#which? doesn't make a difference to the timeline of the show itself

[atamascolily]

Poor Sayaka is really going through it in Walpurgis no Kaiten. First, she loses her healing abilities and gets so badly beaten she has to wear bandages across her face, then her memories start coming back and she has to cope with the fact that her entire life is a lie and she should actually be dead. Talk about trauma!

This shot suggests to me that Sayaka will go on some sort of internal quest to confirm the truth. This show being what it is, it's difficult to say if this scene represents an "internal" journey into Sayaka's mindscape, similar to Homura's first awakening in Rebellion, which features a mosaic of mirrors, or if this is more "external" venture into the Law of Cycles, of which Sayaka is still technically a part, but it's probably "both/and" rather than "either/or". The blue color scheme makes me think the former, but the piles of books with information about witches makes me think the latter. Is the sculpture a representation of Sayaka or is it the "emptiness" of the Law of Cycles without a human avatar?

Comparable scene in Rebellion? Also, I just now noticed that either the mosaics are rotating around Homura, or something very strange is happening in space. Probably both!

I can't find the interview at the moment, but I recall someone at SHAFT discussing how girls taken by the Law of Cycles aren't running around in Valhalla, as fans once thought, but are asleep and unconscious. (Cf. Homura calling it "the salvation of oblivion" in her opening monologue in Rebellion.) In one of my fanfics (itself inspired by a gorgeous series of fanart), the Law of Cycles is an art museum; here, it looks like SHAFT has made it a library, with each "book" containing information about the infinite number of girls and witches in all the parallel universes Madokami oversees. There's a very "Library of Babel" feel to this shot from the trailer that fills me with glee.

It's unclear if the parallel universe thing will come up in Walpurgis no Kaiten, but people have already spotted Magia Record witches in the trailer, and the entire game takes place in a single aberrant timeline, so if it's in the library, the library has to contain everything. How this works when MR has the doppel system, I have no idea, but also MR likely didn't exist in its current state when Urobuchi originally wrote the WnK script in 2014-5, so this is just Inu Curry taking the opportunity to squeeze in some more witches they designed for the game.

However, the MR anime, which Doroinu directed, ends with the doppel system collapsing and Iroha giving the "book" that represents her story to Madokami, appropriately titled "Magia Record". The title of the episode is "No One Knows Our Record", the implication being that magical girls are completely unknown except to the Law of Cycles.

One detail I like is that the English title is "reflected" in dark witch runes like shadows.

This book had a different cover and design than the books we see in the WnK trailer, but I think the general idea is the same--these books contain information about the witches (remember, "Magia" is also the name of the music that plays during witch battles in the original series) and are thus "records" of their existence. We see more of the books in a different shot,and some covers are quite elaborate, and others are a simple gold border; none appear to be "named" like the Magia Record book, or at least their titles are not visible in this shot.

It sure looks like this girl is rifling through the books to find something, doesn't it? Hmm....

The shot of one of these books opening in the second WnK trailer and runes spilling out suggests that more witches have emerged to complicate matters for Homura and the main cast, though "how" and "why" are open questions at this point. However, it's unclear if the books actually contain the witches/familiars themselves or merely information about them.

I think this shot could appear in a cryptic opening sequence that retroactively explains the entire plot, similar to Homura's soul gem falling through the window at the beginning of Rebellion, although the background lighting suggests it takes place in the same "blue" location that Sayaka is in above. TBD!

Giving away the entire plot in the beginning, but in a way that isn't obvious until afterwards, is a Madoka Magica tradition at this point.

Anyway, this is all a very roundabout way of saying that I think that when Sayaka starts having flashbacks about Oktavia, she's going to the library to do some research! And what she finds there will confirm her worst suspicions and likely trigger a whole new personal crisis where her loyalties will be tested and she is going to have to make some difficult choices.

[natalchartnurtures]

PAC: Energy Check~ for wherever you are right now

This was completely unplanned but frankly spirit doesn't give a fuck about my plans. So if this found you, here are some messages you probably need right now-

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pile 1: Ooh.. as I was preparing to start your reading, I saw 11:11 as the Chariot card showed up for you. This. Tells me that you are pretty strongly connected to your divine path right now, which simply means that you're doing something that's keeping you in alignment, sweet pile one! Good job! Keep going down this road because you WILL stumble upon amazing experiences and people! This message is coming through quite strongly. Now, isn't that lovely? Hehe.

Here's the thing, though.. Although you're actually IN alignment with your greatest timeline and life, you seem to be completely UNAWARE of the fact! You might be going through the necessary purging emotionally and/or mentally as a result of this alignment since the "old stuff" has no more room in your new vibration anymore. So, you've probably had to go through some intense endings and/or tower moments in life lately and THIS has left you feeling really, really sad. Maybe even depressed. For some of you, if that's the case, please seek help, sweet soul. It doesn't have to be therapy but even as simple as talking to a trusted loved one, you know? Or even journaling about it could help if you're into it. It seems like you could use a new perspective on the things you're going through right now. I'm sensing that you might be feeling emotionally numb right now too, but that's because you've been doing a lot of emotional processing lately AND IT'S ALL PAYING OFF. I just need you to know that. You just can't see it right now because you're slap dead in the middle of the storm, and I'm looking at it from a bird's eye view, you know?

While you're purging old stuff, I also see you making your way through an old core belief - "I gotta work hard to be deserving of anything because I inherently don't" Or something along those lines. You may have started purging this belief as a result of life showing you that it's simply not something worth keeping alive inside you. Maybe recently, you caught yourself overworking yourself to death only to receive very little in return (in any area of your life - relationships included) and this experience helped you wake up to this unhelpful belief of yours. You're unlearning this belief as we speak. It's not easy though, but I CAN assure you, you're acing it.

If you find yourself worrying too much about anything and everything or simply feeling a general fear, just know that it's a normal reaction to having things uprooted in your life. Life, right now, is asking you to do your best to focus on what's right in front of you because if you do this, the future is guaranteed to sort itself out. I promise.

I love you so much, pile 1. I see all your hard work and am rooting for you SO hard, bro. Love and light.

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Pile 2: Seems like to me that y'all have been STUCK in a particular pattern for a while now, maybe years? For some of you folks reading? Let me spell it out for you what this pattern looks like to me - an imbalance of the mind and heart. Too much mind and too little heart. Maybe none at all.

I can't seem to tap into the root of this imbalance, maybe because it's different for each of you reading, OR maybe it's not relevant to us right now because you can simply begin to address this imbalance as you see it in your day-to-day. But I sense that you're really good at addressing things, so once you're conscious of this pattern going on subtly in the background, running your life, you can really do something about this. This pattern may show up as you struggling with feeling fear, and this is blocking you off to one very important thing fear is here to show us, and that is how to support ourselves. If we are afraid of something we desire and have a healthy relationship with fear, we go for the desire while caretaking our fear. I read a quote the other day, it said "Do that thing you love but if you find that you're scared, then go do it scared." The point I'm trying to make is, fear isn't going to go away on its own, it's you who will simply expand your ability to hold space for it AND your desires equally. When you figure out how to do this, magic will happen in your life. You'll find that your unwillingness to caretake your fear only gave you more things to be afraid of (because, hello, Law Of Attraction *lol*), BUT you'll also find that when you radically start taking responsibility for your fear(s), you'll be able to act from a wiser space and be your full badass self. You'll find that there are so many things you CAN do and so much life you CAN live. Everything you've wanted to start doing in life will start to happen almost seamlessly. It WILL surprise you big time. You're currently making your way through an important part of your healing, and that is to hold yourself in all your glory. To hold all parts of yourself, even the ones that are scared shitless. Once you've integrated this segment of your healing, SO many doors will unlock for you. Sweet soul, you have no clue of JUST HOW MANY. And this… is probably because you manifest with your heart primarily (meaning you feel things deeply and so you unknowingly tap into the frequency of what you want easily) and your fear is keeping you stuck in your head, which means you're only 40% of the full You right now, PRIOR the healing of c. You might even feel it sometimes. You might feel like you're only a shell of a person (been there myself, you're not alone in this!). Listen to that feeling. Your truth lies in there. You're meant to be the 100% you, and I see that you're already halfway there!

I love you so much, pile 2, sending you so much light and love. Hope you find the resources you need to make it through to your new life where you live in more love than fear.

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Pile 3: Man… y'all been fighting for your lives, huh? I see that you may be in the midst of a lot of divinely evoked darkness? Lol, I literally heard that - divinely evoked darkness. Maybe you're going through a dark night of the soul, perhaps? Whatever your're going through though, it seems like you've been hanging on for dear life.

Some good news for you- no matter the circumstances you're in right now (be it good, bad, or terrible), you've been doing all the work necessary to keep your head above water and have been diligently nurturing your own light, positivity, and essence. THAT'S incredible resilience, sweet pile 3, and I'm really proud of you! It's not easy to keep an open heart through bad times, and that's such a grand achievement in my eyes. UGH, BEAUTIFUL.

Your energy SCREAMS transition period vibes. You seem to be neither in your "old" timeline nor in the new one yet. You're sorta hanging in the middle right now. I see the Hanged Man in the third eye as I tell you this. Feels like you're in the void right now, and things just seem… bleh. Boring. Colorless. This is probably because you're already done with the ugly part of the process, "the divine shakeups", the loss, and the purge. Think… the bland but peaceful feeling you feel after having an intense ugly crying session, you know? Yeah, you're energetically there right now. You'll probably be here for a while longer because you've let go of MAJOR stuff, pile 3. Did you let go of people recently, maybe? Or that old bad habit, perhaps? That was the purge, so to speak. And now you're in the aftermath of it all, the uncomfortable but necessary calm.

-Side note: You might've struggled to embody your divine feminine earlier, but the timeline you're entering right now is the exact opposite of that. You might be attracted towards things that will help you nurture your own divine feminine right now. Give into it. Nurture patience, stillness, and compassion for self. It will HOPEFULLY speed up the void period if you consciously take part in it, you know?-

You're quite emotionally intelligent, and it has guided you throughout the whole process, and it also seems like it ain't your first rodeo in the process of proverbial death and rebirth. Good on you because you're doing a real good job keeping your calm through venturing into the unknown. You know what? You remind me of Elsa from Frozen, taking on the unknown like it belongs to her. You are such a queen, omg.

Yep, all that's left to do now is celebrate yourself, pile 3! Try your best to embrace this period, the void, and you'll be on your way to your next happy adventure! Love and light, sweet soul. Thanks for sharing your energy with me today.

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[bluerosefox]

Daughter of Phantom, Lady Gotham.

I love Lady Gotham stuff in the DCxDP stories, like a lot, so what if, hear me out (Long post is long, I rambled again)

Lady Gotham is Danny's daughter.

How? How about Danny is hurt (his parents? GIW? Vlad?), like badly, to the point even his core is damaged and the time needed to heal would take years, like a lot of years. Like it was bad that even his Rogues were shocked and shaken. They eventually get him to the Realms but are unsure what to do next. So they're scrambling trying to figure out how to save him.

So when CW appeared he asked to handed the Core because he knows what to do, where to hide him so he can heal they don't question it, everyone in the Realms know CW, the Ancient of Time itself, has a soft spot for Phantom. He opens a portal to a different world, not Danny's he can't run the risk of GIW finding him, to a just beginning world, the new world will help speed up his healing, and with Frostbite's help they set up a healing chamber deep, deep in the ground. Once they made sure everything is set up and safe, they place his core inside the healing pod and return every so often to check on him.

Over time though, above on the surface of that world it's timeline starts. Animals, creatures, humans, aliens, magic users, etc etc begin and with it, because even as a half healing core, Danny's power and ectoplasm starts effecting the area he's resting in (Ghost King Danny? Young/New Ancient/Eldritch Being? Or just an OP Danny?) (Clockwork and even Frostbite showing up every so often doesn't help either, it explains why Gotham is so cold sometimes or why time seems... off)

Anyways due to Danny's power (along with bits of Clockwork and Frostbite), magic of this world, and people beginning to build a small town on top of the land it gives birth to the namesake of the town.

GOTHAM.

CW foresaw her 'birth' and finds her sitting in front of Danny's healing pod. He always knew Gotham would eventually form, the belief/love her people have in her would had given her a form eventually he just wasn't expecting her to form so soon (this is why Danny remains his favorite person, he always did something CW never really see's to often) nor was he expecting her to become Danny's daughter. Gotham looks a bit like Danny, dark hair, blue eyes, pointed ears, sharp teeth, glowing star like freckles, but she also reflects her people, the ones that call Gotham home so her image shifts sometimes. But he can see small hints of maybe himself and Frostbite in the shifts.

She is 100% Danny's daughter via spirit/ectoplasm. If anything CW and Frostbite are like many times removed family members when it comes down to ectoplasm.

She's silent for a moment before she asks if "You and the other come here often to see him... The one sleeping is he my father?" Which CW does confirm, he explains why Danny is healing and who he and Frostbite are and why they show up to make sure he is doing better. How his healing will take many, many years. She goes silent again before saying "Teach me how to protect him. I am new and young compared to others... and yet I already know if anyone desires him for the power he gives, they will stop at nothing. He is my father and I am his daughter, I need to keep him safe just how I know he would keep me safe. This much I know."

CW agrees.

She learns, from her father's allies (CW, Frostbite, Pandora, etc etc) how to defend and fight. How to protect what she loves. She watches over her father and fights off demon's, monsters, sometimes an alien that senses the slumbering power, evil magic users. Etc. She watches over the town and people who named her as well, falls in love with the humans who call her home as well and defends them as well.

She even gets the blunt force of a curse a powerful old entity that tired to place it on her father after she had just banished it from her lands. It's an old powerful curse that CW or Frostbite can't rid of because it would weaken her far to much that they run the risk of her fading, the only way to get rid of it is if she had a family member feeding her ectoplasim to help sustain her. (Her aunts can't because Jazz isn't ghostly enough and Danielle can't because hers is limited due to being a clone (like she has enough for herself but does need to visit the Infinite Realms during her travels to get more ectoplasim to filter in and out). Danny is their only chance because he's constantly filtering ectoplasim in and out and even creating it because of how he died with a portal opening up at the same time)

The curse slowly starts eating away at Gotham, makes it hard for her to have a solid corporeal form because pain (when she has to use this form to fight off others she has to bare through the pain), her appearance starts changing (eyes turn from sharp ice blue to glowing yellow, skin turns deathly sickly pale, her star freckles slowly blinking in and out, hands become inked claws, her dark hair is unkempt and spills like an oil sludge down her body and face) and because Danny is still healing himself he can't help her and she can't see him all too often anymore because she doesn't want to run the risk of the curse effecting his healing core, she does get updates from the other ghosts that visit him and then her. She still defends him though, outside of his healing chambers should on the rare chance something finds it way down to him.

Eventually due to Danny's and Gotham's natural ectoplasim filtering on the lands, visiting and powerful ghosts, Gotham fighting off powerful beings trying to use her father for power, and the curse on Gotham herself, the town that had been built on the ground above by humans becomes the very city we all know.

Its a whole mixed bag do to so many factors, that's why Gotham is the way it is.

Gotham does her best to keep her people safe from well... everything but due to the curse and the fighting off another person/entity/demon/magic user/etc coming for her father's power, she can't always do much by the time one crisis is over and a new one pops up, she's slowly breaking down the longer it takes.

That's why she has a soft spot for her Dark Knight and his family and allies, they help her from the pain from the curse by trying as both the Wayne's and as the Batclan to fix up her city self, its not enough to really fix her fully but it helps with the pain that eats at her.

She does her best to give them tiny blessings though, but due to her duty of protecting her father she can't always do much (she wept when news of Jason, her second Robin, her rough around the edges bookworm, had died came to her. She couldn't protect him because he was out of her reach. Its why when Joker returned she made it very hard for him to really gain his foothold in her again but had to stop because CW told her if she kept making it too hard for the clown he'd go running off to 'play' with a different hero and that... that timeline would lead the world to ruin. She begrudgingly stopped but when Joker had taken her third Robin, her tiny Tim the one she loved watching shadow her knights, she did everything she could to keep him sane from the pain he had been put in, and lead Batman to the warehouse to save him. Also it turns out her heartbreak over Jason's death, her curse acting up, and her ectoplasim sparking off at the same time it helped bring him back from his grave not fully but somewhat, she was so shocked that she didn't have time to send hints to Bruce to get him when he was taken by Talia and once again out of her reach. She tried hinting it to Bruce that Talia had taken him but by the time he would check on the League, Talia would had moved him)

Gotham, depsite being young in the eyes of many other powerful beings and entities has held her own and kept those that wanted to use her father for power packing. Despite being cursed that is slowly eating her alive she still holds onto the hope her father will awaken and she will finally get to meet him. (She hopes she made him proud, he is a protector spirit core after all and she had been steadfast with keeping him safe all these years).

Things however take a turn for the worse when Gotham awakens from some sort of powerful slumber (she doesn't know what happened?! Did something knock her out?! When did she fall asleep?! Was it magic? Did the curse do it? Did someone or something-) And discovers someone or something had managed to steal her father slumbering core. (So close to healing, so close to awakening according to Frostbite, just a few more days he says. Just. A. Few. More. Days)

She tries to go find him but is suddenly hurting more, her curse has progressed even worse, she can barely stand, let alone fight whoever had her father. And she knows her father's friends won't be back to see her until far later.

And then all of Gotham shakes and shudders when her rage, panic, and terror are felt that early morning.

-×-×-

Deep in the Batcave, Batman and the others are searching for whatever caused that strange almost magical but not (ectoplasm) shudder that morning.

They were expecting a full scale attack. Magical, alien, maybe even all the Rogues in Gotham working together. An all scaled war. They were looking for any signs of it, maybe to by some miracle stop it before it becomes to late.

They however weren't expecting a strange sick looking woman with yellow glowing eyes, oil ink like hair covering her face and body, clawed hands like they had dipped in ink as well, star like freckles blinking in and out on her body and face, sharp ears, breathing heavily and coughing every so often to appear in the cave. Like she had sunk out from the shadows in pure silence. (Even Cass did not hear her)

Nor were they expecting her not to even flinch when they trained their weapons onto her. Instead all she did was laugh, a raspy low laugh, but it held warmth and mirth.

"Now, now my knights... No need for that. I come needing help and you are the only ones I will ever trust with this mission..." her voice was soft but harsh, talking seemed to hurt her though for she had to take deep breaths and suppress a cough. Her eyes trailed across them all, despite her sickly look her eyes gleamed with a motherly warmth in a strange sense, something all of them could feel "I can not hold this corporal form for long. Long story short I am cursed, have been for a very long time and whatever happened to me earlier this morning has aggravated it even more and thus I can not stay in the world of the 'living' to do much. My father, the one I have been protecting since my creation from all sorts of terrible and dangerous things, for should they get a hold of him it could spell the end of life itself for he is that powerful, has been taken from his healing chamber. I do not know who or where but I know he still remains in the city, that much I can sense."

She coughed and took a shuddering breath "But alas I can not go to his aid as I once has been able to, this is where you all come in. I need you to find my father, find his core. Bring him to safety. I had fought so many to keep him safe, to make sure he heals in peace for so long, and he... So close. Just a few more days he needed... then I could had finally had met him."

She lightly muttered those last few words, eyes looking lost for a moment before coughing hard.

"Who are you." Batman, Bruce Wayne, stonely demanded but for some reason he couldn't help but feel like he knows her, like from a foggy memory, and by the looks of his family they all could sense the same thing.

The woman, or whatever she was, merely smiled, sharp teeth bared in it as she looked him right in the eyes and said.

"Gotham, my dear Dark Knight. I am Lady Gotham herself. Its wonderful to finally meet you despite the circumstances."

[hellenhighwater]

Can you talk more about this grant you got? Is it some sort of art grant? How did you find out about it?

It's specific to ArtPrize, it's one of their Artist Seed Grants, not just a generalized artist fund. They do ten grants to artists who have applied to participate (successful entry into the show is a requirement) in ArtPrize, and who have applied for the grant itself. There were about 1,000 artists entering competition this year, though I have no clue how many actually applied for the grant. Only two grants were available for 3D artists like myself.

My grant application was 20 pages, including a resume, CV, artist statement, detailed description of each piece in the series, a timeline, proposed uses for the funding in a couple different iterations, some of my previous work, a letter of intent, and a four-page itemized budget, including everything from studio costs to individual screws. The grant covers materials, display costs, whatever, up to $2,000. Which is really nice, but doesn't even cover my total costs for the series as a whole. Not complaining! Just being transparent on what goes into this kind of work. (If I was just making stuff and keeping it for myself, this whole proposition would be less expensive, but because I want to put the work out in the world for other people to interact with, there's some significant added costs.)

It's not cheap to exhibit art if you're doing it without a gallery footing part of the costs, which is not uncommon for competitions. Just the raw materials for the eight display pedestals I need (without labor, or any of the cool sneaky effects I'm gonna slip in) will run me nearly $600.

[pastorfutureletthembe]

I actually started this blog for one post only. The theory is that the story we are following is currently the 5th timeline.

I would need to watch the donghua again to find hints in the show itself but for now this post is exclusively about the content we keep getting served as fanservice. Now, people nowadays see this word as negative but in this particular case, we are evidently caught in an ARG (Alternative Reality Game), which is AWESOME.

For those who aren't familiar with the concept, it is basically a treasure hunt outside of the original media. For example, if you gather enough clues during your playthroughs of OXENFREE, you'll find the coordinates of an actual place where a real object, a gift FOR FANS was hidden. In the context of Link Click, I believe the rules and answers regarding the worldbuilding are hidden in plainsight for us to discover!

I will make different posts on the clues in lyrics, but for now we're gonna have a talk about VISUALS only. And boy, do we have THINGS to talk about

First things first, let's start with

>>>>> Promotional posters.

I'm opening this analysis with this particular one because it is the most relevant to current events. Black circles are V and white ones are IV. The huge clock is the background isn't supposed to be oriented this way for starters. One V is where XII should be, which could mean our journey starts here. The other V is between Cheng Xiaoshi and Li Tianxi, on the light side, while both VI are on the dark side. Every other VI on this artwork is a broken piece taken out of a quadrant except for the one on the right near Qiao Ling which is still part of the biggest piece.

It is interesting that we don't see any clockhands here, only the quadrant, and the only whole number is 5, ONLY on CXS's introduction.

Not so subtil, the mirror or "painting" is labeled 'V'. Lu Guang is also looking directly at US, viewers.

Probably five lines of five x but we only see 3, of which only the first one got 5x. Four diformed shapes can be seen at LG's left, under V/VI, which could be the four previous failed timelines. You might notice that LINK CLICK is written 5times. The clock says 00:05. Oh, familiar, isnt it?

As you can see, the V is a light in the darkess at Lu Guang's feet. it is a broken piece, though. The fact it is the enlighted one could mean two things. 1) It marks the spot, where we're currently at. 2) Hope. I would argue that until then Cheng Xiaoshi always died and now, at the end of season 2, Lu Guang is in the dark because he never went that far.

VI is there too, in complete darkness, blocked from view by a ring. There is something to say about VII being completely obliterated but I honeslty don't know how meaningful that could be.

>>> It is my understanding that if a character change the past, it breaks the timeline. Past changed, present and future cannot be the same ever again. It doesn't create a new timeline like in MARVEL, there is actually no going back from a changing node, it unravels this world. Either it already happened, allegedly because of Lu Guang, or will happen in the next season, we can suppose that Timeline VI is the actual doomed one. The fact Cheng Xiaoshi is trapped is relevant too. Destroying Present and Future would trapped him in the Past, hence Come back from the dive back in time.

>>>>> Dive Back in Time

There are many things to say about this one, but I'll keep it simple since it's already a long post. Let's start with something a bit out of topic: colors. Why? It actually indicates that LG isn't from the same timeline than CXS and QL. And I swear it would be useful at the end of this post.

Blue and Red are on the same plan, no matter if we're talking about RGB or CMYK, but Green and Magenta are not. It's like CXS and QL are anchoring LG in this reality, but Magenta is not supposed to be part of the mix. Primary colors in photography are Red, Blue and Green; not Magenta. Since we're talking about photography and this is not the original timeline, I think it is intended.

I'll leave the count of squares to you (spoiler: either 5 or 3 (I'll explain this one in another post) :D).

>>>>> Overthink

I recommend you read this glorious meta about this ending. I'll just "correct" mimicha on one point:

The way the hands are "cutting a piece" of the clock; just like in the promotional poster for Train Trail. It indicates 5. I'll also add this one:

If you look carefully, you'll see two words: TIME PARADOX. As said above, a paradox should NOT be possible with the rules LC gave us so far, but it could be related to the possible 6th doomed timeline. The "dark side" could try and make it happen. Just food for thoughts.

If you want more meta on OPs/ENDs, I recommend you also watch this glorious analysis. That's all I have to say for this one regarding the number 5.

>>>>> VORTEX

Not much to say, except for this "blink and you'll miss it" screenshot. If I missed anything, feel free to share with the class!

THE TIDES has, sadly, nothing to offer on this current topic!

>>>>> 3rd Anniversary: Surprising Click

Oh boy, do I have THINGS to say. Don't be surprised when I'll make another post about this Link Click monument haha. Note: 5 PVs were prepared for this anniversary. Coincidence? (I think not).

N O W A N D F O R E V E R

The only 5 clue I found is what looks like a clock with one hand going backwards, from X to IV, it appears while the chorus is playing. That might be a bit farfetched but I'd mention it for archives purpose anyway.

B R E A K

I won't be a smartass by pointing out BREAK is a five letters word but- okay that's infuriating of them if it is on purpose.

Most of it is obvious, the same logic applies, except for the cogs and hourglasses, we see four of each falling. Since LG's shadow/light goes from IV to V, it's safe to assume that those symbolize the four failed/achieved timelines. The ones left behind. I'll probably post something about cogs and hourglasses one day.

A last one, for the road:

S U R P R I S I N G C L I C K

You should take a look at this fan's brain! They did a wonderful work. I already had this part prepared so I'm still gonna share the obvious. Five mics ("time is like music"), and five letters (with photographs inside I'm guessing). Magenta and Green are very flashy in this one.

Oh, here are LG's five magenta squares from Dive Back in Time ;D

Four failed timelines/tasks, and... loading the first out of three chances. (Again, I can't address everything in one post, this one will have a long meta on his own, don't worry :D)

T R A I N T R I A L

Two occurances worth mentionning. Once again, V is the only timeline enlighted.

B U R N I N G P A L A C E

Many things are happening in this one but only one regarding our current meta. If you pay attention, you'll see it several times, while the chorus is playing:

x x x x x

Now, if you remember correctly, green is the exact chromatic opposite, the complementary color of magenta. They aren't on the same plan (primary vs secondary)/from the same timeline. Usually, they color Lu Guang but here, there is no magenta and no Lu Guang. With this in mind, could it be the paradox OVERTHINK warned us about? We can only assume Vein is from the same original timeline as LG. Red and Green are primary colors so yeah, we'll see.

That's all for today folks!

I had this brainworm eating at my life for weeks so I'm very happy that it is finally out there.

| Part 2 |

[mrinafria]

Is Seon Jae corny?

One of the biggest charms of Lovely Runner for me is how it portrays a romance that is youthful, goofy, foolish and yet touches your heart in the most sensible and mature way possible. It doesn't forget it's a romcom at heart and serves us just that, so going into the show expecting a different genre is just unfair to the show (and yourself because you are the one setting yourself up for disappointment imo).

I'm not a big fan of immature childish romance devoid of any substance but that is not what we see here, despite Seon Jae being 19yo (or 20 or 34 yo). There's youthful anticipation, excitement and emotions but somehow Seon Jae's character (and Im Sol's character too, although she's always been 34yo in the main narrative) manages to transcend the notion of age and time with what he feels for Im Sol, the extent of it and the way he acts when it comes to her. Romance today is calculative and is often done in moderation, which is not necessarily a bad thing, because it is essential to learn to love ourselves too as we love someone special, but for both Im Sol and Seon Jae, loving themselves is also intrinsically connected to loving each other. Im Sol learns to appreciate life through loving Seon Jae, Seon Jae loves Im Sol because he appreciates what life has to offer.

This scene, for instance. I've rambled about this in the past too. It always warms my heart to see how, in all the timelines, he never gives up on life itself due to Im Sol not reciprocating his feelings/not remembering him. The guilt/heartbreak, longing and lovesickness are palpable in all versions of Seon Jae across all timelines but every time, he chooses to move forward in life (despite his heart being stuck in time with his Sol-ah), embracing everything life has to offer him. One of the things that becomes evident pretty early on in Lovely Runner is Seon Jae loves life. He may struggle sometimes but he doesn't think of it as a chore or burden to live on. He has things he cherishes, people he hangs out with, his dreams, aspirations, pain and struggle outside of Im Sol. He is not a pushover, he has stuff going on, he has a life. And he's not someone who'll casually say things like "I'll die for you" to anyone just to impress and get them to date him. Such grand statements don't usually make much of an impact on me as a viewer either but here, it somehow just works? Perhaps because we know he loves his life and wouldn't give it up no matter how hard things get, except for when he, his first and only love, part of his soul, is in crisis--tested by fate and time and death--and he is adamant about not letting it mess with his happiness, just like he wasn't ready to give up swimming despite Im Sol's warnings and his existing injury. That is the only time he'd make an exception: choose to live a short, worthwhile life, than live a long one devoid of any happy memories or love. It is not his childishness. In fact, he is doing what many of us can never, ever do. And perhaps that's why it doesn't sit well with some of the viewers; he complicates how we define love, happiness, fulfillment these days.

And come to think of it, he doesn't really say he'll die for her. He says Even if I die trying to save you, it's okay: it's a sad thing, Sol-ah. it's painful, yes, but it's okay. I might be worried for the remaining 14 years of my life, but that's because I'll have very little time to love you, to be in this feeling, to cherish the moments I make with you. I'll be sad that I won't see my first grey hair with you or be with you in so many of your big milestones in life, but it's okay. I'll try to make the most of whatever we get, now and tomorrow.

His sadness and heartbreak comes not from not being able to live his life to the fullest, but not being able to live his life with her. That exact same sentiment is conveyed by the final 2023 Seon Jae too, who doesn't even remember Im Sol or any of his old timeline versions and yet says the same thing.

The 2009 Seon Jae doesn't say 'I WILL die trying to save you'; he says 'if', there is a conditional. Even when he's aware of the impending doom, he doesn't give up on his life, on the 'if'. The guy with that face that has accepted a death that is yet to come, with eyes brimming with tears, with a heart determined to live hoping for an 'if' until then… when this guy makes such cheesy claims about his love and death, it's no longer an empty exaggerated promise. It hits a lot harder and leaves me momentarily breathless. That claim, stemming from the inherent human instinct to just want to be happy, and that non-calculative, selfless, pure kind of love, is exactly the thing I signed up for. That proclamation—simple, corny—is pain wrapped in momentary happiness, and my heart sinks, thinking just how fast he had to grow up in that short span of moments.

Ryu Seon Jae is like a North Star—he may not shine the brightest, but he shines bright enough in the same way, consistently, in every timeline we see him in. He is the star you could identify even in the sea of a million stars. Because that's how distinct his persona is. He may be corny and a loser, but he is corny and a loser exclusively for Im Sol, not in his life. That's the best kind of corny and loser one could find.

[comicaurora]

What are your thoughts on guardians vol.3? (If you have watched it) I went into it, expecting it went to the garbage like the rest of the mcu, but I was pleasantly surprised by its creativity, trope subversion, and how it wrapped up the previously unresolved arks of its characters.

That's what I've heard!

The thing is, Guardians 3 could be the most transcendent work of cinema ever made, and I'd probably still feel little to no motivation to watch it at this point. It's not Guardians's fault - it's just suffering from the same problem that superhero comics have been struggling with for decades: no matter how good an individual arc or run is, absolutely nothing good lasts or matters in the long term, and the stories are shaped in such a way that "the long term" is the only thing anyone gets to build towards.

Whenever I complain about the MCU I get a handful of people loudly complaining about my complaining, with the general thesis that if I don't like it I shouldn't watch it or talk about it - if I'm not having fun, just stop engaging with it. And the thing is, I have. I am intellectually interested in why this massive franchise is fumbling the bag so hard, which is why I still check in on it sometimes, but I've long since stopped turning to the MCU for uncritical entertainment. And even the good movies or shows with a lot of interesting ideas - good character arcs, fun concepts, interesting planting for future payoff - don't draw me in anymore, because they're hooked into a massive moneymaking machine that will scrap and squander anything if they think it'll make them more in the quarter. It doesn't matter how good the writing is, because the writers are not allowed to tell a complete, finished story, and they have no control over what happens to their characters outside of their own script.

Captain America's arc was set up from literally minute one to answer one burning question at the core of his character: does a world without a war still need Captain America? After that incredibly basic tee-up at the end of First Avenger, half a dozen movies failed to come up with a reason to say "yes," and now Steve is retired for good after getting fumbled through four different storylines that couldn't even pretend that they needed him (the unused Chekhov's Phone from the end of Civil War still haunts me). The foundational arc of his entire character never happened because nobody bothered to keep track of it past a single movie.

Taika did something interesting with Thor in Ragnarok - take away Mjolnir, force him to recognize what it means to be the god of thunder, give him a very Odin-y missing eye - and the very next movie undid all of it. Just kidding, never mind, here's an eye and a new weapon and also his old weapon again, and in one more movie we're even gonna give him his hair back, probably as an apology for all the completely unironic fatphobia we're gonna slather him in for two and a half hours. I'm not even surprised Love And Thunder was such an overblown mess that barely took itself seriously - why would Taika bother trying to give Thor another arc when the powers that be will just roll it back in six months anyway?

I hear Rocket Raccoon has a fantastic arc in this movie. That's great, and demonstrates that he's being written by a writer that deeply cares about him. But he's part of the MCU, and the MCU doesn't let anything end, so if current patterns hold, Rocket is going to continue to serve as quippy plushie-bait for the next dozen movies and none of that depth is going to come through in the long term. Hell, since they're making Kang noises for the Next Big Threat and Kang's entire gimmick is rewriting timelines, literally none of this is guaranteed to matter. By next year, it might not have even happened anymore.

The MCU has successfully shaped itself into a paradigm where the bright spots of good writing are overridden and lost as soon as the writers room turns over, and that makes it really hard for me to muster up the enthusiasm to watch even a really good movie that's locked into the exact same grist mill as everything else. I'm glad people liked it, I hope it gets to stay good this time - I just have no desire to watch it.

[lizzie-queenofmeigas]

Fixing Ep. I of House of the Dragon.

Timeline

First we should establish a timeline, which is something the show hasn't really done. Given that they insist in having Rhaenyra and Alicent be friends there are ways to do that. Swap Daella's birth with Vaegon's and have Aemma born a year earlier. Have Rhaenyra be Aemma's first pregnancy instead of the third. That ages her up a bit, making her be born in the year 94 a.C

Have Alicent be a little older than Rhaenyra. Alicent could have been born in 92 a.C and their friendship would stay the same.

Aemma's death should be in 107 .C making Rhaenyra thirteen years old in the first episode and Alicent fifteen.

Laena could be the same age as Alicent and Laenor the same as Rhaenyra, keeping with their book's ages.

Establish the year of the episode. This being put the number at the beginning in the screen.

Scenes

During the Council of 101 the narrator could say "Tragedy claimed both his sons. The choice now was between Rhaenys, the only child of his eldest son and Viserys the eldest child of his second son". And the general audience would understand it perfectly.

During the ride in carriage back to the Keep they could have the smallfolk calling for Rhaenyra and her waving at them and smiling. That way we establish the "Realm's Delight".

Have Aemma mention Rhaenyra's age in their little scene. "You are three and ten, nearly a woman grown" it would fit perfectly.

The next scenes are just fine if the story is done right.

Daemon and Rhaenyra. In the throne room scene they should have more dialogue of the like of. "What have you brought me this time?" This way we establish that Rhaenyra is spoilt by Daemon and her parents.

Viserys and Aemma's scene are just fine if the rest of the show follows this logic. They could mention their relation, however. "Our grandmother had thirteen children, but I don't have her luck". This establishes that Aemma is part of House Targaryen by more than marriage .

Have Rhaenyra and Alicent talk about doing charity during their studying scene, establishing why the smallfolk likes them.

During the small council scene with Daemon Otto could ask him how he knows who was guilty and he could say he has a good relationship with the smallfolk. While I believe in "show, don't tell" this particular thing could show that he spends time with the smallfolk and that they like him.

The Mysaria and Daemon scene could have been pillowtalk. There was no need for a sex scene, but they could show us the after. Have Daemon show his resentment to his brother "I am the reason he wears a crown yet he still has me married to my Bronze Bitch". Doing this we don't only inform the viewers that Daemon is married, but we also establish that Mysaria is important for him and that he trusts her.

Nothing particularly wrong with the tournament scene, just should be less gory because it doesn't make much sense.

During the tournament we could have Rhaenys and Corlys talking like in the show but different. Saying something like "Viserys inheritated our grandparents years of peace and I hope our children do as well" that way we show she is a Targaryen and that she is married to Corlys and have children.

Cole and Daemon's scene is fine.

Aemma's death in itself is also not incoherent, but the show is so if the show wasn't it would be fine.

The funeral scene is fine.

In Alicent's and Otto's scene they could mention Otto's hate for Daemon and the fact that Alicent at fifteen is a woman of age to marry. Something like "You are five and ten, you can't stay a lady-in-waiting for the princess forever"

The "heir for a day" is fine.

During the Daemon and Viserys confrontation we could have again Daemon lashing out against him saying how he helped him. Something like "I am the reason you have that throne! Corlys was preparing his ships to fight for Rhaenys so I raised an army for you! And now you won't even give me an announcement for a marriage our grandmother forced me into!"

The rest of the scenes are fine

Other things

Rhaenys's hair should have been dark, with the quote I mentioned is enough to make the general audience realize she is a Targaryen.

Rhaenyra should have worn more jewellery and more lavender and violet colours.

See HBO? is not that hard!

[grandlinedreams]

I always see strawhat!reader x law stories all over the place, so can I request a kid pirate!reader x law? Where, specifically the reader is Kid’s younger sister (or killer’s, I mean a sister of one is basically the sister of the other)?

YES oh my god I didn't know I needed this til I wrote it and I hope that you like it too!! I think having Kid as a big brother would either be the best or worst thing in the world ㅡ set somewhere in timeline idk maybe around Stampede

[Heads up!: afab/fem aligned reader, some cursing, shovel talk from kid, established relationship]

Being in the same pirate crew as your older brother in and of itself is a little odd. Being in the same pirate crew as your older brother when he's the captain makes it a little odder, you suppose. At least to those who only see it at a glance, brief glimpses rather than seeing the whole picture.

You don't mind, not really. Most older brothers would probably have tried to talk their younger sister from becoming a pirate ㅡ but all Kid had done was stare at you and then scoff. "I'm not your damn babysitter, I won't stop you."

And that was that ㅡ if there'd been dissent when you joined, Kid put a swift stop to it with a fierce glare and well-described threats about what would happen if they laid a finger on you. But you're strong in your own right, and the one or two who continued to push the matter learned it the hard way.

And truth be told, Kid doesn't treat you like his little sister. He's your older brother yes, and there are hints of it here and there when you know where to look, but it's Killer who takes on the softer aspects of being an older brother to you when you need it.

Which is what makes this so surprising that it's Kid who's staring down the man you've been dating behind his back.

"So." Crimson eyes lock with gold. "You and my sister, huh." His attention shifts to you for a moment. "How long has that been going on?"

"Not longㅡ"

"A while."

If Law can feel your furious look aimed for him, he doesn't show it. Kid looks far from thrilled at the differing answers, scowling as he refocuses on Law.

"Guess it doesn't matter how long it's been going on, becauseㅡ"

"Because I'm a grownass adult, Kid!" You snap, frustrated with your brother who looks like he'd like nothing more to swing a fist at Law. He turns on you, and you match his glare for its intensity. "I'm not going to let you ruin something good for me because you decided to pull the older sibling card for once."

You know Kid cares, you know he loves you ㅡ and you love him just as much, because at the end of the day, he's your brother.

Kid stares at you for several long moments before he scoffs. "Fine. Do what you want. But you're not leaving us for that shitty crew of his."

"I wasn't planning on it, asshole! Somebody's gotta help Killer keep your dumb ass alive!"

"Don't yell at me, I'm still your older brother!" Kid glares at you and you match his gaze for its intensity before he rounds on Law. "If you hurt her, I'll let her kick your ass first, and then I'll finish the job."

Law meets his glare, his expression carefully blank. "I wasn't planning to."

Kid scoffs before he shifts his attention back to you. "I'm giving you two minutes to do whatever you need to before we leave, with or without you."

"And here you said I wasn't allowed to join their crew." Your eyes gleam. "Doesn't give me much choice if you leave me here."

Kid scowls before he stalks off, mumbling loud enough that you can hear his complaints of "dumbass little sister" and "been a pain in my ass since you were born" before it fades completely.

"That went about as well as I expected," you sigh before you approach Law. "He's nowhere near as scary as everyone thinks when you have as much blackmail as I do."

"He doesn't scare me." Law glances at you. "It's still surprising that you're related."

You raise an eyebrow. "I'll take that as a compliment." Stepping closer, you lean up to press your lips against his in a short, chaste kiss. "I should go. Don't need him figuring out that we've done more than just kiss."

[spotlightlowlife]

Loona is a whole missed opportunity

Loona is Loona, someone who has had plenty of time to see her dads situation for what it is and she's old enough to understand, but this would deviated from the rude and sarcastic, edgy and always bored 20 something whoes minimal progress always gets squashed by her own attitude. Like Blitzø, Loona falls victim to 'had a hard life and that's the justification, oh and they're only ever punching up which is fine, oh and comic relief', but where Blitzø's words and actions make a some difference to the story, Loona's make none.

We know Loona to be an excellent tracker because she is a canine, she has something that is hers and hers alone, it would then fit that she would be the one to find runaway Octavia. Their heatt to heart consisted of guilt tripping Octavia, a child who had the right to be upset, for being too hard on her disinterested dad, this was hypocritical of Loona who mistreats her loving dad but so easily could have been growth for her.

Since she had just got done viciously physically attacking Blitzø, trashed his workplace and making a scene infront of their colleagues for discreetly attempting to address her intentional poor conduct at work, did her own advice to virtual strangers hit home and make her reflect? No, she kicked the worried Blitzø in the nuts, with no regard for Stolas or Octavia's presence, the fact that she has just pushed compassion on the reasonable teenager she influenced, no regard for how she looked in the least. Sensibility gone.

The episode were we meet Verosika and the gang end up on a beach showed us that Loona knows transformation magic, the first example of her having an important skill her team don't, yet when did she learn this skill no other leading character has? How is it possible that she has resorces Blitzø doesn't have? Why does she have more common sense than anyone else? What else does she get up to in her spare time? Why is this not a bigger deal?

This was her best episode because it raised questions that have yet to be answered about her, one being her lack of reaction to Verosika, which could have helped us build a timeline.

We would also learnt that she is friendless and not comfortable with this, she is no edgelord around a new peer but an awkward young woman who doesn't socialize much, helped and not helped by the person she's nervous around is someone she is clearly crushing on.

Loona also showed that she is capable of feeling guilt for her mean ways, but that was only because she got called out a little by this new peer she just met who she fancies, so it's hard to give her credit and many episodes later, it made no difference to her growth.

Loona finds out that the guy she just met has a girlfriend, which for her is a bummer, but he invites her to one of their parties where she can mingle, which is excellent. In a future episode Loona does attend the party but as expected she is unnecessarily rude to multiple party goers for no good reason, to no detriment.

She goes on to meet Bee, the host, who happens to be her crushed girlfriend, who happens to be high up royalty, a whole district leader and gluttony itself, instantly Loona is threatened because "she's hot" and it's not long before Loona is rude to Bee, as usual, to no detriment.

We actually had the opportunity to address the dog shelter Loona was living in, signed off on by queen Bee. Loona could have had a subplot that was just hers, but yet again, hierarchy means nothing, she doesn't know who Bee is and doesn't appear to have any political views.

Loona chooses to give the party another chance when another 'cute guy' approaches her, who we never see again, with Blitzø turning up for this party and receiving a positive reception, Loona is now happy to show him off as her dad, gets closer with him and goes on to show him kindness, but alas, this doesn't carry on to future episodes.

All these two episodes taught us was that though she's sad, she is a Pickme and like a school child will jump on the bandwagon of what will grant her instant popularity. These actually are not bad things, they're good, they are at the heart of a lot of people's failure to find themselves along with their crowd. If only we were allowed to explore her shallowness and loneliness more, her need to compete with other women and not be like other girls. This would start by her actions actually resulting in something.

There is an abundance of teen mean girls in media to study that could help give Loona more substance, explore the numberours things she may gave missed out on during her childhood.

Let her be a user, let her smugness at knowing she gets away with her horrible ways be challenged by maybe revisiting her work 'assessment' and addressing her fat jokes at Moxxie, maybe we could know what it is she's constantly viewing on her phone too? Just look at how Stolas validated his feelings with the dramatic telenovela in that tiny little scene.

The episode where Blitzø and Moxxie were abducted gave us a level headed Loona who got along fine with Millie dispite being rude to her for mo reason, it made it clear they they don't talk at all, yet immediately and many episodes later nothing has come of their excellent team work and friendliness, nothing has come of level headed Loona, she has actually gotten more unpleasant. Sensibility gone again.

This latest episode, crescent moon, had us hear from Loona again for the first time in a while (personal reasons took the VA away from work) and what we got between Loona and Blitzø was a proof that they are no parent and child, smugly suggesting that Stolas is simply getting bored of Blitzø and that she too employs tactics of ignoring him shows us her level of immaturity, she is old enough to know what's going on and capable of empathy, her apathy and meanness is a choice, we saw her self censoring at Bee's party, we saw her trying to impress Tex, we saw her quickly get thought to Octavia who is nothing like her and it was Loona who was kind to Blitzø at their home when he was drunk, sad and opened up about being alone. Sensible and caring initiated because she was impressed which is a huge take away Loona? What did any of that matter? We can't have these aspects aswell as unbothered wise cracking Loona at the same time, even though character duality is out there, it's one or the other with this character and the other has to be prompted to suit the plot on the occasion something actually happens, one is an intention bully who is ignored, it's hard to say tolerated when her actions don't matter at all.

I guarantee Loona's character improve if this series stuck to the main plot more and we saw them working most of time?

Since she really could do with her own thing, the property damage she caused in crescent moon coming back to bite her would be the making of her best storyline to date. Community give back would let her learn new skills and mingle.

Lastly, she as good as throws on a cape for Stolas yet again. Since the tone is that Blitzø needs to come to his senses and hook up with his abuser, why not have Loona be part of this plot and let her commit to wanting a rich stepdad and the perceived popularity that comes with it?

[py-dreamer]

Oh! It's Mac(aroni)-learns-the-consequences-for his-actions o'clock!: the AU

To my marshiemallows who saw my other post, no this isn't the part two I was talking about

(it's coming dw! ...I am going to roast those fics over a pit like a rotisserie chicken...)

but this is some more Ma-caca slander so if you're into that...

"get in loser we're going to yell into some all hearing (but terrible at listening) ears"

(DISCLAIMER: I do enjoy Macaque as a character, he is well written in the show imo

This is a call-out to those who think he's just a victim and excuse his crimes in the show, in lore and make him the "uwu soft boi who needs to be protected at all cost who everyone loves including all of Wukong's subjects apparently"

and make Wukong the "selfish narcissist who's a lazy good for nothing, a monster who killed Mac for funsies then cried for centuries afterward without his waifu, doesn't deserve anything good, everyone hates him for good reason, he kills puppies on a daily bas-"

yea you get the point)

I know there're some AUs where there's an artifact that can change time or transport you into a different dimension

Yea so y'know what, let Macaque get his hands on one of them, mid battle with the monkie kids.

They tell him to calm down and give the artifact back but Mac gets pissy about an earlier conversation with Wukong.

About how he made a shrine to honor his pilgrim brothers and Mac gets mad.

He tells Wukong that it's been centuries since they've died so why doesn't he let them go and Wukong of course gets pissed too.

Then Mac-aroni bursts at him why there was nothing for the brotherhood or DBK when he sealed him or when he died

He adds some extra insults for flavor then leaves (as usual) without giving the monkey king to give his perspective and cuss him out

Back to the present, Mac decides to alter the timeline just a wee bit...

"Tang Sanzang was killed by the six eared Macaque during their first encounter"

Then we see this new world...but it's not all happy like Macaque hoped

First off, the journey was to retrieve holy scriptures from India which would help to cleanse the east apparently. But it was also because of the journey a lot of corruption was stopped (eg slow cart kingdom with its policy on Buddhism, kingdom of women and the demon guarding the abortion spring, the demon who overthrew the black river god, kidnappings in general)

So yea if it was cut short, a lot of that corruption would still be in power.

With most of the human population being overtaken by humans or corrupt kings or busy being eaten or courtnapped, yea society could not evolve. It stays mostly stagnant, so a lot of technology hasn't been invented yet and most humans (particularly lower class) are doing worse for wear.

But it wasn't his fault; it was the society and humans for being to weak to upturn itself.

Mac sees them, doesn't really care and goes off to find Wukong because hey, he's curious

However he finds the Camel Ridge trio instead and we know what kinda happened in that town.

The surrounding area is dry and barren because all the life is being sucked out of it. Heck, its probably even more arid cause the trio's reign has lasted for centuries.

They all welcome Macaque with open arms asking him where he's been and they haven't heard of him since the monk's murder.

The trio thank Mac since they heard how the monk had Wukong on a leash and how he was no more than a guard dog and they were worried that he'd make the monkey king reign his wrath on the city if they ever crossed and without him, the journey never continued and there was no encounter

He's disturbed by the friends he once loathed and fought welcoming him with open arms and owed their success to his actions.

But it wasn't his fault for their corruption, it was their city and their choices, someway or another karma will get them probably...maybe...

Since without the journey, the brotherhood never would've ended up in the ink scrolls

"Its a shame Wukong and Brother Bull can't join us"

Mac asks what they mean and where DBK was.

He learns the demon bull family were in mourning.

You see, without the pilgrims and more importantly, Sanzang and Wukong present, the sealing of the samahdi fire probably wouldn't have went the same.

They couldn't find anyone available who'd survive the flames so DBK, PIF and Nezha had to try it themselves...and were sadly unsucessful

The infant's power caused mass destruction, many deaths, injured both his parents greatly...

...and ultimately led the child to an early grave.

Leaving the clan and couple devastated for years to come.

But it still wasn't his fault: it was just due to unfortunate circumstances!

Macaque, disturbed by this leaves without saying goodbye, goes to flower fruit mountain to check on its status. Since without having to continue the journey, surely the monkey king would be basking in the sun with his subjects happily gorging themselves on fruit-

Only he comes back to a total wasteland.

As a consequence of letting the monk be killed and failing his chance at redemption, heaven punished Sun Wukong and he was never seen again (much to Mac's surprise).

But not only that, it seemed the gods took their rage out on Flower fruit mountain as well. This was the 2nd time it was burned but now they made sure to finish the job, every last tree engulfed in flames.

Without the monkey king coming back to save them, all the inhabitants were at risk of the burning and any left who fled to the mainland were captured and sold, starved or hunted and eaten. There were no survivors.

Upset by his discovery, Macaque was filled with rage at the king. How dare he not take care of their home, he failed as a friend but now as a king too. So he snuck into heaven to find out his location to find answers and yell at him.

It wasn't his fault their home was destroyed. That was Wukong's duty as king! He failed his subjects and he must pay

A tear filled Macaque snuffs through heaven's files as even he couldn't find the location of Sun Wukong's prison.

He learns that Nezha after failing to seal the fire, got terribly burned in the process probably crippling him and causing mass destruction to many nearby towns and minor gods had been cast out of heaven.

Some of the guilt started weighing in on him but he put that aside, because of course it wasn't his fault; the god was just too weak and shouldn't have stuck his nose into other's business.

And finally, the main course we've all been waiting for: confronting Wukong.

He's back under 5 phases mountain but this time with many more locks and security cautions. Macaque learns nobody had heard from the king in a 1000 years.

He finds the king and screams at him that it was his fault how FFM was now a desolate dessert devoid of life.

But to his surprise, the king laughs.

The king laughs maniacally, practically howling with laughter but with crazed eyes like a madman.

"I assume you'll blame me for 'abandoning' you too?"

He rips into Macaque about how they always swore to stay by each others side but the moment things get ugly Mac will always save his skin. And asks where was he for him through all this.

Not during the battle vs heaven.

Not during his trials.

Not during his imprisonment.

Not when he asked him to go back and leave the pilgrims alone.

Not when heaven pointed fingers at him that the monk's murder was his fault.

Not when FFM was destroyed and Wukong didn't learn until some heavenly officials told him years later as they fed him metal pellets and molten iron.

Even now, the only reason he came was to complain.

(I imagine a lil conversation to go like this:

Macaque: They abused you! They didn't free you!!

Wukong: WELL NEITHER DID YOU!!!!

Macaque:...

Wukong:...neither did you...)

Then Mac decides to ask what the pilgrims did afterward and bet they all ran off too...how wrong he was

(Macaque: Then where are your 'pilgrim' brothers now? Why aren't they here to help you the-

Wukong: they're gone

Macaque: what..?

Wukong: They're gone...They're gone...gone...DID YOU NOT HEAR ME? ARE YOU DEAF? I SAID THEY'RE GONE!!!

Macaque: but how...

Wukong: after you fled the scene, the heavenly officials came to detain me....hahahah...I was caught in that diamond snare again and Ao Lie jumped in to defend me.

Macaque: but I thought...

Wukong: I was so distraught, I couldn't do anything...They said that it was also their fault master was dead so they'd better stay quiet if they wanted to lessen their sentence....hahahah...I watched them all die one by one Macaque...

Macaque:...

Wukong:...they all defended me...even the goddamn pig... And do you know where that lead them? They all died...Liu'er...they're dead...I WATCHED MY BROTHERS DIE IN FRONT OF ME FOR DEFENDING ME...I DID NOTHING LIU'ER...DO YOU KNOW WHERE AZURE AND THE OTHERS ARE NOW? I'M SURE THEY'RE PARTYING AND LEAVING ME TO ROT. MEANWHILE MY BROTHERS GAVE THEIR LIVES FOR A USELESS MONKEY. I COULDN'T EVEN PROTECT MY SUBJECTS...OR SANZANG...THE GREAT SAGE EQUAL TO HEAVEN CAN'T EVEN PROTECT A SINGLE HUMAN...ALL THAT TIME, TRAINING, USELESS!! SO SURE...BLAME ME ALL YOU WANT BECAUSE I DESERVE IT AT THIS POINT!!!! COME ON!!!!

Macaque: God, you've really gone mad...)

I want this man to meet his inner demons or someone able to slap him around to just really remind him of the consequences to his actions maybe some ink scroll action.

Just basically:

And maybe if I'm feeling nice we get a happy ending, Mac reverses the spell or something and perhaps says something nice to Wukong for once.

If anyone has any thoughts or suggestions on how the timeline would change, do tell I'm curious to hear your thoughts.

@furornocturna might be reminding Mac-adoodledoo of his crimes to the monkie kids in the present but I'm taking him for a roadtrip to the past

(or other present...time travel is complicated y'all)

(Again I recommend 'Fractured pieces make a mosaic' on Ao3.

I shall call them my partner in crime for Mac-caca bullying if they shall so let me have the honors...also @nightmarebunnyking...they also do good slander

No I will not stop advertising their work. Cause it's good outside of the slander, Wukong is very affectionate, we love that for him and MK collects dads like pokemon cards

also kinda want opinions on more ole'Mac-doodle had denial. E I E I O

I propose we gather in a circle and beat him with a stick

...pls interact its 1 am rn)

Also fun fact this is my 2001st post so uhh...yay..?

[rallamajoop]

Mia Winters and the Connections

There are a lot of bad takes on Mia Winters out there, a lot of really irritating shallow misconceptions. But for now, I’m just going to tackle one of the big ones that annoys me the most.

Mia Winters is not a scientist, and it's debatable whether she had any long-term association with the project that created Eveline. She may not have even met Eveline before being assigned to transport her to South America.

Mia’s not any kind of researcher. Her job when she worked at the Connections is laid out clearly in the first document you find within moments of starting the flashback ("Orders"): she’s a member of the Special Operations Division in the English version, or a 'special agent' in the Japanese (特殊工作員, tokushu kousaku-in). The English version also gives Mia the role of 'caretaker', implicitly of Eveline, but there's not much to suggest this is a role extending beyond the bounds of this particular mission (for comparison, the Japanese doesn't mention caretaking at all).

Mia's job is exactly what we see her doing in the game: transporting important assets under cover identities, and running around doing damage control with a machine gun if things go south. She echoes the same in her letter to the Bakers, stating she 'was assigned to transport some important cargo.' Even the 'imprinting protocol' she refers to seems to be mostly part of a transport protocol (going by the very little we ever learn about it), and may not even have been implemented until shortly before they left.

Even in the one photo of her standing with the research team, you might note that Mia and her partner Alan are the only people present not wearing lab coats (and believe me, with how much other photoshopping there is in this photo, Mia would have been wearing a lab coat if they'd wanted her in one). The photo itself is far more of an easter egg than a real plot point anyway, and probably isn't worth reading too much into ‒ I mean, Alan is apparently the director of the Special Operations division, so it makes no sense to assume he's part of this one science team. But if you really want a 'canonical' explanation for this photo, considering Mia and Alan are wearing the same clothes as in the ship flashback, you could reasonably assume it was taken right before Eveline was shipped off to America ‒ a kind of "Let's get one last snapshot of the team together with the transport crew before Eveline goes to South America" deal. It's completely plausible Mia may not even have met Eveline until the same day this was taken.

So where does this 'scientist' nonsense come from? The only source which does call Mia a 'researcher' is a timeline entry in this one RE7 strategy guide which has never been published in English – and it's a good example of why sources like this are usually better treated as pseudo-canon at best. You can find various translations of it online – but you can also buy the whole ebook (which I did), so here's the page where it originally comes up.

And yes, inasmuch as I’m qualified to translate, the line does state that Mia joined the company as a ‘researcher’ (研究員, kenkyuu-in) in 2010. But the same guidebook also refers to her as an operative (工作員) just a couple of pages later, so even the guidebook is hardly consistent.

Charitably, perhaps we could read that Mia was initially hired as some kind of generic, low-level research assistant before being transferred to the special operations division after showing aptitude in that area. But it's more likely that Mia was simply going to be a researcher at some point in the game’s development history, before Capcom changed their minds, and the timeline that made it into the guidebook is just very out of date ‒ it happens. Either way, one line in an inconsistent guide book hardly trumps what actually made it into the games.

I do realise that asking people to pay attention to what's actually in the games over what's repeated in some wiki somewhere (or a gazillion different fanfic) is a big ask for any fandom, but Mia was clearly never a scientist in the game we all played. She still knowingly worked for some really evil people – she doesn’t get to claim innocence here – but the idea she's personally responsible for every bad thing ever done to Eveline is absurd.

FWIW, other details from the guidebook also back up the idea that transporting assets was a major part of Mia’s job. Her bio (above) mentions that she was away from home a lot, something that strained the Winters’ marriage, and that she told people she worked for a ‘trading company’ – a solid cover for a job focused on travel and logistics.

A very little is said about Mia’s relationship with Eveline. The guidebook does mention that the reason Eveline’s so attached to Mia is because Eveline had known her since she was ‘confined to the “mysterious organisation” that created her’, which could be taken to imply she knew Mia well before their trip began, but it's not much to go on. Mia's own feelings on Eveline are described briefly in a caption: “Although Mia found Eveline creepy, she also felt compassion for her lonely situation,” which tracks with how Mia interacts with her in-game. It doesn't track so well with the idea Mia had any real authority over how Eveline was raised or treated, however, and would be perfectly consistent with the idea Mia might not have known her long at all.

The guidebook timeline also tells us that the E-series project begain in 2000, and that Eveline herself was created in "the early 2000s." This doesn't make a whole lot of sense for reasons I've talked about already, but does put Eveline's creation well before 2010, the year the same timeline gives us for when Mia started working at the Connections. Since the guidebook also tells us Mia was 32 in 2017, back in 2000, she would have been all of 15 years old. Whatever Mia's involvement, the project long predates her joining the company.

But the real issue with trying to given Mia any major responsibility for the E-series project is that the lab that created Eveline was located in Europe. Mia, meanwhile, has a driver's license telling us she's from Texas.

The European location for the lab is another detail that gets barely mentioned in the games, though it's mentioned repeatedly in the guidebook, and the Baker Incident Report even puts it specifically in Munich, Germany. Given all we learn in RE8, that location does make a lot of sense, when the mould was found in Eastern Europe, and that Miranda herself was part of the research team (she gets multiple photos and a lab coat, you may note). And even if the lab wasn’t right on Miranda’s doorstep, Munich is a heckuva commute from Texas, or anywhere else in the US. Even if Mia was often away from Ethan for long periods, as her bio implies, how involved could she realistically have been?

I don't want to overstress the idea that it "doesn't make sense" for a special agent from Texas to have been intimately involved in a European research project ‒ making sense has never held back RE lore before. But the idea that Mia was brought in only as a handler for Eveline when she was being moved to America still makes a lot more sense than to suggest the Connections were fine with their star asset’s primary handler going home to the US every other weekend.

There are possibilities between the two extremes, of course: Mia may have had sporadic contact with Eveline before the trip, either regularly or just once or twice. It's easy to assume the 'imprinting protocol' must mean that Mia's been Eveline's primary handler for some time, but heck, maybe it's better read as the opposite ‒ something that can be quickly applied to a new handler or caretaker in a hurry, to explain how Eveline got so attached to someone she'd only just met.

Given everything we actually see of her, you could even speculate that Mia was chosen as Eveline's 'caretaker' specifically because she was someone nice and motherly enough for Eveline to bond with. Eveline was pretty clearly fucked up long before Mia ever got involved, and not actually wanting to adopt a walking bioweapon whose idea of a happy family involves mould-powered mind control really does not reflect badly on Mia's character.

Whether Mia was already working for the Connections before she met Ethan also isn't clear. The guidebook tells us she began working for them in 2010, and married Ethan in May of 2011 (later confirmed by the date on Mia's ring in RE8) – though it doesn't specify when she and Ethan met. Even by Texas standards, marrying someone you’d known less than a year would be pretty unusual, so it’s likely Ethan knew her before she took the job. But even that 2010 statement comes along with the bit about Mia being hired as ‘a researcher’, so you can always take it with a grain of salt if you'd prefer.

And that's pretty much it for what the complete RE canon ever tells us about Mia and her former employers.

So here’s where I’m left with Mia’s role at the Connections. Even if she wasn’t aware of exactly what she was signing up for when she joined the company, and even if she considered all that lying to her husband about it to be a simple matter of confidentiality around sensitive research, she’s fully aware by the disaster in 2014, and plainly has a guilty conscience when she admits to lying to Ethan in her video message. However responsible she may or may not have been, she's still complicit. Her hands are hardly clean.

But they’re still a whole lot cleaner than, say, Luis’, considering that he was a key member of the science teams at both Umbrella Europe and in Saddler’s cult, and I don’t see him getting a fraction of the same hate as Mia. They both regret what they’ve done, and they’re both willing to give their own lives to make up for it. No, Luis never lied to a spouse about it (that we know of), but he's every bit as shifty and secretive. And frankly, most of the other shit that gets dumped on Mia’s doorstep is just as much bullshit (like, people do realise the “Mia” we see having “marital problems” with Ethan at the start of RE8 isn’t Mia, right?) But that’s material for other posts.

We don’t know how Mia got involved with the Connections, or how she felt about working for them, because the games never give us this information, and that’s a real shame. But in the capitalist hellscape we’re all living in, she’d hardly be the first to find herself stuck working for truly terrible people, one way or another.

Meanwhile, everything we see her doing during the outbreak on the tanker speaks to a basically good person, desperately trying to run damage control in a fucked-up situation. She tells Alan she’s not going to let him die, even though what’s going down is his fault. She tries so hard to talk Eveline down. After she’s rescued by the Bakers in the Daughter's DLC, she insists on staying in the trailer, meaning to leave at her first opportunity – pretty significant, considering she knows she’s infected already. She also leaves them a message warning them to stay away from Eveline, even sharing information on how to make a serum if they are infected. If you pick her over Zoe on the dock, the first thing she does is try to convince Zoe to come with them anyway. Even under Eveline's mind control, you'll catch her ranting about needing to contain the outbreak, blaming herself, and telling Ethan she loves him with her last breath.

And after being infected herself, the first thing on her mind is to try and protect Ethan, recording that message admitting she’s lied to him, and warning him to stay away (Ethan never gets that message, but you can’t say Mia didn’t try). Mia loves Ethan enough to die to save him – and she will, if you choose the Zoe path, and she’ll do it without a second thought.

Mia is fascinating to me as a character because she’s so full of contradictions: a woman who leaves syrupy video messages sending ‘tons of kisses’ to her husband, but who is completely comfortable running around with a machine gun killing mould-monsters, and who shrugs off an Eveline jump-scare with 'fucking hallucinations!' Someone who’s done bad things and knows it, and is trying so hard to make up for it, but whose background and motivations are left frustratingly undeveloped. But if you haven’t caught that Ethan and Rose mean more to her than anything, you really haven’t been paying attention.

Whatever you assume about Mia’s full story, she’s complicated in a way that makes her so much more interesting to me than most of the franchise’s more popular playable characters. I am very serious in saying I want RE9 to be just the full Mia-Winters-story, because to me that’s the only remotely satisfying justification for keeping her such a mystery for so long. I know that's not at all likely, but fuck it, I can dream.

Mia’s made her share of mistakes, but holding her responsible for everything the Connections has ever done is no kind of fair.

[henrysglock]

Local Man Uses The Cyclical 27-Year Torment Nexus To Try And Change His Fate [EPIC FAIL COMPILATION]

You probably guessed that this is the time-travel post I've been slaving over. You'd be right. This is the newest and most formal iteration of my long-standing time loop theory (I have drafted flowcharts back from February that actually predicted a dimension/time fuckery event in 1943 in relation to Brenner, which was made canon by TFS). So...Let's just dive right in. Note: I'm planning to keep calling TFS Henry "Henry" here just for simplicity's sake.

Now, fair warning: There are a few big "bear with me"s in this post. I promise they make sense, I just need you to hear me out.

It all started with Henry's self-proclaimed superhero name: The Stardust Spider.

Some of you may have seen my original post about The Rise and Fall of Ziggy Stardust and The Spiders from Mars (here).

Before anyone says "Oh, but that album didn't exist yet", a reference in 1959 about a Bowie album that wouldn't be recorded until November of 1971 is in keeping with TFS's habit of directly referencing things from the '70s that "don't exist yet".

However, all that aside, there's a specific piece I want to return to, because it bugs the living daylights out of me.

There was a cut song that was meant to go on the album The Rise and Fall of Ziggy Stardust and The Spiders from Mars titled "Shadow Man":

For obvious reasons in relation to Henry in The First Shadow, this song already stuck out.

Specifically, though, these few stanzas hit me weirdly:

You should call and see who answers For he promises to come running Guided by the truth For the Shadow Man is really You Look in his eyes and see your reflection Look to the stars and see his eyes He'll show you tomorrow, he'll show you the sorrows Of what you did today You can call him foe, you can call him friend You should call and see who answers (see who answers) For he knows your eyes are drawn to the road ahead And the Shadow man is waiting 'round the bend ('round the bend) Shadow man is waiting up ahead

The Shadow Man is you from the future. He's waiting up ahead to show you the the truth/the consequences of your actions.

Considering that the TFS version of Young "Henry" has a direct connection to both the Shadow and Dimension X from a young age, and he also experiences what seem to be Vecna-type visions, this becomes particularly interesting to me...Especially seeing as said fates are not only possible for future "Henry", but also canon for future "Henry". (See: Vecna guy vs Mindflayer guy)

So, when I see an almost comical number of lines in TFS relating to rewriting known, undesirable endings (here are a few of my favorites):

And when we revisit some of the on-film classics:

I start to think it's time we revisit the concept of time-travel and trying to change your own fate.

It's always hard to know where to start with posts like these, so I'm going to kick things off with the technical aspect: The Cycle.

Something I've talked about in the past year, mostly on Discord, is this concept of a time loop. Not just any old time loop, though. A 27 year cycle, specifically.

Not 20, not 30...

Now, we all know the TFS timeline is messy as hell and doesn't actually align with anything that's possible in filmed canon...or within its own time span, even.

For example, the attack on Mr. Newby happens both some point after October 1st, 1959 and before November 20th, 1959...but the papers for the incident report it on March 20th, 1958:

The timeline we're given also largely fabricated, as I pointed out in relation to the newspapers with dates that don't actually exist.

However, much like NINA, the sequence itself being fake doesn't mean the events didn't happen. It's just not happening in the time frame we're told it's happening in:

It's a set of real events, just portrayed on a different time scale.

So, with all that in mind, I want to lay out a timeline, starting from Season 4 and moving backwards in time:

— Vecna opens the rifts, and El opens a gate to Dimension X in NINA, both in 1986. The March 1959 Creel Murders occur exactly 27 years before the Rifts and NINA's Dimension X gate open in 1986...at which point the Mindflayer is shown to be active.

— Mothergate opens through to Dimension X at some point between November 1983 and October 1984, this being somewhere between 16-28 months prior the Rifts opening. The paper about the attack on Mr. Newby, dated March 20th, 1958, is released exactly 610 days, or 20 months, prior to the Creel murders on November 20th, 1959. It's not necessarily the exact dates that are important here (again, these dates are relatively unreliable), but the gap between the dates.

When put in accordance with filmed dates (i.e. setting the release of this paper exactly 610 days prior to March 22nd of 1959), the paper for the attack on Mr. Newby would have been released on July 20th, 1957. This would be in line with Edward Creel's move to Hawkins in the spring of 1957...while also occurring 27 years before July of 1984, at which point Mothergate is open, and the Mindflayer is active.

This July date is especially funny to me considering we get "throwaway" lines like this...with shots in filmed canon from summertime:

Top: Joyce and Jim beginning their investigation into the attic attack. Hopper Sr. is questioning why Joyce and Jim are investigating, rather than attending school. Bottom: Alice and Henry with the rabbit death scenes in filmed canon, the setting showing full foliage and both children in summer clothing. "Is it summer break?" I don't know. You tell me, Chief.

Per TFS, Henry went missing in a cave system near his home town of Rachel, Nevada (hold that thought) at some point in the year prior to the attack on Mr. Newby. We've been told that Dimension X was involved in this event in Nevada, something happened there that left "Henry" altered physically. He was also flayed at some point around this time.

This all coincides with Henry's dramatic mood shift from a "normal and good" boy to one suffering from Mindflayer-induced psychosis. This change happened in tandem with the Nevada incident, dating back 10 months prior to the attack on Mr. Newby:

If we set Henry's initial disappearance in line with filmed canon like before, it becomes September of 1956, which is just over 27 years before Will's disappearance in November of 1983, at which point we know at least one gate is open.

We also have 1952, at which point TFS Henry would be 7 per his age as a 14 year old/freshman in play canon. This exists in a 27 year interval against 1979, when El opens the original gate that sends One to Dimension X, where he subsequently shapes the Shadow into the Mindflayer.

Here comes the first "hear me out".

My questions are:

Since Henry/Vecna/The Mindflayer/etc. in general don't show any capability for opening gates before 1986, then how the hell is the Mindflayer possessing anyone in 1959?

How did "Henry" get involved with Dimension X in Nevada in the 1950s?

Unless, by some chance:

Dimension X exists all the time simultaneously (i.e. it's a space outside time)

The gates exist simultaneously across time and space in the Right Side Up in 27 year intervals. By which I mean: A gate that opens in, say, 1983 would exist simultaneously in 1956, so on an so forth.

There's the disappearance of Captain Brenner and the USS Eldridge in 1943, which would, interestingly enough, align with 1970, the supposed year of El's conception.

Then, 1952. Now, I'm not sure what's special about 1952, when TFS "Henry" was 7, because they don't actually say what happened to make that year important! They make a point to show it to us, though, meaning something happened...we just don't know what. All I can say is that 1952 does exist in a 27 year interval against El's 1979 gate. Hold that thought.

Those addressed, let's fast-forward 4 years: 1956/1983.

Now, to be fair, there is some uncertainty in my mind about whether this specific gate incident stems from Brenner's involvement with Project Rainbow in Nevada pre-1957*, or if it stems from Mothergate in 1983, or if they created some kind of wormhole between the two locations 27 years apart...but that's a concept I need to explore more thoroughly in a another post.

In short, though: Did a singular El open a singular Mothergate? Did El open mothergate? Did Mothergate actually open on November 6th, 1983...or are we just supposed to assume it opened the same night Will went missing/the demogorgon came through? We're never given a concrete date for when Mothergate actually opened.

* In TFS, Brenner claims he's dedicated his life post-1943 to Project Rainbow with the goal of finding Dimension X, and that he's doing so in pursuit of knowledge regarding the circumstances of his father's death in connection with the Philadelphia Experiment. The USS Eldridge, Brenner Sr.'s ship, disappeared into Dimension X briefly on October 28th, 1943. "Brenner Sr." was the sole survivor. "He" returned to the Right Side Up with a completely unique blood type, supposedly altered by his travels into Dimension X. This is what ultimately led to him succumbing to his injuries, due to his body rejecting all forms of blood transfusion. Brenner Jr. tells us that about 10 months prior to Henry's first stay in HNL, a scientist from Project Rainbow escaped Brenner's lab carrying a container of a dangerous material, and ended up near the same Nevada cave system Henry disappeared into. We don't know how or when this material was collected, or what it was, but we know they found Henry's Captain Midnight spyglass next to a body (identity unspecified) with no trace of that dangerous material. We get no further detail about the Nevada Disappearance.

Anyway, someone opens a gate in the fall of 1956 and/or 1983 (my money's on it being directly linked to an El in 1983 either way). No matter who did it, though, someone opened a gate at both time points, showing us this 27 year link between the 2 dates, 2 key locations.

"Henry" goes missing in Nevada in 1956, and ends up involved with Dimension X...Which aligns with the choice of song surrounding this version of the Creel family while they move into their new home:

Coincidentally, 27 years in the future, so does Will, in Indiana. Their experiences are linked across those two spaces via that 27 year period.

We know that regardless of the gate in Nevada...Mothergate, at least, stays open until from fall 1956/1983 to fall 1957/1984. That covers exact time frame that the adjusted dates for both Henry's accident with the boy in Nevada and his accident with Mr. Newby fall in (as well as Will's time between his disappearance and his flaying).

The closer we get to Will's flaying in 1984, and the closer the Mindflayer gets to crossing through Mothergate, the more TFS Henry sounds like One (post-1979) while he's possessed in 1957, the more strangely he behaves in general (almost as though the Mindflayer is more enmeshed in his everyday life/closer to the surface), and the stronger the possession attempts seem to become overall. He begins giving nightmare visions to other people, namely tormenting Virginia with spiders and her past. He has his final and most powerful "Vecna" vision on the night of the attack on Mr. Newby.

Any kind of reciprocal gate irt Mothergate in the '50s would have gone unnoticed, since the papers in TFS indicate that HNL wasn't established until Brenner showed up to take Henry in.

Mothergate closes briefly, only for a gate to open in July 1958/1985 in the underground location of the future Starcourt Mall. This, in 1958, is during our unaccounted-for 20 months between the attack on Mr. Newby and the Creel murders. (Something rattles about this and the scene where Henry nearly makes full contact with the Mindflayer, when he has a handful of duplicate lines re: his 4.07 monologue self, but I don't have sufficient evidence to make that claim with any certainty.)

That gate closes, until Vecna opens gates in Hawkins in March of 1986, and El opens a Dimension X gate briefly and simultaneously in both Hawkins/Nevada in September of 1979 (September of 1952) and Hawkins/Nevada in March of 1986 (March of 1959) during NINA, concurrently...at least one of which may have gone unnoticed, since the Rainbow Room and the surrounding labs seems to have been abandoned entirely after 1979, and HNL as a whole has once again been abandoned after the events of 1984 ("unnoticed" and "abandoned", I say as if the building isn't still being surveilled by Brenner/Owens et. al...I just mean that the building isn't in use by the government at that point in time.)

We're shown the Shadow activating all the way in Russia due to one or multiple of these events. 27 years earlier, in March of 1959, the Mindflayer once again becomes active, per TFS's adjusted dates. Chaos ensues.

At this point, "Henry" starts swapping between sounding like his young self and sounding like his 4.07 Monologuing Adult self again, doing that kind of "I've seen the future" foreshadowing talk with Joyce that his visions did with him:

Here, he also sounds distinctly like ST3 flayed Billy, specifically in the way of the scene with El in the cabin when "Billy" outlines the Mindflayer's plans for her, her friends, and all of Hawkins while crying.

The rest is, well...history. Whatever fuckery went on, it doesn't seem to have made much of a difference. After all, TFS is a "canon event", meaning it had to end the way it did.

Remember those thoughts I asked you to hold?

TFS being a "canon event" means it had to end with Henry in the lab alongside baby El...thus completing our loop, which starts again with the events of 1979/1952. A 27 year loop. TFS may be indicative of a time loop.

Hence:

Out of place dates from the 1970s start to bleed into the 1950s: - A town like Rachel, Nevada, which wasn't established until 1978, now exists circa 1952-1959 after El opens a gate to Dimension X circa 1979 in Nevada circa 1986 via NINA, which exists...about 40-50 miles from Rachel.

- An album like Ziggy Stardust and the Spiders From Mars (November, 1971) or a song like "Chuck E's In Love" (April, 1979) gets referenced circa 1957-1959. - An article about a "younger, more handsome" alien clone of Elvis appears in a 1959 Weekly Watcher paper about the Creel murders, despite Elvis having been 24 at the time...making this an article more likely to have appeared in the '70s or later, likely sometime around Elvis' death in 1977.

2. The Shadow is always depicted as the fully formed Mindflayer circa 1956-1959, despite the shaping event happening in the 4 years between 1979-1983:

3. Henry has Vecna-type visions, despite being the only vision-giver we know of circa 1957-1959.

4. 6 different guys later in the HNL massacre: 2 with the original baby El, 2 with teen El via NINA, and 2 in an as-of-yet unseen product of NINA's Loop (see: the final scene of TFS).

All this laid out, some questions remain:

Why do Henry's visions show him the genuine, terrifying reality of his future?

Why are these visions generally lacking in coercion?

Why are Vecna chime sounds heard before the major supernatural events that deal with visions, even though we never actually see the clock? (They're heard before Virginia in the attic, before the attack on Mr. Newby, before the Creel murders, and in the basement when Henry monologues at Joyce while viewing the corpses of his family.)

Why don't these chimes play when the Mindflayer alone is present, e.g. when no visions occur? (See: Henry contacting the Mindflayer in the lab)

And we don't really get an answer to any of these. Not an easily spotted outright answer, anyway.

But what's really fascinating, which I mentioned just a second ago and takes me back to the top of this post, back to the "Stardust Spider" and Shadow Man, is the fact that despite occurring concurrently with the possession attempts...none of these visions contain an ultimatum. There's no "If you don't obey me, I'll hurt someone you love", no "I'm showing you what's going to happen if you don't obey me", nothing of the sort.

The closest we get to coercion is the bathroom vision, when Henry fights off a possession attempt in the school bathroom and ends up in a vision regarding Patty. When "Patty" starts to talk to him about his future, about how Henry's going to kill her and so many others, Henry says "you're not Patty...what are you?" Then he gets into a physical brawl with her, which is surprisingly well matched. Vision Patty encourages him during that fight, saying things like "That's it!", "We want the same thing!", and "We can have her!"

Those seem like pretty straightforward "the Mindflayer's encouraging Henry to kill" encouragements, right?

Yeah, at first glance. However...lets read that back right quick, but with Moral Objectivity Goggles on this time. Henry openly, verbally identifies that Vision Patty is "not her, not Patty", but is, in fact, something else. He does this multiple times before he lunges at "not Patty", and he is subsequently encouraged by not-Patty...who tells him they want the same thing. That's not suspicious at all. The motives here are definitely crystal clear and totally aren't conflicting in any way.

There's the straightforward surface aspect, and then something else piggybacking on it, complicating it. Hold that thought.

Other than that instance, the negative parts of Henry's visions are all just...information. They're showing him what will come to pass...almost like they're motivating him to fight the Mindflayer. Hold onto that thought too, it buddies with the previous one.

Henry's freaking out about Prancer because he's getting close with Patty, and he's worried he'll hurt her?

His vision informs him that he's going to kill more, that he's going to hurt things, that he's going to kill Patty if he stays around her and/or gives into the Mindflayer's desires. And then it happens. All of it. He kills more animals. He hurts things and people, the pets and lab animals, Mr. Newby, and Inmate 58361 being prime examples. He gives in to the Mindflayer's desire to kill and kills Virginia. He does, by the extent of his perception, kill Patty in the accident.

The same goes for his vision in the attic. Henry's up in the attic using his powers to find someone/snoop on them, fearful of opening himself up for a possession attempt?

The vision version of Patty's mother catches Henry and tells him she "wants to tell him a secret" while his body is being puppeted to attack Mr. Newby. The next time the curtain rises to show us the inside of Henry's mind, he's seeing himself as Vecna, strung up on the tentacles and strangling people with them...just like the end of Season 4. Once again, he's seeing the future that will come to pass...should he fail to fight the Mindflayer off.

We can tell it's a vision, not what's physically happening in reality, because: a) Henry's watching himself in the attic from the stage below. b) It's got the messed up red lighting c) They show us reality just moments before, not a tentacle in sight and without Henry on the stage there observing:

d) The ending of the vision doesn't match with reality:

At the end of this vision, Henry passes out both in the void and IRL, while the vision version of Henry remains crouching. That is a different guy, entirely separate from IRL/Void Henry. There is at least one other person in the visions who is not a product of the vision itself.

Remember those thoughts from a bit ago that I asked you to hold?

Well. This also happens to be the sequence where we not only get Vision-Patty repeating Henry's own words from just after Prancer's death ("It's not real. It's not real. It's a nightmare") back to him, a phrase IRL Patty has never heard, but we also get:

Visions Patty telling Henry how to fight and evade the possession, as if she knows what she's doing ("It's your dream, remember? Anything is possible").

Vision Patty telling Henry she loves him as the last-ditch effort when his "good dream" memory of the real Patty fails to save him from the possession.

These are both things IRL Patty wouldn't know or think to say, since IRL Patty fully believed that Henry attacked her of his own volition out of malice, and she needed to be shown a drawing of the Mindflayer by Mr. Newby in order to abandon that belief.

IRL Patty's behavior is not the behavior of someone who a) knows the ins and outs of Henry's situation with the Mindflayer, and b) coached him through overcoming a possession attempt a little while earlier. It's just not.

Just like before, we're seeing contradictions and complications between vision-selves and IRL selves, along with a sense of piggybacking within possession attempts, wherein the vision serves as motivation for Henry to fight harder in resistance to the Mindflayer...while the Mindflayer is possessing him.

It's starting to become my favorite thing in the world: A pattern of behavior.

In summary:

Henry's are visions are visions of his future, and they're being shown to him by someone.

They are separate from, but piggybacking on, the Mindflayer's possession attempts.

The purpose of the visions isn't solely to torment Henry or coerce him into doing the Mindflayer's bidding. In fact, the content of the visions seems curated to make Henry fight harder in resistance to the Mindflayer.

So if, for example, Vision Patty ≠ IRL Patty, but she's acting against the Mindflayer's best interest/in support of Henry...then...

I think my answer to the questions of "who", "when", and "how" should be at least somewhat clear by this point:

Someone...from the future.

Specifically, someone from 1979-1986 who has access to the gates from the Dimension X side, someone with both vision-giving and time-related abilities who's directly connected to the Mindflayer/the Hive Mind, but who has a vested interest in countering the Mindflayer, saving Henry Creel, and trying to change the course of the future.

A traitor. A spy, if you will.

"A spy...from the future?"

[gestures at the Signs] Yeah, you heard me.

A spy from the future.

So, on that note: The point in this section wherein I ask you to hear me out.

I get the feeling TFS Henry is being told and/or shown what will come to pass in the future by himself...the Mindflayer.

And you're probably going "How do you figure that one, James? Isn't the Mindflayer a villainous force?"

I mean, yeah. Of course it is. However...

There are clearly multiple forces at play within the Mindflayer (hive mind!), and TFS shows us that Henry Creel wouldn't choose to be a villain.

Thus I think the visions in TFS are situations where, as in the 4.07 rabbit scene, things look really damning on first view. They play on our empathy using small, visibly-frightened, helpless victims and shocking, violent circumstances to guide us into making the assumption that everything about the situation is inherently malicious.

We're shown this poor little guy, "Henry". He's 14 years old, he clocks in at 5'5", he's skittish/scared of (ha) his own shadow, and he's geeky to the nth degree about comic books (just LOOK at that Captain Midnight salute? What an cute little nerd). He's immediately lovable. He's also, we find out rather abruptly, plagued by horrific visions and murderous fits of possession.

The immediate response is to go "He's being psionically tortured by some sick, sadistic son of a bitch who hungers for nothing but blood and control", just like Nancy and the ST fandom collectively did with Young Henry's rabbit scene...only to be proven wrong about Henry's intentions via TFS.

I mean, does anyone (anyone who's able to read this post, anyway 🤭) look at TFS Henry, filmed Young Henry, or even Orderly Henry and go "Yeah. He totally wanted what he got, and if he had the chance, he definitely wouldn't try to save himself from that fate"?

No.

TFS Shows us that "Henry" was a terrified, traumatized boy who wanted it all to stop. He's kind, brave, and stronger than he seems. We're also shown that he's capable of overcoming the Mindflayer to issue warnings to people he cared about (i.e. telling people to run, or prophesying dangers he'd seen via the visions). He was trying to survive with next to no help while causing as little harm as possible. He was a good kid, and he certainly wasn't evil.

So, all that said...I think that, via the Shadow's hive-mind capabilities, Henry's "fronting", in a manner of speaking, in order to show this version of himself the future. Probably as a warning, probably as motivation to fight the Mindflayer, and all with a nice side-dish of "here's how you fight this thing off so that my current future doesn't become our future" before someone else tapes over the figurative laptop camera.

[coughs, drops this Brenner-Mindflayer collage on the table in front of you, and then scurries away]

With that said, I'd like to loop all the way back to the top of this post: The "Shadow Man" may be Henry from the future. He's waiting up ahead to show his younger self the true outcome of his choices.

We all know how TFS ends, though. Hence:

[EPIC FAIL COMPILATION]

This brings me to my final "bear with me" point: The matter of the strange double-agent vibes from the UD in every season.

I'm not sure if anyone else outside the unholycule has noticed this, but in every season there's at least one instance of the UD just...offering up information.

"It does?"

Yup! Let me explain.

On first glance, we look at things like Nancy's vision and even El's vision with Billy in the cabin, and we go "Oh, it's because [insert "the bad guy's cruel/he wants to scare her/his hubris will be his downfall/all serial killers want to be known for their crimes" etc here]"...but maybe that's not the case.

For example: Vecna told Nancy his backstory, and then he immediately went

"Oh hey, so not only am I revealing my identity (Which may help you find out more about me via lab records later on, things like...maybe a list of my abilities, or my weaknesses, like the fact that I have a nut allegry. Allegedly.), but I'm also gonna give you a sneak peek of my apocalypse plans. For free. As a treat. Don't use these to prepare or anything. I'm totally not giving you a head start".

Terrifying, yes. A taunt and a threat on surface view, yes...but also showing his hand. "I want you to tell Eleven everything you see" Why. Why would he want that. He may be confident in his plans, arrogant, even...but he's not that stupid.

I'm serious, though. Check it out in comparison to Henrys visions of the future. The pattern is patterning:

We can track that back to El's cabin scene with Billy, wherein he tells her she shouldn't have looked for him, warns her that they all can see her, and that they're going to be coming after her...and he cries about it. That's vision Billy. That's someone else who piggybacked into El's mind from Billy's mind. That's not real Billy, just like how Billy in Max's vision wasn't the real Billy. The person giving El that vision warns her. Why on earth would he tell her that they can see her, that they're coming for her? That's sensitive information! It would be smarter to let her think she's safe and use that false sense of security to catch her off guard.

In fact, this pattern patterns so well that I'd like to argue this: Henry's TFS visions, Nancy's vision, and El's vision are all the same type of behavior displayed in NINA's chess scene, just in different contexts.

Henry ("Henry") gives some kind of scary prophetic information ("He and the others are going to attempt to kill you", "I would very much like to show you where I am going", "You're going to kill me, aren't you?"), and then we're left to question if it's a scare tactic, manipulative misinformation, or helpful inside information.

It's not that the Mindflayer or Vecna can't hide things from people (see: "Somewhere he didn't want me to see")...like, say, the fact that the Mindflayer is now able to see El, or that Vecna's planning to open 4 gates with his 4 kills.

It's always this miraculous "Huh! Weird info-dropping behavior from the UD's side. Shouldn't look that gift-horse in the mouth though. It's probably just a writing oversight or a shoehorned exposé, so really there's no need to question it." situation where it's just...information that's offered up with no real explanation.

Some of my favorite examples:

...and it's all topped off with Max's line:

"He's been telling us his plan this whole time".

That is to say...You're telling me:

The first message from the Upside Down isn't any of the messages that are concretely Will's, but instead it's the one that's a repetitive Henry line...and it's conveyed in a distinctly not-Will style? A message that saves Joyce, something that's definitely not in the UD's best interest given her tenacity in finding her boy...but is definitely coming from the UD nonetheless?

Will, who fell total prey to the Mindflayer in less than 3 days, was not only able to figure out how to defeat the Mindflayer, but was also strong enough to convey it in Morse code? The Mindflayer, who is able to keep secrets (see below), just...let that information slip?

El, who acknowledges that the Mindflayer is more than able to hide things from her, is suddenly released into Billy's memories and allowed to find the source unimpeded?

The Mindflayer, as Billy (Remember: not actually Billy, because Billy can't give visions or invade minds), is telling El that because he's able to see her now, she shouldn't have looked for him? The Mindflayer, which was supposedly building the Fleshflayer to track El down and kill her? Suddenly he's telling her she shouldn't have done the thing that allowed him to find her more easily?

Vecna's giving up all the information about himself and his plans before he's even gotten the 4th gate open, despite him being so secretive about it up until that point?

Henry's visions in TFS are going to scare him into resisting the Mindflayer, making it less likely that he's going to upgrade to killing humans, i.e. the very thing the Mindflayer wants him to do?

None of that makes any damn sense...until we hit this last point:

Orderly Henry is known for giving inside information about "Papa" to El with no clear motive other than getting her to leave the lab.

Now, if you know my page then you know Em's been talking about double meanings in phrasing recently (see: this post about "who"s and "what"s).

So, with that in mind, I'd like you to chew on this:

"He's been telling us his plan this whole time." vs "He's been telling us His plan this whole time."

By which I mean: "He's been telling us some other man's plan this whole time."

[Mike voice] Superspy.

As a parting thought, I made it all into a nice, neat set of collages:

Not to mention this final, parting bit:

[dingodad]

you can link to it if youve already answered it, but how do you think lord english “runs” his empire? by the way you talk about alternia, it sounds to me like you imagine he did play a role as some kind of shadow political leader that made active decisions in the structuring of alternia. is that the case? i think thats really interesting, i always wondered what his rulership over the condesce actually looked like. iirc lord english has only ever shown been screaming and destroying things so i’ve always struggled to imagine if he would even be lucid enough to make decisions or do anything other than mass murder. does doc scratch have some way to implicitly understand his desires and then deliver orders to the condesce on his behalf? or was the caliborn that the “kids” fight at some nebulous time in the “future,” the one who’s soul dirk rips out, not teen caliborn but an actually fully realized adult cherub caliborn who had already been fucking with alternia? idk if that makes sense, the part of the comic where the beta kids are described by caliborn to have been sucked into the juju has always been a little weird for me to wrap my head around. i always imagined the battle happened between them all as kids still but now that im trying to imagine a lucid lord english im realizing they could very well all be adults because we still havent “seen” it actually happen aside from caliborn’s claymation right? anyways. very interested in what your thoughts on caliborn’s active influence on alternia looked like

lots of really great questions! i'll try to get my thoughts in order here.

to start at the beginning of lord english's story: yes, it is an important point that we have no idea "when" caliborn's masterpiece actually takes place; how old caliborn is, where the kids who beat him up even came from... and I think this is because the details in that story don't necessarily matter. while i certainly believe there is a point in caliborn's timeline where a gaggle of teenagers show up and stuff him into a puppet, what we see play out on his claymation stage is a mythologised account of something that happens to him over and over again in many many different ways over the course of his time loop.

so while i wouldn't call that caliborn "fully realised", necessarily, i think we are supposed to see him as "caliborn-as-lord-english"; he has the peg leg, he has mastery over the felt, he's finally obtained the rainbow magic eyes, and while he certainly hasn't encountered the trolls yet, no, he has had loads of practice at being the puppetmaster of his own world as he hones his homosuck craft and uses the terminals left to him by his session to influence homestuck itself! (i don't think whether caliborn is ultimately "teen" or an "adult" is hugely relevant, because caliborn's specific circumstances mean that he doesn't really "grow" or "mature" by aging the same way a human does; he gradually acquires power in different ways.)

related to this, i tend to use the names 'caliborn' and 'lord english' interchangeably. which i know not everyone will agree with, but i think it aligns with the hussie's philosophy that act 6 is about the kid versions of the comic's grownup characters; while, yes, the lord english contained within lil cal also contains sprinklings of equius, dirk and gamzee, these characters are ultimately caliborn's servitors, and i would argue that subsuming weaker personalities into his own is kind of part of caliborn's Bag as a dominant cherub.

anyway, all that is just to say that it's important to be aware that lord english DOES act like caliborn, and isn't just a mindless, speechless force of destruction - at least not all of the time. when damara tries to escape his captivity, he speaks to her in caliborn's voice, and perhaps more importantly, tells us the one thing you must never forget about lord english: he is ALREADY HERE. never be fooled into thinking lord english only showed up at alternia's death and then fucked off into the furthest ring to hunt his sister - his first act was to travel back to the beginning of alternian history and become its architect. notice how as soon as lord english speaks, two things happen: first, the cursor changes into english's reptilian hand; second, we see the puppet hole in doc scratch's back - he was the literal puppetmaster behind scratch's actions the whole time!

so yes, lord english was an active participant in the shaping of the alternian empire, though i think "political leader" is probably the wrong description; he certainly never had any face-to-face conversations or gave any direct orders to any trolls, at least within modern troll history. but that's not what he's about: as the cuestick, and with scratch as his cueball, english's manipulations are more about lining up the perfect shot, executing a precision strike, and then letting events play out exactly as planned.

probably the most influential of these precision strikes was establishing the subjugglator cult, who worship him and his puppet as twin mirthful messiahs; while we don't know exactly how he did this, it's not hard to imagine it had something to do with appearing to them as an all-powerful angel at the very dawn of their society. compare this to how the condesce makes cordial visits to every planet she passes on her journey through the stars, then fucks off to let her army of trolls decimate the place. after all, scratch operates in exactly the same way: he doesn't waste his time constantly relaying orders to his proteges, but rather grooms them when they're still young, turning them into his unwitting soldiers so that when he finally does intervene he's only telling them to do things that "deep down, they already know they want to do." (commentary from Homestuck: Book 4, p. 216)

while the condesce formally becomes english's puppet when she kills the handmaid - inheriting both the rustblood's curse and essentially taking up scratch's role on earth - it's not like she was ever particularly hands-on when it came to helming the metaphorical ship herself. in porrim's words, she was "the Lo+rd's slave all alo+ng [...] thro+ugh manipulatio+n by his cunning emplo+yee", but what the condesce enjoys doing most is delegating! on alternia she gave most of her authority to the subjugglators, and then did the exact same shit again on earth. remember meenah never wanted the responsibilities of heiress, and ran to beforus' pink moon to escape them; the way i see it, the condesce rushing off into space to explore the galaxy instead of overseeing the planet she's responsible for is just a repeat of the same behaviour, and doing so left a power vacuum for english to essentially insert his own guys into. (possibly thematically relevant, since lord english's role is fundamentally to shoot balls into unfilled dark pockets.)

in short, english is cleverer - or at least, more competent - than we give him credit for. it's just that rather than a chess master who moves each piece to its proper place individually, he's playing pool; if you line up just the right shot, you only need to make one move, and the balls will play the rest of the moves off of each other. looked at another way, as the Lord of Time and master of the alpha timeline, english makes his moves by controlling inevitability itself. he engineers things so that events can only play out in the exact way he wants them to, and all other options are doomed. and to do that, he only needs to be present at key moments in alternia's history - most importantly its very beginning and its very end.

[pastorfutureletthembe]

Here we go again--

TRIP ABROAD TURNS INTO BUTTERFLY EFFECT

First thing worth mentioning is that the prime color in this artwork is pale blue. I feel like it's quite rare, most of INPLICK arts for Link Click have the same palette: burgundy red, shades of gray and black (except for the whole Surprise Beat thing which is splashed with flashy pink). All but this one:

(probably when they were 17 or sth)

For the sake of the argument, let's say it is a significant distinction to make. The reason is simple: the teaser of the airport scene and the trailer prove that shit started three years ago, when CXS and LG made a trip after graduation. If this chronology is correct, then blue probably symbolizes Lu Guang's innocence or happiness. Blue used to paint Lu Guang but now he only sees the world in black, white and red. In the birthday official arts, blue is associated with his character. His flower is freaking Forget-Me-Not; Myosotis.

So yes, that's why I think the color palette here is relevant to the time period we're going to explore in the Yingdu Chapter.

The couch itself is blue when we're so used to the pair sitting on a brick sofa. The cakes and the flowers are the usual shade of red, though.

On the table: red roses in a vase. Petals are all over the place. Ominous.

On the trolley: 1 bottle of wine, 2 CXS's feet, 3 glasses, 4 cakes, 5 individual desserts. The glass half full is Liu Xiao's, since it isn't on the trolley in the original artwork he is absent from. I said it in another post but the plate counts 4 portions, as in 4 antagonists, while the pudding might be Lu Guang's. The cakes are probably metaphors for timelines/curves, clocks dressed as desserts with a red fruit representing a dead Cheng Xiaoshi. V and VI are the only missing parts, just like Qiao Ling's one. CXS put his feet on the trail and I think it's both funny and tragic. I believe the correct saying is "put his foot in his mouth" but in french we say "mettre les pieds dans le plat", which literally translates "to put his feet in the plate" (to say something brutal with no tact or to do something stupid without thinking it through). He has both feet nearing timeline cakes and his head is five inches away from doomed flowers.

On the floor: 1 vintage phone. 1 camera. 2 envelopes, 3 pages of letters. 4 polaroids. Probably: 2 magazines and 3 pages of newspapers. The vintage phone could be relevant to THE TIDES, era-wise. The camera is taking polaroids and two of them are still dark, meaning they just took a shot and are yet to be revealed. The rest must be related to this chapter's plot. So much for holidays, guys (are they investigating CXS' missing parents?)

If you look closely, you'll see four different mentions of time:

Lu Guang's watch (hold this thought)

The polaroid: Big Ben

What looks like newspapers

The hourglass

We also have four mentions of information/communication

Letters

The polaroid: a public telephone box

Newspapers/magazines

Vintage phone (I was wondering why the phone had twelve numbers but after some research, I realized that some of them had # and *)

On another note, I don't know if their hands--

I mean, there's something definitely happening here but let's say for the sake of my sanity that what is supposed to be noticed are the sunglasses. If I'm being honest, this is the real oddity here and the teaser weirdly showed them off?? They're standing out because everything else is so blue for one thing.

They're pink-ish, which is close enough to magenta, so one of Lu Guang's colors (cf. Dive Back In Time). The color itself is weird for sunglasses. Lu Guang doesn't care about fashion, he wants practical. As a girl who loves pink sunglasses, I'll tell you: pink is shit at doing sunglasses' job. CXS told him to wear a cat hat, okay, but did he choose every other accessory?? My guess is that the pink served a purpose in connection with light.

And why is Lu Guang's watch on the other wrist in the artwork? I checked and LG wears it on his right wrist in the donghua and manhua. It can be the opposite for some artworks though... Or blocked from view for some reasons. It's almost as if we're not supposed to know which side is the actual reflection. 👀

Something else is reversed here, actually: the colors AND the pocket of Lu Guang's shirt. It could be a mistake, though.

>>>>> Basically, I think the artwork is telling us that the Yingdu Chapter is going to hurt and make us cry. If we're indeed about to see Lu Guang lose his humanity to try and save Cheng Xiaoshi for the first time therefore destroying worlds, I have no doubt it would be after Infinite Sadness™.

The real question this teaser isn't answering is either we'll go through the original timeline or a rewind. The last episode of season 2 makes me frown. How to be sure that the Lu Guang who dives exists before and not after the events we see unfold for two seasons? Is Yingdu Chapter a flash black or an actual dive itself? Lu Guang seems to be determinate and in a bad mood in the PV after all, could directly happen after one of CXS's deaths.

EDIT: someone mentioned that LG wears his watch on the left wrist when we get images of CXS getting stabbed. (It hurts right here in my meow meow)

[evilbihan]

Debunking ridiculous arguments from Bi-Han haters

Bi-Han's one and only mistake was breaking his oath to protect Earthrealm. A lot of people like to jump to conclusions about him and make up the silliest excuses to justify hating on him, so I'm here to provide some much needed facts in these trying times.

"But he wanted to benefit from the soul stealer's magic that would have killed millions!"

Yes, because his loyalty is to the Lin Kuei, not Earthrealm. In his mind, he's doing what needs to be done to protect his own clan and make it stronger, even if that demands sacrifices. A good leader puts his own people first and that is essentially what he does. For Bi-Han, the end justifies the means. His cause in and of itself is not a malicious one. He cares about his clan. Part of the reason why he wants power is to protect the Lin Kuei from other threats.

Think about it, they defended Earthrealm for generations, not a single Lin Kuei has ever lived a normal life. They begin their training as children and are forced to live secluded and lonely lives. No one even acknowledges that and shows them gratitude or respect. All Bi-Han wants is for them to receive recognition for everything the clan has done. He wants the Lin Kuei to be independent, for his own people to benefit from the sacrifices they made for once. He's not some tyrant obsessed with power, he doesn't want to conquer all of Earthrealm, only for the Lin Kuei to be recognized as one of its nations as stated in his official bio.

Spoilers ahead: According to story dlc leaks, even Liu Kang admits that there's nothing wrong with Bi-Han's ambitions, just the methods he chooses to achieve his goals. What more do you need than the literal creator of the timeline confirming that Bi-Han is not "evil"?

At the end of the day, Bi-Han himself would not have killed anyone. The soul stealers belonged to Shang Tsung and Quan Chi. He never even made use of them to begin with.

If this is where the bar for being evil is at, we would have to start calling other characters evil too.

I don't know how many residents Vaeternus has, but I don't see anyone faulting Ashrah for making it her mission to kill all Vaeternians for her own purification. Absolutely no hate towards Ashrah, she's one of my favorite characters in the game, but she's using questionable methods to achieve her goals too, yet she's perceived as a "good" character because she's protecting Earthrealm. Are Earthrealmers somehow worth more than Vaeternians? I don't think so. What about Rain who flooeded an entire realm and doesn't face nearly as much backlash? Make it make sense.

"Bi-Han hates Smoke and tried to kill him."

Wrong. I already wrote an in depth analysis of the brothers' relationship here and I'm not going to repeat myself in this post, but I will add upon what we previously established. Bi-Han never once said he doesn't consider Smoke his brother, just that he doesn't consider him Lin Kuei, which is a subtle, but huge difference. In any of their intros, whenever Smoke refers to Bi-Han's biological parents as "mother" and "father", Bi-Han never tells him they are not his parents or that Tomas has no right to call them that. Yes, he doesn't call Smoke brother directly, but that's because they seemed to never have been close. Bi-Han's distrust towards Tomas is entirely justified, considering that Smoke's family died at the hands of Lin Kuei warriors. As grandmaster, it's his duty to keep an eye out for outside as well as inside threats and he might have considered Smoke one.

Additionally, there is absolutely nothing wrong with Bi-Han disliking Tomas. He doesn't owe him anything. People are allowed to dislike each other. He was a young boy when Smoke was taken in by his parents. Maybe he saw Tomas as another competitor for their attention, specifically his father's attention. Bi-Han being cold with Tomas doesn't make him toxic or abusive. He might have just never felt comfortable around Smoke, given the circumstances of how he became part of the Lin Kuei and that's why he was cold and kept his guard up around him. Every individual also has a different definition of family.

Family are the people you feel safe around, the people you trust and get along with, the people you want to surround yourself with. Siblings don't always get along and that's okay. Some don't talk in years after moving out of their family home. I'm fairly sure we all have that one relative we just don't vibe with or even cut ties with entirely. Two people just not getting along and therefore being distant with each other isn't toxic, forcing people to like someone because "they're supposed to be your family" is toxic.

As for the rock scene, I already talked about it in the post I linked above. I will just briefly say, Bi-Han did NOT kick that rock onto Smoke, it would have been impossible for him to do so and he was just as concerned in that moment as Kuai Liang was. I included the slow-motion gif of the scene here too, so you can see the proof for yourself.

See that surprise and shock in his eyes? He did not kick that rock intentionally.

"Bi-Han let his father die!"

I elaborated on this here but I will add a second explanation that is less headcanon territory.

Smoke lost his family due to Lin Kuei members not following orders, a mistake that was ultimately the fault of Bi-Han's and Kuai Liang's father. Even if the old grandmaster took responsibility for it and adopted Tomas, he is still at fault for Smoke being orphaned. Bi-Han witnessed his father's mistake and saw it as "weak leadership" on his father's side, weakness that caused the death of innocent people and a stain of shame on the clan. His mind about his father was probably already made up at that point. However, if he was truly evil and wanted his father dead, he could have killed the old grandmaster himself. We've seen how impatient Bi-Han is, he wouldn't have waited for his father to have an accident or succumb to old age. I think there's a part of him that lives with guilt and regret over letting his father die. The scene where he says "... and I was right to let him die." sounds like he's trying to justify his actions to himself, not to Kuai Liang. He also sounds hurt and angry when Johnny mentions his father in one of their intros together. I think there's a lot to unpack here but the story mode and intros don't really tell us enough.

Surely, part of the reason why Bi-Han didn't save his father was because he wanted to take control of the clan himself, but not for the selfish reasons people accuse him of. Bi-Han has the Lin Kuei's best interests at heart. He's certainly not entirely selfless but he was willing to share his power with Kuai Liang and in his taunts it's always "Kneel before us" not "before me". He always emphasizes on how the Lin Kuei will rule part of Earthrealm, not just him. His motivations are far deeper than just wanting power and so were his reasons to not help his father.

"He started the Cyber initiative!"

I don't see how the cyber initiative is a negative thing in the new timeline, given that they're just suits of armor made by Sektor that the Lin Kuei put on when they fight. No one is being cyberized against their will or otherwise tortured. No one has to die for the cyber initiative. I guess people have a negative association with it due to the old lore but that no longer applies.

I keep seeing people say "They turned him into Sektor" but that is far from true. Sektor was much more ruthless, going as far as to force his own clan members to become cyborgs and killing his own father to become grandmaster himself.

That is how a man who only cares about power would act and it's not how Bi-Han is acting.

"He scarred Kuai Liang."

Again, something I wrote a detailed analysis of already in the post I've linked above. He did scar his brother, but Kuai Liang was not only the first one to draw blood, but also attempted to kill Bi-Han in his rage.

No matter which brother's side you're on, you can't argue with the fact that they both have hit their lowest low the second they decided to shed each other's blood. Both are willing to kill each other. One brother wanted to violently beat the other's face in and the other one scarred his brother for life. You can't fault one for his actions and not the other. It would be wrong and hypocritical. I'd call them even.

In conclusion, the majority of reasons that people claim to dislike Bi-Han for don't even make sense and are absolutely baseless. They contradict any existing canon material and it's embarrassing how desperately people want to dehumanize Bi-Han and make him into some sort of horrible villian, which he canonically isn't and never was. At the end of the day, you can try and twist the narrative to match your opinions, but that doesn't change canon facts. You can claim that grass isn't green. That's not going to make the grass any less green though.

I see other Bi-Han fans trying to defend Bi-Han and argue back to those hating on him, but honestly, his actions don't even need defending. His reasons and motivations and the depth of his character are obvious enough in my opinion. People who call him a "joke villain" didn't understand his character at all and you can't reason with someone if they're being ignorant and refuse to see past their own bias.

To those who dislike him, here's an idea. Block the "Bi-Han" tag instead of flooding it with bad takes. Why bring unnecessary negativity to the community all while being wrong at the same time? No one needs that.

I might make a part 2, but I think all that needed saying was said in this post and the one I've pinned at the top of my blog already.