#with hints of foreshadowing of whats to come

[its-not-nothing]

i miss Schrodinger's 8x16... But now we have canon dead Bobby, Eddie with 2 lines, no buddie content, and a mess of an episode overall. I'm holding out until the end of the season then I'm fully retreating to fanfic land where Bobby is alive, the 118 actually interacts with one another, buddie canon with Chris home, buck and eddie adopting a baby...

For real. I'm so sorry for manifesting this lol. I really had a feeling the episode was either gonna be really good or really bad and... yeah, we got the bad one. I still can't believe how terrible this was if Bobby is really dead. No emotional speeches at the funeral? No montage of Bobby's best moments throughout the show? The focus being on Athena only and Chim a little bit? Sorry, this just wasn't a good send off for the main character of your show. I felt nothing watching it, but that was also because the death is so stupid that it's hard to suspend your disbelief and accept that they killed Bobby that way, in an episode called Lab rats. If anything, 7x09 would've been a way better send off. That montage of Bobby "getting his affairs in order" and having a little moment with everyone (!) to I Hear The Day As Come? I'll take that as his last moments with the 118 instead, thanks.

Of course we didn't see the buddie reunion, we didn't even get a hug, but somehow Ravi/Eddie got one lmao. What is this evil parallel universe? We didn't even see Buck's perspective on Bobby's death, he was just... there. Hello, that's his surrogate father we're talking about! I'm still holding out hope that he will eventually break down in 8x17, preferably in Eddie's arms... because this didn't really feel like Buck. Or maybe the problem is that we got a 2 weeks time jump and skipped all the important moments.

The way they kept the hope alive during the whole episode, with the plot of the mother believing her son is not dead, and Bobby's body being held up by the government... only to be like "sike! guess the mother was crazy after all! anyway let's bury bobby!"... wow, that was kinda cruel and very unnecessary. But also, we still haven't seen a body??? I don't understand. Did Tim want to keep the door open in case he changes his mind? Probably. Because after this, it would be quite easy to bring Bobby back: just pretend the government kept him (alive) to do some experiments on the virus, and the casket is empty. Hell there even was a plot about an empty casket in the episode, Tim could claim it was genius foreshadowing all along. Or maybe it was all planned? Maybe they didn't do the "I'm buried alive" scene because it leaked and instead they will reveal Bobby alive in 8x17 or 8x18? I don't actually believe it right now, and I'm not gonna get my hopes up, but the episode didn't exactly convince me that Bobby is 100% dead, if I'm being honest. And even if it wasn't planned, like I said, they could undo Bobby's death in 8x18 by adding just one scene hinting at it as the cliffhanger (kinda like the post-credit Stranger Things season 3 scene that hinted at Hopper being alive) or even in 9A, they have a whole hiatus to come up with a good story.

So, for now, I guess I'll just act like Bobby is currently dead in the show knowing that his death was stupid and badly written (especially after the Hotshots storyline?? they couldn't kill the "fake" captain because they knew it would piss off the "fake" audience but they killed the "real" one?? once again, that just makes the show seem cruel to its audience), and I'll just hope for some good buddie content in the next 2 episodes.

But I'm with you, anon, let's retreat to fics where everything is fine and Bobby's alive and buddie realize they're in love <3 (that "I love you" conversation with Maddie seemed like foreshadowing of buddie realizing and confessing their feelings because of the "recent events" to be honest 👀)

[numberonetribble]

I have a 3 day weekend coming up next week you know what that means:

[ominous-faechild]

✦ OC Questionnaire Tag 3 ✦

Following tag from @honeybewrites !

Featuring characters from Sun and Shadow: Freya, Crow, Daleira, Valyarus, Soren, and Grimnir! As well as a surprise visit from someone else...

Notes: Valyarus is Daleira's adopted dad, Lynsmouth nobility, and a faerie; Soren is Freya's dad, strongly hinted to be ageless, and worked as a sailor; and Grimnir is Crow's dad, the famous criminal detective of Lynsmouth, and known to work under an alias and masks to hide his identity.

Featured Questions (not all characters will answer): - "Sun or moon?" - "Would you rather drown or be buried alive?" - "How many people have you killed?" from @the-golden-comet - "Do you believe in fate?" kidnapped from the-golden-comet's post

"Sun or moon?"

Freya, the MC of Sun and Shadow who's explicitly sun-coded: Freya: Well... even before I found out about the whole "my dad gave me a magic restraint from a really young age without telling me and I actually have magic" thing... I'd always liked being out in the sun. I'd feel more refreshed, energized. I thought it was just normal, yknow? Like, who doesn't like being out in the sun? But apparently it's A Normal Magic Thing™ to feel better in your element? Even though I felt awful for a while without the restraint... apparently that's something called "magical sickness" from having too much uncontrolled essence? That's what Daleira said at least... I don't know. Regardless, um, sun, obviously, haha. 😅

Crow, the "shadow" of Sun and Shadow: Crow: Moon. The daytime is too bright and it's a lot harder to blend in. I mean--(*pointedly wiggles the sunglasses they're always wearing*)--I need these to be able to actually see thanks to my damned curse and how bright everything is. Then, like, I need to stick to the shadows at day because I just feel worse under sunlight, you know? So, yeah. Moon, easily.

Daleira, the OTHER, secret "shadow": Daleira: Sun! (gotcha 😉) It's thanks to the sun's energy that our world goes round--well, metaphorically speaking--and it would be almost unrecognizable if the sun didn't exist! 😊 Well, I mean, now that I say that... I guess the same applies to the moon, huh? Like, it's thanks to it that we have the tides and-- (*continues rambling about Science*) --wait what was the question again? Oh, right! "Sun or moon?" I would probably still pick sun, haha! 😊

Valyarus: This is an odd question. I would dare to say sun. Nights tend to be much more dangerous, both in the Faewildes and in this world. Criminals adoring the darkness and all, yes? Besides that, I am also weaker at night. So that should be an easy answer for me, no?

Soren: I'm brought back from the dead and/or a potentially disastrous situation in order to answer arbitrary questions? (*heavy sarcasm*) Interesting. How kind of our all-powerful gods to give me this opportunity. (Look do you want this break or not?) ... fine. Yes. (*Clears throat*) My wife and children all had sun- and light-allegiances. I feel that should speak for itself. However... as a seaman, the stars have always been my best friend, and it would be a nightmare to navigate without them. In spite of that, if you told me to choose between my daughter and the night, I would choose my daughter in a heartbeat. Happy? (*he asks, glaring at the camerawoman* Very, great job, Soren! 😉 *he scoffs*)

"Would you rather drown or be buried alive?"

Freya, who in the first chapter of SaS got traumatized by nearly dying in a shipwreck: Freya: Be buried alive. Next question, please and thank you.

Crow: Easy! I'd choose to be buried alive! Being encased in a coffin--or even just dirt--would surround me in shadows and I could just teleport out through them, ha! Daleira: Crow, you're supposed to take this at face value. There's no way getting out. If you had to die either way, which would you pick? Crow: (*scowling*) But that doesn't make sense! I could just teleport out! Daleira: Yeah, well that's not the point! It's supposed to, like, find out your personality and stuff! Which you'd, uh... consider to be the least painful death?... hm, that's actually really dark when you think about it... Crow: Exactly! Besides, it doesn't say I have to die through it! Just drown or "be buried alive"--not that I die in the process! (*smug birb.png*) Daleira: Um... actually, "drown" does imply death. Crow: Wait, what? Daleira: It's in the definition! "Drown: verb; to die through submersion in and inhalation of water!" Crow: ... and why do you have the exact definition of "drown" memorized? And where did you get it??? Do you have a dictionary lying around somewhere in your workshop??? Daleira: (*flushed*) Just--answer the question! Crow: I still pick being buried alive. It doesn't mean I can't escape alive, sweetheart. 😘 Daleira: (*groans and puts her face in her hands*)

Daleira: Unlike Crow, I'm actually going to answer this question as intended. 😒 While both are deeply unpleasant ways to die, I'd probably choose to drown just because it's quicker than suffocating in a coffin... or loose dirt. (*shudders*)

Valyarus: (*pleasantly; if not a bit smugly*) I could and would do neither. As a faerie, I could simply teleport out of either situation. Daleira: 😒😒😒 Daleira: (*takes a slow, deep breath... unlike someone in the situations posed in this question!*) Dad, the point of the question is "imagine you don't have any other choice". Like, if you had to pick one, which would you pick? Valyarus: (*quizzical look*) Well that's just incredibly dark, isn't it? Who would pose such a question? Daleira: (*exasperated, throws up her hands*) I don't know! Could you please just answer it, Dad??? Valyarus: (*gives a long, drawn-out sigh... also unlike someone in the situations posed in this question!*) If you insist, dear. I suppose... I would choose being buried alive. In your hypothetical situation, unaware that I was completely doomed, I would likely choose it knowing it took longer and spend a majority of the time I had trying to figure out a way out... only to die. Valyarus: But, Dally, you are aware that even if our bodies die, we do not, yes? Daleira: 😃 (*internal screaming*)

Soren: (*completely unaware of the events of the first chapter of SaS in this case--*) I would choose the sea--or, drowning, that is. I was born by the ocean, was made by the ocean, and lived through the ocean. I see no better way to die. Or a more fitting one.

Grimnir: In those cases, I'd assume I'd be being assassinated by some of my enemies... and so they're planning for it to be as painful as possible. In which case, it would likely look like this: my to-be killers choose to drown me. They repeatedly dunk and pull my head out at intervals maximized for suffering, but just barely below the time my body would force me to inhale. Ideally, none of them would have control over water magic, or they could simply let me breathe it in and draw it from my lungs. Which would likely be doubly as unpleasant as traditional water inhalation. Regardless--they would repeat this process until I finally suffocated or they got bored. And then they would kill me. Alternatively, my captors could've chosen to kill me through burying me alive. In that case, they'd do so without a coffin. That way, I'd be suffocating, buried within whatever material they thought would make me suffer most. Due to the phrasing of this question, I would assume it could not be anything inherently dangerous, otherwise I would die of exsanguination, poisoning, or whatever else. No, instead, I'd suffocate. In this case, it's unlikely my captors could interrupt or pace out my murder--unless they periodically buried, unearthed, and re-buried me, which simply seems like more effort than it's worth and comes with risk of a coma instead. Between the two situations, I would choose to be buried alive. Though, I hope you aren't intending on trying anything... I may be a detective, but I have a lot more tricks up my sleeve.

"How many people have you killed?"

Freya: Nobody??? What???

Crow: What do you mean? I'm a detective, not a murderer! Obviously I haven't killed anyone!

Daleira: (*voice uncharacteristically quiet*) It... depends on what you count as a "person." And... whether you're counting accidents... which you probably are. Regardless?... a lot.

Valyarus: I have killed very, very few people. If they even counted as "people" by the time I killed them is a better question. But... if you consider the fact that I, myself, am not human, and that those of us in my position call all of us sentient beings "people"... then I have killed very, very many people. That's why I'm in the position I am today. I am very powerful. And, sometimes, death is necessary to protect those looking up to you as a leader.

It's been a bit since Elvalen has joined Lynsmouth, though. I think I've gotten a bit rusty. 😄

(note: Valyarus has accidentally killed a lot more people in a similar manner to Daleira, but is not counting them due to it being "part of a faerie's nature", unintentional, and frankly unavoidable to an extent. Up his perceived creepiness/danger level as you deem necessary.)

Soren: Depends who's asking. If this has any possibility of reaching my daughter, none whatsoever. Otherwise... more than I wish. But being what I am, death is sometimes inevitable. Other times, it's simply the only correct choice. Would you rather leave a monster alive, or kill it where it stands to save its victims, both present and future? I think there's only one right answer there, and I have a number of people who'd thank me for it. ... even if my daughter would not.

Grimnir: Depends on what you mean by "killed". Does it count to put them in prison, knowing people can and might target them there? If so: I don't know. Definitely more than I can count. Otherwise... only a few. And only when necessary, in self-defense.

"Do you believe in fate?"

Freya: You mean the idea that our lives are predetermined from the beginning, that our decisions are set in stone before we're born, and that nothing we can do will ever change that? Of course not. And even if it did, I'd assume magic itself would interfere with how Fate wanted to make things.

Crow: I'm... not sure. I've never thought of it before to be honest. I'd guess there's probably some god out there capable of it?... though if you think of it that way, wouldn't all gods be Fate in one way or another? Like, they're all always just... sitting in their godly domains or something, watching us, seeing everything and making decisions off of it right? So from our point of view, wouldn't that make them the puppeteers of our fates? So I'd say it depends on what you consider "fate" to be. Is it an active force keeping things to a certain "timeline" or set of events? In which case I'd say no. Or is it a set of actions carried out by beings that can see so much more than we do, that are capable of comprehending things that we can't, and actively try enforcing their wills on us? In which case... I'd say yes.

Daleira: Fate? Like "things are destined to happen a certain way"? I wouldn't know! Haha, there's so many things in this world that it's impossible to know! Like, there's billions of lifeforms breathing, existing!, making decisions all at once! Could there possibly be a reason behind it, some sort of consciousness pulling everything in a certain direction to make sure different events come true? Possibly!

... what do I think of that?... hm. That's a great question. I... don't know honestly. I like the concept of free will, would like to think we all have complete control of our lives and where they go... but that just isn't realistic! Even if fate didn't exist, our lives are all still pushed and pulled in every direction by those of the people around us. And by nature! The world constantly throws things at us, and all we're able to do is react to it! Even if we make our own decisions, they're based on our life experiences and the examples we've seen of others... so it's impossible to say "free will" truly exists, either.

Valyarus: Fate? (*snickers*) Which kind of "Fate", the idea that Grand Destinies follow people, that some people are destined to come together and "complete" one another", or something... Or the cold and merciless goddess known for doing whatever it takes to achieve her goals?

Don't misunderstand me--most gods are "cold, cruel, merciless" and all those good things. But I've heard special things of Fate. She sees everything that has happened, everything that is happening, and everything that will happen at all times. She's able to make decisions with more information than anyone else. She's been able to plan out her actions and puppeteer everyone else from the very beginning of time. She's known for acting irrationally, having her son carry out the most out of place things... for what? What cause? What purpose? We don't know. We can't. What we do know is that she's willing to do anything. She and her son--acting on her behalf as all avatars do--have done some things even the other gods wouldn't dare do. Although, I don't think it's for a lack of willingness so much as it would otherwise get in the way of their goals to actively commit atrocities.

Regardless, oh--I do believe Fate exists. It's very hard not to when you've spoken to her son firsthand and he responds to you before you can even speak. I wouldn't recommend it, by the way. I've met some very disturbing creatures before, but he was... different.

Quinn: Well, that's just rude. Valyarus: Quinn: After I helped you and everything. Valyarus: How... how did you get in here? Quinn: Not telling. 😉 Want to apologize? Valyarus: Valyarus: (*indignant!*) I see no reason to. Quinn: Of course. No problem, then. Just... be careful around birds. Valyarus: (*silent, confused panic???*)

Soren: I believe Fate exists, yes. Whether or not that's a good thing depends on the day... and if you're in her way. Thankfully, it does not seem like I've done anything to cross her... at least, not for a very long time.

Grimnir: (*deadpan*) I would assume so. Otherwise, I'd worry who I gave my eyes to.

Your questions: - What would you do if you watched a starving child steal something expensive without anyone else noticing? - If you could go back in time and say anything to your younger self, what would you say? - What would you sell your soul for? (Metaphorically speaking, doesn't have to be literal. In other words: "What is the most important thing to you, that you would do anything for?")

Tagging (with no pressure) @darkandstormydolls @yourpenpaldee @.honeybewrites @fantasy-things-and-such @themboty @the-letterbox-archives and whoever else wants to join!

Divider from @cafekitsune

[kittyshopper]

welcome to tumblr, it sucks here :3

it can't be *that* bad, right?

[jils-things]

i can't help but feel that based on the da capo lore so far, mr candleman bf might not make it out....

[fromtheseventhhell]

Do you think Arya will be present in the Stark vs Bolton’s conflict since George told us he intends to use Nymeria’s pack against the Bolton’s Hounds? It would make sense that Arya is present with the foreshadowing of her leading a pack which could be a combination of both the Northmen who support her and Nymeria’s pack

I think the Bolton/Stark conflict will be concluded, or on its way, by the time Arya actually makes it back to Westeros. I go back and forth on the idea of Arya returning North before the end of the story, but regarding her wolfpack going up against Ramsay's dogs...I doubt it? I don't think his Hounds are anywhere close to presenting a true challenge to Nymeria's pack, so there'd really be no stakes. While the numbers are likely exaggerated, I still think it's grown to a formidable size. I also don't see a pack of that size traveling so far, especially when the winter is coming and game is becoming scarce. If they do travel it's more likely that they'll move up the Neck (or thereabouts) given their previous movement pattern. I'm a firm believer that the Long Night won't be fought exclusively in the North, so I can see them serving as a line of defense for fleeing Northerns + against the Others. Either way, If they do end up making it North it's going to be for more than just fighting Ramsay's hounds.

[theheadlessgroom]

@beatingheart-bride

"No..." Randall admitted, looking worriedly between Emily and the dark, empty streets surrounding them, trying to see what had startled her, to no avail. As far as it looked to him, the two of them were the only people out on the street right now.

But just because he couldn't see anybody didn't mean they were alone.

He knew better than to fall for that: Even if he couldn't see anyone or anything, he trusted in his bride-to-be's feelings, and he knew she wouldn't be at peace until the two of them were off the street and out of harm's way. He knew exactly why she was frightened, and given how close they were to their wedding (not at all unlike how they were so many ages ago), he couldn't at all blame her.

By a stroke of luck, he could see a pair of headlights coming down the road, belonging to that of a taxi cab: Giving a heavy sigh of relief, he took Emily's hand and flagged down the cabbie, working quickly to load himself and Emily inside, handing the driver some money as he told him his home address. If the cabbie noticed their nervousness, he didn't say so, instead accepting the cash and speeding off down the road towards home.

As they drove off, Randall couldn't help but look out the back window one last time, just to see if he could spot anyone lurking in the distance. Still, he saw nothing.

He couldn't decide if that was a good thing or a bad thing, as he took Emily into his arms to comfort both her and him, trying not to think of what may have happened had they not hailed this taxi...

[theprinceandthewitch]

[creature-once-removed]

.

[hayatheauthor]

hello! i'm trying to write a manipulative/cunning character that uses his charm to get what he wants, but i'm unsure how to go about it without being too overt. he basically acts all polite and uses peoples' inherent biases (like how they are more likely to listen to or trust someone who's conventionally attractive)

i'm also struggling to come up with instances where he'd use those skills. surely he can't just walk up to somebody and say something out of nowhere haha

thank you for your time!

That’s such a fun character to write! For subtle manipulation, focus on how he frames things—he never demands, just suggests. He compliments before slipping in a request, or pretends to confide in someone to earn their trust.

Manipulation has three core tactics:

Mirroring – He subtly copies people's tone, body language, or opinions to build fast rapport. People feel more at ease when they see themselves in someone else.

Framing choices – He never gives direct orders. Instead, he offers two options—both benefiting him—but makes one seem like the “better” or more moral choice.

Playing the victim or the hero – Depending on what the situation calls for, he knows when to act vulnerable to gain sympathy, or when to seem competent and generous to earn loyalty.

As for scenes: think small but calculated moments—like offering help so he can later call in a favor, or using flattery to get into private conversations. His charm should feel effortless, like everything he does just naturally benefits him. Let people want to say yes to him, because why wouldn't they? He'd never do anything wrong!

Use foreshadowing and drop hints through your scenes too, like:

He helps a powerful person in public (small act, big praise), later using that goodwill to get access somewhere.

He praises someone’s intelligence just before suggesting a risky plan—making them feel clever for agreeing.

He eavesdrops, then later "guesses" something personal about someone to seem insightful and trustworthy.

Basically, his charm is a tool, not a mask—it’s always used with purpose.

One character that comes to mind for inspo is Tom Riddle. I wrote a Tom Riddle fanfic series for like 2 years and crafting scenes where everyone thinks he's perfect while internally he's looking down on all of them was so so fun! Some personal tips from that experience:

Have someone who knows the truth! The one person who doesn't fall for his charm no matter what he tries, make his eye twitch and smile strain as he tries to maintain the farce of perfection whenever this person calls him out in public.

Internal monologue. It's important to make sure your readers get that this guy doesn't actually like the random girl he flirted with to get access to the professor's records. Or that the group of friends that constantly swarm him are really just nuisances in his eyes.

Make things easy, but not too easy. Have people who easily fall for the physical charm, and others whose trust he gains by making them let their guard down. The sceptic trusts him because he's apparently part of the same tiny dog club as them, the girl who falls for no one feels her heart flutter by how 'real and kind' he was during the moment they 'accidentally' met outside school.

I hope this helps!

[fixyourwritinghabits]

How to Tell If That Post of Advice Is AI Bullshit

Right, I wasn't going to write more on this, but every time I block an obvious AI-driven blog, five more clutter up the tags. So this is my current (April 2024) advice on how to spot AI posts passing themselves off as useful writing advice.

No Personality - Look up a long-running writing blog, you'll notice most people try to make their posts engaging and coming from a personal perspective. We do this because we're writers and, well, we want to convey a sense of ourselves to our readers. A lot of AI posts are straight-forward - no sense of an actual person writing them, no variation in tone or text.

No Examples - No attempts to show how pieces of advice would work in a story, or cite a work where you could see it in action. An AI post might tell you to describe a person by highlighting two or three features, and that's great, but it's hard to figure out how that works without an example.

Short, Unhelpful Definitions - A lot of what I've seen amount to two or three-sentence listicles. 'When you want to write foreshadowing, include a hint of what you want foreshadowed in an earlier chapter.' Cool beans, could've figured that out myself.

SEO/AI Prompt Language Included - I've seen way too many posts start with "this post is about..." or "now we will discuss..." or "in this post we will..." in every single blog. This language is meant to catch a search engine or is ChatGPT reframing the prompt question. It's not a natural way of writing a post for the average tumblr user.

Oddly Clinical Language - Right, I'm calling out that post that tried to give advice on writing gay characters that called us "homosexuals" the entire time. That's a generative machine trying to stay within certain parameters, not an actual person who knows that's not a word you'd use unless you were trying to be insulting or dunking on your own gay ass in the funniest way possible.

Too Perfect - Most generative AI does not make mistakes (this is how many a student gets caught trying to use it to cheat). You can find ways to make it sound more natural and have it make mistakes, but that takes time and effort, and neither of those are really a factor in these posts. They also tend to have really polished graphics and use the same format every time.

Maximized Tags (That Are Pointless) - Anyone who uses more than 10 one-word tags is a cop. Okay, fine, I'm joking, but there's a minimal amount of tags that are actually useful when promoting a post. More tags are not going to get a post noticed by the algorithm, there is no algorithm. Not everyone has to use their tags to make snarky comments, but if your tags look like a spambot, I'm gonna assume you're a spambot.

No Reblogs From The Rest of Writblr - I'm always finding new Writblr folks who have been around for awhile, but every real person I've seen reblogs posts from other people. We've all got other stuff to do, I'm writing this blog to help others and so are they, the whole point of tumblr is to pass along something you think is great.

While you'll probably see some variation in the future - as people get wise to obviously generated text, they'll try to make it look less generated - but overall, there's still going to be tells to when something is fake.

I don't have any real advice for what to do about this (other than block those blogs, which is what I do). Like most AI bullshit, I suspect most of these blogs are just another grift, attempting to build large follower counts to leverage or sell something to in the future. They may progress past these tattletale features, but I'm still going to block them when I see them. I don't see any value in writing advice compiled from the work of better writers who put the effort in when I can just go find those writers myself.

[kindaasrikal]

The writers of ninjago thought they were so subtle with their little foreshadowing of Dragons Rising season 3 part 2 huh.

Cole barely being in the season yet his first few lines included him mentioning his own past as a ghost, and his last being more focused on Jay’s situation. This could mean they’re hoping to get us deprived of Cole so when he gets more scenes next season it’ll be more effective, where he will likely venture out into the spectral lands and possibly help with the Morro and Thunderfang situation, likely by first reporting it happened, and to him helping Nya a bit in getting Jay more comfortable.

The constant references to the element of wind. Wind blowing around people hair like Kai and Nya’s, leaves, the sounds of whistling winds in the Spectral Lands, the mentions of unstable weather, tornadoes, and the wind constantly being mentioned as ‘chaotic’ and Morro’s return and the heavy lack of Euphrasia shows that unlike what they did in Seabound by mentioning wind and never actually using that at all, they’re gonna do all this to show how big of a role Euphrasia will have next season (I hope please i need her back) and how the wind itself might have a bigger influence, as it is the only element so different from the rest.

The mentioning of Wu and hinting about how he’s not dead? Somethings telling me we will definitely get more of Wu’s lore and part in the merge next season. I’m beginning to think he’s even in some form of danger.

Anyways just some speculations on what could happen but i do know for a fact with some old leaks Morro WILL be coming back so.

Edit: I FORGOT TO SAY THAT ED AND EDNA ARE DEFINITELY MAKING AN APPEARANCE SOON I KNOW THEY ARE

[literaryvein-reblogs]

Writing Notes: Describing Eyes

A person's eyes can reveal a wide range of emotions. A simple gaze, a blank stare, or a narrow squint can all convey deep meaning. The expressive power of human eyes makes them the perfect literary tool for character development in fiction writing.

Tips for Describing Characters' Eyes in Your Story

In literature, a character’s eyes are a powerful resource writers can employ to engage readers in a scene. A character’s eyes can serve as a window into their soul. Here are 8 tips for describing eyes in your writing:

Describe eye color in different ways. Providing visual information about a character allows readers to visualize imagery in their mind. Eye color, along with hair color, is one of the first things people mention when describing someone’s appearance. Include it when sketching your characters, but be sure to do it in a descriptive way. Think of related words to describe eye color—blue eyes can be baby blue, light brown eyes might be described as amber, and green eyes can be referred to as emerald. Give a mysterious character black eyes that are described as obsidian—black, shiny, impenetrable. If you get stuck, use a thesaurus and come up with word lists for ways to describe eyes in your story, or use Google to find how other writers have described eyes to give you ideas.

Think about the entire eye. When describing eyes, think of the orbs in their entirety—from eyebrows to lids to lashes. What can they reveal about a character? Describe their shape. Sloe eyes are almond-shaped eyes, monolids are eyelids that don’t have a crease, hooded lids droop somewhat over the eyes. You can also describe how eyes appear in relation to the whole face. Are they close-set or deep-set? Is your character wall-eyed or goggle-eyed? Eyes can be sunken into their sockets. Zoom into details like the eyeball or the dilated irises of a character. The condition of eyes can also be a revealing tool. Dark circles under the eyes represent exhaustion. Puffy eyes mean a character has been crying. If a character has crows feet, that can be the author’s way of signifying middle age.

Use eyes to signify character traits. Writers can use eye descriptions to highlight character traits. An innocent child or naive character is often referred to as doe-eyed. A bad guy might have gunmetal eyes. Beady eyes conjure images of a rat. Rheumy eyes signify an elderly person. Steely eyes translate to determination. A twinkle in the eye is the hallmark of a jovial character. Eyes can be warm and inviting.

Describe eyes in ways that reveal intentions. Eyes gather information for a character, and they also reveal information about a character’s intentions or feelings towards a subject. When talking about a character’s body language, start with the eyes. A raised eyebrow casts doubt. Eyes suspiciously look over the top of eyeglasses. A character flirtatiously bats their eyelashes.

Use eye movement to forecast plot points. Eyes can be an active subject in a story and can help push the plot forward. Eyes can gaze, stare, glare, sparkle, pierce, roll, flicker, lock in, narrow, close, open wide, and shoot daggers. The movement of eyes can represent a character’s reaction to events or hint at plot points. A character might lower their eyebrows as they grow suspicious of another character—a writer’s way of foreshadowing who the killer might be.

Use eyes to heighten conflict. If a strong protagonist is wearing contact lenses, glasses, or even a monocle, a writer might use their poor vision as an obstacle that hinders them in moments of conflict. If a character blinks a lot, it might be a sign of insecurity or nervous energy. A writer can take a character’s sight away to strengthen their other attributes.

Recognize that eyes can betray a character. Eyes can be a tool used for contrast. While a character says one thing, their eyes might say another. For example, if a character comes home late with bloodshot eyes, it lets the reader know they were not working late like they said and gives the character away.

Use props to amplify the expressiveness of a character’s eyes. People often accessorize their eyes. Think of people you know and the different ways they hide or show off their eyes. A teenage character might have an eyebrow piercing. A character might paint their eyelids in colorful eye shadow or make their lashes stiff with mascara. A mysterious man, perhaps a law enforcement officer, might walk through a door wearing aviator sunglasses, pulling them off to reveal who he really is.

Source ⚜ More: Notes & References ⚜ Writing Resources PDFs

[lnfours]

focal point ☆ chapter 5 | l.n

summary: oh damn, never seen that color blue…

warnings: art student!reader, best friend/college student!oscar, college student!lando, slight enemies to lovers!au, slight grumpy x sunshine, some more filler (IM SORRY ITS FOR THE PLOT!!!!!), fluff (EEKK!!!!), subtle foreshadowing, unedited as fuck, and hints at a strained family relationship (trauma!!)

message from jordan: hi everyone! long time no see, huh? 😅 i'm so sorry for being mia and for not updating this series in so long, i decided to take a small break from almost all socials. but don't worry, we're back and better than ever <3 as always, thank you for being so patient with me. i hope this chapter is worth the wait!! see you soon, for real this time :) - p.s i hope you enjoy that taylor swift reference in the summary, cause, iykyk 🙂‍↕️

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“hellloooo earth to oscar!”

it was no use. this was the third time he had unintentionally interrupted your conversation to respond to a text. all while doing so with a giddy smile, one you had never seen light up his face quite like this one did.

you had come over right after class, the two of you agreeing to hang out and catch up. it had been a while since it had just been the two of you hanging out, the inevitable busy schedules really hitting hard during your last semester. you missed your best friend.

missed meaning past tense. because although he was your best friend, right now, you wanted to snap his neck.

"oscar jack piastri!"

"oh- sorry," he mumbled the same apology for the third time this afternoon, "sorry, i was just texting someone. it's nothing, what were we talking about?"

you gave him a blank stare, "were you texting your secret girlfriend?"

you noticed the way his eyes widened a little upon mentioning the word ‘girlfriend’, "okay, one, she's not my girlfriend. and two, no. i was texting max."

and for the four years you've known oscar piastri, you could always tell when he was lying. and this time, he was lying right to your face.

you decided to play along with his game, letting him think he won this time. so you hummed, nodding your head, "okay, fine, if you say so."

"i'm sorry," he apologized again, locking his phone and placing it face down on the kitchen counter, "you have my full attention now, promise. what were you saying?"

"i was telling you about last week."

"right, with lando and the diner thing, right?" he asked and you hummed, taking a piece of popcorn from the bowl in between the two of you, "wait a minute, how'd you go from hating his guts and it being unbearable to be within 5 feet of him to 'oh my god he took me to breakfast'?"

"you know that party lily practically dragged me to?" when he nodded you spoke again, "apparently i really suck at beer pong and he helped me back to the apartment and helped lily take care of me. it was really sweet, actually."

he smiled softly before letting out a quiet snort, "sorry, just never thought i'd hear you say the words 'lando' and 'sweet' in the same sentence."

"i'm serious!" you sighed, pouting ever so slightly.

"no, i know!" he laughed softly, "it's just... you're just now finding out what i've been trying to tell you for the longest time? that he's actually a really good dude?"

you bit down on your lower lip softly, "i didn't really give him a chance, huh?"

"not really, no," he chuckled softly, "but it's okay. he didn't exactly help out his own case either, in all honesty."

you nodded in agreement, the front door to the apartment creaking open. you both turned to see lando kicking off his shoes, placing his keys on the hook by the door.

he smiled at you and oscar, "hey,"

"hey," oscar smiled, answering for you as well as you took in his appearance. messy curls, tight black t-shirt, grey sweatpants, duffel bag on his shoulder and a soft glow on his skin, you could tell he had just gotten back from the gym.

arms. biceps. veins. god, you should probably speak before you embarrass yourself...

it was too late though, he had already seen the way your eyes traveled over his body. he decided to put the mental note in the back of his mind for now, instead checking the watch on his wrist.

"oh shit, i didn't mean to keep you waiting, y/n."

you tapped your phone screen, looking at the time. it was 4:35, just five minutes passed when you said you'd meet up. it really wasn't a big deal. you didn't even know it had gotten that late already.

"no, no, it's fine. didn't even notice, if i'm honest," you smiled and he sent you a smile back. oscar watched the two of you like a tennis match, cheekily grinning at the counter.

"i have some of those papers you had me work on the other day, they're in my room if you wanna..."

"oh- yeah! yeah, sure," you smiled, grabbing your things as oscar silently laughed at the way you acted around his roommate. how you were unintentionally tripping and stumbling over your own feet and your words, how lovestruck you became.

you followed lando to his room, placing your things down and taking a seat on the edge of his bed as he looked through his closet for a change of clothes, "i'm just gonna shower real quick, make yourself at home, though."

you smiled, nodding his way as he closed the door behind him. after all this time, you had never thought you'd see the other side of this door. his room was slightly messy, due to his busy schedule and his active lifestyle. posters of cars and, seemingly, his favorite video games hanging on the walls. the bookshelf that sat in the corner of the room was littered with different textbooks at the bottom and little die cast models of his favorite cars, along with a few formula one cars that you had recognized. the top shelf stood out the most to you, though.

a picture frame of him and who you had assumed to be his family. a family photo taken during christmas, all of them dressed in matching pajamas. a big happy family.

the photo, for whatever reason, brought tears to your eyes. a smile on your face as you sniffled quietly, putting the photo frame back down on it's designated shelf.

the door opened, causing you to turn around as he closed the door behind him, "sorry, i figured you'd prefer if i didn't smell like a guy's locker-room."

you laughed softly, wiping away the small tear that came from your eye, "god, yeah,"

"hey," he said, sitting down on the bed beside you, immediately disregarding the notebook he was grabbing beforehand, "what's wrong? you okay?"

you nodded, waving a hand dismissively, "yeah, yeah, i'm fine. i just- for whatever reason, when i looked at that picture of you and your family it just uhm..."

he patiently waited for you to finish your sentence, "it just brought back some feelings that i wish it hadn't, that's all."

"fuck, i'm so sorry," he said.

"no, no," you shook your head, "you don't have to apologize, if anything i should be the one who's apologizing."

"you don't have to apologize for having emotions."

you smiled softly, feeling another tear fall from the corner of your eye. this time, he gently brought his hand up to your face, his thumb brushing over your cheek as he wiped it away.

the action made you breathless, as if the way he was looking into your eyes hadn't already. a mysterious color you couldn't quite put your finger on. it was a mix between blue, green and grey.

whatever it was, it was gorgeous and captivating at the same time.

you cleared your throat, the two of you moving away from the gap that had slowly been closing. your fingers untwisting themselves from his, you growing flushed at the fact that you had, at some point, interlocked your fingers with his unknowingly.

"sorry," you mumbled softly.

"'m sorry," he said at the same time. you both shared a soft and awkward chuckle before he grabbed his notebook from behind him.

"so, i had a few questions about chapter 15."

"go on," you said, studying his side profile as he explained the areas he was having trouble with. pretty tanned skin littered with freckles and moles, curls that perfectly kissed the skin on the back of his neck and his forehead.

the sentence lily had said to you last week repeating itself into your brain:

“...and it’s not like i don’t see the way he looks at you. he definitely is feeling something he doesn’t want to show just yet,”

oh, fuck.

[she-who-fights-and-writes]

how do i get my character out of the corner i wrote myself in without a dues ex machina😭

How to Not Write Yourself Into a Corner (and How to Write Yourself Out of a Corner if You’re Already In One)

One of a writer’s WORST fears is writing themself into a corner.

It’s easy to write your characters into death-defying situations…but it’s not as easy to write the actual “defying death” part.

Some writers, in their desperation to get their characters out of a bind, employ the use of a Deus Ex Machina, as mentioned by anon:

Deus Ex Machina: (Translates to "god from the machine") A plot device where a seemingly unsolvable situation is fixed by an out-of-the-blue occurrence. The term “deus ex machina” is a reference to Greek plays, when actors playing a god would literally be lowered into the scene via a machine to magically solve any situation.

Unfortunately, this plot device is often ridiculed by readers, cited as a hack-job solution for a writer out of ideas.

How do we avoid this situation, then? Here are some tips and tricks on how to not write yourself into a corner, and how to write yourself out of a corner if you’re already in one!

Note that these tips may not work for everyone, so make sure to use your own intuition as a writer— you know your story best.

1. NIP IT IN THE BUD— OUTLINES ARE KEY!

I’m sorry to all of you pantsers out there, but the key to prevent writing yourself into a corner is to already have an idea of how each scene is going to turn out; don't make a problem without making a solution! If you keep on top of your outline, you should have no worries about writing your characters into a situation they can't get out of it.

It may be easiest to jot down ideas about a couple of scenarios and then select the one that works best, especially when it comes to dire climax scenes that have a lot of moving parts. 

Check out my posts below for more in-depth advice about outlining!

How to Outline

Plotting for Pansters and Pantsing for Plotters

This advice, although essential, does require a ton of foresight and time to plan…and if you’ve sought out this post, it may mean that it’s too late for preventative measures. The subsequent tips in this post are going to be for people who are already in the thick of it and need a way to save all of their writing progress. 

2. FORESHADOWING IS YOUR FRIEND (AKA “CHEKHOV’S GUN YOUR WAY OUT OF THAT SHIT”)

Foreshadowing: A narrative device wherein a writer gives an advance hint of what is to come later in the story. It helps maintain believability while subverting expectations and making plot twists.

Chekhov’s Gun: A narrative device wherein a seemingly insignificant element or object in the story becomes useful later on. Sometimes used synonymously with foreshadowing, but usually refers to a specific object.

Examples of Foreshadowing/Chekhov’s guns in media:

The 1981 Quarter (Or Extra Life Quarter) in Ready Player One

“Don’t Cross the Streams” in Ghostbusters (1984)

Winchester Rifle Hanging over the Bar in Shaun of the Dead (2004)

The Rita Hayworth Poster in The Shawshank Redemption (1994)

The Water Bottle in Bullet Train (2022)

In my opinion, a Chekhov’s Gun is the more refined twin of the deus ex machina; although it may seem like it comes out of nowhere, observant readers or those who go back into the story will realize that this event was set up from the beginning.

Foreshadowing is the key to turning a deus ex machina into a Chekhov’s Gun. It’s spreading breadcrumbs to maintain believability even when unbelievable things happen.

My advice: plant a line here and there referring to the object/element that will get you out of the corner.

These lines can be about a healing potion that a character carries around to save them when they’re at the brink of death, the fact that the city they’re fighting in often suffers from sinkholes, or that a character has a seemingly useless skill. 

However, haphazardly inserting foreshadowing into your story may come across as heavy-handed; make sure it aligns with the narrative beats. Particularly big Chekhov’s Guns, especially ones that “save the day," may require multiple foreshadowing elements.

It can take a lot of work to incorporate the foreshadowing smoothly, so make sure it actually saves you time in comparison to rewriting the whole scenario/plot point.

3. TAKE A BREAK

Sometimes, the solution to your problem may not come to mind because you’re too immersed into the writing process and not thinking of the bigger picture. Or maybe it might just be good old-fashioned writer’s block. Take a step back, reassess, and return with the scene properly re-evaluated. Maybe start a new book or TV show to get some inspiration, or check out one of my posts below!

How to Overcome Writer’s Block

How to Get Inspired to Write and Regain Creativity

4. ASK FOR HELP

Sometimes, it might be best to have another set of eyes on your story! A situation that may seem unsolvable to you may have an obvious solution to a writing buddy.

5. KNOW THAT SOMETIMES RE-WRITING IS NECESSARY

I know this sounds horrible. It’s something that I wouldn’t wish upon any writer.

Sometimes, however, no amount of foreshadowing can get your characters out of the debacle they’ve put themselves in. Either that, or the work that it would take to insert the foreshadowing would be more than it’d take to rewrite the scene or the plot point.

My suggestion would be to search for the last place that you didn't feel lost, and then cut out everything after that.

(NEVER DELETE MAJOR CHUNKS OF YOUR WRITING! ALWAYS CUT IT AND SAVE IT IN A SCRAP DOC—IT COULD COME IN HANDY LATER!)

Then, take the time to outline the scenario and figure out the solution to your problem beforehand. It will suck, but trust me, it'll be worth it in the end.

HOPE THIS HELPED, AND HAPPY WRITING!

[jiveyuncle]

When change enters people's lives, it often enters like that. Slowly. Ahead of the ingress are little hints, sneak previews of things to come, the years of foreshadowing finally culminating in a pyroclastic burst that alters the landscape of your world forever. Changes like growing up, or like parting ways with your childhood best friend, or like deciding what to do with your life and how to spend your time on this Earth.

But sometimes, the biggest changes of all happen the fastest. They give no foreshadowing. They simply come down on you all at once, like the heavy release of a summer storm, or the rush of cold air when you open the door to a small, seaside cafe. They come without preamble. They come at you quick and quiet and without any fireworks at all, so sudden that you might just miss them if you’re not paying attention.

Hell, you might even walk right past them.

-Chapter 8 of Where the Water Meets the Sky by speaks on AO3

This passage hit me hard - had my heart aching. Then had me smacking my pillow as realization started to dawn. Then shrieking with excitement when I got to that last line. Fuck, this story is beautiful. Anyway, that's the inspiration for this art, and this is just me attempting to show my immense love and adoration for the way @speakswords weaves a story like poetry. I highly recommend it. You can read the fic here: