#this isn't an analysis

[teecupangel]

It was just announced that AC Mirage is releasing in October. Are you excited? (I managed to get the collectors edition!)

Congrats! I pre-ordered the Collector's Edition as well <3

Sidebar: the normal version is currently 49.99 USD in PSN which gives us an idea of how long (and how big) this game would be. It's not surprising as Mirage did start off as a DLC of Valhalla so this will definitely not be as long as the recent AC games. I hope that means this would have a tighter more focused storyline and doesn't mean the narrative suffers because it's shorter. Also, as it's available for previous generations, it would probably have the same graphic options as Valhalla.

Alright, this can be a bit of a rant because, well, it's me XD

I read it's using Origin's parkour system but they've improved on it which sounds nice 'cause it's like the love-child of old and current AC games' parkour system.

The scene where Basim used that lamp-looking thing to quickly turn? Reminded me a lot of the old AC games, that's for sure. And that throwing knife kill? Definitely gave me AC1 flashbacks XD

Special assassinations are back and, not gonna lie, absolutely excited for that. That was my favorite part of the stealth mechanics of Unity, Syndicate and Valhalla's Siege of Paris DLC. I'm hoping it's quite diverse like those games and that scene where Basim uses a rope to hang his target feels like one of the special assassinations.

Also, also, also...

Chain Assassinations look so cool and if this is an unlockable skill, I know where my early skill points are going XD

As for open combat, I'm a sucker for dual wielders especially if it's the more traditional long blade/short blade combo and I love fighting styles that have a lot of twirling around so this entire sequence?

Yeeeessss, thank you. Twirl for me, dorky wolf dad. Twirl. I demand more twirling.

Btw, his Mirage fighting style is a bit different from his AC Valhalla style and I wonder if we'll know why he changed his fighting style in Mirage? (I'm betting it's connected to his Loki memories)

Baghdad looks awesome btw and, not gonna lie, I am having AC1, Revelations and Origins flashbacks.

Also, we saw another character in this trailer that is actually mentioned in AC Valhalla.

(So we know he's not gonna die which is nice XD)

Overall: I am cautiously optimistic and I hope Ubisoft doesn't fuck this up. I really hope Mirage is a success so the higher-ups in Ubisoft see that stealth-heavy AC games are worth developing.

Also, I read the Prince of Persia remake is being handled by Ubisoft Montreal (who is also handling Hexe) who handled Mirage so this might be a good indication of the kind of game the Prince of Persia remake could be.

Also, because it's me.

Hello, Hidden Blade Kink, my old-ish friend.

[ambrosiagourmet]

I think one of the biggest tragedies of Laios & Falin and their relationship is how much his actions impact her life. But like. Specifically how much they WOULDN’T impact her life as much if they weren’t both stuck in such a shitty abusive situation.

This part of the Falin-tries-makeup daydream hour comic is what got me thinking about it again because truly it just... it seems like such a like an offhand comment that I'm sure Laios didn't mean to be cruel or anything. That's just like. A little kid not thinking about what they are saying. ESPECIALLY when the kid in question is Laios.

But man they depended on each other SO much as kids. Too much. It really feels like they didn't have any other source of positive reinforcement, or anyone else to share themselves with. So of course an offhand comment like that has a huge impact on Falin.

Or this little bit from one of the flashbacks:

This tears me apart. Do you think it tears him apart to think about? I think it does. I think Laios holds every small failure to care for Falin against himself.

And then there's the Bigger stuff. The way that him coping with his own trauma ended up impacting her.

Like his interest in monsters. Like him going to find a ghost, and accidentally revealing Falin's magic to the whole village in the process.

Like him needing to leave. And leaving her behind.

He shaped her life so much, and he carries so much guilt for it. And again, there should have been other people there to help. The same things that made Laios need to leave home are the things that made his leaving so hard on Falin. She ate alone after that. She shouldn't have had to eat alone just because Laios wasn't there.

She was 9 when he left for school, and he was 11.

Nine. And Laios feels like he failed her because he didn't stand by her through this better. As an eleven year old.

Both of these kids deserved so much better from the world.

[starlight-bread-blog]

"Zuko would take a lightning for anyone–"

But it was Katara that he chose to invite.

"Zuko would take a lightning for anyone–"

But Azula knew to aim at Katara.

"Zuko would take a lightning for anyone–"

But the scene was romamtically coded.

"Zuko would take a lightning for anyone–"

But Katara needed to get to heal him.

"Zuko would take a lightning for anyone–"

But it was Katara who was with him in season finales.

"Zuko would take a lightning for anyone–"

But he needed to choose Katara over Azula.

"Zuko would take a lightning for anyone–"

But Shu needed to survive in this life.

"Zuko would take a lightning for anyone–"

But the writers deliberately chose Katara.

Inspired by @captain-konami-code 's "They were enemies"

[jakeperalta]

* e.g. in interviews/social media saying things like "I played this scene as x character being in love with y character" making it canon that x loves y, or "I view x as bisexual" even if they aren't bi within the show itself, or just general statements on backstory/details that aren't included within the show

[somehowmags]

i’ve seen a lot of posts talking about nimona’s queer messages which is great! but ive not seen as many posts talking analyzing how both ballister and ambrosius were changed to be asian, which is a shame because i genuinely think its one of the most important parts of the film! a huge part of it is a deconstruction of the model minority myth and respectability politics, both of which are big issues in the asian american community. both of them represent each side of the spectrum, with ambrosius expected to be superhuman with very little support and ballister being seen as less than human, no matter how hard he tries- a monster.

ambrosius (who is now east asian, like his voice actor eugene lee yang, who is korean with chinese and japanese ancestry), despite being in a seemingly powerful position as head of the knights and a descendant of gloreth, he isn’t really given the kind of support that this position needs- he’s constantly undermined and belittled by todd, the face of the other knights, and when asked about his emotional state by the director, represses his emotions rather than talk to her about his true feelings. this is very similar to how asian american students in schools aren’t given the support they need academically by teachers and administration, as the model minority myth leads to them being perceived as more intelligent and competent than their fellow students and therefore not needing support. he’s also held to a higher standard than any of the other knights, being immediately placed into a position of power despite just being knighted, again a reflection of the model minority myth, since asian americans are held to higher standards unfairly. despite being technically better off than ballister, he has no support, no friends, no way to seek help for his problems, and, just like ballister, is immediately thrown away the moment the director thinks he’s served his use.

ballister is now pakistani, like his voice actor riz ahmed (no, not like pedro pascal. where did this come from lol), and i’d go as far as to say that he is also, if not explicitly muslim, heavily muslim coded as well. he’s framed as a terrorist by the white, christian institution, and from then on, it doesn’t matter how good he tries to be- everyone else sees him as a monster. he’s also from a lower socioeconomic class than ambrosius and the rest of the knights- while this is initially used to frame him as a success story, after he’s framed, it’s used to cast suspicion on him. almost immediately he’s othered, with posters casting him as a foreign invader sent to destabilize the city, much in the same way that muslim immigrants are seen in real life. even when he tries to be peaceful and good, it’s always twisted so that he’s the monster of the story. while ambrosius is held to too high of a standard, ballister will never be enough for the institution to accept.

which is why both of their arcs culminate in them breaking out of the system, learning to accept what they’d been taught was monstrous, and leaving behind respectability. it’s a genuinely great commentary, and i can definitely see why riz ahmed and eugene lee yang were chosen for this, as they’ve both done activist work for their communities.

[unicornpopcorn14]

Chuuya's reaction to Dazai getting hurt during the Lovecraft fight has always been so interesting to me...

Because it's the kind of worry you'd never expect from a character as gruff as Chuuya, who had displayed nothing but hostility towards Dazai so far. Usually, characters that are labelled as "angry" or "anger issues" (which Chuuya is much more complex than that but you get my point) act more as a tsundere type of way when the one they "don't care about" gets hurt. And show their care in very, very subtle ways (ex. their eyes widen, their mouth parts and closes again, etc) before putting up their front once more.

Chuuya, however, is open, and vocal about it. His worry is clear not only to us, but to Dazai himself, the one he shouldn't be displaying the concern to (as per the cliche). Shouldn't it be some sort of secret that Chuuya does care? Isn't that what skk's dynamic has been shaping up to be until now?

I'm telling you- the way my mind blanked when Chuuya just casually.... showed concern not once, but twice, was a sight to see.

Besides, the context makes it much more confusing, because Dazai isn't some rookie, and Chuuya knows that more than anybody. He was the youngest executive in Port Mafia's history, of course he can handle a hit or two. Of course he'd seen him handle a hit or two, sometimes without batting an eye.

Heck, Chuuya himself was hurling Dazai like a ragdoll in their reunion, which was their last meeting. And you could argue that he was going easy on him, but Dazai has mostly withstood the same damage (as far as I could see), and Chuuya was as bitter as ever.

So that kind of contradicts both what we knew of Chuuya so far, and how their dynamic was shaped to be. I mean, that just makes Chuuya a hypocrite, yeah? What makes him care now, all of a sudden? What makes him care at all?

Well, to me, this backasswards reaction implies one (or more) of the following:

- Dazai rarely got physically hurt during their partnership and thus this is an unexpected thing for him to see (during a mission).

- The four years of separation made Chuuya unsure of how much Dazai can withstand physically now. Also the fact that he isn't in the mafia anymore, aka fighting enemy organizations on the weekly, would naturally make Dazai lose his touch in a way, what prompts Chuuya's reaction.

- Dazai getting taken off guard took him off guard which led to panic. Especially since the situation was (momentarily) out of their depth. Seriously wtf even was Lovecraft?

- During the dungeon scene Dazai was an enemy, while in the Lovecraft fight he was as an ally. The difference might be significant to Chuuya.

- This has always been Chuuya's reaction to Dazai getting hurt regardless of the situation.

- "Only I can hurt him like that" ahh logic

- Asagiri was still experimenting with their dynamic and thus there are some inconsistencies.

This scenario didn't play out again (after their reunion) for me to exactly determine which one is more plausible, but it is 100% canon for Chuuya to shamelessly show his concern and run to Dazai to check on him before properly dealing with their opponent, which I find to be such an appealing layer to their dynamic, and a good spin on the type of character he gets stereotyped as.

Bonus: Dazai also becomes a softy when Chuuya's hurt, especially post corruption. Dead Apple alone displays that multiple times.

All in all, Skk are doing a terrible job at maintaining their 'hostile' and 'antagonistic' relationship post their reunion. Freaks.

[spirk-trek]

trying not to think about how balance of terror ends with jim trying to comfort a member of his crew who just lost the man she was about to marry

then in the next episode we see one of his "fondest wishes, either old ones you wish to relive or new ones," and it's his first love, ruth who I'm PRETTY sure is dead

he doesn't do any of his usual kirk things, doesn't go for the kiss or the charm, just stares at her in awe, wonder, shock... confusion. and it must've crossed his mind then, right? the lieutenant who died on his watch, causing the same pain he had gone through with ruth... were they engaged too? was he going to marry her?

and i'm definitely NOT thinking about how after bones is killed, his desire changes back to his academy bully, but instead of venting out an old rivalry he gets his ass kicked (how often do we see captain james t kirk beaten like this just from a fistfight??)

his fondest desire is punishment, for not being able to save ruth, for losing bones, for being the reason that poor girl lost her love, for everyone else he hasn't been able to save

i'm not thinking about it i swear i'm not i would never (lie)

[courtmartialme]

woag .. otp

[discofama]

I love how comfortable Adam and Lute are around each other.

I mean, look at this

So they're casually together during the extermination, much like how friends gravitate towards each other when in an event even if they're not talking or doing anything, just because it feels easier than being alone. Or perhaps Lute flew closer because she saw the huge war machine approaching Adam and got a little worried.

Charlie and Vaggie are going to attack them, and look at what they do:

Despite being Adam the one closer to Vaggie, he doesn't move an inch. They don't say anything (besides the shit talk) and Adam doesn't even look at her, he expects Lute will take care of Vaggie with no order from him, even if he's closer.

Obviously Adam is confident and doesn't think Vaggie can hurt him at all, but he clearly trusts Lute to get her out of the way. He probably knows how bloodthirsty Lute is for Vaggie and lets her have her without a word, and Lute complies, again, without a word, leaving him to handle the strongest of the enemies at that moment (Charlie).

So in this second, Adam and Lute communicated in silence. Adam didn't move and trusted her to cut in even if it was him the one under attack, and finally Lute trusted him to handle Charlie so she could fight Vaggie, as she didn't seem worried at all of the possibility of Charlie coming to protect her girlfriend.

They're in harmony. They're just natural together.

He lets her grab him like this and is willing to listen to her. It's clear he respects her and deep down appreciates that she'll keep him from doing something stupid, even if he whines.

She also climbs him? Lol. (Look at how she holds onto his arm 🥹 she's super comfortable with touching him!)

They're always hyping each other up, like in their songs:

(Look at Lute's smug face here 👇, she's sooo satisfied with what Adam's saying)

I honestly believe that they kinda make each other worse, that neither of them would be SO mean all the time if they didn't have the other: a companion who is always backing them up, who agrees on any crap that comes out of their mouth (Lute lets him talk shit about random women and nods, Adam goes along with Lute's homophobia despite seeming to not care that much about homosexuals).

Many portray Lute being a lot smarter than Adam, but I think they're both dumbasses. I mean, we laugh at Adam for saying he never made a mistake in his fucking life, but it was Lute who first stated angels don't make mistakes, somehow keeping a serious face. I think Lute seems smart because she's more quiet and cares about the rules, but she doesn't do logic very well either and can be impulsive too, as shown in the end of ep. 1.

They're probably each other's best/only friend, because they're just so unlikeable. And it makes sense they'd deeply care for one another. They care about that person that stands them and agrees with them and actually enjoys being with them. They're always seen together, hanging out even off duty. They clearly have a lot of fun.

I'll be honest. I ship GuitarSpear, I love it, but I don't know if I want it to be canon for 2 reasons:

1. Lute might be a lesbian.

She is so repulsed by homosexuals that it feels personal. Talking about how disgusting and blasphemous Charlie and Vaggie's love is, or how many cocks were in Angel's mouth and calling him a whore. She cares too much about it for it to not be personal, and I think it makes sense that she'd be a closet lesbian with a shit ton of internalized homophobia. She probably knew about Vaggie's sexuality and held a lot of resentment towards her before tearing off her wings. Maybe she was even attracted to her and was so repulsed about it that she redirected her self-hatred to Vaggie.

2. I think it could be better for Adam's character.

Let's just think about it. This character has a very distorted view of women, he has a fixation on them and hypersexualizes them. So the idea of this horny man, who always sees women with sex colored glasses, being good friends with a hot female below him in the hierarchy with no sexual or romantic interest whatsoever is nice to me. It'd work as sort of a redeeming quality in regards of his relationship with women, and I personally think this man is very redeemable. Let's hope he gets a second chance!

Still! All of this trust and comfort and team feelings can be read as romantic and I certainly wouldn't mind if it becomes canon! They could be the best villain couple!

Summarizing, these two are soulmates, end of the story. They're worse together, but also probably provide the other of a very needed company.

I have no clue if Adam will actually come back, but if he doesn't, I'll feel very bad for Lute. Yeah, yeah, she's an evil bitch, I don't care.

[midnight-the-pony]

Good evening Candybug enjoyers come get your food

[fist-of-vengeance]

just saw someone on tiktok discussing whether or not a character "deserved a redemption arc" and i am losing my mind. we as a society have lost sight of what a redemption arc IS. it doesn't mean a character is rewarded by the narrative. it doesn't mean the other characters forgive them. it only refers to a character acknowledging their mistakes and choosing to better themselves, which any person can do, no matter how terrible. of course there's no shortage of badly executed redemption arcs, and a character who willfully committed countless atrocities having a change of heart after a single conversation about the power of friendship is simply poor writing and unrealistic. not every character who CAN change WILL. but there is zero value in debating whether a character "deserved" to be redeemed. no one in fiction or reality needs to be "worthy" of making better choices. there is no fixed point where a person is "too evil" and therefore forbidden from doing anything differently. it's always worth it to change, and implying otherwise is both a genuinely harmful ideology and bad literary analysis

[poorly-drawn-mdzs]

you are so whimsical i qant to check out this mdzs (..??) because of your whimsical nature thank you sorry im very high and your art moved me emotionally

This is simultaneously the sweetest and funniest thing someone has sent me, thank you.

[hadesknockedupintheunderworld]

Okay now that I've reblogged that one post...

Holy shit

Like, please understand me. This is how I already interpreted these relationships after reading Journal 3 but like

Wow Ford really was in a weird kinda complicated gay situationship with Bill and Fiddleford, huh? When he's all alone on Christmas in tbob he's all like "Oh yeah haha of course...of course. You have. Yeah. You have a wife, F. How could I expect you not to leave. I am totally not secretly hoping you'll turn around and come back to me, or that you'll even bring your family back here if you have to so I can see you. I'd retreat to my dreams but I haven't seen my muse in weeks and I miss him so badly. I'm so alone"

He and Fiddleford aren't even dating but it's hard not to get the light impression that this situationship is such that Ford kinda treats Bill like his comfort triangle from his head and dreams and Fiddleford like his comfort best friend in his lab. Like he's sad on Christmas that his boyfriends left him alone, you know? Of course it's definitely more complicated than just that, but they are dear companions to him

Or when Bill finally comes back and Ford is pissed

"You return now? After all of that, after me missing you so badly, almost dying, wondering if I'd dreamed it all up. You return now like it was no biggie? Did you ever mean the things you said? Did you not find some other scientist or some other big brain to talk up? Have you found someone else? Another partner?"

And then Bill, dodging the question was like "Funny you think I'm cheating on you as if you haven't been spending all that time with F. The side bitch. The third wheel. You've even considered telling him everything, even though you know he has second thoughts. Heh. A little birdie told me he dreams of shutting down the project even."

Leading Ford to be like "Aw hell how could I accuse my muse of such a terrible thing when I haven't been a saint. He's right! F has been much less motivated lately and I've just gotten so paranoid from the isolation. I'm so sorry for my baseless accusations."

I don't even have a lot to say I just love these three. Fiddleford put up with a lot of shit from Ford while also dealing with his own problems and trying to help him regardless, while Stanford saw him as a comfort and a good friend but ultimately someone who was of lesser mind than he and couldn't see things through his eyes, while Bill was in Stanford's corner actively making him worse and contributing to his isolation (trying to get him to drop Fiddleford and actively feeding his paranoia), while Stanford was seeing both relationships of his with stars in his eyes and rose tinted glasses because he refused to do some introspection

There's so much stuff that journal 3 and tbob added to the equation that's just bad/shitty all around. Can't believe Ford went through a double divorce/breakup despite not having ever been married (or, at least, despite not even officially dating them sorta)

The entire situation in the past is just tragic and hilarious and concerning all at once and that's what I like the portal trio for tbh

[sassypantsjaxon]

Listen. I know most of the earlier one piece movies aren't really canon, but I am obsessed with the implications of Saga in the Cursed Holy Sword, because he really adds a layer to Zoro's relationships with his rivals.

Okay. First, there's Kuina. His first rival. The one he can never beat. The promise to become the greatest. Untouchable, indestructible, until she isn't. Wado Ichimonji.

Then there's Saga. His next rival. They're more equally balanced. They're both orphans. There's an understanding there. A more even footing that he didn't have with Kuina. A gifted short sword instead of an inherited katana.

And Sanji. The proof of Zoro's rule of three. Twice over, in fact, third rival, third son. Never gives Zoro an inch in a fight, but doesn't hesitate to give him food afterwards. He doesn't fight with a sword, so there's no blade shared between them. Instead there's a much heavier promise.

Kuina dies. Saga dies. Both so close to Zoro, and he couldn't even do anything. Of course Zoro's worried when Sanji boards the sea train by himself. Of course he pushes Sanji out of the way at Thriller Bark. Of course he's angry with Sanji when he runs off to Whole Cake.

Zoro's already mourned his first two best friends rivals. Does he really have to go through that again?

Maybe Kuina wouldn't have fallen if Zoro had never asked her to fight him. Maybe if Zoro had been a little better he could have saved Saga. Maybe Zoro will have to kill Sanji himself.

[emsylcatac]

Part of me will always mourn that we didn't get to see Chat Noir fighting Monarch, his father, in the finale battle. That's always gonna be nagging in the back of my mind.

At the same time, it was a little predictable, and what the writers chose to do instead makes a lot of sense when you think about it, and is maybe more satisfying for Adrien's arc regarding his relationship to his father than if he'd had to fight Monarch knowing it's Gabriel. (Not talking about the whole "he still doesn't know his father was Monarch" bit, I'm strictly talking about the fights here - that one's another topic entirely)

I say "predictable", because of what happened in "Representation". Adrien got here his moment to fight his father, as a seemingly akuma victim, and this on his own without Ladybug.

With this set-up we have here: Adrien confronting and fighting his father as in Gabriel Agreste, and Marinette confronting and fighting her nemesis as in Monarch. That's always what we envisioned as the finale fight against Monarch would be: Adrien vs his abusive father and Ladybug vs her enemy. It just didn't happen in the same fight, so both could separately have their moment and their thing to say.

I think in the end it's significantly more important that Adrien got to fight Gabriel Agreste as Psycauchemardeur focusing solely on him as his father, than have him fight Gabriel Agreste knowing it's Monarch. Because everything that happened in Representation, everything Adrien told his father as Chat Noir and everything Adrien was angry about regarding his father's behaviour with him, that all comes down to how Gabriel has acted as a father to him independently of him being a city terrorist.

If Adrien had had the realisation that his father's actions were terrible through the discovery that he was, on top of an abuser, a supervillain, then the whole "terrorising innocents" would have overshadowed in Adrien's anger all that Gabriel did to him personally as an abuser & shitty parental figure.

What I mean is that Adrien realising his father is shitty independently of knowing he's a terrorist and confronting him about it in a fight is part of his arc and is more impactful than Adrien confronting his father for his supervillain acts. He didn't realise Gabriel was a terrible person because he was a supervillain, but because he understood he was an abusive father and that's amazing

And that's why he got his moment in Representation while Marinette had hers in the finale - Gabriel is a shitty person both as a father and by being a magical terrorist. Adrien confronted him about the "shitty father" bit, and Marinette about the "magical terrorist bit", and both these things make sense with their respective character arcs & respective relationships to Gabriel

[bidokja]

the way orv beats you over the head with "you can never fully know a story, you can only ever interpret it, this being true doesn't make your love for the story any less real. through communication and interconnection we can grow our understanding of a story. this also applies to yourself." and then hits you with the combo of "now replace Story with Person" and knocks you out cold