This might seem like an "old man yells at cloud" situation, but it's just wild growing up and being told how dangerous distracted driving is - how, at highway speeds, you can traverse the length of a football field (100 yards, 91 meters) in a matter of seconds - how one split second sending a text while driving could result in a potential fatal crash, and then getting on the road as a driver and being surrounded by billboards. Their entire purpose is to catch one's attention, so they're lining major roads, which tend to be highways. How is it that you're told how important it is to never be distracted while driving, but still being advertised to?
At best, this type of advertising is an eyesore to pedestrians and motorists and a general waste of electricity to light it, and at worst, it is an active danger considering they are there to advertise and therefore, must catch people's attention.
I'm not even against advertising in theory, but this particular mode bothers me so much and I hate how pervasive it is - especially in large cities or highways.
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okay but the fact that we hear all about kaveh's life post-fall out with alhaitham, the fact he graduated, worked at construction firms and continued taking on others' burdens, had a hard time finding solo work because of how arts are perceived in sumeru, that he went to his mother's wedding in fontaine, that he took a vacation from work because he was stifled by the environment and felt he had lost motivation and worth as an artist, was determined to complete the palace of alcazarzaray at the cost of everything he owned just to have a tangible object of his efforts and view of art only for its outcome to further emaciate him, until he meets alhaitham for the first time in years, is understood at once, has no need to don a front as he does for everyone else in his life, is listened to, is challenged once more and reinvigorated in his perception of his ideals, is offered a second chance, a home, and accepts it, although he cannot comprehend why alhaitham would offer such a thing and yet not ask anything of relevant substance in return, other than rent
all of this, and we hear virtually nothing of alhaitham's life post-fall out with kaveh, besides his graduation and his taking on the job of the scribe. his character stories omit this part of his life whereas kaveh's is full of detail and emotion, mostly suffering. the first instance we see of alhaitham in this time is from kaveh's perspective when the two meet again in the tavern, and in this alhaitham endeavours to understand kaveh once more, before offering his house - the research centre previously allocated to the both of them for the success of their joint thesis before they fell apart - to kaveh.
we don't know why alhaitham moved out of his grandmother's house and into the research centre, why he renovated it from a research centre into a livable home, only that he did so after kaveh informed alhaitham through a third party that he was not in need of a house, nor do we know his thought processes and emotions in the years spent apart - the years that are carefully documented in kaveh's character stories. the image we are presented with is that of stasis; alhaitham pursues no other close friendships, he works as the scribe, owns a nice house within sumeru, is financially secure, and functions within, and carries out, his own ideals - is content with this way of life. in this, from alhaitham's perspective, there are no details necessary to give from this time
but in inviting kaveh to live with him, his character stories tell us that what he gains by doing so is the mirror of himself, both in personality and scholarly thinking, and in this, he is able to gain an enhanced view of the world, which otherwise would be limited. with kaveh being present in alhaitham's life, alhaitham believes that his vision is perfected, whereas it could not be before, with kaveh's absence. it is in this that we hear what alhaitham has been missing in his life, and ultimately, it is kaveh, not just as a scholar, but as a person
what is omitted from alhaitham's character stories is provided in kaveh's character stories; where we hear about kaveh's struggles, we don't hear about alhaitham's. perhaps this is because alhaitham did not struggle as kaveh did in terms of realising and achieving his ideals, but instead his struggles were in silence, recognising that his vision, and himself, had been compromised because he had rejected the ideals that served to enhance his own vision, that he had inadvertently rejected, and thus had been rejected by, kaveh.
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Hello! As someone who is very confused on the layout of the mystery shack, I gotta ask: where does bill sleep??? Like I know he sleeps somewhere upstairs, but he doesn’t usually sleep in the attic since the door had been firmly shut prior to the tooth fairy arc. So does he sleep in the hallway?
he sleeps in the attic, he doesn't sleep in the attic bedroom.
the layout of the mystery shack is somewhat inconsistent, but we get this map in season 2 and for fic writing purposes and building in the sims 4 purposes I use this as the "canonical" layout of the Mystery Shack:
Each room identified:
For necessity's sake (i.e. we ran outta room on the first floor), i've decided that several rooms, most notably Stan's (former) master bedroom and the main bathroom, are on some kind of magical invisible impossible second floor that logistically can't exist since the staircase goes directly to the attic, but that we won't worry about anyway.
This is the attic:
Notice most of it is a big open room. It appears to partially be used for storage (such as: when we see all Mabel's puppet supplies sitting around in the main attic in Sock Opera) but is mostly empty.
The kids' room is closed off. Bill sleeps in the main attic, underneath the window seat:
Except at the end of Journal 3 we know they threw out the window shaped like Bill and replaced it with normal glass. So it's more like,
In the bottom right corner of the window seat pic you can see the top step of the staircase going downstairs; the attic window seat is in the open attic space, not in a "room" and not closed behind any doors.
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okay when i started rewatching house, it took me until 3x15 but i started to notice a pattern in house's wardrobe. the scene where foreman was trying to express sadness(?) at house's (fake) brain cancer they were both wearing pink.
After that I noticed that any time house was wearing pink, they were particularly vulnerable moments. Moments that he's feeling tender or open. Moments where he is being pretty earnest.
Then I started to notice that other colored shirts came up at different times. Light blue was his most neutral state, it represents logic and reason imo. Maybe a little bit of humor. There's a lightness or surface-ness to it.
Purple represents something like consequences or grief or guilt. any time there is purple someone is bearing the weight of a decision that was made, or a complex situation.
Black represents, as you can imagine, death. the darkest moments we see house in black.
The other colors aren't as prominent, but I have theories. Red is sex, power, life, excitement, ego. tan is neutrality. white is almost naive. green is rare and house never wears it. Dark blue is still logic but more solemn, more deep. its also interesting to note the times when he doesn't wear a t-shirt under his dress shirt and leaves like 3 buttons open (hubba hubba) and when he /only/ wears a t-shirt. I think his dress shirt is almost like his armor.
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What he says: Honestly, Ed? I don’t like who you are around this guy.
What he means: This entire scenario makes me uncomfortable because Jack’s banter is akin to the bullying I’ve dealt with my entire life. He reminds me of those who stoned me for picking flowers, or those who blatantly mocked me for being soft. I know he’s your friend, and I want to like him for you. But seeing you willingly engage in something that brings up bad memories is hard for me.
What he says: This is who I am, Stede. Do you see me now? You’re always going to realize what I am.
What he means: This is a part of me that I’ve never been able to escape. This is who I’ve masqueraded as for years and years. This is something I’m afraid I’ll always have to be. Jack feels like a representation of that persona, and you dislike him, so I don’t want you to dislike me. I don’t want you to see who I believe myself to be, and consequently hate me as well. So I’m leaving before you can. I’m leaving before it’s too late. I’m choosing to leave before I lose you.
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some of you people are really ableist to mithrun (and even post-canon thistle) for the sake of ships and its weird as hell. ' mithrun x reader you respark his desire to live because hes in love with you ' whats going on do you even like mithrun or do you think hes hot. because if you liked him you would not be fantasizing about curing part of his disability. this applies to making kabru or the canaries do it too.
also wrt post-canon thistle (if you think he's alive) there's a huge focus on his relationship with delgal/yaad as caretaker(s) while he's in a simmilar situation to mithrun's recovery period. and like. yeah i like this idea and im fond of their relationship anyway but also i think yaad should be allowed to not want to associate with him. yaad did dig their grave when they said they were delgal to him, but in a long-term scenario thistle did literally torment the golden kingdom in his paranoia and controlling behaviour. I like to imagine that yaad would over time grow to become fond of thistle again now that his episode is over and he no longer has the means to excert power over any of them anymore. but idk. nobody really likes to give yaad that agency and prefer to use them as a crutch for thistle.
dunmeshi fandom where is your love for strained relationships and mending wrongdoings
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so, I've read quite a bit of bagginshield fanfiction, because of course I have, and I've noticed that Bilbo is not as sassy in fic??
Like, is it just me or was Bilbo like, sarcastic and had an attitude in the moveis?? The best example I can I remember off the top of my head of this is when Bilbo tells Gandalf he saw Thorin and co. On Ravenhill and said he had to get to them, and Gandalf said he couldn't make it, and he said "uh, yeah I can." I loved it, honestly, but in fic writers tend to make him softer and shyer? This isn't a problem but I would love to see more sassy Bilbo!
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