#when you die you die

[ehhgg-art]

i love how rvb took halo, a game which sparked controversy surrounding violence among children for its warlike nature and being a testament to how militarism has consumed everyday life, and said “you know what? let’s make it an anti-war story.” just a big middle finger to the face of the blatant propaganda of its source material. i find that to be beautiful.

[eastgaysian]

[dragoncarrion]

Fucking hate ai bitches this shit is poisoning my search results just like that tumblr baby crow post fuck y'all for real

[tariah23]

The manga industry, especially JUMP, needs to hurry up and do away with weekly scheduling for mangaka. There needs to better regulations put into place for their health and safety because this is pitiful. Two weeks - monthly updates should’ve already been the standard for the manga industry at this point. These money grabbers will only continue to put the lives of these artists at stake for the sake of capitalism unless some serious changes are implemented.

[malinaa]

if i think about the hunger games in peeta's perspective i WILL start sobbing

[stromblessed]

Mizu, femininity, and fallen sparrows

In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.

If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.

So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.

I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?

However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.

Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)

And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.

Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.

It does not mean she doesn't hurt for them.

Back to Mizu and collateral damage, remember that sparrow?

While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:

She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.

You see where I'm going with this.

When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:

And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD

When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.

MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS

No wonder Mizu is as stoic and cold as she is.

And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:

Speaking of Akemi - guess who else is compared to a bird!

The plumage is more colorful, a bit flashier. But a bird is a bird.

And, uh

Yeah.

I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.

But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.

Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:

But softness and mercy haven't gotten Mizu anywhere good, recently.

There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.

After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:

"LET" her die. Because as Ringo points out, she doesn't "know how" to die.

Kind of like another bird in this show:

[joy-drops]

[stil-lindigo]

scorched earth.

a comic about a princess who died in a fire.

(this is a sequel to bite of winter, a comic about Snow and what became of her after her death.)

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creative notes:

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all my other comics

store

[birdmenmanga]

I think there's no greater indication that disco elysium is sympathetic towards communism when it literally says "communism is failure" and then the literal gameplay itself rewards trying and failing. The most obvious one being the Shivers check at the FELD mural, which is an Impossible 20 check BUT opens itself up again and again the longer you spend in the world doing things, but even just looking at sheer probabilities, for any given white check, rolling first and THEN putting a point into that skill upon failure is more likely to grant you success than putting a point first and then rolling, but that would require failing first.

Other things too: Precarious world saying you'll 100% fail red checks no matter what (not necessarily a bad thing, btw!! throwing the boule into the sea is a success but like. in some other ways one would want a perfect petanque throw instead. but people wouldn't typically assume that failure is desirable sometimes from the start) persuading you to accept that you'll fail some things that is irrevocable, for a world where everything is just a tiny bit easier.

The faux game over screen when you faint after reading Dora's letter— emulating a sense of failure on the scale of the entire game. When it rolls up most people go "What?? Game over?? No way, what did I do wrong!!" and waking up after that, with no huge or lasting impact on Harry's health or morale really tells the player, "Sometimes things will seem so bad that it all seems like it's coming to an end, but it's not the end, it's really not the end, go drink so water, you can still go on despite this failure"

I'm sure there are other things as well that are eluding me but like. The literal gameplay rewards failing and succeeding far more so than simply succeeding every single time, and I think you get a fuller experience of Elysium that way too

[zoneofsmites]

Im of the full (possibly delusional) belief that Durge is not the species that they physically appear to be.

You’re telling me this being crafted from nothing but bhaal’s flesh and his blood - this demigod - is actually a dragonborn/tiefling/human/elf/etc.

No. This thing is bhaal’s flesh and it just happens to look like that. They’re an imitation of a species, they’re not truly a (full)mortal being, they have no heritage aside from bhaal.

As a result I’m sure there’s some…oddities.

For example, a demigod child, not fully mortal. I doubt they adhere to the lifespan of whatever species they look like. Looking younger than they should. (less so perhaps with long lived races like elfs and half-elves where that is par for the course).

A dragonborn durge that by all accounts looks like a blue dragonborn but their breathweapon is acid. A tiefling durge that seems to be a Mephistopheles tiefling but they cannot cast mage hand, instead smiting like a zariel bloodline tiefling.

An elf or tiefling durge that doesn’t read as fey or infernal trough identification spells. Because they aren’t either of those things. Perhaps they could read as divine but not quite.

Members of a race that durge is supposed to be looking at them and sometimes when making eye contact they read as wrong. And some kind of uncanny effect triggers in their brain.

Give me more freaky durge who isn’t really what they appear to be at all. Just a little murder demigod crafted from dead god flesh to be the shape of something else.

[bruciemilf]

Thomas Wayne’s ghost watching his son build a gothic mojo dojo casa house in their family basement, physically fighting meta humans and ghosts and ACTUAL fucking gods with his bare hands, adopt an armada of orphans, and fall for a guy from Kansas:

[wolfythewitch]

God there's something about the idea that Hector was wearing Achilles's old armor when he faced him to die. when Achilles saw Hector he saw a mirror of himself, and he knew exactly where to aim

[baejax-the-great]

Told Gale to wait for me in camp, and he responded by walking straight into lava and dying

[frogsandmagic]

“Kristen remember when we died?”

Oh my god why did it just now register to me that that’s like. Their first moment of really bonding with each other. They both died and realized how fucked up their perspective afterlives were, came back traumatized, and that’s like. Forever their first bonding moment as friends. Wild.

[lotus-pear]

dazai in the new chapter looks like those bratty 10yo girls behind their mom at sephora who refuse to take a single item off even though the bill is at like $1500

[fluffyartbl0g]

Holy crap this is like world record breaking pace guys

Speedrun/Time Travel AU masterlist