[Review] I Hope This Doesn't Find You by Ann Liang [240308]
I just finished binging I Hope This Doesn't Find You by Ann Liang in a day. It was absolutely amazing. I loved every second of it.
The way the author captures every emotion Sadie feels is so captivating, so realistic, so... perfect. I found myself tensing up with when she was worried; I found myself staring intently at the screen of my tablet, my brows furrowed; I found myself smiling along with her.
It was so satisfying reading this novel: the misunderstanding trope wasn't dragged out or annoying, every scene played in my mind exactly like a movie would, and the imagery used was nothing short of spectacular, flowing with the scenes and written in the perfect tone.
The character development was absolutely lovely – something very refreshing and satisfying – they were the opposite of cardboard-plank characters, they all had a purpose to serve and they acted as real humans did, they weren't too childish, too mature, too plain or too flashy.
As I kept reading, I found myself falling in love with the characters more and more – the vanity of Julius, the relatable-ness of Sadie, everything about Abigail... One thing I found especially delightful was how, even though Julius and Sadie were enemies, they were quite the same. [Spoiler Starts] They both loathe the thought of someone pitying them, they both try so hard to be so perfect, they both are equally as obsessed with each other, they make each other feel alive – they just live their lives in different ways. [Spoiler Ends]
Being of Chinese descent, I Hope This Doesn't Find You was even more fun due to the 汉语拼音 embedded within the text – I could hear every word spoken out so smoothly, it was truly an enjoyable experience that evoked immense joy within my heart.
Overall, I thoroughly enjoyed reading this novel! 10/10! I feel the constant need to gush about it.
Some of my favorite annotations that I made reading it (I'll add my fav quotes another day):
Chapter 1: slay Julius | young and rich, tall and han- | ah girl u ok ah
Chapter 2: girlie what | um girl you're a bit tad bit teeny bit uh obsessed | sus
Chapter 3: I love this guy he's so silly | RIP Sadie, rest in peace our soldier | #relatable I have hot hands
Chapter 7: #slay | HSHAHAHA
Chapter 8: he can scrub !
Chapter 9: oh no! hee hee
Chapter 10: i like how we finally have a normal ml w/o tragic backstory
Chapter 11: liar you're obsessed too <3 | he's so silly how jelly | CS student aye #relatable | we like em cats
Chapter 12: ew
Chapter 13: yoi
Chapter 14: YOI!
Chapter 16: jelly season 2. | haHA | I love this woman :)
Chapter 17: I LOVE ABIGAIL T-T!!!! | ♡ chill gal
Chapter 18: aw not salty? | yeah. salty. | GIRL WAKE UP. U. P. UP | oh my god can't you SEE | oh Abigail how I love you lol
Chapter 19: awie | slay Rosie | SHE'S REFORMED!!! | Julius is just like Sadie aeaeaergh
Chapter 20: OH MY GOD IT'S HAPPENING YALL!!!!!!! | hee hee
Chapter 21: SLAY MAX!!!!!! | ♡ character development | !!!!AEAEAE | bro prolly took 9 min & 40s crying and squealing & blushing | ♡[scribble]♡♡♡♡♡ | Stan julius for clear skin ♡
One question kept popping through my mind as I read this novel.... Where is my Julius Gong? I'm a top student (sadly, I'm not any kind of athlete or leader, though I do work out). I get good grades. Relatively. So, uh, God, where can I order a Julius Gong? dfjkdshjfksdf (I'm an agnostic, by the way)
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The Ryoko Kui interview's reception is such a disaster over a pretty normal (yet still flawed) interview between a non-Japanese fan and Japanese artistic. This is discourse for discourse's sake, and it's no surprise that almost every Twitter user I've looked at who's using this interview to parade Kui around as a goated mangaka standing strong against Western ideology is anti-trans.
Like, I do think the interview was kinda wonky with its focus on fandom culture, which Kui clearly didn't have much interest in. But sometimes that happens. Sometimes interactions between two people, especially a fan and a creator, two people who view and interact with a piece of media in completely opposite perspectives, don't click. Does this really need to get blown up into a "West vs. East culture war" issue.
Anyways, Kui saying "I don't consider my audience's interpretations when writing. I leave it to their imaginations, but I have my own read on things too" is the healthiest, most normal thing an artist/writer who wants a non-parasocial audience could say. Artists and writers use this line all the time. If Kui didn't enjoy autistic Laius or Farcille headcanons, she would have probably voiced/signalled her discomfort, like she did on the topic of Senshi fanservice. Overall, Kui handled the interview really well. Props to her to sticking to her guns and keeping a healthy disconnect from the fandom. While I think the interviewer could've/should've been more tactful and restrained, the flaws in their questions is not a symptom of the woke mind virus trying to wriggle its way into the pure Japanese psyche. It's the sign of an over-eager fan who sees a piece of fiction differently than its creator.
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Rolin Jones on IWTV s3 (going forward) and POVs:
"Everybody’s free to judge the rest of it. If all goes right, we’ll have six or seven more seasons to work on you coming around to that, or the redemption of that. [In season one,] the audience wants to kill Lestat along with Louis and Claudia. But we had to sit on it for a year and a half. So it’s okay for people to think that we made a supervillain out of Lestat and then to come around to a fuller portrait. In season three, [Lestat is] front and center, and Jacob takes a supporting role. And it’s not all about point of view. We got 80 to 85-percent of Lestat pretty solid. Retribution is easy, right? It’s being contrite. [There’s] the idea that forgiveness should be part of this cycle, too. That’s something I think we’re trying to sell."
"So, what am I interested in? I’ll be less interested in point of view and memory as much. The challenge of the books is that there’s not a lot of forward story. I don’t think that you can probably mine the arcs of those for origin story after origin story after origin story. But that doesn’t mean you can’t take the same material and in very inventive, exciting ways move it forward."
And:
“The big difference moving forward is Lestat will be front and center telling the story, so it should feel like this show has been taken hostage by Lestat,” Jones says. “Aesthetically, it is going to feel different. It is not going to feel like two old guys in a room trying to figure out what brought them together. It is going to be over the shoulder of Lestat de Lioncourt, of whom you have probably seen about an 80%-accurate version of who he is — on fire and reckless. So it should be fun and dangerous.”
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