#when i say creations i mean the world and all of its characters

[raazberry]

not a single day goes by where i don't go insane thinking about charles eyler's love for his creations and the way in which they love them back in their own ways

[icewindandboringhorror]

Recent game related things .. hrmm...

[creatingblackcharacters]

“Romance Will Not Solve Racism”- Interracial/Biracial/Blended Black and White Relationships and Families

I broke this lesson on white/Black interracial relationships and identity off from my multicultural lesson because this is one that demands its own talk. People think that the existence of interracial relationships, biracial children, and blended families means that we are “moving forward as a society”. While admittedly it’s no longer illegal- and the fight that went into it for the right was very important- it doesn’t mean that the world is “getting past racism”. Far from it, if I’m being very direct.

Tokenism

“It’s a given that they’re not racist, they’re in a relationship with a Black person.”

Some of the most antiblack racist people I’ve ever had the displeasure of witnessing are the ones that think they ‘could never be racist’ because they draw “Black” characters, reblog “Black” posts, or “enjoy” Black characters. What I need you all to understand, going into your creation, is the proximity to Blackness does not mean antiracism. In reality, they are usually just tokenizing Black characters and people.

Tokenism: “the practice of making only a perfunctory or symbolic effort to do a particular thing, especially by recruiting a small number of people from underrepresented groups in order to give the appearance of sexual or racial equality and equity within a specific societal system (workforce, school, university, movie, tv-show etc.)”

In other words, the token Black friend/partner/child/favorite character is the person that white people will point to, to suggest that they are not racist because there is someone Black that they can stand to be around. They value them as pawns, not as people.

This can and often does apply in these scenarios. A white partner that might be nice to their Black partner may switch up one day if said Black partner doesn’t act the way they want (‘you’re not like other Black people’), revealing a side they hadn’t before. Many white spouses have rejected their spouses’ Black biracial children or treated them less in comparison to their own white children. It has been noted that white foster families will adopt Black children for the money (because they’re ‘cheaper’) or performance value, since people don’t adopt Black children as much (one family even murdered all of them in a murder-suicide).

Meanwhile, the whole time, they ‘seemed so nice!’ Racism can come from ‘nice’ people. So moving forward this is something we need to keep in mind. If anything, you need to be even more aware of this when writing, as these characters supposedly have a close relationship.

“What are you mixed with?”- Colorism

It’s also not coincidence that many of the acceptable, “beautiful” Black biracial people are the Zendayas of the world. Light skin, looser textured hair. These are the Black biracial people that are brought to the forefront, but they are not representative of every Black biracial person!

Now, this is one of my biggest pet peeves, both in character design and in life, so say it with me:

BEING BIRACIAL DOES NOT AUTOMATICALLY MEAN LIGHT SKINNED, AND BEING LIGHT SKINNED DOES NOT AUTOMATICALLY MEAN BIRACIAL!

I want to bite everyone that thinks this lmao. People will see lighter-skinned Black people and ask “what are you mixed with?” It infuriates me, the idea that we are somehow more beautiful for that proximity to whiteness. The idea that being Black alone is not enough to be beautiful, there must be something else in you that makes it that way.

(I’ve also known some unattractive light skinned and mixed people so… It’s just not true.)

This belief easily permeates society, and that includes artists and writers who want a specific look for their characters. Every mixed child is NOT going to be light skinned!!! LET IT GO!!! “I want my character to have long, thinner textured hair, but I want her to have a natural ‘tan’ (their brown skin) so by being mixed, I can have that! How beautiful!” No. It’s very racist. If your goal is to obtain Eurocentric beauty standards for your character, but to ‘claim diversity and benefits’ in their Blackness, that is very much racist. Y’all gotta catch yourselves on that one!

"Passing"

I want to reiterate a point, that you’ve likely walked past many a Black biracial person and just assumed they were Black. Blackness is not just a skin color, but a measure of social standing as well. We have been socialized to think of Blackness as less than, so once someone has been perceived as Black, someone’s perspective will be affected by antiblackness, regardless of their complete background.

But, when it comes to being biracial with whiteness, there’s also the concept of “passing”, where you might have assumed they were white!

Now, this is a controversial, and U.S. American-centric, view that I’m about to express. People will disagree with me, and that’s fine. Colorism does offer privilege to light skin. But I am of the opinion that if you have to ‘pass’ as white, you are not White. White people don’t have to pass. They just are. No matter what other marginality they are, that whiteness is the one thing they can lean on. If you can have that whiteness and the privilege that comes with it revoked by sheer awareness of the Blackness in your genetics, you are not White, because white people can never have that happen to them. So you might be able to get away with whiteness, as long as no one knows!

It’s why things like the One Drop Rule, the Paper Bag and Pencil Test, and terms like quadroons, octoroons, creoles, mulattos and such exist.

Strong dependence on the Mammy stereotype in this movie aside, one of the main plot lines of Imitation of Life is a Black woman, Annie, and her mixed daughter Sarah Jane. Sarah Jane is beautiful, but most importantly she can pass as white (the actress is Jewish). But Sarah Jane struggles with the reality that her society treats her better when she’s ‘white’ but will immediately and violently turn their back on her when she’s revealed to be half-Black. She hides and rejects her Blackness to protect herself from the pain, but rejecting her Blackness means rejecting her beloved mother, and everything she’d done for her. Annie dies of illness and heartbreak, having accepted that this is the choice she’s made.

(also, Trouble of the World by Mahalia Jackson is one of my favorites)

Fetishization vs Reality of Black biracial children

Again: people like to place a lot on the existence of Black biracial babies. They think the existence of a Black biracial child means that race simply isn’t a factor. They’ll seek the ‘beauty’ of mixed children, plus the performance points of ‘non-racism’ because they exist. Imagine your own parent- whom you’re supposed to love and trust- treating you as violently as the world outside; treating you like those puppies people get at Christmas where it was fun as a concept but ready to toss by Easter because they’re no longer titillating. Black biracial children are not toys, and they are not symbols: they are human beings!

If you plan on writing a white parent to a Black child (biracial or not) that is a GOOD parent, then they need to be aware of their child’s specific needs! There are still things that will apply to your Black child character that are different from a white one that your white parent character needs to know. Otherwise, your Black and Black biracial viewers will notice that this kid would not realistically be safe, healthy, or happy.

This includes learning to do their hair, or where to take them to get it done; recognizing when some conversations just aren’t ones they can have on their own, when they are treating their Black child like their life experience and day to day needs are that of a white child’s. I recognize that every story isn’t going to center racism, but if your story does want to acknowledge it, this also includes learning how to catch when their child is being discriminated against by their own white family members (just because THEY as a parent are okay, doesn’t mean their families are), in school or in other social spaces. That child might be in danger, but if their white parent does not recognize that, they will not protect them!

Antiblack racism from white parents has been spoken about often amongst Black children. Children of color in general adopted by white parents can speak on it. The rapper Logic has rapped often about his white mother calling him slurs. You can tell when a Black biracial child’s hair is not being done properly because their white parent does not care to learn, and is trying to physically force whiteness upon them via assimilation. It can actually be incredibly damaging for a Black biracial child to have a white parent that does not know how to take care of a child that will face the world far differently than them.

This can include feeling excluded from certain parts of your identity, just because you aren’t “enough”. One example multiculturally is the pressure to assimilate. For example, some Latino families not teaching their children Spanish, or Kenyan families not teaching their culture, to assimilate in (white) American culture.

Very often, white people no longer in a relationship with their Black partner will isolate their Black biracial child from their Black family, thus cutting off access to half of their heritage. Thus, many Black biracial kids find themselves confused about that line. Ideally, their parents will be healthy enough to have those conversations and strengthen their self-identity, regardless of their relationship with one another.

So when you’re writing your character, they should not be telling them that ‘we don’t see race’, or any other things that imply that the Blackness within them is somehow shameful or doesn’t need to be acknowledged.

How to actually treat a Black partner

Any Black person (with any self-respect, let me clarify) will not want to be with someone that’s racist. This doesn’t mean that their white partner will be perfect immediately, but they should still come in with some decency.

I personally do not find it romantic teaching someone how to treat me like a human being. I’m passionate about these topics and education on them, but there’s still a distance between you and I, reader. You are a person I don’t know, that could either learn from what I teach (which is good!) or decide to… Well, stay racist, and be treated as such 🤣 But I would never give my heart to someone that I’m unsure of. It’s far safer to be with someone that has already done much of the work on their own, or at least has put the effort in and will continue to do so.

Black viewers do not want to spend time watching a white person realizing they’re a human. Partners are supposed to be a space of respite and security. How can you be safe and comfortable if someone’s always throwing microaggressions at you (unintentional or not), refusing to or incapable of understanding your perspective when it counts, only understands your experience on a surface level, or is determined to ‘make it not matter’… and then call it love?

Like if a white character is giggly because ‘omg they’re listening to “Black” music they’ve never heard before’ or ‘eating “Black” food’ because of their Black partner, that’s… god I’d close the book immediately. We’re not a different species. That’s not romantic, it’s just weird. You can have a new experience without treating it like your white character is going to the zoo and reading the exhibits.

Your white characters should be learning and applying constantly- consent to touch hair and body, learning what not to say or when it’s not their space to speak on a topic, learning about how the world treats their partner so that they can understand. This includes their own friends and family- why would a Black partner want to be with someone that doesn’t defend them from racist family members?

Your white character may not always get it right, and that’s fine*. But one thing I’ve discussed in a prior ask is that the bar for knowing if your relationship with a white person is a safe one (at least, at that moment) is if you can correct them. If you can tell your white person that they have done something wrong, something racist, or that there’s something they should know to continue this relationship, and they react well? Okay. That’s an opportunity for writing character AND relationship growth!

*There’s levels to this; obviously there’s some things you can’t (or shouldn’t) come back from

Depicting this may be hard for someone that… that hasn’t had that conversation. I have been able to write that sort of scene. But if you’ve never had that conversation, you won’t know how it goes. I have to be honest with you… This is where it would be good to have Black friends that feel comfortable enough to have these conversations with you. I mean, you shouldn’t go make friends just because you want to use them for creation. That would be disrespectful. But if this is something that you want to write, I would highly suggest that you grow familiar with microaggressions and acts of antiblack racism, so that you can understand WHY they are a problem. Can’t really apologize and “not do something again” if you don’t know what that something is.

Fetishization of Black Partners

The Jezebel and the BBC stereotypes come into play often via the idea that a Black partner is something wildly exotic and can be used for sexual experimentation. ‘Wanting to know about big Black dick’ or ‘if all Black girls squirt’ is objectifying. You can write us in your sex scenes- many of us do enjoy sex and can even be kinky! But watch that you’re being respectful, from your descriptions to your dialogue. We’re not raging sex beasts and sex toys for your fantasies. We deserve care and our needs met as well.

There’s also this thing where white girls will date a Black man to ‘spite daddy', and when they’re done rebelling, that Black man is left in the dust, maybe even accused as an aggressor to excuse her ‘leaving’ her own (he manipulated her, tempted her away from the right path). We may side eye you if you have a white character ‘fake dating’ a Black person or ‘friends with benefits’- not because these tropes are racist, but often can be written that way if you’re not paying attention.

One controversial example is that of Rege Jean-Page’s character in Bridgerton. There’s a scene where his love interest essentially forces him to come inside her during sex. Now, there are people do enjoy consensual-noncon. The issue is that 1) some Black viewers who watched felt disturbed at the imagery of a Black man being forced to breed, especially given that historical context, and that it wasn’t treated as seriously, and 2) this scene if he had been the one forcing her would never have been received as well, especially with a Black male lead- it would not have been received as ‘spicy CNC’.

Interracial relationships- specifically with a white woman and a Black man- may also be looked upon with worry by Black family members. There is a history of Black men (and their surrounding Black community) being lynched for ‘defiling white women’. It’s not unusual for us to worry that we will not be safe in a white partner’s homes or lives, and will be asked to leave our information, who we’re with, and what part of town we’re in or going to. Get Out was a fantastic example of this; of how the only reason Chris escaped was because a friend of his knew where he was and came to get him. Otherwise, he would have been body snatched. So your ‘fake dating’ interracial AU might seem silly and fun to you, but a Black reader might look at it and go ‘wow, I would never put myself in this situation or deal with this sort of treatment without extra planning’.

As a side: the gigantic Black/Brown man in chains and a tiny white man holding those chains as symbolism for BDSM or 'possession'… Yeah that’s usually just racist beast and slavery imagery recycled. Please. I beg. I’ve almost never seen the opposite in fan art, and we all know why. There’s got to be something else we can use.

Black Parent, White Child

This is one that I almost never see talked about! Partially because our society deems any child of a Black person also Black, but there are blended families where there will be an existing child- and that child might be white! But we don’t see white kids adopted by Black families as much as we do the reverse, and there’s a reason for that!

There’s a difference in the dynamic! White parents with Black children are often seen as ‘saving’ them. I was once friends with a nice, older white (also racist, as it turned out) neighbor of mine, and people would often look at me like I was some poor, piteous negro child when we went to the store. But if my 50+ year old father were to walk around with a preteen white girl, people would react far more defensively.

Think about this: toddlers have tantrums, right? The world is ending in a heartbeat, that’s just where they are mentally. You’re ready to leave the store, they aren’t: boom. Tantrum.

A white toddler falling out into a tantrum and getting hauled off by a Black parent could very well get that parent arrested or killed if someone, misunderstanding due to their pre-existing biases, calls the cops for ‘kidnapping’. And that white toddler might not know that, but that’s the amount of power that they hold over that Black stepparent as a BABY.

There was a Black Twitter thread that discussed what Black people would do if a crying white child came up to them and looked lost, and part of the discussion was that people were genuinely afraid to be seen with this child, because someone might assume that THEY made the kid cry, and it would get them hurt. Has nothing to do with not liking white kids, but the fact that we live in a world with a literal hair trigger on us- the last thing we need is to be seen as a threat to a white child.

Viewers will be affected by this bias as well. White parental characters to Black child characters will be given more grace and understanding versus the opposite.

A good example (of parental figures/mentors) is from Across the Spiderverse, with Peter and Miles vs Jessica and Gwen. Both mentors were a part of the Spider Society, both were in the wrong about how they treated Miles (damn near the whole Society did, which is another message on how we treat Black and Brown kids there!), and with how they treated their respective mentees. But Peter is treated with far more grace, despite his actions symbolizing that disappointment that Black kids often experience from white adult mentors that we’re supposed to trust, than Jessica Drew, who treated Gwen like the business mentor she was. Jessica was not motherly (remember that Mammy stereotype?) to Gwen because it wasn’t her job to be. But people were furious at her not ‘treating Gwen better’, for ‘putting her own child in danger’ and ‘not considering how Miguel would react’. But they were not as angry at, or offered more potential forgiveness, to Peter, who failed at the very same things with Miles.

Writing a Black Parent

Okay, so yes, there is ‘Black parenting’. To be honest, you’re not going to be able (and shouldn’t attempt) to write that, because it is a very specific experience that you’ll only know if you were brought up in it. Bringing up Jessica Drew again, another perspective to consider is that people thought she was a ‘bad mentor’, but as far as how my Black childhood went, she was quite gentle and firm.

Black parents are still humans, and parenting is still parenting. Be normal about it. All you need to do is keep in mind that we’re offering all of these characters and their relationship dynamics the understanding and writing they deserve.

If you’re writing a healthy relationship, there needs to be a sense of trust and respect between everyone involved, and that can reveal itself even in small interactions. If you’re writing a complex or negative parental relationship, that’s fine, but you’ll have to avoid certain overarching stereotypes of Black parenting styles (The ‘ghetto welfare queen with six kids’, the ‘absent thuggish father’, the ‘overaggressive woman that beats her kids’, the ‘Strong Black Mother who don’t need no man’). Make sure they’re a complex or bad parent because they suck, not because they’re what you think of when you think of Black parents.

Conclusion

There’s no free passes from antiblack racism just because you’re close to Black people; there’s no ‘invite to the cookout’ just because you don’t say slurs. This applies to your writing as well. It is not a given that your white character is in the clear just because they have a Black partner, children, or friends. If anything, they’ll need to be putting in extra work to maintain that intimacy. These are different forms of love, but all love takes effort, and it certainly won’t hold if they’re not being considerate of their loved one’s identity. By incorporating this level of thought into your writing- however subtly- it will show your Black viewers that you as the writer are aware, that you actually thought about us in these more intimate settings. Because as you and your white characters need to know, it’s the thought that counts, but the action that delivers!

[cy-cyborg]

It's been confirmed that there are 3 amputees in the main cast of Dragon Age: the veilguard - Neve (leg amputee), Bellara (arm amputee) and your inquisitor (arm amputee). So as an amputee myself, here are some things I'd like to see.

Note: these aren't predictions, just things I'd really like to be included.

The inquisitor doesn't use a prosthetic (I already talked about this in its own post but with 3 amputees, and 2 of them already being shown to use prosthetics that, lets be honest, do look like "perfect replacement" prosthetics, it would be nice to see at least one who doesn't)

We will get to customise our inquisitor in chatacter creation, so I would love, if they do use a prosthetic, for there to be some customisability to it (im not holding my breath there but still).

Neve and Bellara's prosthetics aren't perfect prosthetics, and they are actually acknowledged as being disabled while still being active members of your party.

There's some kind of party banter between Neve and Bellara about some of the downsides/problems with their prosthetics, not necessarily in a "poor them" way, but in a "ugh, don't you just hate it when you can't get the stupid thing on in the morning" kind of way.

I get a kind of jokey/adventurous vibe from Bellara, I hope they aren't affraid to let her use her prosthetic for pranks or jokes. I don't think neve would, but I can see bellara having a blast with it.

I hope the prosthetics come off during down time. No amputee wears their prosthetics 24/7, it's uncomfortable, and they get heavy and sore after using them all day.

I hope we see Neve express some frustration or see her alter her walk animation on rough terrain. It's hard to get a clear look because the trailers she's been shown in are so dark, but her foot doesn't look articulated, which is going to change how she walks, even just a little bit.

I hope the prosthetics don't break - this is a trope I'm starting to notice more and more, where someone has a perfect prosthetic that is only not a perfect replacement when it breaks, usually for plot reasons, at which point the character in question is forced out of the action until its fixed. DA has forced companions out of your party for story reasons before (e.g. solas after you free his spirit friend and he needs to cool off) so I can see this being used for plot, and I really hope it's not.

The inquisitor, Neve and Bellara compair prosthetists (the maker of the prosthetic) and maker techniques.

I really doubt they'll do this but I'd love it if random NPC's approach you if you have any of the amputees in your party to ask what happened and/or make weird comments at them ("but cy, that would be so annoying and inconvenient!" That's the point. So many people do that to irl amputees, and it's never at a convenient or even safe time, and I've never seen it happen in media. A game is arguably the best place to have it happen, in, say, a random event similar to the ones that could happen in origins)

In that same vein, I'd love to see a scene where someone approaches the inquisitor to call them an inspiration- you and the inquisitor assume it's for, you know, beating corripheus (I know I spelled it wrong lol) and saving the world, but it's revealed the chatacter has no idea who the hell the inquisitor is and just means it's inspiring that they're out in public "like that" - referring to their arm. This also happens to me all the time, and you can't tell me some snooty orlesean or tevinter noble wouldn't make those back-handed compliments, lol. You also can't convince me that any version of the inquisitor would just accept that

I hope none of the chatacters are used as inspiration porn ("don't you worry Rook! I can still pull my own weight on the team despite being an amputee, you just have to give me a chance to prove myself!")

At least one of the chatacter's stories of how they lost their limb is left untold in game (we don't always need to know how it happened if it's not relevent to the plot).

Like I said, these aren't predictions, just my hopes. I wouldn't hold my breath for any of these to be honest (bioware has not been the best in term of disability rep in the past) but A lot of them wouldn't be hard to implement and could take the representation from hardly even acknowledging their disability to something actually pretty decent disability rep-wise. It's also pretty rare to have so many characters with the same kind of disability in the cast of such a mainstream piece of media, and I really, really hope they do something with that because you can have a lot of fun with that.

[honeyflashbang]

My theory on Sampo's true identity...

(Minor Spoilers for 2.4) (also, I’m no expert in… anything, really, but these are just my ramblings).

So, this has probably been mentioned before, but I have a teeny-tiny theory about Sampo’s true identity, and it relates to Finnish mythology.

So, “Sampo” in and of itself doesn’t have a set meaning, but it has its roots in Finnish mythology, particularly the “Kalevala” which is a 19th-century compilation of epic poetry. In it, a blacksmith god by the name of Seppo Ilmari(nen) forges the mythical device known as “The Sampo”. It’s never quite explained what The Sampo really is; some versions depict it as a mill, others as a cornucopia from which bountiful creations flow from, and some even have it as being a world tree/world pillar, so what The Sampo really is, isn’t entirely known. But, what is known, is that it brought riches and good fortune to its holder (again, the same as the cornucopia from Greek mythology).

But why am I mentioning all of this? Why bring up the Kalevala? It could be that Hoyo just chose the name “Sampo” for some flavour—befitting of a character who magics up relics from seemingly thin air and is trying to create riches—and yeah, it’s a possibility…

Until I saw these two screenshots from the 2.4 story:

You know what this means, right? 

Kalevala is a real planet in Hoyo’s Star Rail universe, and I find it awfully coincidental that they would use this name for a planet and not have it related to a certain blue haired conman, especially since The Sampo is such a pivotal element in the plot of the Kalevala—there is no way this is a coincidence (I refuse to believe it).

This leads me to believe that Kalevala is Sampo’s real home world, and is where he originates from.

Now, this is all well and good, knowing where “The Sampo” hails from, but I want to focus on its creator—Seppo Ilmari(nen)—and his parallels to a certain blue haired conman. For one, Ilmari(nen)’s name is quite interesting as the ‘Ilma’ part is Finnish for ‘air’ or ‘weather’, and as we know, Sampo’s element is that of ‘wind’ (And also the fact that Ilmari(nen) is credited as “Godlike smith-hero and creator of the sky”. I could go into a whole spiel about Ilmari(nen) and Qlipoth swinging their giant hammers in tandem together for all eternity (Go Sampard! Geppie is Qlipoth's true heir, you can't convince me otherwise!), but that’s for another conspiracy theory lol).

So, ‘Ilma’ means ‘air’, and Sampo wields ‘wind’.

Cool.

If the parallels ended there, I’d just say I was being crazy… but there’s more.

Sampo’s 4th (and arguably best) eidolon is called “The Deeper the Love, the Stronger the Hate”. Two out of his six eidolons refer to 'love', whilst the other 4 are to do with wealth and riches. The wealth and richest aspect leans towards The Sampo of mythology, whilst the ‘love’ aspect, well…

According to the story, Seppo Ilmari(nen) is the unluckiest bastard alive when it comes to love. Like, seriously. His whole storyline is that he can’t find a woman. For one, Seppo Ilmari(nen) is double crossed by his so called buddy, Väinämöinen, into creating The Sampo for the evil witch Louhi of Pohjola in exchange for her daughter’s hand in marriage (which, Ilmari didn’t even want in the beginning), but when the poor guy actually sees the daughter and falls in love with her (and subsequently creates the Sampo—after failing miserably a number of times, mind you—he creates a crossbow, a boat, a cow(wtf?) and a plough, all which are somehow either evil or flawed), she ups and just leaves him hanging! (in the original runes, however, he is successful in gaining a wife, as his ‘unlucky in love’ spiel was later added by Lönnrot in compiling the Kalevala).

As with any mythology and re-telling of it, there’s so many different versions of the same event. In “The Maiden of the North”, a 1898 opera written by Oskar Merikanto, both Ilmarinen and Väinämöinen compete for the chance to marry Louhi’s daughter, who is then mentioned as being “Ilmari(nen)’s first wife” and who later dies to Kullervo’s curse (apparently she was a bit of a bitch to Kullervo by taunting and tormenting the poor boy—who was a child slave mind you!). Distraught, Ilmari(nen) forges himself a wife of gold and silver, but he finds her to be too cold and callous—he forges her out of love but only finds hate—so he tries to gift her to Väinämöinen (who doesn’t want her either, lol), and suggests he cast her back into the furnace and to “forge from her a thousand trinkets”.

Here’s the accompanying poem:

Never, youths, however wretched,

Nor in future, upgrown heroes,

Whether you have large possessions,

Or are poor in your possessions,

In the course of all your lifetime,

While the golden moon is shining,

May you woo a golden woman,

Or distress yourselves for silver,

For the gleam of gold is freezing,

Only frost is breathed by silver.

It is apparently your standard Aesop’s fable of “money can’t buy happiness”, which is something else I see in our dear old Sampo Koski. During our time in Belobog, we see how different he acts with the Underworld and Overworlders. To the poor, he actually seems approachable (albeit a bit of a nuisance), going so far as to help the Underworlders (an example being the questline “Survival Wisdom” in which he and Peak set up a business together renting out his tools to help the miners make a decent wage to support their families). In contrast, we actively see Sampo being very hostile towards the Overworlders, scamming them and putting the nobles in their place or setting them up to be caught by the Silvermane Guards (an example being during the museum questline where you discover his identity as “Mr Cold Feet”. Sampo clearly states to who he thinks is his mark that ‘we are not friends’ in a very hostile manner, something which we’ve not seen from Sampo before as he is usually quite amicable). 

For all Sampo’s showboating and flashing his money around, he helps where it counts. He wants to make money, sure, but not at the detriment of the people who need it the most, only to those with excess.

Anyway, back to him being unlucky in love…

In another rune entitled “Kosinta”, Ilmari(nen) goes on a journey to compete for Hiisi’s daughter, and wins by completing various feats, one of them being “ploughing a field full of snakes”:

And as we know, Sampo is very heavy on the snake motifs (the head of the snake on his shoulders, the spine wrapped around him, the daggers are its fangs…etc.)

So that’s another interesting link between Seppo Ilmari(nen) and Sampo Koski.

So, why have I gone on this long winded tangent about Seppo Ilmari(nen) when I’m supposed to be talking about Sampo Koski?

Well, that’s because I think Sampo Koski’s real name is (or a variant of) Ilmarinen.

In the Hoyo universe, I believe Ilmarinen came from the planet Kalevala and ‘created’ the persona of Sampo Koski, much like how in the Kalevala, Seppo Ilmari(nen) forged The Sampo.

As I’ve listed above, there’s so many links between the two:

“Air” as a name and “Wind” as an element.

Seppo Ilmari(nen) ploughed a field of snakes to win Hiisi’s daughter’s hand in marriage, whilst Sampo Koski relies heavily on snake motifs for his attire.

Sampo’s two eidolon names that relate to love (which are completely different from the other 4 eidolon names), whilst Seppo Ilmari(nen) is known to be unlucky in love.

I’m pretty damn sure Sampo creates his own bombs and tinkers with the old relics to bring them back to life, whereas Seppo Ilmari(nen) is a smith who created the dome of the sky! They’re both artificers!

And now the revelation that a planet by the name of “Kalevala” exists is no mere coincidence.

So, either Sampo is Ilmari(nen) - or! - Sampo is a puppet (like Herta) created by someone called Ilmari(nen). 

(I would love if his 5* version is him with this name).

Right, I’m finished rambling. Gonna go huff some copium...

[stellaeerrantes]

Hello everyone, there's something that I'd like to share with everyone here, because I believe it will help a lot of people.

For us folks who engage in imaginary worlds, with canon characters or our own creations, who have deep conversation with their faves in their heads or need their comfort character's shoulder to cry on, there is an unavoidable phenomenon which I took the liberty of naming "Character burnout".

"Character Burnout" essentially means that you have no energy in order to visualise your character(s) in your mind or engage with them on your imagination. I've come to the conclusion that it can be a result of an actual burnout (mental) or it can be irrelevant to mental state and your mind is overwhelmed. Simply put, it is the way your mind kindly asks you for a small break to charge its batteries. After all, picturing an entirely different reality needs a lot of energy.

Now, the reason I'm saying all this, is not for the sake of just mentioning it. I understand that a lot of us are extremely attached to our comfort characters/ f/o(s) or whatever you prefer calling them, myself included, and this situation can be very stressful. Personally, I panic, thinking that I've lost interest to my favourite characters or "grew out of it" to the point I become unable to function at all, but, after a small amount of time I can connect with them again.

So, when you experience this, please don't jump into conclusions or let fear overcome you, the connection will come back again as enjoyable as ever, you just need to be patient and give your mind the time it deserves to recharge in order to take you places again. It may take days, or weeks, but the love we have for our characters is never gone.

If anyone wants to talk about this, please do speak your mind, and I'm open if someone wants to discuss it with me as well.

So um that's it, and and sorry for the long post!

[wszczebrzyszynie]

In your older art (when he was a rabbit breeder named Nikita I think) Mikita seems much more… smiley than he is now. The first time I saw him (I think 2022) I remember him being gay + aro instead of aroace. I adore this character and I would love to know how he changed/developed over the years!

Oh gladly. I adore this topic. Mikita is my oldest one (8 years old now!) and i have quite a lot to say and show about him, so ill put it under the read more. For some reason the picture formatting is completly broken when i do it. Thank you for the kind words

Mikita went through quite a lot name changes now that i think about it, at least compared to my other ocs; it went hand in hand with his ethnicity mostly, as he was i believe polish first, then polish/lithuanian and only since... 2020? belarusian (which i agree is definitely... a pipeline, but theres no deeper meaning behind it; for the 70% of his life the world he lived in was 100% fictional, and at the beginning even fantasy-like). His first actual name (not "rabbit breeder", which was the title used for him in the original story instead of a name. Names were a modern au thing) if im not mistaken was Fryderyk, then Nikita, and then Mikita. That name change did probably happen around 2022 because a Belarusian belarusianized his name for me and I liked it so i changed it. Very nice of them it makes much more sense in the current story

Years 2016-2020-ish he was gay (but not aromantic) and also dating Mikołaj; frankly i do not remember when exactly that changed, but he and Mikołaj are some of my oldest still in use ocs and they were always a package deal of sorts. Last time i drew shipart of them was in 2021. I think it might have stopped around the time i realized i am aromantic? It was a very important moment to me and the second it clicked i realized most of my ocs were secretly aromantic all along too. It was pretty funny now that i think about it

Personality wise he was a bit insufferable. Well he used to age with me (like most of my ocs) so he was very much a 15 year old. Very bratty and unempathetic to others, actively manipulative and overly ambitious. He used to smile a lot yes it was very in character then and i think it makes him look more annoying so it stays. Well either way i made so much art of him in that time i actually canonized it as his younger self in canon, now that hes older. I think thats a fun choice and i still like his old design, so its good to reuse it. Art from 2020, 2021 and 2023. I think current Mika would hate his old self a lot

Frankly when it comes to my ocs the big shift from that more dystopian completly fictional setting to more historically grounded one happened at some point and i dont remember when that was. 2020-2021 ish possibly. Its hard to remember because it did not happen from day to day; i think i abandoned these ocs original story for months before i made that choice? and even then i dont remember how current DNS or such a clear idea for it came to be, especially considering that it changed basically every single character drastically. Its weird to me but i suppose that knowledge is lost. That being said i think it does coincide with the creation of Przemek, who quickly became one of my favourites, so maybe theres that. I dont know. Well either way its a very good thing that it happened

[dduane]

hello mrs. duane, i've been following you for a while, but i just wanted to say that the young wizards series is one of my favorite series of novels that i've ever read and has a huge impact on how i write my own stories and worlds, so thank you for creating them. my absolute favorite detail about how the YW series works though is the nature of the ordeal and how that informs the dynamic between wizards and the lone power. the whole system of "a young wizard is given an ordeal because they'd be the best suited to take on the lone power for this particular problem" is really cool and interesting, but i absolutely love how the way it's handled means that the lone power basically has Personal Beef with every single wizard in the universe. something about how the lone power is always like "oh fuck, not these two again" every time it sees that nita and kit are involved in foiling another one of its plans is so funny to me, especially how absolutely sick of their shit it was in wizards' holiday when it was asking for kit and nita's help. it's just such a fascinating and entertaining dynamic and adds so much to the lone power's character as an antagonist. i just wanted to tell you how much i enjoy it.

I'm glad all that works for you. :)

If I have a recurring preference for my bad guys—Big Bad or otherwise—it's that they need to have sound reasons for engaging with their antagonists/victims/whatever, and not just be flailing around aimlessly looking for ways to be Eeeeevil and make unfocused trouble. They should also, ideally, routinely see themselves as being in the right: and in some cases, the injured parties. (One model for this attitude I got from Le Guin—that line in The Left Hand Of Darkness where the King asks some poor functionary light years away, by ansible, "What makes a man a traitor?" and the answer comes back "I do not know... No man considers himself a traitor: this makes it hard to find out.")

The Lone Power is therefore well in this mold. It would probably (in the first instance, anyway) have had no trouble with engaging with Creation had Its colleagues not insisted on disagreeing with It regarding its uniquely annoying invention, Entropy. Instead, though, they took the undignified and inelegant approach of not only siding with physical Creation against It, but unilaterally enforcing this attitude by (the hyperdimensional version of) brute force!—surely the last refuge of those with no really solid argument on their side.

So It's left stuck in profound disdain for the Creation all its peers are defending, and yet is forced (again and again) to descend into that creation, into the icky mucky morass of gross physical embodiment, to try to demonstrate to the other Powers and their deluded minions how wrong they are about the value of Life. And yes, absolutely, It has serious beef with every single damn scrap of living matter that has the absolute gall to be alive in Its despite. The more sentient, the more beef.

And the more sentient those chunks of Life prove themselves by repeatedly getting in the Lone One's face, the more galled It gets by them. Especially the ones who have the absolute cheek to claim to be doing it on purpose, because they seem to think they have some right to have beef with It! It's like being dissed by bugs. Infuriating! Makes It want to stomp on them all the harder.

Needless to say, the "bugs" have their own take on this. :) (Which just pisses It off worse.) And that a being that's come to disdain sentience itself as wasted on the lower orders winds up spending so much of Its own sentience on attempting to punish such lesser beings... well, the irony's almost certainly inescapable, sometimes, even for that One, so very invested in being Right. Viewed from a vantage point closer to the Heart of things, you could almost feel sorry for It. And in some moods, you'd be tempted to laugh at It... which naturally It pretty much hates more than anything else.

Eventually, of course, the goal (whispered here and there in Timeheart) is that It will discover being Right is of less value in the long run than it originally believed: that what matters is correcting the error—if it can be corrected—and starting over. What that will look like, for the time being wizards can do no more than speculate.

Meanwhile, they continue to take things personally. Earning the Lone One's very personal enmity, and indeed doing it repeatedly, isn't at all safe. But in some moods, it can be really, really fun... which (both in those moods, and out of them) is what makes Nita and Kit and their colleagues so dangerous. :)

[themissinghand]

Genshin Impact: The Overworked God [2]

Part 1

Summary: In which one of the lore writers who help write the world of Genshin Impact was suddenly thrusted in the very world they created. 

Well, testing characters is one thing, but playing God, and raising 7 children at a time? 

Oh boy. He just wants to go home and sleep.

Note: Finally back from break!

Part 2 of the Overworked God! Creator! Male OC!

What if we had a smarter Creator that never forgot his initial wish of going home?

Warning: Genshin and SAGAU themes, some OOC and angst.

★・・・・・・★

Tempus, or Kai has been in the world of Genshin Impact for a very long time, since its creation where it was just him and Celestia. 

He struck a deal with Celestia, promising to be the Creator and consequently the God of Time to help create Teyvat, but on his own terms. Doing what he can to save his creations from unnecessary pain and suffering. 

So, he’s still overworked, stressed and sleepy all the time, especially now that he has to take care of 7 children too.  

But finally…today is the day he could finally go home. 

Home sounds foreign to him, after all, he spent more years in Teyvat than on Earth, but he has never given up on returning after fulfilling his duty as the Creator. 

It’s going to be a difficult announcement to make, considering how attached his children could be, but perhaps, he could twist the narrative just a bit to appease them.

“Tempus!” Speaking of, two bundles of mass hopped towards him as usual, and he caught them with both arms as if it was a routine. He stumbles a bit, sighs, but pats them on the head. 

“It’s been so long since you visited Monstadt! I missed you~” Venti hugged his waist as he peaked up with puppy eyes. Before Kai could respond, Furina beat him to it. 

“It’s because he likes Fontaine better! He’s been in my country the longest!” Furina quipped back with a proud expression on her face. 

“That’s because you suck at ruling your country!” 

“Says you, Mr. Drunkard Bard!” 

At least they both have trustworthy people like Neuvillette and Jean to take care of their country…

“That’s enough, you two.” A spark of lightning scared the two to cling onto Tempus even more, but Ei easily picked the two off. 

Ah, one of the more responsible leaders…

“Please ignore these two, Tempus.” Ei says stoically, as she sends a deadly glare that shuts the two up. 

“It’s fine.” Tempus greets every single Archon with a nod, before taking a seat at the head of the table, his expression showing his tiredness despite the light-hearted banter that usually happens during these meetings.

“Have a seat everyone.” All the Archons did a curt bow before taking their respective seats. 

Materializing snacks resembling that of an English afternoon teatime, he smiled when even the stoic Tsaritsa seemed to enjoy his food. 

It’s a shame though, this will be his last time. 

“Tempus.” He turned to the Tsaritsa, who seemed to notice his distress.

“I’m fine.” He brushed it away, before he felt a cold hand on his. 

“Let us know if anything is bothering you.” Zhongli added on, and Tempus shook his head. 

His children could handle Teyvat without him, what else would he be worried about? 

“Tempus, are your worries the reason why did you call us all today?” Sharp as always, Nahida asks, gaining everyone’s attention all at once. 

In the end…Rukkhadevata chose her fate. There are things that could not be changed…

“Yes.” Feeling everyone’s eyes on him, he felt even more estranged. 

"As you know, I've overseen Teyvat, guided you all, and tried to make amends for the mistakes of the past," Tempus continued. 

“After much thought, I believe it’s time for me to rest.” 

Multiple teacups fell onto the table with a loud thud. With a wave of his hand, the spilled tea disappeared. 

“T-Tempus! What, what do you mean?” Murata stood up abruptly, knocking over a flower vase, which Tempus easily dissolved to nothing. 

“Tempus, how could you abandon us!” 

“Calm down.” But it seems to have no effect, instead, he felt the cold hand squeeze his own, sending a shiver down his spine. 

“Tempus, you belong to us.”

“As I’ve said, I will be going into deep slumber-” Suddenly, many eyes shot towards the Bard who looked very pale. 

“-to take a break.” A teacup shattered, but Tempus paid no mind to it. 

“My decision is final, and I hope you can take care of Teyvat while I rest.” For eternity. 

“Tempus.” Scoring golden eyes burned into Kai’s soul, and he forced himself to remain neutral as he stared at Zhongli-Morax. 

“Please stay. I’m begging you, please, Your Eminence. Please don’t leave us.” 

"But what of Teyvat? You've become integral to the stability and well-being of this world, and us." There were many nods that followed. 

“We need you.”

There was desperation in his voice, and while it did hurt Tempus to leave them, he doubted he could stay any longer knowing that he could finally leave. 

“All of you are strong and are capable enough to rule your countries, which I am very proud of. Teyvat will be in good hands." Some Archons smiled briefly, but it was short lived. 

"Which is why it's time for me to step aside and take a break."

They had grown accustomed to Tempus's guidance, his wisdom, and his tireless efforts to steer them towards a better path, so for them to lose his support is like fighting without a weapon. 

“W-Where, will you be resting? In Temporium?” Furina’s shaky voice filled the silent room. 

“Stay here, the Fortress of Meropide will keep you safe. Fontaine and I will keep you safe.”

“Yes.” 

“For how long?” Venti asked, anxiety in his voice. 

“I’ll find you, I’ll find you no matter where you run.” 

“I do not know, for as long as my body needs.” Their faces became pale at thinking of the possibility of not seeing Tempus again. 

With a sigh, he stood up, making others rush to stand too. 

“Come here, each one of you.” In an instant, they rushed over and Tempus pulled them one by one into a hug. While he made himself tall and muscular, he felt small in the group hug that lasted an incredibly long time. 

He felt arms around his waist, chest, arms and back, being hugged by 7 people at once was somewhat suffocating. 

“You all will do great. I will miss you all.” This was not a lie. 

“Time flows like water, and perhaps I will wake sooner than you all expect.” This was a lie. 

Tempus heard sniffles, and felt hands grabbing his robes and weaving through his long hair. 

“Tempus…do you have to leave us?” Nahida asked, tugging his heart strings as he saw such a wise person tear up. 

Did she read my thoughts? 

Tempus got rid of that idea as he forbade her from doing so, and with his current power alongside Celestia’s authority, she should be blocked from doing such a thing. 

“I am not leaving, Nahida. I am merely resting.” 

Finally, with some coaxing, he managed to peel them off one by one. 

“I leave Teyvat in your hands.” 

With that, Tempus bid farewell to the Archons and quickly prepared to depart from Celestia. The longer he stayed, the more unbearable this would become. 

However, once he left, the atmosphere shifted once more. The Archons, loyal to their Creator beyond measure, exchanged anxious glances, and a heavy silence settled over the chamber.

“Tempus lied.” Nahida said, as tears rolled down her cheeks. 

“Nahida?” All of the Archons felt their heart drop at her words. 

“He may be resting in Temporium, but there’s more to it. I can’t read his mind completely, but…he’s going to leave us if we let him go.” 

“What are we waiting for then?” Suddenly, the atmosphere turned cold. The Tsaritsa stepped forward with her Ice scepter, Permafrost. Like many other Archon’s weapons, they were gifted to them by the Creator himself.

“If Buer’s words are true, then while his body remains in Temporium, his soul is elsewhere.” 

The Archons soon came to a consensus. 

“We cannot let him go into slumber.” 

Or they will lose him completely.

[Are you ready, dear Creator?] 

Tempus laid in his resting chamber on the edges of Temporium, in a makeshift mountain. He created this place in secret, so no one else by him knows. 

He felt bad for his kingdom, as he told the royal family that he will be gone doing his Godly duties for a long time, but never informed how long. 

Regardless, they should be able to live without a god, considering the technology and time Tempus gave them. 

[Yes]

As he lay in his comfortable bed with minimal decorations or other items, he shut his eyes and reminisced about the past. 

Although it was a very long time, he was never really alone. 

But he has seen much more than a normal human on Earth, from war to life and death, to the repetitions of stories by going back in time many times to fix his mistakes. 

“Stop him! He’s going back in time!” 

Truly, it takes a mental toll on his mind. He can’t let his emotions take over, otherwise, he would have to redo everything again. 

[Thank you for your work, dear Creator]

[Just make sure you fulfill your side of the deal]

[Of course]

When he shut his eyes, he felt safe, comfortable and oddly relieved, relieved of his duties at last. 

“Tempus!”  

His eyes snapped open and saw his chamber shake with vigor. All of his protective mechanisms activate, indeed, he prepared for this.

“Tempus!” 

Voices slowly became louder and the earth seemed to roar. 

How did they find him? Was it Buer? It must've been.

“Tempus!” 

There was desperation in their voices, and Kai assumed that they seemed to have figured something out. 

Perhaps honesty was better, but in the end, this was always the outcome. 

Yes, Tempus already knew that no matter what he did, the Archons would rebel, would seek him out.

Even if the walls seem to crumble, it did not affect Kai’s chamber, after all, it was sealed and protected with his powers.

But perhaps with a bit more persistence, they would soon destroy the mountain all together, leaving him and his chamber exposed. But, Tempus was not worried, after all, he had prepared for this moment too long ago. 

[Farewell, dear Creator] 

Suddenly, he felt a bright light engulf him as he felt incredibly sleepy. 

Through his blurred vision, he could see the stormy skies, and all seven Archons rushing towards him. 

“Tempus!” 

“You can’t leave us, Tempus!” 

Seeing them in their prime, in their Archon outfits was a little nostalgic. 

Hearing a crack in his chamber’s shield was somewhat surprising, but also, incredible. His children have grown up well. 

[Farewell]

With a fleeting smile, Tempus bids farewell to his second home. 

“Tempus!” 

His eyes close, just as the light takes him whole. 

“Tempus!” 

Morax and Murata pierced through the tough protective layers desperately, and Ei and Venti whiz past them to reach their Creator. 

But, they were too late. 

“No, Tempus is…he’s-” Barbados was crying as he held Tempus’s hand. 

“Kai! Kai!” Furina bawled her eyes out, calling his real name repeatedly as if it would bring him back. 

But he won’t come back. 

Bal held his body as she froze in shock (in regret), as if she was reminded of her past. 

“Tempus, you’re cruel.” Buer, the one who got them so far and so close but not enough. She knelt down beside him and cried while pressing his hand into her face. 

“You’ve left us with death, not slumber. You lied, you lied!” 

It was like they lost a part of themselves. 

After all, Tempus was there whenever they needed guidance, he sacrificed his own personal time to make sure they were alright. 

“K-Kai…” Morax stumbled towards the still body that used to be his friend, mentor, benefactor, love, and everything. 

Even in death, he was still so beautiful, kind and holy. 

Tempus was their everything. 

The Tsaritsa dragged herself towards Tempus with her scepter. She was known to not show her emotions, even when Tempus encouraged her to do so to stay emotionally healthy. He was the only one that saw her vulnerable side, and knew who she really was, and never judged her for it. 

“Tempus. How dare you…abandon us like this?” She stood by Tempus’s feet and her eyes did not leave his body at all. 

While others wept, her tears were turned into weapons. 

Murata stood by her with the same dark, solemn expression. 

It’s not fair. 

How could he treat them like his everything, and then leave them so abruptly? 

If only he could open his eyes again and say it was nothing but a terrible joke. 

But Tempus is gone, leaving his lifeless body as his final memory and gift. 

[tyrantisterror]

Who's THE Devil?

You know, from, like, The Bible?

One of the things the various takes on Hell more or less agree on is that there is one demon among the legions of Hell who more or less reigns supreme - The Devil with a capital The. What they rarely agree on, however, is which devil that is. So, for funsies, let's look at all the candidates for The Devil, shall we?

Belial

The concept of demons arguably predates Abrahamic religions, at least if we take it at its most nebulous definition of "supernatural people from an Other world who are somewhat antagonistic toward humanity." But the more specific and probably more familiar version of them began with The Book of Enoch, one of many texts that were deemed non-canonical by Christians yet still holds a great deal of influence on Christianity as a whole. It's an extended account of the Noah story, positing that a group of angels rebelled against heaven because they wanted to sleep with mortal women, and created a race of giant half-human half-angel offspring called the Nephilim (Goliath, of David and Goliath fame, was one of the nephilim). God wasn't happy with this, and sent the rebel angels to a fiery pit before killing most of the nephilim with the big ol' flood (though Goliath's lineage survived somehow I guess).

It's not quite how most people picture the War in Heaven and rebellion of the angels, but it's nonetheless where that story started, and that makes it important. This is the first take on what would become the classic origin story for demons and Hell itself. And who is the leader of the rebel angels in this story? Why our good friend Belial, of course. Belial would remain a prominent demon from hereafter, but despite having the earliest claim for the crown of The Devil, Belial has not remained the frontrunner in the race, and is generally demoted to just being a high ranking demon, rather than the Highest ranking one.

2. Beelzebub

I've talked about Beelzebub before and I don't want to spend too much time rehashing that post, so brief recap: Beelzebub began as a mean nickname for a god from a rival religion to Judaism who was named Baal Zebul, which means Lord of the Heavenly Place. Baal Zebub, by contrast, means "Lord of the Flies." Eventually Baalzebub becomes Beelzebub and, divorced from the original context of its creation, becomes a character in his own right, being a prominent demon. And because Beelzebub appeared in a lot of texts, many of them very old as demonology go, he became a major competitor for the title of The Devil, and remains so to this day. I think it's partly because the name "Beelzebub" is really fun to say, but the sheer history and volume of demonology texts portraying him as a big, powerful devil also help. In the rare stories where Beelzebub appears but does not get to be The Devil, he's still portrayed as fairly high ranking, with both Milton's Paradise Lost and Marlowe's Faust making him The Devil's right hand demon, second in command of Hell. So even when he loses the crown, Beelzebub takes home a good silver medal

3. Asmodeus

Asmodeus is another of our "predates Christianity" demons, right up there with Beelzebub and Belial, and as far as I can tell from what I've read he was originally intended to be The Devil rather than just a devil. It's kind of right there in the name - "deus" means god, so Asmodeus having that name marks him as a demon who thinks himself equal to God.

(well, ok, there's some debate about the full origin of his name, with some arguing the "deus" part was originally a play on "deva," which in turn is loosely translated as... demon. The fact that Asmodeus's name is pronounced/spelled differently to a preposterous degree is part of why the water is so muddy - Asmoday, Asmodai, Asmodee, Osmodeus, it goes on and on)

One of his better claims to the crown comes from the story of Solomon - you know, the wise king who told people to cut babies in half. Solomon's less canonical feats include enslaving a shitload of demons to build a temple for him by way of the rite of exorcism, using a magic ring and the power of Christ to compel the damned to do manual labor for him. Asmodeus is specifically stated to be the strongest demon he summons in part because he is the King of all Demons, i.e. The Devil - and the other demons weep at the sight of their king being reduced to a slave by mortal hands.

Why is this a strong claim? Because the story of Solomon in turn inspired The Lesser Key of Solomon, a text about using the rite of exorcism to summon and use demons to do your bidding. The Lesser Key of Solomon includes the Ars Goetia, which is basically a big ol' bestiary of demons, and where many of your favorite pop culture demons - like, say, Stolas the owl guy - come from. Being the King of all demons in the story that inspired one of the more thorough and exhaustive lists of demons and their hierarchies should count for a lot.

There's one other great claim to fame Asmodeus has in his favor. While not directly named in Dante's The Divine Comedy, the description Dante gives of Satan's physical appearance matches with the most popular descriptions of Asmodeus - in particular, his three heads, one of which is yellow, one red, and one black. Granted, it'd be more of a smoking gun if one of those heads was a bull and the other a goat, but they're all very ogre-like, so I still think it stands. Dante's Devil is, more likely than not, Asmodeus, and that's a BIG point in Asmodeus's favor.

4. Hades/Pluto

Ok, so, a great deal of the Old Testament was originally written in Greek, and the New Testament was written in Latin, both of which happened when belief in the Olympian Gods was pretty strong. As such, the word "Hades" appears in the Bible a lot when talking about the place where dead people go, though it probably wasn't meant to literally be the same underworld as that in Greco-Roman mythology. Probably.

But because Christianity was spread primarily by the Roman empire once they converted to Christianity, and because Europe ended up getting a centuries-long case of stockholm syndrome for the Roman Empire that involved many people in power declaring that Greco-Roman mythology was super important literature and Latin was the language of God Himself, there is a good chunk of Biblical apocrypha that treats the use of Hades as, well, a literal crossover of sorts. Which is to say that Hades the god is sometimes treated as, like, a figure in Christianity, generally a demon specifically. And because he's, you know, Hades, from, like, The Odyssey, people feel he needs to be prominent. I mean, Hades RULED the underworld in Greek mythology, so if we're stealing him for Christian folklore, he should at least be in upper management, right?

The strongest case for Hades being The Devil comes from The Book of Revelation, one of the few books in the Bible that actually contributes to demonology (despite what people tell you, demons really don't show up in the Bible that much - most of what we think of as iconic demon lore come from non-canonical works). You know the four horsemen of the apocalypse? War, Famine, Plague, and Death, right? HA, WRONG! It's Conquest, War, Famine, and Pestilence & Death, you fake horseman fan. Well, anyway the line that introduces Death/Pestilence & Death ends with "And Hell followed with him." Except, no, not really, because the specific word used is... Hades. "And Hades followed with him." Which, depending on how you want to interpret the line, could very well mean a literal, King of the Underworld Hades.

Of course, the problem with using Revelation as proof is that Revelation itself is pretty unclear on who's leading the forces of evil. Is it the Seven-Headed dragon who's cast out of Heaven at the beginning of the end of the world? Is it the seven headed leopard monster that the dragon gives his crown to? Is it the monster who crawls out of the ground to speak for the seven-headed leopard with the voice of a dragon? Is it Hades? Is it God, the one who's allowing all this violent shit to happen and frequently sending his angels to make it way fucking worse? Who can say.

So, while it's not super common, there are more than a few works where The Devil is none other than Hades himself. Disney... might not have been completely off the mark, I guess?

While I think Hades's claim is pretty weak, I should note that one of the works that puts a LOT of Greek mythology into Hell is none other than Dante's The Divine Comedy. 70% of the demons in Dante's Hell are just Greek monsters, with the remaining few being Asmodeus and some OC demons he made up with portmanteu names a la Pokemon. Notably, Hades is one of those demonized Greek figures - presented as the Judge who decides where in Hell sinners end up based on their crimes. He's not The Devil, though, so while Dante kind of helps Hades's case, he also kind of ends up making a counter argument to it.

5. Abaddon/Apollyon

Ok, so, the word "abaddon" is used in some texts to refer to Hell, and sometimes it's personified as well. It literally means "ruin." Well, in time, Abaddon is personified and become a demon, which should feel like a familiar story to you by this point. And because Abaddon can also literally be Hell itself, it's only natural that some stories posit Abaddon the demon as the rule of Hell, much as Hades is the ruler of Hades in Greek mythology. This is Abaddon's big claim, and it's not bad, but it's not super strong. Nonetheless, it was enough for at least one prominent Christian text, Pilgrim's Progress, to make Abaddon (under one of his synonym names, Apollyon) to be The Devil, so we can give him that too.

6. Sheol

The sections of the Bible that are written in Hebrew use the word "Sheol" to refer to the underworld/afterlife rather than Hades. Now, Judaism doesn't have the same Hell as Christianity, or the same concept of Heaven either for that matter, and Sheol is less a place of torment for the damned and more of a waiting room for the dead to hang out in until the Messiah comes.

Nonetheless, Sheol did get personified like Abaddon and Hades, and that personification (which, in some versions, is a batty old lady, which is fun) later became a demon in its own right, and thus, for the same reasons as Abaddon and Hades, has a claim to being The Devil by dint of also being, you know, Hell itself. Not the strongest, most popular claim, no, but a claim nonetheless.

7. Satan

Feels rather obvious, doesn't it? Ok, so, in The Bible, one of the characters who was retconned into being The Devil is the angel in the Book of Job who takes on the title of Satan. In the original context of the story, "Satan" is not a name, but, again, a title - a job title, really, roughly akin to "prosecuting attorney." The Satan in the Book of Job isn't a rebel angel, but an angel whose job is to argue for the opposing view point to make sure everyone is doing the right thing. Less "The Devil" and more "the devil's advocate."

But! Christians fucking LOVE the devil, and they want more devil in their Bible, so many translations treat (the) Satan not as the hard-working servant of God he was originally written as, but as, you know, The Devil, arch-enemy of God and justice. And so Satan becomes synonymous with The Devil, and over time more and more appearances of The Devil give him the name Satan.

I can see an argument for this being the strongest claim, because the sheer amount of works where "Satan" is treated as The name of The Devil is enormous. But I think it's important to note that many of those works actually treat it as a name for the devil, which is to say, not the only name. I guess a lot of modern works think the name is so commonly used that it lacks its punch, and so they have The Devil pull the "I have many names" schtick to sound more imposing.

8. Lucifer

So there's a part of the Bible that talks about a star falling out of Heaven as a sort of metaphor for how people can fall from grace. Well, good ol' King James translated this as not just a falling star, but specifically The Devil himself, giving him the name Lucifer, which means "light-bringer." The King James translation of the Bible is bad in that it's immensely inaccurate, but good in that it's a beautiful piece of poetry in its own right, and since it had the authority of a goddamn king behind it, it quickly became a prominent Christian text and is still the preferred translation of many Christian sects to this day.

So, you know, that's pretty fucking big as claims go. There is one incredibly prominent (if woefully inaccurate) translation of the Bible where Lucifer is The Devil. Kind of hard to fight that one.

But it doesn't end there! I would argue that the most influential origin story for Christian devils, the one that has become ingrained in the cultural consciousness as THE story of the War in Heaven, is Milton's poem Paradise Lost. That's where most of the tropes we associate with The Devil and demons and Hell really come together to form the great devil mythology - well, it and Dante's The Divine Comedy, anyway. You know which name Milton chose for The Devil?

Lucifer.

Well, ok, he also calls Lucifer "Satan" with about equal frequency, but still - Lucifer is The Devil of Paradise Lost. And because of the sheer weight that both Paradise Lost and the King James Bible have in culture, Lucifer has ended up being used as The Devil in countless works since! Not bad for a translation error, right?

While the sheer number and notability of literature that uses Lucifer as The Devil is kind of argument enough for him having the best claim, I'd like to add one more argument in his favor: dramatic irony. I think what draws people to Lucifer is the meaning of his name - "the light-bringer" - and how it contrasts with his role as the king of a pit of darkness and misery. "Light-bringer" is a heroic name, the name of a character who brings hope and joy, which makes it so delicious when it turns out our "light-bringer" is an utter bastard. It's just irresistible, isn't it?

9. Mephistopheles

A good number of demon stories - arguably the majority of them - focus on mortals who make deals with demons and end up damned to Hell for doing it. We call these stories "faustian pacts," and we do that because the most famous story of this kind is the story of Faust, a scientist/alchemist who makes a deal with a devil named Mephistopheles to learn the secrets of the universe and ends up doing a lot of sinning in the process. Since Faust is such a famous and influential story, it only follows that its main devil is frequently viewed as The Devil.

...except

In most versions of Faust, Mephistopheles is not presented as The Devil within the narrative. He's a henchman, a flunkie, with one of the bigger names like Lucifer or Beelzebub pulling the strings. So while there are a number of stories (including a few versions of Faust itself) where Mephistopheles gets to be The Devil, it's far more common for him to be a devil - perhaps a prominent devil, maybe even one of the strongest and a close member of The Devil's inner circle, but rarely the one in charge.

10. Baphomet

Baphomet is a god whose name and appearance was repurposed as a demon by The Church of Satan, and so while I have to admit that is a claim to the crown, I don't think it's a great one. First, nothing about the Church of Satan's belief system is meant to be taken genuinely, with them admitting that they view Satan/Baphomet as a symbol rather than a literal supernatural being they believe in. Second, by rights Baphomet should be allowed to be Baphomet instead of being literally demonized. I honestly think it's better for Baphomet to lose this race than to win it.

11. Iblis

Demons in Islam work differently from demons in Christianity. Rather than being fallen angels, demons are wicked Djinn - a race of people made from fire and smoke rather than ash and dirt like humans. Djinn aren't quite as powerful as angels in Islam, but do have significant supernatural powers that humans lack. Like humans, Djinn have free will and can choose whether to be good or evil - and those that choose to be evil reside in Islam's version of Hell, where they are ruled by Iblis, the first Djinn to choose the wicked path and the ruler of Islam's Hell.

Unlike Christianity, there isn't really any debate on this. Iblis is, for all intents and purposes, the CANONICAL ruler of Hell, The Devil of Islam, and thus has the strongest and really ONLY claim to be The Devil of that religion.

...but, at the same time, Iblis can't really be the Christian devil, because Christianity doesn't have Djinn, and all the iconic parts of Christian demonology kind of hinge on the idea of demons as rebel angels, which demonic djinn very much aren't. So while Iblis's claim in Islam is irefutable, he doesn't have one in Christianity. Ain't that wacky?

I think it should be noted that there are more-or-less canonical texts where Iblis isn't treated as purely evil, either, including one where he actively asks for help in repenting and is turned down because, well, evil has to exist, and someone has to rule over it, and like it or not, that's Iblis's job now. It ends with Iblis wailing that he has become the greatest martyr of Islam. Which is so fucking hardcore, I love it. In Christianity, the texts where we humanized demons are non-canonical at best and deemed heresy at worst, but Islam allowed it to be more-or-less canon. They saw the coolest takes on the Devil and said "yeah we can allow that" - so much more rad than what Christianity did with them.

~

~

~

So, who do YOU think is The Devil? You know, from, like, The Bible?

[thebirdart]

Some features of the earth urchins compared to the four hedgehogs of the world of Sonic!

One day I asked myself the question of how would be the anatomy of Sonic and I began to investigate the anatomy of the ground urchins but I liked so many details of them that I put together some characteristics of these animals to compare them with the four hedgehogs of the world of Sonic.

us start!

Starting with obvious facts:

In the world of Sonic only showed to have four hedgehogs; Sonic, Amy, Shadow and Silver, (the green does not count because it is still Sonic)

They all appear to be of a "same species of hedgehog".

For we know 16 types of earth urchins on our planet.

On the other hand I thought Silver was of a different species like Shadow. (By the shape of its spikes) But I don’t see the point, so they must be the same species. Although Shadow might be a little authentic in his design, I’ll explain later.

(Data: the hedgehog Atelerix algirus and the hedgehog Hemiechinus auritus are the ones who take care more to be pets at home)

FOOD

-Ground urchins eat insects, worms, molluscs, snakes, some fruits, small vertebrates, acorns, young birds and eggs.

(the hedgehog thought about it a little before attacking)

-Sonic and the others eat things that could be considered human; chili dogs, coffee beans (this is done by Shadow), strawberry cake (eaten by Amy and Sonic hates it), hamburgers (by SonicBoom), apples (by a drawing of Silver), and so on.

ANATOMY

The ground urchins have very good flexibility, an arched spine and strong and flexible muscles, that allows them to become ball. Comparing it with the deformed hedgehogs (Sonic) there is not much difference since all present good strength and flexibility, except Silver that can not be made ball.

The spikes of hedgehogs are made of keratin, which is a protein substance. I guess the same applies to Sonic and so on. Although in Sonic Unleashed when he is electrocuted we can see that it does not have "bones" in its large spikes, it is a little obvious to know but data that goes without saying.

The skeleton of ground urchins is similar to other mammals, only that its spine is a little more curved, as well as other details; as that its clavicle is well developed so that it can dig hard. This is very different from Sonic’s body and so on as it would resemble more a human structure.

Although also to keep in mind Sonic’s feet are… a closed thing…

By the way the snout and mouth are very different too. Sonic has a snout but the nose and mouth are different from the ground urchin. And another fact: the hedgehogs take incredibly long walks if it is for food; something like 7.2 km/h and if we combine it with the particularity of Sonic being very fast this powerful detail does not overlook.

Time when I jumped out of my spot when I was reading this.

I love this, I have no idea if the creator of Shadow has taken this as a reference but did you know that hedgehogs have a blue border that surrounds their dark eyes? This can only be seen when hedgehogs look to the side. So the great "eyeliner" of Shadow could be a real detail of the animal but taken as a reference to leave it beside your eyes on the outside.

The tail of the common hedgehogs is bare, but the tail of the deformed ones appears to be of the same color as all their other spikes.

I think, canonically, the characters of the Sonic world can mate. But I didn’t see anything that highlighted this, I mean, we can witness Cream’s mother.

Male hedgehogs have a small penis, (bulge), located in what would be their navel and have intra-abdominal testicles (they remain in the abdomen instead of leaving through the scrotum) and the female vulva is a small button that is located in front of the anus.

I guess since they’re characters from the '90s, it’s obvious that this wasn’t thought of at the time of their creation. There’s not much to think about since they’re characters who may or may not wear clothes (Tails-Nine and Sally-Amy) and yet we wouldn’t see anything, not even the nipples! Because hedgehogs have five nipples, both female and male, and you’ll notice that Sonic has nothing.

But I found a picture of Sally where she has more clothes. I suppose it must be a hallmark that female characters wear clothes. (Although Sally is not a canonical character, of course.)

THE 5 SENSES:

Sight: they do not have good view, it is said that hedgehogs have no sense of space, but they can distinguish shapes. Although the hedgehogs are blind and may have collisions with objects, they continue to travel great distances and this does not cause them to slow down, they continue with the same speed as if they had good eyesight.

Smell: very developed, so I guess the four hedgehogs can smell very well from several meters, maybe Sonic can smell Eggman without making noise, will smell of egg?

If you hid a chili dog under the ground in a box, Sonic could find it.

Hearing: the ear of hedgehogs can detect high frequency sounds, their developed sense allows them to locate their prey underground.

Tip: If you saw the Sonic Prime series you will notice that Sonic’s ears move often before a sound. I think a good detail added for the blue hedgehog, this is also added in the IDW comics, I did not find the panel but it is when Amy stays listening to the ground and knows that two hedgehogs are close, those hedgehogs were Shadow and Sonic.

But although hedgehogs have a very sensitive ear I do not consider it the same for the four hedgehogs as they would go crazy at the sounds of Eggman machines, explosions or a simple click of the computer mouse. (Ground urchins get stressed too fast with a simple computer click)

Taste: These animals have a peculiar… sense of taste. They like the taste of a hundred feet. So it’s not uncommon for Shadow to like bitter, for Sonic to like spicy, and for Amy to like sweet, what would Silver like? Healthy or the first thing he finds in his world to eat?

Types of sounds hedgehogs make

Sounds of joy: these little things purr like a cat, and they can even mix it with whistles. Could it be that Shadow purred when he was with Maria?

Bullying sounds: they emit a sound through the nose from a strong breathing, they do it when they feel attacked or are upset. (I don’t know if they thought of it this way when they made Shadow growl annoyingly in Sonic Prime. The same with Amy and Sonic when they got jealous or bothered with each other at Sonic Boom)

Whining sound: when they feel pain they emit a sound like a scream, I could notice this in a video of a hedgehog that was in the water of a bathtub. (although there are always exceptions)

Sleeping sounds: Hedgehogs snore, I guess they all snore too?Hedgehogs fall asleep anywhere. In the Sonic game where Amy’s birthday is celebrated, Tails mentions that Sonic can sleep anywhere, even in the most unusual.

Data: the hedgehogs have nails/claws that they use to dig the earth and since the of Sonic characters are put gloves to not show their hands I think they should not have pads like normal animals but rather human hands. Well, Sticks is the only one I’ve seen without gloves and she’s a badger and badgers have pads. So all Sonic characters should have hands without the characteristics of their species.

BEHAVIOR

The behavior of one ground urchin and the other four is very different, except Shadow, he should stay on the side of the ground urchins.

Since hedgehogs are solitary, they only come together when it’s mating season. (Although Sonic likes to spend time alone…but he’s not a lone wolf like Shadow)

UNGIMIENTO (I couldn’t find the word in English)

When tasting a taste or perceive a new smell, or rare, the animal bites the source of this flavor or smell (Animals, objects, people, whatever) to then make a frothy, thick and white drool that with the tongue are smeared on the side peaks and those near his face. (Scientists don’t know why they do this) If I imagine it for the four deformed hedgehogs maybe this does not exist for them, as they smell new things all the time.

EXTRA DATA: Hedgehogs can swim but they don’t like to stay in the water too long because they can drown, I saw a documentary that mentioned this. I like that touch they gave Sonic that in the water he is scary, I don’t know if it’s something canonical or fandom but it was nice to see him be the only one with a life jacket in the Olympics.

Remember when they did that twitter and tiktok special where they asked Sonic what would happen if he was a worm? Well, hedgehogs eat worms. And did you know that the Egyptian hedgehog is prey to foxes? While it’s another kind of hedgehog this is funny. In Sonic the movie the character Longclaw is the "mother" of Sonic… the funny thing about this is that she is an owl and owls eat hedgehogs.

Who had the idea to give a friend and mother predators to Sonic?

That’s all. I hope you liked these characteristics that I came up with. See you later!

[genericpuff]

Familiarity in the Unknown - The Book Written by Tiny Paws

So there's this story you may or may not be aware of. It's about a rat who, despite being a rat, expresses a deep love for creating and cooking, often through unorthodox means and yet - throughout the unorthodox - compels us to think about the virtue of art and our own place in the world.

I know, completely absurd concept, why would a rat be cooking? It's ridiculous - but absolutely beautiful in its execution and simplicity. Our main character exists within a world that is treacherous, endlessly massive, occupied by strange creatures that could hurt him - even kill him - where good food and joy is hard to come by and living for oneself is against the tenets of his society's herd-mentality - but he is able to persevere and break through the difficulties of this world through his joy for food, for cooking, for the fire and smells, for satisfying his curiosity of the unknown, for expressing himself through the creation of art and, subsequently, for the love of the community and friendship that only grows in response to his sincerity.

Who am I kidding though, you know who I'm talking about, I don't need to keep patronizing you with wordplay and flowery descriptions. I'm obviously talking about The Book Written by Tiny Paws-

The Book Written by Tiny Paws isn't really a comic that I found so much as it found me in my daily scroll through my feed of notifications, featured in a user-submitted post to the /r/webtoons subreddit, discussing their newest update. There are a lot of comics that get promo'd in these communities and for the most part, none of them really ever compel me to read them, usually due to elements outside of the creator's control - they aren't a genre I'm interested in, the art style isn't gripping me, I'm just not in the mood to pick up anything new, etc.

But every now and then, something breaks through my own mentally enclosed barrier and reaches the innermost parts of my brain. And strangely enough, this time around, it was this little guy:

I did not know his name. I did not know what species he was supposed to be. I mean, he looks like a rat at first glance, but he also has little webbed feet like a platypus. I didn't even really pay much attention to what he was saying at first - all I could look at was his sincere little face. And once I snapped out of the cuteness hypnosis and read his dialogue, I suddenly found myself already hooked even before I read a single page. I wasn't sure what to expect, just so long as I could see more of this cute little guy.

By the end of the 9 episodes it had available at the time, not only was I more in love with this tiny creature than I was when I started, but I had the realization that this was going to be one of those rare, magical occasions when a piece of work would grab me and refuse to let go.

The Book Written by Tiny Paws is, to put it simply, a story about a creature known as "Firemaker" trying to find his way back to his herd after being separated from them during a flood so devastating that it drowns the earth beneath its waters. We are shown immediately the nature of this world - barren, bleak, cruel - but Firemaker describes it with the curiosity and wonder of a child experiencing all of it for the first time.

We're also immediately introduced to another core character - a stranger named "Vagabond" who does not seem to belong to a herd.

From its first two pages alone, The Book Written by Tiny Paws exceeds in what many comics struggle to do - it not only introduces us to its main character through his personality alone, but presents us the creator's approach to storytelling and worldbuilding: familiarity in the unknown.

Throughout each episode, alongside Firemaker, Vagabond, and the others who come and go throughout the world, we learn about how this world operates, and how they have been surviving in it. We learn that the flooding is actually a regular enough occurrence that creatures like Firemaker count their ages by how many rains they've survived. We learn that there are other creatures described only by their physical traits, and are left only with our own assumptions based on their word choice and imagination as to what they're referring to. There isn't any sign of human life, but human-like intelligence is present as creatures like Firemaker and Vagabond are able to communicate, count, multiply, use tools, and, as we see above with Firemaker, make logical connections between cause and effect (even if they're initially wrong).

Many of these concepts are familiar to us, if not absolutely mundane and outdated, but through the eyes of Firemaker and Vagabond, we get to see those same concepts re-contextualized in a world that is unlike our own. In this way, The Book Written by Tiny Paws asks us to re-explore the mundane through the eyes of creatures that rely on our privileges for their survival.

And when it's not re-contextualizing, it's introducing us to new concepts entirely that make this story and its world feel wholly unique. One such unique concept is the way in which they count - a system of multiplication through simple geometry.

It should be mentioned, before I get in any further - the creator of this work, Nolinno, proclaims themselves as "more of a physicist than an artist", and while I do believe they're not giving themselves enough credit for the art (which I will get into soon), their passion for physics shows immensely, showcasing not only their love for learning, but their affinity for teaching as well. It takes someone who really knows their stuff to be able to explain it as simply as possible for the layman such as myself to understand - and even then, not everyone who is well-trained in their field of study can necessarily teach it well - and yet Nolinno has done an extraordinary job so far of explaining their story's concepts in ways that are both simple to grasp and rewarding to master. Specifically, they reward the readers' ability to retain information and engage with it through their own conclusions, largely by creating opportunities in the text for that information to become relevant.

One of the earliest examples of this is when Vagabond initially reveals his age to be what first-time readers will assume is the number '11', and from there we can assume that '11 rains' must be significant as Firemaker seems astounded by this.

But then, we immediately find out that Firemaker himself hasn't learned to count that high, prompting Vagabond to teach him how to count higher than 3, which is when we get to learn the actual details of that aforementioned counting system built on multiplication and geometry.

It's through this explanation that we learn that Vagabond isn't 11, but the text doesn't explicitly tell us - it asks us as readers to instead follow along with Vagabond's teachings and come to our own answer.

And so, I'm not going to tell you the answer here either! There's a top comment on this particular episode that's gotten it right (as confirmed by the creator like a very proud elementary school teacher, awww), but consider that more of an answer key if you want to know if you got the correct answer. And if you feel like Vagabond's explanation here is too limited or you want more examples, nothing to fear - Nolinno has given us a study guide!

What I adore about this is that as much as I'm intimidated by mathematical concepts like this, I genuinely appreciate when a creator puts in the effort to establish ground rules like this, and in such a natural, sincere way. It challenges you just enough to compel you to try, but not so much that it's completely alienating or overwhelming.

And thanks to Firemaker's characterization, we don't feel so alone in learning these concepts, either. Firemaker's own inexperience on account of being only "three times three" years old (he's 9!) he makes a perfect surrogate for the audience to learn about the world through him. This isn't an uncommon storytelling trick, but can often come at the expense of the character's own personality - after all, if a character is constantly having to be a surrogate for the audience, it can lead to them becoming more of a blank slate without any voice - but Nolinno has accomplished that balance perfectly through Firemaker's curiosity and vulnerability. Firemaker being 9 years old and still inexperienced doesn't rob him of his own skills - more so, it's clear that he's fulfilled a specific role for his pack, and now that he's been separated from them, he's now having to learn the skills that were likely reserved for other members of his pack.

This also makes him a perfect foil to Vagabond, a creature whose past is still shrouded in mystery but is clearly experienced and can act as the parental figure or "older brother" to Firemaker - but we're always left wondering why Firemaker has left his pack, and whether or not those survival tactics were taught to him through his pack or learned the hard way after leaving. It ultimately leaves us wondering what Vagabond's true motives are, and whether or not he can be trusted as a role model to Firemaker. Fortunately, nothing so far has made me or even Firemaker doubt his capabilities or motives, even earning himself a new name-

-but in a world so unpredictable, who's to say that Vagabond's own motives are entirely pure?

After all, as we soon learn, not all creatures are kind in this world.

Again, in case it needs reminding - Firemaker is nine. Though 9 years old for a rat-platypus creature may not be equivalent to 9 years old for a human, it is still very much communicated to us through the narrative that he is a child and, as such, is going to have his safety threatened in this world the same way a child often would in our own - through the cruel actions of untrustworthy adults.

But, as I mentioned already, Firemaker is never made to be the constant ball and chain of the pair. Though he may just now be learning how to count and multiply higher than 3, he's earned his name through his own particular skills that can be used to not only save himself from starvation, but save others from ambush through the use of smoke signals.

Of course, as much as I can gush about the narrative, I also wouldn't forgive myself if I neglected to mention its art style which, despite being created by one person who claims to not be much of an artist, wonderfully complements its theme and tone. I would go so far as to argue that this is one of those stories that just simply wouldn't work as effectively as it does if it had a full color art style. The contrast of black and white between the environment and its characters, as well as the simplicity of the character designs against the more detailed designs of the architecture and props, makes for a brilliant visual presentation that - like the worldbuilding - expresses itself clearly without overcomplicating anything. Through its art - just like through its writing - it asks us to try and find familiarity in the unknown.

And best of all, when things do get complicated-

-it harshly reminds us how quickly a simple and beautiful thing can turn ugly and cruel.

Even though it was initially Firemaker's cutesy little face that suckered me in, the worldbuilding that Nolinno has expertly crafted through their own knowledge and affinity for teaching others has stolen the show. And that's a quality that I find is quite rare in fantasy works nowadays, but just like the culinary arts of that other rat who's far more well-known, it came from a completely unexpected place.

Nolinno has accomplished what I find a lot of budding fantasy writers struggle with - they have successfully created a world that is full of its own unique qualities, and communicated it clearly to their audience in a way that is both engaging and rewarding. Unlike others who often put the lore before the story - usually by dumping every bit of exposition, conlang definition, map and political chart on their readers before they've had a chance to even read the first page or know the main character's name, often out of fear that all their prep work will have been "wasted" if they don't reveal all of it immediately - Nolinno simply shows us their world and its inhabitants as they are, without the need to justify itself, and invites you to join along at your own pace, with helpful little bits of knowledge communicated through the narrative to help you find your way. It's okay if you're not entirely certain of how this world works, because you're not travelling alone - so too are Firemaker and Knower finding their way.

As someone who was raised on the works of Jeff Smith (BONE) and Bill Watterson (Calvin and Hobbes), and even found their own passion for fantasy writing through both comics and video games like The Legend of Zelda, I have a lot of appreciation for stories like this that can be appreciated by all age demographics, and I've found myself almost disillusioned by the current landscape of conveyer-belt media today that often fails to live up to even a fraction of what we remember existing 20 years ago, existing only to pad a rich executive's bottom line. This has only been further exacerbated by the advent of generative AI that's now threatening the integrity and livelihood of artists both within the industry and outside of it.

Suffice to say, just like the world that Firemaker inhabits in The Book Written by Tiny Paws, our world is very bleak right now. Even still, its characters still find their moments for joy, for rest, and for play, and the comic in and of itself reminds me through its existence that there are still wonderful works being made that are capable of making me feel as curious and excited as I did when I was reading BONE cover-to-cover at the age of 12.

Those moments and those stories feel harder to come by than ever, but I'm happy to say that The Book Written by Tiny Paws is one of them, new memories that I'm happy to have made and am eager to continue to make - familiarity in the unknown.

[calp0sa]

How do you do the symbolic art thing... I wanna try it but I'm just not creative..💔

first of all dont ever say that because you absolutely are (it came free with being a human person) second of all im not exactly sure how to answer this. my creation is a result of the way i am, and the way i see the world, and how i sense different sorts of things (literally im synesthetic which factors tremendously in my art) so i dont know how to apply this to a general demographic… but i’ll try my best! if you want to do whatever this “symbolic art thing” is, i guess the best thing i can tell you is that you can find great meaning in nonsense. when you do this sort of stuff youre mostly going to have no idea what youre doing, which is completely fine… actually a great mindset to have in this circumstance imo, because youre giving your art an opportunity to define itself (which if you see art as a sentient entity like i do then you’ll know it loves when you do that) i know this sounds a bit confusing but im basically telling you to go with whatever you feel beckoned by; if you draw your favorite character Sloppy Joe Glumpsmith II or whatever and you suddenly feel like a kitchen sink would go good with the muted vermillion palette you chose to color them with then by all means put a damn kitchen sink there. Put some gardenias put a beluga whale put whatever doesnt make sense but takes you by surprise when it somehow starts to make sense because it was rooted in your subconscious which is quite frankly the most reasonably nonsensical thing in the universe (art loves taking you by surprise in the creative process!!!) this is what symbolism is all about in my personal opinion (doesnt even have to be symbolism but thats what youre calling it right now) and remember there is literally nothing that can stop you btw. Idk why they always say think outside the box when there is no box there the box was a lie There was never a box in the first place and you are always roaming. youre creative because you cant help it and youre a human. uhh what am i evensaying rn LOL i hope this is somewhat helpful if i sound insane its because i am Have a lovely night ❤️

[aphidclan-clangen]

Wait- if starclan is like god in this universe. And sometimes clan cats say “ star damned” instead of “god damned” dose that mean pearls stars pronouns are: god and godself!?

I mean, if a Saint Tine made their pronouns glow/glowself it would definitely be a bit awkward lmao

(shine/gleam/light/glimmer/radiance/etc. pronouns would be fine however)

In that case it would be closer to giving yourself god/godself pronouns (which I’m certain is a real thing!), but in my mind Starclan, as an Aphidclan-specific religion, isn’t really…a religion so much as it is a generalized belief that 1. nature and the sky are interwoven with mystical, spiritual forces, and 2. belief in souls/an afterlife. (infodumping mode activated /lh /affectionate) As a wild cat colony, they’re just naturally very strongly and culturally connected to the spiritual side of the wilderness and the cosmos, more so than a kittypet or city cat ever would be. They don’t believe in any god or any central force controlling or designing the world, I don’t think they even have a “creation myth” or an idea that there could ever be a sole “god”/deity-like figure. They believe in souls and an afterlife because their ventures into the spirit realm showed them the souls of their ancestors, friends, and even complete strangers. They know the dead can go whenever they please after life, because some cats have reported seeing these spirits in the woods with them, or standing out amidst the plains. But they’ve also seen the spirit realm largely resemble the sky, so they probably assume the souls of the dead live up there, and may fly down to earth whenever they please.

(plus the sky is also just generally a very..incomprehensible, mystical, “larger-than-life” powerful force to look at, especially when you’ve got 0 light pollution and look up to see a whole wide galaxy of beautiful unknown above you each night)

Perhaps the souls of their loved ones can even grant gifts and boons, or even curses, since the spirit of the wilderness and the sky is woven everywhere, and can surely influence the movement of a log, the calling of rain, the way of the winds, and maybe even the sickness of the land. Nonetheless, the wilderness takes lives as it gives food and water and a home, they believe this to be an entirely natural cycle. The wilderness gives, the wilderness takes, the wilderness eats and devours whole, and when you die, you’ll fly up into the sky, where you might even get to speak with your loved ones again someday, either through random sightings in the woods, in dreams, or intentional astral projection in more…energistically charged locations.

Even the Saint Tines don’t believe in The Glow as a person, but nonetheless a more congealed, solid entity than what the clan cats believe. It is a force of nature as well, but a specific one. The force of decay, of sickness, of life, of glory and triumph in living, that is hungry and gluttonous and never satiated. In AphidClan, you’ll never have to prove your worth or character to the way the winds blow, but to a Saint Tine, if you are impure enough, the Glow shall eat you whole, and you shall rot for all of eternity (and this is a bad thing). It is a strict and demanding force that will punish the unworthy and the impure. It is all very morally attached, very heavily wrapped around the idea of sin and repentance and innate existential value. The Reverend has a very large influence over the doctrine and the opinions of The Glow, as its speaking voice and the head of the church. (In reality, “the glow” is just the nuclear radiation they saw in the power plant the colony used to live in, before the power plant horribly collapsed for reasons unknown.)

In that way, the Saint Tine Church is a closer analogy for a Christianity-like religion, while Aphidclan’s beliefs are closer to that of general pagan spiritualist beliefs. The Saint Tines are a god-fearing people, while Aphidclan just believes in the innate spiritual power of the earth and the universe, who would be confused by the idea of a central god or entity controlling the name of the game.

As for Pearlstar, I think like…they’d be totally chill with pronouns, names, or titles that call back to the spiritual nature of the wild in some way or another, and in fact, it’s already a common thing interwoven into the culture. I mean, they call their designated spiritual leaders of the colony “star,” to honor their leader’s connection to the spirit realm and their initiative to walk between both worlds. If anyone is expected to revere the spiritual and integrate it into their daily life and identity, it would be the spiritual leaders of the colony. Cats are given prefixes and suffixes to reflect aspects of nature that they see themself reflected in. If names are viable territory for integrating the wild, the natural, the spiritual, then why not pronouns? A cat with breeze/breezeself pronouns is respected as a reflection of the wind, a cat with star/starself pronouns is respected as a person with a strong connection to the cosmic aether and the universe beyond. I imagine their kintypes work under similar beliefs as well, as the creatures or entities or energistical forces they see themselves very strongly in. A cat could tell their clanmates that they believe they were once a bird, and feel such a strong connection to flight, to soaring through the air, the clouds, the breeze on their wings, and that before their life as a cat, their soul once resided in an avian animal, and that’d be a common precedent that would totally work with the general cultural belief system.

So to summarize, glow/glowself pronouns would definitely result in getting odd looks and judgemental comments from Saint Tines (not Aphidclan cats though), but star/starself pronouns are totally normal, common, respected, and even a little expected in Aphidclan, and are…pretty much on the same level as giving yourself leaf/sky/cloud/tree/growth/breeze/etc. pronouns. S’just another factor of one’s identity that the wild may influence and make its home in, as it often does

[major-wren]

Eggman's programming

I know this has been mentioned before, but isn't it so weird that Eggman programs emotions and personalities into his robots??

People point out that this is really self destructive on his end because it can lead to some of his creations turning against him after building resentful emotions toward him, like Omega, Gamma, and all of the robots on Scrapnik Island.

My personal headcanon behind his thought process is that not even pure mechanical obedience can rival the loyalty a creation will have to its creator, or "father." It doesn't matter if you reprogram or rewire its entire structure to have its own free will if it's inherent personality, aspirations, and deepest desires will always be to make eggman proud of them, because of the way he's designed and conditioned them. They'll always return to him no matter how many chances you give them, because he's made it so that their biggest desire is to make him proud, even when given free-will or reprogrammed.

We see this most clearly with Metal Sonic, and Sonic will even tease him and take digs at him for it in the comics, telling him to "run home to daddy" (cringe). Clearly, even the characters in-story can see how eggman has raised all of his creations to depend on him for any sense of self worth or purpose. Truly evil, and I think something that's always overlooked when discussing eggman. People say he's not a respectable villain but I think this is really compelling and a unqiue way for a villain to function. Especially because his design is pretty dad-like to begin with, with the mustache, glasses, round body, and bald head lol.

It's so effective, that even when Metal Sonic gains even more power than Eggman through becoming Neo-Metal, he still only wants to take over the world to gift to Eggman. His influence even goes past his creations and gains loyalty from other aspiring inventors, like Dr. Starline.

Most of all, I think it's so effective because it's genuine. He really does love his creations, but simultaneously holds them up to impossible expectations and holds severe disappointment in them when they fail. I mean, think of it. Isn't it awful to design a creation that entirely depends on you for any feeling of worth or purpose, and to make it capable of love and such, only then to neglect and abandon it when it doesn't live up to your impossible standards? Just think of Scrapnik Island and the sheer amount of abandoned bots there.

I think after seeing Mr. Tinker and Belle, it raises the question, does Eggman deep down just want to foster these fatherly connections? To build childrens' toys and fun-rides and kiddy amusement parks, with his helpful heart-filled robot creations? He does often say that he only wants to take over the world in order to "enhance it" with technology, and that people just aren't cooperating. Maybe somewhere down the line his pure intentions got corrupted somehow into this extreme need for absolute control.

[literatureloverx]

One of the things I find curious about Fyodor is that in the latest bsd guidebook, he describes himself as the color white like his hometown's snow. Fyodor still remembers his hometown, after all he's gone through and after all this time. And he describes himself as the color white like its snow. That with his character's disconnect from people, makes me very excited for when Asagiri decides to reveal his character's backstory. Of course he probably means snow in a more way of "purity" than sentimentalism for his hometown itself but omg he mentions his hometown which is something enough. Not "like snow" which would convey purity enough but "like the snow from my hometown". Maybe it's because he found his faith there? Maybe he just wants to pay respect to where he was birthed? Idk but there's much to theorize. What are your thoughts?

-🎪 anon

I agree, 🎪-anon!♥️

I don’t know if it’s because he found his faith there, but I think that is very likely and seems reasonable.

However, I also believe he was born into a religious family to begin with. I’ve thought through other aspects as well. Let me break it down for you:

Purity and Fyodor’s inner moral code:

Fyodor describing himself as the color white, especially like the snow from his hometown, speaks volumes. It hints at his complex inner moral code—he engages in dark actions under the belief that they serve a greater good.

This idea of “purity” contrasts sharply with his behavior. But does it?

In my humble opinion, he is well aware that what he does is evil, but his inner moral depiction is influenced by Machiavellian tendencies.

He does whatever he needs to do to cleanse humanity of their sins. Therefore, his actions reflect Machiavellian principles.

In short: the ends justify the means (The Prince by Niccolò Machiavelli).

I’m imagining it like this: God has given him the enormous power of being immortal—never truly able to die.

God also gifted him with an intelligence that is above any other human being.

This means he must be someone important.

This means he is meant to be the rightful hand of God, tasked with creating a world that is worthy of God’s beauty.

Therefore, he wishes to help God’s creations, cleansing them and this sinful world of all their sins.

This is one reason why he says that he likes all humanity equally. Because he really does.

They are all the same to him—fools who could do better. Fools that could be worthy of God’s perfect world.

What fascinates me the most about him is that, even though he is doing all of this out of pure self-assurance and his own complex inner moral compass, he still claims that he is doing it for the whole world. And I believe he does.

I can totally see this being his ultimate end in the future.

His Hometown and it’s significance for him:

By referencing his hometown, he reveals a more humane side to himself.

If you haven't already, l'd recommend you read THIS and THIS posts of mine, where I explained very clearly how I perceive Fyodor's humane side.

It shows that he yearns for connection and perhaps misses the simplicity and innocence of his past.

This duality makes him such a fascinating character, caught between his dark pursuits and the remnants of his humanity.

Imagine feeling like, or even knowing that you're "the chosen one," only to end up isolated, dehumanized, and lonely, with nothing to hold onto but your belief in your God.

You can't die, because the only way for you to do so is by your own hands, which is considered the greatest sin.

You can't die. Not until you take your own life.

How deep must his religious beliefs run for him to be this dedicated to his goal, mentally able to endure and live for hundreds, maybe thousands of years?

This made me so emotional. I want to give him a hug. My precious love.♥️