#which i know isn't that bad but like. also.

[ms-demeanor]

So I have vision insurance again which means I was able to go to the optometrist and get glasses through insurance for the first time in 11 years (instead of paying out of pocket and getting glasses from zenni) and here are my notes:

It's *NOT GREAT* that Luxotica is mentioned by name on the insurance card printout

I know everything got more expensive in the last ten years, but frames also got a lot more expensive and for some reason there was a huge gap in prices - my insurance covered $130 for frames and the office had a bunch of frames for $70 and a bunch of frames for $150 but basically no frames between those two price points.

When you say "I can't afford to go over the allowance" on XYZ thing they are not even *considering* the cost of progressive bifocals. So I was like "no coating, cheap frames, no extras" and then they were like "okay so the progressive bifocal is going to be over a hundred dollars more" and I was like "how much is the bifocal with a line" and they were like "oh that's only $15 but we don't consider that appropriate for your age, we recommend this other kind of lens" and it doesn't matter what you consider age appropriate for me, I can't afford that so we're not doing that.

The seventy dollar frames are all kind of trash. Super thin, super bendy, and not in a good "flexible fit" way but more in a "if you fall asleep in these you will wake up with broken glasses" way.

They wrote down my reading prescription wrong? For the last ten years I've been slowly creeping up from +.25 to my current +2.50; they told me it had increased but the printout said +.75 so either my prescription has been wrong for a while or they missed the 2 at the front of that number and my glasses are going to show up with a low magnification. (I noticed after I'd left the office but before the glasses arrived).

Given all of that, with insurance: $25 for a pair of glasses, which included the office copay.

So then of course I went to zenni and ordered glasses anyway because I've been wearing the same frame design for seven years and want another pair that look exactly like that.

Progressive bifocals WERE the most expensive part of the order, and because my prescription is stronger they are getting progressively more expensive - initially the upgrade to bifocal cost something like $30 for a lower magnification, now they're $85 for the stronger prescription.

And that's it, that's the expensive part. Fifteen dollar frames, five dollar anti-reflective coating, total for bifocals was around a hundred dollars; I got a pair of single-vision sunglasses for under $20.

Part of the reason I decided to spend more at zenni than at my optometrist's office was because I was able to get good, sturdy frames that I know fit my face and will survive mosh pits and me falling asleep on them without cracking. In order to get the same thing at the optometrist's office I would have had to pay thirty dollars more for lenses as well as forty more for frames so I would have walked out of there paying more for a pair of glasses with frames that I wasn't super excited about (there was a pair that was *okay* but not great that were similar in construction to my current frames but more bulky and square) than I did for glasses that I know I like and a pair of sunglasses.

I did end up paying less out of pocket for the visit than I would have without the insurance, and $15 for a pair of back-up glasses isn't bad. But it was all-in-all a frustrating experience.

However: I've been wearing the same pair of glasses for three years and the anti-reflective coating is worn away in some places and they're so scratched that they're impossible to actually clean in some places and large bastard looked through them last week and was like "OH! No wonder you can't tell when you need to clean your windshield! You don't get to drive at night until those are replaced" so no matter what glasses I'm wearing next week they're going to be an improvement.

[piratecaptainscaptainpirates]

I do think that the fact that there's still a degree of "controversy" around the circumstances with which Ed and Stede had sex is quite telling of our (general, societal our) expectation that sex be made into something that is, fundamentally, uncomplicated.

In general, there tends to be an expectation that sex can be either sorted into two categories: Good and Bad. If a specific occasion where two people have sex can't be cleanly sorted into Good, then it's lumped right into everything else with Bad - this is how we still get takes that there was any sort of dub-con element to Ed and Stede's sex scene in s2e6 when that's just not the case at all.

Like any part of human connection and communication, sex can be, and often is, messy. Here are the facts about the circumstances under which Ed and Stede have sex for the first time:

They have just had an extremely traumatic day, during which they had to see each other being tortured, and Stede just did something that upset him deeply. Ed wants to comfort and support Stede right now.

Ed has previously expressed a need to "take it slow."

What Stede needs, in the moment, is physical comfort, closeness, and intimacy with his boyfriend.

When Stede pulls Ed into the cabin, it's intense and passionate, but Ed is not uncomfortable or upset in the slightest.

Stede waits for Ed's nod of consent before kissing him, and the two fall into each other at the same time. They are both eager to hold onto each other.

The morning after, Ed is in a GREAT mood. He continues to be in an excellent mood throughout their date, and is even the one who suggests they go enjoy Stede's fame at Spanish Jackie'z. Ed initially enjoys not being in the spotlight and giving Stede advice about handling fame.

Ed does not become uncomfortable or get in his head until he's talking with Jackie, they watch Stede living it up, Ed admits that he just wants to be a regular dude now, and Jackie asks him if Stede knows that. The trigger for Ed's fear isn't anything Stede has done necessarily, it's about him worrying that Stede, who is just enjoying fame for the first time, will choose piracy over Ed.

This situation, as with many realistic human relationships, is messy. Should Ed and Stede probably have waited to have sex? Maybe. He certainly would've stopped if Ed had asked, and Ed could've found other ways to comfort him and be with him. You could argue that Stede is choosing physical intimacy to make him feel better instead of talking about his feelings. They've just had a very shitty day, and Ed's going through a bit of a personal crisis right now, and it's very possible that anything they do will get wrapped up in those big emotions. But it's also undeniable that they both had a great night and very much enjoyed it in the moment.

And that's just...realistic. It's just how any aspect of human relationships can work. People are messy and complicated. And, importantly, even if Ed does regret rushing into having sex that night (which I don't honestly think he does, I think he was having a hard time saying "things are moving very fast and I'm terrified" and that was just an easy thing to latch onto), that doesn't negate the consent he gave in the moment or retroactively make the sex non-consensual.

[romanticatheartt]

You know what I want- no what I need in Gwynriel book?

For Azriel to realize to have a love and relationship like his brothers you don't have to be with your mate. I want him to realise, his brothers being mated to the love of their lives, it's a bonus. I want him to get to this point of his friendship/relationship with Gwyn where he's like "I don't care if Gwyn isn't my mate, she's my person and the only one for me". The very thing he didn't do with Mor and Elain.

In the books we keep reading how he is waiting for a bond to snap with Mor. He's not even trying to get to know her on deeper level, form a friendship or create a safe space for her to be vulnerable with him. Because somehow he delude himself into believing she's his mate and is waiting for it to happen. He's not even trying to be close to her and prove himself a worthy partner, if it gets to that point. He thinks having a mating bond is deal done for his mate to accept him for who he truly is.

With Elain is also the same situation. He's thinking she should've been his mate, why the Mother gave his brothers 2 of the sisters but "the third" to another? He thinks he can claim her because yet again he delude himself into believing she is his mate, even he and literally everyone else knows the shared bond between Lucien and Elain is as real as it gets. In his head being mated to Elain makes sense just like being mated to Mor did, even tho it literally doesn't. It shows he's desperate, he really wants that bond because he genuinely believes no one will want him, unless there's a bond (not specifically love, I don't think he believe in someone actually falling in love with him. And he doesn't know what love is lol).

So with Gwyn I want something absolutely different. He already doesn't see her as a potential anything lol. He genuinely just sees her as Gwyn and not his possible mate or lover. We even have him say he doesn't even consider her a friend, which people think it's bad thing but I think it's a perfect opportunity for Azriel, to have no expectation from that person. To don't wait for a mating bond to happen. To get to know Gwyn and she gets to know him and Azriel being himself. Because he always hid parts of himself from Mor and Elain. Specially Elain.

I want to see him unguarded with Gwyn, open in a way he never was with any of those two. And we saw how he can be, in bonus chapter. The way we learn a very personal thing about him that we have never known throughout the whole series, and Gwyn being the one to receive that information says a lot. So I can't wait to see a completely new Azriel that he never shows to anyone in his book.

[nthspecialll]

Bill Williamson shaped by an army knife

(This post is a casual explanation(ish), not meant to defend but rather explore and discuss Bill Williamson's character and how it is shaped by the army, it has also been sensitivity and proof read by a native to ensure that I did not accidently word anything in a way that would hurt the native community)

As many knows, Bill Williamson was in the army, and if you look closer you can see the many different ways in which it formed him, the ways in which a constantly stressful envioment filled with death shaped the person he is.

I am going to mention the one thing that stood out to me first, racism. Now hang on when I say this, he isn't, he is not racist, but you know what he is? A parot who got fed words and repeats them. And why would I say that? Do I have evidence? Yes.

The two characters we see Bill go after is Javier and Lenny, he calls Lenny "boy" and says "come over here!" or "I don't like your attitude", meanwhile with Javier he straight up calls him a slur. But something to notice is that Bill praises both of those characters at other times. Bill calls Lenny "son" and yells to everyone about how amazing he is and the proud almost fatherly instrict is oozing. With Javier there is a similar interaction where he is drunk and he is yapping Sean's ear off about how amazing Javier is.

We do not see that with Micah (That I can find), the only possitive thing Micah says to either of them is "you aren't so bad, for a greaser". Another thing to point out is that Micah is constantly belittling both Lenny and Javier, saying things like "you can write and everything, unusual for one of you. Oh you know, hoodlums," Bill does not, he does not belittle them.

So why would he say such things? Because he was angry, and why would he say that because he is upset?

Bill was in the army, common knowledge, uncommon (or at least commonly forgotten) is the fact that he fought the American Indian War. He did not fight other white people, he fought the native americans, and they were scary. He tells that story himself in a camp interaction, talking about how scary it was, and I do think he was frightened and not just empty words as he at the end jumps at the sound of a neighing horse.

Bill saw people get murdered, he saw his friends get slaughtered and he was told by the army to turn that anger towards the natives. The army implimented racist ideologies to excuse the genocide they were making and to rile their armies.

I often think of the line between Bill and Dutch where Bill says "I saw things!" and Dutch says "I am sure you do! But I don't think you could understand it" and I think that is spot on. Bill saw his friends dying, he saw his comrades dying, people he was likely as close to as he was the VDL gang (I will return to that later) dying. All he saw were these people murdering his friends, not that those people were fighting for their right to exist, and for every body the army framed it all on the natives, that it was all their fault, without mentioning anything that the army was doing to the natives.

The only times Bill acts out in a racist manner is when he is angry and he is often angry at himself, but he has always been told that when he is angry he should direct it towards people of color by the army, so he does. He does not believe it, but he does it anyways. There are a few times, like in the camp interactions mentioned, where he is not angry, but that is simply the brainwash that the army put him under to justify killing. He is saying those things because he has been told to.

He says the words but they seem empty as his actions are more supportive of his friends than anything.

Another thing I noticed is how protective he is of the gang, not just of Dutch, but the gang, even though he is painted as lazy, many times he is not, especially when it comes to protection. I often see him standing at the edge of camp even when he is off guard, and in that one camp interaction where strangers find camp, he is there, he is watching over them, in the Valentine robbery he was also smart enough to know to bring backup, he knew that if things were to go wrong, he needed to have someone there, Arthur.

Now some people are going to come and say "Oh but he didn't realise the security job was a trick," no, he did not, do you know who also did not? Dutch, Lenny, Karen, characters whom it was mentioned in front of. The only ones who did realise were Arthur and Sean, and despite Bill trying to throw the blame off himself at first, he does blame himself, there are interactions of him saying he blames himself for Sean's death. Similarly when Angelo Bronte offers up money, he is not planning to take it, he is making sure no one else is, I got a whole post on that.

One of the other things about Bill, is that people say he did not care when Lenny died. I do think he did, he has so many camp interactions where he is calling Lenny son, being proud of him and so on, but I do think that the army got to him there too. When in battle people die, people die often and you cannot stop because they do, no matter how much you loved that person, if you are on an open battle field charging towards the enemy, you do not have time to stop.

When in the army you are expected to be a tough manly dude, in chapter six Arthur can ask if Bill is okay and he never gives a real answer, instead he shifts the convosation away. Bill believes he is not allowed to show weakness because doing so in the army was not allowed, anything unmanly was not allowed. I do also believe that is where he gets his fucked up realtionship with his sexuality (I am not even going to explain why I think of him as queer, I do believe others are able to see if, but also if anyone says "No he aint!" that is a fair opinion but the va does hc him to be queer), wanting to flirt (or at least befriend) Kieran but not knowing how to without coming off as unmanly.

Returning to how he would care for the army friends he made, is how he ended after he got thrown out. Bill says his biggest fear as a kid was to be an alcoholic and look at where he ended up. He even says he completely lost himself after the army, that Dutch "saved Bill Williamson."

Well even if it was not everyone whom he liked, there was at least one person. If we look at his letter from the army, he is thrown out for attempted murder and deviancy ("the fact or state of diverging from usual or accepted standards, especially in social or sexual behaviour." aka can be used for homosexuality). An interesting thing to note is that both of those alone is enough to throw someone out of the army, so why is both there unless they happened at the same time? I see it likely that Bill was discovered with a lover and either the person found them attacked Bill and lover or Bill attacked the person who found them to silence them. Either way, Bill did not succeed and instead he got thrown.

Tags: @cupidsbeartrap

[fangirlmermaid]

You promised!

Summary: Reuniting with someone from the past. It doesn't go as planned.

Pairing: Logan x G!N Reader (platonic) x Deadpool x G!N Reader (Platonic)

Warning: Smoking, language, death, death threats, Angst

maybe some bad grammar and wrong punctuation.

(sorry if Deadpool isn't funny enough)

That night still haunts you, the screams echo in your ears, and the pile of your friends' dead bodies that you had to dig your way out of still makes your skin crawl. Fortunately, your ability to summon/ commune with the dead also gave you the power of immortality. 

You did everything you could to help but you were just a kid…your heart racing trying to find the one person who you thought could protect you…your kitten. Of course, he would rather be at a stupid bar than wear the stupid yellow spandex. When he came stumbling back where he found you covered in ash crying. Sadness turned into spite, how could he leave you? He promised to keep you safe! 

You couldn’t stand the sight of him…so you ran. That was the last time you saw Logan..or so you thought.

You tried to use your powers to conjure your friend's spirits but you couldn’t.

Years passed, and you lived a normal life. Until some weirdo with outdated references wearing a red spandex suit was in your apartment building lobby. He cut you off at the stairs spreading both his arms out so you couldn’t walk around him “Well hello pookie” The weirdo welcomed you as you glared at him “Do I know you?” You muttered, reaching into your messenger bag to grab something that could be used as a weapon. You were in no mood for what this ass has to say. The weirdo stood more relaxed “I’m Deadpool aka Marvel Jesus” the Spandex introduced, you raised an eyebrow “What? Marvel Jesus? What the fuck?” you wondered making Deadpool gasp at you “Oh just spit in my face! Did my peanut teach you that?! You’re too young to be speaking like a drunken sailor” Deadpool declared, clenching his nonexistent pearls. You wondered why he acted like you knew his peanut? If his friends were half as annoying as him then you doubt that you knew them.

Deadpool booped your nose making you swat his hand “My, my aren’t you a violent child” Deadpool teased, if he kept doing this Applebee's comedy night routine you were gonna need a joint. You dug through your bag, grabbed a joint from the container you kept, and lit the one in your hand. “I need your help saving the multiverse from this asshole named Paradox which is the stupidest name ever!” Deadpool announced, and you raised an eyebrow “The multiverse?” You repeated in disbelief that what this man was saying was true. You blew a cloud of smoke into Deadpool’s masked face, “as much as I would like to inhale secondhand smoke” the comedic took the joint out of your hand “I’m gonna need you to be sharp” Deadpool explained pressing the lit part of the joint on the no smoking sign. You crossed your arms “to save the multiverse?” You laughed, at this point you were expecting that you were on a prank channel.

Deadpool's whole demeanor changed “The point cupcake, is that everyone I care about will die if we don’t stop that asshole Paradox.” Deadpool was serious, there was no funny tone in it. You released a heavy sigh, ever since the fire you were done with all that heroic shit “Why me?” You wondered, he could have picked an actual crime fighter “Why you?! You’re Y/N! You were a part of Baldilock's merry band” Deadpool reminded you. The memories of when you were an X-men in training that you tried so hard to forget came rushing back, you tilt your head your eyes threw daggers at the dickhead in front of you who the fuck did he think he was making a joke about your friends.

You scoffed “it’s Deadpool, right?” You asked clenching your fists, the jackass got all giddy “Oh my god! Y/N remembers my name!” The mercenary exclaimed as if he was meeting Hugh Jackman. You grabbed him by his chest and pulled him towards you till you were inches apart “Get out of my way or I’m going to ram your head through a damn wall” you threatened beneath your breath.

Deadpool didn’t look intimidated, he looked over his shoulder “I can see why you like her, Peanut!” Deadpool yelled as if that was a queue. You heard footsteps coming down the stairs, you released the mercenary from your grip “You can thank Marvel H. Christ later” Deadpool patted you on the back before standing in front of the door that leads into the streets. Your heart sank into your stomach, Did this guy want you so badly that he brought someone with him to rough you up?!

The backup descended the stairs, and when his face came into view you froze, Your eyes glossed no, not him…anyone but him. You hoped this was just a nightmare, you kept pinching yourself hoping you would wake up in your apartment…but nothing happened, he was here.

 Logan gave you a warm smile “Hi, bub” he took a small step towards you, but you took a step back “Don’t!...don’t call me that!” your voice muttered, why would he think that it would be okay for him to call you that?! “Bu-kid, we need your help” Logan begged in a hushed tone like you were going to agree because the alcoholic asked nicely. You started to laugh “You…think…I’ll go…anywhere… with you?” You asked in between, you had to hold your stomach because you were laughing so hard. Deadpool took a step towards you two “Hi, sorry to interrupt but I’m kinda on a time crunch so can we-“ “Shut the fuck up!” You and Logan yelled in unison, Deadpool stepped back.

You looked back at Logan ”Y/N I’m so sorry” Logan apologized, you glared at him “That’s it?! That’s all you can say?! You went to get fucked up instead of being there…and all you can say is your sorry?!” You scoffed; it was like putting a band-aid over a bullet wound. It does nothing. You felt all the old feelings you tried to suppress seep through “I know and I’ll hate myself for that for my entire life” Logan admitted, you shook your head pinching the bridge of your nose to contain your emotions, trying not to cause a scene that would get the neighbors attention, “I can’t do this” you mumbled re-adjusting your messenger bag on your shoulder. 

Your eyes glossed as you tried to make it to the stairs but Logan blocked your path “Logan, please just step to the side. I don’t want to do this” Your voice cracked

“I can’t do that, Y/N”

“Just please move”

“I can’t kid” 

“Please move Logan”

“Bub, Please!”

“GET OUT OF MY FUCKING WAY!”

Tears started to run down your cheeks your fist pounded against Logan's chest “Move” you weakly repeated, he didn’t budge or fight back. You felt as powerless as you did the night of the fire. You felt like you were one big joke to the universe.

 Logan tried to wrap his arms around you but you pushed yourself away from him, “Y/N” Logan called, you didn’t let him say more of his half-ass apology “Why weren’t you there?” you wondered crossing your arms over your chest, you remembered that he went to the bar but you wanted him to admit it. The man in front of you never answered, your eyes glossed “Why weren’t you there?! I needed you and you weren’t fucking there! You promised me that you would protect me! I trusted you! I looked up to you! You were my hero!” You admitted wrapping your arms around yourself as tears ran down your cheeks once again. Logan looked like he was on the verge of tears himself “I’m sorry, I’m here now” Logan promised, You shook your head “I don’t need you now! I needed you back then! Where were you…when I needed you?” You stated you noticed some people were opening their doors. 

Your eyes met Logan “I hate you” you sniffled, and Logan's lip quivered “I wish you would kill yourself, you would be doing me and everyone else in this world a fucking favor” Your tone was emotionless, Logan was taken back even Deadpool was speechless. You were emotionally drained, this time you successfully pushed past Logan and ran upstairs to your apartment.

You slammed the door Bang! You threw your bag on the ground and jumped into your bed shoving your face into your pillow to muffle your cries. You hate him. You hated that you trusted him. You wished you never met him. 

Back in the Lobby

Logan kept staring at the stairs silently hoping that you were going to come back down, hoping that you had a change of heart and the two of you could start over, a single tear escaped down his cheek. 

Wade stepped towards the Wolverine, “Why didn’t you tell her that those sons of bitches could fix your shit?” the mercenary wondered, Logan wiped away his tear before looking at that red fucker “They’ve been through so much…I didn’t want to get their hopes up. It’s not like they would believe me anyway” Logan admitted Wade placed his hand over his heart “Aw look whose heart grew three sizes” Wade mocked, making the Wolverine glare at him. Wade internally panicked, he needed Logan since he was an anchor beam and it’s not like this Logan could start fresh with the Y/N from his universe since they're dead. Meaning that Wade had to come up with something and fast.

Wade groaned making Wolverine snap his head toward him “This is the worst episode of Dr.Phil ever!” Wade whined. Wade grabbed Logan “You stay here and I’ll go talk to your precious Y/N who left like they were about to cut their hair, okay Peanut” Wade explained, surprisingly Logan agreed. Wade skipped towards the stairs. Wade saw some neighbors snooping “Yes children it’s Moi. Nothing to see here” Wade assured, he was about to introduce the peepers to Baby Knife but the peeping toms got the hint and closed their doors.  

As Wade reached Y/N’s apartment he tried to figure out how to persuade them to join him and his Peanut. He needs them to say yes so he can save his family.

[paper-mario-wiki]

I feel like I've ended up in the same spot as so transmasc before me: I have a lovely cis boyfriend who loves my tits which I love for him, but I am getting dysphoric to the point I wanna lift my lips and show a lil teeth when I see his hands coming towards them. Feels bad because they are his favorite and we haven't been fucking as much because as soon as he starts touching me I am out of it™ and get all in my head and freeze up. Any advice?

good god, brother. i am utterly baffled at why you have elected me as the strategist for this problem, and i'm even more confused as to why you have chosen to go into as much detail as you have.

but.

if i were to give you some advice on this

i'd say that you should consider a conversation with your partner about the long-term plan for the relationship. a "relationship" is two lives that are connected, right? and your life is not one where you're gonna have boobs for the rest of it (or at least based on what you've told me i would assume, should you have your way, those bad boys are gettin lopped off at some point), therefore it's pertinent that it be brought up, because it concerns your life, therefore it concerns the relationship, therefore it concerns him, yes?

now, the first and most obvious thing to start with out the gate is the boundary, made clear and concise: the hills are now closed, off limits to tourists. all discussions regarding this come next. make it clear that it's about something quite core to your identity, and something that does in fact cause physical pain (a panic response from the nervous system is pain homie).

this brings some followup questions (and remember, this isn't an interrogation, it's a dialogue to share): how does he feel about this? if he's against, why? for that matter, how much does it bother him? is there something he doesn't understand about your discomfort? is there some concern he has about your financial or bodily well-being with regards to the procedure? is it because it's vital to his attraction to you as a partner? if that's the case, would their removal be a deal-breaker?

now keep in mind, these question can be brought up whether or not you've got immediate plans to engage in the aforementioned lopping-off of your aforementioned Bad Boys, because the actual point of this dialectical exercise is to create a simple, easy to navigate, easy to understand conversation, which will set a foundation for further negotiations-- should you learn something new about each other, or yourselves, or the relationship as a whole.

either way, i do not think that letting it keep happening and keeping it to yourself is a good idea. i can understand feeling guilty about withholding some physical and emotional gratification you could give "easily" to this person you care dearly for, but trust me when i say that it's not the way to let it be. not just because it's unfair to your partner to secretly grow to resent them for a reason you don't want to vocalize, but to yourself as well.

you may not know it, but by keeping it to yourself you're slowly building up a resentment. that frustration actually shows up pretty clearly in your message. and even if what you're frustrated about is only that particular activity, that activity is irrevocably tied to another person. specifically, a person that you consider to be a pretty central pillar in your life. if that resentment grows, it can evolve into anger, hatred, fear, paranoia, and all sorts of nasty things. and even aside from the emotional and psychological damage that can do, it can grow into a physiological issue, where your brain wears out more and more due to the growing emotional distress ripping through your neurons with all sorts of "emergency" chemicals. like i said, the panic response is a physical pain, even if your body doesn't feel like it "hurts".

so. to summarize.

ABSOLUTELY bring it up. if you don't, it could become damaging to your relationship, and also your actual real life physical brain.

when you do bring it up, remember that the goals are to set a boundary, and to reach an understanding through mutual conversation. it's a dialogue, not a lecture.

when you reach an understanding, figure out if the relationship needs to be renegotiated in some way. that usually means new boundaries, or expectations. or maybe nothing! though surely your boyfriend can find more things to love about you.

that's as best as i can muster. you don't have to follow it, but hopefully it'll at least give you some ideas you can use.

[snakeredbirdbatkatana]

It was another competion the entire family all shoving and pushing each other into the car to see more of Damian's art.

Tim is excited for Damian.

He knows what it's like, to stand there and have no one show up. To be there all by yourself for hours the only one to visit your booth being the art teacher.

Ms. Carrington who would ask questions and ignore the tears that pooled in his eyes before helping him pack everything up, sometimes even driving him home because of course neither his parents or Bruce could be bothered to pick him up.

He can't really help the envy that he can feel building in his chest mixing with a good chunk of repressed anger.

A elbow being jabbed into his ribs distracts him.

"Hey what's with the face? Perk up Boy-Loser it's Damian's night."

He turns to Steph the smile that he had been attempting to plaster on falling. It's such a stupid thing it's a nickname so what if it's demeaning, he gets called pretender or replacement by Jason what does it matter.

"Do you ever think it's kinda fucked up that not a single person in this family calls me anything that isn't an insult?" He snaps.

She looks shocked. How fucking dare he have an ounce of self esteem. Someone alert the Media Tim Drake isn't a dormat.

He turns away sliding into the crowd.

There's less then half an hour left before he can leave. Pratically throwing himself down in the empty hallway as far as he can get from this entire night.

"Baby bird and Timmy aren't insults? Or are they I can't seem to keep up with the kids these days."

He turns, of course. You might be able to run from Batman or lie to him, but you can never escape the grasp of Big Brother Nightwing.

"So your admitting that your old?" he joins the banter.

His muscles start to unclench another superpower only Dick Grayson seems to have.

"Never, something you want to talk about?"

Does he? No. Should he? Yah.

"Maybe I just don't want be insulted every day of my life. So weird who doesn't want to be reminded they suck?"

He can hear the whine, he can also hear that everything he just said isn't gonna matter. You don't take whiny little boys seriously. And that's what he is.

"Hmm you know I get called Dickhead or really a lot of just penis related jokes. Always hated them not that it really stops anyone."

He looks finally making eye contact with his big brother. Because he's right. How many times has he heard anyone in the family other than him and Damian call Dick anything nice. Never not once. Maybe Bruce but he can't really picture it.

"Also don't think I didn't notice how annoyed you are with Bruce about this entire night, which I don't blame you for. You know I love Damian kiddo, but yah Bruce is not winning a mug from me or you."

He doesn't really want to acknowledge any of that already exhausted and he will have to apologize to Steph and if he opens the box it will be a car ride from hell home.

"Luckily for you I have a car parked a block up we can escape get ice cream and have a nice sleepover in bludhaven."

He wants to so bad, he wants to throw himself at Dick who knows him so well, who followed him out here, who isn't blinking, the only adult who has ever not somehow fucked him over.

"What about Damian? He will be pissed at me for stealing you or something. He doesn't need another reason to stab me."

He turns to look back at the floor.

"Foolish Drake I will be coming with you Father is being insesently annoying and I much rather talk about art with someone who has a brain cell."

Both him and Dick whip around to see Damian standing there a slight blush on his face hesitation making the corner of mouth twitch. He sees Dick looking on unsure. He doesn't hesitate.

"Thank god I know a great place with that Vegan Cookie Dough you like. What you waiting for Big Bird? Let's go. "

Climbling to his feet he grabs Dick and Damian dragging them to the exit he hears Dick's confused muttering sharing a secret smile with Damian before ignoring it.

The night is finally looking up.

[imthepunchlord]

I think that the main problem with Marinette is that she always gets blamed for minor things, but her bigger mistakes are ignored.

She also gets blamed for things that aren't her fault. Like Reverser I blame Nathaniel and his extreme expectations, and Refleckdoll, it was Alya who was making things worse for Juleka while Marinette was trying to help. Gamer's another as she did play fair and square, and won fair and square.

But yeah, ML has an issue with priorities. With the mindset that ONLY Marinette can be at fault, which has her at fault for things that actually aren't her fault or are minor things when there are bigger faults with others; and that, for Marinette's actual faults and issues, they don't focus on the actual problems.

For one thing, Marinette is a perfectionist, in her work and responsibilities, and in how she helps people. This leads to her being meddling and controlling. With good intentions but she can take it far. She even has this idea that only she can be the solution, though more in an Atlas complex way than being egotistical.

Which I'll give the show this, by how it's set up, Adrien and Marinette kinda feed this bad aspect of their dynamic into each other. Adrien goofs around as a hero or doesn't take situations seriously with his flirting at bad times, so Marinette feels like she has to step up more as leader and responsible one, and Adrien doesn't get a chance to take things more seriously or be the leader as Marinette doesn't expect him to, which leads to his frustration of not being as valued as a partner like he wants and he acts out, and Marinette sees she can't rely on him as much and it just cycles.

I know the show sorta tries to address this with the insistence that Marinette can trust Alya and doesn't need to shoulder everything, which is great, if they didn't take it back right away validating Marinette in being right in not trusting Alya.

Which man, that's one of Marinette's actual big issues, and you address it, and then take two steps back and reverse and vindicate the flawful mindset.

Another big issue is her over involving herself in this she doesn't or shouldn't get involved with, meddling included. She could do to ease back, let others solve their own problems. Like, Darkblade comes to mind (though there may be a better example). I do think it was a good episode, but you got Marinette admitting she's already busy, and doesn't want to be class rep, but steps up as no one else is. This is just an added responsibility she doesn't need but does so because she's involving herself in others problems.

This also leads into the other issue: Marinette's tendency to overpile onto her plate. They even focused on this in Gamer 2.0 but instead of doing a lesson of learning to ease up, take a break, and have fun (which Adrien could've been great for, heck, could've had them bond over a busy lifestyle); but nope, she passes Max off to her parents and continue being busy.

And of course, there's the big issue of her crush.

Like, they're 13-14 yos dealing with first crushes, they're going to be cringe and crazy as they don't know how to handle this, but they just take it way too far. And the extremes it's taken isn't even funny but concerning.

Marinette having his schedule.

The hoard of pictures.

Jealousy that spirals to extremes.

And having rose colored view of Adrien, to thinking he can never do wrong and feeling like she needs to protect and assist him, even at the risk of herself (Collector).

Part of the worst part about this is that this exists for the writers' amusement, taking it to unlikable extremes and not portrayed as really bad flaws that need to be addressed or have lessons about; which leads me to question what's the exaggeration and what can be more accurate/reasonable for the cringey, dramatic crush. Some of which could've been fine issues to fault her for and for her to get called out and learn from, but we don't get that, all we get is unpleasantness.

Oh! You could also cover Marinette's lack of prioritizing herself, and may not knowing how to take a break and have fun. Cause I don't know if this girl knows how to relax. And she definitely doesn't behave like a kid, but much older. Could even delve into the friendship problems she has not really connecting with her friends as well because she doesn't know how to be a kid, how to mess around and goof off.

Marinette has a good number of issues and flaws that can be addressed and worked with, but they pick the wrong ones to focus on.

[shiongenkai]

TD Captain Swap

I have crafted a captain swap so hilarious to me I need to talk about it so here's the stupidest thing ever.

Frostheim: Yuri

Vagastrom: Jin

Jabberwock: Ed

Sinostra: Alan

Hotarubi: Taiga

Obscuary: Haru

Mortkranken: Subaru

My insane ramblings below the cut.

My basic premise is that one day Darkwick is like. In order to promote harmony across the houses and establish rapport with one another we will be assigning captains to a new house for the next month. And then they do that. And it all falls apart immediately.

Frostheim

Yuri voice ill never go back. And then Darkwick is like okay you're too biased against them go make up!! And Yuri seethes so hard something in his body pops.

First off, nooo way he gets along with Tohma or feels comfortable in Jin's room. Secondly, Kaito? Kaito. Literally no way that guy won't scream every other day. It's not even that he dislikes Yuri, it's just that the rumors are too Big for Kaito not to freak out every single time. And Luca of course will not help this concern ever, and will ask for Yuri's history and why he seems so familiar with Frostheim stuff, and Yuri will have to decide how far morals can carry him.

Somehow someway everyone in this scenario comes out appreciating Jin just like. A smidge more. His Frostheim runs as smoothly as Yuri's Frostheim but there's something slightly more dignified about it.

Vagastrom

I really just need a Jin Leo bitch off. Leo trying to get info from Jin except he soundproofed his room again, Jin not giving a shit about what the two of them do which makes it considerably less fun despite neither Sho nor Leo being willing to admit that, Jin using his stigma when MC is around to force Leo to do things. It's technically functional, like Vagastrom doesn't fall to chaos after Jin asserts his dominance on day one, but it's like. Everyone misses Alan so bad. So bad. Sho and Leo would never admit it to his face but they prefer their captain over Jin even if most things haven't really changed.

Also I think the only reasons Jin would leave his room is if Leo was bothering him too much and even then it would take a bit. I think Sho's life wouldn't be changed a whole lot but he'd miss the sparring and also find Jin's philosophy like.... not strange or bad but too different???? Like yeah it's annoying to spar every day but it's also fun. That's his enrichment...

Jabberwock

This is what inspired it all. The exact sequence of events was that I thought to myself, wouldn't it be funny if Ed was in Jabberwock since it's usually pretty sunny and it requires a lot of work? And then I thought, and also Towa is there. And then I remembered Towa hates Ed and I laughed so hard I cried trying to envision Ed announcing that he's replacing Haru for the time being and Towa trying to electrocute him.

Ren and Ed would also be funny because as long as Ed leaves Ren alone I'm sure he'd be fine. And doubly so if he draws Towa's attention away from him. But I can't tell if after that it'd be funnier if Ren gets annoyed because Ed is actually high maintenance and if Towa isn't doing it then Ren definitely has to. And he'd hate that. OR Ed has seen all his movies and knows all his games and keeps trying to talk to him about it but in a way that pisses him off about it and he's like mad about that. Either way I can't imagine anyone in this house is happy about this arrangement and it's killing me to imagine.

Sinostra

You'll have to stick with me for this one because it's a very specific dynamic in my mind that I'm not very good at articulating but basically. Romeo is at first glad Taiga can't mess things up anymore (even though deep down he misses him) and glad Alan is capable of scaring people straight just by Looking but then Alan is like hey this operation isn't very honorable. It's a low blow to threaten and intimidate and cheat. And then they butt heads about it endlessly.

Which is why Ritsu has to come in and be the equalizer but Alan can't take him seriously because he's like you're way too skinny you have no muscle what is your diet what's your trianing like. Spar with me. And Ritsu, embarrassed and offended, is like ILL HAVE YOU KNOW IM WORKING ON IT. And Alan genuinely offers to help but Ritsu is too used to Taiga and lowkey assumes Alan is making fun of him. And Alan is sincere. So he keeps going.

Hotarubi

PLEASEEEE PICTURE IT. THINK ABOUT IT. Think about the Haku Taiga prologue dynamic and make that daily life. Now add in the fact that Hotarubi is meant to be traditional Japanese themes with grace and tranquility and then imagine Taiga is there and try to tell me that's not the funniest shit ever.

And then add in Zenji. We already know Taiga can see or sense more than others so I would bet everything he could probably sense Zenji in some way, which he honestly probably wouldn't care about but I think he'd care a lot about the doll or the biwa. Basically I think he'd try to eat it. I think he'd try to eat something and it would be chaos and hilarious and please just imagine the three of them together. Please. Please. Please.

Obscuary

House Simulator. This is the only truly fully functioning house with no problems outside of Lyca complaining about noise and annoyances and so on so forth. And that is because Rui and Haru are so used to doing like 100% of the work all the time that they both try to do it and end up finishing all the work in half the time since they've split it and now they randomly have free time??? And it's so strange??

Haru helps with breakfast and cleaning and taking care of the animals and chores and so forth and Rui helps with Peekaboo and relieving Haru's exhaustion and it's basically such a functioning pair that it's almost scary. Like Lyca is scared. But also Haru smells bad and is too high energy and LOUDDD so he's in his rebellious teenage phase atm.

Only downside is that Haru has too much bar access and has to be cut off but it's a small price to pay for a house that isn't up in flames by day one. Unfortunately it can't last bc Haru would miss his animals and Rui would feel too worried about hurting Haru so when they swap back both have made peace with it. And Lyca will still kick rocks they couldn't have Subaru.

Mortkranken

I think Subaru would become a legend very quickly but not because he's this secret medical genius but because he seems to have this uncanny ability to guess things. And the secret is that he is using his stigma fully on accident and seeing what they were up to and then Jiro is figuring it out from there. And he keeps trying to give Jiro credit but nobody will listen.

He's also squeamish. Like he can't handle blood so when Jiro is like 'Move that to the other table please' Subaru is happy to and moves this weird lump under a sheet and the sheet falls off and its a severed arm and Subaru faints. and Jiro laughs for a second before putting Subaru on the table and making sure he's like actually okay. And they are both very patient with one another and very cordial. But it's so so awkward. And Subaru honest to god does not know how to take care of Jiro and is constantly having to ask Yuri how to do things except Yuri is always occupied by Frostheim so Subaru has to follow Jiro's instructions and they are both praying Every Day.

And that's also why they're both happy when its over. Not because it was bad or they dislike each other but bc they're both glad Yuri will come back and it won't be Does Jiro Die Today Roulette. and then Subaru goes to Haku and grabs his shoulders and is likep lease do not start dying ill cry right in front of you forever. and Haku just nods slowly.

[darklinaforever]

First picture :

Second picture :

The first person is aware that Lydia could remove the files from her mouth at any time? Literally, she takes them off on her own to talk when she gets tired of them! Beetlejuice is a very powerful fucking demon, if he wanted to completely silence Lydia he could and would have done so. However, he didn't do it. I'm tired of seeing people make this situation worse when in reality it's not as restrictive as it seems.

Same with the baby's delusion, which yes, is admittedly very disturbing at first and the only real reprehensible thing that Beetlejuice does to Lydia in this film in my opinion (because with the song that is played at their wedding ceremony and the how easily he lets Lydia send him away (I'm sure he wasn't really planning on marrying her this time). But then again, he didn't actually get Lydia pregnant ! And she didn't really give birth to his demonic child either ! And she seems to get over that weird, disgusting prank made by Beetlejuice pretty quickly.

Also, I don't know why but I never had the impression that Beetlejuice had traumatized Lydia in the first film as an attempt to affirm these people, particularly the second.

Literally, she doesn't seem to have any after-effects in the first film, and the sequel proves it even more. At what point in her scenes with Beetlejuice himself does Lydia seem to be truly afraid of him or particularly traumatized by him ? And I'm talking about the scenes where she is with him in the flesh. Because the moments when she thinks she's hallucinating his presence, it's logical that she panics. But no, she never seems terrified of Beetlejuice himself.

Not even at the famous wedding, contrary to what the second person says. This is bullshit.

The scenes where Beetlejuice makes declarations to Lydia like the serenade or the marriage, she doesn't seem disgusted (except when he throws his heart in her hands and that's somewhat normal) or terrified, or both.

She just has a face that generally says : Wtf ? Because the situation is WTF ! This wedding scene is not at all portrayed as creepy in the first place !

Frankly, it's bad form to say the opposite for me ! It’s deliberately turning a blind eye. Beetlejuice is a horror comedy, these scenes are above all funny with touches of bizarre and gothic !

The actors love their characters together, including Winona who totally ships them. To say that she played her character as being terrified of Beetlejuice is bullshit.

And even if his acting was out of step with the script, that's not the case. Because once again, Lydia is not traumatized by Beetlejuice even through writing.

Aside from the fact that Lydia doesn't want to say Beetlejuice's name to avoid screwing up her life again (and we understand), there is nothing that indicates a real fear of Beetlejuice, the individual, in her !

And no, Lydia does not have any trauma that caused her to hallucinate the Beetlejuice presence. We know it, we see it, Beetlejuice does this on his own, so when Lydia sees him it's real. These are not hallucinations resulting from trauma at all !

Yes, Beetlejuice is problematic, obviously he's a demon ! Yes, Beetlebabes also has problematic aspects, obviously since once again Beetlejuice is a demon !

(That's literally the whole appeal of this ship between these two... Nobody likes Beetlebabes because it's a healthy relationship !)

But I'm tired of people trying to make it worse than it is.

In this sequel, Beetlejuice literally saved Astrid, Lydia's daughter, and he also saved her from marrying a complete asshole !

Not only that, but the way he pursues Lydia, or courts her if you prefer, isn't really cringeworthy.

He helps her save her daughter. Saves her from a bad marriage. He plays the serenade. Gives her a hand kiss. Is ready to accept Astrid as his child. Offers her his beating heart (yuck), etc. Frankly, it's a good overall approach for me !

And even if it's frankly not cool to haunt her in recent years, the film suggests to us that it's really due to a connection between the two characters. So that balances it out a bit.

Frankly, the antis greatly exaggerate the issues of ship Beetlebabes and the character of Beetlejuice.

It's like those who say he's a pedophile, when he only seeks to marry Lydia for convenience in the first film, not because he has feelings for her. Plus people seem to forget that Beetlejuice comes from an era where girls generally married at the age Lydia was in the first film...

But hey. Really thinking about these is a bit hard obviously for the antis.

And I'm not even going to bother talking about those (like this second person) who think Beetlejuice having a picture of Lydia from the first movie on his desk is creepy...

[dronebiscuitbat]

Give me a Reason: Chapter 19 - "Best Freind"

N: U sure ur okay?

Uzi sighed as she crashed into her mattress, body feeling sore and head full of cotton balls. Tessa had just pulled out of the driveway and N was already texting her.

She wasn't sure when they'd actually become friends, maybe somewhere between ghost hunting and getting kicked in the gut she'd somehow made that connection. But she was absolutely not used to someone being this worried.

He'd incessantly asked what had happened for her to get so injured. And she'd incessantly deflected, either saying that it was nothing serious- which was bullshit, it hurt like hell. Or, at the cost of her ego- she lied and said it was an accident.

She just wasn't sure how he'd react to the truth, he'd probably be even more worried then, knowing that someone did this to her on purpose.

Or… he'd laugh at her. Because she was weak, because she'd put herself in a vulnerable position and then couldn't take a little pain an-

N: You can talk to me.

N: No pressure.

N: Just worried about you :(

The new messages stopped that train of thought. No. He wouldn't laugh. Even her chronic cynicism couldn't convince her of that.

Finally, instead of staring at his messages, she responded.

Uzi: Promise you won't say anything? Or laugh.

N: Promise

She sighed, here goes nothing…

Uzi: I got kicked in the stomach, u know how I seemed upset that I knew someone in my math class? It was them.

The reply actually took a minute to come back.

And that was because N had all of air knocked out of him at that reply. She'd been hit? Purposefully? And hard enough to give her a serious injury? Why? She was so nice! And cool!

N: Who?

Uzi: Lizzy, she's a teachers aid now, but she was in my class last year.

Uzi: It's not the first time she's thrown a punch, just caught me off gaurd this time.

Once again, N was floored, a teachers aid!?

N: I'd never laugh at you. But you should report her, she shouldn't be working with students if she thinks that's okay.

Uzi huffed through her nose, a half-laugh that was drenched in a depressing kind of acceptance.

Uzi: It's not like they'd believe me. I'm not exactly a model student.

She sat her phone down and shucked off her jacket and beanie, hissing as her side throbbed dully. This had been such a day…

Her hand instinctually reached for her stash drawer before she even realized, and in another, she was looking at it's false bottom.

As tempting as it was- and it was very tempting. Drug mixing wasn't smart even if one of them was just an over-the-counter pain reliever, and adding a bad trip on an already shitty day didn't sound fun.

So instead she wrapped herself in the biggest, comfiest shirt she could find and grabbed her laptop, maybe she could distract herself with YouTube.

N: What do you mean by that?

Oh right, she'd never mentioned the fact she'd been held back to him, whoops.

Uzi: I was held back a year. I'm 19.

N: Oh wow! You're older then me!

N: Still it can't have been that bad. Failing a class isn't a reason to not belive you.

Uzi smirked, fingers clicking on the keys of her laptop as she tried to find something to watch- settling on an analysis video of one of the shows she was watching.

Uzi: I was high in class and a teacher called the campus police.

It took nearly twenty minutes for him to respond to that.

N:Sorry, got home and had to get up to my room.

N:You were WHAT?!

N: That's a crime!

Uzi: And so is trespassing on JCJenson private property to ghost hunt.

N blushed, now laying on his bed in a grey pajama shirt and pants with dogs printed on them, he held his phone close to his face as he grumbled, she had him there, but that hadn't really felt like a crime at the time…

N: I think you're a bad influence.

N: Also you're deflecting, drugs are bad! And unhealthy!

Uzi rolled her eyes at that, he wasn't the first person to tell her that. But you know what was worse? Dealing with herself unmedicated, without her stash, her head just got fuzzier and fuzzier, and before she knew it… she'd be having a full mental meltdown at the slightest provocation. Which she hated, she never felt like herself during those…

Uzi: Probably. But you see why they won't believe me over miss perfect.

N: Yeah okay, now I'm gonna be worried tho. I don't want you being hurt.

She smiled at that, this boy was so endlessly empathetic, and thankfully, her unloading some not-so-great facts about herself didn't seem to put him off either.

Uzi: Ew, don't worry over me. That's gay.

And yet she couldn't help but make a joke over it.

N: ???

N: how?

N: how does my worry make me gay?

Uzi: It's not manly.

Uzi: Empathy is a girly emotion.

She was snickering to herself, she didn't actually believe that of course, but she could almost see his reaction to it. That stupid, confused and amused smile that he wore when she made a particularly dumb joke.

N: Guess I'm gay then.

N: Cause I'm always going to worry. You're my freind.

N:Best Freind?

Her heart fluttered full of butterflies at that. Is that what he wanted? From her? She was so convinced he'd find someone else to hang out with but here he was, asking to continue this…

Whatever this was.

Uzi: Always knew I'd end up with a gay best freind.

Uzi: u can't borrow my makeup.

N: Awww, but it would look so good on me!

Uzi thought about that for a moment, imagining N with dark eyeshadow, lipstick, and black nails, and she about choked, she wasn't sure if it was funny or weirdly attractive.

Uzi: Dude that mental image.

Uzi: It's so cursed, I about choked.

N: Blursed

N: It's Blessed and Cursed

The conversation continued, the fuzz in her head slowly dissipating even without the assistance of her stash, and it continued late into the night… up until she heard Khan pull onto the driveway at 2am.

Uzi: Oh god, it's 2am. We need to sleep.

N: I didn't realize! We're gonna be zombies…

Uzi: More of a zombie u mean?

N: Yeh. U still in pain? Are u going to sleep ohay?

N: Okay* oof, sleepy fingers.

Even while about to pass out. He was still worried…

Uzi: I'm okay, pain isn't bad. U need sleep N

N: Ok, text you tmmrow, Uzi. Goodnight.

Uzi: Night N.

[purpledemonlilyposting]

Oh good the Lorch is sending herself asks about me again.

[Lily's Post]

Oh yeah Lily calling marginalized people a "pick me" for not having the same exact opinions as you doesn't make you look bigoted at all.

Unlike you I don't think children's cartoons are activism. And my pointing at that some people like to try to downplay the lesbian themes in Steven Universe, or at least the way lesbians interact with the themes of the show, actually has nothing to do with the show itself.

Hey Lily did you know I also really don't like the word queer being thrown around, refuse to call myself that because it means strange and also dislike "anti-assimilationist" types?

Speaking of which:

[Lily's Post]

Yeah I say that about the kids telling me queer has been "reclaimed" for me. I would think you'd agree, Lily.

Those are two completely different concepts you dumbass. We can have gay content in mainstream media without it being insulting dreck driven by rainbow capitalism.

Lily is the one who basically wants the Hayes Code back. She wants every show and movie to tell her who is good, who is bad, what to think and for the bad guy to get thrown off a cliff at the end.

Lily just because those are the only two pieces of media YOU know I like doesn't mean that's all I like or have ever seen. Have you seen But I'm a Cheerleader? How about Saving Face?

Hey Lily if you'd actually watch my responses to you:

No I sneer at shows with bad depictions of gay characters when they have bad depictions of gay characters. Especially when they break their own spines patting themselves on the back for it.

Are you trying to get ahead of my VOD you falsely struck going back up on Thursday? You know the one where you said an early 2000's flaming queen stereotype in some shitty Alicia Silverstone vehicle was super good "gay rep" because you had some retarded need to paint a narrative that Canadian cartoons "did it first"?

The whole "she's just mad other shows are outpacing things she likes" lol it isn't a competition, dawg. That's you, Lily. That's how you think.

This is how I know its a self ask.

Yeah that's why in my reaction to James Somerton's somehow EVEN WORSE takes on Utena than yours I kept saying things like "Utena isn't really that hard to understand it just tells it's story in a very abstract way".

Also if you think the Sword of Dios is "the sword of patriarchy" you really didn't get it but much like James here I doubt you ever even watched it, Lily. I look forward to your "In a Nutshell" video where you will read out TVTropes with zero context and get everything wrong.

Lily I hadn't watched the show fully in over 15 years when I made my very first video on you. I wasn't even expecting to talk about Utena you just went on a tirade about it in the middle of your 2023 Steven Universe video.

In fact, the reason I even cut that video in the first place is I was so impressed with my own recall of the show. And then it got 5k hits out of nowhere on my then completely unestablished channel because people just hate your takes that much.

And now making fun of you has paid for my new GPU and CPU. No Man's Sky is running great and I'm ready for Dragon Age Veilguard so cheers!

[hollowed-theory-hall]

Hi!! I just read your answer about Harry s treatment at the Dursley s... How do you think did he manage to grow up as a kind and mentally stable boy despite it (not that he was happy, this influenced his development a lot, but it could have gone so much worse )?

Or was it just necessary for the story that he does?

Well, people can react to trauma and abuse in a lot of different ways. Some lash out, some try and be kind and helpful, and some want to keep as far away from people as they can. Humans are varied and react to a lot of different things in a lot of different ways. There is no universal "right way" to respond to trauma and abuse. Yes, Harry could've been worse, but then he wouldn't be Harry. There's a discussion of nature and nurture here that I won't go much into, but Harry's nature, and who Harry is outside of his trauma and abuse affected how he responded to it. And Harry is an incredibly strong-willed person, so his response to trauma innately isn't to break — it's to fight. We see it often in the books, and I think the reason he turned out the way he is, is because this aspect is part of his nature. Enough part of his nature that he could resist the Imperius on his first try.

Besides, Harry has behaviors that are a result of his abuse, they're just more subtle. But they are definitely there. Harry doesn't trust easily, and when it comes to adults and people of authority who should keep his interest, he trusts even less. He knows he can't count on them. This is why he takes so much responsibility for himself, the adults in his life could never be trusted. He is incredibly feisty, always guarded and ready for something to come at him. This constant vigilance is a result of his abuse. You see the years of the Dursleys in how protective he is of his friends, of how desperate he is to fit in in first year that he changes his behavior to be more similar to what everyone else is doing — so he won't be a freak. How unwilling he is to hear that he's special, because at the Dursleys — special was bad. How Harry doesn't let Umbridge see he's in pain when she makes him use the blood quill because he knows that's what Vernon and Dudley wanted to see and he isn't giving them the satisfaction. How quiet Harry is. Because Harry doesn't actually talk a lot when compared to other characters, his voice was never something the Dursleys wanted to hear and he's good at pretending he doesn't exist.

Harry's anger (which I adore) is a defense mechanism. His anger issues are likely the result of being constantly in this hypervigilant state and constantly feeling under threat. Harry is ready to fight at the drop of a hat because he's constantly in fight or flight mode. This is a trauma response. Reaction to abuse and trauma doesn't need to be obvious and glaring and what you expect. It could be a lot of little things. and Harry's reactions and behavior all show signs of him having experienced trauma that he didn't quite unpack. He can come off as okay because he's trying very hard to appear that way, it's part of his defensive mechanism. Acting like everyone else so he won't be called a freak — but it also hides his abuse and his responses to it. Only in books 4 and 5, do we start to see Harry being more vocal in his sass to people other than Ron and Hermione and inside his own head. Like, he overcame things within himself, he had a small, subtle arc, but that's a lot of times how these things are. Subtle.

I think his compassion is an inherent part of him. Like, I mentioned nature versus nurture, and I think a good chunk of his compassion is a result of Harry's nature. But, his nurture (that is, the Dursleys' abuse), I think, did exasperate it in a certain way. While abuse and trauma can make someone less sympathetic, it could also make them more so. In Harry's case, I think a lot of his compassion comes from a place of sympathy. Of being able to see himself in someone else's shows because he knows what it's like to be treated like you are worthless. So, he'd never treat someone else in the same way. Even when Harry hates someone, his hate comes with some, well, I'd call it base-level respect. Even people he hates are people in his eyes. He is willing to kill them and hurt them if he deems it necessary, but he never forgets they are people. Even if they're house elves or goblins.

As for if it was necessary for the story, I mean, Harry Potter wouldn't be Harry Potter without the cupboard under the stairs. So, yes, him having a good childhood would change the books, but would he be kind and compassionate without years of abuse? Probably.

[raayllum]

Moon Arcanum Callum + Sun Arcanum Claudia in S7?

Callum getting the Moon arcanum has been a fandom... not theory, but shall we say, prospect, since even before S4. Some of this was because of the seeming set up in previous seasons, such as:

Callum having a hunch that the cube wasn't glowing due to the Moon, and being our first hint at illusions on the Cursed Caldera (1x09)

Lujanne explaining the secret of the arcanum (as she understands it) to him in 2x02

Callum doing moon arcanum spells (3x08, Through the Moon) much the way he did Sky spells before unlocking that arcanum

Callum employing aspects of the Moon arcanum in his plans (3x01 with tricking Sol Regem, creating the illusion pearl in 6x01)

His growing relationship and understanding with Rayla, and potential involvement with her family/village

But especially:

This is of course already reflected in spades in his arc as a mage. Everyone, Lujanne included, believes that humans can't do magic. She treats this as absolute fact and destiny, but Callum perceives it as subjective truth; why can't he just make his own connection and do magic anyway? And in doing so, he changes the world. He creates a radically new, better reality.

With season seven's synopsis on sacrifice and life and death, both things we see tied heavily to Moonshadow culture and the Moon itself, I could see Callum connecting to the Moon arcanum next season for a few reasons (and potentially Claudia with the Sun arcanum, which I'll get to after). So let's get into it.

Precursor

Previously, if Callum was going to connect to the Moon arcanum, I'd speculated it'd mostly be around ideas of the consistency of Love (light or dark, the moon is always the moon) and his love for Rayla being his light in the darkness / the one constant truth of his life. I don't think this anymore, obviously, because we got all those things through the Star truth light ritual beat for beat and we're not going to be repeating, but I did think it'd be worthwhile then to revisit what a Moon arcanum could mean for Callum under new context / emotional epiphanies. I've also always thought either Earth or Sun would suit Claudia, but leaned more towards the latter, so we're gonna talk about that, too.

Truth and Lies and Aaravos

As Lujanne explains in 2x02, the Moon arcanum is understanding the true nature of the relationship between appearances and reality, and we can only understand the appearance itself. This feels like a very fitting idea to come back to with Aaravos, who ostensibly never lies but routinely withholds or presents not entirely correct information. "How may I serve you?" when you're just going to be a pawn. Not telling a mourning Claudia that he was indeed the one who killed Viren so that she'll continue to do his bidding, with Claudia asserting that Aaravos "didn't lie" about the ritual in 6x01, and he didn't. We also see him wield the truth as a weapon with people like Khessa ("would you like to know the truth of her fate before you meet yours?") and Sol Regem (more on that here.)

Everything that he says is truth to him, and then he lifts it up as being objectively true (i.e. you're destined to play into my hands) even when it isn't necessarily true. We can also see Callum veering into mindsets that Claudia and Viren have had, where he believes he's past the point of saving ("I'm ruined, it's too late for me" "Promise me you'll kill me") or removing his own agency by admission ("Finnegrin was going to kill you, I didn't have a choice" / "Every step forward is a choice").

Callum understanding Aaravos' or others' actual truths versus their lies and the ones he's believing could be very fitting in S6, especially if he might be learning more about the existence of the Cosmic Council and who made their world the way it is. I think his existence may help lead to that "slow spiral of chaos" but that it won't be just or even Bad at all the way they'd feared, etc.

Claudia is also linked to lies and truth. She lies to others, but Aaravos notes that "If you tell the truth you will lose her," and she goes looking for her own deep truth in S6, but doesn't seem to fully find it. Terry asks her "What do you need to find your one deep truth?" and Claudia says that she needs her dad, but she and her mother have also made it clear that she "needed to stay with Soren" and her family (vs Viren telling her to pick the egg over Soren). With Viren gone and Aaravos manipulating her, Soren could easily be one of her guiding lights next season or in future seasons.

The Pearl

The moon is analogous, framing/appearance wise, to the prison. This is alluded to in 5x09 through framing, and then made even more direct in 6x09: Aaravos escapes his prison thanks to Claudia and (unbeknownst to her) she has become the prisoner, much like how Callum may physically free himself from chains in 5x08 but magically/emotionally chains himself further to Aaravos, or Viren shouting while in chains that he's finally free of the dark puppetmaster.

Basically, when Callum says in 6x01 that he's inside the pearl, I don't think (as of S6 / probably first half of S7 at least) that he's ever gotten out of it. Aaravos uses him even after his nightmare, and we know thanks to the pawn intro that Aaravos' final machinations for Callum also haven't yet come to play. I've been wondering if the Aaravos intro is going to change in S7, since he's out of his prison — and it still may — but if we look at it from the angle of Callum and Claudia both being stuck within the moon/pearl rather than just Aaravos himself, maybe it could stay.

And if Callum is stuck inside the moon-pearl, shattering it by understanding the arcanum ("the whole world is like a giant primal stone, and we're inside of it, and it's also in us") and/or with Claudia moving to the opposite of the moon could be useful, especially since Karim is a corrupted sun in his own way. Speaking of which let's talk about

Light and Dark

We know thanks to Claudia that black and white, or light and dark, are not always clear cut. Her hair thanks to her dark magic use changes like phases of the moon, with the light being bad and the dark being good. Conversely, her path is a dark one with the path of truth and light being withheld from her. In a similar manner, we see Callum's light (Rayla) being what led him into dark magic use and what led him out of it, and will likely see this pattern play out again. Aaravos is a representation of a path of darkness, but we also see the cube flashing a bright light in the pawn intro, tying light and darkness together for him as well.

Callum's understanding of himself that he gained through the Ocean arcanum can not simply become untrue or disappear, so I think recognizing that darkness isn't all he is ("I'm ruined" / "your heart's not full of darkness" "Neither is yours") even if there are dark parts of him and of his life would be fitting. It also seems that could be helpful with Claudia as well, and even characters like Ezran, who will have to wrestle with darker parts of his emotions/personality next season as well with Runaan. They've all got light and dark inside them, and learning how to walk in that balance and still break away from the Cycle / Aaravos is useful. As Ezran said in 4x03:

I just want to yell stop. But that’s not enough. It won’t work. I think about a positive vision, a faith we can all share, that we might build a future together in hope. A future where we can be safe with each other.  But… It’s not that easy or simple. Because people are still hurting and they are still angry. We can’t ignore that, or pretend it will go away. Somehow, we have to hold it all in our hearts at the same time. We have to acknowledge the weight of the pain and loss, but open up our eyes and allow ourselves to hope and maybe forgive and love again. We have to give today’s children a chance to inherit a future filled with peace. To give them that, we have to hold pain and love in our hearts at the same time.

Claudia's love for her family led her to ruin, but it can also save her through Soren. Callum's love for Rayla led him to ruin, but it has also saved him (and again, we'll likely repeat this pattern). Ezran's love for his father will lead him to anger but also pull him out of it, just as Viren's love for his son caused him to begin his journey of terrible things, but also guided him to do one final, truly right thing by the end.

Love is light and dark. Claudia, who's been walking in shadow, needs the full light - the sun, in the form of her brother. She needs to accept and see the truth of what's happening and step fully into the light. Callum, who has been routinely worried of the dark within him, needs to the reminder that he's not all he is, that he has light of his own inside. In doing so, he can break Aaravos' control over him and give hope to any other dark mages / humans in general that no level of corruption is too late to come back from, and that there is always light amid the darkness.

Life and Death

The stakes have never been higher as Aaravos and Claudia are on the warpath, determined to destroy the Cosmic Order and invert life and death. With the world’s fate on the line, our heroes must be ready to sacrifice everything to save it.

In Bloodmoon Huntress, we get a very different peek into how the secret of the Moon arcanum can be thought of through Runaan, who is peak Moonshadow-sacrifice elf man:

Moonshadow form is only achieved when we understand the balance of life against death. Balance is weight against weight, and to understand the weight of death you must feel the weight and value of another's life. Think of those you love, of who you hold most dear. Now think of the souls who have touched your life. Understand that each time your weapon meets its target, each time we fulfil our duty, the potential for that soul to change a life—to love another—is gone. We may remove hate, but we remove the potential for love as well. Moonshadow form is only achieved when we reconcile this balance between life and death.

While Claudia with her hair and dark mage-assassin parallels could unlock the Moon arcanum—especially if her perspectives continue to change—I think Callum as the Protagonist is better placed at this time to be the one to understand the balance between life and death in a season where the antagonists are trying to invert/destroy it. Him therefore understanding appearances and changes, how to control his own and see through others', understanding that balance between life and death, feels very fitting.

Callum's fear of Aaravos and dark magic comes from the fear that he's changing—"I hope you're careful, cause [magic] can change people" / "the corruption takes innocent creatures and changed them"—and that death would be better for him than life if he goes too far. Learning these things aren't the case and that he can get back to the middle (and indeed, "real trust is about accepting even the dark parts we will never know" could be about Rayla accepting he may not entirely swear off dark magic again, the same way Viren kept that door open to do Good) would be useful.

It would also mean the two mage characters most drawn into Aaravos' darkness get the Moon and Sun—the arcanums most associated with light—to banish said darkness as well. Claudia finally being an uncorrupted light and chasing life, not death, and Callum, learning how to be balanced and that he can maintain his identity / use Aaravos' book and key without fearing that he'll lose control.

The fact that Claudia's eclipse imagery only started the same episode she lost her brother, and that her Laurelion dragon-scale necklace is very Sunfire-y looking...

Conclusion

TDP for Callum and Claudia has always felt like a parallel coming-of-age mage story between the two of them, leading to the amount of similarities and diverging plot beats the two have, down to doing the same spell at the same time but in different locations in S6. The Sun arcanum is associated with truth, light, and healing, whereas the Moon arcanum is associated with change, life + death, and secrets/love. All of these things could be nicely brought to a head with Callum and Claudia each unlocking an arcanum of Moon and Sun respectively, showcasing their differences, their continued room to grow, and light amid the darkness.

While I could see alternatives like Sun for Callum and Moon for Claudia, Stars for Callum or no arcanum for either of them, I think these are the ones that fit best at this time / Stars will likely get saved for arc 3 given that arc 3 will probably focus more on rewriting destinies and the Cosmic Order as antagonists.

As always hope you enjoy and Dragons out!

[werewolfsister]

PSA: COMIC DRAMA

I've been slowly receiving critical, entitled, and passive-aggressive messages about the way I've been writing my comic! I wanted to address this behavior.

That being said, the majority of my readers have been nothing but positive! And when they spot a problem, they're kind about it. I really appreciate this; thank you to those who choose to be civil.

I'm making this post to address some issues, complaints, and questions I've seen. Let's take a look & see what we can discuss!

READ MORE UNDER THE CUT!

🦈-> I want you to use my character in your comic, but you're not using them! Sometimes, a character doesn't quite fit my vision for the comic-- even when they're designs that I love! I really do try to use as many people's characters as possible. I think it adds to the world & makes the comic feel more full of life! But I can't accommodate everyone's desires.

🐟->You're using my character in your comic, but you're not giving them enough screen time! Similar to the above issue, sometimes I don't think focusing on a particular character for any longer will serve the story well. Ultimately, I have final say on what happens in the comic. My advice is, if you feel your character isn't appearing enough, make your own content! Draw, write, craft, etc like I mention farther down below!

🐠->You said you were going to use my diplomat/character(s), but you only drew them in 1-2 panels. Why aren't you using them more? Similar to the points above! I was never planning on going into a TON of depth with the diplomats-- the comic focus also drastically changed, as I mention below.

🐡->You're using characters in the story that I don't like! Ahh that is too bad, but! In that case, you can always take a break from the comic & come back later to check if the characters are no longer being used, or maybe stop reading the comic altogether. However! If you have concerns with how the character is portrayed because of legitimate sexual/violence/illicit/illegal issues, then that's another issue entirely and you should let me know.

🪼->I thought this story was about rescuing Kenne, but now she's not even in the comic! I don't like the way this story is going! This is a big issue some people are having and I completely understand. There's been a lot of things going on behind the scenes that I haven't explained, which must be generating a lot of confusion. Originally, @kenneduck and I were collaborating closely on this comic. Recently, the dynamic shifted, and we're now working on the comic separately. @kenneduck is now responsible for the part of the story that heavily features her characters, i.e. Princess Kenne's perspective of the rescue, her rescue effort, and what's happening in the Domain of the Luminous trench. I am now working on a different angle of the story-- the diplomatic efforts of Zora's Domain in their attempt to negotiate for Princess Kenne's return. So, the story is still the same... the focuses have just changed and split!

🦑->You reblogged my fan art and/or linked it in your comic directory-- does that make my content canon? Oooh, this is actually kind of a tough one! Normally, if something is in the comic directory, I consider it to be canon to the story. So, if you've drawn something, and I add it to my directory for a comic chapter, I'll consider it to have happened in real time. THERE'S AN EXCEPTION! And it may be confusing, so I'm genuinely sorry! If you have drawn something where you are heavily modifying someone else's character--this means cosmetic changes, giving the character children/spouses/family, killing the character, altering their personality-- WITHOUT THEIR PERMISSION, then I cannot accept that as canon. It's still fantastic that you drew/wrote/created something and I will probably put it in the MISCELLANEOUS section of the comic directory. I'VE MADE MISTAKES ON THIS! So, I've since updated the directory. And, sorry for all confusion on this issue! If you've made something & intended it to be canon, let's talk about it!

🐳->I want to collaborate with you on your comic, can I do that? That's awesome! Maybe in the future, but right now I'm not taking on any more partners. Maybe you can make your own separate additions, with your character(s) like I mention below!

🐙>I want to make fan art, can I do that? You absolutely can. Go for it. This was originally meant to be a very interactive comic, so draw/write/create away!!!

🦀->I want to draw my character(s) doing something in the world of your comic, can I do that? You absolutely can. Go for it! Like I mentioned above, however, I may or may not deem it canon to the events of the comic. But even if I don't, I'll add it to the MISCELLANEOUS section of my comic directory! ...as long as you don't alterate someone's character without permission! If you've made something & intended it to be canon, let's talk about it!

🐬->I want to make a character based on a Domain you created/idea you drew/etc., can I do that? Of course! Go for it. I love seeing what people make!

I know this is a lot of text, but it's better to be comprehensive! Please, keep in mind, I'm just one hobby artist making a comic for fun, with the spirit of interactivity and collaboration in mind. But it's impossible to keep that spirit going when people feel entitled and demand things of me that I am not obligated to give.

I queue out my pages several weeks in advance with the help of the people I'm working with, so what you see in the comic is the product of a lot of thought and work. You're getting something for free here, y'all. It ain't so serious!!!!

Anyways, thanks for reading this! And for reading the comic! Peace out ✌️

[respectthepetty]

Sun x Moon in The On1y One

I wrote briefly earlier about the “looking at the moon” scene in episode eleven of The On1y One, but regardless of how this cookie crumbles in the last episode, I think this conversation was excellent.

The boys are the sun and the moon, which I wrote about at the midway point of the series.

Wang is sun-coded. He is yellow and orange. He is openly friendly to his peers and warm toward them.

And the show has stated that he is the sun like when Wang was teasing Tian about the love poems he marked in the book, all the love poems were about the sun!

A girl's shyness is like a tender cherry under the sunlight; 16- and 17-year-olds are like fruits in the morning sun, sparkling

Therefore, the love poems were about Wang.

Tian is moon-coded. He is blue (and black). He isolates himself from his peers and is cold toward them. And now the show is stating that.,

But just like the book of love poems that revealed how Tian feels about Wang, we get an indirect glimpse of how Wang feels about Tian through this conversation.

It doesn't matter how good or bad the subtitles are because the focus is that Tian views the moon as something bad.

Life has it's ups and downs just like the moon waxes and wanes. It feels like everything connected to the moon is sad and full of regret. The moon shines on Earth every day, but only lights up half of it. Is that half kind of an eternity?

Tian thinks of himself and his life as sad. Everything that is connected to him, he thinks is full of regret. And he only allows people to see his outside by never letting others in. Yet Wang started this conversation off by stating his mom loved the moon and the Teresa Tang song, which we all of know since it was also featured in Moonlight Chicken!

"The Moon Represents My Heart" is an extremely popular Chinese song:

You ask how deeply I love you And just how great my love is My affection does not waver And my love doesn’t change The moon represents my heart

So not only has Wang established that he was raised to love the moon, but he also mentions this song which declares that he feels very deeply for his love and the fullness of the moon represents that love, which is probably why in the fourth episode, he was on the moon when his rocket ship came to get him.

In response to Tian's comments about the moon, Wang offers his take on the moon:

I don't agree with that. I think the moon often symbolizes light and hope, so even if it's only half, or just a moment, a second, as long as it's imprinted in your mind, it's eternal.

The conversation began because Wang's mom would ask his dad to pick between the moon and the sixpence, and in this, we see the great debate of love versus money, the future versus the present, and the abstract versus the practical. The moon is far and can't be held yet the sixpence is close and can be held. The moon would take time to get to, but the sixpence is within reach. The moon is a thought since it holds no value that can be seen, but the sixpence is money that can be used! And that's why the moon is love. And that's why Tian is the moon.

The Eclipse, Big Dragon, and Moonlight Chicken are just some BLs that gave us this sun and moon,

And the thing that they all get right is that the moon isn't the negative while the sun is positive.

The sun can burn. The sun can blind. The sun can harm. So it isn't always the positive entity that people tend to make it out to be. But the moon offers light in darkness. The moon guides the water in and out of the shores. The moon gives hope and guidance to those struggling.

So Wang's mom wanted him to pick the moon because she wanted him to pick love. She wanted him to see the possibilities rather than settle for what he had, which wasn't much. She wanted him to look to the future instead of worrying the present. She wanted him to not fear the distance, but instead know that the moon would guide him toward it. She wanted him to have hope.

And Tian gave him all of that.

So the conversation is lasagna. It has layers. It's about all these different things, but all these different things are the same thing. It's about Wang's mom. It's about the moon. It's about Tian. It's about love.

And it's about hope because regardless of what happens and no matter the distance, the moon always shines in the darkest of times, and guides those who are lost.

So even if everything looks bleak and all hope is lost, the moon will guide you home.