#white dragon society

[ink-of-a-thousand-currents]

Mmm I definitely have Thoughts on site lore and Ancient lore. And I mean, for the most part I (as well as many people) use site lore more as Inspiration/Building Blocks for further lore building.

I've been meaning to get around to writing lore for my Clan and in general, so. I guess I'll just make some notes on the current Ancient Lore and what I think and where I'd go.

Deciding to put this under a read more since it's a lot more than I meant to write lmao

Gaolers - Part of this being because they were the first, and therefore had the most hype around their introduction, but so far lorewise Gaolers still have probably the most impactful story. Them being forgotten by modern society makes sense; withdrawn, a small population of creatures that never evolved into their softer modern counterparts. Which is another thing that makes Gaolers stand out; they're the only Ancient with an explicit connection as being ancestors of one of the Modern breeds. The whole This Thing Is You But Older, More Primal And Dangerous is just. Soooo good. Gaolers as a design have grown on me recently, so it definitely generates some ideas.

Banescales - BANESCALE LORE. BANESCALE LORE. My favorite of the bunch, but this is partially that I am someone who loooves music. The idea of Banescales having been a musical society, and now all that remains is the song that was left to their children as they protected their eggs... god it's just so beautiful to me. Plus the parallel to how Coatls ended up having a notably musical language... The idea of the Flamecaller mourning her first children and passing on their gift. The Coatls and Banes bonding over this similarity. I love them, I need more Banes.

Veilspuns - I'll be honest. I don't remember anything about the Veilspun lore. Legitimately. I love Veil's designs but their lore just Did Not Stick. I'll have to go reread it and probably rebuild it somehow lmaooo

Aberrations - Okay, I also kinda forgot this one, but they literally crawled out of the Wyrmwound, right?? Like, sort of had a "cast away by their god" type of thing? Failed experiment energy? Idk if that was actually what happened, but it's the take I'm going with.

Undertides - They felt betrayed by their god so turned their back on him, and then reintroduced themselves to modern society upon the Surge in the Elements. Cool! Interesting! I think this could be very cool to explore, especially with the modern members of Water Flight who have effectively been abandoned by Tidelord (as far as we know. Dad come back.) Also, strong ties with a specific sect of Maren! Neat! Not as potent of lore to me, maybe, but it's interesting and has potential. Execution was ehhg but I can work with the concepts.

Aethers - I love their lore yes its stupid yes its goofy and I adore them for it. If I go through with my lore crafting I'll keep all this because the other Ancients having cool and fucked up lore next to these dumbass sparkly floofs is hilarious to me.

Sandsurges - Okay I DID. Think the "pay" bit in the story was funny. But I do think a "cooler" take could have been done, with Sandsurges having a better reason to have been unknown to modern dragons aside from "They were underground all along" whsgsgs. I think you can combine the best of both world by saying they return upon seeing the exploitation of modern Lightning society, and the building of something Big and Dangerous, with allusions to this having been done in the past and having had consequences to Ancient Sandsurge society... AKA, they're here to teach the young'uns about unions.

Auraboas - Okay, so. The issues have been brought up several times, and most of us are aware at this point. I can see the angle they were going for, for a sci-fi-esque hivemind tyoe of situation. I also don't necessarily disagree with the decision to make it Nature. While Arcane might make more sense for sci-fi themeing, I think choosing a different Flight makes it a little less on the nose. In any case, I think the concepts are there, but were executed very poorly and with a decent dose of "ignorance and tone-deafness." I think the story specifically should have treated the elder Auraboas with more compassion for their fears for their children and difficulty in communicating with modern dragons. Way less infantilization, and more "person struggling with a language they barely know, reaching out to someone they never would have otherwise out of desperation." (By this I mean I think they could have written the difficulty in communicating far better than they did). The Loop is interesting as well, though very hard to grasp as a concept. This is partially on purpose, and partially because I kind if think staff purposefully left some things vague because they didn't actually want to try and figure out how the concept would work, lol (which I can't entirely blame them for, especially since with Site Lore sometimes less is more, allowing for multiple interpretations by users).

Another note: in both the recent Lightning and Nature ancient stories, they're both stated and/or heavily implied to have already been known about by certain dragons In The Know, so to speak. I have some mixed thoughts on either, and might incorporate them differently. Sandsurges as sort of secret workers was a little funny and backed up the Weird Shady Company Execs thing, but it could be interesting to make it a sort of, deliberately covered up because We Can't Have Them Teaching The New Hires How To Unionize!

As for Auraboas... Not really sure. I can see them being a culture that has been largely self-reliant for their existance, hence the lack of contact with modern dragons. But, given their connection to the Behemoth (and maybe a connection that could be elaborated on), maybe they've appeared or collaborated with moderns in the past over threats to the Behemoth. So, mutual knowledge, but no sustained contact since it was A) difficult and B) outside of curiosity, most on both sides saw little reason to establish further contact. A sort of living alongside one another but never really talking, like neighbors you see sometimes but don't talk to. It's only the disruption of the Loop in the younger generation that both kickstarts a greater Need to connect, but also a bridge for easier communication.

[aroaessidhe]

2023 reads // twitter thread

Burn

historical fantasy set in an alternate 1957 with dragons

a girl and her father in a small town hire one to help with their farm, and despite warnings she starts to talk to him

meanwhile an assassin for a dragon worshiping cult is heading their way trailed by FBI agents, and things start to get far more complicated with world-ending prophecies and the impending war

[peacerisendove]

Me covering my face as I write a knight implicitly(???) sorta falling in love with a dragon. (Note: the dragon isn't simply a mindless beast/creature here.)

It also doesn't help that these characters are based of two human ocs that are in a relationship.

[oceanusborealis]

The Films from 2023 That Put Some Fun Into Our Lives

We looked at the films that hit us in the feels with emotions in our last awards. Now it is time to hard pivot to the other side of the spectrum with a look at the films that were a riot of fun. So today, I take a moment to champion those films that brought the joy, whether through upbeat action, one laugh after another, or that silliness that brings a smile to your face.Our Highly Commended in…

[aenramsden]

The following is not my idea; it was the original brainchild of a friend of mine named Omicron, with help from various others including EarthScorpion, TenfoldShields, @havocfett and ShintheNinja:

So, you know what I want to do one day? Run (or play in) a D&D campaign in which the Big Bad Super Dragon that is fuckoff ancient and unfathomably powerful and whose actions have shaped history and bent the course of nations and had repercussions on the whole culture and society in the region where it's set; the Bonus Special Boss for some endgame optional quest after you defeat the direct BBEG and win the campaign...

... is a white dragon.

To explain this for people not deep into 5e monster lore; D&D dragons are sapient beings, and known for their instincts and tendencies, and whenever you meet an big evil dragon that's really old it's usually this ancient creature of terrible intellect Smaug-ing it up all over the place.

Except white dragons are fucking stupid. Like, they're still capable of speech and thought! They're just… feral, hungry morons. And you almost never see them portrayed as ancient wyrms for that reason; they lack majesty. Critical Role did it, yes, but even then, Vorugal is explicitly the most bestial member of the Chroma Conclave, and the others are the more intelligent planners and long-term threats. An ancient white as a nation-defining endboss, though; not a thug for a smarter master but as the strongest and biggest threat around is just not the sort of thing you tend to see.

Adventurers: "Oh wise Therunax the Munificent, gold dragon of Law and Good, what can you tell us adventurers of the evil dragons which rule this land?" Therunax the Munificent, 500-year old Gold Dragon: "Good adventurers, know this: this land is torn apart by the evil of Tiamat's spawn. The eastern marches are the dwelling of Furinar the Plague-Bringer, black dragoness whose hoard is a thousand sicknesses contained in the body of her tributes. The southern volcanic mountains are the roosting of Angrar the Wrathful, the fiery red dragon, who brings magmatic fury on all who do not worship him. And the northern peaks are home to Face-Biter Mike, the oldest and most powerful of all, of whom I dread to speak." Adventurers: "F-Face-Biter Mike???" Therunax: "Oh yes, verily indeed; two thousand years has Mike lived, and his eyes have seen the rise and fall of five empires, and a hundred and score champions have sought to slay him; and each and every one he bit their fucking face off."

Like... I want to see a campaign where Face-Biter Mike is genuinely the most powerful dragon in the region, if not the entire world. Where sometimes he descends on a city to grab himself some meatsicles and causes a localised ice age by the beat of his vast wings and the frigid wastes of his mighty breath and by the chill his mere presence brings to everything for miles around him, and everyone just has to deal with that for the next decade. An entire era of civilization comes to an end, an empire falls, tens of thousands starve in the winter, all because Mike wanted a snack. Where his hoard is an unfathomably vast mass of jewels and artefacts and precious stones frozen in an unmelting glacier, except he is a nouveau riche idiot with fuckall appraising skill, so half of his hoard is coloured glass or worthless knicknacks, and he doesn't give a shit.

"Your Draconic Majesty, this crown is… It's pyrite." "Yeah, well, it's brighter than this dusty old thing made out of real gold, it's my new best treasure. Throw the other one away." "…throw the Burnished Tiara of Bahamut, forged in the First Age of Man, your majesty???" "See? I can't even remember its fucking name." "But my lord-" "DO YOU WANT TO BE A MEATSICLE" "…I will fetch a trash bag, your majesty."

But at the same time, he's not stupid, he's just simple, and in some ways that makes him more dangerous than the usual kinds of scheming Big Bad you see in these things, while simultaneously justifying why Orcus remains on his throne (because he's lazy). Face-Biter Mike doesn't make convoluted plans or run labyrinthine schemes; he just has a talent for violence and a pragmatic, straightforward approach to turning any kind of problem he struggles with into a problem that can be resolved with violence. Face-Biter Mike has one talent and it's horrifying physical power, so his approach to any complicated problem is "how do I turn this into a situation where I can fly down and bite this dude's face off?" with absolutely no regard for the collateral damage or consequences of doing so, because those are also things he can turn into face-bitable problems.

"My lord, the dread necromancer Nikodemion is using his undead dragons to attempt a conquest of the eastern kingdom; his agents are everywhere, his plans are centuries in the making, what can we do against such a mastermind?" "I'm gonna fly over the capital and eat the eastern king." "M-my lord???" "The kingdom will collapse without leadership, Nikodemion will win his war, he'll take the capital and crown himself king." "And that helps us… how?" "Once he does I'll fly over to the capital and eat him." "…" "This is why you advisors all suck. You're all about convoluted plans when the only thing I need to win is know where my enemy is so I can fly down there and eat him. Stop overthinking things."

And, like, yeah, it's a simplistic plan, but when you're several hundred tons of nigh invincible magical death, you don't need brilliant strategy; the smartest way to win a war is, in this case, the simplest. He's not even all that clever at figuring out the consequences of face-biting, he's just memorised the common consequences of doing so.

(If you want to go all in on Mike being the major mover and shaker in the region; Nikodemion only even has a pet zombie dragon because Mike killed the last dragon to show up and contest his turf but wasn't going to eat a whole dragon by himself. Nikodemion got to stick around and amass that much power because Mike ate the Hero of the Realm while he was adventuring because he figured the Hero would come and try to slay him at some point. Nikodemion got started because Mike ate half the leadership of the Academy of High Magic who typically keep evil wizards and necromancers in check. And then eventually this product of Mike's casual, careless actions becomes a big enough problem to bother Mike personally, at which point Mike eats him too.)

He doesn't even really fail upwards, either! He is regularly reduced to nothing but the glacier he stores his hoard in, but he's Face-Biter Mike so nobody wants to commit to actually ending him forever lest they get their faces bitten the fuck off. And his hoard's in a huge-ass magical glacier so nobody can get to it without running into the Invading Russia problem; it's hard to wage war when everything is frozen over and you're both starving and freezing to death. Once he's been beaten back to his central lair and has lost all his holdings… I mean, he's still a problem, but he's a far away problem. So he loses his assets and spends a decade in a cave brooding it up while no one dares risk trying to actually kill him, and then a generation or two later he flies down to a kobold colony and gets himself some minions, or a dragon-worshipping mage comes to offer his service against a pittance from his hoard, or a particularly stupid cult starts thinking they can get in good with him and leech off his power, and then he's (hah) snowballing again.

He's also got a very… well, the kind of weird Charisma that Grineer bosses do. Like Sargas Ruk, who's a malformed idiot, but oddly charismatic. As he's a dragon, that makes him a natural sorcerer and thus Charisma is all he needs. He's pretty relaxed when he isn't in a face-biting mood, and he's kind of infectiously optimistic, because his life has taught him that he will succeed as long as he perseveres. So he just believes it.

And sometimes that's really refreshing to work for, as an evil minion of darkness! It's like, you're coming to your Evil Dragon Lord with terrible news; you've worked for evil overlords before, you know how it goes. You fall to your knees weeping and tell him that you've failed to seize the incredibly powerful magical artifact, you think your life is forfeit. And he's just like "Eh, it's okay, these things are all over the place. Better luck next time. You remember the guy who took it, right?" and you go "Y-yes, oh great lord!" and he's like "Sweet tell me his name later and I'll grab it" and then eats a frozen adventurer he kept around as a snack.

His followers tend to quickly realise that if they fail him, bringing some temple's silver or a sack of brightly coloured beads or a couple of dead cows means he's super forgiving because at least he's got something out of the day. "Oh boy, cows? It's been forever since I had those, ever since the Orc Steppe Nomads took over it's all about goats and onions. Today is a good day." He's a master of delegation by dragon standards, in that he just tells you "Just go get it done, I don't care how" rather than micromanaging you and constantly appearing as an image in smoke or taking over your campfire.

The key part of Face-Biter Mike as a threat to players (because he exists in the context of a D&D campaign) works well in that you can rely on several known quantities:

He will not pull sneaky shit that you don't see coming

He will not make convoluted plans that you must work to unravel

He will consistently attempt to come down and wreck you personally if he finds the opportunity and you are a threat to him

You cannot fight him head-on (at least not until the last leg of the campaign, and ideally as an optional boss rather than mandatory)

So as long as you are good at staying under the radar, thwarting his minions (whom he gives broad orders to with almost zero oversight) and not putting yourself in face-biting range, you can deal with him. If you succeed, it won't be the first time Mike has lost his assets and had to go brood in his glacier for a decade or two before rebuilding. It happens; he can deal with it. And that's a win for you within the context of a single campaign, so take the win.

And if you're not going to use him as an enemy, he works pretty well as a quest-giver, too! The costs for failure are obvious and straightforward, and "do whatever, just get me mine" means that players have a lot of freedom in accomplishing their goals. As far as evil overlords go he is actually one of the least dangerous to work for; his pride is relatively subdued by draconic standards, his goals are simple and typically achievable, and he is easily pleased.

(There's also a good chance he is the forefather of any draconic sorcerer in your party, because Face Biter Mike is a deadbeat dad.)

[radiance1]

There was a dragon in space. A brilliant, glowing white eastern dragon that looked like a star moving within space.

It seemingly wasn't doing anything, just floating throughout space with seemingly, no destination in mind. Sometimes it flies around earth, looking but never flying down onto the planet, sometimes it lands on the moon, taking a nap or just playing around by itself.

There were other times it flew through the asteroid belt hiding the Watchtower, yet it hasn't found it yet.

Yet.

The dragon didn't seem like a threat, just playing around within space, minding its own business. Batman monitors it regardless, however.

They didn't know where it came from, what its powers were, why it was here or if its intentions of playing were bound to change into something of hostility. He made eventual plans for it, if it were to turn violent one day, though he leaved it to its own devices for the most part.

His plans were to be used for the What-ifs, not willy nilly.

There came a time when the Justice League were having a debrief in the Watchtower, as they usually do. When the satellites discreetly monitoring it picked up on something.

Another dragon.

One that resembled a western dragon more with black and purple scales.

The first dragon they were monitoring seemed to be off put by the other one, uncharacteristically hostile. Meanwhile the other dragon seemed to be smug, arrogant, seemingly about to on some kind of speech before realizing it couldn't talk in space.

They fought, and they got a view of the dragon's abilities for the first time. Ice, energy blasts, shields, and a wail so powerful it could even be heard clearly throughout space.

the other dragon was no slouch, either, though seemingly less abilities than the other. Fire, speed and strength, which was a given considering their species. It tanked multiple of the other dragon's attacks, though seemed desperate, wary, and even scared of its wail.

They both injured each other, quite severely too. The second dragon seemed to have gotten the upper hand, and got cocky because of that, and so, failed to avoid a wail that blasted it back, followed by two more.

It got hit by the second and barely dodged the third. Then had to retreat due to its injuries.

The first dragon wasn't that well off either, various cuts around its body and green blood leaking out into space. It sluggishly flew to the moon, landed, and then stopped moving entirely.

They decided to try and help it.

-----

Danny was the recently crowned prince of the Ghost Zone, though its king, Pariah Dark, was still in his coffin.

He got a new ability, which was sweet! He could turn into an eastern dragon, which was extremely nice, though a bit annoying having to get used to whenever he woke up and realized most of his body was off his bed because he shifted into a dragon overnight.

What was less cool was how many responsibilities as prince he had to go through, etiquette training, learning history, attending the apparent 'high society' of the ghost zone parties, deciding who gets what fair and square and making sure there was nothing going severely wrong in the Zone.

Something the King was supposed to be doing, but you know, can't when he's sleeping and all.

And how could he forget? The marriage proposals.

He goddamn hated them. So much so that he had to publicly demand to stop sending him them be he's never going to court and marry anyone.

All was good, for a while. But of course, everything couldn't go so smoothly for him. The Observants foresaw a future where he apparently went 'mad with power being the sole royalty' and thought him to be the next coming of Pariah Dark, and then forcibly stated that anyone who can beat him in combat is someone who will marry him, no courting involved and no matter how Danny feels about the ghost.

Danny Obviously didn't like that, not at all. But it was fine, for the most part, because there was no ghost capable of besting him in combat. Well, there were some, but they just simply weren't interested in becoming king or in Vlad's case, marrying him

Prince Aragon

The guy kept trying and trying, no matter how many times he defeated him. Claiming that because he has the ability to turn into a dragon, he simply has to marry him, that he deserved to have Danny as his bride.

Danny still batted him away, making jokes and mocking him for it, even. Though he had a sneaking suspicion that Aragon wanted to marry him to regain his nobility, but that wouldn't happen.

He then disappeared out of nowhere, off the face of the Ghost Zone too. Danny was glad for it, no skin off his back if someone that annoying disappeared, so he went on life as normal, hanging out with his friends, managing ghostly responsibilities, and spending more time with his family.

Even his grades got better! Now that ghost attacks happened less.

Then Aragon reappeared one day, declaring another fight for his hand in marriage. Danny thought it would be easy as all the other times. But something was different with Aragon, he was stronger, faster, more durable.

And it scared him. Scared him how very close the fallen prince was to defeating him in combat, how close he was to losing and having to marry Aragon, how close he was to having to have someone like that as his spouse for what may very well be eternity.

He had a nightmare, that night. One where he lost and was forcibly married to Aragon.

So he ran. He told his friends and family why he was running, and didn't care to tell anyone else why he was running, he just had to get away before his nightmare became a reality.

He went through a lot of dimensions, realms, whatever. Not staying for long, constantly looking over his shoulder just in case Aragon was right behind him, following him.

He ended up in space, near earth and he, tired of all the running and just wanting to stay somewhere for once, stayed. Floating around space.

[zedecksiew]

DECOLONISING D&D

In 2019, after seeing yet another round of alarmist discourse in Xwitter about how Dungeons & Dragons is FULL of COLONIALIST tropes and patterns, and needs to be revised, SCRUBBED of its PROBLEMATIC FILTH---I rage-tweeted this brainfart:

"Decolonising D&D"

I've seen this thread round the community, since. Humza K quotes it in Productive Scab-picking: On Oppressive Themes in Gaming. Prismatic Wasteland quotes it in Apolitical RPGs Don't Exist. Most recently, it was referenced in a 1999AD post about Western TTRPGs (an interesting discussion on its own merit; one that already has a counterpoint from Sandro / Fail Forward.)

If folks are still referring to it five years later, maybe I should give the thread a little more credit? Perhaps the fart miasma has crystalised into something concrete.

In the interest of record / saving this thought from the ephemerality of Xwitter, here is the text in full, properly paragraphed, and somewhat more cleanly expressed:

+++

"DECOLONISING D&D"

Firstly: saying "D&D is colonialist" is similar to saying: "the English language is colonialist".

If your method of decolonising RPGs is to abandon D&D---well, some folks abandon English; they don't want to work in the language of the coloniser. More power to them!

For those who want to continue using the "language" of D&D---

Going forth into the "wild hinterland" (as if this weren't somebody's homeland);

to "seek treasure" (as if this didn't belong to anybody);

and "slay monsters" (monsters to whom?)

Yeah. There's some problematic stuff here, and definitely these aspects should make more people uncomfortable.

But! I think it is an error to "decolonise D&D" by scrubbing such content from the game.

That feels like erasure; like an unwillingness to face history / context; like a way to appease one's own settler guilt.

Do you live in the West? Do you live in any Asian urban metropole? White or Person of Colour(tm)---you are already complicit in colonialist / capitalist (yes, of course they are inextricably linked) behaviour. (I can't speak for urban metropoles elsewhere, but I bet they are similar centres of extraction.)

Removing such patterns from the TTRPGs you play might let you feel better, at your game table. But won't change what you are.

I think it is more truthful and more useful NOT to avert one's eyes from D&D's colonialism.

The fact that going forth into the hinterland to seek treasure and slay monsters is a thing, and fucking fun, tells us valuable things about the shape and psychology of colonialism. Why conquistadors in the past did it; why liberal foreign policy, corporations, and post-colonial societies do it today.

Speaking personally:

I write stuff that evokes / deals with the context I'm in---Southeast Asia. An intrinsic part of that is looking at the ways colonial violence has happened to us---as well as the ways / reasons we now, supposedly free, perpetrate it on others.

A long chain of suffering. Heavy stuff.

I also write for people who want to have fun / kill monsters / pretend to be elves, of course. But for those people who want to consider serious stuff like colonialism: I offer no FIGHT THE POWER righteousness, no good feeling, no answers.

Only discomfort. Because the truth is uncomfortable.

Here's a screenshot of the Author's Note for Lorn Song of the Bachelor:

"Any text inspired by Southeast Asia has to reckon with colonialism ... This text presents a difficult situation; there are no easy solutions. "... If I offered a mechanical incentive for you to fight colonial invaders, you wouldn’t be making a moral decision, but a mercenary one. "The choice you face should echo ... the kind of calculus my grandparents faced."

I stand by that.

Also: might we be more precise and more careful about using the term "decolonising", please?

Here I quote Tuck and Yang's landmark and (sadly) still trenchant "Decolonization is not a metaphor":

"Decolonization brings about the repatriation of Indigenous land and life; it is not a metaphor for other things we want to do to improve our societies ..."

+++

Further Reading

So this post isn't just me reheating a hot take, here are some touchstone writings from around the TTRPG community about colonialism as a subject and mode of play in games:

+

"Jim Corbett was called upon to hunt down another fifty maneaters over the course of the next 35 years. Together, those tigers had killed over 2000 people, for much the same reasons as the Champawat Tiger - injury, desperation, starvation, and habitat loss. Would you look at that. The root cause was British colonialism."

D&D Doesn't Understand What Monsters Are from Throne of Salt

+

"Another effect of having colonizers in my setting would be giving players the opportunity to drive them away from the islands, their home. This maybe just be for the catharsis. After all, isn’t catharsis a big part of why we play roleplaying games?"

I’m Adding Colonizers To My Setting from Goobernut's Blog

+

"When you have a slime boy and the other characters are a really fat lizard and one's playing Humpty Dumpty, it completely shatters the straight-faced serious authoritarian illusion of race, and replaces it with complete fucking nonsense. I love the idea of proliferating the number and types of "races" into absurdity, to the point where the entire logical structure of it collapses in on itself and race as a category ceases to become coherent or meaningful in any sense."

Interview with Ava Islam - Designer of the RPG Errant from Ava Islam / The Lost Bay

+

"Perhaps most critically, the fundamental basis of power is not land or even money but manpower. That’s what local rulers fight over, and what Chinese commercial networks export, in return for unique island products. It’s what the European colonists really need (even if it’s not what they most desire). There is rich loot to be grabbed in the form of spices, Spanish silver, Indian gold, sea cucumbers (the Chinese love ’em), perfumes, dyes, cloth etc. so there’s ample opportunity for piracy, trade and smuggling, but the key to long-term success – the key to independent survival – is nakedly and unquestionably uniting people."

Counter-colonial Heistcrawl: previous high scores from Richard's Dystopian Pokeverse

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"They worked their own land—which they dispossessed from American Indians—or became small shop owners or opportunistic gold diggers or bounty hunters or itinerant ranchers. To me, substituting these situations for one ruled by industrial monopoly ignores that the Wild West is a perfect example of how capitalism operates outside of (or prior to) mass industry, instead being composed of self-employers and self-sustainers."

Fantastic Detours - Frontier Scum from Traverse Fantasy / Bones of Contention

+

"... using the Western framing and D&D's baked-in imperialist and capitalist structure to get people earnestly participating in the experience of forming imperial power structures and the early roots of regional capitalism ... The PCs aren't the drifters on the train or the townsfolk watching with apprehension - they're the railroad itself."

An Arrow for the General: Confronting D&D-as-Western in the Kalahari from A Most Majestic Fly Whisk

+++

[hotvintagepoll]

Propaganda

Anna May Wong (The Thief of Bagdad, Shanghai Express)—Wong was the first Chinese American movie star, arguably the first Asian woman to make it big in American films. Though the racism of the time often forced her into stereotypical roles, awarded Asian leading roles to white actors in yellowface, and prohibited on-screen romance between actors of different races, she delivered powerful and memorable performances. When Hollywood bigotry got to be too much, she made movies in Europe. Wong was intellectually curious, a fashion icon, and a strong advocate for authentic Asian representation in cinema. And, notably for the purposes of this tournament, absolutely gorgeous.

Josephine Baker (The Siren of the Tropics, ZouZou)— Josephine Baker was an American born actress, singer, and utter icon of the period, creating the 1920s banana skirt look. She was the first black woman to star in a major motion film. She fought in the French resistance in WWII, given a Legion of Honour, as well as refusing to perform in segregated theatres in the US. She was bisexual, a fighter, and overall an absolutely incredible woman as well as being extremely attractive.

This is round 6 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut.]

Anna May Wong propaganda:

"She so so gorgeous!! Due to Hollywood racism she was pretty limited in the roles she got to play but even despite that she’s so captivating and deserves to be known as a leading lady in her own right!! When she’s on screen in Shanghai Express I can’t look away, which is saying something because Marlene Dietrich is also in that film."

"SHE IS ON THE BACK OF QUARTERS also she was very smart and able to speak multiple languages and is a fashion icon on top of the acting/singing"

"Paved the way for Asian American actresses AND TOTAL HOTTIE!!! She broke boundaries and made it her mission to smash stereotypes of Asian women in western film (at the time, they were either protrayed them as delicate and demure or scheming and evil). In 1951, she made history with her television show The Gallery of Madame Liu-Tsong, the first-ever U.S. television show starring an Asian-American series lead (paraphrased from Wikipedia). Also, never married and rumor has it that she had an affair with Marlene Dietrich. We love a Controversial Queen!"

"She's got that Silent Era smoulder™ that I think transcends the very stereotypical roles in which she was typically cast. Also looks very hot smouldering opposite Marlene Dietrich in "Shanghai Express"; there's kiss energy there."

"Hot as hell and chronically overlooked in her time, she's truly phenomenal and absolutely stunning"

"A story of stardom unavoidably marred by Hollywood racism; Wong's early-career hype was significantly derailed by the higher-up's reluctance to have an Asian lead, and things only got worse when the Hayes code came down and she suddenly *couldn't* be shown kissing a white man--even if that white man was in yellowface. After being shoved into the Dragon Lady role one too many times, she took her career to other continents for many years. Still, she came back to America eventually, being more selective in her roles, speaking out against Asian stereotypes, and in the midst of all of this finding the time to be awarded both the title of "World's Best Dressed Woman" by Mayfair Mannequin Society of New York and an honorary doctorate by Peking University."

"Incredible beauty, incredible actress, incredible story."

"-flapper fashion ICON. look up her fits please <3 -rumors of lesbianism due to her Close Friendships with marlene dietrich & cecil cunningham, among others -leveraged her star power to criticize the racist depictions of Chinese and Asian characters in Hollywood, as well as raise money and popular support for China & Chinese refugees in the 1930s and 40s. -face card REFUSED to decline"

Josephine Baker:

Black, American-born, French dancer and singer. Phenomenal sensation, took music-halls by storm. Famous in the silent film era.

Let's talk La Revue Negre, Shuffle Along. The iconique banana outfit? But also getting a Croix de Guerre and full military honors at burial in Paris due to working with the Resistance.

She exuded sex, was a beautiful dancer, vivacious, and her silliness and humor added to her attractiveness. She looked just as good in drag too.

So I know she was more famous for other stuff than movies and her movies weren’t Hollywood but my first exposure to her was in her films so I’ve always thought of her as a film actress first and foremost. Also she was the first black woman to star in a major motion picture so I think that warrants an entry

Iconic! Just look up anything about her life. She was a fascinating woman.

[powerfulblob]

GUYS I'M SCREAMING RIGHT NOW: THERE WAS SUPPOSED TO BE A SECRET MONSTER SOCIETY IN NIMONA!!!!!!!

THERE SHE IS: OH MY GOD I WISH THE MOVIE WENT AHEAD WITH THIS: DO YOU UNDERSTAND THE THEMES??? OF FINALLY FINDING OTHERS IN THE QUEER COMMUNITY??? OF WHAT IT'S LIKE TO FINALLY GO TO THAT MARCH, TO THAT CLUB, AND SEE ALL OF THE OTHER OUTCASTS AND REALIZE YOU’RE NOT ALONE??? IT'S NOT JUST ALLIES, THAT THERE'S ACTUAL, OTHER, MONSTERS!!!????

[ID: A screenshot from the official Nimona artbook. It features Meredith Blitzmeyer pointing to the side, showing Nimona and Ballister Boldheart a vast room. It’s a purple-tinged area with a ceiling with light filtering through: It appears to be somewhere underground. There is ornate decorations of dragons at the sides, and broad arches and spiralling staircases. There are people of diverse skin tones with colorful outfits walking around: There’s someone with a spiked jacket, someone with a stylish updo dyed white, and more. The page number is 174. Text near the bottom reads “moment painting by jeff turley” Blitzmeyer is a pereson with dark skin, long silver hair in a ponytail, and wearing a lab coat with a pouch by her side. Boldheart is a knight with dark skin, short black hair, knight’s armour, and a sword. Nimona is a person with pale skin, a simple tunic, and pink choppy hair. All characters face away from the viewer. end ID]

[ID: text that reads “For a long time, the character of Meredith Blitzmeyer was in the film. She served many different functions in many different iterations. At one point, she had a magical van that was bigger on the inside. In another, she was covered from head to toe in magical tatoos. And in another, she was the head of a vast underground society, called the Silver Society, comprised of all the magical creatures forced into hiding by the institute. Ultimately, the story went in a different direction, but her design and model were so beloved that she wans’t lost but repurposed into The Queen. end ID]

[angel-maybe-alive]

Retelings cliches that piss me the fuck off

♡Alice in Wonderland is about drugs - it could be about society, it could be about neurodivergency but no, white girl doing LSD is cooler, I guess.

♡ what if Superman was evil - then it wouldn't be Superman dumbass, like the main point of Superman is that he is a good person like it's the whole deal hyperpowerful but really good

♡actually any what if the heroes had no morals- then you are just doing Greek myths with extra steps

♡Romeo and Juliet, but one is an oppressor and the other the oppressed - Litterally, both families were in equal standing in society. Why you need to make it abusive for no reason.

♡Beauty and the beast, any reteling of beauty and the beast - no, it's not Stockholm syndrome, no a shapeshifter elf with abs doesn't count as a Beast, and Belle was a nice person In the original why everyone remakes her as a cunt.

♡my book it's just like the hunger games but...-Shut it I need you to please tell me if you understand that no, hunger games isnt just about reality television and a battle royale, I swear to God...

♡Pinocchio but it's about a robot- flower print for spring groundbreaking

♡it's inspired by the works of tolkien- no, it's a transcript of you and your group of only male friends playing dungeons and dragons while high on cheap weed at 03:00 am on the suburbs while listening to pop punk on MTV in 2003, we get it you want to bang a hot elven maiden and slain a dragon

♡is inspired by Harry potter- For the last fucking time Rowling doesn't own the concept of magic schools let go of those fucking chains and let this woman go it's a magic school book just call it that goddamn it

♡it's inspired by fairy tales - Disney version or the cultural ones because one way or the other, your childhood crush on an animated villain shouldn't be the only thing fueling your writing career.

♡it's about Greek gods...-*sigh* I don't even know where to start with those just read something other than Percy Jackson(I love percy Jackson by the way) Lore Olympus and the first page of Wikipedia on Greek mythology and then maybe spend a long time thinking if whatever you are planning to write isn't somehow more misogynistic than whatever the fuck an old Greek scholar wrote thousands of years ago okay.

♡what if (real life bigotry) was reverse - just don't for a first time writing, for someone in a privileged place in society, it's just a bad idea altogether, Dont

[punkpandapatrixk]

🪷Sacred Lotus Within You ♦︎ Timeless Pick A Card

‘If you only do what you can do, you will never be more than what you are now.’

‘I don’t wanna be more! I like who I am.’

‘You don’t even know who you are.’

‘What do you— Of course I do; I’m the Dragon Warrior!’

‘And what exactly does that mean—Dragon Warrior?’

—  Po and Shifu’s conversation from Kung Fu Panda 3

SONG: Pure Imagination by Gene Wilder

MOVIE: Kung Fu Panda 3 (2016)

[PAC Masterlist] [Part 1] [Part 2]

[Patreon] [Paid Readings]

A hard Life is not always a divine punishment of sort⛈More often than not, the Universe’s most advanced Souls choose to be born—as Humans—into much sorrow and a perceived sense of limitation just for the joy of experiencing a personal breakthrough out of a cycle of—both—good and bad Karma🍄

Seen from a Soul’s perspective, all events in this mortal world are just drama. drama. drama~🎭It’s so exciting to co-Create massive stories with other Souls in this theatre of the Universe🎪This Play in itself, a spiritual evolution of sort for all beings of Love and Light🩰

This world is at best the dream of a Butterfly🦋Have fun; and have faith that in time all things bloom magnificently like a Sacred Lotus emerging from the mud🪷Ultimately, all of us, we bring with us only memories of our lifetimes when we are done playing our roles in this Grand Experiment of a Cosmic Drama💫

☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・.

Pile 1 – Peace Maker

VIBE: Master Shifu asking Po to teach him inner peace

seeds of beauty in you – 10 of Pentacles Rx

Encoded in your DNA is the very gift of healing itself. You were born into this world of stupid carrying seeds of peace-making. Yup, you were the kid who was always able to tell when a grownup was lying. Like, OMG, so disrespectful…they think I can’t see through such obvious lies? In fact, too many things were obvious to you because you are gifted with a keen ability of observation. We’re talking superhuman-level observation, baby~

With that, the world around you was often terribly dull. You’re definitely the type that wants to travel and see the world for yourself. Wanting to see what other people of different nations and races, customs and cultures, even religions, have to share about what this Life is all about~ You had A LOT of questions!

Alas… You soon realised that most people’s perceptions, priorities, and overall ways of life are low-quality at best. Your interactions with people, your observations of them, gave you almost nothing but disdain. People…are not intelligent enough. But more disturbing still…people are not noble enough in their pursuits of a good Life.

In your eye, most of the time, people don’t have enough integrity, character, or personality🤷🏻‍♀️

blooming in spite of muddy water – 7 of Pentacles Rx

If you’re often distressed by the state of Humanity, it is because you possess this divine ability to pierce through bullshit and reveal the true essence of all things. You’re a deep diver. You truly are a scholar. You’re the type that seeks to bridge between differences and clashes, so that people find a common ground upon which they could build a harmonious society. You most likely have a significant placement in the 7th House or blessed with a strong Libra/Venus aenergy~⚖️

Essentially, you’ve come into this world with an almost specific purpose of bridging differences between generations. All because your Oversoul was sick of watching Humans being fools amongst themselves. So you plunged into this world of illusions in the hopes of elevating people’s spiritual intelligence. Your unique gift of observation is piercing and high-vibrational and the reason it can bridge generations is that the wisdom you will develop as a person is both universal and timeless💎

You are an Ascended Master, you know. Like Po returning to the mortal world after defeating Kai. Like Gandalf the Grey returning as Gandalf the White after defeating the Balrog. All because you’ve got shit to do in this world of stupid—your wisdom is gravely needed! I’m not teaching you to be conceited or anything, but by means of technicality, you’re not here to learn anymore; you’re here to…teach🤣

tulips of happiness – Knight of Cups

No matter your age or their age, you’re here to teach the infantile Humans about inner peace and true, everlasting, sustainable, manageable, actually reasonable sense of Harmony🌷You do that by setting an example; by first bridging confusions and calming down chaos within yourself; then you talk about the walk to anybody interested enough to listen to you🌾

In this lifetime, as an Ascended Master playing Human, there’s probably a lot of heartache you’ve needed to learn to forgive. If you’re in your early or mid-20s when reading this, you’re most likely just beginning to learn it. You don’t have to act perfectly though. Healing and forgiveness are not about being or doing perfect. It’s perfectly OK, too, not to forgive—certain cruelties in this world are simply beyond absolution, ya know?🤬

What does truly matter is that you forgive yourself. Just yourself. You can forgive the situation. You can forgive the fact you fucked your way into this or that mess. Where applicable, you can give thanks to the experience and then move on to the next thing. Be glad about the fact that you’re still alive after all of the fuckery, and that you’ve enough self-awareness, and how that self-awareness has grown you as a person. It is such a beautiful thing to have grown up in the mental and spiritual~🦉

ESSENCE OF BEING HUMAN🔻💜

the script you chose – Silver Alchemist (Ramon Llull)

path of self-transcendence – Priestess of Healing

Access full reading + cards on Patreon🌸

☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・.

Pile 2 – Pink Radiance

VIBE: Master Oogway sending universe mail to Li Shan

seeds of beauty in you – III The Empress Rx

Oooh~ You’re pretty~ That much I can tell🙊You probably are blessed with some significant Aries, Aquarius, or any Cardinal aenergy in your birth chart; could also have Venus/Moon in the 1st or 11th House~ And do you know why you’re bestowed with an outer appearance that’s easily considered attractive in this realm? Because you’re meant to have an audience🎙

You’re meant to be heard; to have a platform and be some sort of a leader. And since being pretty in this world brings a lot of privileges, your Soul chose to be born with this specific setting in your birth chart wHoA~ A pretty face gets attention more effortlessly and that’s just how it is with this world~🙈

So, you see that there’s meaning in having some forms of privilege whether it’s your face or your family/economic background, or even heritage or some special lineage thing going on in your Life🎰And yet, it seems you could’ve been blind to all this ‘upper hand’ and not see much value in your existence.

None of this has felt all that special…well, because you were born with it. It’s not special; it’s normal to you; and you definitely want to feel special…not really grasping others would kill to have what you were born with…🐞

blooming in spite of muddy water – XVI The Tower

In spite of all of the privileges that seem obvious and enviable to others, you yourself have not felt all that blessed most of your Life. There is this thing that people don’t understand about you: EXPECTAFUCKINTION. Expectation could kill, depending on situation, and depending on where you are in Life. In many ways, you haven’t really ever felt FREE in your beingness. You don’t really know how FREE truly would feel like. You can imagine it, but you don’t really know if that’s even real🤷🏻‍♀️

Whether it’s status, prestige, or simply beauty, sometimes you’ve felt victimised by the very things other people wish they had. They literally don’t know how suffocating it is to be wearing your crown~ You often feel like you don’t have autonomy over your own Life. In some instances, you may even have experienced your autonomy getting violated. And it’s so heartbreaking.

At some point in Life, you will suddenly and gradually lose access to all of these beauties and privileges, maybe even some of your talents, babe. All these things that came ever so naturally to you, once you’ve lost ‘em, you will die in spirit, and be reborn with a renewed sense of appreciation for the fact you have always, ALWAYS, been extraordinary👿

tulips of happiness – King of Swords

Whether you are a girl or a boy or straight or gay or whatever, you are an ally of the world’s Divine Feminine aenergy. Do not worry about losing your glory; it will aaalll come back stronger and sparklier once you’ve graduated the University of Hell a.k.a Saturn Return🪐

It is part of your Soul’s Blueprint to experience losing privileges, perhaps money, talents, friends, freedom, hair, weight, and everything else, momentarily. This period of your Life—whether it’s your first or second Saturn Return—can be likened to a pregnant woman who’s now restricted from drinking, eating, doing, or even being near certain things. She’s not so free, but for all the right reasons; she’s protecting her foetus.

This Saturn Return period of your Life where you’re experiencing losing yourself is like a pregnancy where you’re gestating a newer, stronger, clearer, more confident version of yourself. The restrictions put around you are meant to suffocate you further, enough for you to want a breakthrough. All so you can become a pure Pink Radiance of a miracle this miserable world needs, for that is your purpose for being born🌷

Shine on, Pink Diamond~

ESSENCE OF BEING HUMAN🔻💗

the script you chose – Green Historian (Herodotus)

path of self-transcendence – Priestess of Prosperity

Access full reading + cards on Patreon🌸

☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・.

Pile 3 – Magic Worker

VIBE: Po teaching the tribe to be THEMSELVES

seeds of beauty in you – 9 of Cups Rx

Within you are seeds of a luxurious lifestyle that you ought to nurture slowly throughout the course of your Life. You may have come from a background of lack just to make this whole scenario more exciting (to us as Souls contrasts are exceedingly attractive when thinking of a spiritual breakthrough). With that, you could’ve grown up with lots of daydreaming about feeling fulfilled—emotionally fulfilled.

Though you may have daydreamed about luxurious environments and things and situations, at the core of everything, all you yearn for is a feeling of safety; stability; of having just enough…of being enough, in fact…all because you weren’t emotionally nurtured as a child. You were the kid who were neglected by everybody, both the adults and your peers.

You felt unseen most of your Life. But even those who acted like they saw you, somehow the view was inaccurate. You felt this way because you didn’t understand yourself either. Children learn about themselves through the feedback of their environment; so the ones who were mostly neglected…how could such children even begin to learn to comprehend their identity?

Because you didn’t really understand yourself, it was difficult to manifest properly. In your psyche, there are way too many threads of wishes that are tangled up, causing you to manifest clashing Realities…and then disappoint you…

blooming in spite of muddy water – XXI The World

The reason for this difficulty is that you needed to learn and discover for yourself the true Essence of being alive. You are essentially God’s messenger to help Humans overcome their addiction to material possessions. Omaigosh if you know how TikTok shopping culture is making people poorer and more miserable in the emotional, I’m sure this will ring a bell in your Soul Memory.

People who grew up poor are the main target of evil marketing because they crave that feeling of ‘having’. Sometimes, it’s a feeling of having things—trendy things; some other times, it’s a feeling of having friends—cool friends; and some tragical times, of having someone to love—which usually only translates to ONS or casual hookups without any real emotional connection.

Anyway, back to talking about material possessions though, there’s this:

‘Trying to be happy by accumulating possessions is like trying to satisfy hunger by taping sandwiches all over your body.’ – George Carlin

This, is a concept, a Reality, you’ve needed to learn and fully comprehend, and then unravel by means of your personal spiritual transformation. That way you can be an example and a guide to others. Reminiscent of Uncle George himself, you’re somebody who holds an Elder Archetype aenergy about you. You’re ‘worldly’ in the sense that you’re based, well-thinking, and most of all, you can embrace perspectives that are UNIQUE. You’re able to hold a knowledge that encompasses the whole of the Universe itself.

tulips of happiness – 4 of Pentacles

In a sense, know that you are a born leader. Though I sense, you may be more interested in being a thought leader🧠You don’t seem that interested in leading an envoy or a movement of any sort hahaha You’re a loner; you like being in your own company. After all, people are stupid and it’s exhausting to have to interact with them. And that’s all fine~

In the future, when everything’s said and done, you’ll meet your Soul Tribe—people who are just as weird, misunderstood, deep, sombre (probably), wholesome, complex, and loyal such as yourself🫀Your Spirit Guides are really saying: it’s perfectly fine for you not to extend too much compassion for those who aren’t worth your while; hoping you’d calm down some clashing ideas about your personality.

It sounds cruel? No, really; not everybody is worth paying attention to or share affection with. If you do that you’re only going to be sucked dry of Life Force. It’s a similar principal with money spending. Just because you see a lot of items being displayed with attractive, persuasive DISCOUNT signs, doesn’t mean you have to give your attention, or money least of all, to ALL of that. Got it?🤪

‘Even if something is on discount, if you don’t need it, it’s too expensive.’ – Love Marie Escudero’s husband, Govt. Chiz

ESSENCE OF BEING HUMAN🔻🧡

the script you chose – Green Physician (Paracelsus)

path of self-transcendence – Priestess of Intuition

Access full reading + cards on Patreon🌸

☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・.

[PAC Masterlist] [Part 1] [Part 2]

[Patreon] [Paid Readings]

[howtofightwrite]

I know DnD is not about realism but how accurate is having, say, your heavy armor wearing paladin have 10 dex or even negative dex? Where medieval knights built like The Rock or like The mountain? I’ve seen youtubers saying that you needed a lot of strength to be able to fight like a knight so women and smaller people couldn’t do it.

I think I know which YouTuber you're talking about, and you can pretty safely ignore them. Their personal misogyny takes priority over their (alleged) expertise when they're forming their arguments.

There's two logistical problems with the idea that you need someone like Hafþór Júlíus Björnsson to make up the bulk of your elite forces. The first problem is that they need to consume a frightening amount of food. This isn't as much of a problem in the modern era, when we have the capacity for truly staggering amounts of agricultural production. But, in a medieval society, with serfs responsible for most of the agriculture, the prospect of feeding each of your elite troops 10,000 calories a day would economically destroy most kingdoms. (And, yes, that is what Björnsson reports to consume on a daily basis. Other estimates place his dietary intake somewhere between 3600 and 8000.) And, to be clear, that is an absolutely absurd amount of food. But, if you want to build that kind of mass, you need a lot of energy, which means, a lot of food.

The second logistical problem is, there's only one of him. Okay, that's not literally true, The Mountain was portrayed by three separate actors, Conan Stevens, a professional wrestler, and Ian Whyte, a stunt actor who had previous appeared as a White Walker in the first season. But, Hafthor Bjornsson took over the role in the fourth season, and is probably who you're thinking of when you name drop the character.

Bjornsson is a member of the 2000 pound club, which include power lifters who can lift over 2000lbs combined between bench press, dead lift, and squats. Not many people ever get that far, and Bjornsson is one of the few individuals who can get into the 1000 pound club from a single lift.

Here's a fun name to know, Becca Swanson is also in the 2000 pound club. She credibly claims that she is the first woman to have achieved that, and I'm not sure if there are any other women in the 2000lb club, but it is achievable.

Now, here's the fun thing about all of this, because you're asking about D&D, and D&D players need to know exactly how much their character can lift. The calculation is (STR*30)lbs. (In the Player's handbook p174.) This also means if you have a real person, and you know how much they can lift in the real world, you can reverse engineer what their strength score would be in D&D.

It's 37.

If you wanted to convert Hafthor Bjornsson into D&D, his strength score would be 37.

Dude can fucking arm wrestle the Terrasque and easily win.

Putting that in perspective, it's a little ludicrous to say that if you want a viable martial character (fighters, paladins, barbarians, etc.), they need a Strength score of 37, when it's not normally possible for player characters to exceed 20 base strength. (If you're wondering, Becca would work out to have ~29 Strength. So, on par with most ancient dragons, and a few gods.)

So, there you have a man and woman who are both superhumanly strong according to D&D.

D&D and math have always had issues like this, and it pops up in a few different places here.

The basic concept that your ability to hit, and the amount of damage you deal is based on strength comes from a very, “schoolyard,” understanding of violence. It's okay to step back and abstract it out, where “strength,” is some amalgam of melee combat aptitude in addition to actual strength, but the idea that being stronger means you can hit harder with a sword or dagger doesn't make a lot of sense. It doesn't even make much sense with axes and maces (the force applied has more to do with the mass and velocity of the weapon, rather than the strength of its wielder.)

A paladin with negative DEX is dead. I don't mean that figuratively, and I do understand what you meant to say, but this rule is a little obscure in 5e. If any of a character's physical attributes (STR, DEX, CON) are reduced to zero, the character immediately dies. Ability draining effects used to be far more common, so the rule existed by itself, though, now it mostly shows up when you're looking at a monster with a physical ability draining attack.

What you probably meant was a negative DEX modifier, meaning your paladin is unusually clumsy. Outside the context of D&D, that would be an incredibly bad thing for a front line combatant. In the specific context of D&D, if they're in heavy armor, it doesn't really matter, if they're in medium, then it reverts to being “a bad thing. Specifically, the rules is that light and medium armor add your DEX modifier to your armor class. Medium armor caps this at +2, but it can go negative with either armor type. However, heavy armor in 5e ignores your DEX modifier entirely.

Now, here's the thing about D&D, its concept of armor is spectacularly weird. Unlike RPGs where armor reduces damage taken, either by subtracting a fixed amount from incoming damage or by reducing damage via a percentage, D&D's system is that your armor class grants you a chance to avoid being hit at all. (5% chance per point of AC, if you're wondering.) Narratively, this is often framed as taking a hit, but your armor turned the blade or something similar. This is because sometimes the enemy attack straight up misses, and that's (usually) determined by your dexterity. This is important, because the game is trying to balance two different power fantasies against each other.

On one side you have the players who want to roll in heavy plate armor, and soak all the hits, and on the other you have players who want to go with light armor, and dodge around enemy attacks. Realistically, that's not an option, but D&D permits it, and again, that's fine. The fantasy of lightly armored fighters makes a lot of sense. I'd even go so far as to say that the barbarian's unarmed defense bonus (where they add CON modifier to their DEX modifier while unarmored) is a really good change in 5e even if it does make no sense objectively. It contributes to the fantasy of this brutal fighter who runs around without armor slapping people silly with their weapons, and shrugging off damage because they're too stubborn to die. In (nearly all cases) the ability to deliver the player fantasy of a class is more important than a strict adherence to reality, and that's fine, that's the point, but the realism of D&D doesn't translate off the page in any meaningful way.

If you wanted a more, “realistic,” (and, yeah, that's incredibly loaded in this context), approach to armor for D&D, I'd say gate access based on your Constitution (or Constitution modifier). Sort of like how your equip load in Dark Souls is based on your Endurance attribute. Give armor and weapons a burden value, and if the combined burden on a character exceeds their CON, the character risks taking levels of Fatigue when they're fighting in heavier gear than they're conditioned to deal with. Maybe add a Conditioning feat or skill if you want to add some other attribute modifiers to the mix should you end up with your heavy armor fighters being underequipped. (Then again, I am one of those psychopaths who really liked the D20 Star Wars' vitality system.) So, ultimately, tinker with the balance until you find something you, and the people at your table, are happy with. Roleplayers who have more meaningful build choices tend to be happier, so long as they don't feel like they're being punished for having a character fantasy.

One of the more amusing descriptions I've read of medieval knights is that they were built like methheads. I can't fully vouch for that, because I'm not an expert on the physical appearance of medieval knights, but it's certainly credible. These guys were eating pretty well for the era, and engaged in a lot of physical activity. Depending on what they were doing, that could easily result in some fairly bulky guys, but it could also result in some wiry looking guys who hide their muscles. Just, knowing what I do about the human body, the answer was probably both, depending on their metabolism and diet. But the image of Sir Methhead, Knight of the Realm, and his implausibly clean teeth, still amuses me.

It's worth remembering that a lot of the times I've seen someone say, “they were built like athletes,” they'll drop an image of a bodybuilder. No. That's not what you would get. Bodybuilding is designed to create its own physique, one that doesn't occur unless you're abusing your body in some very specific (and unhealthy) ways. It's probably better to think of someone like a high-school football player. Bulky, but without the carved physiques of a Boris Vallejo painting. (If you don't know who that is, look up his art. It is a bit dated, but it's gorgeous.)

Alternately, if you do want your characters to look like those paintings, it is your fantasy, have fun.

-Starke

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[portraitofadumbassonfire]

Top 20 Favorite Films of 2023

Honorable Mentions:

Sanctuary, The Zone of Interest, The Color Purple, Anyone But You, The Ballad Of Songbirds & Snakes, Guardians of the Galaxy Vol.3, Renaissance: A Film by Beyonce, Volcano, Are You There God It's Me Margaret, How To Blow Up A Pipeline, Dungeons & Dragons: Honor Among Thieves, Beau Is Afraid, Talk To Me, Eileen, Infinity Pool, They Cloned Tyrone, Dream Scenario, Red, White, & Royal Blue, The Blackening, Cocaine Bear, M3gan, Polite Society, The Passenger, A Knock At The Cabin.

[city-of-ladies]

Women warriors in Chinese history - Part 2

(Part 1)

"However, court confessions, unofficial histories, and local gazetteers do reveal a host of women warriors during the Qing dynasty when patriarchal structures were supposedly most influential. Women in marginal groups were apparently not as observant of mainstream societal gender rules. Daughters and wives of “peasant rebels,” that is, autonomous or bandit stockades, were frequently skilled warriors. Miss Cai 蔡†(Ts’ai) of the Nian (Nien) “army,” for example, “fought better than a man, and she was especially fine on horseback. She was always at the front line, fighting fearlessly despite the large number of government troops.” According to a folktale, she managed to rout an invading government force of several thousand with a hundred men and one cannonball after her husband led most of the Nian off to forage for food.

Related to the female bandits were the women pirates among whom Zheng I Sao 鄭一嫂†(literally, Wife of Zheng I; 1775–1844) is the best researched. “A former prostitute … Cheng [Zheng] I Sao could truly be called the real ‘Dragon Lady’ of the South China Sea.” Consolidating her authority swiftly after the death of her husband, “she was able to win so much support that the pirates openly acclaimed her as the one person capable of holding the confederation together. As its leader she demonstrated her ability to take command by issuing orders, planning military campaigns, and proving that there were profits to be made in piracy. When the time came to dismantle the confederation, it was her negotiating skills above all that allowed her followers to cross the bridge from outlawry to officialdom.”

We know slightly more about some of the women warriors involved in sectarian revolts. Folk stories passed down orally are one of the sources. Tales that proliferated in northern Sichuan on the battle exploits of cult rebels of the White Lotus Religion uprising in Sichuan, Hunan, and Shaanxi beginning in the late eighteenth century glorify several women warriors. The tall and beautiful Big Feet Lan (Lan Dazhu 籃大足) and the smart and skillful Big Feet Xie (Xie Dazhu 謝大足) vanquished a stockade together; the young and attractive Woman He 何氏 could kill within a hundred feet by throwing daggers from horseback. The absence of bound feet in Big Feet Lan and Big Feet Xie suggests their backgrounds were either very poor, unconventional, or non-Han.

Sectarian groups accepted female membership readily, and many of these women trained in the martial arts. Qiu Ersao 邱二嫂†(ca. 1822–53), leader of a Heaven and Earth Society (Tiandihui 天地會) uprising in Guangxi, joined the sect because of poverty and perfected herself in the martial arts. Some women came to the sects with skills. Su Sanniang 蘇三娘, rebel leader of another sect of the Heaven and Earth Society, was the daughter of a martial arts instructor.  Such sectarian rebel bands are frequently regarded as bandit groups. A history of the Taiping Revolutionary Movement refers to these two cult leaders as female bandit chiefs before they joined the Taipings.

Male leaders of religious rebellions frequently married women from families skilled in acrobatic, martial, and magic arts. These women tended to be both beautiful and charismatic. Wang Lun 王倫, who rebelled in 1774 in Shandong, had an “adopted daughter in name, mistress in fact,” by the name of Wu Sanniang 烏三娘 who was one of Wang’s most powerful warriors. Originally an itinerant performer highly skilled in boxing, tightrope walking, and acrobatics, she terrified the enemy with spellbinding magic. She brought a dozen associates from her old life to the sect, and they all became fearsome warriors known as “female immortals” (xiannü 仙女); three of them, including Wu Sanniang, lived with Wang Lun as “adopted wives” (ifu 義婦). A tall, white-haired woman at least sixty years old, possibly the mother of one of these acrobat-turned women warriors, wielded one sword with ease and two almost as effortlessly. Dressed in yellow astride a horse, hair loose and flying, she was feared as much for her sorcery as for her military skills. Her presence indicates that some of the women came from female-dominated itinerant performing families. Woman Zhang 張氏and Woman Zhao 趙氏, wives of Lin Zhe 林哲, another leader of the cult, were also known for being able to brandish a pair of broadswords on horseback.

Hong Xuanjiao 洪宣嬌†(mid nineteenth century), also known as Queen Xiao (xiaohou 蕭后), wife of the West King of the Taiping Heavenly Kingdom (taiping tianguo 太平天國), was so stunningly beautiful and impressive in swordsmanship that she mesmerized the entire army during battles. The link between early immortality beliefs and shamanism also suggests that these women warrior “immortals” of sectarian cults may represent surviving relics of the female shamans who occupied high positions during high antiquity.

During the White Lotus Religion rebellion in Sichuan, Hunan, and Shaanxi beginning in 1796, five of the generals were at once leaders and wives of other leaders of the cult. They were Woman Qi née Wang (Qiwangshi 齊王氏; Wang Cong’er 王聰兒), Woman Zhang née Wang (Zhangwangshi 張王氏), Woman Xu née Li (Xulishi 徐李氏), Woman Fan née Zhang (Fanzhangshi 范張氏), and Woman Wang 王†née Li 李 (Wanglishi 王李氏). In the Heavenly Principle Religion (tianlijiao 天理教) rebellion that began in Beijing during 1713, the wife of its leader, Li Wencheng 李文成, led three invasions into the city. There was even a “Female Army” (niangzijun 娘子軍) within the Eight Trigrams (baguajiao 八卦教) uprising in Shandong during the Daoguang 道光† reign (1821–51). The female generals, Cheng Sijie 程四姐†and Yang Wujie 楊五姐, were particularly impressive when they wove among enemy forces in the style of “butterflies flitting among flowers,” wielding broadswords on horseback, their hairpins glittering in the light.

A number of female rebel leaders used religion and magic to buttress their power. Many claimed to be celestials and were leaders of sectarian cults (...). Chen Shuozhen 陳碩貞†(?–653) mobilized a peasants’ uprising by declaring that she had ascended to heaven and become an immortal. Tang Sai’er (ca.1403–20), a head of the White Lotus Religion (bailianjiao 白蓮教), designated herself as a “Buddhist Mother” (fuomu 佛母). The spellbinding old woman warrior in Wang Lun’s Clear Water Religion (qingshuijiao 清水教) sect was known to the rebel community as a reincarnation of the highest White Lotus deity, the Eternal Venerable Mother (wusheng laomu 無生老母). Wang Lun relied on her for performing magic and the rituals for calling on their supreme deity. Woman Wang née Liu (wangliushi 王劉氏), one of the numerous female leaders of the White Lotus Religion revolt, also titled herself the Eternal Venerable Mother. Wang Cong’er (1777–98), originally an itinerant entertainer, became the commander in chief of the rebel army she launched with her husband, a master in the White Lotus Religion.

Indeed, itinerant performers such as Wu Sanniang mentioned above were frequently trained in the martial arts since childhood and must have been skilled at performing magic tricks as well. Lin Hei’er 林黑兒†(?–1900), leader of Red Lanterns (hongdengzhao 紅燈照), the young women’s branch of the Boxer’s Movement (yihetuan 義和團), was also originally an itinerant entertainer (her husband was a boatman). Designating herself the Holy Mother of the Yellow Lotus (huanglian shengmu 黃蓮聖母), she taught her followers the skills of wielding swords and waving fans as well as magic to defeat their enemies.  Wang Nangxian 王囊仙†(literally, Goddess Nang, 1778–97), an ethnic minority of the Miao tribe, was worshipped as a goddess by her tribesmen before she led them in revolt against the Chinese government."

Chinese shadow theatre: history, popular religion, and women warriors, Fan Pen Li Chen

[gay-disabled-characters-showdown]

LGBTQ+ Disabled Characters Showdown Round 1, Wave 2, Poll 8

A character being totally canon LGBTQ+ and disabled was not required to be in this competition. Please check qualifications and propaganda before asking why a character is included.

Check out the other polls in this wave and prior here.

Shallan Davar-The Stormlight Archive

Qualifications:

She's bisexual (word-of-god and heavy implication in text) and has DID (clear in the text). Her thirst for both men and women is somewhat legendary, as is her fractured mental state.

Propaganda:

She's bi and has a nuanced representation of DID, along with other mental illness and severe trauma. She's also a rogue-slash-magical-knight with powers of light, illusion, and bad jokes under horrible pressure. She's cute, a great artist, and a great murderer too.

Anything Else?:

There might be other submissions of her (who knows); if they provide different image selections, please refrain from using one where her features look more white than East Asian, as some of the official art is whitewashed, and likewise lots of the fanart. Such is the burden of book fandoms. Anyway, thanks.

Mod Note: we tried to find good images, if anyone has better official art or fanart they would like to share let us know.

Hiccup Haddock-How To Train Your Dragon

Qualifications:

1. The man is missing a leg 2. He's bi in fanon (and in my heart) 3. Blorbo original flavor. Need I say more?

He has a prosthetic leg, and at least in my circles is quite often hcd as bi

Propaganda:

He's so cool. He builds his own prosthetics that interface with the prosthetics he built for his disabled dragon. First viking to ride a dragon. Chief that brought a new era of prosperity to Berk.

Probably one of the most popular physically disabled characters. And although I personally am not disabled, I have heard a bunch of disabled ppl say that they like him as rep. As he pretty much just exists with his disability. It is not ignored. He doesn't not always function the same as people with 2 regular legs. But it is not made into a tragedy. He just has a prosthetic leg after an accident which caused him to loose one. And nobody really makes a big deal out of it, which makes sense in the society they live in. Idk, here's a link to a video discussing the disability representation in httyd: https://www.youtube.com/watch?v=PvwRhb_ocPM

The qualifications and propaganda paragraphs correspond, @flammableengineering is the first submitter.

[winged-void]

can you show the world The Mage and its Maid

Memoirs of The Mad Mage

Society, our society, is, broadly speaking, (and so agreed upon by many experts) the outgrowth of systems which never needed interact. Magic and flesh, biology and intellect that was a gift we can never return. You are familiar with these effects if not their causes, but those things are of no concern here. 

This is to say. 

You would expect such a system of systems, to produce aberrant results. The gods did not predict this nor could they plan it. Outgrowth. Externality of their need for worshippers. 

The priorities of such a system would not bias towards aberrance. Shun it. Remove it. 

But is aberrance not progress? Nothing (by definition!) can move forward without change, and what is aberrance but unexpected change. 

A wise reader might have gathered that this expert speaks of the existence of the monstrous. The strange that lurks outside of our little societies and yet seems so much more powerful than it. Is something like leviathan, or a dragon, not much more powerful than any given person? Could it not level our towns? 

Such things lack a fabric binding them. Kill ten thousand people and you'll find only more wanting your head. That power is much more. Is that not the selfsame source of the power our little intelligences were created by the gods to provide them? That togetherness, that binding agent? 

It seems then, that our society would be safe. 

Unless. There were some part of it. Some bright burning star. Some loose stitch in the fabric. That would give that gift to the monstrous, knowing it as its own. 

And I-

tick tick tick tick 

The Mage's pen stilled. 

tickticktickticktick

The pen dropped from its burn-scarred hand. 

ticktick tick   tick ticktick

It looked up. 

Across from the desk at which she wrote, there was a creature of her own creation, one she called the only name she had for a thing such as it: maid. 

An animate suit of armor, wearing a simple black robe, with a white smock thrown over it. To the untrained eye it would seem the armor had an ornate texture across it. And while that is technically true, the more expert viewer would see that texture for what it is: countless runes, all engraved by the steady hand of only the most determined mage. 

When it moved, one could hear a mild sloshing, like it was full of a liquid, which, despite many gaps in the armor, never leaked. 

Right now though, all the Mage could hear was ticking. Uneven, unsteady, disorganized ticking. 

“Cease. Cease cease cease you insipid horrid wretched disgusting thing.”

The faceplate on the armor superheated, melting into the vague impression of a smile. 

The Maid replied, “Oh, my lady, my dearest and most wonderful lady. Please understand. It produces such a rhythmic noise because it has observed, and documented, an uptick in your writing efficiency when such noises are produced.”

It tilted its head to punctuate the statement. 

The Mage stood, and leaned over the table, matted hair draping itself over the ink and paper, and spoke. 

“No. NO. I know you can produce rhythm and that was not it. It was inconsistent. You know it to be inconsistent.”

The Maid tilted its head yet more. 

“Oh my lady, it apologizes so terribly. Your inquisitive spirit was instilled in its being.

“As such, it sought to conduct an experiment of sorts. It wished to see which rhythm would best benefit you. So it switched between them.”

Silence. 

The Mage began to laugh. 

Scrambling over the desk, it grabbed the Maid's arm and began to shake it. 

“How wonderful. How creative. How beautiful. You spite me despite all precautions put in place. I simply must see more. I must.”

She thought for a moment, and looked, not at the faceplate, but instead to where it knew the organism to be. 

“I will. Thank you.”

The Mage fell back into its seat, and began to write much more frantically than before, stopping only to look back up at its creation another time. 

“I will.”