didn’t. Probably because those who studied soulmate bonds were truly myths. There wasn’t exactly anything tangible to study. Who was going to waste their time?

Bucky shrugged. “I think I may know someone.”

[serenheist]

What Jin is like in a relationship/ Jin as a boyfriend Tarot reading

I just realized I describe some things in this reading that won’t make sense to you guys cause I used my angel tarot deck in the picture but I’m using my other tarot deck to look at the pictures and describe what I get because the angel deck isn’t as visually expressive compared to my other one lol whatever.

How long does it take Jin to get into a relationship? & Does he prefer long or short term relationships The sun reversed, ace of cups, page of wands knight of cups, judgement reversed

Jin seems to get into relationships so what quickly but moreso having a problem of being too intense. There’s a lot of showing off, over bearing energy. When he meets new partners he can come across as too egotistical and the partner can feel outshone. He could be caught up in the excitement of new relationships. He might have gotten into a good amount of relationships quickly because the Princess of wands is younger immature energy and gets caught up in the idealized worship of someone. I think he likes that purity aspect in someone in a new relationship whether that literally means he likes virgins👀 or he just likes someone who appears pure but has a fiery passionate side. But still this has made him more arrogant like “I can get anyone” energy and at the same time left him burnt out. There’s always a burnt out energy with these guys.

Now it looks like he wants something more long term. It looks like he’s starting to slowly move away from that party everyday lifestyle and jumping into a new relationship quickly. Very slowly though. I get the image of him now ignoring calls of past hookups cause it’s no longer fulfilling. It’s somewhat lonely though because he lost some people he used to hang out with in that lifestyle and decided to go off on his own and find fulfillment on his own. There’s also no longer being invited to places with friends that you used to go to to possibly meet people.

Past & present love life past: 4 of swords, avenoir 1 present: 7 of wands, queen of cups

In the past a lot of people flocked to Jin and I think he enjoyed having so many options and all the fun of it but having more and more and people being attracted to superficial things left him taking a break from dating stuff. This reminds me of some dumb shit like when you’re the cool one cause you bring all the booze to the party but it’s fleeting popularity and no one actually likes you as a person but they like the fact that you got the alcohol. When people meet you they’re expecting the life of the party and after awhile you just wanna avoid everyone and everything.

Present: it looks like Jin is being defensive in his love life right now that he’s blocking a great connection someone that isn’t even far away. He could be too much in his head and rejecting a lot of people who just wanna fuck around. I wonder if he actually has a specific person in mind because this queen of cups is literally telling the 7 of wands dude to come here while he’s too busy trying to fight off these unseen “enemies”. Idk it doesn’t look like he’s with this person represented by the queen though but if he wanted to they’re seriously right there, there’s water flowing from the queen of cups to 7 of wands on the ground he could just keep walking instead of wasting his time on past stuff.

What is he like in a relationship samadhi 29, the keeper of whispers, dolphin, sad embrace 54, G. hobyah 61 reversed, 6 of wands

When he’s in a relationship he isn’t distracted by all the people trying to cozy up next to him. He doesn’t care how hot someone is he only has eyes for his person even when so many people like him. I think he’s become more open minded in the sense that he accepts his partner more as they are and won’t try to make them into something they’re not. He likes to play around and have fun and be social and all that but he’s also protective and caring for someone he’s in a relationship with.

Though it seems like he can go through a lot of stages of ego problems and feeling sorry for himself I’m not sure why. He has a lot of confidence but his desire to be center of attention can bring conflict. I gotta say though I think he’s not the best at communicating when conflict arises like he can’t articulate himself in a way without resorting to trying to be playful when it’s not needed. The keeper of whispers really reminds me of the because even I can’t articulate it. It’s about having access to all this vast knowledge and not being able to express it at all.

What is his ideal type Abaddon, 33 translucence, Penelope dreamweaver 28 reversed, queen of pentacles, 39 protecting treasure, cat, 5 of wands reversed

Okay his type is what we pretty much already know, with the Queen of pentacles being a great homemaker and nurturing sensual etc but I’m getting there’s sort of an energy of being successful or maybe from a wealthy family but having to keep up appearances and being bored out of your mind. This person works way too hard and their inner self wants to go off and leave the mundane world and go off and actually enjoy their own fantasies and dreams. They could be from a family where they weren’t allowed to pursue a more creative path and had to stay in the family business but this person is very creative and has a lot of anger towards not being able to do what they want. Their father especially is probably the head of the family and very controlling and strict on them because they could be the heir to the family fortune or oldest child etc.

There could be internal conflict or outer conflict with their family about what they want to do but I think they’ll ultimately choose what they want to do because they have too much of an independent spirit and it’s inevitable. This person is highly selective about who they become friends with I think because they have a lot of trust issues with people just wanting to be their friend because they’re well off. But I see them having a mysterious air, elegant and confident or that could be what they project to the outer world the real them is having a more wild child attitude. They feel like they’ve been living in a superficial world for too long and ready to go into the unknown and hang out with different kinds of people not just from their social background. They love the night and are very affectionate when they get used to you. There’s a certain ruggedness to them Idk if they’ll actually dress more free and wild but they might have longer hair and let it go free and I feel like they’d love big outdoor concert venues and underground shows a lot. Like huge edm festivals where you dress up in wild outfits. Jin would love that type of free spirit energy that’s bold in the face of adversity. But I still think he wants them to look “presentable” for lack of a better word, in front of family at least for show but they’re actually a freak tbh.

What is his love language the dark lady reversed 20, epoch 7

Since he spends a lot of time occupying himself with his career and the outer world, his love language is quality time but moreso a nice meal at home with someone he loves, soft blankets nice music, phones on silent and away from the stresses of life

Random Ramblings: Bruh I am not satisfied with this reading lol My mind went blank idk why. With the other readings it was easy af and flowed. But I think I was overthinking for this one, it took me several days to do this shit like I could not relax at all. But then again I’m probably too hard on myself cause I’m never satisfied with my readings.

[sukirichi]

— LOVE LETTER FROM ANON ; 💌

this is from an ask i received. i copy pasted and replied here as a text post since i can’t put “read more” on anon asks and it’s quite long hehehe. to the anon who sent me this, i give you loads of my love, thank you so much for everything !!

[ the ask ]

hi lovely,

i just read earned it and i have a couple things i’d like to say to you if you don’t mind. before i start, i completely understand if you don’t want to share this ask or even read at all which is fair. but if you do decide to read it, i know that one person such as me cannot change the decisions a writer had made such as discontinuing a series but i hope that this allows you some sense of peace or happiness towards your creation and end of earned it. i’m actually writing this is my notes before i send it to you so that’s how you know i truly mean it. buckle up baby!

i’d like to start with this; i just read and finished all the remaining chapters of earned it. i don’t know how to say this without sounding arrogant or cocky which truly isn’t my intention here, i promise so i’ll just say it as is. i swear to ever loving god, i’ve scoured the entirety of tumblr, ao3, fanfiction.net, wattpad, everything and anything, and it still isn’t very often that i find works like these, far and few between dare i say. ive looked through almost everything i could get my hands on to read in the jjk fandom and dear god, do you manage to keep on surprising me. i’ve read majority if not all your works along with following you on ao3 and tumblr, and i must say. i truly am so fucking impressed. completely and absolutely fucking floored if you will. the amount of plot twists and pure emotion you managed to put into this is only something i can dream of ever creating.

i cannot lie, it truly my hearts to think that people gave you so much shit over this to which ended in you deciding to discontinue along with your lack of interest which at least, is understandable unlike the hate. i literally cannot comprehend how people would be unhappy with the outcome so far after reading it since it was beyond fucking magnificent in my eyes. it kept me on my toes the entire time whilst never managing to bore me once and as someone with adhd, thats fucking hard to do, i’ll admit it. props to you. and as much as i want to grovel and beg for crumbs, something, anything to know about how it ends, i know that that will most likely accomplish nothing to both you and i so decided to just say this.

thank you for writing this. thank you for not only writing it but dealing with the experience of unwanted and negative criticism to the point you had to stop and discontinue it whilst also being generous and amazing enough to keep it up so other people could still read it. i really hope your proud of earned it and how it turned out so far, because if i were you, i’d be so bloody fucking proud i wouldn’t know what to do with myself.

my friends often tell me i overstep my boundaries and i really hope i aren’t doing that with this but i just really, truly, wanted to express my genuine appreciation and thanks towards your writing and towards you as a writer that puts out content, not to mention for free!!!!, for people like me. i also don’t want to seem as if i’m glorifying earned above all your other works, because that’s not what i mean. your writing is just… just fucking chefs kiss. sorry, my brains starting to run out of words at this point but oh my god. thank you for letting me experience the experience of earned it even though there was no proper end. i’d rather have that than nothing at all. and maybe i misread this entire thing, maybe you are goddamn proud of your work, which you fuckinf should be considering the pure quality it is. once again, chefs kiss!!

i just… i don’t know what to say anymore. your writing, quite literally, has made me completely fucking breathless in a good way of course. anyways, i hope this wasn’t too much of a ramble and at least managed to make you smile or something. have a lovely day sweetheart!!!! <333 :*)

OMG ANON PLS FORGIVE ME IM SO SORRY THIS TOOK ME DAYS TO RESPOND TO, I DIDN’T WANT TO GIVE YOU A HALF ASSED RESPONSE SO I WAITED TO GET MY MENTAL ENERGY BACK TO A HUNDRED PERCENT SO I CAN SEND BACK MORE LOVE TO YOU WHOLEHEARTEDLY !! FIRST OF ALL UHM… 

you really made me speechless with this one, you have no idea. I’ve lost count of the times I’ve reread this and teared up a little bit because you know… I’m so shocked like I really have no idea what I did to receive such a sweet message because I’m just writing silly fanfics when I’m feeling it yknow? Or at least that’s what it seems like because it turns out I have a huge impact on others and I’m able to make people happy like I’ll never EVER get used to that feeling and I mean that in a good way !! Like I’m in a constant state of disbelief that people are this affected by my content and I’m just… 

I’m so thankful truly PLEASE can I give you a hug I’m so happy sobs sobs sobs

also baby, thank you sm for this again AAAAHH. I’m not sure if you really mean ‘Earned It’ the mafia! gojo series or ‘Reckless’ the CEO gojo series though ?? Both are discontinued but Earned It was discontinued bcos my dumbass killed Naoya there and he was my favorite so I lost the motivation and it was all my fault SOBBSSS. as for Reckless though, yeah I’d say it was mostly the hate I got for it that demotivated me into continuing it :// but if this ask is meant for Earned It, then yes thank you so much for the kind words as well, though I didn’t really receive hate for it so no worries !!

and aaah anon im…I’m at a loss for words lmao but the part where you said where you would be proud if you wrote it, that’s really…LIKE IDK it just hit me bcos oftentimes I look at something I poured my heart into, but then I’d have days where I’d be like YIKES that wasn’t a good one. its so easy to forget the effort we put into something when we’re affected by external factors. and yeah even though I really don’t want to continue either series anymore, thank you for leaving me the important note of being proud of myself <33 

although the series (earned it) wasn’t really something I’d properly executed and planned for, I do remember being passionate over it and feeling truly excited to update. even if it didn’t end out the way I wanted it to, it’s still something I poured my heart on and that’s magnificent on its own, so I’ll be prouder of myself from now on <33

no worries bb you are not overstepping any boundaries at all !! believe me when I say this ask truly do means a lot to me – more than you’ll ever know. messages like these are what keeps me going, as feedback is important to writers, but most of all it’s the genuine support and sincerity that gets to me. 

I’m truly humbled and grateful right now. thank you for this again and again and again.

THIS MADE ME MORE THAN SMILE !! there’s a lot of things I’m struggling with even if I don’t publicly express it, but messages like these will always have a special place in my heart. I’m sincerely grateful for everything, and I’ll continue writing here and sharing my works!! It’s supportive people like you that make these moments worthwhile. I’ll never forget this message anon AAAAH I LOVE YOU SO MUCH THANK YOU THANK YOU YOU HAVE AN EVEN BETTER DAY OR NIGHT, you have me weak in the knees for this

OKAY BRB SOBBING IN HAPPINESS

[kazuwhora]

selfship rambles below the cut dont perceive me

I’ve been thinkin a lot about my self ships lately and the dynamics of each one and how they differ and its just nhnhnhnh sigh I love them

for example, everyone knows my selfship with kazutora because it’s quite literally manifested and inserted into my spaceboy series. but kazutora and I are really quite special- we both have similar struggles with emotional vulnerability and boundaries, but the way we express and process and feel these struggles are so different. but because of this stark contrast born from a similar nature, what one of us lacks the other teaches. he teaches me how to take a step into introversion and rest, and I teach him how to be confident and reassuring of his feelings. we bring out the opposite qualities in each other and in the process we help each other heal without needing to talk about exactly what we’re healing from. 10/10 very wholesome

but then there’s me and sanzu. we may be the same personality type and we process things the exact same way, but boy does sanzu bring out the extrovert in me. sanzu brings out the fun in me, and in turn I nurture and mother him in a way he really defied at first. I’m quite resistant to feelings and emotions, but sanzu makes me want to be open and receptive to and about them, and he makes me want to be vulnerable so I can teach him what it’s like to be open and honest with yourself. where kazutora and I just have an unspoken healing bond, sanzu and I have a very direct and open healing bond. me helping him understand his emotions and his trauma helps me heal from mine and in turn we have a lot of fun together. we’re the chill couple everyone wants to invite to parties hehe

the other self ship that has quickly made its way to my list is me and nahoya. now this shit is toxic in the healthiest way. in that it looks toxic to outsiders, but the only reason it works so well is because of the mutual respect we have for each other. there’s an unspoken understanding of admiration and respect between us that reassures us both that the other person is never fully serious when shit gets heated. but with that being said, things do get really heated and really fast. nahoya is the type to push my buttons, and that’s something that really bothers me given my past relationships. however I think that nahoya is key in helping me see that other people can do similar things, but that it’s the intention that matters and the respect. respect again is huge in our relationship. he pushes my buttons because he knows it’s fun when we tousle. things get pretty violent, but again, it’s all light hearted and done with mutual understanding. he pushes my buttons and I fight back- the kind of thing where I don’t hold back in the slightest because I know he can take it, and honestly he gets a thrill out of having someone who can match his energy while still delivering the sexual allure and femininity that he’s so attracted to. he’s the type to really bring out the masculine and the feminine in me all within a few hours, and cherishes both sides of me. however to outsiders we look FUCKED and people are often pretty concerned about our relationship. we seem unstable and unhealthy, but we’re far from and I think that’s really fun tbh

[mooshs-crack-headcanons]

Maybe headcannons of Nero and his new s/o around family, specifically Kyrie

(I hope this came out okay!)

Okay let’s get one thing straight before we begin; The Order was absolutely fucked up and Kyrie was really affected by it. She, like the other 99% of believers in Fortuna, were brainwashed and her brother was killed by the fucking pope, that’s quite some stuff to deal with and I think that slowly coming out of the brainwashed state she slowly and slowly became less of...her empty character from 4, of course she still remained kind and compassionate but over time and overcoming her brother’s death she changes until she becomes her own person that has completely broken free from the Order’s control. Her and Nero did date for quite some time but they both eventually respectfully broke up when they both realized that they just didn’t work out together and both agreed to just live together to support one another and help raise some of Fortuna’s orphans.

So Kyrie is absolutely happy to see that Nero has moved on and found you, it fills her heart with joy seeing that both of you make each other happy and after some time is perfecting fine with the idea of you moving into the apartment. She even has started making you and Nero matching sweaters to wear for Christmas on lazy afternoons on the couch together with Nico (who she finds herself spending a lot of...closer time with together recently)

Speaking of Nico, expect spending a lot of time with her on the road if you’re in the hunting business. Now Nico can be loud and can get on your nerves sometimes but she means well, she also teases both you and Nero a lot which also makes your boyfriend both embarrassed and mad making his face flush a bright pink, which only fuels more teases earring more yelling, it’s quite the sight to see. Nico has this weird talent with eventually getting along with just everyone she meets (as long as if you don’t mind the teasing and joking she does, which Nero doesn’t do to well) so you and Nico should eventually get along just fine but if you’re interested in her art then Nico will immediately do anything for you, this starts the “Why can’t you be more like (Name)?” treatment with Nero, which the grandson of Sparda doesn’t take well. But seriously if you just sit down and let her just ramble on about whatever she’s made whether it be a new devil breaker or just a new gun she’s made for Lady you’ll be absolutely fine in her book and even joke about stealing you from Nero (which of course she wouldn’t...she’s been more closer with Kyrie lately after all)

Since you’re living with Nero at the apartment, you’ll of course be around Kyle, Carlo, and Julio. The boys can be a handful to deal with most times but with the help of both Kyrie and Nero, they tend to stay on their best behavior whenever they're around you. I think with them the best way to make them like is to do stuff with them; like play outside, watch cartoons, and play video games with them. Nero has a very cute father-like relationship with them and it’s absolutely adorable to watch whenever he’s around them.

Well with you being involved with Nero, there’s a most definite chance you’ve been at the Devil May Cry office, meaning you’ve been around the inhabitants that usually find themselves sticking around there so it’s obvious for you to have a relationship with Dante since you’re dating his nephew and all. We all know that Dante’s a chill guy when he’s around people, so with his charismatic personality it’s hard to get along with him. Dante’s glad that Nero’s found someone that makes him happy, and like Nico he teases the shit out of him (again earning Nero’s bright pink faced embarrassed yelling fit) Dante’s a great guy to have a drink with and he’s most likely to share a drink and tell you that he’s glad that because of you that he’s noticed that Nero’s been a little less pissy at the world and that he appreicates that from you.

And of course the Vergil in the room has to be addressed. Even after post 5 Nero and his father have...not the best of relationships (you know, abandonment issues and having your parent yank off your arm and all) but there have been at least a few attempts, enough for Nero to allow Vergil to at least meet you. Vergil is...pleased by your relationship with his son, of course on the outside he won't admit it but he's glad that you're with him and it gives him peace of mind that not only you but the rest of the people in his life in Fortuna but him on the right path and not make the same mistakes his father had. Sure Vergil can be a stubborn asshole but it's not really hard to get along with him (mostly post 5 where's he's chilled out and not a huge motivated power dick anymore) as long as you're not annoying him constantly he can actually carry on a good conversation (especially if you're into reading poetry because he's a fucking nerd and you know he has tons of trivial stuff on Blake he can pull out of his ass at any given time to share with you)

I like to believe every Christmas that the crew will get together and have a quality business dinner at Kyrie's (as a family) and this is just a great time to see everyone together (even Patty bringing her mother along) and just forgetting about any demons, hell, and any upcoming jobs. On one of the first that you attend, you sit next to Nero at the table as you laugh along with Trish as Lady scolds Dante about his ever growing debt while Morrison shakes his head all while trying to hide his cracked smile. All while on the other side of him is Nico excitedly rambling about her newest invention to Kyrie while trying to control her stutters from excitement as Kyrie patiently nods and patiently listens along with the kids. Across from him were Lucia and Nina happily engaged in conversation as his father doesn’t say a word next to them but slowly drinks from the mug in his hand as Patty is on her fifth story of what it was like being around Dante as a kid and how much he was a pain to clean up after, which the eldest kin of Sparda if you looked closely enough could be seen nodding to himself showing the things the Lowell girl described were things child Vergil had to deal with cleaning after too.  

When Nero looks back to you he finds you already staring at him with a small smile attached to your lips and in a quiet voice you ask him if he’s having a good time. He quickly looks away from you before rubbing at his nose with a barely visible tint to his cheeks (that he can already tell from the corner of his eye that Kyrie noticed and gives him a small supporting smile) Nero clears his throat before looking back to you and tells you that it’s pleasing but also really shocking that no one has tried to kill each other yet. You laugh at the statement before telling him that your pretty sure you can fend yourself to the death against his father or uncle with nothing but a plastic fork and the discarded pizza box on the floor alone which earns you a scoff and an eye roll (and the tinist of smirks) as goes back to eating his pasta.

Nero eventually finds your hand graze along his fingers underneath the table as if testing the waters before fully grasping his hand and squeezing it tightly. At first it takes him off guard but once he’s used to the warmth on his face he’ll reciprocate the gesture by rubbing his thumb across your skin as the night continues on, thinking about how vastly different he feels in this moment now that he truly has a family versus the lonely self loathing days from when he was younger.

If you like what you read please consider reblogging! It means the world for writers and artists!

[amphtaminedreams]

Spring/Summer & Haute Couture Week 2021: Whoops, I’ve Missed a Loooot (Part 2)

Hey to anyone reading,

I’m so sorry for the gap between the last fashion week review post and this one! Argh. I had no idea I posted it as long ago as the beginning of March but I think we can all agree that lockdown has fucked with our perceptions of time completely. I wish I could say the delay in posting was as simple as me being busy but I’ve also started to reflect on whether or not I want to carry on this format of posts for the time being; on the scale of problems, this one is wayyy down there in the very lower quartile of the first world region, but my motivation to carry on this kind of content in the form of long-winded text posts is...meh...not so much there anymore. At first I was thinking the issue was that working on these was my last priority on my daily to-do lists but as I’ve got back into writing fiction, it’s kind of occurred to me that the fact I was putting these posts on my to-do lists in the first place along with things like doing the ironing and contacting student finance speaks volumes. When I’m back from work or winding down, opening up Tumblr and coming back to this draft isn’t something that I think of as a fun stress reliever in the way drafting stories is. It doesn’t feel like I’m using my imagination or my creativity or expressing myself in any way and it’s not much of an escape from day to day life in the way that writing dialogue or exploring characters is. Maybe it’s because I’ve done quite a few of these posts now but I just tend to feel like I’m repeating myself, you know kinda like when you’re writing an essay and trying to fill up a word count; of course there are collections that I do have a lot of opinions on but by and large, sometimes it boils down to THESE CLOTHES ARE JUST FUCKING PRETTY, OKAY?! There’s only so many things you can say about a tulle skirt or an exaggerated collar before you want to strangle yourself with said tulle. I used to think iF VoGUe RuNwaY wRitErs CaN dO iT WhAT's MY exCusE until I realised that 1). Vogue Runway writers actually get paid and 2). for the most part all they do is explain the designer's intentions behind the collections verbatim without giving a critical opinion anyway.

I think a lot of the pressure I feel to justify what are in reality quite simple observations and opinions goes back to some of the feelings I explained in my first ever fashion week review where people who know more about fashion and have a formal education in the subject tend to be kind of gatekeep-y and elitist. It can never be that you appreciate different things about a collection but rather than one of you has taste and the other doesn’t and if it wasn’t obvious, the taste level assigned to you by the powers that be tend to positively correlate with the amount of money you have available to spend on a degree that has a reputation for failing to provide a steady income, which for most makes it an unrealistic avenue to pursue. I know, I know, the pressure is totally self-inflicted and wholly imagined seeing as I have under 500 followers on here and those who do interact with these posts most likely do so for the pictures but I still feel it, and given that I’m going to have enough external pressure to write essays when I return to uni in September, why on earth am I wasting time putting it on myself? When just posting photosets of my favourite looks is not only actually enjoyable for me but is also what other people WANT to see too? Nobody wants to read a self-indulgent paragraph like this when they’re here for the clothes and to be honest, for the most part I don’t want to write them anyway unless it’s something I have strong feelings about or if a collection can only be properly appreciated with analysis. I think I’ve made pretty clear which designers I’m a fan of, do you really need to hear me raving about Gucci or Zimmerman or Miu Miu or Balenciaga again? Is there gonna be anything revolutionary in yet another rant about Maria Grazia? Course not. I mean, if you are reading, you might have to witness those things one last time because I do intend to finish off this season’s review in this format for consistency purposes and because I’ve already got all the notes now but on the whole, I doubt anyone will miss my rambles.

So, with all that in mind, I think after I finish my S/S21 posts I am gonna start just uploading these posts without the written part. I mean, for one, the simplicity of doing this means I’m much less likely to procrastinate making them which in turn means I’ll be able to get them out right after the shows as a kind of summary as opposed to months later when they’re no longer as relevant. This will also give me more time to work on the writing I actually enjoy. Right now I’m going through and editing my 17 year old self’s “grown-up” take on the Pretty Little Liars blackmail murder mystery style plot line which I wrote back when I was completely and utterly obsessed with the show and bitterly disappointed by the last couple of seasons. The writing is pretty mediocre and often hugely cringey to read back now but I am still a fan of the basic plot and I’m genuinely motivated to see if I can make it something actually worth reading, and to get onto that ASAP; this feels especially important right now given that the HBO version of the series’ apparent upcoming release has sent that ever-present writer’s fear of seeing-your-same-storyline-done-better-by-somebody-else-thus-forever-relegating-your-version-to-being-the-poor-imitation-so-you-gotta-get-there-first into overdrive (or maybe that’s just me and my neuroses). Again, it’s a totally unfounded fear based on the fact that the HBO show will probs get millions of viewers whilst I will be doing little more than shouting into the void but anybody who’s used Turnitin to submit an essay that ultimately counts for little more than like 1% of your grade or degree will know that no matter how irrelevant your work is, the concept of failing a plagiarism check, be it via a computer algorithm or one random stranger on the internet’s assessment, is enough to conjure visions of the 4 horsemen of the apocalypse galloping towards you screaming “START THE WHOLE THING AGAIN” before releasing a hoarde of 2015 Chanel vs. Walmart style comparison memes.

Now, speaking of Chanel, I should probably get back into the reviewing. 

So for the last time for a little while, here’s Christian Siriano:

Siriano’s designs are a great example of work I feel guilty enjoying. I know that when it comes to quality, the high fashion community have a lot of (negative) things to say and I really can’t speak to that because quite honestly, I know very little about textile manufacturing. Solely from my own point of view though, I do like his work a lot. I wouldn’t claim for a minute that he’s a pioneer in terms of his creations but I would 100% love to wear them and I DO hugely admire his commitment to putting women of all sizes on the runway and designing pieces that don’t simply cater to straight up and down types which is more than can be said for most brands. I get that his collections are pretty formulaic, taking what has worked for the likes of Chanel and Alessandra Rich, De La Renta and Carolina Herrera, Michael Kors too (who is kind of guilty of the same thing himself), but that’s not to say his work is bad. Let’s be real, we’ve been on this planet thousands of years, we’re all taking inspiration from someone, and maybe figures like Kors and Siriano could wait a *little* longer before taking said inspiration but their aim at the end of the day is to sell clothes, not break barriers, a task which although often left to the big name brands, they too often fail at. I’m not going to lie, I’m feeling this whimsical mid-century tea party vibe, it’s elegant and it’s cutesy and My Fair Lady-esque, and you bet your arse I would be absolutely thrilled to wear one of these looks on a summer red carpet. I just can’t say no to anything tulle-maybe it’s that I was on Toddlers & Tiaras in a past life or maybe it’s that I watched too many Barbie Princess films growing up, but I like pretty much everything going on here, especially Siriano is giving us matching fedoras too. Plus, can we take a moment to praise Siriano for his COVID relief efforts? Near the beginning of the pandemic, he turned his studio into a mask manufacturing factory in order to send them out as donations, and I think that is very cool.

Then there’s Christopher Kane who once again came through with the most insanely gorgeous prints:

I mean, paint splattering is hardly a new technique but I haven’t seen it done as a print so tastefully before-it eats the Moschino biro scribble print (which apparently was copied too speaking of the tendencies of designers to “borrow” inspiration) for breakfast. It’s shit because there weren’t many looks in this collection and they weren’t really shot in a way that does them any justice but I thought I’d include the few I saved.

Comme Des Garcons is a fave of the high fashion community and one I look forward to seeing at fashion week but can never quite get behind. I appreciate the what-the-fuckery of it all with this show totally being able to pass as a run-through of some kind of nuclear waste themed scare house at one of Thorpe Park’s fright nights. I assume given that and the plastic Mickey Mouse print it’s supposed to be some kind of reference to the part late-stage capitalism has played in the hellish landscape we find ourselves in today? Or something all intellectual? In which case I made my interpretation with farrrr too much confidence. But Anyway! Who knows! I’ll leave the analysis to the fashion students, and give it one word: trippy.

Onto Dion Lee, a brand I truly do get excited to talk about because it’s rare that I don’t LOVE his work.

Without fail, Lee manages to be confidently ahead of the curve without going out of his way to announce it and his genius to everyone with flamboyant shows and exaggerated designs and extortionate prices. He is very much an underdog in the fashion world in terms of big names but you’ll be hard pressed to find anyone who doesn’t love his collections. His S/S21 collection is one of my favourites of the bunch. I love seeing something I’ve never seen before and the palm leaf breast plate is so odd but so cool and so perfectly Dion Lee at the same time; we’ve seen jungle/tropical inspired collections sooo many times *cough cough D&G cough cough* and THIS is how you make them fresh and unique. I mean, never in a million years did I think I’d get behind the resurgence of the gladiator sandal trend but Lee has me changing my mind. This is one of the very rare times you will ever see me using this meme to praise a man but:

I mean, he has Fernanda Ly modelling for him, that the man has taste goes without saying.

Now for a bit of a full circle moment, given that I did actually praise Dior’s haute couture collection in my first ever post; Maria Grazia did GOOD. Well, with haute couture at least.

She’s always pretty hamfisted with her references, there’s no denying, with that Grecian Goddess style RTW collection typifying that statement completely, but luckily she struck gold this time round; as someone who studied the Tudors for A-level history, seeing a modern take on the exaggeratedly feminine renaissance silhouettes with the baroque prints and the deep jewell tones got me super excited especially when you throw in the dreamy tarot theming and the nods to the mystical and arcane. Seeing as the Heavenly Bodies Met Gala (I know, I know, I need to move on) was some time ago now and Cersei Lannister’s *SPOILER* been crushed by a rock (could also be seen as a metaphor for the irrelevancy David Benioff and D.B Wise condemned GoT to when they aired that shitty ending tehe) and so probably won’t be getting a collection based on her costumes any time soon, this is the only fashion take on this kind of period dress I’m going to get…and you know what? I’m okay with that. Thanks Maria, I guess?

Her RTW collection wasn’t absolutely awful either, and slightly better than the past few collections at least. Put a monkey in a room with a typewriter (or show it enough similar well-received collections) and it will eventually write something that makes sense, don’t they say? I like the nomadic feel of a lot of the looks and there’s beautiful layering going on but the aura of exotic opulence unsurprisingly didn’t stick around for long and I found that there was a decline in quality in the midsection of the show that landed a lot of the outfits in either awkward mother of the bride at a beach wedding or The Only Way is Essex Ocean Beach PLT sponsored poolside party territory. The looks picked back up a bit towards the end stretch of the show but I wasn’t a fan of the Gucci style oversized glasses which were so out of place with the rest of the theming that if anything they seemed like a cheap grab at relevancy. So yeah, a middling, subpar Etro-esque collection which is better than usual for Dior I suppose.

Next, Elie Saab, whose S/S21 collection was kinda disappointing, tbh. Oh how the turns have tabled given that positive Dior review and my usual love of Saab’s collections.

I know his dresses lose some of their appeal when we can’t see them in motion but even ON the runway I can’t see myself being dazzled by any of these pieces the way I usually am. They’re lacking the level of detail and craftsmanship I associate with the brand seemingly in favour of block colours and suits and the issue is that the whole Disney Princess fantasy has always been the appeal for me because the silhouettes aren’t interesting enough on their own. They’re not ugly pieces, they’re nice, but does nice really have a place in high fashion when the pieces are so basic in both their design and presentation that the shots could pass as ripped from a catalogue? The strongest parts of the collection were when it did go down the more delicate route with the muted blue suits and the white feather trimmed dresses, the small, ornamental gold details reminding me of a very toned down nod to Schiaparelli’s hardware, but with regards to the bright coloured pieces, I can’t lie-they did look like something you could find in the M&S Per Una holiday section. Then you’ve got the weakest parts, which were just flat out ugly: sheer giraffe print, sweat band style elasticated waits, and long chiffon shirts that I hate to admit read as frumpy. There are times where I’ve not been particularly excited by an Elie Saab collection in the past, but I do think this is the first time I’ve actively disliked parts of it.

Conversely, Erdem’s S/S21 collection was super strong, and solidified the brand’s place in my mind as a dependable source of kooky maximalism, this time round giving us  Anya Taylor Joy’s Emma wardrobe on speed. You could tell me Erdem Moralıoğlu had just raided the Bridgerton set’s fitting rooms and put it on a runway and I would 100% believe you and I mean that in a positive way because to give my unpopular opinion, the clothes were the only good thing about that show. The endearingly florid details of exaggerated bows and clashing florals were still there but this time in a way that felt more subtle and self-assured, as if the calming influence of the wooded set’d had a direct hand in the designs, giving the rugged, ethereal feel to the collection I associate with brands like Brock and Simone Rocha, all whilst keeping the parts of Erdem I’m so fond of.

Is it really much of a shock that I included pretty much every look from the Etro S/S21 show?  Like, you know that Christian idea of God, like, (the voice in my head is very much taking on the dumb valley girl voice that anybody who reads this is most probably getting too) knowing our souls? I think Veronica Etro knows mine. So no, no surprise. Though there were a few unconventional touches thrown into these looks (the campier prints and nautical theming we see with the 80s beach towel print, for example, reminded me a bit of Versace) the mystical bohemian it girl that Etro designs for would still be highly satisfied. Sure, it might be a wardrobe fit for a holiday less adventurous than backpacking but if she wanted a tropical poolside holiday, this collection is the one, the paisley print chiffon mini and maxi dresses especially. I’m just gonna pretend I don’t see the monstrosity that is leggings worn as trousers-it’s a fashion rule I refuse to abandon-because they are the only stain on an otherwise expectedly gorgeous collection.

Next, an unusually reserved RTW collection from Fendi:

More in line with the wardrobe of a European fashion editor than the glamorous trophy wife (who let’s say uses that facade as a guise to ruthlessly run her husband’s whole business empire from behind the scenes because in this house we do complex female characters only), these pieces are lot “smarter” and more professional looking than Fendi’s typical offerings; where I feel Fendi usually designs for the society girl who wouldn’t mind a front page scandal, these are the kind of outfits a young member of Monaco’s royal family would wear for a positively received but business-as-usual press tour. I know, Fendi is an Italian brand, but this is more Southern France to me. We’re talking some 2nd page shots of a Kate Middleton type on a yacht on the Riviera smiling and waving as her PR team’s ideal scenario. Still, whilst fewer exaggerated silhouettes, animal prints and overtly luxurious fabrics (real leathers, silks and furs for example) mean that the drama’s a little toned down, it’s all still very expensive looking and combines the classically feminine glamour of the past and the minimalism of modernity in the artful manner that we’re used to. Maybe it’s me being a basic bitch but I always love seeing Ashley Graham on the runway too, even if brands to tend to use her as their single token plus size model.

Kim Jones’ debut haute couture collection for Fendi, however, wasn’t a very well received one. I don’t hate it personally but I can see where the criticisms are coming from. Whilst it’s closer to the version of Fendi I’ve come to expect and there were some stunning pieces which completely encapsulated that distinctive aura of luxe and glamour, there were quite a few lazy pieces which could’ve been from any designer. I also felt the collection was a bit upstaged by what seemed to be a who’s who of the modelling world; having Bella, Cara, Kate and Naomi ALL walk in one show was a bit distracting and took the focus off the clothes completely.

Giambattista Valli’s RTW collection was gorgeous as ever; the man has undeniably mastered the art of delivering classic, objective elegance, the kind of designs I feel would make you light on your feet and smell like strawberries and cream the minute you put one on. Whilst as a brand his RTW shows are rarely trendsetting, they reliably produce a plethora of unfailingly graceful and demure pieces, as appealing to your mum and your grandma as they are to young women and little girls, and this collection is another victory lap for Valli when it comes to upholding his signature tea party and artisan cupcake making and rose garden strolling and bottomless rosé brunch appropriate aesthetic. There were a lot of outfits that were bordering on overly juvenile, with structures a little too basic to justify the amount of sequins thrown on, but when it’s good, it’s so sweet that regardless of how to formula it is, I can’t help but fall in love.

Valli’s haute couture collection was stunning too and for sure a more exciting offering than the RTW. There was of course a lot of the signature tulle but it was head-turning, over the top in a way that leant far more towards the experimental than I expected. The photos themselves are 100% believable as a some kind of Vogue behind the scenes editorial shoot on the set of live action Disney princess movie (in between takes of the climactic ball scene if you wanna get specific with the vision); if you are looking for a prettier alternative to the primary colours and disruptive shapes of a Molly Goddard collection, this is the one. It’s giving the themes of excess and abundance I associate with that of the Hunger Games Capitol but through the softer lens of a Sofia Coppola movie, and being the typical cinema loving white girl I am, I’m obviously on board with that vibe.

I did SUCH a 180 on Givency’s S/S21 collection from when I first saw it to writing a review. My initial reaction was one of disappointment, I guess simply because Givenchy has given us so many bold pieces and presentations over the last few years whereas this is more low-key. After properly considering it though as I would any other brand, I came to the conclusion that I do actually really like it. It’s still got the strange, androgynous silhouettes popping up throughout and the futuristic space-age details but with a more down-to-earth, streetwear feel, albeit a very slick, glossy spin on the trends of the rabble (that’s us guys) of course before we go believing it’s achievable. On the one hand, the devil horn accents are a touch Claire’s accessories halloween range but at the same time, done with confidence they’re kind of cool and bring something new and fun to the table in line with the dark theatre of Givenchy’s last few shows.

Now for Gucci, which for the first time I have to say, if I'm attempting objectivity, is not a standout. 

Like, can I just start by saying though the format it’s presented in is cute, it’s not ideal as a way of actually showing the collection. I get that the vintage shop bin vibe is a huge part of Gucci’s brand but polaroids make it SO hard to actually see the clothes, and that’s what we’re here for right? I don’t want to give the impression that I don’t like what I see here-the clothes are gorgeous, an idyllic ode to the off-duty wardrobes of Studio 54-ers, bohemian style icons like Charlotte Rampling and young Olivia Newton-John, psychedelic rock guitarists and the inhabitants of San Fransisco’s Haight during the late 60s and early 70s, Alessandro Michele’s favourite period of reference. I can’t pretend otherwise, or act like I wouldn’t want to wear the shit out of this collection. Buut, for Gucci? It’s a little underwhelming. These are the kind of filler looks we get in a typical Gucci show to go alongside the more statement pieces, which this collection is lacking. It’s just that these are designs which usually gets people talking and these pieces don’t do that. It sucks because for most other brands this would be a stand out collection, an immersive, luscious vignette of what people tend to think of as a cultural golden era, but when you’ve had a show that involved models carrying replicas of their own decapitated heads down the runway in the last 5 years, of course something more toned down like this is gonna generate a lot of “is that it?”s.

I owe Hermes an apology. Looking back, I have disliked all their previous collections for the same reason that I now really like this one; maybe it’s in part down to the frustration of still having to whack out the winter coat on occasion in May (fuck British weather and climate change), but suddenly I really appreciate the value of some good quality, versatile outerwear. Hermes is giving us that in spades here and for that, I bow down to them. The pieces on offer are clearly well-made and genuinely practical, and through the minimalist approach manage to retain both an air of timeless sophistication whilst also being youthful and on trend. The leather tactical vest co-ord I can easily see edged up and taking centre stage on one of those insane Seoul street style slow-mo TikToks that were big a couple of months ago and there are several pieces that could tie together a grunge influenced k-style look just as well as they could exist for years on end as the wardrobe staple of a high-powered businesswoman. Designer Nadège Vanhee-Cybulski’s strengths really come through with the simpler looks and it’s the patterned pieces that drag down an otherwise flawless collection; I guess because the aesthetic is very minimalist, the patterns can’t be anything overly decorative but unfortunately this has a bit of a dowdy effect when you pair it with such modest silhouettes. Disregarding those elements of the collection though, it was super good.

It goes without saying that Iris Van Herpen’s haute couture collection was breathtaking; if the fashion community can agree on anything, it’s that this woman’s work is consistently awe-inspiring. She captures the wonder of the universe, the biological structures and kaleidoscopic colours we don’t even register, through fashion in a way that others can only imitate, to mesmerising, truly transcendent effect; I can only assume Van Herpen has mother nature whispering into her ear because how the hell else do you explain her ability to take the kind of microscopic organisms they show you images of in an outdated GCSE science powerpoint and make a dress that resembles one so stunning? Care to explain, Iris? Because if there is some kind of line of communication between the two of you can you please tell the bitch I’m over this weather and that I have cute summer outfits I’m waiting to wear so can she pack this torrential rain shit in? K, thanks xoxo

See it seems shady as fuck to go from IVH to Isabel Marant like this because we are talking 2 designers with totallyyyy different approaches to fashion; Iris Van Herpen is haute couture for starters whereas Marant is commercial, and that’s her thing, but unfair comparisons aside this collection is still a bit of a let down. This is considering I do usually really like Isabel Marant collections based on whether or not I’d wear the pieces, which seems a more appropriate barometer to use to come to a quality verdict. Whilst there were a few of the elegant bohemian pieces my mind goes to when it comes to her brand, the steps outside of that comfort zone didn’t pay off; graffiti print (can be cool if done with some subtlety which apart from a few exceptions was not the case here), cheap looking reflective fabric, and MC Hammer style dungarees, it seems to be an attempt to merge 80s trends with modern urban culture, and an attempt that at times verged on the disastrous. It’s good for a brand to experiment, of course, and appeal to a wider client base than usual, but when it’s bad the unfortunate take away is that the design team don’t have the chops to pull off straying from familiar territory; designers wouldn’t be showing at fashion week if this was truly the case because disregarding the influence of nepotism, fashion is an area you need real talent, perseverance and business smarts to excel in, and so it doesn’t do a team justice when they do fail.

J.W Anderson, on the other hand, really put his best foot forward this season and presented this work in a really cool way too which only added to the positives; whilst the way the shots were edited was funky af, it didn’t detract from the actual outfits, and if we are to see the same limitations when it comes to the F/W collections being released, this is something a lot of designers and editing teams should take note of. The idiosyncratic exaggerated shapes that we see as a recurring feature of Anderon’s collections were still on show but this time round with added femininity, billowing skirts and trailing jewellery that channel the stage looks of Stevie Nicks in a way that’s modern and functional and maybe even fit for the office if you were to work in a more creative industry with a chill boss. Could also work for a coven of witches who practice meditation by bonfires in the moonlight and burn the letters of men who wronged them in some Arizonian desert, so like I said, functional! Who doesn’t like versatility? The only thing I’m not too keen on is the shoes but they’re not so bad that it affects my opinion of the collection and they look comfy I guess.

Lastly, we’ve got to talk about Jacquemus, one of the most influential names in fashion at the moment. And yes, this time round, I’m doing it: I’m buying into the hype.

This collection is gorgeousss! I can see already that a lot of the recurring elements of the show are going to be big summer trends for this year (the cut outs and strappy details on the blouses are everywhere already) even though it isn’t hot enough to have collectively decided the time to start dressing for heat is upon us yet, and that’s always a good indicator of how successful the designer was in their vision and attempts to assess the needs and wants of fashion enthusiasts; whether I’m as big a fan of his work as everyone else seems to be, there’s no denying Simon Porte Jacquemus has always excelled at this practice if the buzz around him is anything to go by. It makes sense given the last year of us all being stuck in and suppressed that a lot of us are already romanticising the summer ahead, anticipating picnics and beach days and general Theresa May running through wheat fields type shenanigans galore, in spite of how dubious an assumption it is to make that British weather will allow for this; Porte Jacquemus has very much catered to this wishful thinking and the popularity of the whole escapist “cottage core” aesthetic, sexing it up a little bit with pieces that hug the body in ways only Mugler knows how whilst being lightweight and relaxed enough to look good with windswept, sandy hair and a little dose of sunburn. I’m talking enough to give you some cutesy freckles and rosy cheeks not PSA on the importance of suncream territory, guys, what is it with those of us on the gen Z/millennial cusp not taking sun damage seriously!? Why do I have to beg so many of my friends to wear it!? Does nobody else remember those photos they’d show you in PSHE in English primary schools of burnt people’s skin under UV lights? Or is that just me being weird and only having such a vivid memory of the images because teachers told us we had to wait until year 6 to see them due they to their “graphic” nature only for my gore-loving self to be extremely underwhelmed when we finally did get that lesson? They showed us a woman giving birth in year 4 for fuck’s sake. THAT was traumatising.

Back to the actual point anyway, with just a couple of negatives, the first of which being that the pieces are very similar to those feminine looks we saw dotted about the Jacquemus menswear collection from last year that were all over fashion Twitter. In Simon Porte Jacquemus’ defence though, it makes sense that those tones and silhouettes would be revisited in a full womenswear collection for that very reason; considering they went down so well and that lockdown gave us a bit of a half-baked summer in 2020, expanding on those elements enough for a whole new collection makes good business sense. We did get some cool additions too, mainly in the form of accessories, with the hardware details on the belts similar to those included in the Givenchy collection and the abstract hair slides being standouts for me. It was all exquisite-the shoes, the jewellery, the styling, everything 10/10. My other nitpick, and I say nitpick not because it’s not important but because it’s an issue that’s hardly restricted to Jacquemus (this casting team are far from the worst offenders, Saint Laurent I’m looking at you), is that I WISH we’d see more diversity with the models. Despite what my body dysmorphia yells at me, I am small, and yet seeing all those fucking minuscule waists made me die a little inside; it’s crazy to me that in 2020 the lack of variety in body types on the runway is still such a problem.

I must have said this a million times but I don’t want to end on a negative note so let me reiterate: this collection was STUN. NING. Plus there were some others I’ve talked about in this post that I’m sure will make it into my top 20 in the final part, Jacquemus, Dion Lee and Etro for sure; we even got some gorgeous pieces from Maria Grazia which I thought was a sentence I’d never type out. Have I said enough to not leave a bad taste in the mouth of anyone who read to the end of this post? I hope so, lol! TBH, it’s impressive given everything that’s going on that the majority of designers did roll out collections in September as usual so serious respect to them and their design teams for that.

In the next post, I’ll fingers crossed be able to include everything from Kim Shui (exciting!) through to at least Off-White (actually pretty good this time?!) and make this whole thing a 4 parter before getting straight on top of the photo posts I’m thinking about doing for the time being for the F/W21 shows. So as usual, if you did read to the end thank you so much and I respect the perseverance you must have to get through all my rambling, lmao. Hope everyone is well and coping okay and again, my inbox is always open for any post suggestions, constructive criticism, or just a chat for anyone who needs a listening ear.

Big love and thank you again!

Lauren x

[16ruedelaverrerie]

I have a question. How do you come up with ideas for dishes for Les Mignardises? Especially Gavin's ones? I can't get that fish from last chapter out of my head! I enjoy this fic a lot, you are a great writer.

What an actual goddamn DREAM of a question, I’m so happy to discuss this that I wonder if I hypnotized myself and sent in an anon ask just so that I could go on about it. But NO! I am very sad but I am not quite that sad in quite that way. And I am sorry for insinuating that you are a figment of my imagination, anon! That’s how much I appreciate this ask, thank you so much! HERE IS A REALLY LONG ANSWER THAT TUMBLR HAS KINDLY PLACED BEHIND A DASHBOARD CUT.

The salmon and steak tartare from the pop-up flashback has to pull a significant amount of weight since it’s what undergirds Nines’s relationship with Gavin -- the curiosity (what made me chase you) and the tenderness (what made me stay) both -- so it was very much a thing I had to think about a lot. In terms of the triaxial way that I like to conceptualize fics, it’s a dish that has to not only imbue the story with flavor, but address its core. Which means that the foremost consideration I have to keep in mind is:

This dish needs to echo its role in the narrative.

Here, the dish is what alerts Nines to the possibility that the things which most seem out of place may be able to contribute great value and beauty nonetheless; so this has to be a dish that chafes, in what it is and does. It has to sit uneasily with the occasion, the genteel safety of a pop-up showcase for chefs who don’t yet have the status or clout to be public contrarians.

Something that a lot of people still find distasteful is being confronted with where animal protein comes from. Because reminders of this often hinge around the use of odds-and-ends parts -- head, foot, organs -- at this stage, I’m pretty sure that the dish needs to include some part of some animal that a lot of (American, at least) diners would find to be aggressively visceral. Head, I decide, because the drama of it delights me.

This dish includes an animal head.

A pig’s head, maybe? A sheep’s head? At the same time, the dish is also Gavin’s general middle finger to the way that things are done, and an expression of how he sits uneasily within the tradition of fine dining. I want the dish to be angry at certain conventions within restaurant culture that Gavin might disagree with.

In its most conservative incarnations, “surf and turf” is a disgusting bourgeois display of food as symbol of wealth, as opposed to its myriad other potential purposes such as nourishment, community cohesion, artistic innovation, or cultural expression. You take two grossly overrated and overpriced cuts -- filet mignon and lobster tail -- and you plop them down on a plate next to each other because WHY? They don’t do anything FOR each other! It’s just a PLATTER OF TRASH FOR BANKERS TO IMPRESS EACH OTHER WITH. Thank you for coming to my TED Talk.

Anyway, I figure that this kind of surf and turf might infuriate a chef whose M.O. is to make the most out of the least, to leave nothing behind. Also that was a little unfair to lobster tail, which is a fine piece of protein, if overhyped at the expense of the rest of the lobster. But filet mignon as steak can go fuck itself.

This dish is a fuck-you to classic surf and turf.

Now I need to decide on an animal head that might belong in a hot take on surf and turf! Another factor at play in the pop-up flashback is that it’s being hosted by a Japanese chef at a Japanese restaurant, where Gavin has been working and learning for a while now. Is that because a huge part of what I know and enjoy about food is East Asian? YES! LET ME LIVE!

The benefit of going with salmon head for the surf portion of the dish -- as opposed to using a head for the turf -- is that salmon head is easier and cheaper to source (even though ones as huge as described in the story can only really come from some kinds of salmon). It’s also an ingredient that Zabuton is likely to use on a regular basis, since it’s an established part of Japanese cuisine, giving Gavin familiarity with it and a starting point for building his dish. Also also, it’s really fatty, and since Gavin in this story is the kind of chef who gravitates towards blisteringly high heat, I like the thought of what burning the shit out of that head would do.

This dish includes salmon head.

What do I do about the turf? If the surf element and the turf element of the dish are to interact with each other in mutually beneficial ways, the turf can’t be too assertive; it shouldn’t overpower the salmon. Like, grilled flank steak? Great, yes, please, but maybe not the right choice for this.

Fortunately, steak tartare simultaneously tastes subtle enough and looks brutal enough to be a good counterpoint. In a lot of ways, it’s a productive mirror image of the salmon; it’s raw whereas the salmon is charred, it’s lean whereas the salmon is fatty. Nice!

This dish includes steak tartare.

I also do know -- again, from East Asian cooking -- that raw beef works well with salmon roe. Ikura echoes the salmon head that’s in the dish already, so in it goes. Some egg yolk to bind the tartare might not go amiss, especially since I want it to be a scoop-and-eat party-platter dish.

There’s brininess in the ikura and salt throughout, but because it’s essentially an ANIMAL PROTEIN BOMB dish, it needs something sharp to cut all the richness. In addition, everything so far has also been pretty soft; let’s add some elements of acidity and textural interest. Tartare loves a little mustard! Toss in the crackle of a puffed grain (why not millet, rice feels too fragile), the fiber of the chives, and the crunch of rakkyo (doing double duty with its vinegar).

This dish includes ikura, egg yolk, pickled mustard seed, puffed millet, chives, and rakkyo.

For a while I thought that the scoop on the side would be shrimp senbei, because that’s what “chips, but Zabuton” made me think. But I didn’t really love how delicate the senbei would be in this particular dish. It felt like the tartare and salmon would turn the senbei into, like, a thick paste in your mouth?? I was looking for something thinner, a lateral move from a potato chip-- so I tried to think of other ingredients on the root-tuber-rhizome continuum. What can be sliced thin and baked brittle?

I liked lotus root as a choice because it has the right snap, it’s light -- visually as well, with all its perforations! -- and it has more of a pronounced earthy flavor than potatoes, which seemed like a fun way to mix in some plant quality to offset all the animal. Lotus root it is!

This dish includes lotus root chips.

THE END, STEAK TARTARE ON A BED OF CHARGRILLED SALMON HEAD, GARNISHED WITH EGGS TWO WAYS, SERVED WITH LOTUS ROOT CHIPS ON THE SIDE

lmao WHAT A SELF-INDULGENT POST THIS IS, thank you anon for allowing me to talk shop, you are too sweet and I hope you regret what you have done. Additional thanks to tumblr for read-more cuts. Anon I love you! I can’t believe I’ve rambled on at this length about THE PROCESS OF COMING UP WITH A FAKE DISH FOR A FIC but also, I mean, I can believe it, in the sense that it is something I would jump at the chance to do. Thanks for giving me the chance to do it anon! May the wind be ever at your back and the sun shine upon your path!

[chongoblog]

🔥 + the recent pokemon swsh "discourse" (for lack of a better term, idk what else to call it, people be displeased)

Alright, let’s get into this.

Unpopular Opinion/Hot Take (although really it’s just my rambling about all of This): I’m going to preface this by saying that Sw/Sh, Game Freak, and ESPECIALLY the Pokemon Company are absolutely not above criticism. For all my love of this series and the support I’ve given it over my many years, I will be the first to admit that there is absolutely no shortage of problems with this game. In fact, judging by what I’ve seen I wouldn’t be surprised if this turned out to be the worst set of mainline games in the series due to said problems. You don’t need to look far to see the issues, and plenty of people have given more than legitimate criticisms about the game.

But if the problem came from people criticizing something I liked, then I’d be a mess at all times. A bunch of people hate things that I like and like things that I don’t like. So what makes this Pokemon deal different?

I honestly think that the schism all traces back to the first revealed flaw. The National Dex. It is very much a flaw. However when that news first dropped, people rallied behind it like it was a war cry. There were so many people who acted like it was the end of the world, when to be completely honest, a majority of players wouldn’t have been able to tell the difference. It painted the side of those critiquing as kinda illegitimate, making mountains out of molehills. Some people providing complaints and criticisms are still doing that. I’d be unfair to say that’s what all complaints are made up of, but people losing their marbles over the National Dex kinda poisoned the well for future criticisms along with giving those opposed the idea that “oh well if they had to make this sacrifice, then there must be SOMETHING coming to make up for it.”

I also think that the fandom is oddly militant about this one, with so many people trying to actively stop people from playing the game. On paper, I completely understand why. People feel that this is a terrible direction for the franchise and want to make sure the Pokemon Company KNOWS we don’t support it so that they can make improvements. But in execution, it becomes an argument where someone who is legitimately excited for something is getting heckled by someone who wants them to no longer be excited for it. Instead of debate based around improving a product, it’s debate with the sole purpose of making people less excited. And I get the idea of boycotting to make a change, but why is this where you take your stand? If Game Freak was doing incredibly morally dubious shit (and the model thing doesn’t count, I’m talking about real problems) then I’d get it, but this is just being upset about the quality of a game. It’s not even morally garbage game changes like microtransactions or anything. People are belittling and mocking people who are just trying to enjoy the franchise they love. And that sucks.

My reasoning behind still supporting Game Freak is mainly because I’ve seen the game industry. I’ve tried to make a game myself. It’s all a nightmare. If this was some huge company like Bethesda or Nintendo or Activision, then I’d be much more scathing and I’d make sure no punch was pulled. But wanna hear a fun fact? Game Freak has 143 employees in total. For a game studio expected to make games annually from The Pokemon Company (who seems to be getting completely off the hook for some reason), that’s absolutely paltry. For comparison, Nintendo EPD (the team behind most main Nintendo titles) has 5500. I don’t know what kind of conditions GF is working under or what kind of roadblocks get in the way, but I’m gonna take a guess and say it isn’t easy.

Sw/Sh isn’t gonna be great due to poor management, and people are treating that like it’s the end of the world, taking it out on the devs who wouldn’t be in this situation if it wasn’t for their poor management. I’m open to criticism towards the games, but due to the sheer vitriol behind everything (such as sending death threats to the guy running fucking Serebii), I honestly don’t even want to talk to anyone about it anymore. People are turning their passion that they have for the series into a weapon to belittle others for having that same passion. It’s toxic and I despise it.

So if you’re looking for a condensed version of my take: I’m down to criticize this game so we can find ways to improve it, but so many members of the fandom are criticizing this game for the sole purpose of making people less happy and excited for it. It’s gonna have its flaws, but it’s going to make people happy and people are actively trying to stop that because they think that doing that and harassing the small team of developers is going to change the minds of the huge company above them.

Hopefully this the last I say of the matter.

[dazais-guardian-angel]

This post has been sitting in my drafts since like mid-November around when I finished replaying the game, long enough for me to write and upload a fic about some of the concepts I wrote here, what the fuck. DGS brainrot is real. But aNYWAY finally, here are my massive thoughts on Unwound Future, the golden child of the PL series. This is literally *checks* 8k words, because I can never shut up!! and because there is just SO much going on in this game at all times, so many different interweaving plot threads and funny moments and incredible, fascinating characterization, especially combined with the games that come after it; I just had SO much to say. So much analyzing and headcanons and crying galore. :’) There’s a reason this is considered the best game, and that’s why I had so damn much to talk about.

behold the incoherent, rambling, unconnected mess of a novel that I hope makes a modicum of sense under the cut:

Continuing the trend, this game has simply AMAZING graphics/art/music, with a huge uptick in cutscenes and voice acting, and I feel like the sound/music quality is greatly improved too? I love the main bgm for London in this game, never really remembered loving it before, but it’s just *chef’s kiss* and so is the song that plays in other areas like the hospital and subway

Quickly mentioning the gameplay, I really love all the minigames, and the storybooks are especially hilarious to play with putting the wrong things in the spaces to create mad libs-esque crack that makes no sense; it’s so fun lmao

The beginning flashback segment with the time machine demonstration is honestly just so funny, for so many different reasons: Dimitri droning on and on with time travel technobabble while Luke, Bill, Chelmey, and Barton represent the definitive last four brain cells. Hershel being skeptical about successful time travel after all the magical shit they went through just like a year or two ago. The way that Bill’s sprite slowly and nervously shuffles onscreen after Dimitri calls him to the stage, like omg I don’t know why that cracks me up so much but it does. Dimitri’s lowkey savage shade he’s throwing at Bill throughout this whole thing. The way Bill says “wHAT” when Dimitri asks him to help, clearly about to shit his pants. Dimitri just standing there completely unfazed as the smoke from the machine flies past him. And of course, “sOmEtHiNg’S gOnE vErY wRoNg!”

…okay but in all seriousness, am I just stupid or do they never explain how they get Bill to the underground city, like the machine CLEARLY explodes with him in it, there was no secret elevator built into the thing like at the clock shop, so…???

also the presenter’s voice is really funny lmao

Still disagree that this is the biggest mystery they’ve ever encountered, despite being near the top; Luke you say that literally every game!! so what is the truth!!

Spring’s face is terrifying as FUCK in the two cutscenes in the clock shop… why they decided to show both of them in ominous, shadowed lighting in those scenes I do not understand a;lskdl;fds

I need someone to draw a diagram of how exactly the shop looks as a giant elevator because frankly I still can’t wrap my brain around it-

THE FACT THAT WE NEVER GET TO MAKE UP WITH HAZEL IS A TRAVESTY, HONESTLY

Belle… why…… ugh

Wish they’d had “Schrader” drop a casual nod to the events of Diabolical Box; it would have been cool :’) (especially since this is Paul so he’d know about all that)

College-age Hershel is just….. the pinnacle of adorableness. someone protect him from all the pain

One of the few flaws/plot holes in the story of Unwound Future that I only noticed during this replay with more media under my belt, is the that the developers didn’t really decide on what kind of time travel they wanted to portray, or more likely just didn’t scrutinize Clive’s fake role enough when writing it. This is blatantly obvious upon the very first meeting with Clive where he desires to test Hershel to make sure he’s really him. Obviously in a closed loop scenario, everything Luke and Hershel are doing “Future Luke” should remember doing himself in his past, so a test would not be necessary; this is a major trip-up on his part that it’s very odd Hershel doesn’t notice for how smart he is, imo. However, later on when meeting “Future Layton”, Paul calls Dimitri out on this exact principle, proving that he’s not actually Future Layton because he doesn’t remember the absence of a pen in Hershel’s pocket in this moment in his past, and it’s a nice little touch that Paul, on the other hand, an actual scientist, would mention this. Back to Future Luke, though, he should know how everything goes down with stopping Future Layton, because he lived it all as a child with Hershel, which makes it even more dubious to the fact that after seeing all this, Hershel still goes dark and everything plays out the exact same way it’s portrayed in the “future” of the game; it’s the idea that destined fate can’t be changed, but the suspension of disbelief is quite high, especially since we already doubt that Hershel would ever do such a thing, knowing what kind of person he is. Of course this wouldn’t be the case in an open-loop/branching timelines universe, but since the game uses the former type with the pen argument (and something else important I’ll mention in a second), I feel like the rest of the game should have adopted this idea as well and addressed it. Because Dimitri is outed via the fact that he should have memory of things he doesn’t, so it would have been easy to simply add Hershel adding that argument into his final explanation in the bar (”my suspicions were first raised when we first met Big Luke, and he didn’t know if I was really who I said I was- [etc etc]”). Even if they didn’t want Hershel to bring this up early else the entire story would fall apart, they could simply draw attention to the fact that he notices something in these moments, like with a “...” or “Hmm”, and then he explains it at the end like I said. Interestingly enough, Clive actually addresses these concepts at one point in the game with Luke in the statue plaza: he doesn’t want to tell Luke how things play out in his future, so that… things play out the way they’re supposed to…? Even though his entire story here is that he wished Hershel hadn’t gone dark and distanced from him, and ruined the city? But then he makes the suggestion that they could instead be operating on an open-loop/multiple timelines system, where in his past he never travelled to the future, but in our Luke and Hershel’s timeline they do. This is only a hypothetical he gives though, with him seeming unsure of how things truly are, which… again, in this story he’s concocted, he should know for sure, because if he doesn’t “remember” time traveling and how everything went down, then they’re operating on different timelines and it shouldn’t matter how much he tells Luke about his future. You can definitely argue that in-universe Clive didn’t think all this through when planning his dialogue for this role (but I honestly find that hard to believe, since he’s so intelligent, and he nailed the realism of everything else to a T), but it’s obvious just that the writers didn’t think it through, because like I said Hershel really should have picked up on his blunder when they first met, as well as later when Clive is surprised to see Flora suddenly with them and didn’t know for a fact that she and Chelmey/Barton would arrive there. Since the time travel scenario in 99% of the game isn’t actually real, I don’t entirely fault the writers for not getting every single detail right… and yet, that 1% exists where time travel is real, with Claire’s situation. It’s a very isolated incident though that wouldn’t be replicated, with only her going to the future… and yet, she does return to the past again, if only for a split second before dying and thus not enough time to do anything with her future knowledge, the real thing to note here being that they took care to show that she was wearing the same outfit when she died that she gets in the future, one she wasn’t wearing when she entered the lab originally. So they DID think about some things very well, like such a minor and easily-overlooked detail here (but that blows your mind once you realize it). All this is hardly enough to ruin the game or break the immersion completely though, especially since the player is already predisposed to heavily doubt everything with PL’s “the town is a lie” track record lmao, but I can’t help but be bothered by it now after playing games like Zero Escape and watching time travel shows like netflix’s Dark, which have bootstrap parodoxes and timeloops galore looool. My friend who watched me play the game blind this time around brought up all these questions as Clive said things, as someone who didn’t know if it would end up being real or not, and so I spent a lot of time puzzling (har har) it out with her… even though it wouldn’t matter lmao.

……In short, if it wasn’t obvious, despite Unwound Future’s time travel setup being completely fake, I’m really fascinated by the notion of how it would all work if it was real. >.> …and I mean, I know I’m not the first one; monocle Layton aus are popular, after all, but I don’t really care quite as much about the allure of an “evil Layton” as I do just about how everything else would be, I think.

Because, like, lets be real? taking the prequels into account with Unwound Future’s proposed setup, the potential is endless. It honestly KILLS me that the prequels didn’t exist yet at the time of UF, because!! so many people from Hershel’s past!!! SO MANY REASONS FOR HIM TO WANT TO HARNASS TIME TRAVEL AND CHANGE THE PAST, NOT JUST FOR CLAIRE’S SAKE. FOR RANHENGELA’S SAKE. FOR LUKE AND EMMY’S SAKE. FOR HIS PARENTS’ SAKE. FOR DESMOND. listen, listen, you don’t understand how much the idea of Desmond being involved in UF’s concepts destroys me. I wrote about this in my last fic but. imagine if Desmond learned about Hershel going down a dark path for his sake and everyone else’s, just like he did. Or imagine if, instead of Hershel being the one to do it, it was Desmond himself; he’s willing to play the bad guy once again, one very final, this time definitely final, time, if it means he can undo everything that caused all of them so much pain in the first place: his betrayals, the death of his former wife, he and Theodore’s separation, their father’s betrayal, ALL of it, and Hershel would never know. When Luke first is like “oh it’s gotta be Don Paolo right” and Clive says no, i LITERALLY screamed “BUT IT COULD BE DESCOLE!!”. JUST. PAIN. And where would Randall be in this future; what would he, too, think if it was Hershel going after time travel? Imagine him trying to smack some sense into him just like Hershel does in MM, trying to tell him that despite those lost 18 years of his life, despite everything wrong he ended up doing, he’s still happy, and so are Henry and Angela. So is Desmond. And Emmy, she wouldn’t want undone those years she had with Hershel and Luke and then Aurora and Desmond, despite how sadly it ended. Just… so much pain. So much potential. I hurt :’)

and adding on to this, i love love LOVE the idea of Clive knowing about some of this stuff in Hershel’s past, in order to faithfully play his role as Future Luke. Like obviously he wasn’t in Misthallory with them all, he wasn’t on the island in ED, he wasn’t at Monte’dor, and he wasn’t on the Bostonius or at all those Azran ruins that I can’t remember the names of right now, of course he wouldn’t know the intimate, specific details of what all went down, but if there was just one npc who was in the right place at the right time at any of these locations, who knows what beans they could spill? Maybe even an ex-Targent person or something. Hell, fucking Bronev is in jail for at least a little while before the events of UF. There are possibly MANY people Clive could have gotten information from to pull off this role - he’s a reporter, he’s skilled at digging for stuff. Not to mention just reading and hearing about large incidents in the news. And this makes his character so much better because he’s admired Hershel for so long, grateful that he saved his life all this time, to the point that he asks him to unknowingly come and save him again… and he most definitely didn’t know back when he first encountered Hershel that he’d already experienced so much loss and pain as well (some of which Hershel hadn’t even gone through yet by that point), but learning about everything he’s suffered? I think it would really affect him, and possibly contribute to why he asks him for his help in the first place in UF: because Hershel has suffered just as much as he has, and he feels a connection to him, feels like he can relate to him, and wants someone who can empathize with him, and show him how to cope. All of these reasons and emotions would probably be completely on an unconscious level, but they would exist - he’d use this limited but meaningful knowledge to try to connect with Hershel more when he’s still in Future Luke mode, to try to convince him he’s really Luke, at first, but unconsciously it’d be an effort to get closer to him emotionally, which is what he truly desires deep down, until his so-called act somewhat stops being an act, and talking about these things makes his vulnerabilities start to show (again, i wrote a fic about this). This all just adds to why Hershel is the perfect person to help and support Clive - the prequels make their similarities even stronger, more than just with Hershel losing Claire, and those accidental parallels when the writers hadn’t even conceived the prequel trilogy at the time of UF are just *chef’s kiss* beautiful.

THE CASINO SCENE IS JUST ICONIC, IT’S SO FUNNY. LUKE BEING SCARED OF THE SHOOTING AND HERSHEL JUST DITCHING HIM. CLIVE’S LITTLE HOP AND ROLL BEHIND THE SLOT MACHINES. THE SLOT MACHINE GUN IN GENERAL. THE CLONE FAMILY MEMBERS FALLING OVER LIKE DOMINOS UPON BEING HIT. BOSTRO CRYING AND SPLINTERS AND LOCKJAW RUNNING IN CIRCLES PANICKING WHILE LAYMAN JUST IS LITERALLY PUSHED BACK SLOWLY WITH ONLY A CHAIR TO DEFEND HIMSELF, I CANNOT STRESS ENOUGH HOW FUNNY LAYMAN AS A CHARACTER IS TO ME. it’s just so glorious, oh my god. this series is ridiculous i love it so much lmao

Luke wanting to use the time machine though… there are so many reasons why he might want to, mainly from Azran Legacy. :’)

The statue is the worst thing ever for multiple reasons. The fact that it represents Hershel & Luke’s relationship, the two main characters, who have been through so much together and have such a strong bond that can never be broken, and how it ties into the whole Evil Layton scenario and seems to foreshadow that their bond does end up breaking, as “Future Luke” seems to be proof of (though the game doesn’t really put much emphasis on this; Luke is more worried about the fact that he’s moving away soon straining their relationship, and not the whole Future Layton thing. imo it would have been interesting to see his actual thoughts on/feelings about it, since he’s surprisingly calm throughout the entire game before the reveals happen; you can argue he just has complete faith in Hershel and doesn’t think he would ever go dark, but then why doesn’t he bring this up, insist that this can’t be true? I think he should have). The fact that as I just said it foreshadows how Luke will leave Hershel at the end of the game, something that Luke worries about later on in the game. And most of all, the biggest, worst thing it foreshadows… Hershel’s relationship with Clive. Clive had that statue made himself, put it in his giant set. He WANTS that kind of mentor-student bond with Hershel, that’s how he sees them, just from their one interaction in front of the exploding buildings… or at least, that’s how he wants to see it. He sees how close Hershel and Luke are throughout the entire game, and he yearns for that kind of bond with Hershel, too. The fact that the boy in the statue story has an illness that he eventually dies from, but that their friendship withstands… it’s probably meant to represent Clive’s insanity, that he hopes Hershel will save him from - he is Clive’s light of hope in his despair. Or, to be more accurate to the statue, even if Clive’s madness ends up killing him (which it very nearly does, and by that point he fully expects that it will), he’ll still have had those memories of that time he spent with him, and Hershel will never forget him, and that will mean something special. man though can you imagine an AU where Clive is literally terminally ill too, and that’s why he’s yolo-ing this entire thing so hard and doesn’t care if it ends up killing him in the end, at least he got to be with Hershel one more day; ahahahaha turn up the angsttttttttttttt-

Shmelmey and Shmarton do not at all look like Chelmey and Barton, smh

For everything Clive accounted for with his role and setting, he’s honestly way too rude and crass sometimes to be Luke lmao, even if you try to imagine a world where Hershel did go dark and Luke was changed by it… at least imo

the like 4 puzzles that give Clive’s solving animations/dialogue are the most serotonin-boosting things in the world

“you will come back, won’t you?” Clive asks Hershel about his trip to visit Chelmey, desperately wanting him to stop him before it’s too late :’)

Rosetta and her....... sessions....... with Hershel........ hajkkALSKDLD

Okay but Hershel is kind of dickish sometimes though, despite his whole “gentleman” thing??? There’s the elephant in the room which I’ll Get To, but like first he guilt-trips Chelmey into getting him access to confidential information about the lab explosion, and then he has the absolute balls to tell him “Bill Hawks is being held in the future” and that’s IT. No explanation, nothing else, just THAT, and then he LEAVES, after he’d promised to share every last detail with him. I don’t blame Chelmey at all for tailing them and barging in to get information himself, like damn Hershel, why so savage sometimes in not a good way

which brings me to Ranting About Flora’s Treatment, Part 3: The Finale. Y’all I literally cannot even BEGIN to describe how much the way Hershel and Luke treat Flora in UF specifically makes me seethe..... It was already bad in DB, no doubt, but in this game they are straight-up rude to her, mostly Hershel, for absolutely no reason, and I CANNOT fathom why. He constantly makes the excuse that he’s concerned for her safety, and that the places they’re going to are too dangerous for her, but it all exudes a level of thinly-veiled annoyance, even confusion as to why Flora is so upset that they never bring her along and wants to go with them at all... almost like her “frail” feminine appearance (which isn’t helped by how the games make her feel sick or dizzy or tired multiple times), compared to someone like Emmy who could fight and has more masculine traits, means she’s less capable in Hershel’s mind, which, like, even if it’s unconscious on his part... how about no?? I could accept being worried about her, even if I’m still frustrated at her being left behind, and her constant kidnapping (which isn’t Hershel’s fault, even if he probablyyy could do a better job both times at protecting her), but I CANNOT excuse how short and dismissive Hershel is with her in this damn game; it honestly borders on ooc to me for him, I don’t know what the writers were thinking; do they just hate Flora that freaking much??? He treats her like a burden the entire time, apologizes to people for her, acts irritated at having to accommodate for her, when poor Flora just wants to spend time with him and feel like an equal to him and Luke. Meanwhile Clive of all people is the first one to treat her with kindness and respect and pleasure to see her when they first meet, like when Luke bitches about Flora being excited to see the river and not taking things seriously and Clive tells him to go easy on her (Clive, the one who has been rushing them along this entire time himself). honestly can see why it’s so easy to ship them, when literally everyone else treats her like crap It’s SO depressing honestly. Flora asks them if they thought to wonder where her future self was, and Hershel is just like hhhhh we’re kinda busy thinking about... you know.... important things... sorry not sorry....... like BITCH I WILL STRANGLE YOU, BE NICER TO YOUR DAUGHTER!!! Luke at least is a kid, but Hershel??? there’s no excuse!!! Luke be like “damn I hope Becky doesn’t look down on us for leaving Flora behind... >.>” THEY KNOW. THEY KNOW IT’S NOT RIGHT BUT THEY DON’T CARE AND DO IT ANYWAY. I’M SO MAD

Beasly just gets... straight-up murdered yo... between him and Subject 3, what were they smoking when coming up with the animals in this game, jfc. Test subject animals?? that’s unnervingly dark, despite how glossed over it is and how hilarious Subject 3 is a;lksd

LUKE LOVES SHERLOCK HOLMES THIS IS NOT A DRILL. THE DGS CROSSOVER IS WAITING, LEVEL-5 AND CAPCOM. MAKE LUKE’S (AND MY) DREAMS A REALITY

the intentional zoom-in on Clive’s sinister face in front of the tower will never not amuse me, and baffle me as to why they drew attention to it lmaooo

And okay back to time travel bullshit shenanigans, WHY the fuck does Dimitri not pick up on why him not remembering about the pen is such a big deal as soon as Paul first brings it up?? bruh. bruh. aren’t you a fucking TIME TRAVEL SCIENTIST. WHY DO YOU NOT KNOW SUCH A BASIC CONCEPT THAT BREAKS YOUR WHOLE FACADE IN SECONDS. It’d be one thing if he just couldn’t provide the right answer, but no, he straight-up HAS NO IDEA WHY HE SHOULD HAVE TO KNOW ABOUT THE PEN. “HOW THE FUCK SHOULD I KNOW-” bruhhhh. Dimitri. my dude. i love you but you are actually so dumb sometimes, like holy shit (more on this later though)

Paul talking to Dimitri about his plan is really good; he has a “...” moment before telling him what he’s doing can’t be excused, like “oh shit let me jump on board, wait fuck i gotta stay in character, Layton is a wuss he would never agree to this god dammit Layton-”. jokes aside though, I’m honestly confused as to how much he actually knew before Dimitri’s exposition in the pagoda, and why exactly he goes along with helping Hershel stop him... and what Dimitri was thinking roping him into this. Because I can’t really figure out Paul’s motives here and how they changed, if they did at all. The only information we get about how he first became involved is that Dimitri was paying him a lot of money to get Hershel to the pagoda and to him - he knows that “future London” isn’t real, he knows Future Layton isn’t real, so the extent of his knowledge seems to be that “this man wants to screw Layton over somehow and is giving me $$$ to get it done; there’s no downside here, never mind this suspicious as fuck fake London and all these people that shouldn’t be here”, but then Hershel gave him more information, probably that Claire was involved in what Dimitri was doing, and his concerns about a traitor being involved if he had already begun to suspect Clive by that point, and then he suddenly decided to turn against Dimitri? Even though you’d think saving Claire would be a reason for him to want to help him...? Or did he plan to turn against him from the very start, and wanted Hershel to come because he knew he could stop all this (part of his character development)? The latter is the most likely, though I still don’t entirely understand or maybe I’m just having a brain fart, that’s very likely too. And Dimitri on the other hand, did he know that Paul liked Claire too and would want to save her (and maybe about his salt for Hershel too), and that’s why he got his help? That makes more sense... but also doesn’t, cause as I said it seems like Paul didn’t know Claire was involved until Hershel told him and then Dimitri told everyone at the pagoda, so maybe he literally just said “here’s some money, help me fuck over Layton, not telling how” and just trusted in him that much, even though Paul is an evil genius who could and does put a stop to all his plans with his machines... once again, Dimitri looking dumb....

Clive, in the most deadpan voice ever at the top of the pagoda: oh no, the prime minister is in danger, someone help him

Flora as they’re escaping the tower: “professor no please take me with you instead of future Luke” Hershel: *ignores her feelings and makes a decision for her yet again* Clive: “shhh don’t worry Flora; i know i’m going to kidnap you in like an hour but i’m just trying to rescue you from these insensitive jerks. not Don Paolo though; he’s a gentleman.”

It’s interesting to me that Luke and Hershel keep acting as if Future Luke and future London are legit even after Future Layton has been revealed to be a fake. Hershel at least probably knows none of it is real by now, even if he hasn’t exactly figured out Clive’s role in everything yet, and is just not revealing his knowledge for now, but Luke is still rolling with it... wonder what’s going through his mind by this point. again, it frustrates me that Luke really has no emotional reaction to anything in UF, aside from the statue and his worries about leaving Hershel soon and how that in particular will affect their relationship

I also wonder what Clive is thinking by this point. Now that the Future Layton jig is up, what kind of story is he going with now? We never find out because Hershel reveals everything completely the next time Clive joins up with them again, but in the (unreasonable) case that he hadn’t, would Clive have just acted like he didn’t know that Alain Stahngun was actually someone named Dimitri, who was actually pretending to be Layton, and that the real Layton was somewhere else out there that they needed to find? I don’t know WHY I’m so interested in details like these that don’t matter at all in the long run a;lksdfklfd, but I am... he tells Flora to continue the “investigation” without him, so clearly he still had something in mind, and didn’t expect Hershel to out him quite so soon after that even if deep down he wanted it

Chelmey really cares for Barton and it’s actually so sweet, oml :’)

I didn’t really praise Paul’s character development in this game enough before, but I really do love it, even if I don’t quite understand the circumstances that started it. It’s not something I would have expected with how he’s presented in CV and DB, but it’s very nice to see this be the culmination of his character, and it’s kinda sad that it feels a bit more natural than Descole’s sudden shift in backstory/character between ED and MM/AL... It’s very funny and good to see him and Luke bicker at each other, and how he seems to have a soft spot for Flora... it’s all cute. I just wish there’d been a bit more time for him to talk to them, but that’s what fanfic is for

Don’t make me have to see Hershel beaten up in the street :’(

The sprite of Dimitri standing in the bar is incredibly hot.... damn why are all the older male characters my type >.>

Alright but it’s about time I finally talk about Dimitri without dissing him for being stupid sometimes and say that in short, I love him. He might even be my favorite new character in UF, even more than Clive; I don’t know if it’s just the Liam O’Brian Tragic Sexy Tired Villain effect or what (nah let’s be real, that’s a huge part of it lmao), but he’s fantastic and utterly breaks my heart, in a much more understated way than how the game shoves Clive’s angst in your face, but his tragedy is nonetheless impossible to ignore. The flashback with young Dimitri is my favorite scene in the entire game, it is devastating and feels so cinematic, so raw and painful, and I’m glad they animated that part because it humanizes him so much more. Claire was his everything, he loved her so much, but it is so obvious to me (and to a lot of the fandom too, I think) that his love was entirely selfless - he might have been a little sad, but he was still mostly content letting Hershel have her, and when it comes to after her death, Dimitri would have been absolutely happy not being able to have her if he managed to save her life; he just wanted her to live. He was in love with her, yes, but he also loved her, as a friend, as a scientist, as a person whose time was cut far too short for entirely selfish and unnecessary reasons, and the majority of his anger and bitterness and drive came from a desire to fix such an injustice - to save an innocent person’s life. And the saddest part of him doing all this and trying to sustain Claire’s existence in the present once he finds her, if you go with the closed loop time travel theory, is that Dimitri should already know it’s impossible for him to succeed in this as long as he remembers finding her body in the past - him succeeding would create a paradox, thus, he can’t save her. But he’s so deep in his despair and obsession and insistence on preserving her life that I don’t think he ever stops to think about this - or he does, but refuses to acknowledge it. I’m sure he was incredibly sweet and kind and soft in the past, with her, and with his passion, and it’s heartbreaking to see how broken he is now, how miserable and tired he is, how much everything changed him. And wanting to get back at someone like Bill, who had it all to begin with and then carelessly used them to gain even more, well, I don’t blame him for that. >_> Not to mention his relationship with Clive, which is all kinds of fascinating to think about: the most chaotic, dysfunctional mess of a half-business partnership half-father/son relationship there is, ahaha... Both of them are unhealthy to the extreme in different ways, but with how much time they spent together, it’s inevitable they had vulnerable moments around each other... Clive is the only other person Dimitri would have around during his research to possibly grow to care about, even if it was entirely unconsciously. Learning he was using him would, well, ruin their relationship even more than it was already messed up, but maybe he would visit Clive in prison at least once, assuming Hershel was. I just crave content for them, ugh. Dimitri just deserved so much better, he makes me so sad </3 and I honestly hate that we don’t get to see him say goodbye to Claire at the end before Hershel; sure it would have utterly killed me, but surely he deserved that much...

The utter, frankly amazing, stupidity of Flora’s kidnapping has been stated everywhere, we all know it, but just.... yeah. smh

Seeing the mobile fortress be like *war flashbacks to the Detragon* “Not This Shit Again” Hershel why tf you putting Luke in more danger AGAIN???

The car scenes with the mobile fortress are, at least to me, the funniest parts of the entire game, even better than the casino, oh my god they’re AMAZING. Luke screaming and flailing his arms while Hershel deadpan flings the car towards the fortress, all the bumps they hit riding across it later on, the car just FALLING and Bill almost falling out of it, and then the plane, all the while Hershel displays no more than mild frustration while everyone else is PANICKING... “a plane? This is an automobile!” ...iconic. top PL moments ever. Luke don’t you recall the time when Hershel built an entire mini plane out of a chainsaw and a barrel in ED, come on now

Onto Claire. Claire doesn’t get much screentime, but some of the moments she does have are very good; she’s one of the best and most fleshed-out female PL characters imo, and like a lot of things, I appreciate her a lot more after this replay than I did years ago... LayClaire is a cute ship and all, but I was never really obsessed with it; rather, I’m realizing now I’m more invested in what Claire has to offer by herself. I hate to use the term “strong female character” cause that sounds so cliche... but she really is strong. The entire part with her wanting to save Clive, their conversation, and her bringing him out... god it gets me, it really does. She’s known she’s going to die for ages, and at this point in the game she knows it could be any moment now, so she has no reason to try to keep herself safe; she’s doomed no matter what, so she might as well spend the last few minutes of her life saving another life, and not just anyone: someone who’s just killed countless people, who anyone else would see as insane, who doesn’t care for her, doesn’t care if he lives or dies - but Claire is compassionate enough that, despite everything, she fiercely believes he deserves to live. Because of her own guilt and sins she believes she bears, yes, but also simply because she believes he can still change, and doesn’t deserve to die, despite the HORRIBLE atrocity he just committed. She’s just that good a person. It’s no wonder she and Hershel loved each other and were made for each other; both of them are such kind, loving, selfless people who see the best in anyone no matter what. Perhaps she hoped and suspected that Hershel would look out for and care for Clive once he was in prison, so she wanted to make sure that could happen, even if she wouldn’t be around to ever see it.

sorry I just get really emotional about this part, about the entire mood and tone of Claire desperately trying to save this kid, and the way the camera focuses on the massive scale of the fortress and how it dwarfs them in size... It’s a really powerful and melancholic scene (just like Dimitri’s flashback scene; have I mentioned how much I adore the atmosphere and cinematic direction of this game? cause god I do) with the knowledge of her real identity and circumstances, the visuals and the music are so good, ugh i just have so many feels. mom Claire hurts me </3 she’s so good... Despite the fact that she dies, and so much of what everyone is doing is because of her death, her presence in the story is so strong, and it never feels like her only purpose is to die for everyone else’s development and that’s it (unlike... well, a lot of other pl females :’); she has her own things to do, she stops the fortress alongside Hershel, and literally saves the main antagonist’s life. Seriously I just adore the fact that she of all people is the one to rescue Clive in the end even though she wasn’t at all obligated to (although I’d be interested and cry over an AU where Hershel saves him instead; it honestly surprises me that he wasn’t going to until Claire said something...), because Clive is the only character (of the adults) who doesn’t have a direct relationship with Claire, but they’re still connected by the explosion, and so it makes for an interesting and terribly sad dynamic, even if they only have a few minutes with each other, for all the reasons I said earlier. Claire doesn’t think what he did was right, but she knows what she and the other scientists did wasn’t right either - and it’s too late for her now, but it’s not too late for him; she knows he has a kind heart, deep down, and that he needs help if he wants to redeem himself. She feels responsible for him, feels like she owes him that second chance, after indirectly taking his parents from him and causing him such misery and brokenness... She’s so brave and strong-willed to be able to do and admit all that she does; I just love her. It clearly kills her to leave Hershel, I don’t think she intended at first to ever let him know who she was (hence Celeste), but she’s not too upset in the end, because she (rightly) knows that he will be all right. ;; She’s so beautiful, too... wish we could have seen her interact with so many of the other characters </3

and so my favorite “insert Descole into the main trilogy” AU is where Descole intercepts Claire and makes some sort of body for her, like how everyone headcanons that for Aurora post-AL. (or/also just mobile fortress vs. Descole robots, that’s cool too lol)

And finally, Clive, the infamous star of Unwound Future, thought I talked about him a bit already (and also in this post a few weeks ago). Clive is probably the PL series’ best written villain Anton excluded, I absolutely love him, like everyone does. Nothing really about him hasn’t been done before elsewhere, but that’s not a bad thing; when I was younger and first played the game I really only paid attention to his sympathetic side, but now I’ve also grown an appreciation and fondness for that kind of unabashedly awful, manic, evil insanity a villain like him has, it’s just SO entertaining to watch. If PL was a more mature/higher rated series I’d love to see his chaotic crazed energy played up even more, just to really hammer in how messed up he is, ahaha, but of course that would make it harder to sympathize with him..... and unfortunately, it already is kind of hard, because.... shit, the number of people he must have killed? It’s a LOT. A FUCKTON. The level of sympathy the game gives Clive and the way it presents him at the end is not at ALL relative to the astronomical amount of people that had to have been squashed to death by his machine, to the point that it honestly makes me uncomfortable, and I try to just retcon that in my head, as hard as it is to imagine a scenario where that thing could have come up to London and not hit any houses, because like..... There’s no coming back from that. He knew exactly what he was doing, madness or not, and I honestly just... don’t want him to be such a mass murderer. Maybe it’s wrong to ignore it, but the game wants me to feel sorry for him and see his potential for redemption, and his relationship with Hershel is so good... dammit game, why’d you have to show those houses being crushed. Ugh. Because Clive is so compelling as someone who feels betrayed by people in power, who desires revenge not only for himself but for all the people who suffered just like he has that he says he bore witness to as a reporter; it’s a very relatable position and a good story, for his well-meaning intentions to be skewed and lost in the midst of his rage and despair and hatred and insanity, where his very valid point of “hey people in government are fucked up and don’t give a shit about us and that needs to change” gets turned into “they all need to die even if the very innocent people I want to save get hurt by this as well”, and I really wish that whole angle of it had been played up a bit more, and there had been more of an opportunity for Hershel to reason with him and argue that in the midst of his blind need for revenge, he’s become even worse than the people who need justice handed to them (cue some Descole allusionssss). He wouldn’t have to win him over, Clive is already too deep by that point despite how much he wanted to be stopped, but just having more of that than just what happens in the surveillance room would have been sooooooo good, I love that conversation. It would have made Clive even better and really drive home that he’s 1) kinda right about some things and wants better for people 2) still very fucking wrong and selfish at the same time and has taken it all way too far 3) very fucked up and broken. Not that the third point isn’t already abundantly clear, but... yeah. It would have given him even more depth, made him more sympathetic, and helped juuust a little to offset how much the game handwaves his mass murders... just a little... One of my favorite Clive scenes though is when the fortress is breaking down and he’s still there, desperately trying to save it, still in denial about the fact that all his plans have failed and that everything he’s done (and himself) is about to go up in flames; I know everyone loves making fun of him and that that scene is pretty memeable (he does get bodied so much in the game, lmaooo), but it makes him look so vulnerable, all alone in there by himself, like a child, which is what he really is, deep down: he never truly wanted to do something so abhorrent and evil, but his emotions and mind spiraled so badly out of control and it led him to such a dark, horrible place, where he couldn’t stop himself, no matter how much he wanted to, and in the end all he can do is watch helplessly as the reality of what he’s done and his unwound future all comes crashing down in front of him, never to be salvaged. And he believes wholeheartedly that he is going to die, that he deserves to (this is my favorite Clive scene; he’s so hurt and resigned, the voice acting kills me ugh), he doesn’t understand at all why Claire wants to save him, especially if he knows she’s one of the scientists (as his line of “why are you of all people helping me” implies), because he always thought none of them ever cared about him and people he saw as like him, thought everyone was like Bill Hawks, but Claire still cared enough to want to save his life, even though she was one of the people he was actively targeting with his revenge... I wonder how he would have felt at the time if he had known about her situation and that she was dying. </3 I just want so many good things for him, as so much of the fandom does. He’s so messed up but that’s what makes him so interesting, and his potential relationship with Hershel that the ending of the game suggests could happen is so touching and lovely and uplifting, one of my favorite kinds of relationships in fiction: Clive’s issues would persist for so long, for forever, really, but Hershel would support him and help him heal, and be there for him always, no matter how much Clive would feel like he didn’t deserve it. I eat this dynamic up, I really do, every single time I encounter it in a story, and it’s made even better by the fact that as I’ve said, Hershel has so much in common with Clive, and so they would get along very well for that reason, and Clive could unknowingly help Hershel just as much Hershel tries to help him. They’re so good for each other. Add Luke too, and Flora, and Desmond...! just ahhhhh........ there’s so much goodness. Clive you absolute glorious, fucked-up mess of a character, I love you. :’) and I love fic writers who explore facets of his personality and write about him. He’s only in one game, and there’s still a few hiccups, as I said, yet he’s handled far better than Descole or Randall in my opinion (though I love them too)... just an amazing fucking villain, and character. I wish UF could have gone deeper with him than it did, but even so, the possibilities with Clive are endless. I love him, so much ;;

and some of the themes of the plot in this game, uhh, hit a little close to home in good ole’ 2020/21 time we live in? :’) #FuckBillHawks

Hershel saying goodbye to Claire.... god. One of the top scenes in the entire series, probably the #1 most iconic I’d even go so far as to say. I don’t even really ship LayClaire, but there’s an indescribable emotion that finale gives me... it’s just breathtaking, in the most gutwrenching, nostalgic, beautiful way. I still maintain that Diabolical Box’s ending is sadder than this one, for a multitude of reasons, just comparing the stories and situations the characters are in, but I 100% don’t blame people for bawling at this scene more than any other, just because of the way it’s done yes I know I won’t shut up about the cinematography; the lighting, the camera angles, the pacing of it, Hershel’s fucking kicked puppy faces, the dialogue oh god the dialogue; it ALL hits like a TRUCK and comes together beautifully. At this point in his life Hershel has been through so much loss, so much so that it is unbearable - when he cries that he doesn’t want to say goodbye again, that he can’t say goodbye again, that he refuses to, nothing in the world is more true: this man has been through too much, and he’s hit his breaking point. even if you don’t have the prequels in mind when watching this, as most people don’t/didn’t the first time through, the overwhelming sense of burden and loss Hershel is feeling is so palpable, so painful - you get the sense that this isn’t just about Claire; Hershel has never shown emotion like this before up to this point, so for him to finally break down like this... it speaks volumes. After so many years of holding everything in, he finally can’t take it anymore, and basically stabbing me in the fucking chest would hurt less </3 I complain about Hershel never showing emotion like this (never crying) in the prequels whenever he’s hit with an equally horrible bombshell, and I still feel that way, but at the same time a part of me is also glad that’s the case, because it makes the very last (two) scenes in the entire series hit so much harder, knowing that he finally loses his composure after dealing with so much. As the titular character of the series, Hershel’s development is very understated and subtle, so it’s all the more meaningful when he actually snaps, because it makes him feel so much more real and human than he ever is the rest of the time, when he maintains his facade of being a perfectly composed, calm, and together gentleman; this scene finally say that, no, Hershel is a person, and he is broken in a lot of ways, because some puzzles you just can’t solve no matter how hard you try, and it’s so sad. And this sad tone of loss and longing permeates the entire cutscene; the way the title is dropped in Claire’s dialogue (both versions equally haunting imo), and Hershel taking off his hat for the first time ever, and the pan up and transition back to show the falling snow as “Time Travel”, my favorite instrumental in the series, kicks in... y’all there is no other feeling in the world like the feeling that elicits, there really isn’t ಥ⌣ಥ ❤️💔 the only thing that might even come close to it is the ending of Azran Legacy with Surely Someday, simply because it was the ending of the series, but the ending of Unwound Future hits me harder knowing it’s the end of the timeline, and with everything else in hindsight. And then an unknown amount of time later, even with Luke gone and Hershel only having Flora there with him anymore unless we headcanon DESMOND COMES BACK BECAUSE OF COURSE HE DID RIGHT, Hershel is still no longer wearing his hat, to show that he’s finally started to heal from his pain, and accepted the loss(es), because throughout all of UF Hershel had never really gotten over Claire’s death no matter how much he tried to pretend like he had, but you don’t realize that until you see the ending, until he got one final chance to see her. I just... ugh I love it so much, so much. It means so much, for Hershel and for the series, and that’s why it makes me cry (and don’t even get me sTARTED on Luke’s goodybe, and how upsetting yet beautiful THAT is. yes, Luke isn’t a gentleman yet, and Hershel finally learns that maybe he doesn’t always have to be one, either :’’’’’’)

Unwound Future is a masterpiece. Diabolical Box has my favorite characters and story for the new characters, and favorite settings, personally, but Unwound Future is such top-tier storytelling and writing; it feels so epic and sweeping and (here i go again) cinematic, it’s so polished and everything flows so well, the pacing is wonderful, everything ties up so perfectly and there’s very little I would change Flora bitching aside and practically nothing that feels like filler, even though some of it technically is. The tone stays consistent and they really push the boundaries of how serious and heavy these games can be, and it works, and doesn’t feel silly or glossed over or too unrealistic or too heavyhanded like some of the other games are at times; the plot twists/reveals feel the least absurd and the most grounded in reality, despite still being wild, and it focuses on some really relevant stuff and themes (again, it feels really grounded and raw, and the least fantastical, which isn’t a bad thing for the other games/movie per se, but being more realistic works in this one’s favor. No one is going to have their family separated and murdered by a criminal secret organization working to unearth ancient advanced civilized ruins, or lose years of their life and memories in said ancient ruins, or have their life ruined in an eternal unaging state from hallucinogenic gas, but being screwed over by people in government who will do anything to make sure they never have to face consequences? now that’s a mood). It’s just a really fucking good game, by far the best Professor Layton game, and I’ll always stand by that, despite preferring DB just a bit more cause it hits more of my personal tastes (DB is still very good too though, don’t get me wrong), and it’s also enhanced even more by the prequels, though it stands perfectly on its own. The perfect culmination of Hershel’s character arc, and the absolute high point of the series. It’s one of the ones I keep coming back to the most, just because it has so much to offer; as someone who is absolutely enamored with near-perfect stories of this caliber, I couldn’t ask for more. ❤️