Coin's Research Tips
As you may know, I do a lot of research for my posts, to the point of adding references and citations. So I know very well that occult and witchy history is murky at best and full of nazis at worst. Here are some tips I've come up with for those of you who want to do your own research.
Cross-reference. Especially when you're looking into something that isn't widely accepted as fact or truth. For example, correspondences vary by region and culture, but a lot of times you'll be able to find similarities in the meanings of correspondences by looking at multiple sources. Cross-referencing also helps keep biases in check!
Use Wikipedia as a starting point. High School may have scared you away from using Wiki as a source, but it can be really helpful! Go to the citations and reference sections at the bottom of the pages and you'll see a few, and sometimes a lot, of references that you can go off to read!
Check for references and citations, and then check those references and citations. There can be dozens of links in someone's reference section or on their blog, but if none of them are valid or have any historical relevance to the post, then they're useless.
Look for reputable sites. These are often sites created by experts or consult experts. (Check below for resources)
Look into the author. Sadly the occult has a long history of bigots weaseling their way in, be sure you know who you're reading from.
Know that researching a bad person and why they're bad is not a bad thing and you are not bad for doing it.
Look for credentials. Why should you believe this author? What cultures and circles are they a part of? Are they academics, scholars, or historians? Find the credentials needed for whatever you're researching.
Fact check. Especially if it's your first time seeing the statement somewhere, see if there are other credible sources that back this statement up.
Ask for references. This really only goes for blogs or social media. No one who researches and writes about it should be offended by you asking for references.
Ask around. If you're looking into something but don't know where to start, ask your witchy friends! You can also send me an ask and I'll do my best to send you resources if I can find them.
Talk to people who actually practice what you're looking into. If you're researching a culture or practice, talk to practitioners and see what they have to say before proceeding further.
This doesn't just go for those of us that love research, at some point in everyone's path, they will stumble across something that needs to be looked into. You can also use these tips for casual research!
Here are a few of my favorite resources:
Sacred-texts.org
Your local library
worldhistory.org
@s-n-arly shared a list in this post of useful research sites such as:
refseek.com
worldcat.org
linkspringer.com
base-search.net
pdfdrive.com
If you're a person who also loves to research witchcraft and the occult, please add your favorite sources and tips in a comment or reblog!
Enjoy my posts? Consider leaving me a tip on my ko-fi!~
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Who Was The Goddess? Or Goddess Who? Part 3: Hecate
A goddess, probably Hecate (possibly Artemis), is depicted with a bow, a dog and twin torches.
Hi there! I'm back today with another post from the series " Who Was The Goddess? Or Goddess Who?", this series where I analyze the mythology of the Furious Hord and try to find out who was its leader and if she had any relation with the persecutions against witchcraft in the Middle and Modern Ages. And today I'm going to talk about a character that is well known: the goddess Hecate!
Hecate durig the Ancient Times
She was a goddess possibly of Middle Eastern origin, but her most widespread and worshipped version is that of the ancient Greeks, and later, of course, she was also worshipped by the Romans. And for being a very old goddess, she ended up going through some transformations throughout her history and also depending on the region where she was worshipped. According to archeological studies, everything indicates that at the beginning, she was a goddess related to the earth, the sea and the skies. Hecate, therefore, will always be closer to Artemis - both related to wild nature, beasts, fertility, and uncivilized (in the sense of unmodified by man) places.
A goddess, probably Hecate (possibly Artemis), is depicted with a bow, a dog and twin torches.
In the "Homeric Hymn to Demeter" from around 610 BC, Hacate appears as the only goddess who helps Demeter find her daughter Persephone in the Underworld. She did this by carrying torches to light the way to Hades. Because of this, Hecate became Persephone's guide every year, when the goddess returns to her May in the spring and returns to Hades in the winter. Therefore, not only did the lit torch become one of the symbols of Hecate, but it also became associated with the attribute of the key, the one that opens and leads the way, the intermediary between the spaces (physical and supernatural).
Hecate battles Clytius next to Artemis, Gigantomachy frieze, Pergamon Altar, Pergamon Museum, Berlin.
That is why it was also very common to find monuments and offerings to her at crossroads. Because of this association with the underworld, she also became associated with magic and witchcraft. If Artemis/Diana was associated with bright, full moon nights, favorable for hunting, Hecate was associated with the new moon and the darkest nights. She also came to be associated with the manipulation of herbs both to make medicines and poisons, and there she was also related to the god Helios, the Sun. The great sorceresses descended from Helios, Medea and Circe, had learned to manipulate herbs from Hecate. Although she inhabited the nether world and was sometimes represented as being able to raise the souls of the dead by making a procession of souls, she was also associated, like Artemis, as the protector of childbirth and babies. It is because of this mobility between life and death that she is often shown as a triple goddess, that is, a three-faced entity.
Gilt bronze Hekataion, 1st century CE. Musei Capitolini, Rome.
In her earliest iconography she is sometimes alone on a throne, but in later Greek images she already appears in her triple form, holding a torch, a key, a dagger, all three supported on a pillar, representing the crossroads, that is, each one looking at a different path. It is common for her to be surrounded by some animals, like snakes, birds, horses, but the animal that was really related to her were the black dogs. Although Hecate is considered a moon goddess, she was never depicted together with the moon. So if you see a statue or image of a goddess with a moon diadem, she is the other face of the satelite: Artemis and then Diana.
Hecate During the Meddle Ages
According to historian Ronald Hutton, it is very tempting to place Hecate as the leader of the Furious Hord: she was a goddess related to witchcraft and ghosts, since she was one of the guides of souls to the land of the dead and also the opposite way, she carried to earth the souls of babies that were born. Her triform image, sometimes representing 3 different goddesses: Hecate, Artemis and Persephone, or else Hecate, Artemis and Luna (all related to the moon and the underworld); or else 3 faces of the same goddess Hecate: either representing the agricultural division or even the phases of women. But for Hutton, Hecate was never depicted as a leader of spirit processions, and this also never appears in her iconography, i.e. in paintings or statues. The Furious Hord was a Germanic myth, and therefore we should look for some goddess who was more popular in that region than the Greek and Roman gods.
Please check out Hutton’s wonderfull book The Wich, it is one of the bases for my researchs!
But I wanted to show here some possibilities of a relationship with Hecate not in the Furious Hord, but in another region that from very ancient times was already well known to the Greeks: the Iberian Peninsula! And at the same time, to show how difficult it is to come to a definite conclusion when it comes to the survivals of any kind of belief.
So first; we do find references to the goddess Hecate in medieval and Renaissance texts, and perhaps the most famous of these is the goddess' appearance in Shakespeare's Macbeth. But when we look at religious texts or at legal cases against witchcraft and sorcery, the goddess is curiously absent. When they mention some pagan goddess, it is always Diana (which I even have posts about Diana here, so if you haven't seen it, go back to the feed and check it out). But then there is a doubt: did these writers know Hecate because they were erudite and studied Greek mythology but then when people went to watch the plays nobody understood who that person was but they just kept watching, or did they put these characters in the plays because they knew the audience knew them and they knew there would be an identification?
Macbeth meets the Three Witches, by John Boydell, 18th century
Another crucial aspect of the goddess are the crossroads. All over Spain, but mainly in Valencia, Catalonia, Castilla and Galicia, it is very common to see the Crosses of Ends (Cruces de Términos), these crosses here on the edge of a road or a crossroads, which were used to mark the way to a city or a pilgrimage, or the limit of a city. But there are researchers who say that they are there for a somewhat magical and macabre purpose. On the magical side, until the Middle Ages crossroads continued to serve as a place where people left offerings or made sacrifices and/or penances in search of some gift, luck, or to be healthy. On the more macabre side, in ancient times the crossroads could be used both to bury people because of their proximity to the other world, but they could also serve as a place to execute criminals for the same reason. And in the Middle Ages, this relationship continued.
Pairón in Torrubia, Guadalajara, Spain.
In Valencia, the Almassera cross, for example, is where the gallows were also placed.
Cruz de Almàssera, Valencia, Spain
In 1252, King Alfonso X the Wise forbade Jews, Moors, heretics and criminals to be buried in Christian cemeteries, so these crosses sometimes served as burial places.
If you are just like me and like to take a look at the characters even knowing that medieval ppictures are not the most acurated of them all, here it is! (And totaly unrelated, but if you like medieval chants and music, please check out those “Cantigas de Santa Maria”, one of the greatest musical productions of the Medieval Europe! Alfonso X the Wise and collaborators. Miniature of the Cantigas de Santa María.
The purpose of the crosses seems to be, besides indicating a path, to sacralize a marginal terrain. They would serve to prevent the departed soul from wandering among the living, so the cross would serve to mark that place as a consecrated resting place in some way. AND WHO WAS THE GODDESS OF THE CROSSROADS AND OF THE PATHS BETWEEN HERE AND THE OTHER SIDE? WHO WHO????
AAAHHH, so does that mean that this is proof that the cult of the goddess Hecate survived into the Middle Ages by means of the crossroads? Not exactly. As I said, this belief of the crossroads as a communication with the other side is very old and it is possible that when the Greeks, and then the Romans, arrived in Spain, they found beliefs and rituals of the Iberian Celts or the Galicians that were similar to theirs, and they ended up relating these places to places of worship of the goddess Hecate and sometimes also to the god Mercury, since he was the god of travelers.
Andrea Alciato's Liber Emblematum/Kunstbuch,Frankfurt am Main, 1566/67 Liber emblematum ... Kunstbuch* (1567), Franckfurt am Main
And then when Christianity arrived, it didn't destroy these rituals, it just modified and transformed them into something Christian. So the idea is that first there was a statue for a goddess, let's say a Celtic goddess, then there was a statue for Hecate, and now we have a cross with the image of the Virgin Mary. By the way, if there is any procession of the dead led by a "goddess" that has survived until today, it is the Holy Campaign (Santa Campana/Campanha), a retinue of spirits of the dead that travels all over Spain, Portugal (and Brazil, of course) often led by a kind of a "goddess" - the Virgin Mary herself (but this is subject for another post).
A Santa Compaña. Camilo Díaz Baliño. 1919.
Not surprisingly, the image that appears most often on those crosses of the Termino I just mentioned is that of the Virgin. It is she who now guides the souls and protects the living along the way.
Coronation of the Virgin - Monasterio de Silos. Guide to the Romanesque of the Monastery of Santo Domingo (Burgos).
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