You know how you look up to someone and how someone looks up to you? Okay, now make it g/t
Lemme explain via example: Imagine a writer who types all their stories on their computer. Maybe they share them online maybe they are way too nervous to do that, and just keep it a secret hobby. Anyway, one day they leave their desk to do something only to come back and notice that their writing document moved to a different page, and their computer didn’t fall asleep like it usually did. This confuses them but they brush it off, telling themselves that maybe they were faster than normal and maybe accidentally moved the page.
However, it keeps happening. Each day they walk away for a moment or even longer, their computer never falls asleep and is on a completely different page. This starts to freak them out. So, they decide to walk away and then sneak back as quietly as possible. When they peek their head inside, they see a tiny little person at their computer, just staring at the screen. The writer watches as the tiny continues to read their story, and that’s when they realize, they’re reading the writer’s story. They walk in, spooking the tiny. The tiny is in shock, they can’t tell if it’s just fear of being seen or getting the chance to actually talk to the writer whose work they adore, perhaps a mix of both. Maybe the tiny gets overwhelmed and before the writer can ask the classic “What are you” question, the tiny burst into a bunch of questions about the story the writer is writing. The writer taken aback by this, just awkwardly answers them and tries to ask them a question only for the tiny to continue asking questions. Eventually the tiny remembers that “Oh right… I’m not supposed to be seen…” and cautiously asks if the writer is upset with them and whether they will hurt them. The wrier assures them that they are mad and won’t hurt them and are honestly glad that their computer wasn’t hacked or there was a ghost or something. Also, how could the writer ever hurt their biggest…well smallest fan?
Maybe they build a friendship where the tiny helps the writer with ideas and getting over those writing hurdles. Hell, maybe the tiny even was inspired by the writer and tried writing their own story and shares it with the writer. Maybe the writer gains the confidence to share their stories online or even publish their work all because one little person loved their work. Perhaps the tiny, with the help of the writer, shares their own stories while hiding their identity as a tiny from everyone. So many possibilities! Just tiny little fans, forgetting they should probably focus on not being seen and not “What is Character’s favorite thing to do when they are bored?” Like sweetheart probably not the best time, but go for it.
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If we were to seriously consider a Protag Swap AU, then most of the protags are fucked.
Let's consider P5 for this scenario, since its the most well-known story. The protags considered are Naoya, Tatsuya, Maya, Minato, Kotone, and Yu (and remember, the events of P5 also shape them as they go). Of course, all of them defended the woman and got sued.
I can see everyone but Maya becoming friends with Ryuji and Ann. Those two would get babysitter vibes from Maya instead of reliable older sister (sorry, queen, but maybe you shouldn't have unironically adviced them to Live, Laugh, Love. You're also not a student and have nothing to do with Shujin). We only have Naoya, Tatsuya, Minato, Kotone, and Yu left.
Out of all of them, only Minato, Kotone and Yu would give Akechi the time of day. The rest were either weirded out by his attitude, too annoyed by his plastic smile, or decided it wasn't worth it to get too close to someone investigating the Phantom Thieves (or all of them at the same time). Without the Akechi confidant, the others lost a lot of intel and clues the Phantom Thieves actually got to put the pieces of the mystery together and an ally for the Third Semester.
Kotone never began the Kawakami confidant due to not being invited to Operation Maidwatch. Shame, because she would have reacted a lot like Akira did in lots of main events. I also don't want to put her through the interrogation torture.
Now that I think about it, Yu would have been a smidge more reluctant about the regular Change of Hearts business that the Phantom Thieves undertook. If the circumstances and story aligns, he would go with it in the end, but the entire story and general vibes wouldn't have the same impact than when Akira did it. Minato's Joker is a bit more stoic and way less flashy and passionate about the Phantom Thieves' mission, seeing more like a necessary duty.
In the end, only Akira could do it.
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i’m kinda sick rn so just some brainrot of FL when reader falls sick. The poor baby doesn’t know what to do, Childe himself rarely ever gets sick so he doesn’t know what to do to take care of reader.
I’m just imagining him sitting beside reader’s bed whining softly as he watches them sleep. He sees how they seem really uncomfy but he can’t do anything to help his beloved because he’s so clueless on what to do.
i think later FL would just let Childe take control of their body so that he can take care of you
-sleepy anon
in honor of both of us not being at 100%, here is some cozy moth comfort!!
you shift when you hear soft, sad whimpers beside you, turning over and opening your eyes just a crack to see Foul Legacy staring at you, claws worrying the bedsheets. he lets out a concerned whine, leaning forward and nuzzling your cheek with his as you grasp one of his talons with your hand, giving him a weak but reassuring smile. Legacy trills sadly, closing his pretty blue eye and allowing the Abyssal magic to fall and melt back into Childe, who exhales deeply and laces your fingers with his. he fusses over you for the rest of the day, tucking your blankets in around your chin and bringing you hot soup- his mother's recipe! he swears that he didn't put any weird fish in it like he usually does, only sitting down on the bed and watching to make sure you eat every last bit. Childe insists that he doesn't GET sick, tucking your head into the crook of his neck and tenderly petting your hair. you idly begin poking his freckles and the Eleventh Harbinger just chuckles, a wonderful rumbling sound from his chest, and brushes the tip of his nose against yours
it's midnight the next time you wake up, the outside world hushed and silent apart from the chirping of cicadas- but your room isn't quiet, the opposite, actually, with how deeply Foul Legacy is purring. his arms are wrapped firmly around your waist, the consistent purrs soothing your aching head, and you attempt to snuggle closer despite how your eyes burn and your breath comes out weak and shaky. Legacy grumbles in his sleep and pulls you closer, his armor cool against your warm skin and claws gently grasping your shirt. for a moment it feels as if all the pain fades away, your head against Foul Legacy's chest as you lean up and peck his cheek before closing your eyes again, the soft, constant purring and perfect temperature lulling you to sleep once more <3
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Building off of what I wrote in my fic "Sparks," I'm really compelled by the idea of Ford genuinely no longer being interested in sailing around in a boat with Stan by the time they were seniors in high school.
I like the idea of it not being just a symptom of the resentment that had been building between them, nor it being a dream of Ford's that only paled in comparison to west coast tech, but it being a genuine loss of interest on Ford's end. I think it complicates things even further in some really juicy ways.
Like, imagine going through high school slowly losing more and more interest in the dream you've shared with your twin and only friend ever since you were little kids. How do you break it to him? How do you explain it to him without making it sound like a rejection of him? Without it making him hate you?
How do you explain it without it feeling like a spit in the face to all the hard work he's put into a plan that started out as a way of him comforting you by telling you "it doesn't matter what people say about you, you're going to be an adventurer who sails away into the sunset and never has to hear their mockery ever again, and there will be babes and treasure and heroism, and then they'll all see how cool you really are!"
And all through high school you think to yourself, "he's going to move on to more realistic dreams any day now, and then I won't have to say anything about it!" But no matter how many times you mention something else he could do with his life that he seems interested in, or bring up the challenging logistics of traveling around long-term in a boat, he sounds just as committed to the childhood dream as ever, and completely oblivious to how apprehensive you sound.
So resentment grows, little by little. Because that's easier than confronting the soul-crushing levels of guilt that are building up inside of you, every time you don't take an opportunity to tell him you don't want to do the plan anymore. You don't have a single person in your life who modeled how to have difficult conversations for you. As far as you know, having this conversation with Stan would crush him into tiny little pieces and then he would hate you forever, and you can't stand the idea of losing the only friend you've ever had.
So tensions grow. A lack of interest turns into a bitter resentment that, if you were really being honest with yourself, is directed more at yourself than it is at Stan.
And then the falling-out happens, and it seems like you were proven right. Stan hates you now, and he's never going to forgive you for giving up on his dream. But two can play that game, so you try to hate him too. Because if you hate him too, then maybe it won't hurt as much that he never came back. That he never even turned up at school, or by the boat, or in through your bedroom window in the middle of the night. He knows what dad's like, and how he says impulsive exaggerated things when he's angry, and haven't you both dealt with his harsh words countless times before and been able to dust yourselves off and joke about it later? So why isn't he back at home, joking with you about how absurd your dad acted that night, being impossible and belligerent about ruining your dream, but at least now you're even, because you've ruined his dream too.
-
And now imagine you find out he risked the lives of everyone in existence to bring you back, right after you had accepted your fate was to die killing Bill. It would be terrifying and confusing and infuriating. If he cared so much, why didn't he do something to reconnect with you sooner? Why did he ignore you in favor of trying to make it big without you? Why didn't he take the infinitely safer and simpler action of reaching out to you without you having to track down his address and send a desperate plea for help? You were convinced that he didn't care enough to bother with you unless you had an important enough reason for him to come. But even then, he thought your plans were stupid. He didn't want anything to do with you, not even with the world at stake.
Did he save your life out of guilt? Does he pity you that much? It doesn't add up with what he did in the decade leading up to shoving you into the portal. And the dissonance between the version of him in your head that hates you, and the man who held out his arms to welcome you back to your home dimension, is so strong that you feel like you're being lied to again, like you're back in the depths of gaslighting and manipulation that Bill put you through, even though there's no way that's what Stan is trying to do... right? You can't figure it out, so you run away from it. You don't want to know the answer to whether or not Stan hates you, because you don't know which answer would hurt more, so you try to make him hate you more than ever, because at least then you would know for sure how he feels.
And in the end, after he sacrifices his memories for you, and for the world, things seem clearer. The layers upon layers of confusion and anger and hurt seem to have washed away like drawings in the sand, leaving behind the simple truth: that you two had an argument, and didn't move past it for forty years, and despite everything you put each other through, you both still want to re-connect.
So you sail away in a boat together.
And at first, it's wonderful. It's exactly what you want. It feels like an apology to Stan, and a thank-you for saving the world, and a once-in-a-lifetime chance to heal the rift between you two, and it's good to be back on earth, and you wonder why you ever doubted the dream you two once had.
But then, after the first long journey you spend on the sea together, when you get back home to dry land, Stan is already talking about planning your next adventure out on the open sea. He recaps every adventure you had on the first trip, over and over again, and he wants to chat with you all through the morning and long into the night, and you don't have the words to explain to yourself that you don't have enough social battery for this, and suddenly you're slipping back into the horrifyingly familiar feeling of Stan being overbearing and needing space from him and how could you think that? How could you think that about him after everything he's done for you and everything he's forgiven you for? But the longer this goes on, the more you realize that you still don't want to spend the rest of your life sailing around with Stan. It's great fun in moderation, but the idea of your whole life revolving around Stan and going on adventures with Stan and being in a boat with Stan with no time to be by yourself thinking about your own things and figuring out your own dreams makes your skin crawl with a claustrophobic kind of panic that you still don't know how to put into words forty years after the first time this feeling grabbed you by the throat and ruined your friendship with Stanley.
But the first time this happened, it nearly ruined his life forever. You can't let yourself feel this. You don't feel this. You're happy to spend the rest of your life fulfilling Stan's lifelong dream, and making up for the time you crushed his dream, and sure, maybe he crushed your dream once too, and maybe it would be nice for him to support your dreams like you're now doing for him, but you can't say that. He saved the universe, and it would be horrible and ungrateful and cruel for you to try to voice these feelings, especially when you don't know how to voice your feelings without it making other people feel like you twisted a knife into their gut. So you try to pretend the feeling isn't there.
You go out on a boat with Stan again. You planned out another incredible journey together, and this should be fun, and you should be happy about this, but the unspoken feeling you shoved as far down in yourself as it could possibly go is eating you alive. The worst part? Stan is starting to notice. You have never been good at hiding your emotions. The trick to it has always been to convince yourself you don't feel it at all, and not think about it, and that has always worked like a charm. But whenever the emotion claws its way back up to the forefront of your mind, you can tell Stan knows something is wrong. So you can't even give him the happy ending he deserves. You can't even convince him that you want to be here on the open seas forever with him, like he deserves. And you keep trying and trying to hide it, but Stan keeps asking in roundabout ways, like "You're being awfully quiet, sixer," and "whats that look on your face?" and eventually it comes exploding out of you like a shaken-up soda bottle dropped on its cap.
And then it's like you're back at home in New Jersey again, standing in the living room while dad grabs Stanley by the shirt. It all comes pouring out of you, in the worst possible way, with the worst possible phrasing, like a pandora's box of monstrousness, and Stan tries to fight back against the sting of your words, but you're made out of acid and you're burning through him and you can see it on his face, and there's never any coming back from this, not this time, you'll just have to either jump into the ocean or become a monster forever, so Stan can hate you more easily again, and-
-and at the end of the outburst, you're still on a boat in the middle of nowhere in the ocean with your brother, in dangerous waters, and you have things to do to keep the boat running smoothly.
You can't run away from him. He can't run away from you. You're stuck here for at least a couple more weeks, even if you turned around and sailed back towards shore right away.
-
And the thing that compels me so much here, despite how unbelievably angsty it all is, is that it sets up a situation wherein the Stans might end up forced to actually address the decades of resentment and confusion and wanting-to-reconnect-throughout-it-all that they thought they could gloss over and heal with enough time spent adventuring together on a boat. They might end up forced to actually address the crux of the issue that drove them apart in the first place: Ford wanting a little more space to feel like his own person, and to feel like he's able to have his own dreams, too.
It wouldn't happen easily, nor right away, but if they were stuck together on a little boat in the middle of nowhere surrounded by magical creatures they have to protect each other from in order to make it back home alive, then after they had one fight where they brought up all the things they silently agreed to never bring up again, it would probably happen many more times, and each time it would leave them both angrier at each other than ever, until eventually something honest slipped through amidst all the saying-anything-except-what-they-mean bickering. And once enough of these honest moments slipped through, then they would have a thread to tug on to start to unravel the gargantuan knot of their decades of unresolved conflicts.
And then, eventually, maybe Stan could learn that he can have a good friendship with his brother without needing to be glued to him at the hip, and Ford needing a certain amount of alone time doesn't mean he dislikes him or wants to abandon him, and Ford could learn that he can be honest and have a meaningful connection with someone without it driving them away and making them hate him.
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