#will i write this? we shall see

[tom-whore-dleston]

Alright…I’m just gonna say 2 simple little things and I’ll let you and the rest of the Simu Liu’s fans have at it. Idk if u already mentioned these or not doh 😂

Porn Star ⭐️ Shang Chi

Or

Porn Star ⭐️ Simu Liu

so my juices are flowing up to interpretation and I got time...

it's funny you mention this bc I have been wanting to write pornstar!Shangqi forever but haven't got to it bc my other AUs invaded my headspace and I basically forgot about this idea lmao

I was thinking of Shangqi being a camboy turned pornstar and you would be the most popular pornstar of the time despite starting only a year ago. Shangqi definitely had a crush on you and def beat his meat to you almost every night kdhgdhg but he was always too shy to approach you until he had to do a scene with you. When he finally go the chance to fuck you, he fucked you like his life depended on it.

And here's the thing, you always faked your orgasms no matter who your costar was. It wasn't anything against them, it was just part of the act and no one took it personal. That all changed when you did your scene with Shangqi. He knew exactly when to be gentle with you and when to fuck your brains out. You were so overwhelmed with pleasure you didn't realize you called him 'daddy' on camera, which spurred him to fuck you until you were shaking and rolling your eyes.

After the scene, Shangqi kept asking if you were okay and apologizing if he went too hard. He was so sweet and adorable, you couldn't help but giggle and kiss him.

"I'm gonna let you in on a little secret. You were the first person to make me come on camera."

This made Shangqi beam with excitement. He got so giddy that he blurted out how he dreamt of doing a scene with you and thought about you every night. You laughed more, realizing how much you genuinely liked him. After more nervous babbling, Shangqi finally asked you out to dinner, which you accepted without hesitation.

[fullofbees]

Fanon pet peeve is when u see a man that is a submissive and breedable brat but everyone writes him as a sadistic daddy dom. I'm so sorry king u deserve better and as many fingers as u want in ur ass 😔

[quizzical-is]

This show is rotating in my mind eternally it's just so good and like everything I love about scifi.

[piived]

𝐃𝐏𝐱𝐃𝐂 𝐏𝐫𝐨𝐦𝐩𝐭 — 𝐃𝐞𝐚𝐝 𝐨𝐧 𝐌𝐚𝐢𝐧

Danny gets stabbed on his way home from campus, caught unaware and doesn’t have time for a reaction other than reflexively lashing out after he feels the pain and ends up knocking the thug out with one hit (barely remembering to pull his punch enough not to actually brain the guy). He’s not too worried about the wound and the knife is even still buried in his side (which, score, he’s building up quite a collection) so he’s ready to just pull it out and continue on his way home (laundry is going to be a bitch and he’s debating if he should just use this shirt as a rag now and buy a new one later) when fucking Red Hood drops down from the sky and nearly makes Danny involuntarily turn invisible (like he’s 14 again and doesn’t know how to use his powers, like come on dude pull yourself together).

Red Hood takes a look at this guy who he just saw get stabbed and punch the lights out of a thug at least three times his size and is thoroughly impressed and also strangely worried because the kid doesn’t even look phased (which like, it’s Gotham, he knows most residents are fairly desensitized to crime but being stabbed normally warrants a stronger reaction from even the native Gothamites). And then he catches sight of the wound and even in the dim light of the alley they’re in he can tell something is wrong and suddenly he’s seeing the same green the guy is bleeding tinged around the edges of his vision and fuck. He hasn’t had a Pit Episode in a while and he really really hasn’t missed the boiling, festering rage.

Meanwhile Danny is wondering wtf is going on and if Red Hood is going to say anything or let him go, when he gets the worst Ghost Sense he’s had since leaving Amity but it’s not normal; it’s too intense and makes his stomach whirl in nausea and everything in him is screaming WRONG WRONG WRONG —

— and then the pieces slot into place and he realizes that it’s stemming from the vigilante in front of him who has green seeping from behind the eyes of his helmet and Danny feels such an ache of sorrow and fierce protection that it makes his breath catch and he knows he has to help this guy who is so clearly like himself but not quite right.

He invites Red Hood back to his apartment after calming him down and making the vigilante furiously curious and thrown off by, well, everything about Danny (who casually pulls the knife out as they walk as if it’s an afterthought that he forgot about and not a gaping wound on his person).

And they go from there, getting to know each other and helping Jason clear out the last of the Pit and come to terms with the whole ghost concept, etc, etc…

Divider Credits:

green line divider from @/kitsunecafe

green slime divider from @/magicalboything

[chiropteracupola]

granby + iskierka + keynes

[reinanova]

Consider:

Harry walks in on Parker kissing Eliot to comfort him (or vice versa) and he backs out of the room in a panic because this poor precious child is unaware of polyamory and the leverage OT3. So, in support of the Bro Code, he goes to Breanna and asks her to send a message to Hardison so he can talk to him.

Now Breanna, the wonderful little sis she is, asks Harry what’s so important that he feels the need to contact Hardison immediately. So Harry confesses that he just saw Parker cheating on Hardison with Eliot and that he needs to tell Hardison about it.

You cannot tell me that Breanna, our gay ace gen Z icon, is not aware of her brother being in a polyamorous relationship. And okay yes, maybe she “accidentally” found evidence of their relationship when she “accidentally” hacked into their phones but that’s hardly her fault. That was just the proof for her suspicions.

Back to Harry. Breanna is just holding back laughter at Harry’s obliviousness and of course she’s here for the drama (and listening to Hardison rant about the interruption) so she sets up a video call with Hardison, secretly sharing the video screen to the room Eliot and Parker are in.

So Hardison shows up on the call, visibly busy with lots of chaos and going ons behind him and is all, “Breanna, what’s wrong?”

And then Harry is all, “Hardison, I gotta tell you something” and tells him what he saw and is very apologetic that he’s informing Hardison that his girlfriend is cheating on him.

Hardison stares into the camera like he’s on The Office, visibly annoyed before going “Really man? Really??? You interrupt me while i’m dealing with [lists like five things he’s got going on right now] for this?”

And then turns to Breanna and says, “You let him call me for this?”

And she gives no fucks about it and just shrugs and is all “I thought it would be funny.”

Now Harry is growing more and more confused and he’s like, “Umm excuse me, are we just ignoring the whole girlfriend cheating on you thing?”

At this point, Parker drops in from the ceiling or something behind Harry and is like, “It’s not cheating when they’re both my boyfriend.”

And Eliot also pops up and says, “I should hope I’m able to kiss my girlfriend when our boyfriend isn’t around to kiss us.”

After Harry recovers from his mini heart attack after getting startled twice by Parker and Eliot, he’s like, “Cool, cool. Wait, what??”

But Eliot and Parker have already wandered off and Hardison is distracted with his stuff and Breanna shrugs at Harry before picking up her laptop and leaving to go catch up with Hardison while she has him on the call. So Harry is left standing there in confused but supportive spirit.

[knaccblog]

Aziraphale and "I Forgive You"

So after I watched the first season a few times however many years ago, I noticed something, wrote up a bit of a meta about it and then never posted it. I thought that it was either very obvious or very silly and either way, no one needed to see it. But now it's several years and another season later and again, I'm noticing the exact same thing so here it goes- I think the reason Aziraphale keeps saying that he forgives Crowley has overall very little to do with what Crowley has just done right before Aziraphale says it and much more to do with a secret Aziraphale hides deep within himself and has for thousands of years, a truth that he hates to acknowledge and is terrified to speak aloud: he thinks God is wrong to have not Forgiven Crowley.

Get settled in because this is gonna take a bit.

The first time I started noticing this really clearly is the Bandstand Breakup scene. Crowley starts by cussing God literally out- "For the record, great, pustulant, mangled bollocks to the Great blasted Plan." To which Aziraphale says, "May you be forgiven." And yes, Crowley has just sinned and Aziraphale is a stuffy angel but the way Aziraphale says it is like a hope, atleast to my ears. Like he's really wishing that God will see how good Crowley truly is and bring him back to Heaven even though he keeps doing stupid stuff like this

Anyway, Crowley then responds with, "I won't be forgiven. Not ever. Part of a demon's job description. Unforgivable. That's what I am." And Aziraphale responds again with a hopeful sounding, "You were an angel once." At this point, I was almost sure that he's talking about his personal wishes here. It sounds like he's saying, "Come on, Crowley. There's a chance." To which Crowley responds, "That was a long time ago," basically saying it's impossible and shutting that whole bit of the conversation down. And you can just watch Aziraphale's face fall at that, like it kills him for that to be true. 

The next time the topic of forgiveness and Crowley comes up is when Crowley shows up to beg Aziraphale to run away with him one last time. In this conversation, Aziraphale is very adamant that if he talks to the right people, they won't want the apocalypse and they'll stop it. He, of course, thinks this because his most core belief is that God is good and that even if we don't understand how what God is doing is good right now, it will lead to goodness eventually via the Rube Goldburg machine which is time and the universe etc aka God is ineffable. But even Aziraphale can't imagine how the ineffable Rube Goldburg machine could turn an event where everything on earth dies into a good one so therefore, he's certain that God doesn't want the Apocalypse.

Crowley responds to this hope with, "You're so clever. How can someone as clever as you be so stupid?" to which Aziraphale responds, "I forgive you" in a very gentle but sure tone. And now yes, while it is entirely possible that Aziraphale is forgiving Crowley for calling him stupid, I've always felt like that would be a rather weighty response considering how mild an insult it is. It's also possible (and I feel slightly more likely) that Aziraphale is forgiving Crowley for his lack of faith, his inability to believe in the goodness of God anymore. 

And that could definitely be it, but if we think about the way Aziraphale had talked about forgiveness at the Bandstand, the hope and desire that he seemed to put into the idea of forgiveness and Crowley and the fact that Crowley had dismissed it as entirely impossible for him to ever be forgiven, than a third read of Aziraphale's "I forgive you" emerges: one in which Aziraphale is saying, "While God might never forgive you, I do". It's "I might never see you again since you intend to run away to the stars but if this is the last time I ever see you, I want you to know that I think you are deserving of forgiveness. That I see the good in you even if God can't." It's a combination "I love you" and small rebellion against God, because while Aziraphale can't bring himself to give up on Her completely and run away with Crowley (even though a part of him clearly wants to), he is willing to say that She's done this one thing wrong and it's never forgiving Crowley, who Aziraphale can see clearly is more kind and good than any of the angels he knows.

So yeah, that was about where the idea rested at the end of the first season but now we have a bunch of new historical scenes and a new "I forgive you" following a very loaded conversation in which Aziraphale got extremely excited by the idea of Crowley being reinstated as an Angel and I felt like this idea has even more legs than before. 

To me, it's very clear that Aziraphale's pitch for Crowley to come back to Heaven isn't him hoping to "reset" Crowley to how he was before the Fall or him being incapable of loving Crowley as a Demon and instead was him being overjoyed to have this secret truth (Crowley is deserving of God's Forgiveness) that he's been observing for 6000ish years be acknowledged and have a chance to come to fruition. After all, as we saw this season (and honestly last season too but less pronounced), Crowley, current Demon Crowley, not the angel he knew over 6000 years ago, has proven over and over again just how truly good he is to Aziraphale.

For example, in the Job sequence, Crowley does a truly good thing that no Angel (beside Aziraphale) would do or even think that they should do and that is save Job's children. And through the entirety of this bit, Aziraphale basically always believes that he will. There are even two moments where Crowley tries his best to scare Aziraphale away, to play up being the bad guy (so as to better hide the con he's running and protect Aziraphale), but Aziraphale's faith in Crowley's goodness does not falter. At the end of the day, it seems clear that Aziraphale has more faith that Crowley will do the good thing, the correct thing than God. Conveniently for Aziraphale's faith in God though, not understanding how something horrible he hates will eventually lead to goodness in the long run is a foundational principle of said faith so his faith in God remains strong even after everything She and Heaven do to Job. 

But his faith in Crowley doesn't require such a complicated work around. He believes Crowley won't kill children and he is correct. Though unfortunately, this very simplicity leads to a new problem, a problem that we can see eventually solidify in Aziraphale's mind, becoming a running theme of their association and leading to the eventual "I forgive you"s.

Aziraphale can clearly see how kind and good Crowley is, how he does the right thing as best he can, even when he could (and sometimes does) get into immense trouble for it. But for some reason, despite repeated evidence that Crowley is everything that Aziraphale believes Angels are and should be, Crowley continues to be a Demon. And once you realize that Aziraphale has noticed this contradiction and that it most likely haunts him and is a constant challenge to his worldview, it colors a lot of what he says in a new light. Many of what seem like simple, self-righteous statements reveal themselves to be Aziraphale trying to protecting himself from a massive logical inconsistency he keeps stumbling across. 

"It must be bad, otherwise you wouldn't have tempted them into it," Aziraphale says, clearly not quite sure why it's bad actually. 

"You, I'm afraid, are evil," Aziraphale asserts, basically stating that Crowley is evil because he's evil. It's tauntological and therefore doesn't have to make sense. (He says this one shortly before Crowley saves Elsbeth from suicide, poverty and damnation.) 

"So this is all your demonic work? I should have known," Aziraphale says, thinking, "Aha, this time Crowley must have done the bad thing and therefore continues to deserve being Fallen." (Crowley has, in fact, not done the bad thing but shhhh, worry about that later.) 

Once you notice this self defensive habit, you can't unnotice it really, it's just so present in Aziraphale's logic and speech. Aziraphale even at one point says, "Still a demon, then?" after the Ark and Job and Jesus because on some level he probably doesn't want to actually evaluate, it makes no sense to him that Crowley is still a Demon, especially when he has also sinned in a few ways (lied to Gabriel, thwarted the will of God, technically gluttony etc) and nothing has happened to him, to say nothing for all the things Gabriel has done (or has just let passively happen without a thought to interfere).

So yes, I think the entire final argument plays out the way it does because Aziraphale thinks Crowley is good and deserves to be reinstated, to be forgiven by God more than anything. 

He comes into their final conversation nervous but excited, to the point where he stomps right over what Crowley is trying to say. "You see I... I have some incredible good news to give you." The good news is for Crowley, you see, because Crowley deserves this and clearly being forgiven like he so deserves should logically make Crowley happy. It will make Aziraphale happy after all. 

Aziraphale then starts to describe the conversation that he had with Metatron, stating that he thinks he might have misjudged him. And why would he think that he misjudged the angel who had told him point blank to his face that "The point is not to avoid the war, it is to win it" about the Apocalypse? Well, it's not because he's offered the job of Supreme Archangel, that's for sure. As we can see in the flashback, Aziraphale seems nervous and uninterested in the job at first. He says clearly that he doesn't want to go back to Heaven and even brings up a very half assed excuse to try and weasel out of it, a soft no of, "Where will I get my coffee?" 

No, instead, the clear, obvious point where Aziraphale changes his mind about the job and about the Metatron is when he offers to reinstate Crowley as an Angel. Metatron has, quite accidentally (I think? I don't think he actually knows Aziraphale's secret soul), just said one of the most faith affirming things he possibly could to Aziraphale, "We can correct that little error that's been bothering you. You are completely correct that Crowley deserves God's forgiveness." 

Given that, it's understandable that Aziraphale is absolutely bubbly about Crowley's reinstatement when he mentions it to him, like the best thing ever has just happened to him even though he's talking about something that will happen to Crowley and not him at all. "You could come back to heaven and- and everything. Like the old times, only even nicer." (Nicer because this time, they are in love. Nicer because they'll both be powerful enough to make a difference.)

Some other bits of Aziraphale's dialogue from this scene that make so much sense through this lens are:

After Crowley tries to reiterate his constant stance that both sides are bad actually, and mentions how he rejected Hell's offer to work with them again, Aziraphale misses his point completely and says, "But well, obviously you said no to Hell, you're the bad guys. But Heaven, it's the side of truth, of light, of good." Aziraphale's faith in the potential goodness of Heaven and the actual goodness of God is unflappable but so is his belief that good is what Crowley wants to be doing. Like of course a good soul like Crowley would reject working for Hell again but why would he reject a chance to do good like he's sneakily been doing all along? (Aziraphale here ignores the fact that he's also had to sneakily do good on the side sometimes even though he was always working for "the side of good" but that is very par for the course for him sadly.) 

The lines, "Come with me- to heaven. I'll run it, you can be my second in command. We can make a difference," are a particularly telling set.  Everything about these from the high position he's offering Crowley to the "We" scream that Aziraphale trusts Crowley, a Demon, to guide Heaven the correct way more than any angel already in Heaven.

Aziraphale's final, desperate argument also lines up well with this (as well as featuring Aziraphale more completely referencing how he wants him and Crowley to be together romantically). "Come back, to heaven. Work with me! We can be together. Angels... Doing good. I- I need you! I don't think you understand what I'm offering you." Like is the "I need you" here romantic? Definitely. But it's also Aziraphale again affirming that he trusts Crowley to lead him the correct way ie goodness, because, as it's been shown to us many times (and focused on particularly in this season), Crowley will do and always has been doing the correct thing as best he could while Aziraphale would dither and be locked into passivity (like in The Resurrectionists).

So yes, after many attempts to explain to Crowley how he should be in Heaven, doing good and Aziraphale needs his help and one last desperate kiss from Crowley, we reach the final dreaded, "l forgive you." And yes, maybe Aziraphale is forgiving Crowley for not having faith that they can fix heaven, for abandoning him, for kissing him so suddenly. But I hope, after everything I've laid out here in this essay, you can also see why I think Aziraphale is saying, "Even as you reject God's forgiveness and leave me behind, I still see that you are good and know you deserve it so I will forgive you anyway." And maybe, even though it's still blasphemous to disagree with God, it's less scary for Aziraphale to say "I forgive you" one more time than tell Crowley that he loves him for the first time. He is very good at forgiveness after all.

[pestilentbrood]

VERY long Ramble incoming

honestly now that I'm looking at the auraboa lore situation, I'm just disappointed. There was such POTENTIAL in the idea of the Loop and the horror of a new generation inexplicably being disconnected from it, forcing the newly hatched children into a world totally separate from that perceived by their parents (I mean, hell, they perceive TIME differently!).... but then the writer(s?) just fell ass backwards into Icky Tropes.

I feel like I can see what the idea was, especially with the recent alterations to the Encyclopedia entry... It seems like staff fundamentally understands the true Horror potential here, but... Instead, through the short story, they proposed it through the lens of a condescending outsider character, turning the fears of the older generation into something trivial. And also weirdly demeaning the Auroboa's situation by portraying them as overreacting.

Why... why would you do that? Like, from a storytelling perspective? What's gained from that? Why not embrace the true horror and even Emotional significance of that disruption? Why instead go for "ohh we NEED outsider help we NEED to be saved because we are so helpless and it is so Silly that we, creatures who have never experienced such things, do not know what sleep is"????

And if they WANTED to have a condescending outsider, I feel like they COULD have done that, but it would have to have that character realize the horror at some point. And make it obvious that their attitude towards distressed parents and children facing Eldritch Shit and the Sudden Deconstruction of it was not cool!

(or at the very least be a bit more...idk. Consistent with said outsider character? Juniper just goes from "omg I am so honored that the fascinating creatures of the behemoth have chosen me to speak to" to "oh their wasting my time because they don't know what sleep is. I'd rather be sleeping!! 🙄" like girl... c'mon now. Why are we trivializing it like this. Do you want me as the reader to be invested in their plight or not.)

I mean come on. They're beings connected through one networked hivemind-like system, yet each still maintains a silver of individuality that allows them to move freely throughout the Behemoth that they care for. And they've got an eldritch understanding of time that no other dragon could understand. They're seeing the future, past, and present unfold simultaneously. They're witnessing the birth and death of the world at the same time, and have no way to communicate it to other dragons. The best they can do is maintain their home, and even then, they see its roots spread and decay all at once.

And then the newest generation is suddenly disconnected. An inherent link between parent and child and all dragons in-between, that has existed since the creation of their species, is just suddenly GONE for the newest births. With NO explanation for it. The children have no easy way of communicating with their parents. The children are experiencing time in a way that was not meant for their species. They've forcefully been shoved into a circadian rhythm that they are Not! Built for!

The only way a parent could communicate properly with their child would be when the latter is sleeping, something that is also completely foreign to this species. It would be terrifying for all involved!!!

They are literally experiencing eldritch horror from the perspective of the eldritch being forced into the mortal.

Like why WOULDN'T there be panic!!! And why would that panic be trivialized! Why are we only shown the perspective of an outsider who looks at this situation and goes "Oh the silly tree beasts are being so silly over nothing, it's no big deal!"

That and the way the auraboas talk to outsiders. Like. There was such potential there. Real opportunity to explore how ancient, time-bending beings would communicate to someone who couldn't even BEGIN to understand the intricacies of it.

Instead we got what feels more like baby talk (even described as though they were hatchlings enunciating their first words, which... I dunno man, maybe we don't want to compare them to children like That) and less like... Beings that experience all of time at once. I mean, the hatchlings and the adults speak the exact same way, and that doesn't make any sense given the literal time barrier going on.

I totally get why people thought there was just a language barrier and that auraboas had their own language, thus causing the disjointed speak, and not that it was because They Do Not Experience Time Like We Do. And I feel it would've been far easier to get it across by just... I dunno. Do anything else?? I saw someone on here suggest they speak in the "wrong" tenses, or using multiple tenses in the same sentence, which I think would've been far more clear.

Like, as opposed to "saplings wilt! saplings silent!" just "the saplings will wilt in silence, they've wilted in silence, they are wilting silently." Said all at once like all things are true simultaneously. And if we're going for hivemind, have each auraboa speak in a different tense, all at the same time, and have them switch it up every time. Have our outsider get confused and be like "which is it? are they wilting now, or have they already wilted?" and the cluster of auraboas respond in a cacophony of yes's, no's, and maybe's all at once.

Would've probably gotten across the "alien" vibe they were supposedly going for far better than wide-eyed desperation for an outsider's guidance conveyed through disjointed, in-world described as baby speech.

And also maybe would've had less accidental connotations. Because as it stands, I completely see why people have made the connections to the real world where they have. This doesn't read like eldritch timey-wimey intrigue, or even a respectful look at how younger generations can become detached from their families' cultures over time and the struggles that come with it. It reads like a culture being perceived by an ignorant outsider who (despite supposedly respecting these dragons) scoffs and rolls their eyes because the tree beasts with their funny words are being silly again, and that Hey, isn't it actually a great thing that the children are fundamentally different in all manners now? Because now they can join the rest of us in the "real world."

Yknow. Ick.

(I Personally think it would've been better to have the perspective be one of the Auraboas themselves, especially one of the children, to really understand what was going on here. Give us the full brunt of the mind of a creature experiencing all of time interwoven as one shape. The waters fall and the oceans crash with waves. They've now fallen to drought. The ocean has yet to be born. Caves have been carved out through the waters' currents. And when I break from this timeline, I open my eyes to see a child, the child not yet born, the child born now, the child born yesterday. Why can't I hear it? Why couldn't I hear it? Why won't I ever hear it?)

I dunno. People more qualified than me to speak on this matter have already torn the lore apart, I'm just... dropping my own two cents. Potential got weirdly squandered and we ended up instead with unfortunate implications and tropes that could be connected a liiiittle too awkwardly to irl situations.

*Also, before anyone points out: Yes, I know the hatchlings aren't COMPLETELY detached from the Loop and can join it when they sleep. But the fact is, these thangs never had to sleep before. That wasn't in their species' nature. So that's still weird and foreign for them on both sides. And since the hatchlings now have a circadian rhythm, they can't stay connected to the loop permanently. And also Also, seeing as the previous generations aren't experiencing time linearly, who's to say they even recognize when their child joins the loop? They'll speak with an echo of their child when that child was last asleep ages ago, not knowing that it's not them presently, because there is no 'present' for the older generations.

[hella1975]

it's been pointed out on here before that a lot of terf arguments are actually rooted in sexist idealology that feminists fought and died to unnormalise decades ago and that's its own kettle of fish but one thing i also find very frustrating about this so called 'radical' feminism is that it's so... defeatist? like the moment you categorically label an entire section of society as Bad and Inherently Evil then there's also the implication that nothing can be done about it, and it completely takes all accountability away. saying all men are evil is just another way of saying boys will be boys. he raped her because he's a man. he hit her because he's a man. he didn't listen because he's a man - it's almost offensively oversimplified. there's no point trying to fix this issue in society because men are just Like That, okay! so now what? it's not like they're going anywhere, so you just accept that 50% of the population are evil and will forever treat you terribly and there's nothing to be done about it bc they're biologically predisposed to it? like is that fr the argument here? you're soooo radical for that

[cryptocism]

godddddd i keep hitting roadblocks with this chapter im gonna make up for it by posting some art

[laurapetrie]

One day I shall be the princess, and spend my whole life dancing in fairyland.

Anna Pavlova, I Dreamed I Was A Ballerina (1922)

[its-hyperfixation]

take me as i am and i will take you as you are.

to my most beloved,

where do i even begin? words cannot describe the place you have in my heart and what you truly mean to me. i’m not sure how i ever survived a time where you weren’t in my life, it’s simply not possible anymore. you are an incredible light in my life, my reason to keep going, my biggest supporter, and dare i say the actual love of my life. you are the sun to my moon, the merlin to my arthur, the heart to my soul. thank you for choosing me and blessing me with your gorgeous self. i’m not sure how i got so lucky to be blessed with you.

i love you endlessly, happy anniversary @bellamyblakru <3

[angryducktimemachine]

Been busy between work and mice introductions but a friend pointed out that Holmes at some point looses a tooth and that he either has a tooth gap now or a gold tooth and well 🧍

[ID: a pencil sketch of Sherlock Holmes, his left canine tooth is gold. /End ID]

[im-livvy-the-fallen-leaf]

I have noticed on Tulmbr or any site for that matter there are very little obey me! demon headcaanons that actually make demons act like animals! I will not stand for this! I will be getting my fix of animalistic demons one way or another soooo let me tell you about my demon headcaanons.

Warning: this book has suggestive content and weird headcannons.

Let's get one thing clear first demons are pact animals. They live in large groups and are VERY protective over their families. This is because demons are protective over something that is, theirs. So this also translates to members of the family. So when it comes to the demon brothers in the early lessons can you imagine how HEARTBREAKING it was to have belphegor away? Especially because he was the youngest and therefore the weakest and hence in need of more protection. To have their baby brother away in the human realm (well to them... But he was just in the attic). For all they know he could be in danger! And as far as Beel was concerned his beloved twin could not be eating enough and of he isn't eating enough he is weaker... And if he isn't strong as he could be he could be hurting and he isn't there! "LUCIFER! please send him back he could be in danger!" - Beelzebub a day into the exchange program

Also this leds onto another point. SCENT. If your fimilar with... The dark side of Ao3, wattpad and Tulmbr (Omegavers) you probably get what I mean. But just in case you don't have issues. Animals have scent glads in their body. This marks what is their's now this translates to our favorite demons because they also have that. Meaning if they rubbed their wrist, cheek or like you know that part of your neck where it starts your chest? (Actually is that the collarbone? No clue) well that too. That has the most active scent glads. It will leave a smell that says to other demons that that thing is their's and if you mess with it. Except death.

Soo just imagine in Beelzebub's and Belphegor's room obviously is going to be full of their scent. But of course with belphi not there. It's going to fade isn't it? So that also makes beel upset. Because yes he KNOWS not actually? He was like in the attic Belphi is in the human realm apart of his brain is crying because his brother scent isn't where it should be so he's not there? Where is he? Is he safe? Is he eating? "LUCIFER! please send him back he could be in danger!" - Beelzebub 9 days into the exchange program. So that is also why he didn't want MC to be getting their "weird" smell on Belphi's bed when they had to share a room. Because it's already fading and he doesn't want it to go any faster!

Alsoo speaking about scents... Let's talk about heat/runts and their courting behaviors because omegavers is definitely influenced my life.

So like ever month or so demons go into heat and runts just like how girls get their period. During this they are wanting to breed. They also are very uncomfortable and boiling hot. So of course how does this effect them? So pretty much their scent glads produce a different scent that just says "I'm available please fuck me" this also gives them hard baby fever. You know how like penguins are fighting over baby penguins? THATT. If you were to for what ever reason bring luke anywhere near them they will SMOTHER that poor boy. Because all that they can see is; small thing. Small person. Small child? child?! That's it! PROTECT THAT MF-. They are never nicer to him then when broody.

Let's talk about courting behaviors. Because I refuse to believe that they don't do it. So let's just start off with that courting is a thing to start a relationship. It's flirting but better? So for demons they often do things like giffting them many stuff of their interest traditionally they would give them a dead human or hard to kill monster... Some still do that- looking at you Nobel demons- but like jewelry anything really that their courted would like. It could be stickers! Then we get to the services part. They would do something simple like holding a door open or like helping them with Manuel labor. It doesn't matter but they do acts of service for them. Later on if all is going well you get to scent them. It just yells "their mine fuckers" and then dating. Another thing I refuse to believe they don't do is presenting... Not in the face down, ass up way. But in the wings out, tails out. I'm also you best believe that pride demons are just like peacocks and shake their wings AWWW so cute. Just imagine Lucifer doing this-

More one this, greed demons. Crows or Ravens. Come at me. So they coo at their courted- and later on they nuzzle them MY HEART IS MELTING. IMAGINE MAMMON, a normal thing is for winged is to just puff out their wings and to totally do a mating call. This goes for ALL. Maybe it's not a full on song. (Sometimes it will be) but a little noise that translate to *looks at a book labeled "is your demon horny or just wanting to kill you?" Flipes several pages* wanna fuck?

I will be writing more. And maybe explain better if y'all want more of my weird hadcaonns but enjoy. But if you want more let me know!

[stromblessed]

Mel 🔆, Viktor 🌌, and Jayce 🔥 symbolism

SUN 🔆

Mel's association with the sun is self-evident and still mostly shrouded in mystery, though her love scene with Jayce is notable, which is overlaid with starry imagery, where her silhouette and her freckled face are compared to the cosmos. The sun is also a star. It's just the star that's closest to Runeterra and has the most influence over the world.

Mel and the Hexcore are the POVs of the scene.

Hexcore and starry imagery is more strongly and consistently associated with someone else, though!

STARS 🌟 / THE COSMOS 🌌

Viktor's blue to purple pipeline is real

But seriously, the starry/swirly shapes point toward distant stars, the cosmos, a galaxy. There is no moon in Viktor's night scenes throughout the season, only stars.

Viktor's character regresses as the season goes on (blue to purple, ready to fall into Shimmer-like magenta as his corruption nears its peak).

His hubris opens him up to some kind of corruption by the Hexcore, or by whatever - or whoever - is using the Hexcore as a gateway, like what Jinx points out. Singed as his mentor plants and encourages the lie that Viktor believes, that he's better off alone and that the ends justify the means.

These perfectly ruinous circumstances lead to him getting Sky killed (Sky like sky blue, like Inspiration, lost as Viktor has lost sight of good in his pursuit of great).

In his running scene, Viktor runs not from left to right, filmspeak for progression - he runs from right to left, as though backstepping.

(And also for the Rocky Balboa reference called out in this brilliant post, but hey, I think it all works)

It's also worth laying the foundation that Viktor is a fantasy interpretation of Nikola Tesla, the Serbian-American inventor who was fascinated with electricity, radio signals, the cosmos, and [REDACTED for another post probably lol]

If you've fallen down the rabbit hole of League lore like I have, you might have picked up that peoples and warriors who are sun-worshipers are (at least anciently) tasked with hunting down and destroying Void beings, who are eldritch beings associated with the distant stars, or are Runeterrans constructed by the Void Watchers trapped between realms. The sun fights against interlopers from other dimensions or celestial bodies.

Mel and Viktor have the same ideas about risk and the nature of progress, and they are both technically foreigners living in Piltover and pursuing that progress - in two very different (but complementary) ways. They are most likely the two characters whose literal bodies are celestial, imbued with the Arcane. Their bodies are most likely augmented with magical metals.

Yet the arcane imagery that seems to accompany them respectively are diametrically opposed - Sun vs. Void, possibly. (Also, purple and yellow/gold are opposite or complement colors on the color wheel.)

Whether they wind up working together or whether they clash (as Viktor loses himself) or if it's a mix of both, I think Mel and Viktor are destined to collide in season 2.

So where does this leave Jayce?

FIRE 🔥

Fire for Jayce means more than one thing. The first thing that should come to mind is the fire of the forge. Creation and industry. The legacy and hard work of his family.

However, his FIRST imagery with fire occurs when Elora says "Speak of the devil" and Jayce is framed in flames at Mel's fundraising party.

He's similarly framed in the flames of a Molotov cocktail on the bridge between Piltover and the undercity with Viktor, after he's just called the people of the undercity dangerous.

What I think we're being shown here are Jayce's choices. He can use his talents and influence for good - creation and industry - or he can use them for destruction and oppression. A hammer can create.

A hammer can also be a weapon, a tool of destruction:

Fire can quickly burn and spread out of control.

Hey look, blue all the way to magenta in one scene!

And if you know his original League lore, the reason why his rivalry with [REDACTED] crosses the point of no return - fire and destruction. Yeah.

Jayce is interesting because his point position in the Mel-Viktor-Jayce trifecta makes it tempting to assign celestial imagery to him, too. However, adult Jayce is only present with Hexcore, star, and sun imagery when he is sharing a scene with Viktor or Mel respectively.

The show makes it a point that Mel and Viktor are the reasons he is the Man of Progress at all:

Note that Jayce in the center of his Man of Progress posters is backed by a gear (Viktor) and the sun (Mel). If Viktor had not intervened in episode 2, Jayce would be dead or disenfranchised. If Mel had not intervened in episode 3, then Jayce AND Viktor would have been kicked out of the Academy if not imprisoned or exiled, and Hextech with Jayce and Viktor at the helm would not exist.

(This is reaching, but I like to interpret that the circle + notches in the gear shape are like Viktor's star symbolism, but even if that's the big reach that I think it is, Viktor is a machinist, engineer, and techmaturgist with Artificer parents - the gear definitely represents him on a meta level)

The imagery that I believe is Jayce's and Jayce's alone is that of fire. He is terrestrial, using magic contained within tools the way he has always wanted to bring Hextech to every household, while Mel and Viktor are influenced by magic on a whole other level.

Sure would be a shame if Jayce found a reason to choose the path of destruction and be corrupted further, diverging from Mel and Viktor's core values

Sure would be a shame if Viktor's personal choices had consequences that radiated out further than season 1 and he gets put on a disastrous collision course with everything that Jayce and by extension Piltover hates and fears

Sure would be stressful for us if Arcane decided to be a Greek tragedy about it

Though possibly the most important piece of this picture is how Mel - gold like the sun, gold that doesn't tarnish or rust, gold that is an excellent conductor - has already faced the abyss and said NO to her own corruption:

It sure would be something for her to have to watch Jayce and Viktor go down a different path, huh

[you-remind-me-of-the-babe]

Hello, hello! I feel like it’s been a long time since I’ve posted anything. Writing is still slow and jury is out on whether any of my WIPs will actually take hold of me. For now, have a little Watford-era Baz:

If I were smart, I’d school my expression bored and turn away. Their little domestic dispute clearly has nothing to do with me. But I’ve always been a glutton for punishment where Simon Snow was concerned.

So I don’t look away. Not even when she finally relents and allows him to put a hand on the small of her back. He gently guides her to him, his thumb slowly stroking her. The wet fabric rides up ever so slightly and I imagine what his scalding palm might feel like against my own cool skin. He rubs his other hand along her arm, no doubt trying to warm her. Or comfort her. Maybe both. I feel a lump rise in my throat and thank magic Dev and Niall show up when they do. It’s just the jolt back to reality I need. I force myself to put on my best sneer and push down the horrifying emotions threatening to spill out of me.

Apropos of nothing, I spent all last night fixing the broken art on collabs I had on AO3, so now all of my fics that have art from friends are back up. 🥳 someone please give me a high five ☺️ 😆

Hellos/thank yous/tag backs, etc

@fatalfangirl @whatevertheweather @moodandmist @facewithoutheart @bookish-bogwitch @cutestkilla @thewholelemon 🍯 @artsyunderstudy @ic3-que3n @run-for-chamo-miles @mooncello @hushed-chorus @shrekgogurt @ileadacharmedlife @forabeatofadrum @noblecorgi @that-disabled-princess @angelsfalling16 @roomwithanopenfire @youarenevertooold @orange-peony @prettygoododds @aristocratic-otter @wellbelesbian @messofthejess @nightimedreamersworld @best--dress @valeffelees @rimeswithpurple @blackberrysummerblog @chen-chen-chen-again-chen @emeryhall @letraspal @raenestee @whogaveyoupermission @iamamythologicalcreature