#we fucking did it baby

[longwizardbeard]

the impact of neil gaiman on the good omens fandom is so obvious today because this could be a legendary day for posting, but if you reference material literally officially posted by amazon the most annoying people in the world act like you killed their dad. i’m not even really anti-neil gaiman, i’m pro- posting, and it’s so sad to see something kinda legendary happen but be swept under the rug because amanda palmer’s ex husband’s post about how he’s disappointed about the leak is at the top of the tag rather than anything fun.

[inkskinned]

the rise of AI art isn't surprising to us. for our entire lives, the attitude towards our skills has always been - that's not a real thing. it has been consistently, repeatedly devalued.

people treat art - all forms of it - as if it could exist by accident, by rote. they don't understand how much art is in the world. someone designed your home. someone designed the sign inside of your local grocery store. when you quote a character or line from something in media, that's a line a real person wrote.

"i could do that." sure, but you didn't. there's this joke where a plumber comes over to a house and twists a single knob. charges the guy 10k. the guy, furious, asks how the hell the bill is so high. the plumber says - "turning the knob was a dollar. the knowledge is the rest of the money."

the trouble is that nobody believes artists have knowledge. that we actively study. that we work hard, beyond doing our scales and occasionally writing a poem. the trouble is that unless you are already framed in a museum or have a book on a shelf or some kind of product, you aren't really an artist. hell, because of where i post my work, i'll never be considered a poet.

the thing that makes you an artist is choice. the thing that makes all art is choice. AI art is the fetid belief that art is instead an equation. that it must answer a specific question. Even with machine learning, AI cannot make a choice the way we can - because the choices we make have always been personal, complicated. our skills cannot be confined to "prompt and execution." what we are "solving" isn't just a system of numbers - it is how we process our entire existence. it isn't just "2 and 2 is 4", it's staring hard at the numbers and making the four into an alligator. it's rearranging the letters to say ow and it is the ugly drawing we make in the margin.

at some point, you will be able to write something by feeding my work into a machine. it will be perfectly legible and even might sound like me. but a machine doesn't understand why i do these things. it can be taught preferences, habits, statistical probability. it doesn't know why certain vowels sound good to me. it doesn't know the private rules i keep. it doesn't know how to keep evolving.

"but i want something to exist that doesn't exist yet." great. i'm glad you feel creative. go ahead and pay a fucking artist for it.

this is all saying something we all already knew. the sad fucking truth: we have to die to remind you. only when we're gone do we suddenly finally fucking mean something to you. artists are not replicable. we each genuinely have a skill, talent, and process that makes us unique. and there's actual quiet power in everything we do.

[beanghostprincess]

The girly and her boys going jumpjump

[dewwshi]

we'll be there! 💖

[fauvester]

THE PRINCES OF THE NORTH!

i thought my little moshang kid could benefit from a baby brother

[cultofsappho]

new season of game changer tonight aka the first time I have felt true joy since the last season of game changer

[babisawyer]

Ben coming back to the cabin to see yet another cannibalistic ritual

[luck-of-the-drawings]

[<==PREV PAGES] [NEXT PAGE==>(not out yet.wait a year.or maybe more.imagine.]

saw alot of comments on prev pages; saying 'i HATE that mean teacher! im gonna FIGHT HIM!!' & i LOVE the energy!! it WOULD be nice. to have that catharsis. but the story of young tidestrider is Not one of catharsis. it is a story of being so small and so special and sucking so bad.

[aemiron-main]

kept awake by the fact that mike didn’t even TRY and hit the water when he stepped off the cliff at the quarry. like he didn’t even try. he just stepped off the edge. he didn’t even leap or run. he just stood there and finally stepped off, as if he’d been on the edge for awhile, both literally/physically and metaphorically/mentally.

like what was it that Powell and Callahan said about Joyce in season 1? Yknow, the only other person alongside Mike who believed Will was still alive and therefore they’re paralleled to eachother in that way and likely other ways? Oh right, they said:

“Joyce? About one step from falling off the edge.”

“She’s been a few steps for awhile now, hasn’t she?”

Just like Mike. Mike literally at the quarry was one step away from falling off the edge (he STEPPED OFF, FELL OFF, he didn’t jump, just like how Joyce has been a “few steps” from “falling off” the edge), but stood there for a fair while/walked up to it and was literally “a few steps away for awhile” from it. this applies not only physically to Mike but also mentally/emotionally. It took so little to make Mike step off the edge because mentally he’d already been on that edge for awhile, already been a “few steps from the edge.”

like do we really think this specific wording related to Joyce’s grief and depression is just coincidental in how it aligns exactly with Mike’s actions? That they chose to write those lines in that specific way for fun? That they chose to have Mike STEP off the edge instead of jump off because they were in a silly goofy mood? Do you think that they connected Mike’s actions to Joyce’s grief over Will via that quote and then ALSO had mike step off at the EXACT same spot where Will was though to have died all accidentally?? Because the duffers tripped and dropped that subtext in there? NO! It’s deeper than Dustin’s baby teeth for Mike, deeper than the bullies. It’s about grief and loss and depression and Mike’s self-sacrificing but also self-loathing nature and his difficulty with processing loss and strange tendency to both catastrophize AND be good in a crisis. (hint: he’s probably so good in crises BECAUSE of how his brain catastrophizes and goes to the worst case scenario, because it means that he’s more ready for that worst case scenario. but it also leads to him being READY to do ‘worst case scenario’ things like stepping off of a cliff to his death.)

Michael “‘See? Physics!’ in s3” Wheeler very likely knew that he wouldn’t hit the water with the way he ‘jumped’ (key point: he didn’t jump, he stepped off) He Knew. It was never just about the baby teeth.

[toron0]

man I’ve seen a few posts now about wesper being an example of the hypersexualization of queerness and, idk, it sort of doesn’t sit right with me that showing a queer relationship as explicitly sexual is being called inherent hypersexualization? Like in general obviously queerness IS hypersexualized and that is an issue, but as a queer person it was such a lovely thing to have a show not just hint at a queer relationship, not just say ‘these two characters are together and you know that because we said so and maybe let them kiss once’, but allow a queer relationship to take up space and never shy away from making it clear that they ARE together and this IS a sexual relationship *as well as* a romantic one. One of my favourite things about the grishaverse is how queerness is just accepted without being talked about, like I don’t think there’s even one instance of homophobia at any point? And I love that we got to see this relationship on screen, it was such a balm to the soul to see queerness openly depicted and go unpunished. Yes, it’s not at all a slowburn, but it’s good in its own right, and there are definitely still things to explore that could create and maintain tension in the relationship (Wylan’s identity and back story is a big one, but the show also hasn’t gotten too deep into Jesper’s gambling yet, and I feel like they will they’re just saving it; plus the parem storyline could complicate Jesper’s relationship with his Grisha identity in new ways) so that they don’t become boring/irrelevant. It’s safe, it’s lovely, it’s so fucking tender it drives me insane (kit young’s physical acting - Jesper’s hands are so GENTLE with wylan it kills me every time they are so soft.) If you didn’t like it that’s completely fine! You’re allowed to dislike a piece of media lol. But many queer people - and don’t forget these are queer adults not teens - have sex, and it isn’t inherently fetishizing or hypersexualizing to let viewers know that. Esp in a show that explores sexuality in ALL it’s main relationships, the rest of which are between a man and a woman.

(On a slight side note I’d argue that wesper in the books aren’t actually a slow burn anyways, it just feels that way because it takes like one and two thirds of a book to get there, but the actual timeline from strangers to moving in together is like. 3 maybe 4 weeks tops, depending how long the boat journey back from the ice court took - and they didn’t even talk on that journey, just pined. Helnik is established first but they have like a year and a half of history at least, and Kanej have what, 2-3years of history? Wesper canonically speedruns a relationship too it just feels drawn out as readers bc the books themselves only cover 3-4 weeks of time.)

[daydreamalley]

The fact that there’s only one time in Chuuya’s life that Corruption was activated (outside of the lab) where Dazai wasn’t there in the aftermath and that was when Chuuya was just 7 years old and left in the crater of the explosion he created, in so much pain and with gravity probably still fluctuating around him. Nothing but complete destruction, hell on earth, and suffering for a seven-year-old child.

Chuuya is never in good shape after he uses Corruption, and I imagine he wasn’t in good shape after he used the full force of Arahabaki (and by used I mean when it was forced out of him due to Rimbaud). And like, we’ve seen Chuuya close Verlaine’s gate when he defeated the Beast of Guivre, and it left Verlaine close to death (though I also imagine that’s in part due to the fact Verlaine isn’t really human), and we also saw earlier on in Storm Bringer when Verlaine opened Corruption for only a second and then closed the gate that Chuuya was in agony, left to suffer in the hell of what was left of the street he’d been on. 

That scene of Chuuya lying on the ground in what used to be an alleyway in excruciating pain is already hard to read, and he’s 16 then (still so young) but at least Dazai still comes (even though he doesn’t technically have to) and nullifies the aftershocks of Chuuya’s ability that are causing him so much pain. Causing him to suffer.

But imagine Chuuya at 7 years old, imagine how small that is, probably in nothing more than a hospital gown, lying in the rubble of the giant crater that will one day become Suribachi city, experiencing all that suffering and probably more. He’s completely alone in the hell of his own ability’s destruction, in unimaginable pain. His frail body that’s been in a lab for so long probably spasming with the pain as he feels the sun for the first time in who knows how long. And there was no one to hold him or catch him or for him to fall into. No one’s lap to rest his head on. No one to hoist him onto their shoulders and carry him away from the carnage. No one to nullify the pain he was in. No one to comfort him or remind him who he was.

What did he probably have to do when he woke up? Wait until he had enough strength to sit up, wait until the dizziness abated enough for him to stand, and through the disorientation walk on his own two feet despite the pain. He’d been through plenty of it after all, even if he couldn’t remember why, his body remembered.

He’d have to piece together any scraps of memory he had. His name probably came first. Then the horrific feeling of the power inside him and that he was probably responsible for the hellscape he was trying to navigate, cutting and scraping his bare feet in the crater of what was.  

Find the corpse of some military personnel that’d been killed in the explosion Arahabaki had caused, far enough away he hadn’t been completely obliterated, and at least steal some of his uniform to wear, though it was much too big for his skinny 7-year-old frame. And the shoes wouldn’t do him any good, they’d just fall off, the jacket already kept slipping off his shoulder.

And then, in that moment, he was perhaps the loneliest person in the world. Not later, when he was 16 and had someone to catch him and someone had just attempted to sacrifice himself for Chuuya. No, then he had a semblance of a family. But when he was 7, that was when he was just alone, and in pain, with no one to reassure him that everything was alright, that nothing was his fault. That his destructive power didn’t make him less human. If anything, he was probably lucky no one with bad intentions found him. 

And then who knows how long later, he’d wandered far enough away from the wreckage, under a bridge where a couple of other kids around his age found him. Still without shoes and in a military uniform far too large for him. Filthy and starving, but having the strength, having the courage to ask a kid “what’s that square thing?” “Tell me what that square thing is in your hand. Right now.” Last ditch effort of demanding, because somehow he still had a strong will. And the kid was just holding a slice of bread. Chuuya just wanted to know if he could eat it. 

Like, can we just talk about the tragedy of that? How truly sad it is that when Chuuya asked “what’s that square thing” and the answer was just bread. Shirase just explaining“I was holding a slice of bread,” and then having to show him that it was edible. Like, my god. And then Chuuya just… faints, on the spot “like he was out of batteries,” as Shirase describes. Finally all his energy and willpower to survive depleted in this moment of hopeful safety. Shirase also says Chuuya looked half dead he was so skinny.

But at least Chuuya had finally found some people who’d given him some food and water. At least Shirase decided to take him to some shelter, even if it was in the sewers. He finally had people, even if they weren’t well off, they had something. Finally he wasn’t alone. And when he learned he had something to offer them in return in the form of his ability? Well, of course he was going to use it to help them.

Also, just, his first memory was of being alone and in pain. Where he is now may not be perfect, but thank god he’s come such a long way and has people and a home and food and luxuries. But like, he just has to live with that every day.

Oh, and mind you, all this was happening to Chuuya close to the end/in the aftermath of the war, which was already a bad time for people, as Murase talks about. He says “But it was the end of the war, and there were supply shortages everywhere you went. Some kids from the Settlement appeared out of nowhere and tried to sneak inside to steal some food.” So on top of Chuuya’s personal struggles, there were shortages of supplies everywhere, bad enough that kids were trying to sneak into military facilities for food. 

So, yeah, this actually massively got away from me, into the territory of hcs and back out again. But like, every time we see Chuuya use Corruption Dazai is around, because he really has to be. And I love that. But just thinking about the one time where Dazai wasn’t around after the full effects of Chuuya’s ability and how that was probably the worst time and Chuuya was only 7 and alone and woke up in the middle of essentially hell on earth with like no memories. It makes me want to scream, and that’s why I wrote this. And then I reread the part in SB where Shirase explains how he met Chuuya and just got even sadder. Fun times fun times.

[moongothic]

...I... I do not know what on earth compelled me to make this nor why, but I will not be taking criticism at this time

[chewispodium]

lewis’ grid dinner has some wedding seating arrangements levels of lore

[EDIT 1]: guanyu’s racing idol is nando, hence why they’re beside each other.

[EDIT 2]: forgot to address dan and val’s situationship as well as val and lewis’ bff-ism

[EDIT 3]: i think i erased this from my brain but mick and max are childhood family friends. also included seb and max both being rbr golden boys or whatever

[ginalinettiofficial]

rewatching st s4 and just. lucas. love of my life he was trying so hard to do the right thing…. he’s still just the protector guy…… him and steve just…. two bisexual self sacrificing jock peas in a pod……

[sittinginsunflowers]

okay, I’m going full red string over the last episode. mainly because if queen amangeaux (put some goddamn respect on her name) had a child with her husband, wouldn’t that have solved all her problems? Sure, it would make her a target but the bishop was already warning her to lay low at the festival, and at least this would’ve secured her place on the throne until her child came of age. Unless she knew she was pregnant and then she decided not to say anything in trying to follow the bishop’s advice? Or she didn’t know at the time and then everything popped off. But that makes the baby at least a year and 3/4 months (if we use human pregnancy as the timeline??) and the baby read more as a newborn to me? Also in the adventuring party when they discussed the bishop’s secret, Anjali pointed out that he could’ve been poisoning her or her husband with the tea leaves to stop her from producing an heir. which could be a red herring, or could mean that the baby belongs to someone other than her husband, hence why she’s hidden him away. which would make sense since the coloring is a little different. So either the baby isn’t hers biologically and is just in her care, she had an affair while her husband was still alive, the baby is the true heir, or she got pregnant in the two year time jump.

how the fuck am I losing my mind over a mango’s sex life how did I get here

[luck-of-the-drawings]

FOR A BEAT OF HEART, THE BREATH IS SHOT. AND WITHIN A BREATH, THE HEART IS CAUGHT. THE PIPES ARE BURSTING, UNDER GREAT STRESS, BOLTS TORN ASUNDER, MAKING A MESS. A FINAL COUGH, A FINAL RETCH, A GOREY SLOUGH, CLAIMED BY WRETCH.