#we get to have fun discussions

[robinwonder9]

Wait is this directly inspired by How to train Your Dragon?

Some aspects are- the beastiary, dragon armor, and some of the dragon designs. I took inspiration from dragon depictions in a lot of different media.

Games like Day of Dragons and Minecraft help me come up with characters and landscape ideas!

[skitskatdacat63]

2009 Abu Dhabi Grand Prix - Sebastian Vettel(ft. Mark Webber & Jenson Button)

[dizzybevvie]

No bc Warrior Cats genuinely couldve done something with Starclan and generational trauma and romanticising "old times" and the warrior code because Starclan arent deities theyre just dead people but instead we get another 6 books of Will They/Wont They with a TigerStar clone

[dragondawdles]

forbidden pudding

[blujaydoodles]

you wanna talk about stress YOU WANNA TALK ABOUT STRESS? I've stumbled onto a MAJOR conspiracy how bout THAT for STRESS

[gojonanami]

Uh? It’s CANON Gojo and geto saw each other as BROTHERS.

alright I’m gonna answer this now lmao — I think with fiction everyone is entitled to their own take on things but with gojo and geto I believe the two to be soulmates — whether it’s platonic or romantic —

I personally see it as romantic, but if you don’t that’s completely fine and I’m not here to force my opinion onto you — it was in the tags — you don’t like, don’t read it! That simple.

I mean I could explain to you why I see it as romantic —

gojo calls geto his “one and only,”

the button left behind when geto defects is his second button that gojo ends up with — the button often given in Japanese culture to romantic partners / interests,

gojo literally says, when he sees kenjaku in geto’s body, “I know in my soul you’re not suguru geto” even in the English dub they localized is as “in my heart and soul,”

to add to that, kenjaku’s whole plan hinged on gojo freaking out upon seeing geto’s body — gojo is someone who is always very calm — he only gets emotional when it comes to geto. literally itadori dies and megumi got taken over Sukuna and he stays completely calm (for the most part), nothing in comparison in his reactions to geto’s defection or kenjaku

geto’s body literally fights back against kenjaku when trying to hurt gojo — and kenjaku has been alive since the heian era at least, and he says he’s never seen that happen before — what that says about their connection is pretty clear cut in my opinion.

the whole theme of jjk 0 is that love is the most twisted curse of all — where did gojo learn that from? Obviously there’s more than one type of love — but this movie was focused on romantic love in particular (between yuta and rika) but also was reflecting on geto and gojo’s relationship

gojo’s last words to geto are allegedly three words according to the VAs and what else could they be? Other than the theme of the entire movie — “I love you???” and then Geto literally blushes in the manga and says, “at least you could have cursed me in the end” — which gojo kinda did.

there’s a whole bunch of other things I could analyze and I’m not here to debate with you or anyone else! it’s fiction — it’s up to us to interpret things that are vague. And you are entitled to your opinion — but what I don’t like is you telling me that my opinion is wrong when it’s not!

It’s vague in the manga for a reason. never did they call each other brothers, nor did they call each other lovers — all they said is that they were best friends. And a lot of people are best friends with their brothers but also a lot of lovers are best friends so

you are allowed to have your opinion friend, just don’t tell me mine is wrong — if you don’t like the ship, read the tag and don’t read the fic!

[piratespencil]

I love Aabria's insights soooo much, I could listen to her talk about this campaign forever.

[queerdiazs]

tease tidbit tuesday 🫧

hi friends, i'm procrastinating doing my fema courses in favor of watching season 4 <3 have a lil bit of eddie vs the hoa

It’s just—Buck is big and it kind of drives Eddie a little crazy.  Like? God, okay. He’s a little stupid over it. You’ll have to forgive him.  He is so big, right, larger than Eddie and Eddie isn’t a small guy. He’s filled out since finishing his probationary year, settling in his career and getting comfortable in the life he chose for himself and Chris. He’s more functional muscle than big gains; his stomach’s soft, protected by a sweet layer of fat, but his core’s solid and his arms are twice the size they used to be when he was twenty-seven.  See? He isn’t small.  But, like, Buck’s just bigger, wider and broader and thicker, and there’s something so delicious about having somebody that large at his mercy, at his every beck and call. Buck has this quality about him, no matter his size, like he’s always ready to drop to his knees and let himself be taken care of, and it has Eddie’s head buzzing in a way that most definitely isn’t from the beer. 

tagged by @wikiangela, @jeeyuns, @devirnis, @disasterbuckdiaz, and @daffi-990 <3

tagging @spagheddiediaz, @puppyboybuckley, @evanbegins, @honestlydarkprincess, @exhuastedpigeon, @thewolvesof1998, @theotherbuckley, and @monsterrae1 if any of you wanna share!

[mo-ok]

little guy saga continues this time with the biggest little guys you've ever seen 🤖

[puppyeared]

When you backread through a fun conversation you had with someone for hours an angel gets its wings

[leverage-ot3]

sorry to keep personal posting but my day fucking SUCKED and ended with me dropping one of my brand new earrings from a set that I just finished cleaning down the drain, took the sink apart and still couldn’t find it 🙃

if y’all feel like asking a leverage/misc question for thoughts or headcanons I’d love to answer them in the morning! or even if you just want to say something about your day- I just like hearing from you guys 💖

[zeebreezin]

Filled out the funny exes meme from Twitter, love loses! Their dynamic is so fucking complicated oops

[rearranging-deck-chairs]

Hi hello I watched all of carmilla in a weekend when I was 17 because a student teacher who in retrospect I had a bit of a crush on mentioned that she knew one of the actresses. also I am pretty invested in all your recent vampire stuff because I watched iwtv in 2 days last week because your edit intrigued me

oh hiiii 🫶 thank you for indulging me. thats so cool that you watched iwtv! did it live up to the expectation?

i also watched carmilla at 17! or like, 17-19. i found it when s2 had just started and followed it to the end. did something permanent to my brain but i think it was a good thing. on rewatch now im like, i was right to like this. like it's a solid show, it's good. it has its flaws obviously but it's well written, the emotional moments still get me, i can see why i liked it and i still like it now even when it's not anymore, you know, meeting every need that baby gay me didnt even know they had

what it doesnt reaallyy do though - i dont remember if i posted abt this or if i left it in my drafts but - is explore vampirism as a concept. their subject matter is more lesbianism than vampirism. which is great! thats what they wanted to do and they did it and it's very good. but reading interview with the vampire the book rn im realising how much potential vampires have to be metaphors for like so many things and i started wondering like 'wait, did carmilla just not really engage with it or did it all go over my head'. but it just didnt really engage with it all that much. which again is fine bc that wasnt what they were doing. im glad they were more about the lesbianism than the vampirism

but there's this interesting difference in framing, because in iwtv they keep calling armand 'ancient' right? and emphasising how old he is. and he's like 500? and i was like 'wait isnt carmilla like 400?'. she isnt, shes 340, but still, thats getting there, you know? and we know quite a lot about her history, but kind of just the Big Events. when she was turned, the events of the novella, coffin of blood, silas. thats sort of what we know. but none of the long lonely slog of history day to day you know? with armand i feel like we can really feel how much time everything takes. how every one of those years is made up of single days. with carmilla i dont feel that as much. i keep kind of thinking about daniel, when louis calls him a boy in the first episode, saying "im an old man, with all the triggers that come with it"

because carmilla might look 18 (or mid twenties at this point) but she has lived all that time. shes also seen her native land be claimed by like a succession of ruling powers, right? like armand. shes been buried alive, like louis. when lestat is born, shes already 80 years old, shes lived a whole human lifetime, and the entire adult part of it shes been a vampire. shes lived through 1680-1870 being a lure. i compared her to abigail hobbs in some tags on a post, i dont know if youre familiar with hannibal the tv show, but i do also kinda keep thinking about that comparison

if youre not familiar, in the first episode of hannibal the murderer of the week is this guy garrett jacob hobbs who kills and cannibalises girls who resemble his daughter. and later on it turns out she was made to be his lure. like they'd go places and he'd sent her to the victims to make friends and maybe get them back to their home or smth. not sure if they specified all the details. but that's what carmilla did for mother. and in s2 we hear from mattie that while every couple of decades carmilla had to lure victims for the fish god, she also seemed to just enjoy humans between those times, right? like the doctor, gets lonely, gets a new companion. but we've only sort of got mattie's mocking word for it ("dont eat him, hes a poet! or her, shes got such a wonderful voice. or that one, shes just too pretty to ruin"), we don't know exactly from carmilla's point of view what she was doing or why. if mattie's talking about stuff that happened after the blood coffin, 1950-now, then i think it's a fair assumption based on what carmilla says in the s1 sock puppet show that after she'd figured out what the real situation was and what her role in it was, when she'd started trying to save girls from being sacrificed, that she mightve been doing the same trying to save people from becoming mattie's victims. it's probably more likely that she was just trying to find excuses to stop mattie from sucking someone dry rather than actually having like an aesthetic based morality. but it might be a bit of both. im still trying to figure out what her philosophy actually is, like i dont know what existentialism actually means ghkfjghkj but i will

i also found it pretty striking in the movie when shes turning back into a vampire she says like "this was supposed to be done, you know? the blood lust, the self-loathing, the sleeping tied to a chair in my own bedroom". thats what defines her vampirism, wanting blood and hating yourself for it (the third part is a joke/reference to s1 but also i think meaningful for how she sees her relationship with laura when she IS a vampire. little bit of that 'she will reject me for my monstrousness' shining through). and thats what defines vampirism for lots of vampires across the genre obviously, but i dont know, it struck me. we dont get a lot from carmilla's pov, we know a fair amount about her, but the story is always told through laura. we get laura's diaries, but just snippets here and there from carmilla, what shes thinking, how shes feeling

and i love that shes a philosopher. i love that thats how she seems to try and find something to hold onto, in a world that kind of moves around her, having been murdered, kidnapped, turned and groomed to be a lure on the cusp of adulthood, never having been properly loved (the relationship with her father wasnt good she says in s3, and her mortal mother i dont think has ever been mentioned (like laura's)). the only good relationship she seems to have had for the better part of 3 centuries seems to have been mattie, and mattie seems to love being a vampire. i can imagine carmilla just sort of going along with anything mattie wants to do just because shes so desperate for that friendship. not like, against her will necessarily really. but more like, she hasnt even had the space to develop her own will, you know? and philosophy lets you do that. philosophy gives you frameworks to understand the world and to develop your own opinions on it. and by the 21st century she seems to have developed those opinions, she has a sense of her own values, but shes also still stuck in that same situation. shes jaded and cynical in the face of laura's optimism and strong moral code a lot of the time in s1 because she feels probably pretty powerless. like she does what she can to save some girls but at the end of the day shes scared of her mother and she has nowhere else to go really, right?

i like how she grapples with that over the course of the series, in tandem with laura grappling with her black and white morality. she sort of jumps ship from her mother to laura bc theyve fallen in love, but then laura still stuck in her hero thinking refuses to see her monstrous side. not literally bc i think the biological vampirism never seemed to be a problem for laura, but morally. the having murdered. carmilla needs laura to see that and love her while seeing it bc the last girl she loved rejected her for being a vampire.

but you see her kind of swing back and forth in s2. she softens first with laura but then they break up and she leans back hard into the sarcastic cynic defense mechanisms, leans hard into "im a monster, dont expect heroism from me". but thats like, it's sort of learned helplessness i think. it's powerlessness, resignation. bc morally shes not a monster. maybe she doesnt have as strong a drive to help other people as laura does and is a little more selfishly hedonistic in that she just wants to enjoy her/their life, but she doesnt hurt people for fun, she never has. she just sort of didnt have another option for a Really long time. so she pretends she doesnt care. "im a vampire, this is what i do, this is who i am". but clearly from the way she talks about it when she turns back into one, she doesnt enjoy it

and i like how she goes even further in s3, where she starts swinging even more to the heroic side, bc she sees hope. shes like "wow if we kill my mother, i'd be free". theres hope and she becomes like a lot more active. and shes like that at the start of the movie too, a lot happier, a lot more relaxed, and then vampirism is back and bam depression gfhgkjh like shes immediately more gloomy, ashamed of her past and her self, retreats into herself

sorry i just took this as an opportunity to dump all the carmilla thoughts floating in my head on you. you didnt ask fhkghgjh consider this an open invitation to you or anyone else to come talk to me about carmilla

[chalkrub]

ode to the drowned rat. who’s hiding under there??

[fuckmeyer]

hot take? but the Twilight fandom needs to stop citing Mormonism for everything that happens in this hell series.

the characters aren't Mormon. the plot isn't Mormon. the wardrobe isn't Mormon. this series was WRITTEN BY a Mormon woman whose religious indoctrination influenced her work. there are themes, plot points, characterizations, etc, that are related to or in line with LDS teachings. saying the book/characters are Mormon is not the same.

the more you label everything in text as Mormon, the less likely you'll be able to identify the actual religious influences

and if you think you are somehow immune to the influence of something you cannot correctly identify, think again

[mantisgodsdomain]

In Plato's theory of epistemology, anamnesis (/ˌænæmˈniːsɪs/; Ancient Greek: ἀνάμνησις) refers to the recollection of innate knowledge acquired before birth. The concept posits the claim that learning involves the act of rediscovering knowledge from within oneself.

In other news, we are continuing to post our Febuwhump fic to AO3, finally. This one isn't even Leif's Request spoilers.