#three for the elven kings under the sky

[bh-52]

Google = Gollum

[galatariel]

I know The Three Rings are free of his influence.

But are you? The light of Valinor shone upon your very face, Galadriel, and you turned your back on it. Was it truly to fight the darkness or was the darkness calling to you? Can you not see? All this may be by his design.

The Lord of the Rings: THE RINGS OF POWER 2.01 — Elven Kings Under the Sky (2024)

[mvashnic]

Three rings for the elven-kings under the sky. Let's goooooo. Have not actually watched any episodes yet, gotta wait after work, but hype train!

[prentissluvr]

the impala, 4:00 p.m. — sam winchester

cw : gn!winchester!reader, fluff, hurt/comfort, sam & reader are twins, dean's implied to be dead/gone (you choose which time lol), unedited, 608 words. requested ! for my 800 followers event [ closed ] .

summary : sam lifts your mood with a book on a sort of somber day in the impala.

for months now, it’s just been you two. sort of like how it was when sam was at stanford. you moved near campus to be close to him at nineteen. the year apart beforehand had been hellish sometimes.

but these days have this odd liminality to them. there are no crappy college kid apartments or girlfriends or parties. just the impala, the road, monsters, and each other. you miss dean. some days you almost don’t.

lots of days you miss what you and sam could’ve had, but it feels too late now. it’s sort of nice, though, because you don’t hunt all the time. you and sam take breaks. you help where you can, then you visit southern california for a taste of hot weather and salty air. last week, you stopped for a few days in a midwestern national park. it was stunning, and perfectly suited to yours and sam’s tastes.

today is an in between day, no plans and no hunts on the horizon yet. you’re behind the wheel, your mixtape playing through the speakers. as for the way you feel, everything there is an in between too.

you’re tired, but painfully aware. mourning, and oddly at peace. it doesn’t quite feel bad, but you don’t feel good.

oftentimes, your mood aligns with sam’s. you guess it could be that cliche twine telepathy, but to you it feels more like a deep understanding of each other paired with so many sort of insane and mundane shared experiences.

but today, sam is good. he’s not great, because it’s sort of hard to be more often than not these days, but the two of you are slowly figuring it out. sam very easily senses the way you feel. today and every day. he thinks you’re teetering on the edge enough that he can steer you in the more pleasant direction.

he’s going to offer to switch to the drivers seat in a bit, but he’ll do a few other things first. before interrupting your quiet time with the music and scenery, he’s going to find a good place to eat. not an american diner, but somwhere with better food. he hopes he can find a thai place with good reviews.

then he pulls out a book. you don’t look over at the movement at first. you can see the book in his lap through your peripheral vision, and don’t blink because he’s always reading when he get’s bored in his passenger’s seat. but then he turns down the music and shows you the cover with an unspoken question.

the fellowship of the rings.

you had forgotten that sam carries the lord of the rings books around with him. it catches you by complete surprise, the sight of the worn copy you two shared as kids and the question in his eyes. you grin. he’s asking if you want him to read it aloud to you, to fill up a bit of the gaping hole in this car.

“i forgot you had that,” you say, eyes turning back to the road, but your smile sticking around. sam grins back at you.

“what, you think i go anywhere without a copy of this?” he says lightheartedly, half teasing himself by saying something so nerdy.

“as you should,” you shrug, shutting the music all the way off. “go on, then.” you hear the creak of the spine, and the rustle of pages. then sam’s voice, a sound that melds in perfect familiarity with the rumble of the impala.

“three rings for the elven-kings under the sky, seven for the dwarf-lords in their halls of stone, nine for mortal men doomed to die…”

[nenyabusiness]

"Last Temptation"

After episode 4 and the possible flash-forward, I just need to talk about this soundtrack. We haven't heard it in the show yet, and I'm pretty sure we're going to have to wait until the season finale. Bear McCreary is a master at combining leitmotifs to musically represent a scene, and I truly believe that this is the track that will play during the inevitable confrontation between Sauron and Galadriel.

Spoilers ahead for potential predictions, because I'm breaking this fucker down.

We start out with a soft soprano humming the melody of "Where The Shadows Lie". For those who don't remember the full version from the first season, it's the one with lyrics:

Three rings for the Elven kings under the sky Seven for the dwarf lords in their halls of stone Nine for mortal men doomed to die One for the dark lord on his dark throne In the land of Mordor where the shadows lie One ring to rule them all, one ring to find them One ring to bring them all, and in the darkness bind them In the land of Mordor where the shadows lie

So far, we've already heard this melody quite a bit, since it's often played when something sinister and ring-related is going on. It also plays with a full symphonic orchestra during the Annatar reveal in he soundtrack called "Emissary at the Forge", which I'd personally say is actually Annatar's theme. I could go on a rant with that one to, but to put it briefly: We've got "Sauron" and "Where The Shadows Lie" played on Elven-coded instruments. Does it get more Annatar than that?

Okay. So. The scene opens with dark ring shenanigans and/or Annatar. It's dark. It has tension. It's the eerie calm before the storm.

At 0:40, the mood changes. We get strings, followed by male choir and sharp brass, leading us straight into Sauron's theme. It's not as chaotic as "Sauron" from season 1. We have a steady 4/4 rhythm compared to the whatever the hell is going on in the original theme. The core melody and the ostinato on the strings are unmistakable though. We're dealing with Sauron.

1:05 is where things start to escalate. We move between sharp female vocals and softer orchestral interludes that almost seem to fight each other, leading up to the magnificent 1:36. Galadriel's leitmotif on brass, with a note lowered just a half step to give it dissonance. If "Emissary At The Forge" is Elven-coded "Sauron", then this is Sauron-coded "Galadriel". It's not ethereal. It's not harmonic. It's intense, and I can't wait to see what Galadriel is actually doing here during this part. Fighting, most likely. Viciously.

After a brief breather, we reach 1:59 where Sauron's leitmotif returns, sung by a single soprano. No string ostinato. Just the main melody, performed with the same eerie vibe as "Where The Shadows Lie" in the intro. The orchestra builds, losing some dissonance as more instrument joins... and then we're suddenly back in a much more triumphant version of Galadriel's theme at 2:25. Something has shifted here. The dynamics are different. Maybe she's getting the upper hand? But here comes the kicker, Sauron's ace up his sleeve: Halbrand's theme.

A soft whisper of a dulcimer breaks free from the symphonic orchestra at 2:30, followed by a Nordic nyckelharpa at 2:35. There are hints of Halbrand's theme in other season 2 tracks too, but not like this. We're not just dealing with elements of Halbrand's theme here. This is Halbrand's theme, with the original instrumentalization. In episode 4, we catch a glimpse of Sauron in a flickering montage of images, looking almost exactly like he did during the battle in the Southlands. I strongly suspect that when we get to that scene, it's going to be backed up by this exact part of the soundtrack. It lasts for almost half a minute. The battle has been put on pause. Has Galadriel's feelings for the man she thought she knew caught up with her? Something emotional is happening here. Something that involves their time together, back when they were still allies.

At 2:56, the battle is on again. The sharp female choir is back, sounding even more erratic. More urgent. Galadriel's leitmotif returns, now with the right note but at doubled speed. She's retaliating.

The next major point happens at 3:47, where things suddenly go quiet. We shift into Sauron's leitmotif on soprano again, which transitions into Galadriel's, and then back to Sauron's. It's really, really smooth, and I can only applaud Bear for the execution. The themes should be incompatible, but nope, he makes it work.

At 4:53, something really interesting happens. Both "Sauron" and "Galadriel" have string ostinatos. Ostinatos are short, reoccurring melodies, and Bear often use them to back up the "main" motifs. At this time stamp, we're hearing a new ostinato that sounds an awful lot like Sauron's and Galadriel's combined. It's not as dissonant as Sauron's, but it's not as clean as Galadriel's either. I can still hear both in it, though. We're no longer just shifting back and forth between the soundtracks - they've actually merged. I have no clue what that means but I can't wait to find out. Is this her "Last Temptation"? Did he give her the same proposal again? Is she tempted?

The music builds again. At 5:27, we hear a short, explosive burst of Galadriel's theme on brass baked into an epic soundscape. Whatever it was that just happened, she's snapped out of it. She faced her temptation and turned it down. We hear the direct result of this at 5:39, where we get Sauron's theme sounding a lot more like the one from season 1 again. No more soft soprano. We're back to male choir. (I think it's worth mentioning that traditionally, male choir more evil-coded than female, so that's neat.)

If there was ever any doubt whether or not she resisted the temptation, we get a confirmation at 6:03. Galadriel's theme on harp, backed up by a soft female choir. She chose the light. Again.

The final half minute is orchestral, but the battle is over. There's peace. A touch of triumph, a touch of melancholy, but there's definitely peace.

Okay. I think I'm done. Bear is a genius so I'm sure there are even more easter eggs in there, but these are the ones I caught.

EDIT: During that final half minute, we actually get a bit of Elrond's theme. Is he the one who interrupts the altercation? Is that how the fight comes to an end? I'm really interested in seeing how that plays out. TLDR: Bear created a Sauron/Galadriel/Halbrand medley and I'm in awe.

[tolkien-feels]

"Three Rings for the Elven-kings under the sky" is hilarious during the Third Age because like

Elrond: Elf ✅ King ❌

Galadriel: Elf ✅ King ❌

Gandalf: Elf ❌ King ❌

Thranduil: Elf ✅ King ✅ Ringbearer ❌

[celebrimborium]

Three Rings for the Elven-kings under the sky, Seven for the Dwarf-lords in their halls of stone, Nine for Mortal Men doomed to die, One for the Dark Lord on his dark throne In the Land of Mordor where the Shadows lie.

[name-esfandiar]

Persian translation of the Ring Poem by J. R. R. Tolkien (by me)

Here is my take at translating the Ring Poem from english to persian, hope it will arouse your interest !

If you are interested by the process and my notes, it will be below it all.

English

Three Rings for the Elven-kings under the sky,
Seven for the Dwarf-lords in their halls of stone,
Nine for Mortal Men doomed to die,
One for the Dark Lord on his dark throne
In the Land of Mordor where the Shadows lie.
One Ring to rule them all. One Ring to find them,
One Ring to bring them all and in the darkness bind them
In the Land of Mordor where the Shadows lie.

Persian

سه‌ حَلقه واسهٔ پادیشاه الفی تَحت آسمان،

هفت‌ واسهٔ اربابهای دورفی توی اُتاق سنگ،

نه‌ واسهٔ انسانهای فانی محکوم به مرگ،

یک واسهٔ ارباب تاریک بر سریر تاریکش،

در استان موردور کجا سایها می‌خزند.

یک حلقه واسهٔ حکم راندنِ برهمه. یک حلقه یافتنشان،

یک حلقه واسهٔ آوردنِ برهمه و توی تاریک پیوستنشان

در استان موردور کجا سایها میخزند.

Transliteration in latin script

se halqe vâse-ye pâdishâh-e elfi taht-e âsemân,

haft vâse-ye arbâbhâ-ye dvarfi tu-ye otâq-e sang,

noh vâse-ye ensânhâ-ye fâni mahkum be marg,

yek vâse-ye arbâb-e târik bar sarir-e târikesh,

dar estân-e mordor kojâ sâyehâ mikhazand.

yek halqe vâse-ye hakam rândan-e barhame. yek halqe yâftaneshân,

yek halqe vâse-ye âvardan-e barhame o tu-ye târik peyvastaneshân

dar estân-e mordor kojâ sâyehâ mikhazand.

I hope you will like it :) if you like the topic, you can keep reading

My process and few interesting notes

Of rhymes, rhythm, and word choice

As it can be seen, I managed to make the second quatrain have quite perfect enclosed rhymes ! A thing I could not successfully replicate in the first one… or could I ?

The first and forth verse are the problem — although both 3 syllables, and cretics as per my prononciation (kept the second e in esemân specifically for that effect) ; so quite rhythmically pleasant. But it was too close to perfection to let it pass. Even if the idea of the only two words not rhyming being the sky of the Elves and the darkness of Sauron’s throne was dramatically fortunate, even quite brilliant. But it was not by my doing, only chance’s ; so it was important to me to add brilliance intentionally, by making it rhyme all the way.

My first idea was to change the word for dark, تاریکش (târikesh) into ویران (virân), making it then :

se halqe vâse-ye pâdishâh-e elfi taht-e âs(e)mân,

haft vâse-ye arbâbhâ-ye dvarfi tu-ye otâq-e sang,

noh vâse-ye ensânhâ-ye fâni mahkum be marg,

yek vâse-ye arbâb-e târik bar sarir-e virân,

It was a fine solution, but that had problems still.

Firstly, the -esh in تاریکش (târikesh) is the possessive suffix, part of the bigger nominal group سریر تاریکش (sarir-e târikesh), meaning “his dark throne” (lit. throne dark his) ; hence the -esh. If I was to use the word ویران (virân), that possession was no more, making it mean “the dark throne”, which was okay-ish (ahah, get it?), but not literal.

Furthermore, ویران (virân) means more “desolate”, “ruined” than “dark” ; it could mean something, like a “dark world”, but it wasn’t literally because it was dark. But desolate was fine ! Mordor is quite it, given how it’s described.

Note how I wrote this time âsemân with parentheses, âs(e)mân, pronounced then âsmân — both are equally said — to match the metric of virân. A nice touch, but no possession.

I wanted the possession.

My second idea was to change the word for sky, آسمان (âsemân) into عرش (‘arsh), making it then :

se halqe vâse-ye pâdishâh-e elfi taht-e ‘arsh,

haft vâse-ye arbâbhâ-ye dvarfi tu-ye otâq-e sang,

noh vâse-ye ensânhâ-ye fâni mahkum be marg,

yek vâse-ye arbâb-e târik bar sarir-e târikesh,

As easily guessed, it had problems.

The first problem was both one… and a genius play on words. For عرش (‘arsh) means sky but in a metaphorical manner, think throne of God type of sky meaning. Which was a problem, and a miracle. Alluding to earthly religions is always risky for translations, in my opinion ; too much connotation, interfering with the translation itself. But, at the same time, it was fun. The parallel between the “throne” of the Elves (or maybe Eru Ilúvatar’s one ?) and the throne of Sauron. Good vs evil is always neat, especially when speaking of Tolkien !

Another issue was the fact that the rhymes were poorer than before, rhymes still, but poor.

A good point was the fact that we kept the possession. Important point, of course.

Of my process and sources

This part will be quick, I promise.

I mostly used Glosbe, not that much for words (well, I used it to find عرش (‘arsh) or ویران (virân), to be fair) but more to have access to its corpuses, diving into the open subtitles of the Lord of the Rings movies. I didn’t want to copy-paste the already made translations, but I used it up has a way to see how they prism through they translated english. It was interesting. Used the french ones, too.

Yes, because last of all, persian in not my mother tongue, neither is english. French is, so excuse my “frenchism” if it occurs.

If you are a persian speaker, any notes or thoughts are more than welcome ! Please, enlighten me. Know that I tried my best and do as best I could, given my knowledge, my guts, and my sources.

[classicanalyzer]

Lord of the Rings: The Rings of Power Season 2 Premiere Thoughts

"I have walked through the dust and deserts of far-away lands, in search of an artist possessing the craft to save all Middle-Earth. A storm is coming, Celebrimbor. I can bring you the knowledge none other possesses. I can unlock your grandest abilities. And when our work is complete, never again will the world overlook you as the mere scion of Fëanor but forevermore revere you...The Lord of the Rings." Sauron/Annatar

Season 2 really improved on the aspects of S1 I found lacking. There are more connections to the lore of the Second Age and better writing in the stories from S1. The production design of this show has always looked amazing, but this season really nails it. The practical Orc designs is always great to see. What a great premiere.

Elven Kings Under the Sky

"Always, after a defeat... the shadow takes another shape and grows again. Morgoth is gone. Leaving us alone and disgraced. But today, a new age begins. Under me. Your new master. Sauron. And with a new age, I bring a new vision. A path to unconditional conquest. For I seek a new kind of power. Not of the flesh, but over flesh. A power of the unseen world. One we shall use to enslave the peoples of Middle-earth to our very will. Many Orcs will die. But out of the chaos, we will forge a new and perfect order. No longer will we be hunted as the demons who broke Middle-earth, but rather worshipped as the saviors who finally healed it. By bringing its peoples together, to rule them all as one!" Sauron

I find it funny how Sauron was this out-of-touch wannabe ruler who nonetheless shows why he's feared as he killed a treasonous Orc. This Sauron is a player who didn't invest any points into charisma lmao.

It says a lot about a being when freaking Orcs (one of the most famous examples of corrupted evil mooks) revolt against Sauron. I really like how this show makes you emphasize the Orcs and how Adar was a caring ruler for the Orcs and wanted the best for them. This is especially compared to Sauron who just outright told them they must obey him and they're a race who are meant to be hated.

It's fascinating to see how much the prologue of S2 parallels the prologue of S1 between Sauron and Galadriel. And of course, Sauron chose selfishness just as Diarmid, the kind old man, telling him that he can choose to be good each day until he's good all day. It also shows how Sauron once again loves to lie and twist the truth.

I really love Elrond for understandably being the only one to distrust the rings. I also like the strained relationship between Galadriel and the rest of the Elves even further, except this time they have to work with her since she's the one who got them into this mess. Also, that beautiful shot (the screenshot for this episode's thoughts) is an amazing piece of visual storytelling. It conveys a sense of underlying sadness for Círdan that I can feel.

The Three Elven Rings are finally used (Gil-Galad is a great singer ngl) and we will have to see the greater ramifications and consequences of their use.

The Stranger's deadpan snarker humor is pretty funny to see. I'm also glad Poppy is a part of the duo now, she and Nori have a pretty wholesome dynamic.

The orchestral reprisal of Wandering Day (Warning in the Words) is mesmerizing. It's such a great payoff and a heartwarming reminder that while Sadoc is gone, he continues to help his fellow Harfoots in death.

Where the Stars are Strange

"You are wise to fear this power, Elrond. But do not let that fear blind you to the ways it can be used for good. For it is not your enemy, that bear these rings...But your most trusted friends. If you believe they have strayed, do not abandon them, but rather open their eyes and guide them...Before the darkness spreads across Middle-earth, and blinds us all." Círdan.

I really love the updated intro for this show as the grain of sand shifts to the music. But now we see red grain as the darkness of Mordor (the red sand at one point "erupting") and Sauron begins to spread. It really sets the stage for the dark times ahead for Middle-earth. The logo is now less shiny and more rusted.

The opening for this episode is so chilling with Celebrimbor's impending death. I just wonder if the show is going to adapt Sauron's brutal killing of Celebrimbor and show his corpse if they adapt the Siege of the Grey Havens.

Durin IV and Dísa continue to be one of the sweetest and wholesome couples in Middle-earth and this show. I love how they support each other at Durin's lowest point. Seeing Khazad-dûm's lights dim is so chilling and it just further sets the ground for the eventual Durin's Bane to come. When Dísa and the singers fail to communicate with the mountain, it really shows how the darkness is beginning seep in everywhere.

Círdan has a great speech about how despite the origins of something with the potential for evil, it can be used for good...but that they must ever be vigilant, not let fear dominate them, and watch over their friends to ensure they stay on the right path.

I find it funny how Elrond agrees to help out Galadriel...but puts himself in charge of the mission. It shows how far their friendship had fallen and Elrond's distrust in Galadriel's ability to resist Sauron.

The Rhûn theme absolutely slaps so hard. It really captures the wonders of the desert really well.

Sauron knows exactly how to use his injuries to make himself sympathetic. He's a clever evil bastard alright.

At this point, the Stranger has to be Gandalf. I wonder who the Dark Wizard is tho. I hope the Dweller Acolyte gets more to do in this season.

The reveal of Annatar, the definition of the devil in angel's clothing, was so well done. He really knows presentation alright by making his entrance the most flashy dramatic reveal ever lol. I felt legit chills when he did a title drop with the Rings theme playing forbiddingly. The whole scene felt like a Renaissance painting come to life and at that point, I totally got how Annatar basically had Celebrimbor at his fingertips. The whole Annatar name reveal was so satisfying to hear.

The Eagle and the Sceptre

"And yet...the grief of Númenor is sacred to me. Your pain, a prayer within these walls. I hear your sorrow, and your anger. I share it. We have bloodied and been bloodied. But know this... We will find our course. Should there be another among us who feels moved to speak...firstly ask yourself this, for whom do you cry out? For those we have already buried? For your kingdom? Or for yourself?" Míriel

Nothing bad should happen to Berek, one of the best characters of the show haha. Also, Isildur fighting against Shelob is pretty cool. It says a lot about how he longs to go back home now...though given the episode, it may seem like he might not be able to go back home.

I really love Valandil standing up for the Queen and he's becoming one of my favorite side characters of the show. He represents the soldiers who know what it was like in the battle compared to the politicians who use their suffering and the deaths of their peers for their own persona selfish agenda. I really hope he survives Númenor's downfall.

Some of the rhetoric of the pro-Pharazôn faction echoes the sentiment of people post-WW1 of the pointlessness and/or failures of the war. And one such latter group would go on to create one of the most monstrous regimes in human history, just like how Pharazôn's reign as King will become one of the most monstrous regimes in Middle-earth history.

Elendil's relationship with Eärien is going to be fascinating going forward as the two seem to be on opposing sides. It's ironic how in the show, one of Elendil's children began the downfall of Númenor while his other child caused Sauron to live onto the Third Age.

I never thought I would see a wholesome Orc family nor hear heavy metal in Middle-earth and you love to see it. I find it absolutely hilarious that the hill troll is voiced by Gil-Gilad's actor (I wonder if Gil-Gilad and the hill troll will fight each other...that would be so funny).

I absolutely love how Durin IV becomes the first character of this season to realize Annatar's untrustworthy nature because he knew that Elrond would never compliment him like that. The fact Durin IV knew that speaks a lot about their friendship.

I knew smth was fishy about Estrid but for a split moment, I thought maybe she was alright.

I know the death of Bronwyn is due to her actress Nazanin Boniadi stepping away from the show, and it's such a gut punch to see Arondir and Theo revert a bit from their character growth as they both grieve. You can feel that Arondir wants to help Theo but Arondir's reversion back to stoicism to cope and Theo's grieving prevents the two from bonding further.

The story of how Isildur's mother died and how she saved her son's life at the cost of her own...and how Isildur didn't tell anyone because of his own guilt. I really love how Theo emphasized this story given how his mother just died and all the way back in S1, Theo already felt guilty for how the Southlands became Mordor. Isildur's motivations for wanting to do something worthy are now revealed to be his idea to make up for his mother's sacrifice.

Never mess with Ents. Nuff said.

It took a rewatch but I find it funny that the Eagle, a sign of a bad omen in Númenor, looked like it was trying to say "No you idiots don't put Pharazôn into power!" and then left when it became clear Numenor chose its fate. The music especially is incredibly chilling for one simple reason: the main theme of Númenor is still the same. There's a minor key shift but it's still the same theme used for Pharazôn. This really spells the end of Númenor even before the Island will inevitably sink. The red of the future that Pharazôn will lead Númernor is one of blood and horrors.

[merryverse]

Three Rings for the Elven-kings under the sky The Rings of Power Countdown: 26 August: Three / Elves

[lands-of-fantasy]

The Rings of Power

Three Rings for the Elven-kings under the sky Seven for the Dwarf-lords in their halls of stone Nine for Mortal Men doomed to die One for the Dark Lord on his dark throne In the Land of Mordor where the Shadows lie

[sprintingowl]

Wandering Friendship Simulator 2023

Hey, rpg tumblr, I think you might enjoy The One Ring.

Some stuff that it does:

-Adventurers aren't mercenaries, they're either brave and meddlesome or Really Going Through It

-Your adventuring party specifically has a stat for how off the hook it is, Men Of Bree increase this stat

-As part of character creation, everyone picks a home base

-As part of character creation, everyone picks another PC as a bestie and becomes Shadowed if their bestie gets hurt

-There's a corruption mechanic, getting Shadowed, but you reduce it by taking a break and gardening for a few years

-There's a robust downtime system where everyone goes home after an adventure and then you all meet up like ten years later with full beards and prizes in Regional Avocado Growing and whatnot

-Combat and Walking Too Hard both deal damage, and traveling matters as much as fights

-The dice are genuinely easy to understand, and you have lots of ways to tilt the odds on a roll. You're not held hostage to your own luck

-The art's gorgeous. Really needlessly pretty. This would be a coffee table book if it wasn't also such an unfairly well made game

In conclusion, I just read it and it was supposed to be a gift for a friend, but now I'm apparently buying them a second copy.

(This game feels like a fever dream. I was expecting to snooze through it and instead my brain is alive with Game Design.)

[tinytailss]

Three Rings for the Elven-kings under the sky

Movie: The Lord of the Rings - The Fellowship of the Ring

Art supplies: Mechanical pencil of 0.5, 1.3 and 2.0 mm HB, pencil 2B. Amazon basics sketchbook (5.5 x 8.5 in/21.6 x 14 cm)(100 g/m²).

[theworldsoftolkein]

The Ring - by Breathing 2004

Hobbit: Battle of the Five Armies

Sauron: Three rings for the Elven-kings under the Sky. Seven for the Dwarf-lords in the halls of stone.

Galadriel: Nine for mortal men doomed to die.

Lord of the Rings: The Fellowship of the Ring

Galadriel: One Ring to rule them all.

Gandalf to Frodo: One Ring to rule them all, One Ring to find them all, One Ring to bring them all and in the darkness bind them.

One for the Dark Lord on his dark throne.

[lyragoth]

Three Rings for the Elven-kings under the sky, Seven for the Dwarf-lords in their halls of stone, Nine for Mortal Men doomed to die, One for the Dark Lord on his dark throne ~ Am I using this Tumblr correctly? I have no idea.

[aladaylessecondblog]

In today's Morrowind "you didn't connect sh@$" tinfoil hattery

"Three Rings for the Elven-kings under the sky,

(The Tribunal)

Seven for the Dwarf-lords in their halls of stone,

(The Ash-vampires' strongholds are mostly Dwemer ruins)

Nine for Mortal Men doomed to die,

(Nine Divines)

One for the Dark Lord on his dark throne

(Dagoth Ur literally got a ring on him)

Me to me right now: