#which i can also work with in terms of inspiration

[twst-hottest-takes]

Tweel Anatomy Discussion!

Part 2.

(Finally getting around to this! Link to part 1 here: https://www.tumblr.com/twst-hottest-takes/759029788153446400/tweel-anatomy-discussion?source=share )

And first off a big "Thank You" to everyone who encouraged me to write the first part and who seemed to have enjoyed it. I'm happy my pseudo-scientific ramblings about fantasy anatomy make you happy!

As always: The following post will be almost purely conjecture based off of a combination of reality and fiction. None of what I say should be taken as law, but rather a fun series of hypotheticals, as that is what the game gives us to work with.

Before getting to the promised screed on "throat teeth" I'll be addressing a couple of subjects people asked about in the comments of the first post! I'll be paraphrasing, but if the people who asked wish to be credited directly, let me know and I will tag you!

First: What does Floyd mean when he threatens to "squeeze" people?

As the comment pointed out, eels (moray or not) don't seem to constrict their prey. The word "constrict" is often associated with how many species of snakes trap and suffocate their prey before swallowing it whole. In this manner, morays do not constrict anything to speak of, BUT THEY DO TIE THEMSELVES INTO KNOTS!

Commonly this behavior is used when an eel has a piece of prey that is too big to swallow all at once, so they tie themselves into a knot to get a better "grip" on their prey and tear it into more manageable pieces! A knot can also be a defensive measure to hide or protect an eel's head from potential enemies. (Looking up "Moray Eel knots" should give you a much better idea of this behavior.) In the case of Floyd Leech, I think that the term "squeeze" is meant to reference Flotsam and Jetsam's behavior in The Little Mermaid. They "squeeze" Flounder and Sebastain to prevent them from stopping Ariel from making her deal with Ursula, and also wrap around Ariel's arms to restrain her later in the movie when the deal is up. These are pretty cartoonish behaviors that wouldn't be seen in real eels as they appear in the movie which seems to treat them a lot like "sea snakes" in this way. I think Floyd's "squeeze" is meant to be a serious threat when considering what eels do to things they tie up in their knots, but it does seem to evoke a mental image of a python rather than an eel.

Secondly, the user questions how Floyd would manage to build up his arm muscles so much.

Simply speaking, Floyd's bare arms are only a matter of fanservice. He's not really "buff."

The muscles are just very well-toned. While Floyd's "mercurial moods" don't allow him to commit to things like workout routines, he's still more active than not. Doing things like basketball, dancing, or parkour with any kind of regularity will give his arms that toned look, at least as far as his human form goes. In regards to his merman form, Floyd probably did similar things that shaped his muscles this way, but didn't build them up much past average.

Thirdly, another user asked me to touch on the boys' habitat as them being residents of the apparently cold and dark Coral Sea doesn't line up with the natural habitats of moray eels in real life that live in tropical waters.

Unfortunately, I don't have any particularly fun insights into this topic because I think that's just something added to better suit the part of the game based off of The Little Mermaid. Azul and the twins are meant to be intimidating and a little mysterious, so they come from a deep, dark, cold part of the ocean that holds scary and mysterious things. Bearing in mind that merfolk are fantasy creatures, I don't find the contradiction of where you would find eels versus where the twins are from to be especially bad in terms of world building. It may not be entirely thought through, but they are taking inspiration from the Disney movie, and keeping true to it's inspiration probably came first.

(Honestly, the thing that gets me is how they said they couldn't go home because the sea froze over. As if the mirror couldn't transport them directly into the ocean underneath all the ice! I swear the writing in this game sometimes.)

And now, the moment you've all been waiting for: LET'S TALK ABOUT PHARYNGEAL JAWS!

Quick explanation: Pharyngeal jaws are a second set of teeth in the back of a fish's throat. They are notable on moray eels, but they aren't the only fish that have them. The function of the throat teeth is for them to jut forward and grab onto whatever food the fish has bitten into and then retract and drag the food down the esophagus far enough for peristalsis to take over and continue the swallowing normally. (Yes, I used the first picture that showed up on the web search. It's from Wikipedia)

Do I think the Leech Twins have pharyngeal jaws?

The short answer is unfortunately: "NO."

The long answer involves more of our favorite subject: Discussing how realistic anatomy and fantasy physiology can coexist. (Spoiler alert: The long answer is still unfortunately: "NO.")

Logically and anatomically speaking it makes no sense for Floyd and Jade to have them. First and foremost, even if they did somehow have them in their merforms (which is far more plausible) they wouldn't have them in their every day human forms. The shortcoming of human anatomy is that we have a windpipe, and a second set of teeth back in our throats would suffocate us any time they would need to be used. Instead, we, like most of the animal kingdom, have tongues that push food back to be swallowed and have no need for extra jaws to crawl up and pull food down. Likewise, the twins clearly have tongues, and although they keep their primary teeth in tact between their two forms, have no need for a secondary set. Furthermore, I would posit that pharyngeal jaws in their human forms would be just plain dangerous as in the case of accidentally crushing your own windpipe. They breathe air, therefore they don't have gills, therefore they have lungs and a trachea for gas exchange, and therefore no room for throat teeth.

If the twins were to have pharyngeal jaws, it would make the most sense for them to have them exclusively in their aquatic forms. Because they breathe through gills around their ribs (see part 1) there would be much more room for a second set of teeth and the accompanying anatomical equipment. However, again, I am forced by my own logic to concede that they would still be unnecessary. Between all of the visual proof and the fact that the twins speak the common language fluently enough to have no communication issues with the land dwellers, we know for a fact that they have tongues--much like in their human forms--and that would negate the need or use for pharyngeal jaws. Moreover the humanoid head and neck structure on them in both forms would make the use of pharyngeal jaws pointless, if not explicitly dangerous (having a curved esophagus, as opposed to a straight line as in fish).

In conclusion; as much as this is a disappointment to admit, it would seem that the twins do in fact only require and as a result have a single set of teeth.

However, I will end this particular essay off with one sliver of hope.

It is implied in the text of the game that the twins were hatched from eggs. If their formation from egg to "adult" merman is anything similar to a fish's then it is possible that they once had a second set of jaws. Perhaps in an earlier stage of their development their bodies and mouths were positioned differently and they hadn't quite grown tongues yet, so a pair of extra jaws would have been particularly handy. As they became fully developed these jaws would have been lost, reabsorbed, or simply become vestigial remains as a result of no longer being of use. So while it's not logical to imagine that the twins currently have pharyngeal jaws, there's nothing that says we can't imagine that they did at some point.

(A small consolation to those of us who really would have liked that addition to their characters because we just think it would have been really really cool. Logic be darned, I still love to see fanart that depicts the two of them having throat teeth.)

Thank you for reading! I hope you enjoyed a bit more of my obsessive ramblings regarding fantasy anatomy!

This one took a while to put together because I wanted to make sure I had a visual representation of what I was talking about regarding the placement and effect of pharyngeal jaws in a humanoid form. . .so you guys get to see a very rough drawing of what I was talking about (along with a sample of my awful handwriting). I hope that was helpful and not too difficult to understand. I have been very tired lately and ended up putting a few ask responses on hold because I REALLY wanted to get this part out. A good number of people have apparently been looking forward to this, and I felt bad for making everyone wait for so long.

Will there be a third part?

Well as of right now I don't have one planned. But if some fun conversations start regarding what I've said here, there may end up being enough stuff to include in a third post. I didn't have much to say regarding things like warm or cold-bloodedness, or coloration and bioluminescence. However, if people want to talk about those kinds of things I will gladly delve more into them as long as there are people to talk to about it. But for now, that'll be all for this subject!

Now we can get back to the inbox!

(Once again going to sleep thinking about how awesome these mer-eel designs are and how I love all the sparkles!)

[silhouettecrow]

365 Days of Writing Prompts: Day 152

Adjective: Infinite

Noun: Eye

Definitions for those who need/want them:

Infinite: limitless or endless in space, extent, or size, or impossible to measure or calculate; very great in amount or degree; (mathematics) greater than any assignable quantity or countable number; (mathematics) (of a series) able to be continued indefinitely; (grammar) another term for nonfinite

Eye: each of a pair of globular organs in the head through which people and vertebrate animals see, the visible part typically appearing almond-shaped in animals with eyelids; the corresponding visual or light-detecting organ of many invertebrate animals; the region of the face surrounding the eyes; used to refer to someone's power of vision and in descriptions of the manner or direction of someone's gaze; used to refer to someone's opinion or attitude toward something; a thing resembling an eye in appearance, shape, or relative position; a rounded eye-like marking on an animal, such as those on the tail of a peacock, or an eyespot; a round, dark spot on a potato from which a new shoot can grow; (US) a center cut of meat; the center of a flower, especially when distinctively colored; the calm region at the center of a storm or hurricane; (nautical) the extreme forward part of a ship; the small hole in a needle through which the thread is passed; a small metal loop into which a hook is fitted as a fastener on a garment; (nautical) a loop at the end of a rope, especially one at the top end of a shroud or stay

[whatudottu]

It's been a bit since I've rambled about xenobiology headcanons, and this time because I've been thinking about Andreas I thought today's edition would be about talpaedans, seeing as how I made a list that I haven't put into a post yet-

Let's go!

Between all members of talpaedan youth and development, there is an innate basic understanding of construction, as comparable to human's ability to recognise patterns and facial language (give or take a few neurodivergencies). And specific construction comprehension is linked to whatever tool talpaedan youth are integrated in, which develops over time based on what materials are consumed (a diet of concrete may make cement mixers, or a diet that requires a lot of digging may develop jackhammers) as well of course the genes of the parent/s.

And on to that 'parent/s' thing, let's bring up haplodiplody again.

On Earth, haplodiplody is the system where one sex is developed from a fertilised egg (which tends to be the females) and thus are diploid with DNA of the mother and father, while the other sex is from an unfertilised egg (males would technically be the result of asexual reproduction) and thus is only haploid with only the mother providing DNA. Talpaedans are not an Earth species, but functionally that is the basis of their sex-determination, where females would be best translated as architects and males best translated as tradies, which in of itself is rather contextually slang in English.

And even with haplodiplody, talpaedans still have a bimodal sex distribution, though tradies are neither part of the equation. Instead, fertilised eggs though typically expected to produce architects also just as often produce workers, non-reproducing talpaedan youths that are born an raised to be the most common labourers of the colony they were born under and never leave the hive, as opposed to architects who work higher profile jobs and are in line to be promoted to site queens, and tradies who pre-war were lower rung workers who took to training younglings for work as well as in general raising them. Being bimodal it's not a perfect list of traits to be considered as either an architect or a worker, though there is a bias towards architects being able to reproduce as that would be the key factor needed in promotion. Tradies that are infertile or more characteristically architects would be considered workers and are more of a consequence of asexual reproduction and the lack of genetic diversity.

Talpaedan gender has been typically correlated with sex throughout most Poiana Lüncas colonies, with the architects being the talpaedan equivalent for women and tradies as the talpaedan equivalent for men, but workers have a more diverse gender identity even in more conservative colonies, either being a third gender or having men and women and in between identities being formally acknowledged as such in worker populations. There might be a few general issues about identity especially among architects and tradies, but colonies are less focused on the individual and most of their aggression is directed to other colonies rather than it's own population.

It is this tension towards other colonies that had eventually and near inevitably sent Poiana Lüncas into many wars, though the most recent one had been the worst and the last in many years, a war that fundamentally changed how intercolonial relationships worked. A very large colony had been expanding it's borders to accrue even more resources for it's ever growing population, in turn threatening the smaller colonies on it's outer borders, elevating tensions to an all time high. The whole shtick lasted for years until a few colonies realised that alone no one could stop this large megacolony from wiping out each of them one by one, but through an alliance they could stand together and beat the ever loving crap out of the aggressor.

And how their alliance worked was through the sharing of resources and ensuring the protection of youths especially, and so began the first war-era runs of arranged 'marriages' as tradies live up to their name in a more eh... dubious sense. By sending in tradies (who's lower rung work was mining for resources and food) from colonies not on the front line, the colonies along the border had assurances that their home had well fed and well protected populations - as well as a general diverting of power - to beat back the aggressor colony and in fact not only raze it to the ground, but dug it completely out and functionally turned it into a mass grave reeking of death; No Queen's Land it would later be named, for no surviving members of the colony were left alive to name it after themselves.

With a combination of a clearly war-created desert and the whole 'ant death smell' thing that exists in ants aka the big inspiration for my talpaedan headcanons, makes No Queen's Land an omen that trade routes never cross, instead creating what would be a ring road surrounding the outer reaches of the ex-colony that would direct trade routes through the border colonies one by one. Direct trade or travel between the colonies on complete opposite sides of the pock marked, crater desert is both impossible and otherwise detested by Queens and the architects responsible for trade routes, instead being a multicolonial multigenerational process that circles the border colonies until reaching the 'opposite side of the world'.

To this day (or at least to the day that exists universally in the moment that Andreas would consider a 'this day') the trade routes affect the lives of tradies post-war. Instead of being completely locked to the hive like workers and architects, tradies at a certain age are sent to travel in as both tradesmen and concubines to whatever colony they have been raised for, a fact that had been determined early on at the development of their tools and the needs of the recipient colony. The host colony would arrange their young to be raised by tradies that once came from their own host colony, determined by their last name of [birth colony-trade colony] (as opposed to architects and workers whose last names are simply [birth colony]) in order to be raised as bilingual to understand the majority language of their trade colony and to be an example of the future youth they would need to raise speaking their birth colony's language.

Andreas was on one such trade route when Aggregor snatched the talpaedan for materials in functionally a fusion experiment, being part of a group about to be married off to a queen, an architect or as a working tradie, technically 'divorcing' the deal when Andreas was stolen away. Considering that Poiana Lüncas isn't the most peaceful environmentally, the trade routes also serve as a double use, a sharing of resources and a preventative measure for overpopulation. I mean, a colony would be pissed if absolutely none of their trade gets to them - probably spark a conflict that may get hairy - but losing numbers is an expected consequence. Andreas doesn't expect anyone to particularly care that they're missing the one or few talpaedans that disappeared in the night, especially with the generally large number a trade route sends, and Aggregor isn't going to take out a whole line of talpaedans just to get to one; a simple 'cutting off from the group' works fine enough.

And one final thing to note, now more focused on Andreas as an individual rather than talpaedans as a species. I've mentioned death smell and thought to bring it up here since, if you've seen my stuff before or straight up follow me (for my rambling or long enough to see my rambling), I love stealing @kariachi's necromancer Argit and the whole idea of him killing, healing, and reviving Andreas in the titular episode Andreas' Fault. I looked up how ant death smell works and apparently it's a constant thing that's only combated by a constant flow of life smell, so with a brief touch of death even if Andreas doesn't REEK of death, a talpaedan would probably suspect Andreas stepped into No Queen's Land and got cursed by something. But for those of y'all buried deep enough in my rambling would be confused; 'if one can smell actual literal death and associate it as actual literal death why doesn't Andreas at least even slightly suspect the idea of being briefly dead when the castle crashed?'

Well babes, you know what's an easy simple solution for this? Andreas is anosmic :D! Of course Andreas would be the last to know, Andreas' would have no frame of reference for what a 'death smell' is. Could even be how Aggregor got Andreas separated, if everyone else can smell death smell they might notice the fact that No Queen's Land reeks of the stuff. Not a great way to find out that one is anosmic admittedly, but I mean if Ra'ad is finding out that among the many neurodivergencies he does have much of his overstimulated suffering is magic and mutation that he thought every other amperi had to deal with because you find out your husband died and now has a magical mind barrier well...

Okay okay, one more final note. Given that Andreas is a tradie, Andreas's full name would be [birth colony]-Andromeda after the name Andreas actually gets married into because Earth and especially English dominated areas of Earth like last names. And I guess if Andreas gets adopted into any Earth-based packs thanks to being attached to Argit like a puppy you can shove in another last name like [birth colony]-[pack]-Andromeda.

This has been in my notes since August woops-

[vjonk]

i havent really been drawing at all for a bit now, but i have been crafting :)

lots of photos under the cut vvvvv

gnomes:

continued my marionette fursona project from last year:

(i still need to make the wooden cross thingy and string the doll up)

linocut:

crochet bunnies:

[ginalinettiofficial]

already posted one fic to ao3 today but might fuck around and post another in another fandom just to keep things spicy

[marypsue]

Hey, I can just put that in a post! There's no way I'm ever going to be able to find the tumblr post that inspired this, but it was talking about how the term 'unalive' should refer to something that is to 'alive' the same way 'undead' is to 'dead'. A few people were trying to work out what that equivalent might be, and there were some fun possible examples thrown out (food service workers! anyone employed by a call centre!)

However. 'Undead' is a term that has a very specific meaning in relation to 'dead'. It doesn't mean 'alive', because 'alive' is opposite to 'dead'. It also doesn't mean 'not dead', because plenty of things are not dead that were never alive and are, thus, not undead, either. 'Undead' specifically means 'dead, but in a way that is wrong'.

Which means that, if 'unalive' is to 'alive' as 'undead' is to 'dead', then 'unalive' should mean something that is alive, but in a way that is wrong.

And just as 'undead' is not synonymous with 'alive', but shares traits with it, 'unalive' should not be synonymous with 'dead', but share traits with it. Something that is unalive should not be dead, but should have traits associated with death.

The unalive thing, then, should be something that is alive, but the wrong kind of alive, in a way that shares traits with death. Perhaps something too alive, too energetic, too exuberant, too enthusiastic, too aware and appreciative of every sensation or symptom of life. Perhaps something a little too hungry.

Like a fungus.

Or a wellness influencer.

[tarotwithavi]

I get money, I am a star

How can you make more money? How can you attract abundance into your life?

＊*•̩̩͙✩•̩̩͙*˚*•̩̩͙✩•̩̩͙*˚＊*•̩̩͙✩•̩̩͙˚˚*•̩̩͙✩•̩̩͙*˚＊*•̩̩͙✩•̩̩͙*˚˚*•̩̩͙✩•̩̩͙*˚＊

＊*•̩̩͙✩•̩̩͙*˚*•̩̩͙✩•̩̩͙*˚＊*•̩̩͙✩•̩̩͙˚˚*•̩̩͙✩•̩̩͙*˚＊*•̩̩͙✩•̩̩͙*˚˚*•̩̩͙✩•̩̩͙*˚＊

How to choose a pile?

Close your eyes and take a deep breath and ask the angels to show you the right pile for you and open your eyes. The first pile that catches your attention is the right pile for you.

This is a general reading, so take what resonates and leave what doesn't.

Masterlist 💌 paid services

YouTube

THANK YOU SO MUCH FOR YOUR LOVE AND SUPPORT 🫶🏻❤️

＊*•̩̩͙✩•̩̩͙*˚*•̩̩͙✩•̩̩͙*˚＊*•̩̩͙✩•̩̩͙˚˚*•̩̩͙✩•̩̩͙*˚＊*•̩̩͙✩•̩̩͙*˚˚*•̩̩͙✩•̩̩͙*˚＊

PILE 1

You have a special ability to attract people, and that's because the way you see and understand life is very different from everyone else. I'm also getting the message that you can use your unique perspective and appearance to earn more money. For example, you could become a social media influencer or start your own blog where you share your opinions with others. You might even consider writing articles or books to share your knowledge, which could also help you earn more.

You have a talent or skill that could lead to great financial success. All you need to do is focus on developing it. This might seem like a random message, but I sense that some of you have hacking skills that could be used to catch online predators. You could make money while also doing something good for society, and you can do this without revealing your identity.

I also heard the phrase “secret superstar,” which might have special meaning for some of you.

You can attract abundance into your life just by being yourself. You don’t have to follow strict instructions on how to manifest things. You are fully capable of discovering new methods that work for you when it comes to manifestation. Remember, sometimes you need to "fake it till you make it." Don’t worry about what others might think or say; be the most confident and imaginative version of yourself. Believe in the impossible, and you’ll see it become reality. Dream big, and don’t hesitate to manifest the most outrageous things, even those that seem out of reach.

＊*•̩̩͙✩•̩̩͙*˚*•̩̩͙✩•̩̩͙*˚＊*•̩̩͙✩•̩̩͙˚˚*•̩̩͙✩•̩̩͙*˚＊*•̩̩͙✩•̩̩͙*˚˚*•̩̩͙✩•̩̩͙*˚＊

PILE 2

I see that some of you are thinking about choosing a business major in college, and I want you to know that this is a great choice for you. I got the message that you have the potential to make more money by helping others learn how to manage and grow their own money. You could become a freelancer, offering advice on how to use money wisely, or you might even start a course where you teach people how to invest and handle their finances.

You have a special knowledge or skill that could be valuable to others, and you could exchange this knowledge for money. Some of you might also be excellent teachers, guides, gurus, or counselors. You hold the key to success—your ideas, inspirations, and whatever thoughts come to your mind right now could be what lead you to success.

I also see that some of you don't feel the need to make a lot of money; you just want to earn enough to live a good, comfortable life. You don't necessarily desire a luxurious lifestyle. Some of you could even become great spiritual teachers.

You can attract abundance into your life by growing spiritually. However, I also notice that some of you have been slacking on your spiritual practices. For example, something you used to do regularly, like manifestation, meditation, or journaling, you now barely do once every two weeks. These practices help keep you emotionally stable. If you start doing them regularly again, you'll notice a significant change in the energy around you.

At this moment, you need to focus on your studies and avoid chasing temporary pleasures. Concentrate on the things that will bring you long-term fulfillment and happiness.

＊*•̩̩͙✩•̩̩͙*˚*•̩̩͙✩•̩̩͙*˚＊*•̩̩͙✩•̩̩͙˚˚*•̩̩͙✩•̩̩͙*˚＊*•̩̩͙✩•̩̩͙*˚˚*•̩̩͙✩•̩̩͙*˚＊

PILE 3

You need to break free from the cycle you're currently stuck in, and I'm getting the message that this may be connected to your ancestors. It’s possible that your family has experienced a fluctuating cycle of wealth and poverty over time. As a result, you might be afraid of making more money because you fear that you’ll end up facing the same ups and downs as your ancestors did.

I also see that you have a mindset of lack when it comes to money, and this needs to change. If you don’t shift your thinking, you may struggle to manifest more money in your life. Another issue is that you tend to overspend on things you want but don’t really need. Then, when it comes time to spend on something you actually need, you might find yourself short of money. It’s important to learn how to manage your finances better so that you have enough money for both what you want and what you need.

Some of you might be thinking about starting a business or entering a partnership with someone. This could be a good opportunity, but you need to be very careful about who you choose to partner with. For others, starting your own business could be a great option. I see that some of you are considering businesses related to jewelry, clothing (especially thrifted clothes), or decorative items.

You also need to let go of habits or memories that are no longer serving you. You can attract abundance by releasing an addiction or behavior that is holding you back. For instance, I see that some of you may be spending too much time on social media or on your phones. You need to be mindful of how much time you’re wasting on these activities. Instead, invest your time in something that will benefit you. If something isn't adding value to your life, don’t waste your time on it.

＊*•̩̩͙✩•̩̩͙*˚*•̩̩͙✩•̩̩͙*˚＊*•̩̩͙✩•̩̩͙˚˚*•̩̩͙✩•̩̩͙*˚＊*•̩̩͙✩•̩̩͙*˚˚*•̩̩͙✩•̩̩͙*˚＊

[mercy-burning]

A Kindness You Can't Afford

Pairing: Spencer Reid x Fem!Reader Summary: Something that started out as 'stress relief between co-workers' is now a little concerning to you, but for some reason you can't help but keep letting Spencer walk through your door... Rating: Mature (18+) Content: Strong language, unprotected sex, rough sex, fingering, blink-and-you'll-miss-it choking, squirting (As always, let me know if I missed anything!) Word Count: 2.7k

MASTERLIST

NOTE: @imagining-in-the-margins sent me lyrics to Hozier's It Will Come Back to entice me to write something for her monthly challenge (which is themed Friends With Benefits), and then this happened. You can thank her for this. And also Emily Henry, because I read Happy Place and Beach Read back to back recently, and DAMN IT if I wasn't itching to do some romance-writing of my own. Sure, this one is less romance and more porn without plot, but I digress. The inspiration is there and that's all that matters. Plus I've started working on something else that probably won't see the light of day for a long while, but it's nice to feel the motivation. I'm starting to feel like myself again :) I don't know how long this creative sparkling cloud of dust is going to last, but I'm grateful to be living in it, if at least for a little while. It feels good to be there again <3

Enjoy!!

*******

There's a small pit in your gut that only deepens when you hear a knock at the door. A chill permeates your nervous system and sends you off on shaky limbs until you reach it, and as your palm comes in contact with the cool metal of the doorknob, you're disappointed to discover that the contrast does nothing to comfort the hot and clammy skin. Unless the person behind the door turns out not to be who you think, you will not know that comfort.

You open the door anyway, already used to this feeling of unease. It's a feeling you've come to tolerate, and sometimes even crave in desperate moments. Tonight has not seen one of those moments, but you suppose that doesn't really matter because you've already agreed to his terms, and unless you call it off, you're stuck. You've seriously considered doing it a few times, but something deep inside tells you he might not like it very much, and you're unsure of how he'll react.

It isn't a risk you're willing to take.

And so, you meet Spencer Reid with a bright smile, pretending not to know why he could possibly be outside your door past 9pm. He looks a little sleep deprived, but it's nothing new. Your work is exhausting. It was a major deciding factor and is the driving force behind your agreement in the first place. A way to relieve stress. Somewhere along the way, it seemed to have turned into something darker, though in retrospect that darkness has always been there. You often think back to the first time you initiated intimacy— how excited you were that he seemed willing to take you up on the offer... How your head swam through glittering mist and your heart beat quickly at his words.

"God, Y/N, I need you to be sure... Because once we go there, once you let me in... Even after I leave, I'm always going to be there... You're going to feel me everywhere you go, and that's a promise..."

In the moment it even sounded romantic, and in some twisted way, it might still be. But you don't want to let your brain misconstrue this whole situation. You've promptly decided to take it for what it is and accept the fact that he has some deep desires he needs to expel, and you're just a convenient companion for the journey.

"Spencer, you're here late..."

He exhales through his nose. "No later than usual."

"Right... Come on in." You widen the door and confidently step aside like you wouldn't know any different.

Rather than let you close the door, he'd taken your words as an invitation to make himself at home, pushing it shut with his foot and jolting you forward with it, subsequently pulling you towards him. His hands are quick to guide your face to his own, and without a second more in passing, the night has officially begun.

Electricity is immediate, sizzling through your core at Spencer's drive. It's true that when you're alone, it's difficult not to overthink the situation and rope the emotional and logical side of it to the forefront of your mind. But being with him like this dissipates the thinking entirely. All you know is that it feels so good, and it's absolutely worth all the turmoil you put your brain through.

It's worth it when his tongue possesses your own and coaxes the most sinful, desperate noises from the depths of your chest, and when your delicate fingers find purchase in his hair. It's worth it when your back is up against the door with his knee wedged between your thighs. It's worth it when his hand glides down your jaw until each finger curls around your neck, not choking you but simply resting there like a necklace would. He squeezes gently for a second each time you twitch your hips, desperate to feel friction, and you whimper.

You've come to learn that the more noises you make, the more he rewards you with... well, more. So it doesn't take very long for him to decide that enough is enough, and he pulls away from you to turn you around. You brace your arms on the door and lean your head to the left so he can work.

Warm lips attach to your neck as nimble fingers snake around your front and dip below the band of your lounge shorts and underwear. Your insides hum to life, and your legs naturally spread apart a little further, making Spencer laugh against your skin. You half expect him to tease you, but the surprise leaves your body in the form of a rather whorish Oh! when he spreads you apart and glides his fingers through your warm cunt. He explores you thoroughly, circling and spreading and plunging his fingers inside you, until eventually he continues a slow and steady pace running up and down your clit. You can feel it in his breath, in the way it stutters over your neck— He's about to give you your first orgasm of the night. If his skilled hands wouldn't do it (which you know they will), his words definitely would.

"Mmmm, I love how warm you are, Y/N," he slurs into your neck. Then he lightly nips at your shoulder and quickens the pace and pressure on your clit. "And how fucking messy you get for me..."

You know what he wants, but even if you hadn't, it still would have happened. The first time he made you squirt, he'd been determined to do it again. And again. In every different way possible. Over the course of your stress-relief-escapades you've come to learn that this particular way (with his hand down your loose-fitting shorts) is his favorite. He never strives to do it anymore unless you're wearing a pair. Perhaps it's the sounds, or the feeling of your damp clothes and the desperate need to peel them away in favor of something more solid, but it's become your favorite way, too.

Your nails scratch at the door as you pant and sigh your way through an intense building orgasm, and Spencer leans forward with you, using his free hand to assist in holding you up as he furiously works at your clit with the other. His chin rests on your shoulder as he huffs out, "Go on, baby, let it out..."

He knows you're close, and those final encouraging words seem to snap the coil tightening inside you. Your thighs tense for just a second before you feel every wave of pleasure crashing into every limb. And then, you're able to relax and ride it out, letting him hold you up and pull the orgasm out of you like magic. It's wet, it's warm, and it's fucking sensational...

You can practically see the wild look in Spencer's eyes even if you couldn't actually see him at all. His presence is always, as promised, so inherently there, that even now it's a vivid image. His pupils are an empty abyss, and if you look too closely you're sure to fall in. Hell, you're not even positive that you haven't already fallen in, because the thought of calling it all off when it feels this good seems, simply put, wrong. Why would you ever want to deprive yourself of this feeling? His possessive, damn-near monstrous way of loving you as concerning as it is, had taken you to the highest places you'd ever known. Even if it isn't 'love' on paper, you certainly love it anyway. And he must love it, too, otherwise he wouldn't keep coming back.

He only comes back because you let him in in the first place, the rational part of your brain tries to reason, though it can't quite break through the fog of lust. At this point, it's so thick that you aren't sure it's ever going to clear.

Not that, right now, you'd mind...

Once your breathing slows and your legs gather the strength to pivot, Spencer removes his hand from your shorts and gently guides you to turn around. His lips are on yours immediately, and he's tugging at your shorts and underwear to pull them down. They drop to the ground and without a second to spare, he tugs you along through your living room and over to the couch. It's practically a straight shot to the bedroom from here, but apparently time is not a luxury he can afford this evening, because you barely have time to anticipate what his next move might be before he makes it.

Mouths still attached, the two of you nearly fall on the couch, and Spencer's weight covers you like a blanket. His hips pin yours down and his arms have taken to pinning your own above your head. He nips at your bottom lip and pulls away for a moment, but you chase him, trying to lean up and keep kissing him and whimpering when you can't.

A low laugh exhales from his chest. "And I thought I was the needy one in this relationship..."

He shifts then, getting up and kneeling between your bare legs to start undoing his pants. Meanwhile you lift your shirt over your head, grateful you'd already ditched the bra earlier in the afternoon. Less time to waste.

Seeing you completely bare from head to toe and ready for him seems to amplify that animalistic quality in Spencer that's so unlike the aura of the boy you met years and years ago. Whether he had that quality before he'd met you is unknown, but it's hard to imagine. You like to think that you and you alone have single-handedly created this primal sexual being simply by expressing interest in what youcould offer him amongst the joint understanding of the daily hardships that leech onto a BAU agent. Regardless of the truth, the sheer sense of power it fills you with... In every deep stroke of his cock, in every mark left behind, and in every praise sung, there is this irreplaceable strength that you cling to long after he's gone.

No hard truth would ever take that feeling away, and so you can't help the grin that manifests at his urgency. You can tell he wants nothing more than to sink into you immediately; he visibly struggles for a moment before opting to fully slide his pants and underwear off together until they're tossed over somewhere into the abyss. You half-expect him to whip his shirt off to join them, but instead he lunges forward and covers you again, muffling your whimpers with his mouth as one hand guides himself into your slick cunt.

You can feel the rumble in his chest the moment he's all the way in and you clench around him. He rests his forehead to yours and kisses you deeply before asking, "You ready for me, Y/N?"

The low echoing tone in his voice seems to answer in the momentary silence that follows.

You better be... 

It sends a chill down to the marrow of your bones.

You barely whisper out, "Yes," and before the last letter leaves your mouth, Spencer has pulled back and snapped his hips forward, starting a slow and brutal pace inside you. Your legs spread wide naturally, giving him all the room in the world to position himself to handle you however he wants. He opts for holding your breasts in his palms, holding himself steady and pinning you down firmly to the couch cushions.

It doesn't take long for your eyes to start their descent to the back of your head, until they flutter shut and you're seeing stars behind closed lids. His pace quickens, still hard and determined, and yet you know he has more in him. Part of you itches to whine and beg for him to go farther, to push him to his limits and make him fuck you until you're nearly unconscious and delirious. And truthfully, that's still a high possibility, but you also wouldn't mind staying like this forever.

Then, one of his hands shifts and glides up to your neck again. You open your eyes and find Spencer staring down at your body with hair falling down in front of his face and sweat forming on his brow. His mouth hangs open and then grins when he catches you staring, the sight making you sigh out and grip the bottom hem of his shirt with your fingers for any kind of stability.

You're teetering on the edge of another orgasm, and by the way his face is slightly scrunching you can tell that he's not far behind you.

Just the flash-forward thought of him filling you up sends a jolt through your body, and before you know it, your legs are tensing again, and you're yelling out his name in broken syllables as a flood of warmth spreads through your body. For a split second you wonder if you've both come undone at the same time, but this feeling is different and more intense. Familiar.

The sounds filling the room only confirms your conclusion, and then Spencer's words as he pauses and feels you twitching around him.

"Twice in one night, huh?"

You force yourself to look at him, to see the unhinged pride pooling in his eyes as you finish and wait for him to follow suit. It both empowers and frightens you at the same time, an odd combination of feelings that you're sure to have a crisis about in the morning. But for now, you can't help but lean back and watch the ceiling as Spencer grips your hips and starts fucking you relentlessly into the couch.

Finally, he pauses at the hilt inside you and holds himself there, stuttering out expletives and coming. He pulls back and then forwards a couple times, gently rocking himself through it, and then his grip on your body loosens and you're able to pull him down to you.

You wrap your legs around him to keep him still, unwilling to let go of this feeling quite yet. It's there— that strength that he gives you, whether he knows it's there or not.

And in about an hour after you wash up and go to bed, he will be gone, and that strength will slowly fizzle out overnight, and like clockwork, you'll long to feel it again some time after the concern runs its course— After you replay the night in your head, over and over, analyzing every look and every touch and every reaction. After you frighten yourself into believing that he must be in tune with some level of evil to use you for rough sex and then leave you alone during the day and act like it never happened, even though it's literally what you agreed to.

The back and forth will only make living harder, and so you'll push it all away and focus on work. Until Spencer eventually brushes your arm with the back of his hand as he passes you, or hands you a cup of coffee with a kind smile, and then you'll come right back to wondering how such a gentle soul could hold such intensity. It will unnerve you until you tell yourself that it's just the complexities of the human condition and that every soul contains multitudes. You see it every day. It's not uncommon. It's completely normal.

The thought will calm you enough to get you through the rest of the afternoon, and when you get home, you'll settle in for the night without a second thought. You'll make dinner, watch a show, read a book, endlessly scroll online, or talk to Penelope about whatever show she's watching... You'll keep yourself busy.

And then the sun will set. Your house will grow quiet. You'll start to feel it: the small pit in your gut that only deepens when you hear a knock at the door. You'll meet Spencer Reid with a bright smile, pretending not to know why he could possibly be outside your door past 9pm.

So, yes. For now, you will hold onto him a little longer and bask in the afterglow of this exercise in 'stress relief'. Because even if it doesn't mean anything greater, and whether there's even anything within Spencer's motivations to decode in the first place... This moment in time, each time, is the most relieved you ever feel.

Your fingers flex gently over his shoulders, and through the soft, even exhaling of his breath across your cheek, you know for certain he feels the same.

*******

PERMANENT TAGLIST (tags not working are struck out): 

@starrylang @xoxospencerreid @lovejules888 @awesomebooklover17 @yourmisosoup @gubswh0re @venomsvl @this-is-doctor-and-its-calm @umbreonwolfy @hotchandspencearedilfs @spencerreidsmommy @abby2661 @youabitchhhh @reidsbabe @shemarmooresfedora @donald4spiderman @moonlight-2-6 @chaoticcatie @flipperpenguins @muffin-cup @centiaaa @foreveryoungxx3 @happymangospot @matthew-gray-gubler-lover

If you would like to be added to or removed from the taglist, feel free to message me or leave a comment and I’ll get on it right away!

[ambrosiagourmet]

In chapter 28, Marcille lays out why the journey she's been on has been worth the pain: because they were able to bring Falin back. The injuries, the indignity, and the mess of it all - they are tolerable primarily in context of destination she believes she's reached at this point.

In truth, of course, the story is far from finished. In fact, I would argue that this is actually where hers really starts. This scene holds the seed of the very thing the Winged Lion will exploit to lead Marcille to become the Lord of the Dungeon. After all, with a desire as far reaching and deeply held as Marcille's, if the only acceptable outcome is success, what other choice does she have but to bargain with the infinite?

So let's talk about this idea - where it leads her, how Laios' path intersects with it, and how they both help each other move forward in the face of failure.

First though, I want to step back and talk about something else: the shapeshifter chapters.

With these chapters recently covered by the anime, there has, of course, come plenty of fun discussions about which version of each character belongs which other character's perceptions, and what that means.

One thing I've seen pointed out a few times is the fact that both Laios and Marcille's impressions of each other are based around Falin. Marcille's version of Laios is larger and more masculine, because those are the traits that stuck out to her in contrast to Falin. Laios' version of Marcille was directly inspired by her appearance and demeanor when resurrecting Falin.

So why is this important to a discussion about Marcille being focused on success? Well, it shows us where Laios and Marcille's relationship starts: built primarily around their shared love for Falin. It's from that shared beginning that they begin to learn about each other on their own terms.

And this is true for the whole group, to be clear. They are united by circumstance - love for a lost companion, a sense of responsibility, a desire for freedom - but they all grow and help each other beyond that circumstance. They help Senshi bury the ghosts of his past and eat some Hippogriff stew. They help Izutsumi open up to mutual love and friendship. And they learn so much about each other: about Chilchuck's family and Laios' love of monsters and Marcille's desires to live life alongside others.

In the particular case of Marcille and Laios, understanding each other is what lets them save each other. It is not through Falin that Laios talks Marcille down from the edge the Lion has brought her to, nor is it through her that Marcille comforts Laios after the demon is defeated, when it is still unclear how everything will work out.

In fact, it is very specifically the unknown fate of Falin that Marcille comforts him about.

She is willing to accept the outcome - willing, now, to embrace the journey itself, rather than only accepting it as a means to an end.

This is a lesson she learns from Laios, and it's a lesson we watch Laios learn, too.

Just before making her deal with the Lion, Marcille recalls everything that led her to that moment. She lingers on the pain, recalling the worst of their journey:

She only pushes through by remembering her goals: saving Falin, and equalizing the lifespans of her friends to match her own.

And yet, 10 chapters later, when reflecting on why she actually wants to see her goals through, it is the good parts of that very same journey that shine through.

There's an inherent contradiction here, one which Marcille doesn't know how to face. How can the suffering that she tolerates also be the love that drives her forward? How can the loss that she's worked so hard to reverse also be the very circumstance that created a world she, now, cannot stand to give up?

And Laios confronts her with the truth. Because it just is.

Losing Falin forced him to open up to others in a way he never had. It forced him to choose what he cares about, and in making that choice, it gave him the opportunity to be seen. To connect with others.

He has already had to come to terms with the fact that Falin's death has given him something - he would not have been able to kill her again if he hadn't.

There is something here that is fundamental to Dungeon Meshi's understanding of what life even is. Like, I don't think it's a coincidence that part of Laios' speech to Marcille in chapter 85 is actually first seen in the chapter where they fight off ghosts.

In 'Sorbet,' while possessed , Laios thinks that it would have been better if the dragon had eaten him, instead of Falin. The ghosts make people lose their will to live - they are dragged away from life.

When he's pulled back from that brink, Laios realizes that he can't move forward without accepting that she is gone. He even compares the way he was holding on to her to being possessed: it pulled him away from life, from the present moment.

To carry on, he must accept what has been lost, and focus on protecting the life that they still have.

Like Marcille, he has to accept the contradictions of their journey. That life means eating, and eating requires death. That sometimes one must be selfish in order to be kind, and that selflessness can easily be twisted into to cruelty.

That loss will, inevitably, lead you to find happiness that you may not have found otherwise.

This is how he gets through to Marcille. And I think part of the reason he reaches her with these specific ideas is because those contradictions are baked so thoroughly into their relationship.

Marcille only met Falin after she had been left behind by Laios. Laios was able to reconnect with Falin because she left Marcille. They both met each other through Falin, and yet they only really got to know and care for one another after she died.

And of course, that's why Marcille uses the same ideas to comfort Laios, in the final chapter. It is because of Laios that she is able to accept the journey for itself, and not need the happy ending to justify its meaning to her.

Together, they help each other move forward, and accept that they may not be able to bring Falin back.

Which, if I'm being honest... I think this is the reason Falin can come back, narratively speaking, without the resurrection feeling like it takes away from the themes of the story.

After all, she doesn't do it for Marcille or Laios - she does it for her own sake. Her own hunger and her own desire to eat are the things that lead her back to life.

All three of them, together, end the story like this: not clinging to the things they are afraid to lose, but knowing they can choose to move forward together.

And, importantly, this happy ending is no longer the thing that gives the journey meaning. Rather, it is the privilege of the journey itself that is her happy ending: the chance to walk alongside others in the time they have, to get to know each other, and to eat well.

[lifeonmarz-blog]

Sun through the houses: Synastry

Sun in 1st, the sun person makes the house person feel understood. Ive had this aspect with one of my bestfriends. He was my go to person, the first one id call when anything interesting happened. Its easy to share your feelings with the sun person it feels natural. We gave each other more confidence. He acknowledged accomplishments in my life that others didn't. Things that i didn't even give myself credit for he shined a light on. This placement made me act more fearlessly because someone else saw that quality in me.

Sun in 2nd, Stability is a common attraction to this placement. The sun person sees the house person as someone they can depend on. House person can help sun person financially or help develop their interest. Together these two can create great business plans, they work well together towards mutual interest. Others see the couple as very business oriented. I have this placement with one of my brothers both ways and we grew up sharing alot of our things sometimes because he had to other times because we knew that would allow us to both have more. Also i would borrow money from him he's always been a saver. Ive always preferred to exchange money for experiences.

Sun in 3rd, Sun person is very easy to talk to almost like a Therapist or something. Your secrets are spilled easily. The house person naturally wants to share here but it goes both ways the sun person also feels very understood by the house person. There's a mutual openness and grace with this placement. If you were in a long distance relationship this is type of placement that would be beneficial. I have this with a sibling he is the sun person and we have mutual interest so it makes collabing very easy. We tend to naturally operate in the same direction even though we individually don't think that similar.

Sun in 4th, This placement can feel like looking into a mirror. This person is a blatant reflection of some of your own behaviors. On the surface they seem like your ideal partner. Very well received by family. Honesty well received in general they look good together. This placement focuses on healing emotions in yourself that you reject. Its easier to be grateful for the little things with this person. They show you new ways to view the same things. Here you will see the areas where your being naive. They want you to believe in yourself as much as they do.

Sun in 5th, Child like fun happens here. The way the sun person expresses helps the house person not take things so seriously. The sun person is in awe of the house person. Its such a cute placement, The sun person makes the house person feel special. It may not be long term but it shows you how to just be, with no added pressures. Express your love today don't wait type of vibe. You may even talk about having babies here, are you actually serious probably not but this placement loves to feed into fantasies and ideals and that's nice sometimes. Someone i had this placement with would always tell me how beautiful i was even when i was just chilling in pajamas it was cute. Ive also been the sun person and the way the house person handled their problems and stayed so mentally strong was very inspiring to me. It made me want to be less reactive and more of a problem solver. I looked up to their resilience.

Sun in 6th, The house person feels the need to improve because of the sun person. The things that you choose to ignore are brought up here. The energy is like ''deal with it now, no more waiting". The house persons structure and discipline is being improved here. Its often that the house person doesn't want to be seen as lazy by the sun person. Which can be very helpful if you have goals your working towards. Their energy is motivating especially when it comes to business related things. House person doesn't want to disappoint the sun person. Sun person sees the house person as capable of great achievements.

Sun in 7th, Long term friendship or friends turned lovers is the theme in this house. Relationships built here usually started innocently from just being around each other alot. Sometimes the Sun person can have unfair expectations of the house person. Unbalanced relationships is common here one or both people can feel they carry more responsibility and burden. It can feel like at times communication is missed, misinterpretations can always be worked through if both people are willing to listen to understanding and if they are relationships here will go the distance. Both sets of my grandparents had this placement and were married for over 40 years. This could also be person you have a child with and now your bonded to each other even if their wasn't marriage. They feel a sense of home in each other. This couple could like to stay home and do things together.

Sun in 8th, The sun person buries themself into house persons wounds often times wounds they didn't even know they had. Both people are meant to be transformed by the union. If this relationship can make it through the first few initial hurtles which tend to be more dramatic, this relationship will keep you together for a while. The way the sun person expresses can have the house person feeling the need to keep a defense up. The sun person feels the house person is running away from their issues. Sun person is made to feel like the bad guy because their just more comfortable bringing up the hard topics. If the house person is willing to drop their defensiveness and the sun person is willing to be patient and tactful with the house person this relationship would be one of the phoenix rising from the ashes. They would be unbreakable together.

Sun in 9th, This couple inspires each other. Expanding what you thought you knew. Transforming what you thought love was. This is a beautiful placement of people learning a new viewpoint on love and self expression. Sun person expands house persons viewpoints more but this placement goes both ways. Topics that you wouldn't normally talk about gets discussed here. Long term friendships are built through the expansion of the mind. Affection is easily shown here taking trips together would do this couple well and deeper the connection. They want to give to each other and spending money together is one of their favorite things to do. This is honestly one of my favorite placements its mentally and physically expansive.

Sun in 10th, Sun person is proud of house person. They want to show house person off they feel lucky to be with house person. It makes them look good publicly. This couple has a relationship that is centered around fun. They want everyone to see their affection towards each other. This couple is friends first and lovers second. This placement isn't as emotionally deep but it will make you feel important. They want people to know how amazing you are. Its very easy to be yourself and tap into your more child like energies with this placement. This couple shows each other sides of themselves no one else knows about. With that being said they can also be vicious towards one another if this relationship turns sour this couple will have no problem having public disputes. Also this may be a taboo type of relationship were people don't understand why your together or be curious on how the person got with you.

Sun in 11th, I bet this relationship started with lighthearted playful flirting. This is the most "friendly" placement. Intimacy may take more work to develop here. Ive had this placement in a friends with benefits situation. It can easily turn into that if both people aren't intentional about what they’re looking for. If they are, this is a great placement. Communication feels very open and theirs no pressure. This couple merges friend groups and could've also meet through friends or have mutual friends. This couple networks well together and other people are very attracted to their energy together. Its fun to watch them interact with each other. They’re the type to be in a room full of people but have their own sidebar conversation and cues towards one another.

Sun in 12th, Spiritual connection or secret infatuation? My sun is in the 12th house so ive experienced this more times than i would like to but in the same breathe i love it. The sun person unintentionally test who you thought you were. Boundaries become blurred in this house but its slick, you might not even notice until after the fact. Things that you might find embarrassing happen here "thats never happened before" type of things. Alot of the communication in this house goes unsaid. Its like the little social cues that your supposed to just pick up on. It can also feel like your being observed on how you react to situations. You still seem to be mysterious to each other no matter how long you've known each other. Like there's still something being hidden from you. Without trust this placement could easily lead to feelings of being deceived. Thats not to say your not being deceived though. Cheating is common in the 12th house. You could be completely shocked and unaware about your partner living a double life. With the 12th house there's really no planet person, house person dynamic it switches back in fourth. Theres alot of talking behind each others back but that doesn't have to be a bad thing the person could be speaking well about you, putting your name in the right spaces. You know the feeling of walking into a room that people were just talking about you in? Its like you didn't physically hear it but you feel it. Someones sun in your 12th can give that type of feeling for both people. If its not operating from an expansive place. If it is you experience complete devotion. Two people committed to the relationship no matter where its headed. Someone you can experience complete intimacy and vulnerability with. Complete was an unintentional brilliant choice of words here. Not to many can navigate the 12th house and make it out together but if you do... you'll feel you've completed something great and felt a connection sent directly from god.

[wombywoo]

Ok! I've finally decided to put together a (somewhat) comprehensive tutorial on my latest art~

Please enjoy this little step-by-step 💁‍♀️

First things first--references!

Now I'm not saying you have to go overboard, but I always find that this is a crucial starting point in any art piece I intend on making. Especially if you're a detail freak like me and want to make it as realistic as possible 🙃

As such, your web browser should look like this at any given point:

Since this is a historical piece, it means hours upon hours of meaningless research just to see what color the socks are, but...again. that isn't, strictly, necessary 😅

Once I've compiled all my lovely ref pics, I usually dump them into a big-ass collage ⬇️

(I will end up not using half of these, alas :'D)

Another reference search for background material, and getting to showcase our models of choice for this occasion~

When picking a reference for an actor or model, the main thing I keep in mind (besides prettiness 🤭) is lighting and orientation. Because I already kinda know what pose I'm gonna go with for this piece, I can look for specific angles that might fit the criteria. I should mention that I am a reference hound, and my current COD actor ref folder looks like this:

Also keep in mind, if you're using a ref that you need to flip, make sure you adjust accordingly. This especially applies to clothing, as certain things like pants zippers and belt buckles can be quite specific ☝️

Now that we've spent countless hours googling, it's time to start with a rough sketch:

It doesn't have to be pretty, folks, just a basic guideline of where you want the figures to be.

The next step is to define it more, and I know this looks like that 'how to draw an owl' meme, but I promise--getting from the loose sketch above to below is not that difficult.

Things to keep in mind are--don't go too in-depth with the details, because things are still subject to change at this point. In terms of making a suitable anatomically-correct sketch, I would suggest lots of studying. This doesn't even have to be things like figure drawing, I genuinely look at people around me for inspiration all the time. Familiarize yourself with the human form, and things like weight, proportions, posing will seem a little more feasible.

It's also important at this stage to consider your composition. Remember to flip the canvas frequently to make sure you're not leaning to one side too often. I'm sure something can be said for the spiral fibonacci stuff, which I don't really try to do on purpose, but I think keeping things like symmetry and balance in mind is a good start ✌️

Next step is just blocking in the figures. Standard. No fuss 👍

Now onto the background!

It's frankly hilarious how many people thought I was *hand-drawing* these maps and stuff 😂😂 I cannot even begin to comprehend how insanely difficult that would be. So yeah, we're just taking the lazy copy and paste way out 🤙

I almost always prepare my backgrounds first, and this is mostly to get a general color scheme off the bat. For collage work, it's really just a matter of trial and error, sticking this here, slapping this there, etc. I like to futz around with different overlay options until I've found a nice arrangement. Advice for this is just--go nuts 🤷‍♀️

Next, I add a few color adjustments. I tend to make at least 2 colors pop in an art piece, and low and behold, they usually tend to be red and blue ❤️💙There's something about warm/cool vibes, idk man..

Now we move on to coloring the figures. This is just a basic block and fill, not really defining any of the details yet.

Next, we add some cursory values. Sloppy airbrush works fine, it'll look better soon I promise 🙏

And now--rendering!

I know a lot of beginner artists are intimidated by rendering, and I can totally understand why. It's just one of those things you have to commit to 💪

I've decided to show a brief process of rendering our dear Johnny's face here:

Starting off, I usually rely on the trusty airbrush just to get some color values going. Note--I've kept my sketch layer on top, but feel free to turn it on and off as you work, so as to not be too bound to the sketch. For now, it's just a guideline.

This next stage may look like a huge jump, but it's really just adding more to the foundation. I try to think of it like putting on make-up in a way~ Adding contours, accentuating highlights. This is also where I start adding in more saturation, especially around areas such as ears, nose and lips. Still a bit fuzzy at this point, but that's why we keep adding to it 💪

A boy has appeared! See--now I've removed most of the line layer, and it holds up on its own. I'll admit that in order to achieve this realistic style, you'll need lots and lots of practice and skill, which shouldn't be discouraging! Just motivate yourself with the prospect of getting to look at pretty men for countless hours 🙆‍♀️

I'll probably do a more in-depth explanation about rendering at some point, but let's keep this rolling~

Moving forward is just a process of adding to the figures bit by bit. I do lean towards filling in each section from top to bottom, but you can feel free to pop around to certain parts that appeal to you more. I almost always do the faces first though, because if they end up sucking, I feel less guilty about scrapping it 😂 But no--I think he's pretty enough to proceed 😚

They're coming together now 🙆‍♀️ Another helpful tip--make sure you reuse color. By that, I mean--try to incorporate various colors throughout your piece, using the eyedropper tool to keep a consistent palette. I try to put in bits of red and blue where I can

Here they are fully rendered! Notice I've made a few subtle changes from the sketch, like adjusting the belt buckles because I made a mistake 😬 Hence why you shouldn't put too much stock in your initial sketch~

The next step is more of a stylistic choice, but I usually go over everything with an outline, typically in a bright color like green. Occasionally, I can just use my initial line layer, but for this, I've made a brand new, cleaner line 👍

And the final step is adjusting the color and adding some text:

Tada!! It's done!

All in all, this took me the better part of a week, but I have a lot of free time, so yeah ✌️

I hope you appreciated that little walkthrough~ I know people have been asking me how I do my art, but the truth is--I usually have no clue how to explain myself 😅 So have this half-assed tutorial~

As a bonus, here is a cute (cursed) image of Johnny without his mustache:

A baby, a literal infant child !!! who put this wee bairn on the front lines ??! 😭

Anyway! peace out ✌️

[susiephone]

wtf is dracula daily?

i’ve seen a couple people ask this question on my posts about it, so i thought i’d go ahead and clear it up here!

ok so, the classic horror novel “dracula” is an epistolary novel - that means it’s told via letters, diary entries, ship logs, and news articles. (technically the term “epistolary novel” refers to works told solely through letters or emails, but many have expanded it to mean any work that is told via in-universe documents, hence why diaries and logs often get included as well. “frankenstein” is another classic example; the whole framing device is robert walton is recounting the story he heard from victor to his sister via letter. a modern example would be “several people are typing,” which is told via slack messages, or “the perks of being a wallflower,” which is told via letters from charlie to his anonymous pen pal, which is functionally more like you’re reading his diary.)

because of the nature of the narrative, we actually know the exact day nearly everything in dracula happens - the letters, news articles, diary entries, etc. are all dated.

“dracula daily” is a substack project where the novel is broken up into parts, with people who are subscribed to the project getting emails every day something in dracula happens - for example, the novel opens with jonathan harker’s journal entry on may 3, so on may 3, subscribers are emailed that entry. the action of dracula takes place from may 3 - november 6, plus an epilogue set some years later. the project started in 2021 (i think), but fucking BLEW UP in 2022, and they’re doing it again this year! lots of us are very excited - especially people like me who fell behind last time.

why not just read the book?

valid! due to some parts of dracula being told out of chronological order, dracula daily does reorder some things. for example, the first section of dracula is told entirely from jonathan harker’s pov, then the second section switches the pov to mina murray. their sections have some overlap in the timeline, so dracula daily jumps back and forth between their perspectives.

if you want to read the book as bram stoker intended, dracula daily may not be for you. but for a lot of people (myself included!), it breaks up a very long text into easily digestible chunks (....mostly. there is one entry that is 10k words), and the fact that it’s a big project means there are a lot of people reading along with you.

i think there’s also something valuable about experience the slow revelation of wtf is going on along with the characters. the book which you might otherwise get through in a few days is stretched out into months of suspense and agony as you wait for the other shoe to drop, and it’s great.

plus, the whiplash between “jonathan harker’s neverending horror” vs “lucy is basically on the bachelorette” that you get in dracula daily is very very funny.

how do i sign up?

right here! and if you sign up and fall behind in the emails, no worries - the dracula daily website posts past entries so you can catch up.

what if i prefer audiobooks?

have i got great news for you!

like i mentioned before, i couldn’t keep up with the emails last year. part of it is that it is much easier for me to focus on an audiobook or keep up with a podcast than it is for me to sit down and read, especially with longer entries.

this year, there is going to be a podcast titled “re: dracula” that was inspired by dracula daily. every episode will be a dracula daily entry, with a full voice cast! (seriously, if you listen to british podcasts, you will recognize some of these names. the magnus archives and wooden overcoats girlies are WINNING.) you can find that here.

there is also a podcast called “cryptic canticles” that has an already-completed audiodrama of dracula that i’m told is also extremely good, and was also broken up by date. you can find that here.

why do i keep hearing about paprika/the boyfriend squad/lizard fashion/cowboys?

you’ll see.

oh god am i gonna hear about this nerd shit for the rest of the year

yes. sorry.

[whumptober]

Anatomy of a Whumptober Prompt

We get a lot of questions about prompts, so I thought this might be a helpful post for how to break down a Whumptober prompt and get ideas.

Each day of Whumptober has 4 prompts: a theme trope, then three ideas. You can use any one, two, three, or all four in your work. Each day’s prompts loosely relate to each other but could also be taken individually. They can be interpreted as literally or figuratively as you want.

Let’s look at an example. I’m a writer, so I’m going to talk in terms of storywriting, but just remember that this challenge is open to all sorts of creative works, including art, gifsets, headcannons, crafts, or whatever else you can think of.

ICARUS

cage | “You'll say you'd never let me fall from hopes so high” | crash landing

(Fiona Apple, Never is a Promise)

So the theme is Icarus, with additional prompts of a place, a song lyric, and a situation. Taken together, you could write a story of Icarus, who was caged with his father Daedelus, flew too close to the sun on the hope of freedom, and crashed fatally to earth. But you could also look at each prompt in isolation for ideas.

Icarus:

themes of hubris

themes of freedom from captivity

winged characters

a child trying to prove themselves to a parent figure and failing

Cage:

being literally caged

feeling figuratively caged

breaking free of something (literal or figurative)

themes of imprisonment and freedom or false freedom

“You'll say you'd never let me fall from hopes so high”:

regret

promises made or broken

an accident and its aftermath

bitterness after betrayal

guilt after betrayal or accident

Crash landing:

literally falling from a height

being high (drugs, mania, medications, love, sugar) and crashing

plane/helicopter/airship/dragon/spaceship/winged creature crash

an angel falling to earth or hell

comet or meteor impact

This isn’t an exhaustive list, but just some brainstorming ideas I could come up with quickly. In a few of my fandoms, I could write about Bucky’s fall from the train and Steve’s guilt (MCU), Basch fon Ronsenburg’s fall from grace or languishing in a cage for treason (FFXII), Sephiroth summoning Meteor (FFVII), Chell being dragged back into Aperture after thinking she’s free (Portal), a dragonrider battle (ASOIAF/HoD), crashing into the Chionthar after victory (BG3), Geralt coming down after battle when the potions wear off (The Witcher). Any of these scenarios could be inspired by one or more of the four prompts for that day – my problem is always deciding which one I want to use!

“But Yenn,” you say, “what if I can’t think of anything for any parts of the prompt, or I don’t like the prompts, or they’re too much for me in some way?” No problem! We also have a list of 15 alternatives that can be substituted for any day (once per prompt). If you’re still stuck, you can always come on Discord and ask for brainstorming help. Everyone is super nice there, especially for a community of people that live to put blorbos in discomfort.

I hope this post helps give people ideas. We’re working hard to get everything together and should release the prompts in a couple of weeks! In the meantime, our 2024 playlist will be loading soon...

[wilcze-kudly]

Hey so can we like stop with the "Zutara is for the girls and Kataang is for the boys" thing. It's silly and it's breakdancing just on the edge of gender essentialism.

The assumption that there is something inherent to Zutara that appeals predominantly to women and Kataang that appeals predominantly to men is dishonest because every ship can have appeal to all genders.

The discussion of the "female gaze" in Zutara and the "male gaze" in Kataang is also redundant. I enjoy dissecting the concept of "the gaze", however it is important to note that the "female gaze" doesn't have a set definition or grouping of conventions it adheres to. Lisa French,  Dean of RMIT University’s School of Media and Communication says:

“The female gaze is not homogeneous, singular or monolithic, and it will necessarily take many forms... The aesthetic approaches, experiences and films of women directors are as diverse as their individual life situations and the cultures in which they live. The "female' gaze” is not intended here'to denote a singular concept. There' are many gazes."

Now excuse me as I put on my pretentious humanistics student hat.

Kataang's appeal to women and the female gaze

Before I start, I want to note that the female gaze is still a developing concept

There are very few female film directors and writers, and most of them are white. The wants and desires of women of colour, the demographic Katara falls into, are still wildly underepresented. Additionally, the concept of the female gaze had many facets, due to it being more focused on emotional connections rather than physical appearance as the male gaze usually is. Which means that multiple male archetypes fall into the category of "for the female gaze".

The "female gaze" can be best described as a response to the "male gaze", which was first introduced by Laura Mulvey in her paper: "Visual Pleasure and Narrative Cinema" , however the term "male gaze" itself was not used in the paper.

Mulvey brought up the concept of the female character and form as the passive, objectified subject to the active voyeuristic male gaze, which the audience is encouraged to identify, usually through the male character.

To quote her:

"In a world ordered by sexual imbalance', pleasure' in looking has been split between active'/male' and passive/female'. The determining male gaze' projects its fantasy onto the female' figure', which is styled accordingly."

Mulvey also brings up the concept of scopopfillia (the term being introduced by Freud), the concept of deriving sexual gratification from both looking and being looked at. This concept has strong overtones of voyeurism, exhibitionism and narcissism, placing forth the idea that these overtones are what keeps the male viewer invested. That he is able to project onto the male character, therefore being also able to possess the passive female love interest.

However, it's important to note that Mulvey's essay is very much a product of its times, focused on the white, heterosexual and cisgender cinema of her time. She also drew a lot of inspiration from Freud's questionable work, including ye ole penis envy. Mulvey's paper was groundbreaking at the time, but we can't ignore how it reinforces the gender binary and of course doesn't touch on the way POC, particularly women of colour are represented in film.

In her paper, Mulvey fails to consider anyone who isn't a white, cis, heterosexual man or woman. With how underrepresented voices of minorities already are both in media and everyday life, this is something that we need to remember and strive to correct.

Additionally Mulvey often falls into gender essentialism, which I previously mentioned at the beginning of this post. Funny how that keeps coming up

"Visual Pleasure and Narrative Cinema" started a very interesting and important conversation, and I will still be drawing from certain parts of it, however huge swathes of this text have already become near archaic, as our culture and relationship with media evolves at an incredible pace.

And as filmaking evolves, so does our definition of the male and female gaze. So let's see what contemporary filmakers say of it.

In 2016, in her speech during the Toronto International Film Festival , producer of the TV series Transparent, Jill Soloway says:

“Numero uno, I think the Female Gaze is a way of “feeling seeing”. It could be thought of as a subjective camera that attempts to get inside the protagonist, especially when the protagonist is not a Chismale. It uses the frame to share and evoke a feeling of being in feeling, rather than seeing – the characters. I take the camera and I say, hey, audience, I’m not just showing you this thing, I want you to really feel with me.

[Chismale is Soloway's nickname for cis males btw]

So the term "female gaze" is a bit of a misnomer, since it aims to focus on capturing the feelings of characters of all genders. It's becoming more of a new way of telling stories in film, rather than a way to cater to what white, cisgender, heterosexual women might find attractive in a man.

Now, Aang is the decided protagonist of the show, however, Atla having somewhat of an ensemble cast leads to the perspective shifting between different characters.

In the first episode of atla, we very much see Katara's perspective of Aang. She sees him trapped in the iceberg, and we immediately see her altruism and headstrong nature. After she frees Aang, we are very much first subjected to Katara's first impressions of him, as we are introduced to his character. We only see a sliver of Aang's perspective of her, Katara being the first thing he sees upon waking up.

We see that she is intrigued and curious of him, and very excited about his presence. She is endeared and amused by his antics. She is rediscovering her childish side with his help. She is confiding in him about her own trauma surrounding the Fire Nation's genocide of the Southern Waterbenders. She is willing to go against her family and tribe ans leave them behind to go to the Northern Water Tribe with Aang. We also see her determination to save him when he is captured.

As the show moves on and the plot kicks into gear, we do shift more into Aang's perspective. We see his physical attraction to her, and while we don't see Katara's attraction quite as blatantly, there are hints of her interest in his appearance.

This is where we get deeper into the concept of Aang and Katara's mutual interest and attraction for one another. While her perspective is more subtle than most would like, Katara is not purely an object of Aang's desire, no more than he is purely an object of her desire.

When analysing this aspect of Katara and Aang's relationship, I couldn't help but be reminded of how Célene Sciamma's Portrait of a lady on fire (in my personal opinion, one of the best studies of the female gaze ever created) builds up its romance, and how it places a strong emphasis on the mutuality of the female gaze.

Portrait of a lady on fire's cinematography is very important to the film. We see the world through the perspective of our protagonist, a painter named Marianne. We also see her love interest, Héloïse, the woman whom she is hired to paint a portrait of, through Marianne's lense.

We see Marianne analyse Héloïse's appearance, her beauty. We look purely through Marianne's eyes at Héloïse for a good part of the movie, but then, something unexpected happens. Héloïse looks back. At Marianne, therefore, in some way, also at the audience. While Marianne was studying Héloïse, Héloïse was studying Marianne.

We never shift into Héloïse's perspective, but we see and understand that she is looking back at us. Not only through her words, when she for example comments on Marianne's mannerisms or behaviours, but also hugely through cinematography and acting of the two amazing leads. (Noémie Merlant as Marianne and Adèle Haenel as Héloïse. They truly went above and beyond with their performances.)

This is a huge aspect of the female gaze's implementation in the film. The camera focuses on facial expressions, eyes and body language, seeking to convey the characters' emotions and feelings. There's a focus on intense, longing and reciprocated eye contact (I have dubbed this the Female Gays Gaze.). The characters stand, sit or lay facing each other, and the camera rarely frames one of them as taller than the other, which would cause a sense of power imbalance.

The best way to describe this method of flimaking is wanting the audience to see the characters, rather than to simply look at them. Sciamma wants us to empathise, wants us to feel what they are feeling, rather than view them from a distance. They are to be people, characters, rather than objects.

Avatar, of course, doesn't display the stunning and thoughtful cinematography of Portrait of a Lady on Fire, and Katara and Aang's relationship, while incredibly important, is only a part of the story rather than the focus of it.

However, the 'Kataang moments' we are privy to often follow a similar convention to the ones between Marianne and Héloïse that I mentioned prior.

Theres a lot of shots of Katara and Aang facing each other, close ups on their faces, particularly eyes, as they gaze at one another.

Katara and Aang are often posited as on equal grounds, the camera not framing either of them as much taller and therefore more powerful or important than the other. Aang is actually physically shorter than Katara, which flies in the face in usual conventions of the male fantasy. (I will get to Aang under the male gaze later in this essay)

And even in scenes when Aang is physically shown as above Katara, particularly when he's in the Avatar state, Katara is the one to pull him down, maintaining their relationships as equals.

Despite most of the show being portrayed through Aang's eyes, Katara is not a passive object for his gaze, and therefore our gaze, to rest upon. Katara is expressive, and animated. As an audience, we are made aware that Katara has her own perspective. We are invited to take part in it and try to understand it.

Not unlike to Portrait of a Lady on Fire, there is a lot of focus placed on mannerisms and body language, an obvious example being Katara often playing with her hair around Aang, telegraphing a shy or flustered state. We also see her express jealousy over Aang, her face becoming sour, brows furrowed. On one occasion she even blew a raspberry, very clearly showing us, the audience, her displeasure with the idea of Aang getting attention from other girls.

Once again, this proves that Katara is not a passive participant in her own relationship, we are very clealry shown her perspective of Aang. Most of the scenes that hint at her and Aang's focus on their shared emotions, rather than, for example, Katara's beauty.

Even when a scene does highlight her physical appearance, it is not devoid of her own thoughts and emotions. The best example of this being the scene before the party in Ba Sing Se where we see Katara's looking snazzy in her outfit. Aang compliments her and Katara doesn't react passively, we see the unabashed joy light up her face, we can tell what she thinks of Aang's comment.

In fact, the first moment between Katara and Aang sets this tone of mutual gaze almost perfectly. Aang opens his eyes, and looks at Katara. Katara looks back.

There is, once again, huge focus on their eyes in this scene, the movement of Aang's eyelids right before they open draws out attention to that part of his face. When the camera shows us Katara, is zooms in onto her expression as it changes, her blinking also drawing attention to her wide and expressive eyes.

This will not be the first time emphasis is placed on Katara and Aang's mutual gaze during a pivotal moment in the show. Two examples off the top of my head would be the Ends of B2 and B3 respevtively. When Katara brings Aang back to life, paralleling the first time they laid eyes on one another. And at the end of the show, where their gaze has a different meaning behind it.

We see Katara's emotions and her intent telegraphed clearly in these instances.

In Book 1, we see her worry for this strange bald boy who fell out of an iceberg, which melts away to relief and a hint of curiosity once she ascertains that he isn't dead.

In B2 we once again see worry, but this time it's more frantic. Her relationship with Aang is much dearer to her heart now, and he is in much worse shape. When we see the relief on her face this time, it manifests in a broad smile, rather than a small grin. We can clearly grasp that her feelings for Aang have evolved.

In B3, we step away from the rule because Aang isn't on the verge of death or unconsciousness for the first time. It is also the first time in a situation like this that Aang isn't seeing Katara from below, but they are on equal footing. I attribute this to symbolising change of pace for their relationship.

The biggest obstacle in the development of Katara and Aang's romance was the war, which endangered both their lives. Due to this, there was a hesitance to start their relationship. In previous scenes that focused this much on Aang and Katara's mutual gaze, Aang was always in a near dead, or at least 'dead adjacent' position. This is is a very harsh reminder that he may very well die in the war, and the reason Katara, who has already endured great loss, is hesitant to allow her love for him to be made... corporeal.

However, now Aang is standing, portraying that the possibily of Katara losing him has been reduced greatly with the coming of peace, the greatest obstacle has been removed, and Katara is the one to initiate this kiss.

Concurrently, Katara's expression here does not portray worry or relief at all, because she has no need to be worried or relieved. No, Katara is blushing, looking directly at Aang with an expression that can be described as a knowing smile. I'd argue that this description is accurate, because Katara knows that she is about to finally kiss the boy she loves.

Ultimately, Katara is the one who initiates the kiss that actually begins her and Aang's romantic relationship.

Kataang's appeal to women is reflected in how Katara is almost always the one to initiate physical affection with Aang. With only 3 exceptions, one of which, the Ember Island kiss being immediately shown by the narrative as wrong, and another being a daydream due to Aang's sleep deptivation. The first moment of outwardly romantic affection between Aang and Katara is her kissing his cheek. And their last kiss in the show is also initiated by Katara.

I won't falsely state that Kataang is the perfect representation of the female gaze. Not only because the storyline has its imperfections, as every piece of media has. But also because I simply belive that the concept of the female gaze is too varied and nebulous to be fully expressed. With this essay, I simply wanted to prove that Kataang is most certainly not the embodiment of catering to the male gaze either. In fact it is quite far from that.

The aspects of Kataang that fall more towards embodying the female gaze don't just appeal to women. There's a reason a lot of vocal Kataang shippers you find are queer. The mutual emotional connection between Katara and Aang is something we don't have to identify with, but something we are still able to emphasise with. It's a profound mutual connection that we watch unfold from both perspectives that sort of tracends more physical, gendered aspects of many onscreen romances. You just need to see instead of simply look.

✨️Bonus round✨️

Aang under the gaze

This started off as a simple part of the previous essay, however I decided I wanted to give it it's own focus, due to the whole discourse around Aang being a wish-fullfilling self insert for Bryke or for men in genral. I always found this baffling considering how utterly... unappealing Aang is to the male gaze.

It may surprise some of you that men are also subjected to the male gaze. Now sadly, this has nothing to do with the male gaze of the male gays. No, when male characters, usually the male protagonist, are created to cater to the male gaze, they aren't portrayed as sexually desirable passive objects, but they embody the active/masculine aide of the binary Laura Mulvey spoke of in the quote I shared at the beginning of this essay.

The protagonist under the male gaze is not the object of desire but rather a character men and boys would desire to be.

They're usually the pinnacle of traditional, stereotypical masculinity.

Appearance wise: muscular but too broad, chiseled facial features, smouldering eyes, depending on the genre wearing something classy or some manner of armour.

Personalitywise they may vary from the cool, suave James Bond type, or a more hotblooded forceful "Alpha male" type. However these are minor differences in the grand scheme of things. The basis is that this protagonist embodies some manner of idealised man. He's strong, decisive, domineering, in control, intimidating... you get the gist. Watch nearly any action movie. There's also a strong focus placed on having sway or power over others. Often men for the male gaze are presented as wealthy, having power and status. Studies (that were proved to be flawed in the way the data was gathered, I believe) say that womem value resources in potential male partners, so it's not surprising that the ideal man has something many believe would attract "mates". [Ew I hated saying that].

Alright, now let's see how Aang holds up to these standards.

Well... um...

Aang does have power, he is the Avatar. However, he is often actually ignored, blown off and otherwise dismissed, either due to his age or his personality and ideals being seen as unrealistic and foolish. Additionally, Aang, as a member of a culture lost a century ago, is also often posited as an outsider, singled out as weak, his beliefs touted as the reason his people died out and.

Physically, Aang doesn't look like the male protagonist archetype, either. He isn't your average late teens to brushing up against middle aged. Aang is very much a child and this is reflected in his soft round features, large eyes and short, less built body. This is not a build most men would aspire to. Now, he still has incredible physical prowess, due to his bending. But I'm not sure how many men are desperate to achieve the "pacifist 12 year old" build to attract women.

Hailing from a nation that had quite an egalitarian system, Aang wouldn't have conventional ideas surrounding leadership, even if he does step up into it later. He also has little in the way of possessions, by choice.

As for Aang's personality, well...

I mean I wouldn't exactly call him your average James Bond or superhero. Aang is mainly characterised through his kindness, empathy, cheerful nature and occasional childishness (which slowly is drained as the trauma intesifies. yay.)

Aang is very unwilling to initiate violence, which sets him aside from many other male protagonists of his era, who were champing at the bit to kick some ass. He values nature, art, dance and fun. He's in tune with his emotions. He tries to desecalate situations before he starts a fight.

Some would say many of Aang's qualities could be classified as feminine. While the other main male characters, Zuko and Sokka try to embody their respective concepts of the ideal man (tied to their fathers), Aang seems content with how he presents and acts. He feels no need to perform masculinity as many men do, choosing to be true to his emotions and feelings.

These "feminine" qualities often attract ridicule from other within the show. He is emasculated or infantiliased as a form of mockery multiple times, the most notable examples being the Ember Island play and Ozai tauntingly referring to him as a "little boy". Hell, even certain Aang haters have participated in this, for example saying that he looks like a bald lesbian.

I'd even argue that, in his relationships with other characters, Aang often represents the passive/feminine. Especially towards Zuko, Aang takes on an almost objectified role of a trophy that can be used to purchase Ozai's love. [Zuko's dehumanisation of others needs to be discussed later, but it isn't surprising with how he was raised and a huge part of his arc is steerring away from that way of thinking.]

Aang and Zuko almost embody certain streotypes about relationships, the forceful, more masculine being a literal pursuer, and the gentler, more feminine being pusued.

We often see Aang framed from Zuko's perspective, creating something akin to the mutual gaze of Katara and Aang, hinting at the potential of Zuko and Aang becoming friends, a concept that is then voiced explicitly in The Blue Spirit.

However, unlike Katara, Zuko is unable to empathise with Aang at first, still seeing Aang as more of an object than a person. We have here an interesting imbalance of Aang seeing Zuko but Zuko meerly looking at Aang.

There is a certain aspect of queer metaphor to Zuko's pursuit of Aang, but I fear I've gotten off topic.

Wrapping this long essay up, I want to reiterate that I'm not saying that Zutara isn't popular with women. Most Zutara shippers I've encountered are women. And most Kataang shippers I've encountered are... also women. Because fandom spaces are occupied predominantly by women.

I'm not exactly making a moral judgement on any shippers either, or to point at Kataang and go: "oh, look girls can like this too. Stop shipping Zutara and come ship this instead."

I want to point out that the juxtaposition of Zutara and Kataang as respectively appealing to the feminine and masculine, is a flawed endeavour because neither ship does this fully.

The concept of Kataang being a purely male fantasy is also flawed due to the points I've outlied in this post.

Are there going to be male Kataang shippers who self insert onto Aang and use it for wish fulfilment? Probably. Are there going to be male Zutara shippers who do the same? Also probably.

In the end, our interpretation of media, particularly visual mediums like film are heavily influenced by our own biases, interests, beliefs andmost importantly our... well, our gaze. The creators can try to steer us with meaningful shots and voiced thought, directing actors or animating a scene to be a certain way, but ultimately we all inevitably draw our own conclusions.

A fan of Zutara can argue that Kataang is the epitome of catering to the male gaze, while Zutara is the answer to women everywhere's wishes.

While I can just as easily argue the exact opposite.

It really is just a matter of interpretation. What is really interesting, is what our gaze says about us. What we can see of ourselves when the subject gazes back at us.

I may want to analyse how Zutara caters to the male gaze in some instances, if those of you who manage to slog through this essay enjoy the subject matter.

[hotvintagepoll]

Propaganda

Madhubala (Mughal-e-Azam, Barsaat Ki Raat, Mr. & Mrs. '55)—The Venus of India; heart-throb of all who saw her; responsible for the sexual awakening of every single desi lesbian I know (including me!) And my god, she is breathtakingly beautiful. Look at the subtle grace with which she moves, and that smile - the kind of radiant smile that can make you laugh with sheer delight, or cry because of its hidden pain. Those wild curls! That Cupid's bow! The way she tilts back her head and smiles at you with mischief dancing in her eyes! She has a way of looking at the camera that makes you feel she's sharing a private joke just with you; it's something about that quizzical twist of the lips and eyebrows. As an actress, she is inimitable; she seems to effortlessly inhabit roles ranging from a heart-broken courtesan to a laughter-loving socialite. Fun fact : she's had quite the fan following in Greece! Stelios Kazantidis even wrote a song as a tribute to her.

Ingrid Bergman (Gaslight, Casablanca, Notorious)—Where do I even begin with Ingrid Bergman? I fell in love with her with her astounding performance in the 1956 version of Anastasia -- the best Anastasia movie in large part due to her wonderful and touching performance. She's got this amazing, fascinating intensity to her in whatever role she's in. She commits 100%, and she's got this light in whatever she's in that's stunning. She's utterly convincing no matter what she plays, from an amnesiac possible lost princess, from a nun, from a woman taking her revenge on the town that wronged her, to light romantic comedy. She's never missed in any role I've seen her in! Also she became quite the MILF.

This is round 5 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut.]

Madhubala:

An icon of Bollywood, who was well known for her beauty and has continued to inspire performances and songs into the 21st century. She was at times described as "the number one beauty of the Indian screen" and "the biggest star in the world".

SHE IS EVERYTHING AHHH. JUST LOOK AT HER SMILE-

She's been nicknamed the Marilyn Monroe of India and was one of the highest paid actresses in the Hindi film industry (the term Bollywood did not exist yet) during the 1950s. Also an extremely talented dancer and singer

SHE'S JUST SO STUNNING, like seeing her eyes IMMEDIATELY CAPTIVATES YOU, THE DANCING, THE BEAUTY!!!!!!!!! She worked in Bollywood for over 20 years and passed away at a sad early age of 36, BUT THE IMPACT SHE HAD WAS UNMATCHED!!!!!

That sassy sideways glance she does always has me WEAK AT THE KNEES. And when she's making silly faces at the camera to mimic someone ahhhh my gay little heart <3

Ingrid Bergman:

God, she's fantastic. She's both beautiful and a compelling actor who's more than capable of putting the whole movie on her shoulders if necessary. It's worth noting that while her beauty is conventional, she was seen as refreshingly "natural" with more eyebrows and less makeup than many other leading ladies of the time. She's well known for her role in Casablanca, but in Notorious, Spellbound, (both available on archive.org ) and Gaslight (1944) she shows how immensely capable she is.

I mean...she's Ingrid Bergman. I feel like that should be enough, you know? She's physically beautiful (her eyes!) but watching her is like a transcendent experience. Her voice, her expressions... beautiful woman, beautiful actor.

I'm a gay man but even I understand her appeal. I'll watch any movie she shows up in. Gorgeous woman.

Just try and watch her movies without sighing wistfully, then get back to me!

Choosing 1-3 movies where Bergman was at her hottest was agony because, of course, she was always at her hottest. Not just because she was beautiful but because she was absolutely willing to go up against the bs women in Hollywood were constantly dealing with. When exiled from Hollywood for having an affair with Roberto Rossellini, not only did she refuse to apologize at any point, but she went on to say that Hollywood's films had grown stagnant and boring to her. Though she said she appreciated her time working there, she wanted to try new, different techniques (hence starring in Italian neorealist films, working on stage, and acting under directors like Ingmar Bergman). She was not afraid to chase after her artistic ideals and go outside the box regardless of what society had to say about it. From her first movie to her last she killed it. There's so much more to say about Bergman's career and life, but I've already written five million words so I'll stop at that.

ion words so I'll stop at that.

One of the most incredible actors I've ever seen on film. Her facial expressions are so intricate and poignant that I cannot look away. I'm either ace or straight, but damn she made me question that.

SEVEN TIME OSCAR NOMINEE QUEEN. Girl also PULLED, having affairs with famously hot men Gary Cooper and Gregory Peck IN ADDITION to her three marriages...sexy

She has a very natural beauty to her, and she's from Sweden!

She left Hollywood and only became more beautiful. You could drown in her eyes. She can look innocent AND like she's seen it all. She is effortlessly elegant. She's played Joan of Arc (automatically hot) AND was in the movie that coined gaslight as a term. And where would we be without that!

She was known for being a breath of fresh air on the movie scene at the time with her windswept hair, dreamy smile and soulful eyes. I have loved her in every movie I have seen her in - she was just magnetic!

Where do I even start. There's a neighborly quality to this beautiful, talented actress that makes her hotness one of a kind and her looks impossible to forget

With a career spanning five decades, Bergman is often regarded as one of the most influential screen figures in cinematic history. Known for her naturally luminous beauty, Bergman spoke five languages – Swedish, English, German, Italian and French – and acted in each.

She's hot, don't get me wrong, but I've always found her very approachable, like she could easily be a member of my friend group

A lot of the time hotness in a movie is just about words and framing. "You're the most beautiful person here" [vaseline lens] well I sure hope so because that's who you cast. But when, in Casablanca, they call Ingrid Bergman the most beautiful woman in the world... they were not fucking lying. And such a dynamite actor too!! I'd only seen Casablanca up until last year, and there she's confined to love interest. But in Gaslight she was maybe one of the most incredible actors I've ever seen!!!! Goddddd shes so fucking hot and cool.

[changbunnies]

Desire (18+)

♡ Pairing: Wolf Hybrid!Bang Chan x Fem Bunny Hybrid!Reader x Wolf Hybrid!Changbin

♡ Genre: little red riding hood au, fantasy/supernatural au, hybrid au, allusions to omegaverse dynamics, porn with plot, sequel to scent of you, past dubcon from part 1 is discussed

♡ Word Count: 10.9k (i have got to stop doing this, my god)

♡ Summary: In which the bunny hybrid “little red” has been unable to forget her past encounter with the wolves of the forest, and goes to seek them out for more fun while also being in the throes of her heat. 

♡ Warnings: same as before; uses the little red riding hood fairytale as a base for inspiration, words like "alpha" and other omegaverse terms aren't used but the vibes are There

♡ Smut Warnings (contains spoilers): reader is in heat so... yeah, pet names (though mostly as a title- bunny, little red, and sweetheart), more use of the word slut + gendered language, dom/sub dynamics (dom!chan, sub!reader, switch!changbin), scent stuff again lol, lots of kissing, size difference, size kink, outdoor sex :'), manhandling, unprotected piv, dacryphilia, orgasm control + denial, subtle mxm may not actually be all that subtle + more of the rivalry between binchan as well as jealous bin lol, mates / mating, biting, nipple play, overstim, multiple orgasms, choking kinda? reader just gets held by the neck lol, handjob, cum eating, multiple creampies

♡ Notes: this is a sequel to scent of you, which you can read here! so i fully intended to still be on a small break and this was not supposed to be a series but i literally could not stop thinking about what would happen next for them and i had to write it :’) i hope you enjoy <3 

♡ Disclaimer: please read responsibly, and remember that this work is fiction and meant strictly for imaginative fun. the idols used in fics are more accurately faceclaims and personality outlines for imaginary characters, and should not be interpreted as factual representations of existing people.

A frustrated sigh leaves your lips as you stare up at your barren ceiling, sweat dripping from your brow as your limbs grow tired and ache with exertion. How long had it been since the night you got lost deep in the woods, only to be found by Chan and Changbin?

Two wolves who you would still think you imagined were it not for the note they left behind, clear evidence that everything you experienced with them was real. It wasn’t something your psyche conjured while lost and alone in the dark woods, the pleasure wasn’t a vivid dream made in an attempt to cope with the reality that you were lost– everything about them, about that night, was entirely real.

You can still remember how you tucked your note away into a pocket of your dress before you opened the cottage door, your grandmother scrambling up to her feet when she heard you enter, rushing off her bed and out of her room as fast as her weak legs could carry her. You met her halfway, catching her as she stumbled, her arms squeezing you tight as relief washed over her.

You knew she must’ve been beside herself with worry, but actually experiencing it made guilt strike your heart like lightning; and when you opened your mouth to speak, she simply shushed you, requiring no explanation. Your grandmother wasn’t stupid, she knew a predator had caught you– your cape was torn in several places and you positively reeked of wolf, but rather than comment on it, she was simply grateful you were back home in one piece.

There were very few things a rabbit could do to ensure their survival against a wolf, and she was wise enough not to pick at the fresh wound you may very well harbor for having done the unspeakable in exchange for your life. She let the topic of wolves die right then and there before it could even be spoken, simply dedicating herself to stitching your cape back together, doing her best to make it appear as if it had never torn at all.

And not being forced to discuss what happened that night was certainly a relief, but not for the reasons your grandmother might expect. Because how would you explain to her that you actually liked the wolves that had found you in the deep, dark woods that night?

It’s utterly shameful how even now you still think of them, how their touch still feels engraved in your skin even as each season comes and goes. Shameful, how you look at that note they left behind as a sign that they’d want you back in their arms, that perhaps they think of you as much as you think of them. And they knew where you lived, they could easily seek you out whenever they pleased, but they never had. 

You assume it to be for the same reason they likely left you outside instead of carrying you to the front door of your cottage, or opening the door to bring you inside your home– because you lived with your grandmother, and what would that poor, frail woman do if she was confronted with the sight of two massive wolves holding her precious granddaughter? But despite the logical reasonings, there was a part of you that still felt.. rejected, somehow? 

It was fucking dumb, you knew this, but you couldn’t stop yourself from feeling that way. You just wanted to see them again so badly, to look at them and touch them and let them touch you, to bask in the warmth of their skin, to lay yourself against their massive bodies and revel in how feeling small was good in their presence.

Safety, protection– the complete opposite of what you should feel from them, the complete opposite of what you felt when you first laid eyes on Chan and then on Changbin, but somehow by the end of the night, that had all changed. 

To further complicate matters, your heats have since made the disgraceful yearning you feel exponentially worse, your mind flooded by the memory of them, your body aching to feel them again, every nerve inside you practically screaming for their touch. You are typically quite prepared for your heats, often stocking up on the herbs needed to brew natural remedies meant to make your symptoms more bearable so that you can be an effective caretaker for your ill grandmother, and they usually did well enough for you. 

Of course, it’s not a magic cure-all, nor does it completely alleviate any of the discomfort you feel, but it’s enough. You still need to make yourself cum a couple times before the night is over, but you can at least go about your day with little issue until the remedies effect begins to wane.

This week, and tonight specifically, was supposed to be more of the same– prepare dinner, get grandmother comfortably into bed, and then take care of yourself in the privacy of your room. If all went as expected, you’d feel satisfied enough to get some sleep, the next day you’d start your morning by brewing and drinking your homemade tea to calm your nerves, bring down your heightened temperature, and ease any aches you may experience.

You’d carry on through any remaining discomfort as best you could as you spent another day taking care of your responsibilities until night came, rinse and repeat for essentially a week until your heat eventually recedes and you can go back to your daily tasks as normal. Why had it become so different after meeting Chan and Changbin?

While going through a heat without a partner is never a comfortable experience, what you experienced now was downright unbearable; nothing you did to calm yourself or your body ever seemed good enough, none of your orgasms satisfying enough to dull the incessant need for something more, your only relief coming from driving yourself to utter exhaustion, when your body would be forced to give itself to sleep.

It didn’t make sense– it’s not like you were a virgin before you met them; you had your fair share of fun experiences with a few trusted friends of yours before you moved in with your grandmother to care for her. So certainly, while you weren’t exactly super promiscuous in your personal life, you were no stranger to sex, and you never fixated on your past partners during your heats the way you do now with Chan and Changbin. 

If you had to guess, it must be because of how different they were. Nothing about them was familiar, and that brought a unique sort of excitement you’d yet to feel again since that night had come to an end. Could that feeling be replicated with another rabbit?

You weren’t sure– and even if it could be done, would you want them over the two wolves? That was another thing you’d found yourself stuck on lately; was it them specifically that you wanted, or just a similar experience, in which anyone would do as long as they successfully replicated the sensations? 

Either way, you spent yet another night in unsatisfied yearning, and you weren’t sure how much longer you could take it. And your poor grandmother would suffer for it, as your scorching fever and addled mind made your ability to care for her deteriorate.

Compounding on that even further, your longing for them was becoming increasingly heightened as you became more and more desperate for relief– a desperation that would drive you to make foolish decisions you wouldn’t otherwise make. You look again at the note the two wolves left behind, clutching it tightly in your hand as you consider what you should do next.

If you go see them again, grandmother will know– their scent will be all over you when you return, and what will you say? Will you admit you liked them and sought them out on purpose? Or will you make up some stupid excuse, blaming your every decision solely on your heat, chalking your choices up to a lapse in judgment brought on by your need for relief? 

But the simple truth is that it isn’t just your heat that makes you want to see them again, and even if you did place all of the blame there, it wouldn’t change what you have come to realize about yourself. The shameful reality is that you’re attracted to wolves– those two wolves in particular, and no one but them will be able to grant you the specific relief you seek. 

And you know how dangerous it is to leave your home when you’re in heat– your scent could attract far more than just Chan and Changbin, and truthfully speaking, there is no guarantee that you will find them before someone else finds you first. You’d be walking blindly, mirroring what you’d done the first time you were lost in the woods at night, though this time with the explicit hope that you’d be found by them. 

It’s dangerous, it’s foolish, you absolutely should not go into the woods at night looking for a fucking wolf– but that’s exactly what you do. Not even bothering to change out of your nightgown and into proper outdoor attire, you opt for tying on your cape and pulling up the hood, knowing they will instantly recognize you if you’re wearing it (as if they need more than just your scent to identify you in the first place.)

Just in case, you hastily write a note for your grandmother in the event that you aren’t back before morning, apologizing as you explain in the briefest of terms that you needed to soothe your growing ache. She’ll understand, you hope– she was young herself once, and surely she remembered what this feeling was like. And foolish though your choice may be, you hope she’ll sympathize and scold you lovingly instead of harshly upon your return. 

The night air feels impossibly cold on your fevered skin, but it’s hardly a deterrent– in fact, you welcome the way the wind chills your sweat, a small, but much appreciated form of relief before you hopefully experience what you truly wish to.

Honestly speaking, you have absolutely no fucking clue where you are going; there is no path to follow to their den, no landmark for you to use in an attempt to guide yourself to your destination. You simply wander in the direction you hope is correct, praying the one (or ideally both) of the two wolves you so wish to find stumbles upon you. 

You glance up at the sky, the waning moon and countless stars shining back at you; a full moon is coming, and you wonder if they even have time to play with you at all. You don’t know all that much about wolves outside of what is required for self preservation, but you do know that the full moon is important to them; will they even entertain you right now?

Maybe this truly is a fool’s errand, maybe you’re making a mistake and getting yourself lost for nothing, maybe–

Suddenly you’re being grabbed, body being forcibly turned around and back shoved harshly against a thick tree you’d passed just moments prior. Your breath hitches, and your nose recognizes who it is before your eyes do–Changbin. He's caging you in and looking down at you with a clenched jaw, his claws digging into the bark of the tree he has you pressed against, clearly trying very hard to control himself. 

“Y/N-” he breathes, voice strained as he uses your given name for the first time, and hearing it from him makes a new, fresh wave of heat crawl over your body. “What are you doing walking around out here smelling like that? Are you insane?” 

Unable to control yourself now that he’s close, you immediately grab at his shirt, twisting the fabric in your hands as you look up at him with pleading, glassy eyes. “B-Binnie, I– I was looking for you, needed to find you,” you explain, your voice embarrassingly weak with desperation, “need you and Channie to help me, please.” 

His grip tightens, you realize– the sound of wood cracking and splitting audible just behind your head. “Please? I’ll be a good bunny for you again, I promise, please help me,” you continue to plead, shamelessly pawing at him, begging for him to accept your advances. 

Holy shit, are you seriously doing this to him right now? Begging him to take care of you? Him? A wolf? A rabbit begging a wolf for something like this is completely unheard of, only occurring within his wild fantasies.

To be quite frank, he was aware that the first time with you was coercion– he and his elder saw a meek, defenseless rabbit, and they took their chances. He had his fun, and while you did too when things really got going, he fully expected that to be it, though he hoped otherwise. 

And God, he can’t even believe how reckless you’re being; what if it was one of the other wolves patrolling this area tonight that found you instead of him? He can only imagine how the younger wolves in the pack would react to your scent right now– he’s barely keeping himself in control as it, and he has much more experience with these matters than them.

He clenches his teeth as his gaze trails away from your eyes and down your body, where your nightgown leaves very little unexposed, where you are very clearly pressing your thighs together as you stare up at thim, expectant and hopeful. Fuck. You really want this, don’t you?

“Fuck, yeah, okay, just–” Changbin says as he picks you up, tossing all his responsibilities aside as you’re lifted from the ground and cradled in his arms, “just hang on, we’ll go find him, okay? We’ll help you.” And he’s trying, he’s really fucking trying to control himself and not just throw you down on the ground right here and have you all to himself, but you’re making it increasingly harder to maintain focus on the task at hand as he winds his way through the forest. 

Chan’s scent is barely discernible over the way yours intensely fills his nostrils, and even when he does manage to pick up on his elder’s location, he can hardly even focus in on it. And your hands wont stop roaming over his skin, you press your body to his as much as you can manage, absolutely desperate for contact.

He can hear you panting despite the fact that all he’s doing is holding you, can feel your body tremble in his arms, can smell the slick that steadily leaks from your core. And to put it simply, Changbin is a weak man, and your desperation is utterly infectious. But still, he holds strong; that is, until you start pressing kisses to any patch of his skin you can reach.

When your breath hits his neck before your lips latch on to it, he feels completely done for. This is it. Fuck it. Chan can have his turn with you later– Changbin is the one that found you, it’s only fair that he has fun with you first, right? And besides, you’re acting positively insatiable right now– how is he supposed to hold off or say no? That’s quite literally asking him for the impossible. 

So he falls to his knees, your bodies tangled together on the grass in a matter of seconds, your clothes being thrown off in a flurry. Changbin rotates to his back, pulling you on top of him, deciding that he should still be a gentleman even when his composure is at its limits and not let your bare skin touch the dirty forest floor.

He grabs your face, pulling you in to kiss him before you’re even fully settled on his lap; it’s a bit awkward, given the size difference between you, but he makes it work, curving and twisting his body however necessary to keep his lips on yours as you adjust your positioning. 

Your slick drips and pools, coating him entirely with no effort expended on either of your parts. He’s even bigger than you remember, and that feeling of pure adrenaline inducing excitement that you’ve missed so much finally returns to you. This is what you needed all this time, what you’ve been craving.

You grab the base of Changbin’s cock with one of your hands and do your best to line it up with your hole– and again, it’s awkward due to the difference in size between you, but you’re determined to see this through. “Wait, fuck, sweetheart–” Changbin gasps as you begin to sink down on him.

He fully intended to get you prepped first, was going to pull you up after he got his fill of kisses and have you sit on his face, make you cum and loosen you up enough to take him, but apparently you felt that you’d waited long enough to have him inside you again. And you’re so fucking wet that the slide down is relatively easy; benefits to being in heat, you suppose– it makes your fervent desperation for cock come with far less sting.

And no doubt, there is still a sting– after all, your body isn’t made to take a size so disproportionate to your own; but all it does is further ignite the fire in your gut, the excitement swelling as you take more and more of him inside. Changbin uses one hand to bear his weight and keep himself propped up while the other holds your face in place, his tongue shoved in your mouth. 

He hardly lets you pull away for a breath before you’re dragged back to his lips, a moan coming from deep in his chest when you meet his tongue with enthusiasm. Your palms are pressed firmly on his chest, your nails digging into the surprisingly soft flesh, your every moan and whine swallowed by his open mouth until your hips finally become flush with his.

You know you should feel the utmost shame, desperate as you are for a wolf, stark naked and exposed in the open forest where anyone could stumble upon you, but all you feel is relief. True, delightful relief, finally– Changbin gives you everything you need just as easily as you’d hoped he would.

You mentally compared him to a puppy during your first meeting– desperate, easily excitable, cute in a way that juxtaposes his rough exterior. And you knew, just knew he’d never deny you if you offered yourself to him, because it’s simply not within him to do so. A desperate puppy with his equally desperate bunny– what better pairing could there be? 

And truly, you feel like heaven– your body, so small in comparison to his, makes you feel impossibly tight, your wet warmth utterly perfect and beyond compare; he could die right now, and feel that his life was entirely fulfilled. “Be a good girl, and show me how good bunnies can bounce,” Changbin breathes as he lets go of your face, now supporting himself with both arms as he leans himself back to watch you. He huffs out a small laugh when he feels you clench, pleased to find that words still have a profound effect on you. 

Changbin expected you to start slow, but maybe expecting a desperate little thing like you in the middle of her heat to show restraint wasn’t his brightest moment– because you’re bouncing fast, and fuck, he knew rabbits had strong legs and were notoriously skilled at bouncing, but what the fuck?

You’re riding him like your life depends on it, which from your perspective may very well be true– you’ve been so pent up and unsatisfied that truthfully you couldn’t act any differently than this even if you wanted to. All you can think about, all that drives you, is your need to cum on Changbin’s cock– nothing else matters. 

Despite the fact that Changbin is using his arms and hands for the explicit purpose of keeping himself upright to watch you, you all but demand he brings them to you. It’s a pitiful attempt really, trying your best to learn forward enough to grab his hands without losing your balance on his lap and falling straight onto his chest, but thankfully he realizes what you’re going for and offers them to you before you can fully fall against him. 

His back once again touches the cool grass, with you intertwing your fingers as soon as his hands come to your own. His hands are much bigger than your own, fingers thicker, and you have to completely spread out your own fingers to even get them between his, but he squeezes your hands once you succeed. You use the additional support of his hands in yours as leverage for your bouncing, his arms strong and firm enough to help keep you upright and steady as you slide up and down his length. 

You can hear his tail thumping against the ground, a display of excitement and pleasure that he’ll never be able to disguise. Your nails dig into his knuckles, your bottom lip sucked between your teeth as you try to contain the noises that leave you, not wanting to alert the entire forest that you’re fucking right now (as if yours and Changbin’s combined scent doesn’t already give that truth away.) 

But there’s still something missing– something that a desperate puppy and bunny really needs; and that is someone to keep them in line. That’s where Chan comes in, tsking at the scene in front of him as he steps closer, having evidently caught your scent and came straight to where you are now, sitting on Changbin’s dick in the middle of the forest without a single ounce of shame between the two of you. 

“What’s this? Having fun without me?” he asks with a frown that feigns disappointment, though the slight swish of his tail and subtle spark in his eyes relays that he doesn’t actually mind very much. If anything, it gives him a chance for even greater fun, opens up a world of opportunity to tease and demand whatever he wishes.

And his sudden presence and voice doesn’t cause you to slow down in the slightest– rather, it excites you further, causing you to bounce with renewed eagerness as you turn your head in the direction you heard him, looking him squarely in the face even as you continue your motions atop Changbin.

“That’s not very nice, I thought you liked me,” Chan pouts as he squats down next to the two of you, though his obviously fake pout breaks into a smile when you whine and affirm you do like him and want to have fun with him too.

“We tried, fuck– we tried to find you, I swear, but she– she just–” Changbin is doing his best to talk, though you’re making it extremely difficult for him to be coherent, not letting up your pace in the slightest; and truth be told he’s never been much of a multitasker. “She– she’s fucking– God, I can’t–”

There’s also a pang of jealousy in the pit of Changbin’s stomach over how obviously excited the addition of Chan made you, how his presence and voice caused you to bounce on his dick with renewed vigor; and really, he should probably be happy that you’re putting so much effort into riding his cock thanks to Chan, but he doesn’t.

Instead, he squeezes your hands harder, almost instinctively, a gesture that he doesn’t even fully comprehend as possessive. “Oh, look at what you’ve done to poor Binnie. He’s a mess because of you, slutty girl,” Chan coos and your stomach twists as you divert your gaze back to Changbin. 

He’s sweating, panting hard, his stomach rapidly clenching and unclenching– and you feel it, the throb and twitch that alerts you to how close he is. And you’re close too, you have been for ages. Days worth of terrible, unfulfilling orgasms make the pleasure of this moment positively euphoric– but you were doing your best to hold out for Changbin. You know that once you came you won't have the strength to ride him anymore, and you want to be good and do what he asked of you to the best of your ability. 

And Chan can clearly see the signs on both of you; he’s shared with Changbin enough times to recognize his tells, and in your case, well.. It doesn’t take a genius to realize you’re about 3 seconds from gushing and creaming all over Changbin’s cock and lap.

But you started the fun without him! And he isn’t sure you deserve to cum so easily after leaving him out– so just as your volume picks up, your pace finally faltering as your taut line is about to snap, Chan grabs your hips and forces you down, bringing you to a complete stop. 

You whine loudly, wiggling your hips as you vainly try to lift yourself up again, but it’s impossible– Chan is much, much stronger than you after all. Changbin, who was close himself, curses and whines nearly as loudly as you, his brows knitting together as he tries to calm himself down. 

“Hyung, what the fuck–” he complains, though he doesn’t dare make a move to make Chan stop holding you down– he knows better than that. You look at Chan, bottom lip quivering and eyes glassy with fresh tears as babbles of “why” and “please” and “need to cum” leave you. 

“But weren’t you a bad bunny? Having fun with just Changbin, weren’t even thinking of me at all..” Chan says with another false pout. He is nowhere near as jealous and unconsciously possessive as Changbin, as he knows very well he can have whatever he wants, but this dynamic is where he has the most fun– exuding control is the greatest pleasure he knows. Changbin’s denied orgasm is just collateral.

“And poor Binnie, you dragged him down with you because you just couldn’t wait,” he continues, grabbing your face with one hand and making you look back at the wolf beneath you, “I think you should tell him you’re sorry. Tell him you’re sorry for being a slut who can’t wait and getting him into trouble with you.” 

You whine again, watching as Changbin swallows and bites his lip, clearly eager to hear the apology you’re about to grant him at Chan’s command. “I.. ‘m sorry, Binnie, ‘m really sorry,” you mumble, and Chan tsks again, very clearly unsatisfied with the meek apology.

“C’mon little red, you can do better than that, can’t you? Try again, we’re waiting.” You glance at Chan and then back at Changbin, swallowing as both of them stare at you and wait; the ball is in your court, and you have no choice but to deliver. 

“I’m sorry f-for being a slut, and ‘m sorry for being a bad bunny, sorry for getting Binnie in trouble, ‘m really sorry, I promise ‘m so sorry,” you try again, to which Chan smirks, taking his hand away from your face to give you a pat on the head. “That’s better,” he says as he finally removes his other hand from your hip. You take that as all the permission you need to start moving again, wasting no time in lifting your hips and slamming them back down onto Changbin’s lap. 

Changbin’s surprised gasp transitions into a moan, his hands once again squeezing yours while also trying to be careful not to pierce your skin with his claws. Eventually, begrudgingly, he lets go of your hands to dig his claws into the earth instead, finding that better than risking cutting into your precious skin.

Chan watches patiently, waits until you’re both close again before he brings you to another stop with his strong hands, frustrated whines leaving you both as you plant your feet firmly on the ground and try to fight against Chan’s natural strength.

“I didn’t tell you that you could move,” he explains as he watches tears fall from the corners of your eyes, “couldn’t even wait for my permission, and look at you now, in trouble again– dragging Binnie down with you, again.” 

You pout and cry, babbling apologies to both wolves, shame ever a foreign concept in the face of desperation– all you know is you want to cum, but if Chan needs you to be good, to ask first and follow his rules, then you will; you’ll always be as good for him as you possibly can be. 

When Chan removes his hands from your hips this time, you ask for permission as he wants you to. “Can I move, please? Please, I’ll be good from now on, I promise, just need to cum so bad,” you beg and he smiles as he coos, once again giving you a sweet stroke to your head.

“Of course, good bunnies can have whatever they want. Make Binnie cum too, he’s so good to you, he deserves it, doesn’t he?” Chan chuckles as you nod quickly, eagerly resuming the motions on Changbin’s cock as if Chan had never stopped you at all. “Tell him,” he says, moving his hand down your head, over your back and to your tail, tugging it ever so slightly, “he’ll get so excited. Go on, talk to him.” 

“B-Binnie, you’re so– so good to me, make me feel so good, want you to cum, d-deseve to cum– cum in me,” you stutter out between harsh breaths and Chan has to suppress the laugh in his throat when Changbin’s tail fucking whacks against the ground in an impossibly loud, excited thump. So predictable, he always is– can’t hide a damn thing he thinks or feels.

Changbin is the one grabbing your hips this time, helping you along as he starts to fuck up into your from below. You squeak and nearly fall forward onto his chest, but somehow manage to keep your balance and stay mostly upright, your hands gripping desperately at his biceps.

And in all the times they have shared someone, Chan is met with a sight he doesn’t think he’s ever seen. Changbin’s eyes are rolling back as bites his lip and chases his high from below, using all of his strength to move you however he wants. Clearly, being denied orgasms did something profound to him– he’s almost feral, relentless in the way he fucks into you.

When he feels the build up again, he tries to hold back, almost afraid that Chan will rip it all away from him at the last moment again– but then you’re squeezing him hard, he can feel more slick gush and coat his length as you cry out, and he loses it entirely, cumming in long, drawn out spurts, giving you all he has to give.

You’re entirely collapsed on Changbin’s chest now, seemingly spent from all the effort you exuded and the intensity of your orgasm, eyes closed as you try to collect your breath. Changbin is equally breathless, brain lagging as he processes the fact that he’s cum the hardest he thinks he ever has, and on top of that it was in the middle of the fucking woods with Chan controlling when you were both allowed to cum. Maybe he’s due for some self discovery after this..?

Changbin, whose senses are finally returning to him and recalls he was unable to kiss you at all once you really got going and was sorely missing it, lifts your face and pulls you into a kiss. One kiss turns into two, then to three, then to four, until you’re essentially making out, with Changbin effectively stealing away all the breath you’d just regained.

Chan watches for a time, lets Changbin indulge in what is one of his favorite intimate acts, but he can’t let you two be the only ones having fun for much longer. It’s Chan’s turn now, and he’s been patient enough.

He’s good at putting up a front, makes his control seem effortless, what with his boundless charisma and intimidating presence, but fuck, the minute he caught the scent of your heat in the air, he about lost it. Just as Changbin surely felt, he needs to fuck you before he risks going insane.

The younger wolf whines when you’re pulled off of him, a mess left behind on his lap where you once were. What a selfish pup he is– maybe one of these days Chan needs to remind him what it means to share. “Go home, Bin. And tell everyone still there to get the fuck out, so I can bring her back home with me.”

Changbin blinks for a moment as he processes, and then he’s scrambling to his feet, getting his clothes back on in a rush. Changbin wanted to bring you home too, but he knew he couldn’t– if he just walked in with you in his arms, it would’ve been chaos; the younger wolves with much less practice in self restraint would’ve lost their fucking minds. Even Chan and Changbin themselves had barely been keeping it together, still heavily effected by your heat despite how experienced they were. 

“Uh, when I do, can I.. y’know..?” Changbin asks before he starts to leave and Chan rolls his eyes before he lets out a small laugh. “Yes, Bin, you can join us again.” Changbin smiles, tail swishing cutely before he runs off and once again you have to suppress a giggle at the surprisingly adorable display. You wonder if he’d take offense to the fact that you view him as a puppy; he just screams “I need constant affection and attention or I’ll die” and it’s oddly endearing. 

Chan doesn’t let your thoughts linger exclusively on Changbin for long however; he’s grabbing your face again, diverting your attention back to him, making you look straight up at him. He captures your lips in a kiss, one that is far more impassioned than you would’ve expected based on his cool exterior.

He holds you tightly, pressing your body firmly against his own, leaving no space between you. You in turn wrap your arms around his neck, sighing into the kiss as you are met with more of the sweet relief you’ve desperately needed. His hands travel over your body, refamiliarizing himself with the feel of your soft skin beneath his fingers, refreshing the memory, letting it become engraved once more.

When he pulls back, he is looking at you carefully, doing his best to continue to suppress his carnal need to have you long enough to ask you something that’s been mulling around in his mind, “Tell me honestly, little red. Did you want us to find you tonight, or was it an accident?” He needs to know if it was simply spur of the moment with Changbin, if anyone would’ve done if they’d approached you, or if it was them you specifically needed to get you through your heat. 

“You, I wanted you,” you answer easily, truthfully, a slight blush crawling over your face as you admit how you truly feel; your mind may be foggy from your heat, but you're not immune to the nerves that come with an honest confession, “I told Binnie too, that I.. I wanted you both.”

Chan smiles at your answer, a smile that makes butterflies erupt in your stomach. You don’t think you’ll ever get used to how pretty he is when he smiles at you. “Good. Then my next question before I keep you for the rest of the night– do you want to be ours?” 

“B-Be yours..?” you ask, blinking up at him as your mind goes over what that could mean. “Mhm, mine and Changbin’s. Our sweet, little bunny that we’d take good care of. Our mate, essentially.. Do you want that?” Your breath hitches, the blush on your face growing as the words swirl around in your head.

Their mate. Chan’s. Changbin’s. Both of them.. Their mate. “A-Are you serious? I mean– I’m a rabbit, and you’re.. not.” From what you've heard, wolves take having a mate very seriously.. and he wants that special someone to be you? And to share that special someone with someone else? Is that really okay?

“I’m completely serious. And you don’t have to be if you don’t want to, but I hope you know it’s not something I offer easily,” he says, stroking your cheek, offering you the softest smile you’ve ever seen him hold. “And you feel it, don’t you? The inexplicit desire, how nothing since having each other has felt complete, satisfying.. enough?”

You swallow as you nod, knowing that much is true– ever since you met them, every night without them felt.. wrong somehow. Like you weren’t where you were supposed to be. And God, how unbearable your heats had become, going far past the usual discomfort into completely uncharted, agonizing territory. 

“I do, I really do,” you answer, unable to lie about such a thing even if you wanted to. And there’s still so much about your life you’d have to figure out, but you know you’d regret it if you said you didn’t want to be theirs, you’d live in agony if you didn’t have them. He smiles again before he kisses you, hands traveling down to your legs, over your thighs and hips, until he’s cupping your ass, lifting you up and bringing you closer.

You leak onto his lap, but he doesn’t mind, can’t even process it, really– his mind is full of you. Of your scent, of your touch on his skin, of his on yours. And just how you’d done with Changbin, you insatiably run your hands over whatever patch of his skin is within your reach. And if his senses weren’t in overdrive from your scent, he’d admonish you for being so insatiable, tease you for being a slut and make your face burn red from filthy, whispered words.

But he has to admit the desperate, needy side of you he’s witness to is a treat, and it works at the rope that is his composure in record time, steadily tearing at it until all that keeps it together is a thin thread. He’s no better than Changbin, is he?

Really, if this is how you’ve been from the start, it’s clear the younger wolf never had a chance; but Chan is the superior here, and he has to set an example– what good will it do if he can’t stay in control long enough to get you back to his den? He has something to prove– to himself, to Changbin, and to you; that he doesn’t break and give in so quickly and easily.

So he quickly rises to his feet with you in his arms, carefully leaning to where your clothes were discarded and picking them up, covering you in your cape like it’s a blanket. “Just in case there’s some stragglers still at home,” he explains; when you’re officially his mate, no one will touch you, but until then, he’ll take every precaution necessary to protect you from other wolves that may want you– barring Changbin, naturally. 

It takes you no more than a few minutes to get to their den thanks to his speed, and just as before you closed your eyes and clung to him tightly as he wove through the trees to get there. Thankfully, it seemed Changbin did a good job at relaying that the leader wants everyone gone until morning, as the only sight you are met with inside is him sweetly and excitedly waving as Chan approaches with you in his arms. 

Just like the first time, Changbin trails close behind on the way to Chan’s room, locking the door for security when you’re all inside. You’re set down on the bed, with Chan putting your discarded clothing on his nearby armchair before he’s sitting next to you. Changbin also wastes no time getting his clothes off again, to which Chan stares at him incredulously until Changbin replies with a simple “what?”, causing Chan to scoff in disbelief and you to giggle. 

Changbin sits on your other side, his hands in his lap as he waits for whatever it is Chan is going to do next; and he may be jealous, but he won’t interfere with whatever his elder wants to do with you, even if it means all he gets to do for the remainder of the night is watch.

Chan reaches out, pushing your hair behind your shoulders and exposing your neck, to which Changbin instinctively swallows. He resisted last time, only scraping your skin with his teeth, but he wanted to bite you so bad that night. 

It was a bit strange, considering he’d never had such an urge with previous partners; he liked them, of course, they were pretty, sexy, fun.. But he almost felt the natural instinct for a wolf to bite was either a myth or something he wasn’t meant to experience until he had you.

And maybe that’s why he felt so jealous when Chan captured your attention; Changbin has always been a jealous person, but it never felt this.. real, almost? Serious, and not entirely playful and fun-aligned as it usually was. 

Changbin watches as Chan trails his fingers over your neck, the both of you instinctively holding your breath. He watches as Chan replaces his fingers with his lips, watches as he trails kisses over your skin, watches as his hands travel to your thighs and squeezes them. His jealousy mixes with excitement, softened cock beginning to harden once more, his fingers twitching and aching to touch you some more, but not acting on the desire; it’s Chan’s turn, he has to remind himself repeatedly.

Chan chuckles a bit when he pulls away and sees Changbin very clearly internally struggling; he’s so simple when it comes to things like this, incredibly easy to read. Once more, Chan grabs your face, but he does something new this time– he makes you tilt to the side, exposing the entirety of the right side of your neck to Changbin.

He licks his lips and swallows before tearing his gaze away from your neck to look at Chan, unsure of why exactly he’s exposing your neck to him like this. “Bite her. I know you want to,” Chan says much too casually for Changbin’s poor brain, his eyes widening in surprise as he practically gawks at his elder. 

“W-What? But– I can’t, she’s–” he stutters out, and you’re surprised to hear him so flustered; you guess the rumors are true– wolves take mating and bites very seriously. It’s not something he’ll do on a whim, even if he desperately wants to.

“She wants you to. Wants both of us to,” Chan continues with a smile as he watches the gears turn in Changbins mind, “isn’t that right? Tell him, sweetheart.” 

“’s true, I wanna be yours. Both of yours,” you tell him and Changbin groans, though you can’t tell if it’s from disbelief, pleasure, or a mix of both. He takes one of your hands in his, squeezing once more as he leans down to your neck, inhaling your scent as he presses open mouthed kisses to your skin.

“You’re sure..? This isn’t something you can take back,” Changbin asks between his hot kisses, and you affirm eagerly, that yes, you absolutely want this. “Together then?” he asks as he pulls away, looking at Chan with utmost seriousness.

Chan hums his agreement before he’s tilting your head backwards, your entire neck exposed to both of them. And though this is something you want, you can’t help but be nervous as they take their places on either side of your neck, their breath tickling your skin and causing you to squirm. “Relax, sweetheart,” Chan whispers soothingly, his hand coming down to find the one Changbin isn’t holding. 

You let out a breath, doing your best to will you heart and nerves to calm; this will change your life forever, but it’s a change you accept wholeheartedly. Once the initial pain subsides, you know they’ll take the utmost care of you, they’ll make it all worth it. You feel their teeth start to prick your skin, their positions on your neck a true mirror of one another– the same placement on either side, marks that will show to the entire world that you have not just one mate, but two.

Chan’s fangs pierce your skin first, causing you to gasp and squeeze at their hands, crying out when Changbin’s own fangs follow shortly behind. It stings, but that initial pain dulls rather quickly, and you’re soon left with only the pleasurable feeling of belonging, of.. love?

Or maybe that's not entirely accurate given how this all came to be, but whatever it is transcends anything you've ever known or experienced in your life thus far. It’s unique, special, new– a fitting description for your newfound relationship, and all the emotions it conjures within you.

Changbin is the first to kiss you when they seperate from your neck– and it's to be expected, he just can't help himself. But possessive though he can be, intentional or otherwise, he pulls away rather quickly, giving Chan his opportunity to kiss you too– because it’s not just him you belong to, and he wants to make it clear that even when he’s clingy, or jealous, or pouty, he’ll never do a single thing to jeopardize what the three of you have together.

He simply hugs you as Chan kisses you, his lips ghosting over the mark he left behind, soothing a sting that no longer exists. You wondered, when you were back at home in your cottage in the clearing, if it was okay to miss them. Was it foolish, did it even make sense to want to see them again?

But you feel you’ve found your answer– you were meant to miss them, were supposed to feel a tug in their direction, were supposed to find them irresistible in every aspect, to desire them with all that you are. They are meant for you, and you for them, and maybe everything up to this point happened the exact way it was supposed to; and now you were truly where you belong.

Though Changbin should keep his hands and lips to himself given that it’s Chan’s turn to have his fun with you, he really can’t help himself. You’re sure Chan notices, as he notices everything when it comes to the both of you, but he doesn’t scold, tease, or pull you away.

As fun as it would be to make you both whine and pout, this is a moment that will never be replicated– to bite someone like this is an act that you hopefully only do once in your lifetime. For the first night of belonging to each other at least, he’ll loosen the reins of his control just a bit for Changbin’s sake.

Chan guides you, and in turn Changbin, to lay back. Changbin's back hits the wall, while yours rests against his chest, where he cups and grabs your breasts from behind, squeezing and playing with them to his heart’s content while Chan continues to kiss you. His tongue slides in your mouth when Changbin’s rolling and pinches of your nipples causes your mouth to open with a moan, Chan’s own hand traveling between your legs, his fingers becoming quickly coated in your slick. 

Your body jolts when he rubs your clit, instinctively squirming and avoiding his direct touch– because even though it’s the first time either of them are touching it tonight, you’ve been abusing it all week whilst chasing your (unsuccessful) orgasms. It’s tender, sensitive– and you say so, a tremble in your voice as you try to make Chan understand that the feeling is just too much right now.

“It’s too much?” he questions, and you’d think his tone was one of genuine concern were it not for his smirk giving away that he doesn’t very much care if the feeling is overwhelming you, “but you’re making such pretty sounds for us. And I thought you needed to cum? Isn’t that what you told me?” 

“Y-Yes, but–” you start but Chan quickly shushes you, another roll of his fingers making your eyes roll back as you continue to squirm. Your hands instinctively go to his wrists, simply holding them as you know you’d never actually be able to push him away.

“But what? I’m giving you what you wanted, silly girl,” he says with a smile that you’d view as sweet if you didn’t know any better, “you should be thanking me. Go on, tell me ‘thank you’, nice and sweet, ‘kay?” Oh, he’s so mean– and Changbin is no better, because he feels it fair to remind you that apparent cuteness and loss of composure aside, he’s just as much a menace as his elder.

“Yeah, yeah, do it, pretty. We wanna hear it,” he says, close enough to your ear that it makes you shiver and squirm some more, whining in equal parts embarrassment and pleasure. Because even if it is overwhelming, it does still feel good– so good, you can’t help but cry.

“Th-Thank you, thank you,” you say between moans and gasping breaths, your nails digging into Changbin’s thighs now that you’ve released Chan’s wrists from your grasp. “Hmm, are you sure that’s all you wanna say? I think Channie-hyung expects more from you,” Changbin says with a grin you can’t see but can certainly hear.

He’s right, of course, but you have no idea how you’re supposed to string together a coherent sentence with the way they’re coordinating their touches to your body and talking to you. But you have no choice but to do your best, because the alternative is disappointing them, and you would never.

“Thank you– thank you for making me feel s-so good, thank you Channie, Binnie, th-thank you.” Choppy and hardly coherent through your whimpery moans your words may be, they seem satisfactory enough; Chan hums approvingly, and you can feel Changbin’s cock twitch against your back.

“That’s my good girl,” he smiles, increasing the speed of his fingers before he corrects himself, “our good girl.” You squeeze your eyes shut, legs twitching, entire body trembling, though you no longer instinctively squirm away from his fingers– your body has finally accepted it, you suppose. Apart from the tremble and shake in your legs, your body is otherwise limp, accepting of every bit of stimulation they bring you.

You’re close, they both know, but given the circumstances, Chan decides to be kind this time– he can make you beg and cry some more later, for now he should give his good bunny what she needs. “Gonna cum aren’t you, pretty bunny? Go ahead and let go, let us hear it,” Chan says, doing his best to apply more pressure with the pads of his fingers, though how sloppy you are from slick doesn’t make the task entirely effortless– not that he minds, of course; he likes the mess you’ve made between your legs. 

You cry as you nod, head falling back against Changbin’s shoulder when his tugs and pinches to your nipples become harsher. You try to warn them before it happens, but you can’t– it hits you so hard that you can’t even utter any further noise, your mouth hanging open in silent cries as your eyes roll back and body tenses and untenses rapidly, gushing and making a further mess of Chan’s fingers and the mattress beneath you. 

They both whisper praises in your ears, sweet encouragements and dirty words that further drag out the euphoria you feel. You’re not sure how much time has passed before you open your eyes again, feeling Changbin’s hands rubbing your hips and thighs while Chan strokes your cheeks, smiling sweetly at you, actually sweetly, as your senses return to you.

“There’s our girl,” he says after giving you a quick peck on the lips, “did such a good job, sweetheart.” He strokes your head as Changbin presses sweet kisses to your neck and shoulders, moving his hands from your thighs to wrap his arms around you in a soft hug.

“Channie, fuck me now?” you ask, because as breathless and nearing exhaustion as you are, you’re still eager to feel him inside you, and you won't be truly satisfied until you get another load of cum inside you– his specifically. His smile turns to a grin, his hands coming down to your hips, prepared to move you into whatever position he desires, “Course sweetheart, nights not over until I’m done with you.” 

He flips you around effortlessly, Changbin catching you before you fall completely against him. He holds you upright while Chan adjusts the position of your hips, aligning his cock with your hole once he has you how he wants you. Changbin kisses you as Chan slides his way inside your heat slowly, swallowing every little noise that escapes you.

And really, you’re beyond wet and prepped enough for him to go fast if he wants to, but he doesn’t. Not entirely because he wants to tease you (though it does serve that purpose), but because he’s been so on edge this entire time that he’ll cum in record time if he doesn’t, and he’ll die before he lets Changbin last longer than him. 

Changbin, who is happy to have your attention again, has his tail thumping excitedly against the mattress. You’re holding onto his shoulders for support as your tongues play together, gasping into his mouth when Chan is finally fully sheathed inside you, his hands digging into your hips whilst still trying to be cautious of his claws and their ability to pierce your delicate skin (though you don’t think you’d particularly mind if they did.)

Changbin brings a hand to one of your ears, stroking the soft fluff and causing you to whimper as you clench around Chan’s cock, earning you a grunt from behind, a clear sign that he felt it. It’s not meant to be a challenge against Chan’s ability to hold out, but he takes it as one– if anyone is going to break and cum fast, it won’t be him.

His hand comes around to your front, grabbing your neck with just enough strength to pull you back towards him. You gasp and whimper, turning your head as much as you can to look at Chan while he holds your neck. “Make our Binnie cum again while I fuck you, and then I’ll let you cum again too. Understand, bunny?”

You nod quickly as Changbin whines and his cock twitches. Our Binnie– he likes the sound of it more than he’d expect. Chan whispers a simple ‘good girl’ in your ear before he lets you go, letting you fall back into Changbin.

Your head lands on his chest, and he intends to lift you up to support you and shift himself into a position that’ll benefit the both of you, but it doesn’t seem you need it– your hands are instantly on his cock, your tiny hands wrapping around and stroking as much as they are able. He groans and grabs your face, lifting it up enough so that he can lean down to kiss you.

Your pace falters when Chan finally starts to roll and thrust his hips, but you do your best to keep steady, determined to perform well and be allowed to cum again. You’re gasping, whimpering, crying as Chan’s pace turns to one you can only describe as purely animalistic– and fair, you admit, given how much self restraint and composure he had to hold until now. The fact that he even went this long before losing it is a herculean feat. 

Despite that, he is still firm on the idea that he absolutely will not cum before either of you do, so he reaches around and grabs one of your hands, taking it away from Changbin’s cock and bringing it up instead to one of his twitching ears. “Wanna see our Binnie really lose it? Rub his ear, he’ll go crazy.” 

“Hyung–” he opens his mouth to protest as his face starts to flush, seemingly embarrassed that his weak spot is being called out. The complaint dies in his throat however when your fingers softly rub over his ear, a gaspy whine coming out instead as his hips jolt up into the other hand still on his cock. 

“Fuck, shit-” he weakly whines while Chan smirks in victory– though the smirk doesn’t last very long, as he truthfully isn’t fairing much better than Changbin in regards to how good you’re making him feel. Maybe in the end, his plan backfired– because each noise that Changbin emits causes you to clench harder; but he still has other ideas in mind to make the two of you cum first.

Chan’s fingers find your clit again, making your body jolt and your hands grip at Changbin harder– on both his poor, sensitive cock and equally sensitive ear. He curses again, eyes rolling back for the second time, sucking his bottom lip between his teeth as his hips once again unconsciously thrusts upward.

It reaches a point where he’s essentially doing all the work, your fist almost entirely still while Changbin fucks your hand. His hands dig into the sheets, almost tearing them as he clenches at the fabric between his fingers. “O-Oh fuck, ’m gonna cum– harder, touch me harder, please–” 

Butterflies explode in your stomach, having never expected to hear Changbin beg the way you are usually made to. You do as he asks, you’d never dream otherwise; your fingers grip him harder, squeezing his cock and rubbing harsh circles on the soft ear in your hand. The thump of his tail is erratic, his breaths harsh as his head falls back, cum shooting on your hand and his stomach.

When he opens his eyes and lifts his head, he’s met with the sight of you licking his cum off your hand before your scooping up the mess he made on his stomach with your fingers. You stick them in your mouth, licking them clean and then sticking out your tongue to show him it’s all gone when you’re done, twisting your neck after to show Chan too. 

“F-Fuck,” Chan stutters a groan, pulling out long enough to flip you back around, your back hitting the mattress as Changbin moves to the side to watch. “Such a good girl, cleaning him up without having to be asked, should– fuck, should reward you, shouldn’t I?”

But he already promised you could cum if Changbin did, so what’s the next best reward he could give you? “What do you want? Tell me, bunny, and I’ll give it to you,” he decides to simply ask as he slides back into your wet warmth, resuming the harsh pace he’d set before you flipped back around. 

“K-Kiss? Can we kiss?” you ask and he chuckles, stroking your cheek as he brings his face close to yours, close enough that your noses are touching and you can feel his breath against you.

“That’s it? That’s all you want?” he asks, unable to suppress the smile when you quickly nod, “Bin’s gonna get jealous, y’know. You’ll have to make it up to him after.” But before you can reply, he’s kissing you, tongue shoving it’s way in your mouth.

Chan’s pace is fast and not entirely accurate, but God, he’s trying– and you perfectly understand, because even with the cool exterior he exudes, you can tell he’s barely been holding it together. He’s utterly gorgeous like this too, sweat dripping and jaw clenched, brows scrunched and veins popping from exertion, pretty lips glossy from your kisses just prior.

He finds your clit once more, desperate to make you cum first, but his fingers are quickly replaced by Changbin’s, allowing him to focus purely on his own pleasure. Chan’s hands grab your legs and keeps them held open, his cock going as deep as it can go. 

“So perfect, perfect bunny for us,” Chan grunts as his head falls to your neck, lips ghosting over the mark he made with fangs. Changbin brings his other hand to one of your ears, rubbing the base in the same way you rubbed his, while his fingers on your clit rub in quickly practiced circles. “Yours, ‘m yours and Binnie’s, bunny just for you,” you affirm, body shuddering when Chan groans in response.

He’s close, so fucking close, but you have to cum first– so he closes his eyes and tries to focus on hitting the spot that makes you see stars, working to stave off his release as long as he can possibly can. And he’s successful, Thank God– between his perfect thrusts and Changbin’s fingers, you’re cumming again in no time at all, the wet spot beneath you growing as you drench Chan in your release. 

He grunts, thrusts reverting back to their sloppier rhythm as he chases his high, his grip on your thighs sure to leave bruises behind. A string of curses leave him as he finally cums, filling you to the point it leaks even as he’s still fully pressed inside.

Your eyes are closed, heavy with exhaustion, but you hear them talk to each other as they wipe your sweat away and clean you up between your thighs. One of them picks you up, Chan you think, while the one you assume to be Changbin changes the sheets for him, absolutely filthy after the night you just shared.

Tired and not entirely conscious as you are, you still snuggle into the chest of the one holding you, and it’s confirmed it’s Chan when you hear him chuckle and whisper something about you being “sweet and cute.” You tiredly whine when you’re put back down, eyes still closed but missing the warmth you were enveloped in, and hear them once again chuckle before you feel them on both sides, pressed against them in the middle. 

With a struggle, you blink awake, body heavy and eyes still impossibly tired, the darkness surrounding you making it near impossible to tell what time it is. It's clear you're still in their den, and wolves dens are always dark given their nocturnal nature.

You're laying on your back, you realize, Changbin’s arm slung over your stomach while Chan, who is also apparently awake, is stroking your head as he looks at you. “You didn’t sleep?” you ask quietly and he shakes his head, whispering his reply back to you.

“It’s still the middle of the night, sweetheart. We never sleep at night– but well, after what you did to Changbin, he was out as soon as he got comfortable next to you. Couldn’t stay awake even if he wanted to.” You quietly giggle, turning your head to catch a peek at him. He looks cute, peaceful– you give him a soft peck on his cheek before you turn your attention back to the awake Chan.

“He’d lose it if he was awake during that, y’know. He loves cute shit like that,” he says and you smile– you can tell, it’s obvious; Changbin is a bit of an open book, you think. “What about you?” you ask and he scoffs a little, turning his gaze away as a slight smile peeks out on his lips.

“Course. I just don’t make it as obvious as that idiot. Seriously, we have a reputation to maintain.” You peck his cheek, and he scoffs again, trying to hide the growing smile and retain the cool image. “Don’t start– you’re gonna make me as bad as him.”

“Is it going to be morning soon..?” you ask as you lower your head back to the pillows. “It will be in a couple hours,” he replies, turning back to you with a more serious expression, “you need to go back home, yeah? Can’t stay here?”

You frown as you nod, a strange feeling of loneliness filling your gut at the idea of leaving them behind to go back to your cottage. “Grandmother needs me..” you tell him and he hums in understanding, careful not to expose the ache in his chest that you’ll be parting soon– whether that’s courtesy of the mating bite or if it’s feelings he’d have regardless he can’t entirely tell.

“We’ll figure something out. Just get some more rest for now, okay? I’ll be right here.” You nod and close your eyes, relaxing further when you feel him start to stroke your head again. When you shift slightly for comfort, Changbin instinctively holds you tighter; even in his sleep, he has to make sure you’re close.

There’s a lot you’ll have to confront come morning, but you decide to follow Chan’s words and leave it until then. You lay one of your hands atop the one Changbin has resting on your stomach, and use your other to touch Chan, humming happily when he brings his own over to hold it. 

For now, you’ll fall back to sleep, you’ll indulge in the safe comfort you feel while sandwiched between their bodies, holding their hands, secure in the knowledge that even though your life will be drastically different from now, it’s what will make you happiest. A bunny and her two bad wolves, who aren’t actually as bad as they seem– this is where you belong.