something i really appreciate about the silt verses finale is that carson being unwritten from the narrative didn't change anything on a wider scale. because of course it didn't. he admitted it himself; he's just one guy in an entire system of abuses and cruelty and people fighting to be the one calling the shots. cutting off a few more heads will only free up more spaces for new ones to grow and trample one another in the bid for power. which makes how he dies all the more impactful in spite of how narratively and personally "unsatisfying" it is - despite the utter denial of catharsis - for both his and VAL's character arcs. because in the end, they both realised the truth, and were able to accept it with dignity.
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i just get rly emotional at the thought of kim feeling safe and cared for with harry. the fact that whenever harry defends him against bigotry, kim’s surprised reaction implies that harry is one of the few ppl who does. the fact that later, harry is able to pull him out if his shell. the fact that kim’s politeness starts waning, and he jabs and pokes fun at harry (and apologizes when he takes it too far). the fact that he goes from “im the finest of nothing” to “never fuck with kim kitsuragi”. the fact that kim is so quick to stand up for harry, even tho he tries to remain unengaged and neutral during most interactions. the fact that kim abandons all reason and falls to his knees, turning his back to all danger, and desperately presses his hands to try and save harry— and ONLY turns around if harry tells him to. because thats how much he trusts him. thats how much he cares. kim, who doesnt seem to be vulnerable or that close with pretty much anyone else, and gave up hope on relying on ppl a long time ago. and whats even more emotionally churning is that all of that trust, that affection, that *bond*, it all happens within a span of 4-5 DAYS OF KNOWING EACH OTHER.
its as if that same side of harry that can interact with cuno, acele, and annette (kids with complex fears and distrust towards others) that make em feel safe— the *juvie* side —can tap into kim’s inner child as well, and makes him feel safe, too
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me and den @unloneliest were just talking about murderbot and ART's relationship and i want to discuss how they quite literally complete each other's sensory and emotional experience of the world!!
there's a few great posts on here such as this one about how murderbot uses drones to fully and properly experience the world around it (it also accesses security cameras/other systems for this same purpose). but i haven't seen anyone so far talk about how once MB stops working for the company and consequently doesn't have a hubsystem/secsystem to connect to anymore (which for its entire existence up to that point had been how it was used to interacting with its environment/doing its job), after it meets ART, ART starts to fill that gap.
ART gives MB access to more cameras, systems, and information archives than it would normally be able to connect with while MB is on its own outside of ART's... body(? lol), but also directly gives MB access to its own cameras, drones, archives, facilities, and processing space. additionally, so much of ART's function is dedicated to analysis, lateral thinking, and logical reasoning, and it not only uses those skills in service of reaching murderbot's goals, it teaches murderbot how to use those same skills. (ART might be a bit of an asshole about how it does this, but that doesn't negate just how much it does for murderbot for no reason other than it's bored/interested in MB as an individual.)
we all love goofing about how artificial condition can basically be boiled down to "two robots in a trench coat trying to get through a job interview" (which is entirely accurate tbh) but that's also such a great example of ART fulfilling the role of both murderbot's "hubsystem" and "secsystem", allowing it to fully experience its environment/ succeed in its goals. ART provides MB with crucial information, context, and constructive criticism, and uses its significant processing power to act as MB's backup and support system while they work together.
from ART's side of things, we get a very explicit explanation of how it needs the context of murderbot's emotional reactions to media in order to fully understand and experience the media as intended. it tried to watch media with its humans, and it didn't completely understand just by studying their reactions. but when it's in a feed connection with murderbot, who isn't human but has human neural tissue, ART is finally able to thoroughly process the emotional aspects of media (side note, once it actually understands the emotional stakes in a way that makes sense for it, it's so frightened by the possibility of the fictional ship/crew in worldhoppers being catastrophically injured or killed that it makes murderbot pause for a significant amount of time before it feels prepared to go on. like!! ART really fucking loves its crew, that is all).
looking at things further from ART's perspective: its relationship with murderbot is ostensibly the very first relationship it's been able to establish with not only someone outside of its crew, but also with any construct at all. while ART loves its crew very much (see previous point re: being so so scared for the fate of the fictional crew of worldhoppers), it never had a choice in forming relationships with them. it was quite literally programmed to build those relationships with its crew and students. ART loves its function, its job, and nearly all of the humans that spend time inside of it, but its relationship with murderbot is the first time it's able to choose to make a new friend. that new friend is also someone who, due to its partial machine intelligence, is able to understand and know ART on a whole other level of intimacy that humans simply aren't capable of. (that part goes for murderbot, too, obviously; ART is its first actual friend outside of the presaux team, and its first bot friend ever.)
and because murderbot is murderbot, and not a "nice/polite to ART most of the time" human, this is also one of the first times that ART gets real feedback from a friend about the ways that its actions impact others. after the whole situation in network effect, when the truth of the kidnapping comes to light and murderbot hides in the bathroom refusing to talk to ART (and admittedly ART doesn't handle this well lol) - ART is forced to confront that despite it making the only call it felt able to make in that horrifying situation, despite it thinking that that was the right call, its actions hurt murderbot, and several other humans were caught in the crossfire. what's most scary to ART in that moment is the idea that murderbot might never forgive it, might never want to talk to it again. it's already so attached to this friendship, so concerned with murderbot's wellbeing, that the thought of that friendship being over because of its own behavior is terrifying. (to me, this almost mirrors murderbot's complete emotional collapse when it thinks that ART has been killed. the other more overt mirror is ART fully intending on bombing the colony to get murderbot back.)
in den's words, they both increase the other's capacity to feel: ART by acting as a part of murderbot's sensory system, and murderbot by acting as a means by which ART can access emotion. they love one another so much they would do pretty much anything to keep each other safe/avenge each other, but what's more, they unequivocally make each other more whole.
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