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janearts · 8 months

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Roisia Lydgate: Character Overview

This is really more of a background introduction to her character, but I'm trying to put as much information in one place for future reference or for anyone who wants to get a better idea of her character. Details underneath the cut!

Meta-Knowledge

Roisia is my Source Hunter from Divinity: Original Sin, but I recreated her in Baldur’s Gate 3 as a way to continue her story albeit in a completely different universe. The story and events of DOS have since become part of her backstory, and tweaked to fit the world of Faerûn.

Name Pronunciation

I’m honestly none too fussed about pronunciation. Her name is an 11th century mediaeval name that would later become “Rose” in Middle English. Roisia is probably meant to be pronounced something like /ɹɔɪːsiːɑ/ (Roy-see-ah) based on other name variants found around the same time. Her nicknames, as given to her by her parents, include: Rose, Rosie, petal, pet, rosebud, bud, so on and so forth.

Personality

Roisia is charming, adventurous, with a voracious curiosity, and a deeply analytical mind. She believes that taking care of the dead and providing a voice for the dead is her life’s calling. She was formerly raised to be a Cleric of Kelemvor, but believes that her god has disowned her since she reanimated her father. She now believes herself to be deemed among the Faithless. She’s compassionate to those in need and is willing to break rules (and the law) to help others. While she is generally a law-abiding citizen, she is dogged in pursuing the whims of her curiosity and will likewise do whatever it takes to solve a puzzle, a mystery, or a murder… or simply answer a question that has occurred to her. She is sociable, prefers when everyone gets along, and will try to talk her way into and out of most situations. This includes charming, reasoning, intimidating, and/or deceiving others to get her desired outcome. Ultimately, she finds solace and comfort in the company of animals, the dead, and books. Her favourite animal is the noble spider, and she breeds and raises some species in her spare time.

Spells and Such

I tried as best I could to replicate Roisia’s DOS character. In DOS, she was classed as a Witch. Witchcraft spells in DOS are a mixture of Necromancy spells and Enchantment spells, and I chose my spells in BG3 to imitate the ones that you get in DOS. As a witch in DOS, Roisia also had the ability to talk to animals and summon a spider. (I cheesed this in BG3 with the Find Familiar spell—technically a Conjuration spell—and having her drink a potion after every long rest.) To be more in keeping with her backstory, I gave her a Guild Artisan background and invested skill points in skills like Medicine.

Backstory

Roisia grew up in Eastway of Baldur’s Gate. Her father worked in the Gray Harbor shipyard as a shipwright and her mother was a Mortarch, running the Eastway Cemetery & Lydgate Funeral Service. She was raised to follow in her mother’s footsteps as a Cleric of Kelemvor, and specifically as a Mortarch, from an early age. She assisted her mother in managing the burial customs and rites for the Lower City’s diverse community (from embalming to ritualistic cannibalism to poisonings), comforting grieving family members of the deceased, and tending to the dead buried in the cemetery.

Her life took an unexpected turn when her father drowned during a sea trial. Grieving for her father, Roisia made her first attempt at Necromancy. She unwittingly used a wish spell in the process and reanimated him as a skeleton. Because it was the wish spell, not her first attempt at a necromantic ritual, that bound the soul of her father to his bones, Roisia is determined to master the School of Necromancy and truly resurrect her father.

She is interrupted in her early studies by the appearance of Eustace, who recruited her into the Source Hunters, an organisation dedicated to eradicating dangerous magic users (like… Necromancers). “We need you,” he said. “… and you need us.” Roisia & Eustace (or Roy & Stacey as they became known to each other) investigated the mysterious murder of a town counsellor and uncovered a Necromantic cult in the process. As they adventured together, Roisia began to develop feelings for Eustace, but as their adventure concluded and they returned to the Source Hunter Academy, Eustace did not return those feelings. Dejected, Roisia left the Source Hunters and returned to her home in Baldur’s Gate.

To “cure” herself of her heartbreak, Roisia drew up a list of lifelong goals for herself. They are:

1. A cemetery or plot of land of her own to oversee. 2. “Tenants”/”Residents” (aka The Deceased) to house and tend to on this land. 3. To master Necromancy such that she can extend indefinitely her own life and the lives of her loved ones. 4. One (1) Spouse (*not of the squeamish variety) 5. Children (*ideally 3-5)

Refocused aggressively on her list, Roisia returned to her duties during the day and her studies during the night. She was abducted by the nautiloid one night while she was off to dig up a new test subject.

Playlist

#BG3 Roisia #Roisia #taggin #tatterings #here you go!#rosecanons #roisiacanons #Spotify

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cmrosens · 7 months

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Creating fantasy religions: something I'm doing now so thought I would post about my process.

The mistake a lot of writers make is developing a religion from a singular event, and piling a ton of stuff on top of it that makes logical sense. Whereas, in reality, religions are self propelling systems that travel under their own steam and if there is an event that catalyses them, it is never in a socio-cultural or political and economic vacuum.

You also end up with an apparently totally random set of things attached to one figure which does make sense if you know the origins, but otherwise is just accepted even if the meaning is lost.

It is the difference between "the god of Midwinter and festivals around this originated because a cult of necromancers were banished into the frozen wastes and this <event> became the Origin Story for how we got to a midwinter festival with creepy bone puppets in my fantasy world" and a religion that feels ... Real.

Ok so firstly, this is a bit too neat. (This was my original reasoning for a midwinter god called Yarash and I changed it because it wasn't very realistic or interesting for my world.)

Why, let's say, is the god whose feast is at midwinter also the patron of puppet makers and osteopaths?

Well, we could say that this makes a lot of sense because the god's festival was originally to do with remembering the dead, and puppets were used in the festival to represent the dead, as necromancy should have been part of it but people didn't actually know how to raise the dead properly. Then as magic evolved people could actually raise the dead for short periods to deliver messages in these festivals, but this drew internal debate from the conservative priests who thought puppets were the original form and so should be maintained, and necromancy was an aberration, vs the progressives who saw necromancy as the original INTENTION and so the natural and correct progression from the puppets. The debate might rage on for years creating splinters, sects, differing traditions that sit uneasily together but find middle ground in other less controversial topics and practices, and even cults.

At some point, the secular authorities get involved for their own reasons. Maybe some rulers are pro-"The Old Bones" or anti-, or they want to outlaw necromancy or benefit from it for various political reasons, socio-cultural reasons, economic reasons, military intelligence reasons, etc. Whatever happens, happens. Times change. Official attitudes swing back and forth, while internally the religious debates continue, now informed by and perhaps as counters to, this secular intervention.

Then we end up in modern times, the times of the story. Nobody really believes in gods anymore. They do remember the old gods of the seasons and at the secular festival in winter, there are a lot of traditional puppet shows that have a whole history and life of their own. The puppets are called "the old bones" and nobody really remembers why. Osteopaths have the puppets and symbols relating to the midwinter festival on their certificates and college heraldry and nobody really remembers why, but the information is there to look up and is a fun thing to know for trivia nights.

And necromancy... is a controversial branch of science, divorced from its original religious significance for many but not for all, and more integrated as an art or practice in the public consciousness (positively or negatively depending on perspective and propaganda and actual usage).

And now, you have a ton of depth and meat to it without having to flesh out the arguments and debates themselves unless that is plot relevant.

There is a lot you can do with this society now, and by tweaking one thing you can create completely different societies and ideologies. The depth is now there to set your story at any point during this history and to develop numerous ideas. So much stuff can happen.

With the singular event version, and a static fact of a necromancy cult in the frozen wastes, things are much more limited and linear, with less depth to play with.

Also remember that your characters will not be expected to know everything about your world unless they are experts in religion and/or history, and also the 2 subjects are not mutually inclusive so a historian is not an expert theologian and vice versa. How much the average person on the street knows depends on levels of formal education, accessible knowledge beyond formal education, which may include religious instruction and folklore, and propaganda. But it means you can build in some subtle things - like the puppet symbols on the door of an osteopath or bone doctor - that never need to be explained, but have a logical in-world explanation below the surface.

Try taking a static idea and work it into a system and see where it leads!

#writeblr #worldbuilding #fantasy religion #writers on tumblr #writing community #writing tips #world building #writing fantasy #fantasy #fantasy writing

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illegiblewords · 6 months

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SOME ILLEGIBLE RAMBLES AND REFLECTIONS: THE DEAD THREE

Finished my first/main playthrough of Baldur’s Gate 3, and it’s had me turning over all sorts of ideas tied to Dungeons and Dragons lore. A bunch happens to be about cosmology so I'm slapping together one post about the Dead Three and a follow-up about deities more generally. Buckle up if you decide to proceed dudes. This is chunky and opinion/interpretation heavy. CW for mention (not extensive) of graphic violence and sex crimes during discussion of Bhaal and Yeenoghu.

MYRKUL

I get that there are multiple death-affiliated deities in DnD. Our buddy Jergal is the end of all things and the original incarnation of the concept. Myrkul stands for the experience of dying, decay, necromancy, graves, bones, and the fear of mortality. Kelemvor rules over the dead. Orcus is a demon lord and quasi-deity of undeath. Could prob go on.

I've read many different incarnations of death over the years. To set the stage on my Myrkul read, it bears mentioning that Terry Pratchett's Death is probably my favorite. I don't have it in me to see death as something totally malicious. It's very natural, and I tend to imagine that if there were to be an incarnation embodying it this persona would have an intimate view of all the love and grief, vulnerability and intimacy, ugliness and solitude, etc. that mortals deal with. Death has witnessed the end every living being faces, from the dawn of creation until now. Even if it isn't consciously accessed at all moments, death is ancient and experienced and not likely to be shocked by what mortals are capable of anymore. Mortals are small. Uncountably numerous though we are we are far outnumbered by the unliving. What are lives next to planets, to stars? Here I'd argue against assigning value according to how big or small something is, how eternal or how brief, how simple or complex. Everything that is, is a universe unto itself and deserves the gravity of that. It is also very mundane at the same time. To me, death needs to be able to balance the preciousness and commonality of life, of existence, on the tip of its scythe. Death needs to be able to deal with the most depraved beings to exist, but also with every beloved pet put to sleep. Every lost child or parent. Everyone who dies surrounded by loved ones and everyone who dies alone.

Initially, even knowing Myrkul in particular had been a mortal necromancer and not of particular moral standing--I had mixed feelings about him being the evilest of evil skeletons. He worked it well, but the idea of any aspect of death (or any character tbh) being flat evil felt off to me. Especially with 'we're all the protagonists of our own stories' being at work. People don't often look at what actions they'd consider to be evil then go 'I'm going to make myself that on purpose'. Disregarding morality maybe, but being evil on purpose is weird.

So I looked into further lore about Myrkul. One spot that gave me pause was that Myrkul as death (rather than the adventurer Myrkul Bey al-Kursi he’d once been) revels in inspiring fear of death and driving home experiences of loss. From what I found he isn't focused on the name of the individual holding the office of death, but for the force itself being feared. He can be bribed, and he will allow for necromancy/resurrections--but the fear and gravity of death is a sacred thing to him. Disregarding that is a pretty good way to get onto Myrkul's shitlist. I want to take a moment to emphasize the importance of Myrkul focusing on his portfolio over his own ego. That is far from a given in the DnD pantheon, and like I said he's a former mortal himself. It wouldn't be out of the question for him to be a petty and insecure deity. He could have been the sort of guy where becoming a god of death by itself wasn't enough power. If Myrkul was a different person, he might have wanted people to stroke his ego and say how strong he is. He might have been someone who felt inadequate as a god without that affirmation. He could have (as a character) been unsatisfied and forever wanting/dependent upon the views of others to define himself. The fact that he DOES focus on death and decay as forces rather than himself is a big deal in reading him imo.

Anyway. Myrkul's emphasis on death as something feared got me thinking about what would cause a person to put such weight on death being understood in its negative aspect. It struck me that this is actually a very common and even important thing. You don't need to demonize death to see it, either. If you value life as sacred, the idea of life being treated as cheap or disposable is horrifying. When you love something dearly, the idea of that beloved thing being defaced is beyond outrage. It's a kind of sacrilege. People who kill as casually as breathing, who revel in the permanent destruction of someone else, become a source of horror. The absence of love creates a sort of cruelty that can't even perceive itself. And it's not uncommon for human beings in particular to partake in this. Humans dance on the graves of those they deem enemies not because they're relieved to be safe, but because they glory in the end of other lives. They don't recognize that anything of value was lost. There is no tragedy in death anymore. Every gentle moment, every vulnerability, every tragedy in their opponent's life is something to be crapped on and gloated over. There is no greater insult to life itself. Myrkul stands as a reminder that such behavior cannot stand. You can't treat life or death as cheap. To see something horrific and fail to realize the weight of its horror is itself a form of horror. The idea of a death that demands to be acknowledged for what it is, particularly by the living, imo actually denotes a level of care for life too. It might be harsh or ugly, but I don't know about evil. So while Myrkul is certainly flawed and often serves as an antagonist, I’d argue the function he performs is not only important but necessary.

And while it might vary between players, I found Aylin's enthusiastic executions and body defiling pretty uncomfortable. I understand she went through a lot and am fine with her as a character. But I think Myrkul's point stands if the audience feels even a moment of disquiet seeing her celebrate over the corpse of a broken person.

Some things are meant to be ugly.

BANE

Of the Dead Three I find Bane the most disturbing and dangerous tbh—but not for how Gortash invokes him. Way I see it, the other word for tyranny is authoritarianism on a macro-level, abuse on an individual level.

I’d argue that in life, we can only healthily control ourselves and our own individual actions/choices. We can try to persuade others or appeal to their judgment, but we can’t MAKE another person think or act how we wish. When folks attempt otherwise (individually or more broadly) it involves fear, force, deceit, or other forms of pressure. Coercion, enslavement. These fall under the umbrella of tyrannical practice to me. You treat another person as subhuman and strip them of agency.

We don’t live in a pure and ideal world. If a tyrannical person is committing crimes and denying others their free will through force, I wouldn’t call defense through force tyrannical as long as it wasn’t needlessly excessive. Power struggles exist. But the whole practice of using fear, force, deceit, or pressure to control another person is dangerous imo. They're to be utilized as little as possible.

In DnD I don’t think the fringe evil cults would be the ones most at risk for corruption by Bane. I don't think individuals or groups who prioritize self-indulgence would be most at risk, either. The most dangerous and frequent disciples of Bane imo would be within good alignment. This means followers of benevolent gods as well as the nations or groups that consider themselves to have righteous causes. ESPECIALLY those with chips on their shoulders.

When someone assumes they have and always will have the moral high ground, that they are incapable of committing injustice, that their end justifies whatever means, that it doesn’t count as abuse with the 'correct' target… that, to me, is where tyranny festers. The person convinced of their own moral infallibility is the one who sees no need for brakes and so cuts them without concern.

I’d argue everybody has a seed of tyranny in them that can be fed or starved. We feed that seed with our own indignation to become a tyrant victimizing others while still seeing ourselves as powerless. The person who first victimized you can still also be victimized by you. There isn’t a target that exists where finding joy in cruelty gets a pass.

Bane, I think, thrives on the idea that it's no problem if you're enforcing your will. Especially on people contemptible to you.

For DnD purposes, imagine you have zealous followers of idk Tyr. They are willing to do whatever it takes to enforce and spread their definition of justice. They believe in making examples of people at every opportunity. They torture, isolate, rob, and shame those they consider to be unjust or dangerous. If their victims are falsely accused—well. It’s for a noble purpose so the sacrifice is not in vain. And imagine Tyr abandons these followers as hypocrites. He no longer empowers clerics or paladins no matter how they cite scripture or brand ‘heretics’ with his symbols.

Bane doesn’t enter calling himself Bane, god of tyranny. Bane claims to follow a higher justice. Maybe he uses an avatar, maybe he chooses a Banite disciple, maybe he finds a true believer. But he argues that Tyr as an individual was never ultimately what those zealots stood for—it was justice itself. And if Tyr has turned traitor to his own portfolio, mortals need to go over his head to the core concept and implement that. Bane offers a name that suits his purposes and begins sourcing power to clerics and paladins instead. And throughout, as the zealots commit increased atrocities against those they deem dangerous or evil they fail to realize they’ve spiraled into evil alignment after all. They’d think they were either just as good as they’d always been OR BETTER. The compassion of Ilmater is spent on the depraved and corrupt as far as they’re concerned.

I think the real threat of Bane is that he should be 100% capable of corrupting an otherwise heroic party member if they aren’t wary of that capacity in themself. You suddenly find your friend who listened to your problems and supported you through awful shit mocking a person sobbing on the ground as they kick them. And that friend looks betrayed and hurt (or outraged) if you challenge their actions, because they think you should know exactly how disgusting this piece of shit is and how much they deserve the abuse. And even if you concede that individual case—it’s not the only one. The slights worthy of torment become smaller and smaller. A thought or word out of line betrays the ideology of an evil alignment, with the only solution being to beat thoughts and words out of the target until they can only repeat approved ideas back. And even then, it may not be enough.

If it was explicitly confirmed that the deity the zealot followed was Bane all along, the zealot might genuinely not believe it. They might get pissed at the very suggestion. What they do against the wicked isn’t tyranny after all. They’re righteous.

Denial doesn’t serve to disempower Bane in the least if tactics remain unchanged.

BHAAL

I’m holding off on more detailed Bhaal thoughts until I complete a dark urge run, but I’ve listened to lore on both him and the demon lord Yeenoghu recently—and I think there’s room for a really cool potential contrast.

Yeenoghu Lore

Providing this particular video link for the curious, as a way to help illustrate what I’m drawing from.

Yeenoghu holds the title as demon lord of slaughter. He glories in filth, rape, excessively graphic murder, torture, violence, and playing with corpses along the way. He’s meant to come across as a bestial, self-absorbed, remorseless desecrater. And when I say bestial, I want to draw attention to a particular IRL factoid that might be worth considering.

I love animals to bits. I don’t think animals generally contemplate morality the way humans do just due to cognitive differences and limitations. I also think it’s important to remember that humans are ALSO animals, so certain things umbrella’d under ‘human experience’ would probably apply to at least some animals too. If there are human altruists and human serial killers, we should be able to expect that animals likewise have some altruists and some serial killers within the scope of individual variation.

Cruelty is not exclusive to humans. Orcas will essentially torture smaller animals to death by flinging them into the air with their tails repeatedly like balls until repeated beatings and suffocation kill them. Dolphins commit rape and chew on live puffer fish to get high off the toxins. Chimpanzees are a horror unto themselves with cannibalism and mutilation and basically whatever atrocity they can commit. Wolves and cats sometimes hunt to excess just for the joy of it and don’t eat all they kill. Hannibal the swan (as a specific and notably homicidal individual) beat and drowned any other swans visiting his pond and showed his signet how to do it. I could go on. Some cases it might be a matter of the animal not having theory of mind to recognize that they are inflicting pain on another conscious creature. Other times, like with pissed off chimpanzees, they know EXACTLY what they’re doing and it’s on purpose to cause maximum suffering.

I think Yeenoghu should embody a little bit of both propensities. He’s just utterly self-absorbed and doesn’t give a fuck about the experiences or perspectives of other living things except insofar as they impact him.

Bhaal I want to research more like I said, but one thing I remember from my initial play through was finding a note from the Dark Urge to Orin.

Little sister, whatever in the Gray Wastes are we going to do with you? Bhaal will never care that you waste your time, posing your corpse-dollies. Bhaal doesn’t care whether you give him the corpse of a pauper or a king. At the end of the day, all Father wants is death in droves, death in numbers. To sap away the life of this dull world as swiftly and widely as we can. You plan, you plot, you prevaricate, and you waste his time. Bhaal doesn’t need us to think. He needs us to kill. You kill beautifully, and have talents in your shapes’ magics that I never will. But you do not understand Lord Bhaal. Perhaps it is a failing of your diluted blood, as a mere grandchild. I am his sole living pureblood. I will accept no challenge from you, until you show some damned respect.

To be honest this is interesting af to me because it positions Orin a bit more in-line with Yeenoghu’s modus operandi in some ways. But what sets apart the principles of Bhaal from Yeenoghu or Myrkul?

The Dark Urge suggests the goal of Bhaal is the extinction of all life, but to be honest I’m a bit skeptical. Seems like short term thinking. Even if Bhaal pulled that off, once it’s done there is no more murder or god of murder for that matter. If Bhaal is aiming for a cessation of existence and wants everyone else along for the ride maybe that’s what he’s after, but I dunno. That seems like something fans/players/loremasters would have touched on before.

I’d like to invite this possibility for foiling instead:

Life consumes other life by nature. Animals, plants, fungi, bacteria, so forth—it isn’t just a matter of philosophy. One life cannot exist without destroying another. We need to eat. If we don’t, we die well before reproduction enters the picture. But it’s more than that… you take a step, you kill countless tiny organisms you aren’t even aware of. You swat a fly. You hit something with your car. You move gracelessly or touch carelessly, and catastrophe ensues. Etcetera.

It is inevitable that your existence will mean the end for the life of another living thing. That’s just how it goes.

It could be interesting on a LOT of fronts (both as members of the dead three and as former adventuring companions) if Bhaal acted as a kind of philosophical opposite to Myrkul the way I previously described.

If the Dark Urge’s note is to be trusted, Bhaal has no interest in ritual or glorified death per se. Bhaal would be more about the mundanity that comes through the act of killing. Life is fragile as-is and often ended by accident. Killing in its most common form is thoughtless and unconscious. To Bhaal, if every life is a universe then the universe looks meaningless. There is no importance or fanfare to any of it. If one side is ‘everything matters, give weight to life and death’, Bhaal would be ‘nothing matters, we are not capable of affording reverence to every single life and death we encounter’. More specifically, the mass deaths Bhaal favors would be a kind of illustration of the uncaring and casual relationship living things have with killing other living things. The more casual and effortless it is, the more I’d imagine it serves Bhaal. Sadism and revelry miss the point—there is no hierarchy. Suffering is inconsequential. Fear is inconsequential. Instinct is inconsequential. To live is to kill by Bhaal’s logic.

It isn’t limited to murder in the sense of a member of one species killing a member of the same species. It’s more Bhaal is the god of killing. He’d gain power from murder too sure, but also hunting, harvesting, and butchering. With these interpretations in-mind, we can actually figure out how the Dead Three might have answered Jergal's question about what worth a mortal life holds. With the disclaimer this is very much conjecture. I think Myrkul would likely be "Each life is of infinite value and merits sacrificing everything for." That lends life a heavy weight and makes death a fearful force for all. It would also mesh with Ketheric as his chosen. Bane would lean into "That depends on a person's deeds", "The only life that matters is mine", or "Depends on the mortal". From those positions, the speaker argues for a hierarchy of life where some is more expendable than the rest. It's easier from that position to slide into adopting a role as judge and executioner, and from elevating yourself into a role of authority where other voices and experiences count less than your own. Bhaal I think is reflected in "Life’s only value is as currency. Doesn’t matter to me otherwise", "The only life that matters is mine", or "No one life is worth more than any other. We are equal." Bhaal has the implicit question in-turn: what is the blood-price of your own life? How much have you claimed in your own name to keep moving? It's kind of the belief that while "The only life that matters is mine" is Bhaal's answer, every other living thing should be answering the same way. There's more nuance than that of course, and likely truth falls somewhere in the middle. We aren't mentally capable of giving reverence to every death, but we can recognize in general terms and do our best case-by-case. We have a right to protect ourselves and what we love, but others share that right.

Feel free to offer different stances or thoughts though, and if you made it this far goddamn thank you for reading this monster.

#the dead three #baldur's gate 3 #baldur's gate iii #myrkul #bhaal #bane #bg3 #bgiii #yeenoghu

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radley-writes · 24 days

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Hi! I was wondering if you could give me some advice... I keep seeing writing advice telling us to write something new and fresh and original and such to be able to get an agent and stuff, and it's getting in my head. I feel unmotivated to write the story I feel in my heart because I don't think it's super new or original and I'm worried I'll always "fail" at being a writer because of it

Gideon the Ninth is, at its heart, a locked house murder mystery. The only difference is that, rather than Poirrot or Marple, the main characters are a buff lesbian sword-girl jock and her Horrid Little Necromancer (pos), and that it's set in a decaying space-dynasty.

That's an extreme example. But, take another hugely popular book - Six of Crows. It's a bank heist crossbred with a prison escape. Again, what sells it is the characters (and, to some degree, the setting, though I would argue if it had been set in our world, the characters would've still shone enough to make it a best seller).

You've probably heard that there's nothing new under the sun. That's true. It's also true that almost everything that's created is, in its own way, unique.

You don't have to create something completely fresh in order to be successful in tradpub. You just have to (and sorry if this sounds cynical) write a story that will sell. I would argue that, in all honesty, writing something completely whacky off-the-wall avant garde and never-before-seen is a possible, but risky way to enter tradpub, because there's no precedent for a sales team to use in marketing. Just looking at, say, the romance genre - where every book has the same basic plot! - should show you that originality isn't always a selling point.

Find your strengths as a writer - worldbuilding? Characters? Dialogue? Intricate Rube Goldberg-machine plots? Then focus on making those strengths shine in your story (and, of course, on improving the rest of your writerly skillset). Uniqueness will follow.

#writing advice #writing tips #writers on tumblr #writerscommunity #writeblr

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the-dashing-mx-ollandre · 1 year

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On Mechanisation, Identity, And (Origin) Stories

My central point is this:

With the possible exceptions of Ashes (seemingly consented to mechanisation knowing what would happen) and Raphaella (there is so little knowledge about her in general), none of the mechanisms are in any way the people they were pre-mechanisation.

Gunpowder Tim is not Tim the soldier, Bertie’s friend.

‘Baron’ ‘Doctor’ Marius von Raum is not Byron von Raum.

Nastya Rasputina is not Princess Anastasia Nikolaevna Romanova of Cyberia.

DrumBot Brian is not Brian the necromancer, not Brian the stranded, not even the Brian of flesh and bone.

The Toy Soldier didn’t exist pre-mechanisation (and doesn’t ever exist, really).

Ivy Alexandria is not the librarian who died in the lunar war, she doesn’t even remember being there.

And by all that is holy, Jonny D’Ville is not, in any way, Jonathan Vangelis.

(And of course, the Aurora is not the Aurora is not the Aurora)

All the people they used to be (or may have used to be, i wouldn’t trust anything they say as fact) took up so little of the millennia-long lifetimes of the crew of the Aurora. Reader, imagine the first one-tenth of your lifetime. Then know that when the mechanisms were halfway through their life, the first one-tenth of their lifetime was about 5 centuries. It’s unfathomable. It cannot be fathomed.

And this is what’s so interesting to me about the ‘origin story’ songs and tracks. Take, for example, Gunpowder Tim vs The Moon Kaiser. While it is about a true historical event (in mechs canon), it’s much more of a dramatisation that happens to be told by people who were there, than it is a memoir. Just like how Once Upon a Time (In Space), or The Bifrost Incident are dramatisations. And that’s the thing: Gunpowder Tim isn’t the Tim of the lunar war much more than he is (say) Loki, and it’s the same with the other mechs and their roles (both vocal and instrumental).

They made their past into tales to be told and made themselves the narrators, and in doing so became detached from themselves, like they’re detached from everything else. I don’t think Jonny remembers where he was really from or how he first died, i don’t think Raphaella remembers her past, and i think the actual details of Bertie’s death are long forgotten. None of these things matter, because none of them need to matter for the story to be told.

And in the end, the mechanisms, trapped by their own narratives, out of stories to tell, bite the hands that feed them and recoil in horror at the bloody toothmarks on their palms.

#the mechanisms #death to the mechanisms #the mechs #btw i think it’s crazy how nobody talks about ivy’s backstory

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space-blue · 3 months

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I watched the 3 season 3 TBB episodes and it's all again tying to Palpatine clones! And I am. Upset!! That EVERYTHING must now tie in to the Palpy clones because Disney just could not take the L on the "somehow Palpatine returned" meme.

So it's all about project necromancer, just like Mando all ended up being about cloning and Grogu's M count, and Kenobi had to rip JFO's entire ending to show us from Jedi in amber... I hate that it feels like a curse over anything coming out in this time period. Most importantly : it is SO boring.

Why must Disney ruin the punch and twist of its shows, when they could tell original stories? You want to engage us into dark sithly biddings?

GIVE US A GAME!!

If everything has to be about Palpatine doing necro shit keeping dead jedi in vats and using their blood to splice a force sensitive clone, then let me play that!

Give us a game in which

I do force sensitive children hunting!

Blood resource management!

Building evil bases across systems!

Sending minions (like Cad Bane or custom made inquisitors) on child kidnapping quests!

Let me build genetic facilities and unlock genetic and dark force skill trees! Let me do Sith factorio!!

Passing bills and racketeering entire systems to help fund my dark deeds!

Let me build up and repair Vader's amour, customize it, so he can go on more dangerous missions and harvest more force sensitives and rogue Jedi!

Chose the right dialogue to brainwash my inquisitors!

Have rebellion crushing minigames, and risk of losing precious DNA sources and rarefied Kaminoan cloning specialtists!

Let me give birth to deformed blobs that scream in pain and die, until I manage to craft the first Snoke!!

Let me play a Dark Sith Cloning Sim!! Let me be dark and fucked up!!!

Now that would be engaging and fun, and that would leave space for stories to be told during the empire and post empire eras that don't revolve around Palpatine's deals.

Of course it's 2D pixel art BTW.

#tbb #the bad batch #palpatine #sw #star wars #video game concept #resource management #blood; children; kaminoan scientists; dirty money...#you know how it goes #game concept #cloning

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keplercryptids · 2 years

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Queer Books for Spooky Season!

i have read and enjoyed all of these, and have organized them in such a way that makes sense to me and hopefully peaks your interest! most are straight-up horror, but some just have horror / spooky themes.

[please note, not all these books have overtly queer characters / relationships, but are included because they have queer authors and/or queer characters, plots or themes. don’t want people to go into any of these books expecting romance.]

Spooky & Sapphic

The Locked Tomb series by Tamsyn Muir. everyone on tumblr knows about this series. it’s a science-fantasy, it’s got lesbian necromancers in space, it’s got mysteries and intrigue, and i would describe it as a “fun” read but please know my idea of fun includes body horror, grief and spooky vibes.

The Luminous Dead by Caitlin Starling. the vibes of this one are off the charts. story is told from the perspective of a lone caver on a foreign planet, as she communicates with her dive suit’s handler. it’s tense and suspenseful, lots of survival-fiction vibes, and it’s exactly how i want characters to flirt: via coms only, as one fights for their life.

Yellow Jessamine by Caitlin Starling. this one’s a weird little gothic novella about a shipping magnate who’s confined to her creepy estate as a mysterious plague runs rampant through the city.

Things Have Gotten Worse Since We Last Spoke by Eric LaRocca. this novella is told via early-2000s chat logs and emails between two women as they develop one of the most unnerving relationships i’ve ever read. gross things happen! this one’s polarizing! but i loved it so much. absolutely unhinged vibes.

Parasites, but Goth

Leech by Hiron Ennes. most of this book is told from the POV of a parasitic hivemind called the Institute, which uses host bodies to act as physicians for the rest of society in a post-apocalyptic, gothic setting. and it gets weirder from there. it’s an honestly quite beautiful exploration of bodily autonomy, identity, and trauma.

What Moves the Dead by T. Kingfisher. this is a retelling of the fall of the house of usher, and includes a spooky manor, fungal parasites, possessed wildlife, and the exact kind of unsettling atmosphere that i love in a horror book.

Sorrowland by Rivers Solomon. this story follows a teen mother who’s escaped from a cult and is now undergoing a fungal metamorphosis in the forest. big thriller/survival vibes and some truly excellent commentary about oppression, trauma and societal secrets.

Could Vampirism be Gayer? (yes, actually)

A Dowry of Blood by S.T. Gibson. "dracula’s polycule” is what sold me on this book, and while yes, it’s got polyamorous vampires, the heart of the story is about the dynamics of an abusive relationship, with a strong thread of hope throughout.

The Route of Ice and Salt by José Luis Zárate, transl. by David Bowles. i’m not usually one to categorize a book as Important (TM) but this novella definitely is that. it was originally published in the 90s by a mexican author, and it’s a reimagining of dracula’s voyage to england from the POV of the captain, a closeted gay man full of queer yearning. this book is beautiful and painful and challenging and yes, important. it’s also horny as hell so like, you’ve been warned lol. only recently has it been made available in english, too!

Science as Horror

The Echo Wife by Sarah Gailey. a short novel about a woman who’s recently separated from her husband, who in turn started a relationship with a clone of her. loved the character exploration in this, and it’s definitely got mystery/thriller vibes if you’re into that.

You’ve Lost a Lot of Blood by Eric LaRocca. this is a vibe-heavy, kind of trippy novella which features a story-within-a-story. don’t want to give away too much of the plot here because it’s a wild ride.

and finally, here’s some honorable mentions, at the end here because i didn’t love them. but you might!

Just Like Home by Sarah Gailey (haunted house personified, exploration of dysfunctional family)

The Seep by Chana Porter (post-apocalyptic quest)

Into the Drowning Deep by Mira Grant (killer mermaids)

Nothing but Blackened Teeth by Cassandra Khaw (creepy mansion, corpse bride)

#whew! happy reading yall #booktalk

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hopelessnecromanticc · 2 months

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Touchstarved Locked Tomb Au Headcannons

i plan to draw / ramble about this a lot so these are based on the made up lore ive crafted. feel free to leave your own ideas/takes :).

Kuras

sixth house necromancer

i feel like he would already be a lyctor. not as old as some lyctors but not a new one either

feel free to imagine who his cavalier was

Vere

third house cavalier

a part of me wants him to secretly be a necromancer but doesnt want anyone to find out

he reminds me of ianthe imma be so fr

Ais

third house necromancer

his vibe doesnt rly scream third house but i need him to be with vere or else ill be upset

my explanation is that he originally was from a far off place but was sent to the third for some reason (BoE spy perhaps. idc if it makes no sense i find the drama exciting)

Leander

eighth house necromancer ofc

i dont have much else to say about him rn

hes just spooky and off putting

Mhin

cavalier of the ninth house

was supposed to be a necromancer

still studies necromancy when they can

(i based them off harrow nova ngl)

the "story" is completely separate from most of the actual locked tomb lore (the only things im keeping are the houses and the general rules of their society. none of the characters in the actual locked tomb series exist in this au. the universe is just the setting)

#touchstarved demo #the locked tomb #touchstarved game #locked tomb au #touchstarved kuras #vere touchstarved #ais touchstarved #mhin touchstarved #leander touchstarved #touchstarved headcanons #idk if these rly count as headcannons lol

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fallenstarzz · 2 months

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any tlt au kevjean crumbs for us queen…. - dayurno

@dayurno oh dayurno........ You need to understand that every since I claimed that prompt I open the doc daily and I have yet to churn out an opening I like despite it being fully plotted in my mind. It's L after L over here

However. I do have some snippets of future scenes I've written down so. Please accept this humble offering until our Ressurector, the Necrolord Prime, the King Undying, our Kindly Price of Death sees fit with gifting me the inspiration

"They kissed, once. They were young, but not enough to not know better. Riko was away, called off by the Master, and in that rare moment of peace the two of them had taken to sparring. Kevin was disarmed, cornered, and Jean's practice sword had went full force for his throat – or it should have gone, but he hesitaded in the last second before wood met skin, and in the space of that breath, Kevin hooked his foot along Jean's ankle and pulled them both to the ground, landing perfectly on top of Jean, one hand cradling his skull so it wouldn't hit the pavement too hard. The other was against Jean's chest, and as the moment of victory stretched a little too long, Kevin could feel the heart pounding beneath his palm, so hard he could have believed he was holding it.

It felt like something he could break.

Kevin had looked from his hand to Jean's face. The cavalier's eyes where the exact grey of the atmosphere in the second between sunset and nightfall. His lips were parted, perfectly pink as the blush of exertion along his pale cheeks.

Kevin didn't so much decide to lean down as he did catch himself already kissing him. Jean's hands wandered up his waist and down his thighs, and it that moment, they had been the only two people left in the universe."

And here are some assorted news:

Kayleigh used to be Tetsuji's cavalier. She died while they were both serving on the Cohort, at which point he retired from his military carreer

Kevin was originally supposed to be Riko's cavalier, but the plans changed when he was discovered to be a necromancer. Riko, however, has had a hard time getting over it

Kevin is a flesh adept and Riko is a soul adept (breaking with Third tradition). Also breaking with Third tradition, he may or may not have attempted soul siphoning before

On paper, Jean is Riko's cavalier, and Kevin has none. Everyone knows, though, that Jean serves as cavalier to them both. As for which of them he is actually devoted to...

The story is set in the year before the myriadic year of our lord. Here's a snippet of Kevin's opinion about it: "Riko can believe what he wants, but Kevin knows the real reason why they're here. They're guinea pigs. It's not that the Emperor expects them to fail, but He knows no one would be sad with the abomination of the Third House out of the way."

This story has a theme of when it comes to hearts :)

The title is the opposite of hunger

#kevjean #my wips #fic: the opposite of hunger #kevin day #jean moreau

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soreiya · 7 months

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Thanks for the tag @chameliyun

I’m gonna respond even though I’m not technically a writer. LMFAO

How many works do you have on ao3?

0! ;D

What's your total ao3 word count?

0 ):

What fandoms do you write for?

Currently just Tangled the Series

What are your top five fics by kudos?

Would I even get kudos if I posted something? o__o; Kinda doubt it.

Do you respond to comments?

I love responding to comments.

What is the fic you wrote with the angstiest ending?

Typically, I write happy endings. Though if you want angst, then I’ll give you angst. Mwahahahahha~

What is the fic you wrote with the happiest ending?

All of the Small Things

Do you get hate on fics?

Nope, just in general. ;p

Do you write smut? If so, what kind?

The stuff I write is relatively tame, but I have written some crack nonsense that was slightly NSFW.

Do you write crossovers? What's the craziest one you've written?

I have not, but I think it would be super fun to write a crossover story.

Have you ever had a fic stolen?

I have had an original story get taken, but not a fanfic. I’ve also had ideas or names get used without crediting me.

What's the longest you've spent working on one fic? And the shortest?

The longest that I worked on a story was about 6 years.

The shortest is just random concepts that I spam on Discord.

Have you ever co-written a fic before?

I co-wrote a story once. Though it was not a fanfic.

I ramble with people on Discord about random story ideas. Not sure if that counts or not.

What's your all-time favorite ship? From all fandoms?

Shipping is one of those things that is a bit like a fixation. Sometimes the most recent ones you end up hyper focusing on, but if you get reminded of an old ship you liked out of the blue then that love comes back full force? Needless to say, I can’t answer this question. Haha

What's a WIP you want to finish but doubt you ever will?

Necromancer Rapunzel!

What are your writing strengths?

I like world building and problem solving. Basic developmental stuff.

What are your writing weaknesses?

Dialogue and longform writing

Thoughts on writing dialogue in another language for a fic?

I don’t think I would just because I wouldn't have anyone to go to for accuracy.

First fandom you wrote for?

Digimon Frontier

Favorite fic you've written?

Power Play since it’s my most complete story outline.

#tagged #if you're a writer and want to do this #then go for it #I'm a wuss about tagging people.#lmfao

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animasola86 · 28 days

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Nebbia's Origin Story

You might have seen and/or read about my HL MC Nebbia DeLuca, who I kinda revived for my HL playthroughs. But this very OC has been in my brain and in several attempts at writing her story for almost a decade now.

She's also been a shotgun/blood magic wielding Templar in The Secret World/Secret World Legends, or a necromancer with a greatsword and a staff in Guild Wars 2, and a car collecting maniac world explorer in GTA Online. So having "just" a wand was quite the adjustment for her!

But enough about her alter egos, how did she come to be?

She's been in my brain ever since I came into contact with The Last of Us. That game had a serious impact on me and the stories whirling through my head. I've always been a storyteller, have written stories since an early age. I've created a lot of original characters, fleshed out, with detailed backstories, but I was never able to finish their respective stories.

The themes were always pretty similar: younger woman, older man, size difference, gruff but protective male, innocent but feisty female. Side characters were always of the jealous, dangerous kind. I've always loved taboos and kinks, and the above-mentioned dynamic is one of my favorites to write (and read) stories about.

So, inspired by Joel and Ellie's relationship, I wanted to create characters that were similar, but different. My main motive for writing was always: Something's missing in those stories, let's write it myself! It started with adding romance to a thriller, love to a murder mystery, or found family/forbidden feelings to otherwise "innocent" scenarios.

For example, I've written a story about a young woman falling in love with the married father of the kid she's supposed to babysit (I swear there's more to that story than the porn clichés, it ends up turning into a psychological drama about jealousy and domination, mental illness, murder, abduction, what's real, what's not kinda scenes; unfortunately I've never finished my first proper original work that's sitting on a USB-stick somewhere since 2011. One day I'll get to finish your story, Tasja, don't worry. You'll get your happy ending!).

And then, someday in the year 2017, I started writing a story (though the idea is much older) about a post-apocalyptic world, based on an island near my hometown. I've thrown ideas around and around, researching, visiting places, creating characters, always changing something, but the basic idea that stuck was this (I suck at summaries, btw, sorry!):

Twenty years ago, there was a black-out and society collapsed. The people on that island live in groups, as far away from each other as possible to avoid conflict, as they are all stuck there, with no way to leave the island.

Enter Nebbia, born after the End, who is a girl living in an all-female village run by a group of older women called the Elders, whose daughters (creatively named the Daughters) do all their "dirty work". Nebbia is classified as a Motherless, you guessed it, lives without a mother.

And the backstory of that, in short, is: her mother was pregnant when she was found by one of the Daughters and brought to the village, gave birth, and fled the place after she discovered their dark secret (because what's a post-apocalyptic community without a dark secret, eh?), but she left Nebbia there because she knew she would have a safe home in spite of it, that is until she turns 18, when things go really dark.

In short: there's a strange little celebration, all the girls of age are dressed in their best dresses, and then leave the village on their way to another village nearby that is run by the Men... and, uh, well, yeah, society collapsed, so they try to rebuild it, it's a breeding station, oops, you get the idea.

And that is when our male protagonist comes in: Ben, in his late thirties, a gruff, lonesome smuggler/outsider/person who doesn't have a village/group, but works between them. And he is hired by none other than Nebbia's mother, Kira, to get Nebbia and save her from the horrible fate of being bred helping society grow again.

But something happens (there's a mysterious fog that keeps the people from leaving the island, but never mind that, although that is why Nebbia is called Nebbia, because fog=nebbia in Italian, because her mother is half-Italian - also, hey, off-topic, but there's a fitness clothes store called Nebbia in the Slovak Republic, isn't that cool?) and Ben loses his memories, and when he sees Nebbia, he thinks she's Kira... and kinda falls for her, because, of course, him and her were sweethearts before the End (but they had a falling out, but he doesn't remember that yet).

And Nebbia is this innocent girl, who basically worked as a slave her whole life, can't read, can't swim, is treated very poorly, can't exist outside her village, really. (And to have such a character and let her explore the world and learn stuff and blossom would have been so interesting to write!)

So Ben saves kidnaps Nebbia from the village, and they try to find their way back to Kira... and somehow this is where my ideas froze. I wanted to show their journey through the post-apocalyptic world, how their life is, what they do to survive, who they meet, that he slowly regains his memories and realizes his feelings for this girl, and once they get to where they want to go, they find out that Kira is gone/dead/I don't know, something, aaaand their journey continues? I have no idea. I never came to those parts.

I've written so many versions of that story, in German to start with (because the island it's set on is a German island), then tried recreating it in English without the local color, but it never really worked. I didn't know where it would end.

But the characters remained inside my head, I've had so many scenarios for them because I loved their dynamic, but I've never written any of them because back then I thought I needed a full story, something with beginning and end, the whole deal. I've never written one-shots before, or even short stories. I was fixated on the whole "novel" thing, that was my goal, my dream.

But now, after having written sooo many one-shots for a fandom, just snippets of people's lives and what they do in the moment, I feel confident enough to tackle it. To create little short stories centered around those very characters: Ben and Nebbia.

I've also read so many original works on AO3 lately, and seeing how people just put their own ideas out there, for everyone to see, did something to me. I always wanted to keep my ideas to myself, because, maybe, someday, I'll finish a story and could send it to a publisher and one day have my own work in book-form, but honestly, it is such a daunting idea, when all I wanna do is tell stories.

And so now I will just tell stories. I've started by writing for these characters everyone knows and loves (and I'll keep writing Sebastian smut, don't worry!), but now it's time to branch out, give those people inside my head their story, or at least snippets of their lives, and share it with the world.

And as I write this, I am working on an AU of those characters, with a completely different setting, but the same dynamic: older man, younger woman, gruff/protective vs. innocent/feisty, love in dangerous environments. Of course, it's gonna have my usual smut elements, but also world building, side characters, character development, etc. and new things to research!

(Lemme throw in some words I learned that may give a hint to where the story is set: withers, spats, stirrup. As for the time, well, it's actually an era I've already written for, but the place is a lot more... west, way west.)

I feel very inspired, and I hope I can one day (hopefully very soon*) share their story with you.

(I've made a side blog @animasolaoriginal where I'll post it once it's done or I grow too impatient to wait! I'll also post moodboards and inspirations there - eventually! If you'd like to follow me there too, I'd very much appreciate it!)

Thank you for letting me get this out. These characters are very dear to me, and I hope, once I start uploading my original work, I might catch your interest with it, and you will start to like them too!

Edit: *I did it, I posted the first chapter! 🤠

#original character #nebbia deluca #things to come #things i'm doing behind the scenes #also sorry for the radio silence #I've been stuck on a horse #🤠

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pixies-and-poets · 11 months

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Bramble’s Fanfic Collection

Hi friends!! I’ve been wanting to do this for a while: since I don’t, as of yet, post my work on AO3 or anywhere else besides here, I wanted to get together a collection of my writing. I will keep this post current, so if you are looking at this from a reblog, be aware that it might not be up to date unless you visit the original post!

This isn’t everything I’ve written in my life, of course, but it’s everything that lives here. I have much older stuff that I might port over here gradually if I decide I’m still happy with it.

Nothing I write is too explicit, but it sometimes may deal with body horror, injury, death, and distressing themes such as depression and suicidal ideation. Content warnings are given on individual posts.

Fanfics are collected into general fandom categories below. Thanks to anyone who’s ever read, commented on and enjoyed my work!

Super Mario RPG

I first played SMRPG over half of my lifetime ago, but it never really captured my imagination until the remake came out. Being older, I felt like I was in a better spot to appreciate some of its more subtle themes, and became enamored with the Smithy Gang in particular. I haven't written all that much yet, but I'd like to do more.

The Forging - A Spear is born.

Smithy Gang Headcanons - My personal timeline and background from which I hope to eventually build more ideas.

Mack/Claymorton Headcanons

Mario + Rabbids

This is the fandom that brought me back to tumblr and got me to stick around, and also got me writing on my own again after ages of drought. Years ago I would have never believed that rabbids would get me to write so much, but here I am, and I’m grateful for it!

Most of these so far are about Woodrow and Palette Prime more generally, because that’s where my brain lives, and the catastrophe poet is very special to my heart. I’ll eventually branch out more though, I swear.

I write a bunch of Phandrow (Phantom x Woodrow) stuff specifically; it started out with me trying to justify a crackship to my own brain and then whoops! I became obsessed

Of Verses and Curses

My magnum opus of fanfics, as of yet, and the longest work of fiction I have written independently in my life, this is a story of finding the person who loves you even if your passion in life seems to only bring failure and misfortune. It’s a deeply personal story built off a lot of my own feelings and struggles. It’s also a story about two gay rabbids who have never canonically met. [Phantom x Woodrow, also includes plenty of Dryad x Sweetlopek]

Chapter One

Chapter Two

Chapter Three

Chapter Four

Chapter Five

Chapter Six

Chapter Seven

Chapter Eight

Chapter Nine

Chapter Ten

Chapter Eleven

Chapter Twelve

Chapter Thirteen

Epilogue

Music of the Night

The dark inverse to Of Verses and Curses, set in the Sparks of Despair AU created by @pastelprince18, this is a far more upsetting tale of doomed love and unhappy endings. There is a monster at the end of this book.

(Body horror warning, especially at the end, so just be aware before you get invested.)

Chapter One - In Sleep He Sang to Me

Chapter Two - Do I Dream Again?

Chapter Three - Our Strange Duet

Chapter Four - To Glance Behind

Chapter Five - Those Who Have Seen Your Face

Chapter Six - Where Night is Blind

Chapter Seven - Angel of Music

Other Woodrow or Phandrow stuff

Bwahstrella’s Warning - an exploration of what might happen when you push the galaxy’s own disaster poet to the heights or the depths of his passion. [Phantom x Woodrow]

Poetry Slammed - Sweetlopek’s perspective of a certain boat incident. [Sweetlopek and Woodrow, platonic]

Happy Phandrow Things - not really a fanfic so much as a collection of thoughts/headcanons but they make me happy so they’re going here, gosh darnit!

The Eulogist - Woodrow necromancer AU. Not sure I need to say more than that. [character death and slight body horror warning]

Wolf of the Woods - An exploration of a Werewolf Woodrow AU! While not much in itself, people liked it; not only did it spearhead a lot of fun discussion/art, but it’s pretty much what got me writing again and therefore led to EVERYTHING above!

Unmerged - Not really a fic, but an exploration of an idea that makes me too sad to think about too much D:

An Appeal to the Heavens - In a time long past, a poor poet makes a desperate plea to the god he yearns to serve.

Pocket Poet, Part 1 | Part 2 - my one exploration of the Borrower AU: tiny Woodrow experiences the theatrical world of his lover, up close and personal.

Non-Woodrow Stuff (wtf, it DOES exist)

Something from Nothing - before we really knew what the Tower of Doooom was about, we had thoughts. Unhappy thoughts. [featuring Spawny and extra-evil Phantom]

M+R Timeline Analysis - Not a fic, but some background on how I view this universe.

Tools of the Traitors - A mini Super Paper Mario crossover between Kanya and Dimentio.

The High Seas AU

Sirens and Soliloquys - a pirate poet who bears a curse in secret is tempted by a siren's song, and gets more than he could have possibly imagined as a result.

Further worldbuilding and character background ideas for the AU!

Sea Legs - just a little more Phandrow silly sweetness

The Vampire [Phanpire?] AU

A Phandrow-centric AU that really speaks for itself, collaboratively created. Usually Phantom is the vampire and Woodrow his willing prey, but sometimes the roles are reversed, sometimes the ""victim"" is Prima Donna (Phantom's drag persona), sometimes they're both vampires- look, we like to have fun here.

As a general warning, pretty much anything in this collection will deal with blood and mild injury.

A Bite for Good Luck - my starting point for this AU, and its companion piece from Tom's perspective.

Burning Like The Sunrise - a little prequel to the above. A tale of passion at first bite.

One Paw in the Grave - Woodrow learns just how vulnerable a vampire can be.

Bat's Eye View - A vampire shows his beloved the world as he sees it.

Batsong - Lord Phan runs into misfortune; but thankfully, it's only of a rather amusing kind.

Donkey Kong/Banjo-Kazooie/Rare-Playtonic Universe

A Donkey Kong’s World - this is a narrative record of the homebrew D&D campaign I was in, and includes elements from all of the things mentioned above, as well as Sea of Thieves and the Mario series. I’m including it here because not only was I involved as one of the characters, but I actually novelized most of the whole story (taking over from our DM who did the first few chapters) based on our session recordings. It was an extremely special experience for me, and is quite a long read, but if you’re a big fan of any of these franchises I think you might enjoy coming along with us. [Link is external and goes to the forum where the story is hosted.]

Mario and Luigi: Superstar Saga (+ Bowser’s Minions)

These are years old, from before my tumblr hiatus, so they may not be quite up to my current standards... but I still like them.

Anamnesis - While Popple and Rookie plan their biggest heist yet, Rookie tries to remember who he is... and almost does.

Wallflower - In the quiet moments, Captain Shy Guy realizes just how much he cares about that silly Goomba... [Captain Shy Guy x Captain Goomba]

The Stolen Birthday - a little headcanon for a Popple backstory.

That’s all for now!!

#fanfic

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