#very proud of this chapter

[snapeaddict]

A present for my dearest @mmad-lover whom I love to bits - an update on Five Years of Innocence ❤️ Very happy to say the fic is finally entirely rewritten and up to date on both ff.net and AO3. However I'll keep the Duteil stuff solely on ff.net, since most people there know about our silly ramblings on tumblr and that's not the case on AO3 🤭

Yves' song here

[alex-schmidt-music-blog]

Chapters: 5/? Fandom: Deltarune (Video Game) Rating: Mature Warnings: Creator Chose Not To Use Archive Warnings Relationships: Kris & Susie (Deltarune), Noelle Holiday & Susie Characters: Kris (Deltarune), Susie (Deltarune), Susie's Father (Deltarune), Noelle Holiday, Berdly (Deltarune) Additional Tags: Alternate Universe - Canon Divergence, Neglect, Nonbinary Kris (Deltarune), Other Additional Tags to Be Added, Audio Content, Fan Soundtracks, Self-Harm, Original Character(s), Graphic Description, Slice of Life Series: Part 1 of Who is Kris? Summary:

In this story, someone doesn't stick with the script.

The closet to the Dark World is now simply a closet. Suddenly, Susie finds herself stuck in the Light World, with Kris being the only one in-the-know about it all. Suddenly, a friendship that felt solid now seemed uncertain. However, when the alternative is loneliness, some things cannot be hidden.

As the two stick together, she begins to wonder just how much she knows of the human, and as the days go by, someone lurks, waiting in the dark for his time.

Join me, if you please, and we can watch this unfold together.

[thedemonscrawler]

Read Chapter 12 Here!

The group is reunited, though tensions are a little high and trust has been worn thin. Everyone wants answers, but when the Daycare Attendant returns from Moon’s patrol, all they bring with them are more questions. Protocol. Programming. If the puzzle doesn’t make sense, are you sure you have the right pieces?

---

Ouugh, it's finally done! I sketched out this cover about a year ago, but their clasped hands gave me a ton of trouble and I shelved it-- until a couple of months ago, when I just banged out the hands and then kept rolling from there!

There's a decent bit of symbolism related to the chapter worked in here, as well as a lot of me learning how water works. Detail shots + textless versions below!

[templegate]

Something something about rebelling against the predetermined roles given to you by switching places. About muddying the waters of your archetypes until you can't tell whos who anymore. Idk man i just like drawing these two posed up

[corey-wh0re]

The silence. It's nice. Madelaine Petsch as Maya in The Strangers: Chapter 1 (2024) | written by Alan R. Cohen & Alan Freedland & directed by Renny Harlin

[swaps55]

Mezzo - 11 - Gravity

Pairing: mshenko | Rating: M

Tags: Canon-typical violence, trauma, dealing with your problems poorly, body autonomy struggles  

Summary: The twists and turns of ME2, through the eyes of everyone but Commander Shepard.

Chapter Summary: The aftermath.  

Chapter 10: Gravity | Read on Ao3

12 December 2185, Shadow Sea, Iera System, Horizon, Kodiak 9755, Normandy SR-2 Approach

The Kodiak lifts off with a jerk that Miranda feels in her gut. Shepard stands rather than sits, gripping a handle hanging from the ceiling tight in his fist, eyes gazing out the shutter as Horizon disappears beneath them.

“Shepard,” she says quietly.

“EDI,” Shepard says into the comm before she can say another word. “I need that ship. Do we know where it was headed?”

“I was unable to extrapolate likely destinations based on relay vector. However, it is likely they are returning through the Omega 4.”

“Can we catch them before they get there?”

“Negative.”

Shepard slams his fist against the bulkhead. It leaves a dent.

“We can use the data from EDI’s scans—” Miranda begins, but Shepard cuts her off.

“What was Project Overlord?”

She stutters. “I—”

“What was Project Overlord?”

“Shepard, I don’t know. But I will find out.”

He holds her gaze before striding out of the hold in favor of the cockpit.

Silence reigns.

“Solus, if you don’t shut down these oscillators I’m going to rip them off,” Jack speaks up eventually.

“Certainly.”

A few keystrokes to his omnitool later, the gravity well shifts, that heavy, cold feeling evaporating. Grunt groans in relief. Miranda stares at her hands.

“You knew Shepard’s former crew was down there,” she says aloud, directing her attention to Vakarian.

“Alenko, yeah,” he admits. “Shepard didn’t say anything about the others. I…don’t think he knew.”

Her fists curl into her lap. The Illusive Man told Shepard, but didn’t tell me. Shepard had told Vakarian but hadn’t seen it necessary to inform his second in command. How can I do my job if I am perpetually left in the dark?

Shepard reappears moments later, eyes on Grunt. “As soon as we dock, take those salvaged weapons to Taylor. I want to know everything about them.”

“The more we know, the better we kill,” Grunt declares, smashing his fist against the arm rest. It buckles.

Shepard paces the compartment with an almost frantic, nervous energy, rattling off his orders like he’s afraid of the space between the words. “Solus, I want a personal debrief on the seeker swarm countermeasure in two hours.”

“Countermeasure effective, but hoping data collected during mission will provide insight for improving efficacy while minimizing side effects.”

“Thank fuck,” Jack says, eyeing Shepard warily. The gravity well ripples as she twirls dark energy in her fingers.

Shepard grits his teeth. “I need to know if we learned anything about their physiology. Technology. Communication. Get whoever you need to go through the data. I want answers.”

“Understood.”

“Lawson, I need a better plan than ‘figure out the Omega 4.’ I need a damned target. I’m not playing cat and mouse with these assholes.”

Read from the beginning | Read the rest on Ao3 | The Mezzo Playlist

[edsbacktattoo]

The Tolling Bells - Rated E

"I've always known you."

Here is the beginning, and this is where we are now.

In any life. 🌸🧁

[padfootagain]

THE FIRST DRAFT IS DONE!!!!!!!!!!

I'm crying, at this point...

The first draft of the Prof!AU Love in Verses is officially done!!! All 44 chapters are complete!!!

The posting schedule will be posted next week!!!

[kuro-is-doodlin]

Hey, you know what ?... chapter 2 of still alive is out, and there's some art in it,

teehee

Please read the tags and the note at the start though!

"Oh stars. Time to suffer again.."

[retellingthehobbit]

I'm on break this month! But the pretty-long next chapter of my webcomic adaptation, "The Song of the Lonely Mountain," will arrive on November 13th! Follow my blog here for updates :) In the meantime have a preview and a sleeping Gandalf. Here's a link to chapter 1 of this comic if you want to start from the beginning, and I'll see you all in a month!

[beachyserasims]

Darion got another promotion! Time to celebrate

Beginning / Previous / Next

[kurtsascot]

chapters 8 and 9 of klueless are live!! :^) !!!!

start reading at chapter 8

start reading at the beginning

aaaaand the spotify playlist updated

Fic Summary: It’s 1995. Kurt’s a senior at McKinley High, and he’s looking to lose his virginity and get his love life in order before he goes off to college.

Unfortunately, Blaine, the pretentious son of Burt’s ex-wife, is in Lima to intern for Burt’s congressional reelection campaign, and Kurt is stuck dealing with him until the election is over.

Author’s Note: Chapter 8 discusses the events of Chapter 7. This discussion is more vague than what was described in Chapter 7.

[thewideawakechronicles]

(Cooked these up while listening to my Pogo playlist. I draw so much better when it's traditional art)

(He's leaning back towards skinny bastard again it seems)

[kibbits]

--And this is why you don't dismount from a moving horse face-first, even if you are hard-headed!

Hi yes hello! @castercassette​ ‘s cowboy au is really good and I love the movement in their art so much!!!

Started sketching a couple of scenes from the first chapter when it came out, put it to the side for inktober, but then I decided to come back finish one of the scenes in ink! It was fun and a great excuse to do slapstick poses~

[discoidal]

HI GUYS! High quality version of Baby Birds is now up on a brand-new kofi shop as a PDF! Pay-what-you-can, including free. If you can chip in, it'll go towards collage materials; if you can't chip in, I encourage you to get the PDF anyways! Baby Birds readers keep me warm at night.

If you don't know what Baby Birds is, it's a collage-novel-series-thing that I'm releasing part-by-part on Tumblr; you can find the posts collected via @lactation and read it chronologically via this link. It's about lactation and love triangles and transsexuality and depersonalization. It's told through the main character's diary entries and their attempts at working out their feelings through collage.

What's different about this version? I got better at editing and made higher quality pages but didn't want to go back to edit the previous posts. The text and collages are exactly the same. So, the posts are still accessible but you can now read it with ease in PDF form, now with consistent font sizes and numbered sections.

[mapoeggplant]

skip to loafer chapter 53 // spoilers

the analogy of between a crab and falling in love: what’s hidding in between all the sand that shima hides himself in?

this chapter kinda encapsulates a lot of unresolved plots and bring back things that were discussed before, as a way to, little by little, start to close shima’s arc on understanding his feelings. and, for my happiness (and for a lot of you guys reading me, i supposed), we finally had a confirmation that shima doesn’t quite understand or can’t even separate his feelings inside him, all because of his history with rejection, broken family, and the coldness of the ones around him. the boy, who tries to grasp his sandy feelings, who stubbornly kept slipping between his fingers, is finally dipping his toes in the ocean.

what mukai and shima discussed at the sauna is very important for a lot of things. not only for the present narrative, but for a context in general about how skip to loafer deals with feelings and love. instead of approaching a safe solution and going for the “she was the one who could save him”, takamatsu-senpai chose to go through the more complicated and bumpier road: she started to make her own characters question the idea of romantic love that was shoved down their (and ours) throat since they were born. 

is not that shima doesn’t love mitsumi — he just doesn’t understand the concept of romantic feelings or how everything “ends” with it (it was interesting to me how he said “ends”, the never-ending idea that romantic love is the final goal. it never “starts anything; it’s always “the end” of things). for him, everything falls in the same blurry and messed up category and end as easily as it started. however now, after years and years of being shutten down and used for people’s own selfish desires, shima is finally free to think and act for himself. but we don’t learn to swim at the bottom of the ocean: we need to start at the beach.

mukai telling shima that he’s often shutting people down and pushing people away without noticing was there for two main reasons, in my opinion: one, show a little more about mukai himself and his own feelings in relation to shima, a friend that he holds dear and wants to see opening up a little more, warming himself towards others; and two, to make shima start to question “what am i doing to the people that care about me?”. this is a trigger that sensei used to bring back a lot of important moments between shima and mitsumi and connect the dots inside his head. what i didn’t expect was that she would such beautiful analogy: a crab.

by swimming around their past, shima starts to ask himself: how does mitsumi feels about me. it’s funny how, even after all that conversation with mukai, he didn’t start with the obvious and questioned himself. he was thinking about her — about the other. what brough him back to his own heart was the girl herself, without both even realizing it.

grabbing the crab in the middle of it is the safest option. you’re protecting yourself of a possibility of being hurt and are able to maintain a safe distance from all the dangerous attributes of the crab. by always staying in the middle of his own feelings and never really going for the claws of his own mind, shima maintained his safety and “never got hurt” (and here i strictly mean hurt by his own ghosts, who he tried to deny instead of facing it). i mean, if he doesn’t move, they won’t be able to attack him. if he stays protected, there won’t be a necessity of changing what you know so well.

but…there’s always a first time, right? and i don’t mean this only for the act of holding a crab: this might be shima’s not only first time doing so, but also the first time he ever felt something different for someone — something more. something he never met before. 

and mitsumi, on the other hand, appear serene on his eyes. she did have her first time already — and was bitten by the crab. she was the one who put herself out there and risked being hurt. and, unfortunately, he was the one who made this happen. 

by shima’s reaction (the full-on blush), it’s easy to interpretate that he had some kind of realization and that…well...yeah it involves the crab. and mukai. and mitsumi. and the beach. and the ocean. and the sand, that he could never grasp before. what did he realize? he himself isn’t sure, as he tells mukai (“how was the crab?” “i don’t know). and, well, how can someone who has never seen a crab be so sure that what they are seeing is, in fact, a crab?

sensei made it clear, with all the words, with mukai being a sensei for a day: shima is, for the first time in his life, having to deal with a feeling that’s completely new and scary for him. romantic love isn’t easy. for a kid who grew watching his own understanding of romantic love (his parents) be so broken and twisted, romantic love is something that can only cause harm. so no, it’s not that he doesn’t understand love per se: he just doesn’t know how to approach it within himself. it’s up to him, now, if he's going to sing his hands in the sand and find the answer for all the questions he’s dealing with. 

as for my last words, what i want to remind everyone: no, it won’t be resolved so fast. not next chapter and, maybe, nor the next. i mean, why should it be? love, be it platonic or not, isn’t something to be forced out of someone. it’s something that requires more than a simple “yes or no”, something that doesn’t grow overnight. none of them are wrong. mitsumi never imposed something on him, she only did what her heart told her to do. shima never wanted to hurt her in some way — in fact, this is one of his biggest fears, up to now. they both are trying to understand themselves, the world, and the universe. they are in the apices of their teenage years, in the apices of committing mistakes for dumb reasons and for sealing peace with simplicity. they all have lot of different crabs with lot of different meanings hiding inside their particular beaches. it’s up to them if they are going to start digging it or not. 

and, as always, thank you thank you so much for reading what i have to say and my crazy rambling. i hope that we can now start a great discussion about it 💛 oh and people!! don't be afraid of talking to your crab — sometimes they know more bout us than ourselves 🦀

🌻 this analyze was originally posted on my twitter