#this sequence goes so fucking hard

[popculturerobots]

I...Have Failed

Pokémon the Movie 2000: The Power of One

[pinkrose05]

Folks, if you know a Ren main who watched the concert today, you should probably check up on them.

[sanchoyo]

guy whos def having SO much fun and is SO cool and levelheaded

[lunahearts]

Soooo I read all of Dungeon Meshi in this past week and I have many thoughts bouncing around in my brain and I think the only thing to do with them is some AGGRESSIVELY CLOSE READING of a scene I wanted to come back to and try to understand better.

So: I want to talk about chapter 28

This entire section of the story is something I feel like I am going to want to come back to a lot, because its such a transitional time and I feel like there are a lot of themes/ideas that I wasn't fully aware of during my first reading, and stuff I missed because of that.

One of the biggest things I have been turning over in my head is... hey, what was UP with the Marcille/Falin bath scene? Maybe it was because I was already primed to pay attention to stuff with them going into the story, or because I had already seen a couple of panels out of context. In any case, it really kind of stuck out to me as being very short but also VERY intense, while also being... hard for me to define? Some part of the nature of the intensity felt like it was going over my head.

I wasn't sure that revisiting it would help with this right away, but to my surprise, it actually WAS a lot easier for me to follow and understand when I went back to it. So I want to just do a close reading of That Scene and some other parts of the chapter & context around it all, because I think it offers insight into Falin & her relationships, and what purpose this chapter serves within the story as a whole.

So first of all, I think it's interesting that the scene starts with Marcille bathing Falin.

It feels very caring in a more platonic, less charged way then what will follow.

Marcille goes from this caretaker mode to joining Falin in the bath, and then of course we get the first of The Panels

(as a small note, I only noticed when revisiting that Marcille is using the rest of her Kelpie soap in the bath. Isn't that just the most heartwrenching little detail. Augh)

Anyway, one of the first things I thought was interesting going back to this is how much it reminded me of the very different sort of intimacy that came just before it - when Laios and Marcille assembled Falin's bones.

This is such a beautiful and intimate sequence, and something about Marcille examining Falin, whole, after the fact... I can't imagine there are not some echoes of those bones in Marcille's mind. The action seems more startling/intense for Falin at first, and maybe part of that is because Marcille has already experienced this level of intimacy with Falin's body in a way Falin herself wasn't a part of.

This panel in particular I think is a summation of the difference in the experience for them. This looks like... near orgasmic for Falin tbh, and Marcille is very focused on the actual like practical part of what she's doing, seemingly completely unaware of the Effect she is having on Falin.

The whole short sequence is focused on this intimacy that Marcille initiated seemingly without fully being aware of what she was actually doing. And once Marcille is satisfied, she is also the one that ends it, sitting back in the bath and moving out of Falin's proximity. All on her own terms, and for her own ends.

HOWEVER... Falin doesn't just let things go.

Instead, she returns Marcille's attention. First, by asking after her wellbeing:

Marcille, of course, deflects (there will be a lot of that in this scene).

But Falin doesn't let it go.

Falin is not a confrontational person. She likes to keep the peace. In this context, and in context of the way that Marcille was the one to come into Falin's space initially, the way that Marcille controlled the initial intimacy... this is striking. I genuinely think that these three panels might convey one of the most assertive actions Falin (as herself) takes in the entire story. One of the only things that outdoes it is the fucking INCITING INCIDENT OF THE WHOLE STORY.

I'd also like to point out here that this action of Falin's also parallels her resurrection by Marcille & Laios. It's is also a forbidden magical action done to save someone(s) she loves, and its something she does TO them, that they are not fully aware/able to react to until its done.

Anyway, back to the bath scene. Falin is taking action here and asserting herself. And how does Marcille react?

She flips out!! She rejects it! She tells Falin that she isn't supposed to be acting like that.

It's a very distancing response from Marcille, and also one that puts her back in that caretaker mode from the start of the scene. She also puts even more distance between herself and Falin by sinking into the water.

Falin doesn't give up though! She continues to assert herself. She's okay, she is allowed to chose to do this.

And Marcille continues to push her away. It looks to me like she only starts to relax a little once she fits Falin into a role she can better define and control. You're a patient, you're recovering, I understand this fact and you don't. Let me take care of you.

But, for a third time, Falin pushes back.

I don't think it’s coincidence that this is where she opens her eyes. She asks directly about the thing that they have both been dancing around:

The resurrection spell. The fact that Falin KNOWS about this, at least in part, recontextualizes the quiet battle for control between the two them. They both know at least some part of the truth. Marcille wants nothing else then to ignore it. Falin wants to be able to talk about it. Marcille's blatant refusal to give her those answers, I think, is what keeps them out of sync - intimate only ever in one direction at a time, never fully together.

And of course, even when directly confronted, Marcille refuses to engage with the truth.

This moment being on the bottom of the page is notable too. There's a beat here. The last panel holds on Falin's face. The reader reaches the bottom of the page, and they are held here for a beat as well, with Falin. It's not quite a rejection yet. What Marcille says isn't directly an answer to Falin's question, but it is a response. A valid one, even! Falin wasn't just asking the question after all, but struggling with guilt that Marcille has every reason to want to reject.

But then you move on the next page, and...

Marcille isn't actually addressing the question at all, not directly. She's deflecting, again. Oh we had a ~difficult time~, there were a lot of "tough situations." Even though she and Falin both know about the resurrection, and Falin has made it clear that she wants to talk about it, Marcille pushes away from the actual topic. She keeps things broad and indirect.

She offers the smallest gesture to Falin - nothing more than a whisper of 'don't worry about it I won't get in trouble' (even though Falin's concern was never just about Marcille getting in trouble).

Marcille then continues to deflect even further, completely changing the subject onto clothes and frog adventures, which seems to distract Falin as well, as she finally gives up on pushing.

And that's where the scene ends! Marcille pushes into Falin's space (without fully realizing), and Falin pushes back. She tries three times to get Marcille to acknowledge her wants, and three times Marcille rejects her, though she does eventually convey some truth. She is honest in her belief that Falin doesn't need to feel guilty, and that things will all work out, even as she continues to deflect the rest of the question. Falin finally accepts that, the topic of conversation changes, and we move on.

But there is a little bit more that happens between them. Towards the end of the chapter, they have this little 'oh no we have to share a bed' situation. Classic stuff.

And Falin seems to realize that the context of this is kinda different now then it was when they were in the magic academy. She's not a kid any more, and they just had those intimate moments in the bath. There's a new tension between them, or one that new at least to the bed sharing of it all.

And in this respect, too Marcille pulls away from what Falin is trying to say. She tries to frame Falin as a kid, tries to insist that nothing is different.

When I first got to this part, it honestly felt... a little uncomfortable? After the bath scene, it is really weird to move into a new intimate situation with Marcille explicitly treating Falin as a kid.

What I have realized in coming back to this scene, though, is how much I think its meant to feel uncomfortable. Throughout the chapter, Marcille's responses to Falin become increasingly patronizing. By letting some of that conflict between them resolve at the end of the first scene, the chapter seems to let things rest, and lets you set it out of your mind.

Then, when the same type of conflict comes back at the end of the chapter, Marcille is even more blatantly treating Falin like a kid, and the unfairness of it hits even stronger. They are both adults, and Falin deserves the truth. After 27 chapters from the perspective of Laios, Marcille, and the others in the group, this progression lets you feel things from Falin's perspective. It's supposed to feel uncomfortable because it IS uncomfortable for Falin, the way no one will quite tell her the truth.

After all, Marcille isn't the only one to do this kind of deflecting when Falin tries to ask about what happened. Laios has a similar response, right down to the 'treating her a bit like a kid' part.

Even more importantly, this final conversation of the chapter reveals one last layer in the knowledge/power imbalance between Falin and the rest of the party: she doesn't actually remember sacrificing herself and teleporting them out.

As I mentioned before, that action was one of the most assertive things we see Falin do in the story, and she doesn't even get to keep that for herself. Instead of being her action, her choice, it becomes yet another thing that the others know more about than her.

I think that's part of why there is such an air of melancholy to this hug they share on the next page

Obviously, obviously, there are so many emotions here for Laios and I don't think its all meant to be viewed as a negative thing, or that he or Marcille are being completely unreasonable. They've been through a lot, and what's more, they think they have time now. So much more time then they actually will have. Time to explain, to open up, to let Falin return to the group in full - as a teammate and not just as someone to be cared for and protected.

But they don't get time. And this relenting by Falin, this "I won't do it again," it's not something that feels triumphant. It's an attempt to comfort them, more a prayer than a promise. As if she is trying to exorcise a spirit. As if she is capable of promising that death won't come, eventually. It's what Laios needs, not what she wants.

That's the real tragedy of the chapter, I think. It's the one time, in the midst of everything, that they have the chance to give Falin what she wants - and they don't do it.

But I do think they realize that, and I think that this failure is a core part of their journey. It's another bittersweet taste to add to the mix - all the missed chances in this chapter to connect, amidst the moments of genuine peace they do get throughout it.

As Laios puts it later...

If Falin hadn't been eaten by the dragon, and perhaps if they hadn't failed her here, they never would have had the adventure that they got to share.

(or, perhaps more tactfully: in life & chapter 28, there are both good times and bad. Thanks, Chilchuk)

[steloiv]

no but fr one of the reasons the early marvel films really go off is because you've never really seen a dynamic that goes off so so hard like cap and tony does. the sheer amount of times they had metal-heavy tension and conflict-of-opinion scenes together is beyond me. in every avenger films, they were always the ones who were butting heads and it's absolutely baffling and intriguing to me how different and opposite their moral principles and personalities are, considering these two are sort of the main leaders of the team. in most avengers conflict, they were always responsible for the main plot points. i very very much adore their dynamic.

LIKE imagine going from these sequences of scenes of them looking hatefully from each other:

to THIS (of them looking at each other with a bone-deep level of understanding of one another)

like be for REAL that "do you trust me" line fucking KILLED me. that's literally the culmination of years of hate and friendship and heartbreak and trust and bond right there people. you can't possibly TOP that. their dynamic is one of the main centers of the mcu, fight me on this

[mattsfootcramp]

'Birthday Sex'-M.S

summary: You and the triplets throw a party for their birthday. Matt got a little tipsy...

warnings: FILTHY!! hair pulling, doggy, multiple orgasms, dom! matt, degradation, oral fixations, matt the munch, fingerings, spanking, slapping, blow jobs, use of safe words, smut. plan smut

a/n: I'm just gonna go with the flow on this

she sat on one of the couches as people were buzzing in the air. music was playing in the background. the smell of sweat lingered in the air.

she was wearing a black and silver sequence dress. one of her boyfriend's favorites out of all her dresses.

it was short and strapless and sexy. she stands up and walks toward the kitchen, where she finds Matt drinking out of a red solo cup.

"Hey, birthday boy. Do you feel it yet?" She asks

"What? the alcohol?" He says, confused

"Yeah.." She answers

"The best iv ever felt." He takes her hand and wraps his other around her waist.

he puts the hand he is holding on her thigh and rubs it gently. he bends down to her ear level.

"How about.. we just take a few steps into my room. How does that sound?" He whispers in her ear. causing shivers to go down her spine from his lustful words

she quickly nods and makes her way to Matt's room. a few minutes later, Matt gets in. be immediately goes to kiss her.

"god y/n... your so fucking perfect...I love you so much" He praises in between kisses

she could taste the alcohol on his lips. but she didn't care she wanted this so bad

Matt's tongue makes its way into her mouth. making their guys' tongues fight for dominance. ultimately, Matt won.

Matt puts his right hand onto the dress near the breast line and pulls it down so her boobs hang out for the air. She hisses as the cold air hits her already hard nipples.

"look at how fucking beautiful you are" He attaches his mouth to her left tit and flicks her right nipple with his hand.

"look at how fucking beautiful you are" He attaches his mouth to her left tit and flicks her right nipple with his hand.she whimpers slightly.

Matt pulls away takes his shirt off places his hands on her shoulders and pushes her down to her kneesshe unbuckles his restricting belt. his cock rock hard. Once she gets his pants off she jerks him off slightly. matt hissing slightly

"oh fuck.. put your mouth on it. be a little slut for me" He puts his hands on the back of her head and thrusts into her mouth

"oh- my god" He picks up the pace. she was gagging softly

she squirms slightly to catch air. he stops thrusting. resting his cock in her mouth. he slaps her across the cheek

"stop fucking moving bitch. You gonna take it like the good girl you are" He roughly sayshe continues his thrusts.

she feels him twitching in her mouth signaling that his close.

"god this mouth- oh fuck- it's all mine...I'm c-cumming" she cums and she swallows

"on the bed ass up face down" He says roughly as he takes his still hard cock out of her mouthshe gets on the bed and puts her face in the pillow

"should I eat you out from behind" making her whine

"it was a joke" He says slapping her ass

He gets behind her and teases her entrance before slamming into her not giving her enough time to adjust to his length and width

"OH fuck matt" his thrusts were fast and rough. He slaps her ass as his hip recole off of it.

"all mine baby.. fuck your pussy feels so good wrapped around my cock" he grunts outHe pulls her hair up making her head go up and out of the pillow

"moan louder slut. no one can fucking hear you" making y/n make a pronographic moan matt keeps railing into her

"god fuck... your pussy is sucking me in. your such a little cum slut."

"m-matt. so c-lose" She warns him

"yeah? then cum for me. make a mess like the slut you are

"she releases her cum. her cum floats down his dick making a white ring around the basematt keeps thrusting into her like there no tomorrow

"m-att I can't im to sensitive" She sobs out

"and I don't care. your gonna take it like a little bitch" he pushes her head into the bed more

"oh.. fuck yeah baby take it." he grunts out

"I can't" she sobs out

"yes you can. take it like a little slut" he retorts.his thrusts get faster and harder

"RED RED RED" she screams their safe wordmatt stopped everything he was doing and pulled out of her gently and craddeld her.

"hey I'm so sorry.. come here" his face softens and lays next to her

"it's okay. It just hurt.." She whips a tear

"I'm so sorry.. come here. let's cuddle"

a/n: this sat in my fucking drafts forever so I finished it up and bro the ending sucks ass but oh well

Taglist: @iluvjakeyy @spicybabysworld @monroesturnns @sturniolo-fann @bernardsbendystraws @hystria-things

[intheorangebedroom]

The corner deli

Summary: You take a night trip to the corner deli and meet this handsome guy, but shit turns out weird.

Pairing: Frankie Morales x fem!reader

A/N:  This is what happens when I can't sleep. Happy Frankie Friday, Orange besties 🧡

Word count: 1.8k

The corner deli

And here you are, another Friday night on your own, reading a book you can barely focus on, scrolling mindlessly in between chapters, slouched in your couch and feeling sorry for yourself. Those stupid, evil thoughts starting to whisper some nasty shit in the back of your mind, and you’re letting it happen. 

It’s on you, though, because some of your coworkers, the younger ones, offered you to go out with them but you said no. You’re too much of an introvert, but not enough that you don’t feel miserable now, sitting here alone while the city’s buoyant life unfolds without you behind your closed windows. What difference does it make, anyway. It goes on, whether you decide to join or not. No one misses you, so there.

Fuck it. Tonight, you’re gonna eat your feelings. You slip on your jeans and your shoes and go out to the deli on the corner, it’s open all night. You’ll get some Pringles or ice cream, whatever comes first. 

You’re walking down an aisle, hesitating between two flavors of Chex Mix, when you catch sight of THE most handsome man you’ve ever seen in your entire life. 

He’s tall. And so fucking broad. His denim shirt is working hard containing the breadth of his solid shoulders, his jeans are tight on his thighs. He’s got a scruffy, patchy beard and strands of brown hair curling at his ears underneath his trucker hat. He’s all sharp profile, solid features, plush lips, oh! his lips are just… generous, and his eyes… god his eyes are dark, deep and soulful. Wait, did you just use the word soulful? Well, he’s that fucking handsome. There’s a stern crease splitting his brow, but it’s tempered by the small wrinkles at the corners of his eyes, the kind you get from laughing often. 

You look down at yourself and… fuck. Your mascara has run off because yeah, maybe you cried a little, earlier. Your hair is dirty, pulled together in a messy bun that looks nothing like those supposedly effortless hairdos thrown at you in Instagram reels. The ones that make you feel unworthy of the air you’re breathing. You're wearing a dirty pair of 501 with your pajama shirt tucked in, there’s no way you're getting anywhere near him, even if you had any self-confidence to boot. 

You walk over to the back of the store. Not that it’s a good hiding spot, it’s just where the fridges are. And of course, they’re out of the one ice cream flavor you like. Wow. It really ain’t your day, is it? Craning your neck to scan the empty top shelf, you spot the very last Netflix and Chill’d all the way to the back. Opening the door, you stand on tiptoes, fingers scrambling over the icy shelf to grab it, but you can’t reach that high. 

That’s when you feel him. His chest barely brushing at your back. You get a whiff of his scent and you swallow a gasp. He smells like leather and warm skin and laundry and you can’t even move anymore, you just stand there like a Roman statue in a museum, with one arm up. Your gaze follows his arm as it extends toward the shelf, reaching it with ease. As his large hand grabs the last tub, the whole sequence of movements completely effortless and well, graceful.  

He takes a step away from you, and your body’s responding again. Your heels meet the ground, and you turn to face him. There’s the promise of a smile curling his lips, fuck he is stupidly handsome, Jesus fucking Christ, are you still breathing? He hands you the tub and all you can think of is how thick his fingers look around it, and how they would feel buried inside you, or wrapped around your throat, and… oh wow. That escalated quickly. 

You swallow hard, blinking the filthy thoughts away. There’s something in the way he looks at you, a glimmer in his eyes. You feel… warm. He flexes his jaw to the side, he’s smiling at you, still holding that goddamn ice cream, you gotta say or do something, but your body has bailed on you, yet again.

Eventually, you take the cold tub, careful not to touch his fingers. But he’s not letting go. Your breathing turns shallow, you can barely hold his gaze. Why does he keep looking at you with those soft brown eyes, why is he smiling like that? He can’t possibly be… what? Interested in you? No one can. No one ever is. That’s why you’re in this deli, alone, in the middle of the night, wearing last week's dirty laundry. 

Oh. Of course. He’s waiting for you to thank him. Jesus you’re stupid.

“Thanks. You. I mean, thank you.” Oh, great, that went well. 

There’s a beat before he releases his grip and lets go of the tub. 

“You’re welcome,” he says, and of course, his voice is velvet. Round and husky and low. 

There’s an easy confidence about him, like quiet assertiveness, is that a thing? Like he knows his worth, but he doesn’t need to step all over people’s toes to show it. 

You’re raking your brain for some smart quip you know will come to you tomorrow morning in the shower, when you hear a commotion at the cashier. Somebody’s shouting orders, a dude holding up something in his hand, pointing it at the employee behind the plexiglass. Holding a fucking handgun, Jesus fuck the place is getting robbed.

Your mouth drops open, but no sound comes out. There’s pressure around your elbow and you’re yanked down onto the dirty tiles. 

The man in the trucker hat is crouching next to you. He holds his index finger pressed to his lips. His face looks different, his jaw tensed, a deep frown darkening his face. His eyes are pitch black, is it even the same man? A minute ago, he looked like the friendly next-door neighbor you’re daydreaming about fucking in the basement laundry room, and now he looks like someone who’s about to shoot you in the face.  

“Be quiet,” he mouthes under the noises coming from the front of the store, “stay here, everything’s gonna be ok.”

You don’t want him to leave you here on your own, no matter how threatening he looks, but he’s already moving toward the front and anyway, it’s not like you can move.  

Shouldn’t you call 911? He told you to be quiet, what the hell are you supposed to do?

It all happens so fast, and you’re so scared. You’ve never been this scared in your entire life. You hear a thud, followed by a gunshot. You clasp your hand to your mouth, you’re sure you’re gonna die. You hear the sounds of a struggle, a loud, piercing yelp, and another, louder thud. There are a few more noises, fabrics rustling, muffled groans and nothing. Deafening silence. 

You can’t feel your legs and your heart is beating in your throat when you finally hear him, the guy in the trucker hat. His voice is firm and his tone commanding as he addresses the deli employee. 

“Hey, hey look at me, you’re ok. Can you call 911? Hey! Call 911. You’re ok.”

Your legs won’t carry you. You have to crawl to the front of the store on your hands and knees, and your eyes grow wide at the scene you find there. A tall, young man with a shaved head is lying on the floor, wrists in a zip tie, he’s passed out, or dead, you’re not sure and you don’t wanna know. And anyway, you don’t have time to see more. He’s here, in front of you, the guy in the trucker hat, blocking the view with his massive silhouette, helping you get up and walking you outside. 

“You ok?” he asks you. 

He’s got one hand in the small of your back, the other one is gripping your arm. They’re warm, and that’s how you register how cold you are. In fact, you’re shivering in the warm city night, teeth chattering and all. 

“It’s over, I got you,” he says, cupping your face and you look up at him, nodding, mumbling, “I’m ok, yeah, I’m ok,” trying to focus on his warmth radiating through your cheeks. 

When they arrive, the cops instruct you to stay to make a deposition. Uncomfortable doesn’t cut it to describe your state of mind throughout the entire process, but he stands near you the whole time, his shoulder against yours, and you don’t think you could stand straight without it. 

Eventually, the place clears up. The perp came to, they handcuffed him and took him away. As he passed near you, you saw a purple bruise blooming on his neck. 

You’re told you’re free to go, and there’s really no reason for you to stay. 

Except there is. 

“So um… you’re a cop, or something?” you ask, looking intently at the fascinating tip of your Van’s, bumping against the curb. 

He shakes his head. 

“No. US Air Force. I’m a pilot.”

Your head shoots up, mouth falling open into a silent oh. 

His smile is so fucking soft you want to kick the curb and break all your toes. 

“Well, thank you, anyway. That was really scary. Thank you.”

“You’re welcome.”

Now, there really isn’t any reason for you to linger. But he’s not moving, standing tall and broad and solid before you, hands propped on his hips, with that easy confidence about him. And that thing happens again, that thing where he looks at you with those gentle brown eyes and that promise of a smile, and you feel like you’re the center of the goddamn universe. 

“I’m Frankie, by the way,” he says, offering you his hand. 

From all the scary shits that went down tonight, this one has got to be the scariest, by far, because you know that if you take his hand, you’re not gonna let go. 

You hear your name coming out of your mouth, and it’s too late. You’re done for. Your small hand slides into his larger one, and he gives it a strong squeeze. Not enough to hurt you, but enough to tell you everything you need to know. 

And he’s not letting go. And you’re not letting go. You expect fucking fireworks, at this point, but it’s just… right. Like you don’t have to be scared. Like you don’t have to torture yourself anymore with mean-ass questions about how to behave or what to say next. Like you can simply be you, and it’ll be enough. 

“So,” he starts, and he’s downright grinning now, a dimpled smile that lights up his entire face, “d’you think we can consider this as our first date?”

****

[dingustripas]

I just finished watching Glass Onion for the third time so now you get to hear my rant about it but the details are out of order in the timeline because I’m lazy

(SPOILERS AHEAD)

When Miles lifts the gun off of Duke, we can actually see it pre-Blanc explaining it. The scene where the two hug you can see Miles take the gun and slip it into the back of his jeans.

Following the gun thing, we, the viewers actually SEE the gun itself (pre-Blanc’s explanation) when Miles goes back to the mini bar to put it in the ice bucket. Although it’s kind of hard to see it’s very clearly a gun but our eyes manipulate our minds into thinking it’s a drink because it is indeed a minibar.

They show how Miles places the drink in Dukes hand pre Blanc’s explanation but quickly distract us with the groups dynamic and Birdie.

Phillip is skeptical of Helen when she asks for Blanc, we can assume that he and Blanc have had negative run ins with people from jobs. Also Phillip might be judging Helen’s character, who she is, because he doesn’t want to put Blanc into a situation where he’s in true danger. He’s a detective not Batman.

Birdies mask at the beginning of the movie at the boat is just fucking chains across her face in diamond pattern.

Blanc doesn’t have a gag reflex when the dude in the white suit puts Miles “covid vax” down his throat. (Bc he’s 🏳️‍🌈)

Andi, when she first comes up with the idea for Alpha and starts working with Miles, is wearing dark colors. The dark blue pinstripe suit, her completely black ensamble when we see her at the Glass Onion (the bar). But when she’s challenging Miles she’s wearing both Black and white. At the trial she’s wearing a light almost off white suit. Why is this important? Because what color is Helen wearing when she shuts miles down? White. The color white is, in itself, a color that symbolizes Miles downfall.

Connecting back to the white idea, Whiskey is wearing all white (her bathing suit) when she reveals crucial information about Miles giving her the Taurus necklace for her birthday. (Which leads to his downfall when Blanc puts 2+2 together that he killed Andi)

“Im really bad at dumb things” -Blanc. The reason he didn’t catch on to what was going on with Miles earlier was because Miles is stupid. Miles is so dumb that he fucking befuddled Blanc because Miles is so stupid.

Blanc isn’t uncomfortable about his arousal around Birdie when she put her legs up on him while Miles talks about being ‘Disrupters’. He’s uncomfortable because he’s GAY and has a BOYFRIEND/HUSBAND.

There’s a bunch of owls and small trinkets of birds in Birdies room.

The movie, at the very beginning, with Miles mystery invitation box thing hints at where the envelope is hidden. The fibonacci sequence on the box has the center blocked out in black, where we will later see in the film is red which is where Miles is hiding the envelope. For fucks sake the movie even goes out of its way, with Dukes mother, to point out the sequence. (“The first one’s a fibonacci sequence” -Dukes mom).

During the dinner Whiskey is wearing the same golden chain body jewelry that Birdie was wearing earlier at the pool. So this could mean two things: 1. They have the same chain and 2. Whiskey borrowed the chain from Birdie.

Now connecting to my first point about the chain jewelry above. The reason why Miles likes Whiskey, despite her sleeping with him for the sake of Dukes channel, is because Whiskey reminds him of younger Birdie. Birdie even talks to Peg about how dazzled and amazed Miles was when he first met her and how she wishes it was like that again. Then when they’re smashing the glass sculptures, the first thing Whiskey smashes is a sculpture of a bird. Hence smashing Miles perception of her as another person he can use like he used Birdie.

“You have him turn around so he can have deniability” -Aaron Burr in Hamilton (Basically what Blanc was thinking when he walked out of the room)

When Blanc is trying to light his cigar in the “Smokeless garden” the reason the alarms go off is because because just the smoke and small flames from Blanc’s cigar could cause “another Hindenburg”.

The ending scene with Helen and Blanc after Blanc asks her if she’s ready to go home, Helen’s sitting stance mimics the Mona Lisa. Miles said “It all started with her” in reference to his success being inspired by the Mona Lisa. But it all ended with Helen and her stance at the end mimicking the Mona Lisa is meant to represent that. The beginning and end of Miles Bron.

Blanc refers to alchol as offering Helen “some courage”. Ofc as we all know alcohol is commonly referred to as “Liquid Courage”.

We should’ve known Miles was the killer for this simple reason: The glass he handed to Duke. Duke dying holding Miles’s glass is literally like a signed note. Duke died with Miles name literally written on the crime scene.

[spookysteddie]

The Very First Date

Modern!Steve Harrington x college!fem!reader

Part two to "lemon drop martini" ... Read part one here

18+ MINORS DNI

desc: you finally call Steve for that first date. And it goes better than you imagined

cw: alcohol mention (reader is not in the slightest drunk), slight Dom!Steve, cocky!Steve begging, pet names (baby, sweetheart, angel), unprotected sex, p in v, creampie. (let mw know if I missed anything)

wc: 2.8k

a/n: I hope y'all enjoy this! based off of this ask who asked me for a part two a while ago (I am so sorry). My writers block has lifted after like a year and here we are! So expect more fics soon!

...

Three days. 

You’d waited three days before calling the number on the napkin. 

Well that’s a lie. You actually called the number the next day (after eating a greasy meal, drinking a shit ton of water, and downing some aspirin… nothing like a hangover) from your roommate Alixs phone. But the second he answered, you hung up very fast. 

Alix, of course, called you a little baby back bitch and told you that you needed to call him. That it’d be nice to have some perks around your little college town. 

You rolled your eyes at the sentiment. 

To say you were nervous talking on the phone with him would be an understatement, in fact you were shitting myself. Scared he’d be able to hear it in your voice how nervous you were. Or, worse, that he wouldn’t remember you. 

Four days ago: 

“This is Steve Harrington speaking. How can I help you?”

You took a deep breath, putting a smile on your face in the hopes it’ll translate through the telephone.

“Hi, Steve. I-it’s y/n. From the bar the other night.” You cringe at the slight stutter and the wave in your voice. “You gave me your number on the napkin.” 

You can practically hear the smile in his voice, coolness seeping from his voice, “lemon drop martini girl. Of course I remember you, sweetheart.” 

You quietly sigh in relief that he remembers. 

“Oh good! I’m sorry for not calling sooner. I was a little hung over and then I had to study and take exams. Finals season.” You laugh awkwardly, cursing yourself for rambling and making a fool out of yourself. Alix would be rolling her eyes. 

Steve laughs on the other end of the line, “ah yes. I hated finals. Very frustrating. Hence why I dropped out, much to my fathers dislike.” 

One thing about you is that you love oversharing. But you love when other people overshare even more. There’s nothing like bonding over a trauma dump. 

You giggle into the phone which makes Steve giggle too, the sound mimicking a sweet song. All you want to make him do it again. 

“Anyway, sweetheart, I was wondering if you had plans for Friday night?” His tone is cool and relaxed. You could only wish to sound like that. 

Your heart pounds in your chest, words failing you for a moment. “Oh! Um, nothing actually.”

“Perfect. Hows ‘bout you and I go on a little date? I know a great place. Kinda fancy. What do you say?” 

You could kick your feet like a little girl at the prospect of going out with him. You, also, are tempted to make him wait. To give him just a little bit of a hard time. It was what you'd usually do to the men you like. But there was something in the back of your mind begging you not to. 

“I-I would like that, Steve.” 

“Great! I’ll pick you up at 7. Give you time to study and get ready. Take a nap even.” 

…

 “I can’t do this. I can’t go. I mean, fuck, I have nothing to wear.” 

Nothing to wear was an understatement. You could hardly see the floor of your bedroom, clothes littering it with only a small path for where you keep walking from the mirror to your closet. 

Alix sits on your bed, drinking some wine and eating some popcorn. “I liked the black leather. I don’t know why you won’t just wear that one. You look hot in it.” 

You slide your hands down the front of the blue, sequence dress you have on. “I just feel like that’s not enough. And isn’t it a little … short for a dress for a nice restaurant?” 

Alix shrugs, “I mean, probably but who cares. You look hot.” She sips her wine and says again, “well you look hot in everything.” 

You look over at her, “while that’s sweet, he’s going to be here in fifteen minutes and I need a few shots to calm my nerves so help me pick a dress, please.” 

She rolls her eyes at my dramatics, downing her wine. “I think you should wear the short black one you wore two weeks ago. Not the leather one, the velvet one. Makes your ass look great. Oh with your Louboutins! You spent a lot of money on them and have worn them once. It’s a sin.” 

One thing is for sure, you did spend a lot of money on them, charging them to your dads credit card. 

One change and two shots of vodka later, you were walkin down the steps of your condo to an awaiting Steve. He’s in dark jeans, a black t-shirt and a gray jacket. His hair is just as perfect as the last time you saw him. (which was via instagram… gotta do the research right?)

He whistles long and low as you approach, and in a quick stroke of confidence you decide to do a little spin. He claps slowly as you face him and so, you bow. Just slightly so you don’t accidentally flash him. Not the way you want to start this date. 

“Well hello to you too, Harrington,” you say as you smirk. 

He slips his hand in his pockets, a smirk on his lips that you feel right between your legs. “You look very pretty tonight, sweetheart. I mean you’d look pretty in a potato sac but,” he shrugs. “We should get going.” 

You smile and nod at him. 

And the bar is clearly in fuckin hell, because him opening the door for you makes you want to jump his bones. But then again, no man has ever opened a door for you so… we can let it slide. 

“Such a gentleman.” “Chivalry is not dead sweetheart.” 

… 

Steve is very thoughtful. Sure, he asked all the usual questions you ask on a first date. 

What’s your major?

Do you have any siblings?

What do your parents do for work?

Oh, your dad is in sales? Funny mine too.

He gives you guilt money? Mine too! Look at us 

He also, orders you and him a bottle of wine (he has great taste) but lets you order your own meal (again the bar is in fucking hell). The place he takes you to is nice and the food is the best food you’ve had since you left home after summer break. 

“So Steve, what made you decide to open up a bar in town?” You eat a spoonful of dessert, eyes never leaving his. 

He takes a spoonful of his own dessert. “I was sick of working for everyone else. I knew if I made a unique bar, something you and your friends have never seen, others would want to check it out. Then you’d tell all your friends, who’d tell their friends, etc.” He grins as he talks, keeping eye contact with you. 

It felt like a game of ‘who is going to look away first.’ A game you weren’t going to lose. Slowly, you pull the spoon out of your mouth, dipping it back in to your dessert. “Interesting. Great concept if you ask me.” 

He huffs a small laugh through his nose, “I’m glad you enjoyed my bar.” 

You scrunch your brows, the wine making you bold, “who said I enjoyed it?” 

Now he really laughs, “you seemed to really enjoy all those lemon drop martinis. So much so you had a hangover the next day. I tried giving you waters but you threatened to gut me.” 

Your jaw hangs open, “fibber.” 

“I haven’t been called a fibber since I was a kid,” he smiles. “But yes you did tell me you would gut me. And then you left and I thought I’d never hear from you again.” 

You can’t help but feel slightly guilty inside for not calling sooner. Well, you did call sooner but chickened out. 

“And here we are.” 

“Yes, here we are.” 

He seems to think for a moment, sipping his wine (one he ordered that would go well with the dessert. He was right.)

“Wanna get out of here, sweetheart?” He looks up at you through his lashes, tongue rolling down the inside of his cheek. 

He wasn't… demanding. You knew without a shadow of a doubt that you could turn him down. That he would take you home with a smile on his face. There would be no fuss, no fight, no name calling. No pressure. 

And for that very reason, with a smile on your pretty face you answer him, “yours or mine?” 

… 

You’re not even through the door of his apartment before his mouth is on yours, his large hands on your face. The kiss starts soft, testing the waters and it isn’t very long before you deepen it. Your tongues dance but there is no fight for dominance, you let him win. You want him to win. 

His lips trail over your jaw before slowly moving down your neck, gently nipping at your skin. 

“Such a pretty girl,” he says in between kisses. 

He sucks a bruise into your shoulder, easy to cover up, just in case. You let out a soft moan, hands coming up to tug at his hair. 

“You-you’re pretty too.” 

You can feel him grin against you, head lifting as his body cages you in, “I don’t think anyone has ever called me pretty. Well besides Eddie but that was mocking.” 

You laugh, moving in and kissing him slowly, sweetly, “you are a very pretty boy.” 

You can feel his hard dick jerk at the sentiment, and you keep it as a mental note. You know, just in case you need it. 

“Fuck, can’t say shit like that.” 

“No? Why not?” 

“Cause it makes my cock hard. And it’ll be very embarrassing if I cum in my pants. Can't ruin my reputation.” The smirk on his face makes you almost pass out. You swear to God you can feel every word in your core. 

“Hmmm, we can’t have that can we?” You push his jacket off his shoulders before running your hands down to the hem of his shirt. “Should take me to bed so we don’t risk you cumin’ early.” 

It’s all the permission he needs. His lips are back on yours, his hands under your ass and picking you up. You wrap your legs around his waist, hands in his hair as he carries you to the bed. 

He puts you down gently, his lips never leaving yours. Not for a moment. Not until he pulls away to tug his shirt over his head. You take the moment to take him in, his body lithe and toned.  You also can’t help noticing the scars on his side that look a little like bite marks. Bite marks from something that isn’t human, something you make a mental note to ask him about at a later date. 

“Sculpted from marble, god damn.” You don’t mean to say it out loud, never wanting to stroke a man's ego. 

Steve just grins as he finds the zipper on the side of your dress, pulling it down slowly down, his knuckles slowly touching your skin, leaving goosebumps in his wake. You shiver under the touch and he notices. You’re quickly learning that Steve notices everything.

It isn’t long before he’s pulling the dress down your body, leaving you in only your underwear. Underwear that barely covers you, a wet patch on full display. If it was anyone else, you’d be embarrassed. 

“Are you this wet for me?” His tone is mocking and he’s practically cooing at you, “go on. Answer me.” 

Your eyes widen. Men have been demanding in the bedroom, plenty of them thinking they’re little tough guys. But none of them get that from you, none of them deserving. You’re not sure why you want to give that to him. You’re not sure what makes him different. And honestly, that is a problem for future you to talk about in therapy. 

“Yes,” you reply, voice a little higher than usual. “S’all for you.” 

The smirk he gives you makes your heart speed up. “Such a sweet, pretty thing. God, I want to devour you.” 

His lips move to your chest, sucking a peaked nipple into his mouth. You can’t help but arch into his mouth, a small moan falling from your lips, his hand coming to play with your neglected breast. And it isn’t long before he swaps sides, his teeth nipping and sucking. 

“Please. More.” 

He laughs, moving to oblige you and kissing down your sternum before settling between your legs. “May I?” 

Him asking makes your heart stutter in your chest, “yes. God yes. Please.” 

Steve tugs your underwear down your legs, tossing them to meet the rest of the clothes on the floor. “I think I could get used to praying to me.” 

He doesn’t give you time to answer before he licks up your cunt, stopping at the top to suck on your clit. The moan that comes out of you is loud and you’re thankful the windows are closed. “Fuck, Steve!” 

He pushes a finger inside of you, curling them to reach the spongy spot inside you. “And you moaning my name is even better. Why don’t you do it again, angel” 

He pushes another finger inside you, the burn causing you to grip his hair. “Steve please!” 

“Please what, sweetheart?” 

He moves his fingers faster, continuing to hit your sweet spot over and over again. His mouth moves to your clit, sucking gently. He keeps his eyes on you, observing, listening to every sweet moan and sigh that comes out of you. He files them away in his brain so he never forgets what drives you crazy. 

“Need to… I-I need” 

He sucks hard before pulling back, “need what? Go on, use your words.” 

You gasp, “to cum. I- please.” 

Begging wasn’t what you did for men. If anything, they begged you. Begged you to let them cum. 

Steve doesn’t say a word, just grins and uses his free hand to press on your stomach. That is your undoing. “Steve!” You pulse around his fingers, breath getting caught in your chest. You feel warm all over, head emptying as he works you through it. 

“That’s it baby. That’s a good girl. Bet that feels so good doesn’t it?” 

You try to answer, you really do. But all you can manage is a small nod. 

“Gonna let me fuck you?” 

Again, you can only manage a nod. 

“That’s my girl.” 

And before you can even process his words, he flips you over on your stomach, hands pulling your hips in the air. You’re on full display for him. He can see everything. But you couldn't care less, all you want is him inside you. 

And you get your wish. He moves slow, making sure he doesn’t hurt you. He’s big and you can feel every inch of him stretching you. It’s a tight fit even with how wet you are. 

“Holy shit this pussy is amazing baby. Squeezing me so tight.” 

His other hand braces himself by your head before dropping down to his forearms. He’s so close to you now, inside and out, his hips moving slowly so you adjust to him, and his breath fanning across your face. 

“F-faster. Faster.” Your hands rake down his back, nails digging into his back, making him hiss. 

He snaps his hips faster, grinning down at you. “Just so needy huh?” 

You nod feverishly, “yes. F-feels so fucking good.” 

He laughs at you now, kisses you. “Such a dirty mouth, baby. Pretty girls aren’t supposed to swear.” 

“Says-says you… swear all the time. L-like a sailor.” 

He hums. “Dirty mouth for a dirty fuckin girl.” 

“That-that’s me.”

He fucks you faster and you feel like coil growing tighter and tighter inside you. You wrap your legs around his waist, not wanting him to get too far away. He groans and you can tell he’s close. 

“Want… no need you to cum inside me. I’ll d-die if you don’t,” you beg. You know you’ll probably regret it in the morning, all that you’ve said here in this bedroom. But at the moment you can’t find it inside you to care. Mainly because he was taking up every inch of you. 

“Yeah? Need it? I’ll give it to you baby. Will give you anything you want.” 

And it’s all you need to fall over the edge, walls clenching around him so hard he falls with you. A mutual “fuck!” falls from both your and his lips. 

You're both panting as you come down from the high. He pushes your hair out of your face and kisses you sweetly. Suddenly Steve is giggling, his head falling into the crook of your neck.

“What? Why are you laughing?” you ask with just a little bit of worry. 

“I am so fucking glad you ordered a lemon drop martini.”

[randomness-is-my-order]

the pjo show’s cinematography is so warm and homey and clever and detail-oriented so i wanna compile a few of my favourite still shots because why not??

^this one had me smiling so hard, not because it’s a particularly beautiful shot but the framing of the three is so well done. the focus is on sally who is talking to grover (both prominently in the front of the shot) while percy – who isn’t a part of the conversation but a listener of it – is still properly visible through the glass of the door and like??? i just think it’s a super cool way of having a passive character in the shot that i haven’t ever seen before, in a way that percy is both highlighted and still so clearly in the background that it doesn’t take away from the focus characters. also percy’s sweater matching the colours on the door is the cherry on top!!

^next is this one. it’s so perfectly angsty and though not complete, the symmetry is still eye-catching. it encapsulates the feeling percy must experience in that moment–him, amidst destruction, knowing he’s the cause but not knowing how or why. he looks all of twelve with his haphazard hoodie and almost forlorn look. he is not gloating, he is not cheerful. though he doesn’t know the gravity of his parentage, it’s almost like the show is telling us that his powers–which cause the door to break, too btw–will always be a source of isolation for percy. he is a force of nature, a destructive one most of the time, and the fact that he is just a child who is confused will never matter because this world doesn’t care for childhood but godhood alone.

idk, this shot just evokes a very unsettling kind of sadness for me. i think it’s beautifully framed.

^i absolutely love this one simply for the fact that the sheer struggle of the fight is so prominently visible. and yes, i cheated, this isn’t exactly a still shot but like an action sequence screenshot but whatever, it’s too good to not mention it here. the way percy is, honest to gods, bracing against the spear for his dear life, the evident and overwhelming rage on clarisse’s face, the blocking of the scene – it’s perfect. clarisse is not playing and percy is genuinely in danger and i love how this shot and the whole scene really sold us on that fact.

^ i just think it’s extremely cool that we can see the minotaur howling in pain, percy having his mouth wide open as if he’s letting out a yell as he goes to plunge the horn and that as percy does this act–killing the minotaur–which is surefire source of safeguarding himself and grover, something that will get him to camp, we can see thalia’s tree in the background. there is no reason percy had to make the kill here, with the chaos of the fight, so the fact that this is the spot and this is the shot as he kills the minotaur makes me think it’s deliberate. having thalia in the background is so impactful because again, percy could have met a similar fate in some other alternate universe but here, he wins and he survives.

^ do i even need to explain??? the shot is pretty and beautiful and almost magical. percy, alone with a tin of fire, burning blue food and talking to his mother. maybe one thing i can point out is that the sally-percy bond has been heavily indicated through glowing lights since the start. if you recall, the “you are not broken” speech by sally was given in front of the warm, glowing headlights of the car and percy’s face was illuminated by that warmth just the same way it is illuminated by the tin-fire in the forest.

^ first, this is too fucking gorgeous. second, percy is wearing his red jacket again and this dream happened after he reached camp so in my opinion, this dream was initially a comfortable imagining of percy’s mind and was then hijacked by kronos but i could be wrong since i don’t clearly remember how they manifested in the books originally. nevertheless, it’s a great detail to have him wear the red jacket because even if he may not have it with him anymore, it’s still clearly something he holds dear – and might associate sally’s memories with.

also, the fact that percy seems to have alot of scenes with fire might be because as someone who can control water, fire can never truly be a source of danger for him and therefore, he can find comfort in its warmth unhindered, always?

^ how could i not love this epic moment? the trident is perfect, big and blue and grand and majestic. half the screen is water, obviously. but what makes this good shot a great one is that there is literally no one else directly near percy except annabeth. the campers are all far away and in this shot itself only annabeth remains close to percy, though she is fittingly on the land, observing the scene before her. remember how i said percy’s legacy promises isolation but this shot tells me that despite that, percy will have someone who he can count on to be by his side (also cool that even in the bathroom, annabeth was technically still near him, even if she was, well, stalking him) and maybe this is my delusional ass talking, but annabeth being here is foreshadowing for me. i just think it’s a choice to have this epic revelation where they could easily have had percy standing alone in the middle of the lake but no, annabeth is also there and not only because she’s the one who led to that revelation but because she’s someone who isn’t intimidated by percy’s parentage and still can be beside him.

^ i adore this shot because 1) it shows us just how young and tiny percy is and 2) it tells us that maybe that door is so fucking huge because it’s being inclusive of centaurs and other giants of their world. also, symmetry strikes again!!! the colours are so well balanced, not bright and vibrant but on the pastel side that indicates an aged feel to them.

and lastly,

^ i just find it funny that a private academy like yancy has an official vehicle that looks as beat up and terribly malfunctioning as this. 😭 like this half van was so out of place i literally goggled at the screen when it first appeared.

okay, i’m done for now. i also really liked the faceless sally scene in the start paralleling medusa’s eventual beheading but i already made a post about it. this legitmately only covers about 10% of the shots i wanted to talk about but these might be my favourites. this was long af so if you read the whole thing, mad respect to you.

[bandtrees]

ONE: ok guys here’s an arc about mob, in his growth as a person, being confronted with an ideology he’s unfamiliar with, and he has to learn from it but also understand why it’s unhealthy and bad to properly grow from it and choose kindness in the end, albeit in a more nuanced way than before, and this will make mob more able to confront later problems in the season that can’t be solved with mere kindness and require a deep understanding of loneliness and solitude, something he hasn’t had much room to speak on until now. To express mob being shown this villain’s ideology we have a sequence where we see how mogami views the world and by extension how he sees mob, by putting mob in the kind of sad fucked up world he thinks exists, but mob will overcome it with the knowledge that in the real world he has people he cares about and that even the people who make the world bad sometimes can change and nobody is a static evil and kindness and courage when you’re going through hardship goes a long way. despite the darkness this is ultimately a very uplifting experience for him and a show that life is always more than its darkest moments, and also how picking yourself up instead of wallowing in your own suffering and trauma is hard but a very courageous act and what makes mob stronger than mogami

mp100 fans with tunnel vision: Oh so mob was tortured for six months and is sad? He’s literally so sad and traumatized and nobody is talking about this?

[draco-after-dark]

Captured and contained

Little info dump on the whole diamond prison thing with regards to my Feral JD AU

So basically what happened when Velvet and Veneer first captured JD in my au is Veneer is always looking for more animals for his little side zoo project. They happened to be doing a photo shoot outside in the woods for a new album cover. Veneer went on a walk to have some alone time and stumbled across a little goblin boy. Aka JD.

"Oooo aren't you a cute little fella, You would be perfect as desk decoration!"

*JD gets snatched*

Later when Veneer tells Velvet he got a new pet and reveals JD. Her initial reaction is "Okay, but where did you even get that thing it's disgusting." JD proceeds to bite Veneer (multiple times) and wriggle himself free from his hands. He then runs rampant through their dressing room until they manage to contain him in a crystal bottle. The only thing they thought was strong enough to hold him. Later down the line when Velvet captures Floyd (basically the same sequence of events as the movie from here) and starts using him for his talent. That's when they realize that JD is actually a troll as well. JD being JD though is as Velvet described "uncooperative" and "savage" so she refuses to use him for his talent and instead tells Veneer "That one can be yours. You're that one that found that thing anyway." So Veneer does end up using JD for his talent just not nearly as often as Velvet does Floyd. JD does still get hit pretty hard by the whole draining thing considering he is grey and unlike the average troll has in a sense "forgotten/lost" his talent. That doesn't stop him from unleashing hell on the twin every chance he gets. Goblin man will do goblin things

Then things follow the movie pretty much the same except Bruce and Clay end up getting captured when they all break into the dressing room to rescue Floyd. Poppy and Branch end up escaping into the rafters. Velvet ends up sticking Clay and Floyd in her shoulder pads and Veneer gets Bruce. Veneer leaves JD behind in his dressing room because he feels guilty and doesn't want to hurt him any more than he has to.

Fast forward to the family harmony scene where although they are technically down a brother and Floyd is still trapped in Velvet's clutches the 3 brothers and pop sisters sing on anyway. The family harmony DOES end up working to free Floyd and also JD. I'm playing this off on the idea that despite JD not being present physically he could feel the connection to his brothers and their desperation to help Floyd. JD wants the same thing, to free Floyd and that is what connects them all together. It's like Branch said "We don't have to be perfect to be in harmony, We just have to be as we are." (just go with it ok IDK) Once the diamonds are shattered JD is pretty worst for wear, unlike Floyd he doesn't have anyone to support him right off the bat. He is used to being on his own at this point tho and only cares about getting Floyd out. He tucks himself away into a corner of the room behind some furniture to hide and rest up till he can get the both of them out of this hell hole.

Mind you only Floyd knows that he's also being held captive somewhere backstage when all this is happening. So once Floyd regains consciousness and has a chance to take a moment with his brothers. he then immediately goes into full anxiety mode well explaining that they have to get to JD. The others confused about what he's talking about don't believe him at first, but do end up helping Floyd backstage since he keeps insisting that JD needs them. They do end up finding JD and that's where the real story begins.

:D

Hopefully this makes sense? I ain't no writer sorry people

Little bonus scene

"Hey Vel does this look infected to you???"

"I can't believe we're related... CRIMP SCHEDULE A HOSPITAL VISIT BECAUSE MY IDIOT OF A BROTHER GOT BITTEN BY A FUCKING RAT!"

[possamble]

do you have any particular thoughts regarding marcille being a half-elf? its interesting to me considering the fact that she seems self-conscious about being a half-elf, but denies it when its brought up

i remember marcille looking visibly uncomfortable over laios simply asking her how old she is, which i think the only reason she might feel nervous about this is because it might reveal her as a half-elf to him.

she's never corrected anybody whose called her an elf either.

never mind the circumstances of the reveal, in which thistle goes on about how half-elves are inferior and accusing her of wanting to become full blooded elf, she seemed particularly upset like he struck a nerve-

i wish the half-elf thing was built upon more. also, underrated marcille line:

okay so i revisited this sequence just to make sure I could back myself up and it's just... man. there's a lot going on.

the first reaction we get from Marcille is this huge panel that takes up half of the page

she is viscerally affected. flushing to the tips of her ears with the intensity of it. and we see it again, a few pages later

so it might seem like she's embarrassed about it and lying to herself, but... I really think it's just that Thistle is accidentally hitting sore spots. If you really look at what he says to get these reactions

"you'll live out your entire life [...] and die that way too"

"a hundred years from now, nobody will be there"

Hear me out. I think, if he stuck to harping on about her inferiority without bringing up how terrifyingly long-lived she is, she wouldn't have been as bothered. But right now, Thistle is accidentally hitting all the marks on Marcille's deepest fears-- and this is after the Winged Lion promised her that her dreams could come true in an extremely vulnerable moment, so it also hits her slightly guilty conscience as well.

I do truly believe that Marcille isn't bothered about being a half-elf the way that people assume she'd be bothered by it. To her, the biggest problem with being a half-elf is that it's isolating.

On one hand, it's not hard to imagine why she'd distance herself from elves in the west. A lot of them can clock her as a half-elf on sight, unlike other races, and therefore she's always branded with this weird stigma of being Othered -- I would even say that she considers herself lucky for being born outside of elven culture instead of having to grow up in it. I mean, just... look at the way elves talk about her.

Skipping past the uncomfortable implication of what 'not tolerating the existence' of half-elves would actually entail, this is incredibly fucking annoying. You can see why she wouldn't want to be around elves much. You see a lot of Marcille reacting badly here, but honestly, almost all of it can be attributed to her freaking out that her bluff completely failed. She's honestly more paying attention to Izutsumi's footsteps and trying to coordinate an opportunity to escape.

And in the end, you see her built-up frustration at being asked if she wants to be a full-blooded elf like 2-3 times in a row.

Yeah, yeah, "the lady doth protest too much," and all. But we know Marcille. We know that she's a lot more embarrassed and horrendously unconvincing when she's being prodded about something she's actually self-conscious about.

Moving onto the flipside of things, it might seem weird that she "pretends" to be a full elf around other races, but it's not really that strange if you think about it. Again, people are weird about her being infertile or whatever, and a lots of them don't even know much about what sets half-elves apart from everyone else. I mean, look at how uncomfortable Laios is just asking her about it

and look at how exasperated and resigned she looks

And like... she's right. Where would that come up in normal conversation? Why would she go out of her way to tell them? She's functionally a normal elf to other races anyway -- got the ears, the abnormally long "childhood", and the huge mana capacity. Unless it's directly relevant or important for people to know, I don't think it's all that strange or indicative of insecurity that she prefers not to bother with it.

(This combined with her sense of being an "outsider" to elf culture also explains why she thinks elf superiority is embarrassing. She sees the way elves treat short-lived races from the "outsider" perspective nonetheless, and thinks it's obnoxious; especially more so because she usually has to play the elf around short-lived races and deal with the reputation of arrogance that elves have built up.)

The sad thing is, this all means that... she doesn't actually fit in anywhere. She doesn't like going out West much because of how elves treat her. But she's also an outsider in the continents she was born in, treated like this exotic long-lived alien choosing to live among short-lived races for some reason. She is always an outsider, the Other, no matter where she goes. Add in the fact that she'll live longer than literally anyone she knows, and it's honestly kind of heartbreaking.

And I think that's the crux of it. Marcille really doesn't act like she's at all self-conscious about being a half-elf because of any feelings of inferiority or being half-made or whatever. She considers herself a perfectly legitimate being and might even, in some ways, consider herself superior to normal elves because she's not blind with elf supremacy or whatever. (And whatever "elven biases" she displays, all of them are born more out of the fact that she's kind of bad at conceptualizing how other races age and mature compared to herself, not that she actually considers herself better or more mature simply for being an elf.)

I think that whatever self-consciousness Marcille has about being a half-elf is, instead, related to terror and loneliness. The reminder that it ensures she'll never truly belong anywhere for the rest of her very long life. The reminder that, in truth, even she's not actually sure how old she is by other races' standards (hence the discomfort when asked how old she is). She doesn't want to not be a half elf, or be a full elf or full tall-man-- in her ideal world, she's still a half-elf. She just gets to live out her life at the same pace with the people she loves and doesn't have to say goodbye again and again and again until she dies.

and one last very important panel, right after Mithrun tells her that all her desires would be devoured

In her ideal world, she's still a half-elf and reality magically starts marching at her pace. But failing that, the second best thing is that she's still a half-elf-- but one who is able to accept reality and let go of her fear.

(But the rest of the story pans out the way it does because, to Marcille, taking reality apart and reshaping it was less scary than simply and fully reconciling with it.)

[somewhat-insane]

Okay, so, I know a lot of people were discouraged after the LMK S5 trailer. The art is different, yes, but remember there are still people working behind the screen; passionate about this story they're trying to tell. To rebuild faith and re-spark hope, I'm going through the trailer frame by frame and sharing anything cool I find. (There is some (what I hope is) constructive criticism in here, but I would like to reiterate something other fans have said. DO. NOT. HARRASS. ANYONE. WORKING. ON. THE. SHOW. They're doing their best with what they have available to them. We're lucky Wildbrain decided to pick the show back up because if they hadn't, we may not have gotten the rest of the story.)

They've been brought in front of the council to discuss their car's extended warranty. ALSO WHERE IS MK'S JACKET AND BANDANA? THEY WHOLE ASS PROBABLY SNATCHED THIS POOR BOY OUT OF HIS BED WHILE HE WAS SLEEPING

Don't worry, babygirl, I still think you're pretty ^3^

Okay, they gave him his clothes back, phew.

Hehe, tiny monkies.

At least our child is still adorable.

Synchronized heart attack.

He is so traumatized, lol. Someone brought up how this design for the circlet wasn't the previously established design in the show, but it COULD be based on the design used on the cover of the Journey to the West novel (as seen below)

It's not exactly the same but the shape is similar.

Anyway.

WUKONG ANGST WUKONG ANGST WUKONG ANGST

I'm realizing while doing this that Wildbrain doesn't use as many smear frames as Flying Bark did. As funny as it is to pause and see something like this in season 1-4:

It makes the animation look a LOT smoother and more energetic. Flying Bark also seems to use more frame-by-frame while Wildbrain probably uses more tweening. I suppose it makes sense though because Wildbrain is more used to 3D animation and the 2D animation they have done in the past is more paper-doll-like and doesn't need as much bounce and action.

Back to the trailer, no need to dwell.........

MO. HANG IN THERE.

MONKEY ANGST MONKEY ANGST MONKEY ANGST aposhdgpafoshdfosfapsdofpa

Oooh, wait, this frame actually kinda goes hard. I'm kinda hyped... I should draw this.

NO BRO DON'T MAKE ME CRY JUST BECAUSE OF A TRAILER

You know what this makes me think of...? Did any of you guys ever play that game called "Journey"?

It's a beautiful game with beautiful music. Y'all should play it if you haven't. Oh, and sometimes if you're playing at the same time as someone else in the world, your games will merge and you get a little play buddy :3

Genuinely love how distressed he is here.

SHADOWPEACH ANGST SHADOWPEACH ANGST

Looks like we're still gonna get cool backgrounds and background character designs!!!!

This looks like it may be some kind of storybook or memory sequence like when Chang'e was talking about how she found the ring in S3 or when LBD was talking about Macaque's death... what memory do you think we're going to be exploring this time?

This goes pretty hard. I would paint this on a wall or something.

Mk is flabbergasted.

Yay!! Mk has the support he needs. ALSO MORE SANDY

They're mortified. Probably because they just watched a giant dragon and white tiger fucking evaporate.

Hehe bord

I can't wait to see fanart of him. I'm so excited!

SHADOWPEACH SHADOWPEACH SHADOWPEACH

He's thinking about kissing him, honest.

I think he's purty

MORE PIGSY-

I've run out of room for pictures, but I hope this helped get y'all all hyped again for the new season! Have hope, stay strong!

[sharonisthebettercarter]

hugh campbell is literally the tallest member of the boys in the show and it's one a my favorite details<3

they rarely show it off and tend to use camera angles and posture (hughie boi i see you constantly slouching--LOOK AT HIM~<3<3<3 just casually *unintentionally* making butcher appear is *actual size*--) to play up or downplay/switch up height differences, but i kinda love that hughie went from being the second shortest member (comics) of the boys to the literal tallest<3 (butcher was generally in the middle with homie just casually being a head taller than him--, frenchie and mm being the taller guys on the team, love sausage of course being the biggest guy when there~<3<3<3 he still is btw--)

love love LOVE him so fucking much<3<3<3 literally the *only* REAL bear in this damn series (HE STRAIGHT UP BEAR HUGS BILLY IN THE COMIC AHHHHHHHHHHH~<3<3<3!!! we better see moar of him i swears--). mm is a close one, but he's more of a good big papa wolf~<3 butcher's a scraggly dumpster kitten or fuckin' heifer--

i *also* love love LOVE the single inch height increment hughie and billy got goin' on with homie, it's just the cutest most fun thing~<3 it goes--

5'11" (homie<3)

6'0" (billy bean<3<3)

6'1" (not so wee hughie<3<3<3)

6'2" (LOVE SAUSAGE~<3<3<3<3!!)

i see you sandwiched right inbetween those bois there, 'ey billy~<3? ;)))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))

throw in mm between billy and homie, it's hard to find a solid height on that bitch<3 (and they *def* keep trying to downplay his height and bulk cause holy FUCK, THAT MAN--) but i'm gonna say he's probably around 5'11.5", closer to 6'0" maybe??

lol for the roughest layout i guess, they tend to bill urban a bit taller than he is (you can tell cause they'll bill quaid at the same numbers but he's definitely taller than urban, also i SWEAR everytime this man is in a photo that's not a solo glamor shot he's tryin' out some jank ass angles always always always leaning *in* to the camera to make himself look *bigger* leik honey you are so fuckin' cute-- and they *def* keep trying to make billy look *way* bigger than he actually is, BILLYYYYYYYYYYY--) but boi, i see you too<3<3<3

i guess maybe a little closer, it might go something like...

5'11" (homie)

5'11.75" (mm)

6'0.5" (billy bean)

6'1.5" (hughie)

in which there's .75 increments, and then a full 1 inch leap from billy to hughie. either way, they're def very close and not a single one is 'small' per se (except compared to love sausage--tho i do bet starr is one of those fuckers to downplay his height so other men get insecure LMAO--), but i just love the sequencing<3<3<3

what i *also* love~?

(bad posture homie lol) homie's reaction to hughie posturing at his full height was fucking amazing. IT WAS OH MY GAWD--i can't. he had his little surprised moment and then made a *pleased* "ooh~<3" and then smirked like THIS--

leik hughie... MAH BOI--i know he *tried* so fucking hard but leik. homelander is just so unthreatened by him that he's fucking *amused* and engaged with hughie *trying* to be brave. *he relaxed further*-- he just... he just doesn't give a shit. and it's horrible. but also *beautiful* because at this point, you can tell he's just so bored out of his mind that he even *welcomes* the challenge in some ways. he is LOVING that people feel so attacked by him without him doing much--LEIK.

there are a couple other unhinged and unsettling *positive* reactions he has to people similarly enough, (his descent into madness in real time--not gonna get into it now lest this post become *all* about homie--) but man oh man~<3

little bit less posture difference here, will say it's silly fandom obsesses over/exaggerates single inch height differences (particularly between homie and billy while ignoring/reversing hughie and billy, leik C'MON--let hughie be his height~<3! also we should be obsessing over the perfect~<3 *sequencing*, DUH--) but it's honestly pretty amazing how much of a nonfactor the height is in general.

for homie, it's pretty obvious he doesn't give a shit as he's particularly relaxed and unbothered by people being taller than him (especially hughie--literally amused by people posturing LEIK--by the gods his reaction to hughie challenging him--I CAN'T IT WAS FUCKING--GOOSEBUMPS~<3<3<3), but it just goes to show. motherfucker is just playing with his food--

BONUS~<3

lmao blurry ass pic of baby urban getting *dwarfed* by dwayne "i'm 5'11" and wear lifts" 'the rock' johnson. (also that mofo got so much bigger leik gotdamn i am actually curious how much more he'd *DWARF* urban cause ya look at him now and just. he ate a truck--ya look at the rock next to a guy leik SHAQ and HOLY FUCKIN' SHIT the differences are staggering leik one inch is nothin' baby--) SWEET BABY JEEZUZ--

bonus bonus~<3

another detail i *love*?

the shorter two (and frenchie~<3<3<3!) have the bigger/longer noses and... *likely* the biggest cocks--

;))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))

[afrognamedfizzarolli]

Holy. Fucking. Shit.

SEASON 2 TRAILER BITCHES

I'm absolutely loosing my mind! I actually woke up to my phone blowing up about it. And I've spent the last few hours rewatching it and trying to break it down. So I'm going to share my thoughts!

Ive organized all the clips into the separate episodes I believe they are from, so lets start with The Full Moon. Here's my theory about how I think these clips line up and what the episode will be about!

So to start, I'm confident these clips with Vassago and Andrealphus take place in this episode. Probably the first part asking where Stolas is being near the very beginning of the episode. The shot of Andrealphus I'm not sure of though. (I'd like to mention how much I love how his tail comes up and makes it clear he is in fact a peacock)

Next we have these clips of Blizø and Stolas. Stolas is evidently frustrated. While this could very likely be in the later half, I have a feeling this is early in the episode, probably when Blitzø shows up for their full moon meeting. I'm guessing this is where Stolas dumps on Blitzø that he wants to actually be loved. The shot of the flower would also make sense to be in this scene as they are in the garden.

I believe this form we see attack Stolas and Blitzø is Vassago. This is tricky as far as where it goes, but I'm going to place it here as Blitzø is in his signature outfit here like he was in the last scene. Stolas has changed though

Here's where we start to see Blitzø in his outfit specific outfit. I think this is later that day or the next day, him planning to go back to see Stolas and properly express that he indeed loves him. Here I think he is telling Moxxie that he is not going to be working that day and literally dumping the work load on Mox.

I looove these clips! My guess to whats happening here is that Blitzø goes to Fizz looking for help, one of them has the idea to bring a gift to Stolas, Fizz takes Blitzø into this part of the palace with a bunch of Ozzies creations. He pulls out the absurdity large toy as an idea. Eventually they end up deciding on the "Dankee" candle, which Blitzø brings to Stolas. I also love that it looks like he scaled the wall up to the balcony while dragging this comically large candle in a sack.

Here's the part we've all been dreading waiting for... The crystal. I think here is where Stolas gives it to him, and express' how much he hates the transactional deal they have going on. Blitzø completely takes it the wrong way, thinking Stolas is giving it to him as a way to tell him to fuck off.

Here Blitzø also says the "You fucks think you can do this every time" which is alluding to again that Blitzø has experience and possibility was involved with another royal at some point. I know this isnt a new theory, but I think Vassago is a very likely candidate as its very convenient to have this line and Vassago introduced in (presumably) the same episode. This could also just be referring to higher class demons in general, such as Verosika

These next few clips I believe all take place in The Full Moon as well, but I'm not confident on their placement. The shot of Octavia maybe not, but her line what was over it, saying how Stolas doesn't love her or Stella, only Blitzø, is most likely near in this episode though.

For these 3, I think they are during the Stolitz duet, either in the very beginning or ending of the episode (I seem to remember it being said the episode will open with it, but I might be imagining that)

In the part where the images of Blitzø shatter, it's the one closest to Stolas first and then makes its way out, it's also the one closest to him where Blitzø looks the happiest and as they get further he looks more upset/distressed.

The sequence of Blitzø and Stolas' silhouettes could also be almost anywhere but makes sense during the duet. I love the detail of Blitzø's tattoo showing as a heart as a child and as an adult its a broken heart (it's hard to see in these screen shots cause Tumblr decided to nuke the quality)

In the part where Stolas is singing with the celestial imagery he is again wearing a red turtle neck under his cape which bares a resemblance to the one hes wearing when Blitzø is protecting him. I'm not sure if this means anything, but fells worth pointing out.

Again I am sorry for the shit photo quality, and possible bad grammar and spelling. I currently have the posts for the rest of the episodes nearly done so expect those in the next few hours ♡ Id love to hear any other ideas or theories about the upcoming episodes, or anything I missed/got wrong!

Pt. 1: The Full Moon | Pt. 2 :Apology Tour | Pt. 3: Ghostfuckers | Pt. 4: Mastermind | Pt. 5: Sinsmas