#without the stupid gambling element

[fallloverfic]

I know Netflix is garbage, but I am so tired of all the bullshit with official Nocturne Olrox merch. He's available on precisely two (technically three if you count the blu-ray) things: a blind box keychain set where you have a 1 in 11 chance to get him and it's over $100 to get an assured chance of getting him, and an expensive statue. So we've got gambling, and now Dark Horse Direct had manufacturing issues and have had to cancel pre-orders for the statue (though they've said they're going to put up pre-orders for it again soon).

Like... could you idiots at Netflix just design more merch of him? He's really popular.

(Yes, I'm aware fan merch exists, but I would also love official merch where I can get it)

[peachdues]

COMPASS

bad boy!Sanemi • gang AU • NSFW

A/N: Peach?? Not having any self control when it comes to writing a fic?? It’s more likely than you think.

This was supposed to be a bad boy!Sanemi takes your virginity drabble that spiraled into a meta-analysis of Sanemi’s self hatred that then blew up into a fic with plot. All of those elements are still present but surprise!! Enjoy 24k words of my brain rot.

Inspired by @homo-homini-lupus-est-1701 ‘s wonderful meta analysis of Sanemi’s self hatred and his scars.

CW: 24k • explicit sexual content • MDNI • gang-related violence • mentions of blood and broken bones • mentions of murder/death • loss of virginity • creampie • vaginal fingering • some angst

I have plenty more of this AU written, so if y’all want more, just let me know 🫡

MASTERLIST HERE

There are three rules to surviving life in the Corps.

The first is simple: once you’re in, you’re in.

Never outwardly confirm or deny rumors; let others talk, but don’t even think about opening your fucking mouth about the things you see or the whispers you hear.

And don’t be stupid enough to think you can cling onto any vestiges of your old life. There’s no splicing your life within the Corps with the one you’d had before. No separation. You’ve whored yourself to their cause, and for better or worse, you’re there until either someone important says otherwise or you end up in a morgue.

This is especially true for someone like Sanemi, so hopelessly entrenched within the organization that he’d allowed himself to be branded at the age of seventeen upon his ascension from rank-and-file street member to full-blown Hashira — the elite of the Corps, just short of the higher-ups who ran it.

The hot sear of iron between his shoulder blades had hurt like hell, but it was a welcome pain. A reminder that he’d not only outlived his father, but had actually made an impact, enough to be noticed and entrusted with more strenuous duties.

Each Hashira is assigned to a particular field. Uzui, silver haired, boisterous and extravagant, deals in bodies — mostly women, but men too, and he runs all of the strip clubs and escort services west of center city. Kocho, a child prodigy in chemistry, leads an intricate narcotics network.

And then there’s Sanemi: the debt collector.

Largely monetary debts — collecting on behalf of loan sharks, gambling debts, or that which is owed to his fellow Hashira, when their customers forget that there are no friends in business.

But the brand seared into his flesh has nothing to do with money — it is a reminder that above all, he is to ensure debts of another kind are paid.

Life debts.

In the three years since his initiation, Sanemi has only had to carry out this oath twice. Both had been scum, responsible for the deaths of innocents.

Their executions had been quick and without fuss — or much mess. A quick trip to an overpass abridging the Wisteria River. A march to the barrier in the dead of night, when no other cars were out and about to see or hear pleading sobs and bargains for their pathetic lives. A bullet to the head would quiet them, and Sanemi would let the rapids below take care of the clean up for him. Job done.

But even though the spray of their brains hadn’t touched him, their blood still stains Sanemi’s hands.

He will never be able to wash them clean.

But this is the life he chose, so Sanemi will endure the consequences — for the sake of his brother, the only living person on earth he gives a damn about. For whom he’ll do anything — be anyone — if it means Genya does not have to pick up a gun and sell himself to the very gang that owns his elder brother.

The second rule is simpler: no patterns. Patterns signal comfort and comfort may as well be a target on your back, begging for someone to come and take their shot (or several).

And finally, the third and arguably the most important rule, is don’t get attached. Keep your circle small so there’s less collateral to be used against you — against the organization that owns you.

This rule applies to both Corps members and civilians alike.

For the longest time, Sanemi Shinazugawa found Rule Three to be the easiest one to follow. He has his brother and no one else. His parents are dead; he has no friends beyond those in the Corps with him, and he knows better than to get overly invested in any of them. His inner circle is as tight as it can get.

But then he’d chosen your bookstore to hide in and that’s when everything falls apart.

“Fuckin’ Christ,” Sanemi mutters, anxious eyes tracking the large hand on his watch as it ticks the seconds by.

They were late.

The job was simple, and well within Sanemi’s capabilities. Maeda, a local dealer in stolen goods, had run up a sizeable bill at one of Uzui’s joints that he’d yet to pay. And while the slippery lech was quick to come sniffing whenever news spread that Iguro, a fellow Hashira, had managed to hijack a semi-truck full of luxury items, he was surprisingly difficult to connect with when it came time for him to pay for company he couldn’t get elsewhere.

He glanced down at his bruised, swollen knuckles and smirked. Sanemi couldn’t say he loved that his worth was measured in the number of bones he could break, or the amount of teeth he could punch out, but he’d be lying if he said he didn’t relish the chance to smash the pervert’s face in whenever the opportunity arose. Nor could he deny the rush of satisfaction he’d felt when he’d thrown open the steel door of the Maeda’s small office, crowbar in hand, and watched the snot-nosed pervert piss himself, stumbling over his words as he’d begged for mercy Sanemi hadn’t been hired to give.

The stupid, greasy fuck.

By the time he’d finished, Maeda had been little more than a quivering, helpless lump curled in on himself on the sticky, slate floor. His office had been left in shambles, drawers yanked out and emptied, only to be thrown aside (or cracked over the vermin’s back as he sobbed). But he’d had found the money, right down to the last dollar, just as he knew he would.

And that’s how Sanemi finds himself standing in the alley tucked behind Maeda’s small warehouse, Uzui’s payment split into two rolls that he’d shoved down into boots. All that was left was for the two junior Corps members he’d brought along for watch to bring the car around, and then they’d return to the abandoned factory that served as their headquarters.

Normally, this would have been a solo job, and Sanemi would already be on his bike, speeding off to safety. But he’d received an order to take along two, new Hinoe so they could get experience with higher level jobs.

Conveniently, his instructions had omitted the part the fact that the two lugs were utterly useless, bumbling idiots, contrary to what their recent promotions otherwise suggested.

Because neither of the two juniors are anywhere to be found. Nor is there any sound signaling that his getaway ride is approaching.

Sharp, lavender eyes scan the alley before him, but to his dismay, it remains empty — disquietingly so.

Leave it to a couple of rookies to set his teeth on edge.

Sanemi’s eyes drop down to follow the large hand of his watch as yet another minute ticks by. It’s been six minutes and their window had only allowed for four.

He knows how to be patient when the circumstances call for it, but now is not one of those times.

One minute, he decides, shifting his weight between his feet. They get one more fucking minute and then he splits —

A sudden screech of tires at the opposite end of the alley makes his stomach flip. Sanemi looks up just in time to see his escape car grind to a sharp halt, its rear jolting up as the driver slams on the brakes.

The passenger door flings open, and one of the Hinoe stumbles out, his feet barely connecting with the pavement before the car guns away, the side door flapping open.

The familiar howl of police sirens accompanied by distant shouts is enough for Sanemi to know this simple little debt collection has now gone tits-up.

“Pigs!” The Hinoe who stumbled out of the getaway car calls to him. “Pigs!”

“Shit,” Sanemi growls. No doubt Maeda’s bruised ego sold them out. He should’ve taken the time to smash the asshole’s phone.

He’ll be dealt with later — and with relish. But right now, Sanemi needs to get the fuck away.

Part of following Rule Three means not worrying about your fellow comrades when the cops come. None of them are stupid enough to actually risk talking to law enforcement about the Corps’ operations, but the fewer of them who get caught, the better.

So Sanemi takes off, adrenaline pumping fast and jot in his veins as he hears the swine behind him split off. He can’t be sure, but he can make out two, maybe three pairs of footsteps trailing behind him.

He scowls; shaking one cop is a breeze; having to shake off three is a bitch.

He hurtles over a pile of wooden crates and shoves a stack of delivery pallets over behind him as he runs, darting down random alleys and side streets that he knows will eventually lead him to a safe house.

The backstreet he shoots down is a fork, but only the path straight through will lead him to a rust yard of abandoned warehouses and shipping containers that Sanemi knows like the back of his hand. He could lose them there, could vanish between freights and wait the bastards out, and once clear, he could slip back into the district marking the outer territory of the Silo and get back home.

Iron pumps hotly in his veins. Almost there, almost there —

A car skids to a stop at the end of the middle ting of the alley, police lights flashing and alarms blaring.

No good.

“Fuck.” It isn’t the end of the world, but the blocking of the alley meant he had to reevaluate his escape. While he’s familiar with the path now obstructed by the police cruiser ahead, he hadn’t the chance to fully scope out his only other two options — the side streets to the left and right.

Without much thought, Sanemi darts sharply left and prays to whatever deity is listening that he hasn’t fully fucked himself.

Only one shop remains open; a tiny hole in the wall, tucked in between two old apartment buildings at the end of the street — one that borders the city’s western wing.

It’ll have to do, he decides, especially as the police sirens grow louder with each passing second.

He explodes through the front door, wide eyed and panting. Vaguely, it registers to him that this is a bookshop — a thankfully empty, cluttered bookshop.

But his abrupt arrival does reveal that the shop is not totally empty. There is one other — the store’s lone employee, who startles out of her seat behind the clerk’s counter, nearly knocking over a small cup of coffee.

He regards her for a moment, and she him, with matching expressions of wariness and shock at the presence of the other.

Behind him, the police sirens grow louder; more urgent.

It’s now or never. And, because he’s desperate enough to try, he risks a move he knows better than to take.

“You got someplace I can hide?”

——-

You blink, stunned as you stare at the frantic, pleading man anxiously looking between you and the door behind him.

His name registers dimly in the back of your mind. Here. In your store. And, evidently, on the run, if the distant echoes of police sirens growing steadily closer to your store is any indication.

Sanemi Shinazugawa.

You know him; you’d known him most of your life, even if you’d never spoken to him. You’d gone to the same school in your youth — all thirteen years of it, in fact. He’d been an abrasive loudmouth in the hallways, but a quiet, even polite boy in the classroom.

You know he’s from the Silo — a worn down, derelict part of the City that housed only the poorest residents. A cruel nickname meant to mock the poverty of its population.

But the Silo was also well known for being the epicenter of operations for the notorious group known only as the Corps.

It was the Corps who owned a majority of the City, its reach extending from the Silo, through the West and East wings, and all the way into Midtown. And, as was the case with most leeches, the Corps relied on the most desperate and hungry to carry out its biddings, offering some level of protection and security for the poor souls who needed it most.

Hence, its presence in the Silo.

So you hadn’t been surprised when you’d heard Sanemi had joined the Corps. Most kids from the Silo did; what had surprised you were the rumors that he became a high-rank member by the ripe age of seventeen, before he’d even graduated high school.

You shudder to think what he had to have done — what he’d become — in order to achieve such status and notoriety.

If he’d been anyone else, you wouldn’t have helped; you would’ve screamed, alerted the police to his presence, maybe even outed him as a suspected Hashira.

But you owed him.

Years ago, before either you or your siblings could drive, you all relied on the city bus to get to and from school.

But one afternoon, when you’d had to stay late for a club meeting, your little sister accidentally got on the wrong bus. Rather than being dropped safe and sound a block away from home, she’d ended up in a bad part of town that just so happened to have been the stomping grounds of the scowling delinquent now shoved under your cabinet, contorted between boxes of blank receipt rolls and stacks of returns.

Had anyone else found your sister, there would be no telling what would have happened to her. The Silo was not a place known to be kind to lost little girls.

But it was Sanemi who discovered her, sniffling and red-faced at the dilapidated bus stop. And though he’d been nothing more than a scrawny ten year old, he’d put your sister on his back and carried her not just the six miles back to safe part of town, but the additional two that led right to the front doorstep of your parents’ home.

You’d watched him curiously from the stairs as your parents profusely thanked your sister’s white-haired savior. They’d offered Sanemi dinner, or at least some sort of reward for his efforts, but he’d only waved them off, briskly telling them it was “no big deal.” As though carrying a six-year-old nearly eight miles was par for the course, as far as he was concerned.

His eyes had flitted over to you once during the exchange, briefly lingering before he turned and left, a single hand held up in casual farewell.

You’d been ten at the time. And now, here you are, twenty years old, running a shabby bookstore, and the opportunity to pay him back has finally arrived. The chance to show your gratitude for sparing your sister of a fate he himself, had not been able to escape.

Quickly, you motion him to you and without explanation, you cram him under the clerk’s counter, holding the cabinet door shut with your knee just as the police burst through the store entrance.

There are three of them, and they do not bother announcing themselves to you. Instead, they begin to prowl through your aisles, flashlights out and guns drawn while they comb the quiet corners of the store, searching for signs of anything that did not belong; anything misplaced.

A bead of sweat slides down the back of your neck, but you keep your face and your stance casual. Below the counter you cross your fingers, hoping and praying that the criminal stuffed inside your cabinet isn’t stupid enough to try and shift.

One officer rounds back into the main part of the store and locks in on you, stiff and anxious behind the counter.“You haven’t seen anything suspicious?”

“I’m sorry, sir. I don’t know what you mean.”

The cop grimaces. “You haven’t seen anyone who looks out of place? Maybe seems like they’re running?”

You feign an easy, sweet smile, even as the leg holding the cabinet door shut begins to tremble. “I’m afraid you’re my first customer of the day, sir.”

The officer grumbles under his breath something along the lines of not your customer, but he questions you no further. He only waves to his comrades and the three of them shuffle out through the door, one muttering into the walkie strapped to his shoulder.

Several moments pass, tense and thick. The silence is broken only by the sound of your heart hammering against your sternum. You remain still, fingers curled tight against the counter’s edge listening for any sound signaling the cops have returned, that their stiff departure had been a ruse to lull you into a false sense of security, as they waited for you to reveal your deception.

But all remains quiet. And you cannot stomach the silence any longer.

“They’re gone,” you mutter, finally moving aside to let the cabinet door below you swing open.

There’s a faint thumping and a few, muffled curses as the scar-speckled fugitive unfolds himself and spills free from the under-cabinet.

In a way, Sanemi still resembles the boy of your memories. His eyes and hair have always been distinctive: a shocking contrast of violet framed by thick, dark lashes that do not match the mop of silvery-white atop his head. But it’s the faint scowl he wears as he stands, the tinge of annoyance that tugs at the corners of his mouth, that scrunches his pale eyebrows, that feels familiar.

That expression, a portrait of vague irritation with the world around him, was one you came to know well — at least, at a distance. One that remained constant even as you grew; his default.

However, it is still not nearly as memorable as the shy embarrassment that had turned his cheeks slightly pink, had made him cast his eyes down as your parents showered him with gratitude.

But that earnest bashfulness is nowhere to be found now.

He wears a patterned, short-sleeved button down. Though rumpled and a tad dirty, you suspect the top three buttons were left open intentionally, rather than being the product of whatever scuffle he’d found himself in before he decided to make it your problem.

You try not to linger on the very obvious hint of the well-defined muscles revealed by his open collar. Nor do you let yourself consider the bulging mass of his biceps as he runs a hand through his cornsilk hair.

He has scars he’d not had in your youth — jagged, silvery lines that cut halfway across his cheek and forehead. Yet their presence does not dull his good looks.

A scrawny ten year old no longer; Sanemi Shinazugawa is now tall and roguishly handsome. But his infuriating good looks aside, your debt to him has been repaid; now, he needs to get the fuck away.

“Can’t thank ya enough,” he shoots you a devilish smile as he straightens his shirt. “You really saved my ass —“

“Get out of my store.” You order, your voice hard. “Take your trouble somewhere else and leave me out of it.”

Sanemi’s eyes narrow at your use of the word trouble, but he says nothing. Instead, he only rounds the counter with a loping, infuriating swagger, his hands shoved in his pockets.

“As you wish, Princess,” and you bristle at the sarcasm dropping from the word. He pauses to scan the shelf marked New Releases. “Just need somethin’ for the road.”

He snags a small novel — a fantasy story, judging by the cover - and he tucks it under his arm.

“Later,” he calls, waving a lazy hand over his shoulder.

You stare after him, slack-jawed and incensed. “You have to pay for —“

But the door bangs shut behind him, and Sanemi Shinazugawa disappears into the night.

—-

By the time Sanemi returns to his shabby apartment, it is well after midnight. He’d met up with Uzui and forked over Maeda’s payment. Though, the Corp’s head pimp hadn’t been particularly pleased that his money rolls had been shoved deep down in his boots, his nose wrinkling as Sanemi dropped the crumpled, slightly damp wads of cash into his waiting, magenta-nailed hands.

As it turned out, Maeda hadn’t sold them out. Rather, one of the Hinoe had stupidly gotten into a scuffle with some brash, young teenager and in his anger, pulled his gun on the kid.

Right in front of two, marked cop cars.

One of the idiots had been caught and cuffed, and was now spending his evening locked in the damp, cold jailhouse pending bond. The other — the driver — had managed to escape, though he’d been carted off to Iguro for punishment.

There’s a reason he prefers working alone, he thinks bitterly as he kicks his boots off. He fucking loathes incompetence.

He pulls his gun free from its place in his waistband and sets it gently atop his ratty kitchen table. Sanemi then trudges over to his futon, collapsing heavily on it with a groan. A shit day, he decides, pulling the stack of cash he’d received as his cut for the job free from his pocket, thumbing through it. A shit day with shit juniors.

He shifts against a lump that sits under his ass. Frowning, he reaches into his back pocket and pulls out the book he’d swiped from your store and turns it over in his hands. Surprisingly, it has managed to remain in pristine condition despite its rather unceremonious storage in his pocket.

Your face flashes in his mind, but before he can fully appreciate it, your words echo in his ears.

Take your trouble somewhere else.

Sanemi scowls, tossing the book onto his coffee table, annoyed. The implication underlying your use of trouble and the venom with which you’d spoken it is a thorn in his side he cannot ignore.

You know what — who — he is. In Sanemi’s world, that’s a liability.

Though, in fairness, he can’t really be surprised that you do. Gossip is a free commodity in this town, and it’s a coveted one. It wouldn’t be a stretch to conclude that you’d overheard one of the rumors about him and his ties to the Corps.

What concerns him is he doesn’t know what your connection is, if any, to his world. Maybe you’re really just a girl in a bookshop who paid back a decade-old favor.

Or maybe you’ve got an in with them.

The Corps isn’t the only gang operating within the city; there is another, crueler and far more violent that had arisen west of the Silo.

The Kizuki.

In the last six months, the Kizuki have managed to overtake the Western Wing, nearly expanding their reach into center city.

Their takeover had been swift; practically achieved overnight, following the systematic execution of every known Corps members in the area. And their violence hadn’t been limited to active members; the Kizuki had brutally maimed and murdered anyone tangentially connected to those Corps members.

Neither women nor their children were spared. And now, it seemed the Kizuki had set their sights on the Silo.

There are whispers that they’ve expanded into their operations into the neighborhood adjacent to the one in which the bookstore sits. That alone is enough to make Sanemi suspicious — perhaps you’re in league with them, and you’ll hand him over the moment it’s most convenient for you to do so.

Admittedly, that theory seems doubtful. You’re a bookseller. Not the kind of girl he knows is prone to becoming involved with the seedy underground world of organized crime. And your apparent disdain for him and his trouble only supports that theory.

But that’s an assumption, and in his line of work, assumptions are precarious; risky. Too much so for comfort.

Either way, he doesn’t know, and that uncertainty is a breeding ground for the parasite that is doubt. Toxic enough that were it to take root in his brain, his judgment could be compromised, leading him to mistakes he can’t afford to make.

Sanemi doesn’t tolerate blind spots. He will keep you on his radar until he determines the threat you pose and once he knows its severity, he’ll decide how to proceed.

He eyes the book he’d swiped from your store. He likes reading, though he hasn’t had much time for it lately (or, ever). But, if he’s going to hang around you while trying to identify the threat you pose, he might as well have a strategy for getting you to talk.

Sighing, he grabs the novel from his table and thumbs to the first page as he pads into his kitchen, in search of something to quell the grumble in his stomach.

—

His inquiries into you and your life reveal shockingly little.

You work at a bookstore. Your parents sold off your childhood home and retired to some beach down south. Your siblings are spread out across other cities and don’t visit home often, if ever.

Only you remain, abandoned by your family to fend for yourself in a crumbling city with only a shabby bookshop that sits on the furthest end of an otherwise safe street to keep you busy.

Truthfully, the bookstore probably is more interesting than you, at least on paper. But it’s that dirge of information that piques his interest; makes him look at you more as a mystery worth unraveling.

Besides, the smart thing for him would be to keep a tab on you until he can confirm you are in fact, as boring as you appear.

Or so he tells himself.

The image of a ten-year-old you peering at him from your parents’ stairwell flashes through his mind once more.

He’d felt your gaze burning a hole into his head, and shyly, he’d looked back at you, only to find himself unable to look away. Only your mother’s prodding about him joining your family for dinner had broken your temporary enchantment over him.

The memory of how you’d looked at him — a mixture of curiosity and awe highlighted by a faint blush in your cheeks when he’d met your stare head on — remained fixed in his brain for years after.

And though the two of you never spoke, you always smiled at him whenever you locked eyes in the school hallway or cafeteria. A real, genuine smile.

He wonders if he ever smiled back and finds himself irritated that he can’t remember if he had. He should’ve; especially now when it seems as though he’s unlikely to ever see that gentle, radiant smile again.

Sanemi’s phone pings and all thoughts of you come to a screeching halt. The message that flashes on his screen — instructions, only by way of an address and an amount — chase away the images of you and your sweet smile, like a hand scattering smoke.

With a sigh, Sanemi dials the number for two, lower-ranked Corps members to serve as scouts. With watch secured, he shoves his phone into his pocket and runs a tired hand over his face.

He wonders what will kill him first — whether it will be a bullet or whether it will be because there’s nothing left of him to whore out on the Corp’s behalf.

Ultimately, he knows it doesn’t really matter. He won’t die as himself; as Sanemi, the boy from the Silo who wants a life that’s anything but this. He’ll die only as Shinazugawa the Hashira. He’ll die under the mask he’s forced to wear so often, he wonders if it hasn’t yet bonded with his skin.

But as long as he remains in one piece, he must continue on as a puppet in this this tedious show. So, Sanemi grabs his gun from where he’d placed it on atop the cheap plastic of his kitchen table and he tucks it into his waistband.

And by the time his apartment door slams shut behind him, Sanemi has slipped the mask down over his face, and he is Shinazugawa once more.

—

Two weeks pass before he ends up back in front of your bookstore.

Sanemi doesn’t really remember how he got here. He awoke well before sunrise to his phone chiming with orders that he go collect on a sizeable gambling debt owed by one of Iguro’s regulars, an owner of some pawn shop.

The sun was already high overhead when he finally left the pawn shop, knuckles bruised and arm aching. He’d kicked his bike into gear in a familiar daze, one that always slipped over him after he completed a job. A kind of numb quiet that settled into his bones, a dull static in his brain that did not fade until the tremor in his hands subsided.

That paralysis needs to be broken. Contrary to popular belief, desensitization was not an ideal state of being for someone like him. It made him apathetic and careless to the world around him, and that was little better than painting a giant target on his back, begging his enemies to come and do their worst.

So, when the numbness still lingered by the time his bike roars past a rusted water tower that marks the outer limit of the Silo, Sanemi knows of only one cure. His go-to.

His bike is still hot by the time he lifts his phone to his ear, just outside his shithole of an apartment.

He doesn’t know her by name — only by description, as told by the series of emojis that accompany her number on his phone. But it’s surprisingly easy to charm her, though perhaps that’s because she’s looking for an escape just as much as he is.

Less than ten minutes later, the girl pulls up beside him in the parking lot.

Her hands are already roaming down his chest and playing with the buckle on his belt as Sanemi unlocks his door and pushes her inside.

At some point between the front door and his bedroom, the girl has stripped herself of her outer clothing, leaving her only in her undergarments as she tugs Sanemi down by his neck and into her kiss. She’s licking and nipping at his lips in a way he’s not sure he likes, but he allows it because his cock is painfully hard and throbbing where it strains against his pants.

And, after all, he’s the one desperate for relief.

“I’ve only got ten minutes,” she warns, kicking off her underwear as she falls back onto his bed. Sanemi only smirks as he slides his hand down the length of her leg, gripping her by the ankle and flipping her to her stomach.

He shifts away long enough to quickly wiggle free of his pants. He grabs a condom from his nightstand and rips the foil with his teeth. Fingers toying with the girl’s clit as she moans into his mattress, Sanemi rolls the latex down his cock. Protection secured, he reaches for her again, yanking her by her hips until her backside is flush against him. One hand pushes down between her shoulder blades while the other snakes up her neck, and Sanemi nudges the tip of his cock up against her entrance.

“Don’t worry, darlin’,” he winds the long tresses of her hair around his fist and gives her a sharp tug. “We’ll be done in five.”

—-

Even an hour after he tossed the girl her clothing and not so casually suggested she leave his apartment, Sanemi still feels restless.

He cannot shake the images of the afternoon from his mind, and so, Sanemi resorts to walking.

He does so without thought as to destination or the rapidly setting sun. Sanemi only focuses on the activity itself. One foot in front of the other; pace even and quick, each step accompanied by a flash of that day’s sins.

The crash of a garage door as it slammed back against the wall. Wide eyes that quickly filled with panic at the sight of him and the flash of metal tucked against his hip.

Step.

A plea; a desperate promise to pay, one that he’d heard a thousand times from a thousand different mouths. None of them ever seemed to understand their word wasn’t worth shit when they’d already defaulted on their obligations. Yet still, they begged.

Step.

The breaking of teeth beneath his fists.

Step.

The crush of bone under the iron pipe he’d found discarded on the garage floor. The agonized futility of trying to scoot back and away from him, despite a shattered leg.

Green; the color of the money he’d found stashed in a duffel, the debtor’s desperate attempt to hoard the wealth owed to the Corps.

Step. Step. Step. All the way down the street leading until he finds himself on a distantly familiar stretch of pavement that ends at the bookstore’s front steps.

For a moment, he lingers outside the shop, hesitant. He should turn around; there is no reason for him to be here. His investigation into you is not a priority by any means, especially where whatever poking he has done has revealed so little.

The book he lifted from the New Releases shelf is tucked carefully in his jacket pocket. He doesn’t know why he’s carried it around with him, all this time. Sanemi finished the novel the very night you’d helped hide him from the cops.

He should leave; but then his feet carry him up the walk leading to the store, and he’s pushing the door open.

His arrival is punctuated by a cheerful ring of the old bell nailed above the door. At first, the store appears deserted; but then you pop up from under the counter, surprise coloring your features.

That surprise melts quickly into cold disdain that makes something in his chest flutter as he strolls toward you. With every step, that numb haze of his disperses and instead, Sanemi feels himself returning to normal the closer he brings himself to you.

“This isn’t a library,” you chide when he plops his borrowed novel back down on your counter. “You have to pay for the books here.”

It’s incredible how easily he is able to slip back into the skin of the suave, smug playboy, and your adorable glare only makes him smirk. “I brought it back, didn’t I? Look — didn’t even crack the spine.”

“It doesn’t matter,” you reply coolly, snatching the book up and tossing it on a small cart marked Restock. “That loss came out of my paycheck — which is scant enough.”

That piques his attention. “Didn’t you say this was your store?”

His question makes you turn pink, and you’re quick to put your back to him, pretending to shuffle through new releases waiting to be shelved. “I work here,” you mutter quietly, but when you turn back around, you stick your chin out, defiant. “But I am the only employee, so it is my store, in a sense. The owner doesn’t ever come by.”

You wrinkle your nose. “So yes, lost profits affect me, and me alone, you thief.”

Sanemi cocks his head, his eyes running over you in consideration.

You’re beautiful; he’s always found you cute, even as a kid, but the transition between your teen years and adulthood have been kind. Even if you’re glaring at him like you would a crushed bug stuck to the bottom of your shoe.

But your words strike a chord in him. His job is to collect money from those greedy lowlifes who waste it; who use money to carry out their bad deeds, who use it to fuck over others.

He doesn’t take it from those who need it; from those who are barely scraping. by. Sanemi knows the agony of having to choose between keeping the lights on or feeding a hungry stomach far, far too well.

“Fine, here,” he tosses a random novel on your counter and a crumpled twenty dollar note. You ring him up, eyes flicking up to glare at him every so often as you count out his change.

He only continues to watch you, the heat of his stare ignites an itch under your skin that makes you squirm.

Your restlessness boils over. “What?”

“Nothin,” he shrugs. “Just think it’s interesting that you of all people are still lingering in this shit hole.”

Your head snaps up, your task of totaling out his change forgotten. “I live here, idiot.”

He snorts. “Didn’t you want outta here? Do somethin’ different?” He leans forward, elbows propped on your counter as he rests his chin on his fist.

“I don’t see how that’s any of your business.” He’s dancing dangerously close to a sore spot of yours — that you are alone in your hometown, working at a failing bookshop, with no one and nothing to justify your stagnancy.

“This can’t be your dream life.”

You don’t have to answer; you know that. But his line of questioning is puzzling. Because, no matter how casual he manages to keep his tone, his nonchalance is betrayed by his eyes, sharp and inquisitive.

Like he’s waiting to dissect whatever answer you give him.

Sanemi continues. “It’s strange for people not to want for more — to not dream about somethin’ different.”

“And who are you to say I don’t?” You bristle, slamming your cash drawer shut with more force than necessary. “I have a dream of my own. Just because it’s not one you would pick for yourself doesn’t mean it’s wrong.”

He blinks, taken aback. “Woah, woah, I never meant any offense.” He pushes back from the counter. “My bad.”

His response feels genuine but your ego is already bruised. Stiffly, you finish counting out his change and drop it into his waiting palm.

You slide his book across the counter. “Have the day you deserve.”

His surprise morphs into amusement at your iciness. So haughty, he winks. “You too, Princess.”

You turn aside in clear dismissal. He makes a show of taking out his wallet and stuffing his change inside, but your pointed ignorance of him means you don’t see him toss another note on the counter.

He’s already halfway out the door when you call after him, urgent. “Sir, you dropped your —“

“Nah, I didn’t,” he raises his hand in farewell as the bookstore door bangs shut behind him, leaving you to stare open-mouthed after him.

Clutched tightly in your hand is his crisp, one hundred dollar note.

—

His next visit is unplanned, but not in the way that Sanemi avoids routine. It’s unplanned in that he’s annoyed and it’s partially your fault, so that means the onus is on you to fix it.

You’re in the process of double checking delivery logs to ensure all your new inventory has arrived when a large thud against the clerk’s counter startles you.

You frown. It’s him again — all ivory hair and silvery facial scars that somehow are less imposing than the irritated scowl he wears.

“This book was shit,” he scoots the novel across the counter to you with distaste. “I want a refund.”

You level his pout with a frosty glare of your own. Wordlessly, you lean over the counter and tap a single finger against a laminated sign duck-taped to its edge.

Return-exchange only. No refunds.

“But it was shit,” he repeats, as though that will somehow spur you to change a policy you didn’t create. “You let me waste twenty bucks.”

“I did nothing,” you rustle the pages of your delivery log in pointed dismissal. “You’re the one who decided to buy a book before checking it out.”

You glance down at the discarded novel. “Figures,” you scoff. “He’s not even an author. He uses ghost writers and takes all the credit.”

“Woulda been nice if you’d told me that before you let me give him my money.”

You hum idly as you cross off the log’s boxes for new releases. “I suppose I was too stunned that you even knew how to read. Guess I wasn’t really paying attention to your shit choices.”

“Oh?” And you glance up to see Sanemi smirking at you. “The Princess has claws, does she?” He leans against the counter, propping his cheek under a loose fist. “So, what are your recommendations, gorgeous?”

“I’m not your Princess,” you snap imbuing the nickname with as much venom as you can muster. “Call me by my name or call me nothing at all.”

His eyes drop to your name-tag, pinned neatly on the front of your sweater. That insufferable smirk of his only widens. “Alright, alright. What are your recommendations, Y/N?”

The syllables sound rich and honeyed and suddenly, you wish you’d let him stick with Princess, as grating as it was.

Because your name should not sound so sweet, should not roll off his tongue so seamlessly, as it just did.

You’ve never been one to indulge in rumors. But in this city, as economically fractured as it is, gossip is a currency everyone keeps in their back pocket. And though you keep your head down and mind your own business, even you have heard the rumors swirling around town about the eldest Shinazugawa child.

Rumors that he has ascended the ranks of the same Mob that claimed the life of his deadbeat father long before the bastard was shived in the back for a debt he’d owed (their words, never yours).

Rumors that he holds a unique position within the gang, known clandestinely only as the Corps, and that position requires him to do things most won’t speak about.

But the rumor that screeches to the forefront of your mind has nothing to do with his alleged status with the Corps. It’s his reputation as a flirt; a rumored womanizer, through and through, that is a splinter under your skin.

Determined to pick him out, a wicked idea blossoms. “Fine, here.” You stalk purposefully to the section marked Literature. Your finger drags down a line of titles before finally settling on one. You pull it free with a soft grunt, the book sitting thick and heavy in your hand as you dump it into Sanemi’s.

“Read that.”

His eyes flick between its cover and you, incredulous. “This ain’t a book; it’s a brick.”

“It’s a classic,” you counter. “One that examines age-old question of destiny versus free will, generational curses.” Your head cocks to the side, a challenging smirk tugging at the corner of your mouth. “Love and lust.”

His eyebrow raises and you cross your fingers. If he falls for it and ultimately ends up hating the book, then perhaps he’ll decide your taste in reading material is indeed shit, and maybe then he’ll leave you alone.

Sanemi considers you for a moment but then he takes the bait. “If you say so,” he sighs. “But if it’s shit, I’m taking my refund.” And then he leans in close, so close that you can feel the warmth radiating off his body.

His breath is hot against your ear. “Regardless of your shitty little policy.”

You refuse to let him see how much he’s knocked you off-kilter. “So I can expect to be robbed? Will it be at gun or knifepoint? Just so I’m prepared.”

His chuckle, low and dark sends goosebumps skittering down your arms. “Worse,” he promises before he draws back. His grin is wolfish, all teeth and feral hunger. “You’ll owe me a date.”

He looses a low, appreciate whistle as he steps back and takes his eyes over your rigid form. “Though, I might just take you out anyway.”

“You assume I’ll say yes — or are you planning on kidnapping me? I’m sure you’re rather proficient at it, given your occupation.”

Something dark flashes across his face, and it’s enough to make you step back, a sudden fear creeping up the back of your spine.

Stupid, you chastise yourself. You never know when to keep your mouth shut.

But the shadows in his features recede as quickly as they appeared, and Sanemi’s mouth eases back into that same, cocky smile.

“You’ll say yes, Princess. You won’t be able to resist the temptation.”

“Temptation?” You force out a laugh. “And what makes you think I can’t?”

Sanemi’s eyes find your current read, open flipped over on the counter, marking your current page.

It’s a mystery novel. Your third of the month, born of a new hyperfixation on the genre.

You want nothing more than to wipe that smug grin of his clean from his face. He gives an affectionate snake of his head as he turns and makes his way toward the door. “Habits, Y/N. It all comes down to habits.”

You should throw it at his head, but Sanemi exits the store before your hand can find its spine.

——-

Over two weeks pass without so much as a whisper from the enigma that is Sanemi Shinazugawa.

Loath though you are to give him that sort of credit, you cannot deny that he utterly confounds you. He is everything you expected while simultaneously nothing at all what you’d imagined. He is brash and cocky, and he struts around with an insufferable self-importance that can only come from years of being at the top of his game (no matter how he got there).

Yet, he also reads. Enough to have opinions, even decent ones, about certain authors, and he’s open minded enough to accept your recommendation even if it feels as though he has an ulterior motive for doing so.

And, he’d been bothered by the dock in your pay as a result of his mischief; so much so, that he’d slipped you more than enough to make up the loss. That is the action that puzzles you the most, even weeks later. You’d assumed that someone like him, so used to ensnaring people into various schemes, wouldn’t have given two shits if he’d stolen money from some broke girl at a bookstore. After all, his business was all about money — and the lengths some would go to keep it.

Yet he’d paid you back — paid you more than you needed, if you were honest.

Since that day, you’ve had your ears tuned to any mention of his name, any whispers of the mysterious, scarred gang-member who has occupied nearly all the open space in your head. You’ve managed to glean small things here and there. That he’s a Hashira, and Hashira means he’s only one step below what is known ominously as the Master Family — the heads of the entire organization.

That he’s rather feared, even among seasoned Corps members; that he’s known for his swift brutality.

That he’s more than just a flirt; he’s a virile lover. Not picky in the slightest about who warms his bed, though no one has ever been able to pin him down longer than a handful of one-night stands.

You stop poking around after that particular revelation, embarrassed that you now know exactly what makes him so popular.

Apparently, his flexibility pairs well with his near inhuman stamina. And he’s said to be very well-endowed.

It’s more information than you care to know, but you can’t deny that your curiosity lingers.

You brush aside your inquisitiveness as nothing more than a natural side effect of your own inexperience. And you’ll be damned before admitting that your interest in Sanemi Shinazugawa isn’t limited to rumors of how good he is in bed. That, perhaps your curiosity stems from something deeper, from a desire to know if that bad boy persona is authentic or a mere facade, and boy on the stoop still lurks somewhere beneath his mask.

—

“You look like shit.”

You startle up from where you’d been resting your head on your arm, wavering between consciousness and sleep.

You know that gravelly voice before you lay your eyes on him, and your irritation is quick to flicker to life.

Nearly a month has passed since your last encounter, and for a moment, you’d thought you’d been freed from his nuisance. But now, Sanemi stands in your store, wearing a half-amused expression on his stupidly handsome face.

“Is that the only descriptor you know?” You ask miserably, hands working quickly to smooth down your mused hair. “Is everything either shit or not-shit to you?”

Sanemi shrugs. “Pretty much,” and he holds something out to you, waiting. “Here.”

It’s a to-go bag from a cafe two blocks away. One known for their almond croissants, for which you have a particular penchant.

Your stomach grumbles fiercely. You’d foregone eating breakfast when you realized you’d overslept your alarm, and had to rush out of your apartment to ensure you’d be here in time for the weekly delivery truck.

The sweet scent of butter and sugar wafting from the bag makes your mouth water.

But this is Sanemi Shinazugawa, and you should think to know better. “Is it poisoned?”

He rolls his eyes. “If I wanted to drug you, sweetheart, I’d pick a far more convenient way to do it — and one that didn’t involve me getting up at the ass crack of dawn for some overpriced pastries.”

Warily, you accept the paper bag, and Sanemi surprises you again by handing you a to-go cup of coffee. He watches as you, ever the dramatic, sniff tentatively at the lid and frown, apparently dissatisfied that you can discern nothing but the rich, aromatic scent of espresso.

Sanemi takes a deep drink from his own cup. “It’s a thank you. For that book you recommended,” He smirks. “It wasn’t shit. It was good.”

You fish a pastry out of the bag, and nearly drool as you behold its buttery, flaky goodness. “You sound surprised.”

“Maybe I was. Your success rate was only fifty-fifty. I had every right to be skeptical.”

“You’re the one who grabbed that last book,” you take a large bite out of your croissant and you fight to keep yourself from moaning. “That had nothing to do with me.” You swallow thickly before taking a large sip of coffee to wash down the pastry. “So, no date, then?”

The smile he gives you is almost apologetic. “Sorry, beautiful. I don’t actually date.” And you nearly double over at the bewildering taste of disappointment creeping sourly up the back of your throat. “Gotta keep things casual in my world.”

The once-over he gives you is razor-sharp. “And you don’t look like a casual girl.”

You resist the urge to cross your arms. “You seem awfully certain, Shinazugawa.”

“Experience,” he offers easily. “I know casual women.” He turns his head away before quietly adding, “And you ain’t one of ‘em.”

It’s odd; you know of his rather wild reputation among women, and yet he seems almost embarrassed by its acknowledgment. But as you’re slowly learning, Sanemi Shinazugawa is a conundrum you haven’t yet been able to pick apart.

You could throw it in his face; you could spew some barb about his experience, rub your salt right into his obvious wound. You have no reason to spare his feelings, not when he’s been such a consistent pain in your ass.

Your eyes drift to the empty pastry bag and coffee cup before they find him again, and suddenly, you don’t see the swaggering, cocky Corps member with a reputation for being just as dangerous and violent as he is flirtatious.

You see only the boy on your stoop; the one who’d gently removed your sister from her place on his back and handed her back to your tearful, relieved parents.

And it’s because you cannot stop seeing that boy, that you offer before you lose the courage to ask, “So, friends, then?”

Sanemi whips back to you, surprise coloring his features that quickly melts into a smile — a real, genuine smile.

And thus, Sanemi Shinazugawa, ruthless member of the Corps and a ranked Hashira, befriends a girl who runs a bookshop.

—-

In retrospect, Sanemi knows he’s probably fucked himself.

His only intention in visiting your shop after that first day had been to discern what level of threat you posed to him, if any, and to address it accordingly. Befriending you was never his goal. After all, he prided himself on his staunch ability in following the unspoken Rules of the Corps — number Three, in particular.

But he has always interpreted Three has a warning against forming bonds within the Corps. And though he knows it’s good practice to keep his circle outside its operations small as well, he rations he’s entitled to indulge his curiosity in you. He doesn’t have friends, not really. Just Genya, and his little brother lives well over an hour away, enrolled in a school in a far better — far safer — city.

It would be nice to have someone a little closer to home that he could relax around.

Yet, he can’t recall whether Rule Three would bar him from associating you outside work hours. Caution would dictate he shouldn’t, but Sanemi never claimed to be a careful man.

He never visits the same day or at the same time. Rule Two says no patterns, and though he’s steadily blurring the lines of Rule Three with each passing day, he convinces himself that as long as he abides by the first two, he won’t be in as deep shit as he, in theory, could be.

It starts out slow; tentative. Despite what he’d thought otherwise, you’re not nearly as prim and haughty as you’d tried to make him believe.

You’re sweet. Genuine, in a way that’s rare for him to encounter in his world.

Gradually, he begins spending more time with you. At first, your relationship is confined strictly to discussions of books. You swap favorites, debate which author is at the top of their genre, and you occasionally needle each other over your respective guilty pleasure: yours, bodice rippers. His, fairytales.

He spends a great deal of his free time at the bookstore, though he’s never consistent with his visits. You never ask him about it, and for that, he’s grateful. But eventually, your conversation turns to other interests — movies, shows, music — and each new mutual interest only further enamors him with you.

And when you invite him over one day after you close the shop to watch an old movie you’d swiped from the store’s limited collection, he can’t find it in him to tell you no.

The first time he visits your apartment, he is appalled.

For starters, the neighborhood you live in isn’t the safest. It’s not the Silo, by any means, but it’s an area he frequents as part of his job and that fact alone sets him on edge. He knows what kind of people linger here; knows that they tend to borrow cash that ends up in Uzui’s business — another Hashira.

And when he sees the shoebox you live in (a studio, you’d proudly boasted, as though the distraction of exposed brick and industrial piping made up for its shit location and shit security), Sanemi finds himself clutching his proverbial pearls.

He supposes he can see its appeal — you’ve certainly turned it into a home.

You’ve made a small living room out of a single couch, thrifted coffee table, and a faintly stained rug. Your TV is laughably small, but he supposes it gets the job done.

A small kitchen stands to the right of the entryway, and there is a bathroom to the left. You have a wall of closets with folding doors, and the wall directly opposite of him boasts three large, arched windows. Sanemi supposes during the day, they provide enough natural sunlight to negate any need for any overhead lighting, of which you have none. But he can’t tell if they open from the outside, so he resolves to furtively check once you’re distracted.

Your bed stands on the furthest wall, tucked into a corner and laden heavy with colorful pillows and plush throws. Books are stacked everywhere — in shelves, in corners, by plants and furniture. All well-worn and loved, their spines cracked and covers stained.

It’s lively; warm. And it has you written all over it. That alone is enough to slightly endear the place to him.

But it’s still a shit apartment in a shit neighborhood.

Worse, your door is little more than a flimsy piece of wood that latches with a single turn lock — the easiest to break, if someone was determined enough to try. He tells you as much and you roll your eyes, brushing aside his concerns as though he’s not precisely aware of what kind of filth might linger around the corner.

The next day, he brings over a deadbolt, a chain, and a drill. He bats off your indignant protests as he installs it on your door. And, because he’s petty, he forces you to sit through a painfully detailed demonstration of how to properly latch and unlatch the chain once he’s finished.

The weeks blend seamlessly into months, and Sanemi finds himself spending more and more of his free time with you. It doesn’t matter whether you’re working at the bookstore or enjoying a night of brain-rotting entertainment on your shitty little television. He just wants to be near you, and he finds himself unable to stay away.

Four months into your friendship, you start a weekly movie night, though the date is always subject to change. Still, Sanemi finds himself craving more of that precious time with you. The hours spent in your store or at your apartment fill a void in his chest he hadn’t realized he’d been harboring, and it’s a fullness he quickly becomes addicted to.

It is an odd thing, this new ritual (never routine) of his. The alternation between visiting the scum indebted to the Corps, to feel bones crush and snap beneath his hands or the iron of a spare crowbar, or blood griming to his knuckles, only to return to your bookshop or apartment, cheap beer and greasy takeout in hand, isn’t the kind of switch he imagined he’d ever make. But you make taking off his Hashira mask so damn easy, and every time he leaves he finds it more difficult to slip back on.

With each passing day, he learns you more and more. He gathers information like a dragon hoards its jewels, each new tidbit a precious gem that he tucks safely away in a mental box labeled with your name.

He learns that, while he prefers tea, you prefer coffee, but you’re picky about your order. If it’s hot, you want it black or with only the faintest splash of cream. If it’s cold, however, you want every sweet syrup and topping known to man, even though it only makes you crash like a freight train once the sugar high wears off.

He learns you think cooking means pouring yourself a bowl of cereal and calling it a day, and it’s a revelation that makes him have to walk away and collect himself, lest he start lecturing you on the importance of proper nutrition, just as he does with his brother.

In exchange, he opens up about the more sacred aspects of his life — namely, Genya. He confides in you the great pride and adoration he has for his little brother, and admits his deep-seated fear that Genya will somehow be pulled into his violent, hostile world of his. And each time Sanemi begins to feel that anxiety rear its ugly head, threaten to settle into the marrow of his bones and send him into a spiral, you’re always there to pull him back.

Sometimes you ask questions, and Sanemi tries to answer them as best he can. But there are some subjects he can never touch. Never wants to.

He can’t tell you whose blood stains his knuckles or is splattered across his shoes. He can’t tell you where he goes when his phone vibrates late at night or at random during the day. He can’t tell you what his fellow Hashira do; the specialties they oversee.

Sanemi does make a point to assure you there is one sacred creed by which they all abide: no kids. This seems to put you at ease, as though this tepid moral line somehow absolves him of the other shit he’s guilty for.

It’s selfish, this thing he has created with you. He knows that. And his blossoming friendship with you likely breaks more than one of the sacred precepts of the Corps. But you’re the first person he’s met since his initiation who knows what he is and doesn’t cower in fear, and that makes him desperate to cling onto you. You know what an ugly, beastly creature he is, and yet you do not run away from him. Even when you probably should.

So, he makes a promise. He won’t show you the Shinazugawa who belongs to the Corps; a formidable member of the Hashira, known because of the things he can do to others to make sure they pay their debts. What he does to them when they don’t.

With you, he wants to be Sanemi; only Sanemi.

And so it goes, for the better part of a year, the two of you learning one another, pretending the ease you feel in the company of the other is merely the product of two people relieved to find a friend in a city that cautions against such ties, and not something in danger of becoming more.

As though the metamorphosis hasn’t already set in.

—

“You never told me what your dream was, y’know.” Sanemi says one night while you finish up inventory at the store.

“What dream?” You hum as you scan the shelves reserved for non-fiction releases, your lips pressed into a firm line as you run your pen down the entries of your log.

He leans against the bookshelf, arms folded across the considerable mass of his chest. “Your big dream — the one you bit my head off for insulting that one time.”

You look up long enough to roll your eyes at him. “Where’s this coming from?”

“Dunno. Curious.”

“Thought you’re not supposed to ask questions in your line of work.” And you shoot him a sly grin. “You ought to be careful.”

Sanemi snorts but he nudges your foot with his. “I’m serious.”

Your eyes dance back and forth between him and the log before you. There’s no real harm in it, you decide. After all, he’s the only friend you have. “I want my own bookstore.”

“Yeah?” He raises a pale brow and waves his hand vaguely around behind him. “Aren’t you practically running this one? That ain’t enough?”

“I don’t own it, though.” You frown, setting your clipboard down. “I just work here. You’ve seen my paycheck.”

And he had, having found a paystub when he’d gone snooping under your counter. You would’ve been furious at his invasion of your privacy had you not been so mortified at the way he’d stared in horror at the pitiful figure reflecting your earnings after two, grueling weeks of work.

His insistence on bringing you meals at any and every opportunity afterward only compounded your embarrassment.

“I want something that’s mine — that I own.” You continue. “I’ve begged the owner to let me organize author meet-and-greets as a way to promote the store for months, and he always says no. If I owned my own store, I wouldn’t need anyone’s permission.”

You pull your bottom lip between your teeth. “I wouldn’t have to live under anyone’s thumb.”

Something shifts in the way Sanemi watches you, a certain profundity creeping into his eyes.

Your cheeks heat. “I know it sounds stupid —“

“It doesn’t,” Sanemi says earnestly. “Wanting your freedom can never be stupid.”

You soften then, as understanding passes between you. Of course he would know all about that — arguably better than anyone you know.

Sanemi clears his throat. “So, a bookstore?” And he gives you a broad smile as he pulls out his wallet and tosses you a twenty dollar note. “Consider me your first investor.”

—

Sanemi spends the rest of the evening watching you work, fascinated by the way you meticulously organize your store shelves, and count the cash in your register. When it comes time for you to heave boxes of excess inventory to the back storeroom so they can be shipped back to their distributors, Sanemi plucks them from your hands, batting off your protests as he carries them for you.

By the time closing arrives, every new shipment has been unpacked and its contents have been shelved.

You flick off the overhead lights in the main store, relying on the backlight of the exit door to light your way out. You tug on your coat and find him watching you, expectantly. “Are you walking me home?”

“Tch. Don’t I always, when I can?”

You grin and it’s enough to chase away some of the sourness twisting in his gut. He shouldn’t do it, as often as he does. He’s risking enough as it is by constantly redrawing the lines around Rule Three to justify the way he’s beginning to bend the parameters around the rule against patterns. But it’s dark and late, and you don’t have a car, and he’ll be damned if he lets you brave the walk home alone.

Better he’s there to protect you from the dangers he can anticipate and see than to stick to his code and risk your harm from those he cannot.

Thankfully, the journey back to your apartment takes no more than fifteen minutes, even when he stops to thumb free a cigarette from the spare carton he keeps tucked in his jacket. You wrinkle your nose at him in mock-disgust as he lights it, the smoke curling out of his mouth reminiscent of a fire-breathing dragon.

He wouldn’t do it if he knew it truly bothered you. But you’d once shyly confessed you liked the faint smell of tobacco that clung to his jacket, especially in cold air like this. So he only shoots you a wink as he brings it to his lips and takes a long drag.

Besides, he thinks as he looses a slow exhale. He needs something to help him take the edge off; to guide him in making that transition between Hashira and Sanemi.

He escorts you all the way to your front door, the two of you trading quips and jokes. And Sanemi savors how utterly extraordinary something as ordinary as walking you to your door feels. Almost as if he’s ordinary, the way he so desperately wishes he could be.

You fidget with your keys, sliding them into your lock. “Did you finish that series I recommended?”

Sanemi grins. “Last night. I think it was your best suggestion yet.”

You duck your head, a bashful smile spreading across your pretty lips and its sight fills him with a golden warmth.

Your door gives way and you turn back to him. “‘Til next time?”

It was what you always said; you never asked him when you could expect to see him again, and he appreciated it. Appreciated not having to explain himself, when most outside his world would likely demand he try.

“‘Til next time,” he confirms, returning your smile with one of his own.

You hover in your doorway, fingers drumming on the frame, eyes roaming his.

“You never told me yours — what your dream is.”

He should leave. You’re treading in murky waters, ones made dangerous because he almost wants to tell you — tell you the truth, at that.

That he dreams of more. More life. More stability. More everything. He’d settle for anything, really; anything at all.

As long as it was more than this.

But Sanemi only responds with a wry grin. “To wake up in the morning, Princess. That’s all I can ask for.”

———

Sanemi’s answer lingers with you long after you emerge from your shower, warm and toweling your damp hair.

To wake up in the morning, Princess.

He’s full of shit and you know it.

Over the course of the last year, you’ve learned a handful of crucial details that make up Sanemi Shinazugawa.

You’ve learned he loves matcha, but he really loves the expensive kind. While you can’t afford to buy the high quality powder, you make do with what you can afford at the grocery, and you make it for him as often as you can.

He drinks it every time, bitter dregs and all.

More importantly, you’ve learned what it means to have a friend involved in the Corps. Not that he’s merely involved with the notorious gang — at least, not any more than the two of you are just “friends.”

Town gossip aside, Sanemi’s affiliation with the Corps is made obvious by his own actions. Like the way the two of you only ever hang out at the bookstore or your apartment; how he never invites you to visit his place, over in the Silo.

Or how he insists on scoping out your apartment every time he comes over, his eyes alert and sharp as his hand lingers at his hip, ready to pull out the gun you know he keeps tucked into his waistband at all times.

It’s evident in the way Sanemi never sticks to a consistent schedule. He varies the days and times of his visits at random, never allowing himself to settle into a routine, even if that means going an entire week or longer without seeing you.

But perhaps the most significant detail you’ve learned about Sanemi over the year of your friendship is this:

He wants out. Dreams of it, even.

This revelation does not come from the scarred Hashira himself. It is the product of months of observation, of studying how his face darkens when his phone pings! while you’re watching some sitcom on television, or when he sees a familiar face pass by your shop window, and suddenly he has to leave because he must be Shinazugawa again, and you won’t see him for the rest of the day.

It is evident in the way he talks of his younger brother, who, by all accounts is a star student and athlete, with a promising future in collegiate archery.

Sanemi is saving every penny he can to send his brother — Genya — to school, far, far away from the Silo. The conviction with which he speaks of Genya’s future, full of college and internships and promise, breaks your heart, because you know Sanemi hadn’t anyone to want those things for him.

Sanemi does not speak of any future of his. You suspect it’s because he doesn’t believe he will have one.

That has to be why he answered your question with his vague desire to wake up every morning. It was an easy answer. One that relied on you making certain connections between his life and his words and deduce that he truly had nothing more to live for other than life itself.

A cop-out, is what it is.

But his reading habits betray his darkest secret — betray the truth — and that’s exactly how you know his flippant answer is utter bullshit.

The book Sanemi carries around the most is a series of classic fairy tales, bought off your sale table a few months back. He’s read the whole thing cover to cover, but he keeps a bookmark on one specific page, and periodically, you catch him flipping back to it.

He made the mistake of leaving the book on your coffee table one night when he excused himself to use your bathroom. Realistically, you knew it was no big deal to flip through it, but somehow, the thought still felt like an invasion of his privacy.

But your curiosity got the better of you so you snatched it up, and thumb quickly to the bookmarked page, desperate to know which story has so captivated him.

You opened to the first page of of a tale — an old French story, about the daughter of a merchant who is sent to life with a beast in a distant castle, as penance for his theft of the beast’s rose.

You smiled to yourself; you were familiar with the story. You know how it goes — the beast everyone believes to be the villain is saved by the woman, and revealed to be a handsome prince. And the two live happily ever after.

Your smile faded as you recalled how the woman saved her Beast. True love’s kiss, or something along those lines.

True love.

And as Sanemi returned from the bathroom and plopped down next to you on your couch to watch a rerun of some old sitcom before he has to leave for the night, you mulled over Sanemi’s apparent fascination with the tale of the beast and the beauty.

And that’s how you drew the series of conclusions which enabled you to see right through his thin facade.

He wants out.

He wants a happily ever after. He doesn’t think he’ll get it.

And, above all, he dreams of love.

—

If any doubt lingered as to the magnitude of his ties to the Corps, it disintegrates one night, about eight months after he’d first burst into your bookstore.

It is well after midnight, but you are still awake, too engrossed in a new fantasy novel to pay particular attention to the lateness of the hour when your phone buzzes on your bedside table.

Sanemi’s name lingers above the notification, which reads simply, Outside.

You untangle yourself from your blankets and pad over to your front door, hastily tugging on a pair of sleep boxers over your underwear.

You open the door and the flutter of excitement you’d felt upon seeing his text is chased away by shock at the sight before you.

There is a bruise forming along Sanemi’s cheek that you almost would have mistaken for dirt if not for the swelling. His hair is rumpled, his clothes in disarray. Though it winks away the second he sets his gaze on you, you swear you were able a cold fury in his eyes; foreign, and violent.

The fury that belongs to a Hashira, not to the friend you know.

Wordlessly, you step back and allow him to limp past you.

“You got liniment?” He rasps, plopping heavily down in your kitchen chair. “And water?”

“You mean icy-hot?” You’re already filling a glass from the tap that you set on the table next to him before you retreat to your bathroom to rummage the cabinets.

You return a few moments later, tub of minty topical gel clutched in hand. You nearly drop it when you realize that Sanemi has stripped himself of his shirt already and is now bare from the waist-up, his forehead resting against his arms where they’re propped up on the back of your chair.

You’ve known for a long while that Sanemi is well-built (obscenely so).

Once, in the early days of your friendship, you’d snapped at him to button his shirt properly if he insisted on hanging around your store, dramatizing over how obscene it was for him to prance around with his chest half-exposed.

Sanemi had only grinned at you before he unbuttoned two more, revealing a generous glimpse of infuriatingly toned abs. Your open-mouthed, scandalized stare was met only with a wink.

He kept his shirt like that for the remainder of the day. You’d hardly been able to look at him without flushing a deep scarlet that only seemed to inflate his already generous ego even further.

But, you’re only human. And as the months passed by, and your friendship with the scarred mobster grew, you found yourself sneaking the odd peek every now and then. A glimpse of pectoral here; a hint of his rigid v-line when he stretched his arms over his head there.

And now, here he is, sitting in your small kitchen area awaiting the relief of the icy hot clutched in the tub that grew more slippery between your rapidly sweaty palms, every mouth watering inch of his upper body on display.

Beautiful. Your mouth goes dry at the sight of him. Sanemi is unbelievably beautiful.

“Need ya to rub it into my shoulder, if you don’t mind,” his voice is muffled against his arm. “I hate asking, but I dislocated the damn thing and had to reset it — fuckin’ hurts, now.”

You know better than to suggest he go get an x-ray. No hospitals, he’d once explained. Not unless you’re bleeding out.

You also know better than to ask how he dislocated it, and so you only pad silently over to him, grateful he’s turned away from you so he cannot see the tremble in your hands or the blush creeping across your cheeks.

Eager to give yourself something to do besides ogling, you focus on unscrewing the lid on the jar of liniment, your nose wrinkling under the burn of its stringent odor. You scoop a generous amount of the salve into your palms and warm it between your hands.

“Motherfucker,” Sanemi hisses as your hands spread gently across his shoulder, your fingers gingerly massaging the topical into his swollen joint. “Shit stings.”

“You’re lucky it’s not broken,” you chide, carefully prodding along the joint in search of anything that may be amiss — an odd lump or gap, signaling something hasn’t been reset properly. “At least, I don’t think it is.”

“Your medical expertise is astounding,” Sanemi drolls, but he winces again as your fingers press against a particularly tender spot. You step away from him with a huff and fish your phone out of your pocket, hands still slathered with ointment.

“I’m not a doctor,” you shoot back. “And since you refuse to go see one, the best I can do it give you the advice of the internet.”

You ignore his grumblings as you search for treatments for dislocated joints. You tap on the first link that appears and scroll, eyes narrowed as you read.

“You’re in luck. It seems like you won’t die,” you say dryly. “But you’re going to have a nasty bruise.” You purse your lips, eyes scanning the article on your phone. “And this says you’re supposed to rest — not overexert the joint.” You reach to tug playfully on a lock of his hair. “I don’t suppose you’re actually going to do that, though.”

He twists and flashes you a mischievous smirk over his shoulder. “You know me too well, Princess.”

You roll your eyes and snort, tossing your phone onto your table in favor of reaching for a discarded kitchen towel to wipe off the excess icy hot from your hands.

You’re about to tell him to put his shirt back on and stop flaunting the muscles he just can’t seem to help but show everyone he has when your eyes snag on a mark that rests squarely between his shoulder blades.

You wouldn’t have noticed it but for the shiny redness surrounding it, a clear contrast to the rest of his skin. But the longer your stare at it, the more clear its abnormality. The mark is puffy and raised, but there’s a distinct pattern to it that makes the hair on the back of your neck curl.

A brand, you realize with horror. Someone has branded him like cattle.

Your finger reaches to trace over the ridges seared into his skin before you can think the better of it. Sanemi twitches under your touch, a small shudder skirting down his spine as he tilts his head back toward you.

“Ugly, ain’t it?” His tone is unreadable. “Like a collar, ‘cept it’s permanent.”

Though he tends to err on the side of caution when it comes to discussing the Corps, you at least know what is role is within it. He told you: debt collector. Mostly monetary debts.

But the brand has nothing to do with money. No, the symbol burned into his skin — the one that stands for Kill — is a neon sign of a reminder that Sanemi’s duties can and do entail another kind of collection.

A chill snakes down your spine. You’d had your suspicions, of course, you’re not stupid. But seeing it confirmed by a brand of all things is a lightning rod through your chest.

Sanemi must sense your stare against his back, and you hear his rueful smile though you can’t see his face. “Guess it’s fitting, since I’m their dog.”

There it is; confirmation of what he is, as though it were possible to forget. You don’t know why you’d held out in letting its weight settle over you. Nor do you know why your brain had refused, for a moment, to reconcile the Sanemi who brought cheap beer and greasy fast food to your apartment for a night of trash television and book reviews with the one before you now, branded with inexorable reminder of what his duties are when he steps outside and debts go unpaid; when scores go uneven.

Your eyes slide to his gun, resting atop your table. It may has well have been smoking.

“It’s barbaric,” you murmur. You never offer much of an opinion on the tidbits of information about his life he shares with you, unwilling to make him feel as though you aren’t someone he can confide in.

But the sight of the brand scorched between his shoulder blades stokes something ugly and angry within you. You’re grateful his back is to you so you can furtively rub your hand over your prickling eyes before he can see you do something stupid, like cry.

He tilts his head back until it rests against your abdomen. “Thank you,” he murmurs, his eyes drifting shut.

You freeze for a moment, your anger temporarily suspended against your uncertainty of whether you should step back or remain. You’ve touched Sanemi a thousand different ways — you’ve grabbed his arm, smacked him upside his thick head, and elbowed him more times than you can count.

But this; this is something far different from your teasing nudges of the past. This small gesture feels infinitely more tender. Gentle.

Intimate.

Sanemi has never not been the picture of cocky brashness, especially around you. His priggish smirk was a constant, only ever dampened by the occasional alert on his phone — the one that meant he had to stop being yours for the night, and go be theirs.

But this Sanemi? This peaceful, eased, vulnerable version of your best friend is wholly uncharted territory. And perhaps it’s because he looks so unguarded this way, his face relaxed and his eyes closed, that you feel so flustered.

You brush his hair away from his forehead. At the first graze of your fingers along his scalp, Sanemi leans further into you with something akin to a moan.

Hot; everything feels so damn hot, the air in your apartment suddenly too thick. Too oppressive.

Yet, you don’t stop; your fingers keep raking through his hair, surprisingly silky.

You think he may have fallen asleep in your chair, but after another moment of your hands carding through his hair, Sanemi stands. You step away instantly, and you avert your eyes while he pulls his shirt back over his head, cursing softly as he works it over his injured shoulder.

Sanemi turns to you and clears his throat roughly. “Thanks again. Don’t know what I would’ve done without ya.”

You wave him off with an exaggerated eye roll, eager to conceal the redness in your cheeks. “Oh please, I’m just your neighborhood book supplier and occasional first aid nurse.”

A sudden sobriety passes over his features, clouding over that all too familiar smirk with something heavier.

“No,” he murmurs and his hand absently lifts to tuck a stray lock of hair behind your ear. “No, you’re more than that.” His palm lingers against your cheek and his voice quiets to a hoarse whisper. “Much more.”

For a moment, you wonder if he’ll lean in; if he’ll show you whether his lips are as warm as his touch.

His eyes drop briefly to your mouth and your stomach somersaults at the thought he might be considering it, too. But the clouds part and Sanemi withdraws from you with an affection flick against the tip of your nose.

And then he turns and leaves.

You sink back against your door after you close it behind him and slide to your floor. You remain there for a long while after, your mind little more than a gnarled tangle of brambles you can’t begin to pick through. But even despite the complicated mess of thoughts and emotions knotted together in your head, one thing stands clear: you’d wanted to kiss him.

And for a moment, you swear he’d wanted to, as well.

An old rumor, one you hadn’t considered since your very first interaction with him, resurfaces in your mind. The one that had less to do with him in the Corps, and more so involved his activities outside of it.

The rumor that he cycles through the bodies he uses to warm his bed more frequently than you change the sheets on yours.

Your cheeks heat, and you shake your head to clear away the sudden, intrusive images of Sanemi tangled in the throes of passion with some faceless stranger that fill your imagination. You don’t care what those blasted rumors claim; you know him. And what’s more, you know that what you feel for him is stronger than anything you’ve ever felt toward anyone.

You’re in love with Sanemi.

It is his face you see at night before you fall asleep; it’s his touch you imagine in those secret moments in your bed or in the shower, when you’re desperate and aching.

It’s he who makes you feel most at ease; the one person you feel truly sees you, thinks you’re actually worth something.

You’ve never really known love before. But it’s because you’re such a novice that you know your feelings are true; powerful. You know what he is — what he thinks he is. And you know that you will never want anyone else; you can’t.

You won’t.

—

Three rules. That’s all he had to do, was follow three simple fucking rules.

Don’t speak. No patterns. And don’t get overly attached.

It had been easy, so easy, to follow them. If there was one thing Sanemi believed he could pride himself on, it had been his steadfast adherence to the Corps’ rules. Number three, in particular.

Until you. Until the day he’d chosen your bookstore to hide in.

Because that was when Sanemi decided that those rules were really more like guidelines; malleable. He’d let himself cast them aside out of a desperation for human connection. And he’d justified his carelessness by convincing himself that as long as he maintained some semblance compliance with the unspoken code of the Corps.

Sanemi had built his own set of rules around the foundation of his friendship with you, a wall of stone around the glass castle meant to ensure you would not be cut by its shards should it ever shatter.

He would not be your liability, nor would you be his.

But now, he’s too deep; Sanemi knows he’s gotten in way too fucking deep with you.

Until this moment, he imagined he’d managed to toe the line of this internal code that applied only to his relationship with you, save a handful of instances when he’d let himself blur it.

As it turns out, he’d been dead fucking wrong. Because he’s pretty sure you just asked him to cross the last major boundary he’d set for himself when it came to you.

So, Sanemi only gapes at you. “What?”

You huff, impatient. “I want you to fuck me.”

You say it like it’s the most obvious thing in the world — as though you haven’t just ripped the floor out from beneath him and sent him falling directly on his ass.

If he didn’t know you were dead serious, he would’ve laughed in your face. And that’s how he knows he’s fucked.

You’re a virgin; he knows that, because you’d drunkenly confessed it to him two weeks prior, tipsy on the cheap beer he’d brought over for your weekly movie night together.

Admittedly, he’d been surprised. You were beautiful — not that beauty was a requirement for a good fuck, but you didn’t seem the type to go for random hookups, unlike him. Still, he would’ve thought you’d had some prior relationship where the opportunity would have arisen.

As it turned out, you’d never been in a relationship, either.

Between long gulps of your drink, you’d asked him to fix it and he’d turned you down — his tolerance for watery beer far surpassed your own, and Sanemi Shinazugawa wasn’t the type to sleep with someone who couldn’t fully consent.

So he’d let you down — but not before he kissed you. It was only once; soft, the way you deserved to be kissed. His lips met yours and suddenly, the gaping hole in his chest felt smaller; fuller. Kissing you felt like coming home, even though Sanemi was sure he’d never fully known what home truly felt like.

And then he parted from you with an affectionate flick on your nose to cover the way his heart clenched at the visible disappointment in your eyes.

He’d boldly kissed you twice more after that night — one a quick, cheeky peck when you went in to hug him, an act done more to fluster you than to sate any desire of his, no matter how he craved more of you.

The other happened only three nights prior, and it was anything but soft and sweet.

One of Sanemi’s fellow Hashira, Kanae, hadn’t been seen in several days, and no one had been able to get in touch with her. When she’d missed a scheduled patrol of one of the neighborhoods in the Silo, he and another member, Iguro, had been sent to check on her.

They’d found her in the kitchen of the small home she’d shared with her two sisters with a hole in her head and her brains splattered across the floor.

Curled under the protective stretch of her limp arms, had been her two sisters, both bearing matching bullet wounds to their skulls.

Kizuki, most likely. They were the only ones brave enough to target someone as high ranked as Kanae.

Their blood had still been fresh, and the stench of decay and rot hadn’t yet set in, which only told them that the girls had been held for several days, forced to endure unknown horrors at the hands of their murderers.

He hadn’t been particularly close with the woman, but as his rank equal, she’d had his respect. But now she and her adolescent sisters were nothing more than smears of brain matter and skull fragments to be scraped off the linoleum of their kitchen floor and quietly buried. Forgotten.

The hours passed by in a blur once Kocho’s death was called into the higher-ups, and Sanemi didn’t remember cleaning up the scene anymore than he remembered the solitary trek back. His mind and his body disconnected, and he only snapped back to reality when he realized he was standing in front of your apartment, unsure of how or when he’d begun walking in its direction.

He knew he should turn around and go home; there was nothing you could do for him right then, he shouldn’t bother you —

His fist was pounding on your door before he could think better of it.

Despite the late hour, you’d greeted him with a broad smile and a shy hi. Your hair had been damp, and he could smell the floral sweetness of your shampoo still mixed with the steam from your shower as it spilled into the hall.

Safe; you were safe.

Your door had still been hanging wide open as Sanemi surged forward, trapping your face in his hands to crash his lips down against yours, his kiss heavy and hot.

You’d broken away long enough to ask, “S-Sanemi — what —?”

“Shut up,” he’d snarled, slanting his mouth back over yours, his teeth nipping at your bottom lip. He’d half expected you to shove him away, perhaps to even aim a knee right at his crotch, yet you’d only buried your fingers in his hair and tugged him closer.

He backed you up against the wall opposite of your entryway, though he’d moved his hand to cup the back of your head to keep it from banging against the exposed brick.

You moaned into the kiss and Sanemi lost whatever shred of sense he’d managed to cling onto. His tongue swept along your bottom lip, and the hand cupping the back of your head loosely pulled at your hair, tugging your head to the side and signaling you to open up — to let him in.

And you did. And the first brush of his tongue against yours as he licked into your mouth ignited an inferno within him that he did not know how to tame.

His hands pushed under your sweatshirt, seeking out the comforting warmth of your skin. Higher and higher they rose, until they came to rest against your ribs, and Sanemi realized you were bare — completely bare — beneath your hoodie.

That you’d allowed him to toe so dangerously close to a line neither of you could cross had clouded every bit of his judgment. The thought that he’d only have to move his hands mere centimeters to touch you in a way no other had before had sent him reeling, and his hips were beyond his control when they pinned yours against the wall and ground into you.

But your single gasp into his mouth broke the spell, and with more regret than Sanemi knew he should feel, he broke away, leaving you both breathless and panting.

Without a word, he’d turned around and stalked right back out of your apartment, closing your door firmly behind him.

He’d sent a text only a few minutes later — a single, ominous reminder to you to lock your door, deadbolt and all.

He hadn’t the stomach to explain his cryptic warning; not as the sight of Kocho remained burned into his retinas.

So, yes, he’s blurred a few lines when it comes to you. But those had only been kisses; heavy touching aside, he’d never allowed himself to go further than that.

No matter how much he wanted to.

And it’s because he knows he can’t cross this last line — can’t open you up to risk more than he already has, that he meets your expectant stare with a rueful smile.

“You’re better off asking someone else, Princess. You don’t want to get tangled up with someone like me.”

Never mind that you’re already tangled up with him — but he’s managed to uphold this last boundary, and Sanemi has convinced himself that as long as it remains in place, he can’t ruin you the way Kocho and her young sisters were ruined.

“I don’t want to ask someone else,” you fold your arms across your chest and cock your hip out, defiant. Normally, Sanemi finds your stubbornness endearing, if not adorable, but not now; not when you should know better.

A low growl of your name is his warning. “You don’t know what you’re asking —“

“It’s you I want. I don’t care what the rumors say, I don’t care what anyone thinks — including you.”

The sincerity in your eyes nearly scalds him. “And I am not asking as a friend. You and I both know this is more than that.”

He wants to throttle you. Not literally of course, he could never — but he wants to shake the sense you’re so clearly lacking back into you until you see; until you understand.

Of course he wants you. He has wanted you for months — so much so, he hardly can focus on anything else. And he’s pent up. He hasn’t had the stomach to fuck anyone else. Not since he began falling asleep and waking up to thoughts of you and your touch, of how you might look under or above him, wanton and desperate. Or how you might feel in his arms; on his tongue.

Really, it’s been quite a blow to his rather wild reputation throughout the Silo. But God knows he has tried to fill the you-shaped void in his heart, but nothing — no one — has come close.

More than anything, he wants you to be his, and for him to be yours. He longs to be the Sanemi who takes you out on dates, who kisses you freely without the compulsive need to check over his shoulder, to make sure there aren’t any enemies watching and plotting to strike him right where he’s weak. He wants to be the Sanemi you come home to after a long day at the bookstore. The one with whom you plan a future, utterly and completely yours.

But he can never be just Sanemi. He is nothing more than the property of the very organization he’s sworn allegiance to; the group whose brand he bears on his skin.

He is not good. He is a curse that will infect you, a poison to your life.

He will rot you from the inside, out.

His friendship with you is selfish. He knows that — he’s always known that, and yet he did not stop. It is selfish because he deluded himself into believing he could actually be someone else when he was with you. Someone worth befriending; perhaps someone worth a little more.

You were right to call him a thief, that day. All he does is take your time and affection when he knows damn well he won’t give you anything in return, no matter how he wishes he could.

Sanemi won’t label that thing he holds deep inside his heart which is formed in the shape of your name; not when it could so easily doom you both. But he knows his feelings for you are dangerous, and he cannot allow you to sniff them out.

Because if he does, then this only ends one or two ways: either he lets you in only for you to abandon him once you realize the truth of what he is, or you’re used as a weapon against him.

In either event, he loses you. So it is better to cut this off now, to force you away before either of you become more invested than you already are.

He will not hurt you, but neither will he allow himself to be hurt by you.

You take a step toward him, and the soft whisper of his name sounds like a holy prayer on your lips and that’s how he knows this is wrong.

Your obstinate refusal to recognize him for what he is is a needle digging into his skin, one that whittles away at every wall he has managed to build around his heart, that damnable, soft, dangerous thing that he will not allow you to find; he cannot.

You’re confusing your roles. He is the vulture and you are his prey, not the other way around. he is not here to give. He is here only to take, and you will let him and then he will leave.

And he will not be the carcass you pick clean only to discard once you’ve had your fill.

(A lie, but it’s one Sanemi almost believes. Almost.)

But Sanemi knows you; he knows you better than he knows anything else. You are a constant he has become far too dependent upon, and you are precious — far too precious to him to continue to indulging.

He knows you are too good, too loyal in your feelings to forget about him, even if he disappeared from your life entirely.

A clean break. it is the only thing that will force you to forget him and move on, find another, someone good and whole and not a broken, misshapen thing like him.

He will show you who he really is. He will show you that he could never be just Sanemi, and he sure as hell can’t ever be yours.

Better; you deserve better, so he will become worse.

He advances on you, his step heavy and imposing, and you have enough sense to scurry back from him. But he is too quick and soon he has you caged against the wall of your studio, literally backed into a corner.

“You want me?” He is scathing and he loathes himself for it, but he can’t stop. Not when he’s desperate to save you from the blight of himself.

You shouldn’t; you can’t.

But you nod, damn you. Wide-eyed, you nod and he resents the certainty reflected in your gaze.

His mouth twists into a cruel sneer. “You want to say you’ve had a taste of the lowlife, huh?“

Your eyebrows knit together. “Sanemi, that’s not —“

But he can’t stop his venom. “Bragging rights, that’s all you’re after, right? You want to be like one of the characters in your stories — the good girl who makes an honest man outta the good-for-nothing villain.”

“Stop it,” you bite, and your eyes harden. “You’re acting like an asshole.”

You’re angry. Good. Sanemi knows how to deal in anger.

“Hate to break it to ya, sweetheart, but I’m not acting like an asshole. I am one.”

Your hackles raise, and you step away from the wall and toward him, bold in your fury. “I know you want to believe you are, but you’re not —“

Sanemi’s hand shoots out to grab a fistful of your hair. “Is that so?” You yelp as he wrenches your head back, your neck straining. “Then maybe I oughta bend you over and fuck you like I would any other cheap whore. Then you can tell me what you think I am.”

Your eyes water as the grip in your hair tightens.

Good, he thinks savagely. Let you see the monster he truly was, let you know he was his bastard father’s son, and that he’d be no different, no different at all. He’s a brute, and you don’t want that, you don’t want him —

“You can do whatever it is you want,” you manage, you throat tight. And Sanemi’s eyes blow wide at the soft, watery smile that forms on your lips despite the tears that escape the corners of your eyes. “Do to me what you like; I don’t mind, as long as it’s you.”

All at once, his ire with you and your bewildering devotion to him melts away, leaving nothing behind but a deep well of guilt, bitter and acerbic.

It isn’t that you think he might take you forcefully and harshly; after all, he’s only shown you he’s entirely capable of doing so.

It’s that you would let him. Without a shred of doubt, he knows you would offer yourself to him to use however he wants, and that you’d do it with a smile not unlike the one you’re wearing right now, soft and earnest.

Fuck, you just did.

And it’s that realization that has Sanemi’s hand loosening from your hair, his eyes softening. An errant tear escapes down your cheek and he moves to brush it away, but you close your eyes the moment you spy his knuckle nearing your face.

You do not flinch, but you are steeling yourself in anticipation of expected cruelty, and the front he’s put forth crumbles to dust.

He is a monster, but not for the reasons he’s used to justify this ugly display of his. He’s a monster because he has made you believe that this treatment is acceptable — an unavoidable cost of intimacy, no matter how fleeting.

Worse, he’s done the one thing he’d sworn never to do to any woman, let alone someone as good and as dear as you.

He’d only wanted to disgust you; enrage you, so that you would kick him out of both your apartment and your life, right out on his sorry ass like he deserved.

But this is worse. He has frightened you.

He recoils from you like a kicked dog. “I didn’t mean to scare you.”

He stands awkwardly as you stare at him, wide-eyed and uncertain, and each second that ticks silently by only amplifies the oily well of guilt in his stomach.

He clears his throat. “I’ll go,” he says roughly, too ashamed to meet your eyes. “‘M sorry, I didn’t —“

Your hand grabs his bicep, anchoring him in place. “I want you to stay.”

“You don’t owe me anything —“

“It’s not about owing you,” you interject, lifting your hands to take his face between your palms. “I want you. I want this.”

You prove your point by taking his hand and guiding it to your waist. You hold it there, mouth set in a determined line as you inch closer to him.

“You deserve someone else,” Sanemi can’t stop the admission from rolling off his tongue. “Better.”

But you’re already shaking your head, as though you somehow know different. “There is no one better; I only want you.”

Idiot, he thinks as you rise up on your tiptoes, your arms winding around his shoulders as the distance between your bodies grows narrower. You’re an idiot.

You can’t possibly believe he’s as good as it gets. He’s used you as a distraction this whole time, a chance to forget the things he’s done and what he’ll be required to do in the future. Surely, you must know that.

He will hurt you; it’s in his nature. It’s unavoidable. He can’t be what you deserve.

But then your lips brush gently against his and the last of his resolve crumbles.

Sanemi melts into your kiss. He brings one hand to cradle the side of your face as the one braced against your waist shorts, until he wraps his arms around you and tugs you closer to him.

This kiss is gentle in every way the last was not. Sanemi’s lips are soft moving against yours, his hands almost hesitant in how they hold you. For a moment, he imagines himself not as the selfish, hard brute he knows he is, but instead as the gentle, giving lover he wants so desperately to be. One who is worthy of someone as kind and vibrant as you, and not the trash you’d be better off leaving out on the street.

The tentativeness with which he kisses you tempers some as his tongue flicks out against your bottom lip. You answer his silent request with enthusiasm, your fingers burying themselves in his hair as you haul yourself closer. The moment Sanemi’s tongue sweeps into your waiting mouth, you buckle against him with the sweetest sigh he’s ever heard. One of pure relief, as though you’d been burning and he was your balm.

Ironic, considering he’s only adding gasoline to this fire between you.

But there’s nothing he can do now except allow the flames to consume you both.

Soon, the shy curiosity with which he explores your mouth gives way to a mutual hunger, evident by how he feels as though he’s boiling alive while you gasp and sigh into him, your fingers tugging pleadingly at his hair.

You want more, and he needs you, too.

His nose nuzzles against yours as he bends down, his hands running along the bare expanse of your legs. The ground beneath your feet disappears as Sanemi gathers you up easily into his arms.

One of your arms is looped around his neck while your other hand cups his face, turning it toward yours as he carries you to your bed. Your thumb smooths absently over the scar that cuts across his cheek and then your lips seek out his once more. His kiss is as gentle as the hand squeezing your waist, his fingers slotting into the gap between your sweatshirt and the top of your sleep shorts, stroking your skin.

He lays you out upon your mattress, grateful you’d at least purchased a full bed rather than some shitty twin. Your hands untangle themselves from his hair and instead seek out the waistband of your sleep shorts, but Sanemi covers them with his, halting you.

“Don’t,” he murmurs between quick, messy kisses. “Let me — please.”

Before you can respond, Sanemi sits back and grabs a fistful of his own shirt, yanking it over his head.

Your pupils blow wide at the sight of him and he feels himself hesitate. Sanemi has always felt an easy self confidence when it came to stripping in front of his partners for the night. He’d always been quite proud of his physique, relying on his considerable muscles to mask his deep loathing of his scars.

But in front of you, all sense of self-assuredness goes flying out the window, and suddenly he feels too exposed. His eyes drop to scour the planes of his chest — have his scars always been this prominent? This thick?

“Holy shit,” your soft sigh snaps his attention away from the howling inside his head. For one, petrifying moment, he thinks that you are as disgusted with his body as he is, but then he sees the pink flush staining your cheeks.

Your eyes roam hungrily over him and your tongue darts out to wet your lips. You meet his gaze and your pupils are blown wide with desire — rich, hot need for him.

Your voice is little more than a sultry whisper. “Come here.”

He moves eagerly to cover your body with his, his hair rumpled and his eyes bright as his lips press hurriedly against yours. Your hands smooth over his pectorals and tease down his abdomen until he’s panting, but the moment your nails rake along the skin on either side of his navel, Sanemi moans.

More. He needs more.

He hauls you up from the bed, straddling you across his lap, his hands notched behind your knees as they press into the mattress. You reconnect your lips in a heated kiss, one hand playing with the ends of his snowy hair, the other dropping down his back, settling over the brand seared between his shoulder blades. Covering it.

Yes, he thinks as he nips your bottom lip, urging your mouth to open so he can slide his tongue in to dance with yours. Yes, this is fitting. Because in his ideal world, his life with you would come before any other — including his with the Corps.

Sanemi’s lips begin trailing hotly down your jaw, pausing when he reaches your neck. He finds a particularly sensitive spot with a nip of his teeth that he soothes with his tongue, and he hums in approval at the faint, breathy whimpers that squeak past your lips as you tilt your head, offering more of yourself to him.

The ache burgeoning in his groin in response to your display is enough to drive him insane; he has never wanted anything in his life as badly as he wants this — you.

As his mouth continues its heated path, his hands find the hem of your hoodie. With a gentleness that surprises even him, Sanemi begins charting your skin with his fingers. With every new plane of your body he explores, he pushes your sweatshirt up, up, up, until he guides it over your head.

He tosses it to the side, not caring for where it lands. His attention is focused solely on you as you fall back against your bed, now bare from the waist up.

“Beautiful,” he marvels, eyes running over the slope of your shoulder and tracing the curve of your breasts. “So fuckin’ beautiful.”

He savors every hitched breath, every chill that ripples over your skin as he explores your body with his mouth and hands. Over the years, Sanemi has become well acquainted with the magic of the female body. He’s always liked how soft women were compared to him. He isn’t a picky man; he’ll celebrate them all, regardless of their shape or size.

But you? Celebration isn’t enough; you deserve nothing less than outright worship.

“You feel so damn good,” he mutters against your breast before closing his lips over your nipple and sucking hard. You bow off the bed with a keening moan that gutters out into something more ragged as his hand covers the other, pinching and rolling your stiffened bud between his fingers.

He could spend all night like this, lavishing your soft mounds with his mouth. But Sanemi knows that won’t be enough to satisfy the hunger gnawing at both of you, so with a tinge of regret, he forces himself to move on, descending your body in alternating kisses and nips.

He reaches the waistband of your shorts and his eyes flash to yours as he tugs on it with his teeth. The hot exhale of his breath below your navel sends goosebumps across your skin. Sanemi’s fingers inch below the hem of your shorts until he loops his hands around the waistband, and he yanks them down your legs in a single, fluid motion.

His eyes rake down your body, taking in every beautiful inch. A blush forms on his cheeks as he realizes all that separates you from him is your simple pair of black underwear.

He sits back, eager to join your near-nudity. His hands are quick, if not a little clumsy, as he finds his belt buckle. The instant the metal clicks and the leather around his hips loosens, Sanemi shoves off his pants, eagerly kicking them off your bed until he is left in nothing but his briefs.

Your eyes fall to where the evidence of his desire protrudes stiffly from between his legs. Sanemi watches your throat pulse as you try to stifle your small gulp, your thighs tensing beneath him in an effort to press together.

He can sense your nerves; can see by the way your eyes dart anxiously between his and the rigid tent in his briefs.

With a gentle smile, Sanemi leans in and soothes your unease with his lips. “We’ll take it as slow as you want. I’m not in any rush.”

“N-now?” You murmur between kisses, and he nearly seizes at the hesitant, questioning brush of your fingers against the underside of his shaft.

“Not yet,” he groans against your mouth. “I gotta make sure you’re ready first.”

“I am ready -“

“Not like that,” he cuts off your protest by ghosting his fingers up the covered seam of you. Sanemi circles his finger around where he thinks your clit is, and he smirks when your head tips back against your pillow, your mouth widening in a silent o.

“Found you,” he croons, repeating the movement again until your legs begin to twitch beneath him.

He makes quick work of your underwear, tossing them over the side of your bed without much thought. The sight of you bare beneath him nearly stops his heart dead in his chest. His eyes drop to the neat thatch of curls resting at the apex of your thighs, and his mouth waters.

You blush under the intensity of his appreciative stare, and your legs twitch, as though you mean to close them.

A hand sliding between your thighs restrains you from doing so. “Uh-uh,” he tuts. “Can’t hide from me now, sweetheart’.”

He smooths his hand down the length of your leg until it hovers just outside where he’s most eager to explore. The heat radiating from sends his pulse skyrocketing.

One, tentative finger circles your entrance, testing. Sanemi leans in to capture your lips with his as he pushes in, swallowing your soft gasp with his tongue that he slides into your parted mouth.

A moan vibrates in his chest in time with a faint whimper that sounds in the back of your throat as Sanemi begins exploring you. You’re tight; almost impossibly so, clenching and pulsing around the single finger he gradually sinks inside you, pushing deeper with every gentle pump of his hand.

The thought of your tight, wet heat constricting around the aching length of him just as you were around his finger makes him dizzy with want.

He won’t go down on you, he decides. Not tonight. Not when he’s throbbing this badly after just a couple of fingers; not when your breasts are so plush and soft pressed against his chest where you’re already arcing up into him, sending his mind wild with thoughts of how you’ll move under him; how you’ll moan.

His lips are hot against your neck, trailing down past your collarbone. Left behind are a series of purplish-maroon whorls blooming beneath his mouth, your skin quickly becoming a tapestry for him to display how badly he wants this. You.

You cling to him, one hand buried in his hair, pulling and tugging at him as the other clutches wildly at his shoulder, your fingers digging hard into his muscles. Your teeth are buried into your bottom lip in an effort to stifle your whimpers, but a needy whine slips out as Sanemi sucks one, soft breast into his mouth, his tongue flicking out across your pert nipple.

Another finger slides into your entrance as his thumb works your clit, and before long, you’re vibrating beneath him, unrestrained in how you moan and cry out for him so beautifully.

“Sanemi! I think — oh, I think I’m -“ but then he crooks his fingers, brushing against a rough spot deep within you that makes you writhe. You thrash back hard against the bed, your hips grinding against his hand with abandon.

He smothers a curse into your skin. You’re close and he knows it; can feel it in the way your walls flutter and pulse around him. And as desperate as he is to study how you fall apart, it’s too soon.

“Not yet,” he pants against your breast, circling your nipple with his tongue before imparting a final nip at the soft flesh and drawing back.

Remorseful, he pulls his fingers away from you, leaving you panting and flushed under him. But the hot, searing flames of desire burning beneath his skin intensify still, as he takes your hand and guides it between your legs.

“There. Feel how wet you are?” His voice is husky with want. You peer up at him through heavily lidded eyes as you nod, a whimper vibrating in your throat as Sanemi grinds your hand against your sensitive flesh.

“For you,” your voice is syrupy and warm, and damn if Sanemi doesn’t feel like he could get drunk on it. “It’s all for you.”

His tone sharpens into something possessive; hungry. “That’s right,” and he pushes your hand firmly against your clit and rotates it, eliciting a deep moan from you. “Because you’re mine.“

It’s not fair. But he wants to pretend like it’s true, if only for a while.

Once your fingers are sufficiently shiny with your own wetness, he brings your hand to his mouth, his tongue peeking out from between his lips. Slowly and languidly, he drags it up the side of your digits, and his eyes burn into yours as he slides your fingers into his mouth and sucks them clean.

It takes everything in him not to moan at the sweet taste of you that floods his tongue.

He’d made the right decision in not going down on you. If he had, he’d never be able to pull away; not until his face had become so adorned with your essence that he could not comprehend anything that wasn’t you. Not until you were trembling under him and begging for a break.

The first time you cum will be on him; with him. So as much as it pains him, he resists your temptation.

But not before you know; not before you understand exactly how wild you drive him. How much you threaten his sanity.

“Jesus Christ,” he rasps as he pulls your hand away from his mouth. “Here.”

His hand his gentle but firm as he grips your chin, squeezing your jaw until your mouth parts. The question in your gaze dissolves, your eyes instead rolling back into your head, as Sanemi slides the two fingers he’d just had between your thighs, still covered in your wetness, past your lips.

“Go on,” he orders, his other hand brushing your hair from your face. “Taste how fuckin’ perfect you are.”

The moan that slips free from your lips is one he wishes he could bottle up as your tongue caresses his fingers, your cheeks hollowing so fucking perfectly around him as you dutifully clean yourself from him.

Fuck, you’re trying to kill him.

But some of the burning he feels ebbs as the sobering weight of what’s to come settles over him; the magnitude of what he is about to do. Because no matter what happens after, nothing between you will be the same. Whatever else you are after tonight — whether that’s something or nothing — you will never be just friends again.

Sanemi supposes the punishment fits his crime; this is what he gets for getting in too deep with you, even if it means losing you entirely.

He chases away those thoughts by running his hands down your sides before he pulls back, leaving you in favor of shucking his briefs down his thighs.

Finally bare, he’s quick to drape his body over yours once more, his hands smoothing up and down your sides, unable to quench his need to feel your skin against his. But a foreign uncertainty stills him, and his eyes flash to yours, hesitant.

“Are you sure?”

You answer only by reaching to grip the back of his neck, tugging him down to meet your lips, your kiss feverish and urgent.

He doesn’t have a condom but he’s in too deep now to stop. In a way, what is about to happen is new to him as well. He’s never fucked anyone raw before. No matter who he’d had in his bed, no matter how much they begged him or assured him they were on birth control, he’d always been sure to have protection on hand.

Children are a gift, but he’d be damned if anyone tried to come after him and demand he raise one in his fucked up world. Either Sanemi got out or he never became a parent; there was no middle ground.

But once again, he is blurring boundaries where you were concerned, and Sanemi doesn’t think he knows how to stop himself from having the full taste in the indulgence that was you.

“It might hurt a moment,” he admits against your mouth, his voice raspy. “But I promise I’ll be gentle — as gentle as I can.”

You stretch to kiss him again, your lips soft and warm and everything he loves. “I trust you.”

You shouldn’t, he wants to say. You shouldn’t, and you should run far away from this — from me.

But Sanemi knows you won’t just as much as he knows he doesn’t have it in him to try and chase you away, and so he only kisses you back, slow and indulgent.

He breaks away from you with a soft groan and sits up on his knees. His back straight, Sanemi’s hands curl around your hips and he tugs you forward until your backside is flush against his thighs.

The heat radiating from you pulls him in like a magnet as he lines the tip of his cock up with your entrance. A vein above his brow ticks, the only outward sign of the battle raging within him as his self restraint wars with his tantalizing urge to impale you on the thick, throbbing length of him, desperate for the sweet relief only your body can give.

Every inch of him trembles as Sanemi presses his hips forward. “Fuck,” he exhales shakily, pushing his tip past your entrance. “Fuck.”

His head falls back and the muscles in his throat strain. Some small, needy sound leaves him and the fingers on your hip tighten nearly to the point of pain.

The noise registers in the back of your mind, and vaguely, you recognize it as a whimper. You wonder whether he makes that sound for the others; somehow you doubt it, given that he does it again, only now in the shape of your name.

The rumors always said he never asked for names; he was a one-and-done kind of man. A great fuck, but not someone to go to if you were looking for comfort; softness.

Once again, Sanemi is nothing but a collection of contradictions, especially where you’re concerned.

Sanemi hisses as he slowly eases into you. Despite your wetness, you’re impossibly tight, and your body is a live wire hell bent on pushing out his intrusion.

With a deep groan, he falls forward, one arm shooting out to land near your head to catch himself before he can crash into you. His weight carefully braced above you, Sanemi shifts, widening the stance of his knees. Your legs slide up his waist, locking at your ankles at the base of his spine.

His cock is barely a quarter of the way inside your heat when he pulls out. A whine of protest mounts in your throat, but it quickly flickers out when he presses his leaking tip to your clit and grinds. A soft moan slips out of you when he repeats the movement again, and your thighs widen, your hips tilting up to allow him easier access.

Sanemi circles the head of his cock once more against your sensitive nub, coating himself in more of your sticky wetness, before he slides back into your entrance. This time, your body parts more easily around him, sucking him in rather than trying to squeeze him out.

“There you go, that’s it,” his breath is hot against your ear, his lips trailing silkily across your jaw. “That’s my girl.”

Halfway in, Sanemi brushes against that thin barrier that separates him from the rest of you, and he stills.

He pulls his head back from your neck, and moves his hand out from between your legs to cup your cheek.

“Ready?” His thumb strokes over your cheekbone, tender and soft.

There is a tightness building in your abdomen, a foreign pressure that isn’t entirely unwelcome, but neither is it wholly comfortable. You brace a hand at your side, balling your sheets into your fist as you steady yourself, flushed and panting beneath the scar speckled man holding rigidly still above you.

Your eyes flick up once, and you see the tightness in his jaw; the tremble in his limbs as he fights against the urge to relief the friction mounting where you are joined.

You swallow around the lump of anticipation lodged in your throat. Your breath is shaky, but at last, you manage a single “Please.”

With a groan, he grips himself around his base and slowly, he presses forward. There is a sharp prick that shoots deep in your lower abdomen as Sanemi surges past that thin inner wall.

You cannot stop your cry of discomfort from ringing out anymore than you can stop the surprised tears which escape the corners of your eyes as the sharp pain between your legs intensifies.

But then Sanemi’s lips are there, kissing away your tears, and the hand he’d used to guide himself into your body skims along the outside of your thigh, hiking your leg higher up his waist before it drops to rub gentle circles into your hip.

“I’m sorry,” he murmurs between soothing caresses of his lips against your cheeks and across your eyelids. “I’m sorry. I’m sorry.”

He coos his string of apologies as his cock continues to push into you. On and on he sinks, his length endless, and you begin to think your body will split in two before you find the end of his.

Just before you reach your limit, Sanemi stills, fully embedded in your heat. He pants through gritted teeth, his jaw locked against the way you’re constricting around him so tightly it’s nearly painful.

It’s unreal; not only does Sanemi realize how much fucking better sex feels without the restriction of a condom, but he’s also bashed over the head with the realization that you were made for him. For nothing, no one has ever felt as incredible as you.

Nothing in his life has ever felt so right.

Sanemi has always been someone who fucks fast and hard. He’d had no objective other than to escape for a few, blissful moments in the body of another as he pretended not to feel the hollowness in his chest, or the throb of his own self-loathing.

With you, however, he wants nothing more than to relish every movement of your body against his, to savor your every gasp and sigh; to learn what makes you lose control.

You are no temporary distraction; he wants to know you.

He drops his forehead against yours and waits, allowing you to adjust to the intrusion of him.

He trails his lips across your collar bone and down to the twin swells of your breasts, sucking softly at your plush skin as you fidget and squirm beneath him. One broad hand skirts down the outside of your thigh until he finds your knee, and gently he guides your leg around his hips. The other he leaves relaxed against the bed, your foot resting somewhere against his calf.

When your eyes flutter open and find his, he knows you’re ready. So he moves his arm out from between your bodies and winds it instead around your waist, deepening the arch in your back until his chest is flush with yours.

His lips press to your forehead, a silent warning that he is about to move.

And then Sanemi begins molding your body to the shape of his.

He starts slow. He doesn’t withdraw far from you, instead focusing on rolling his hips against yours. Each churn of his groin pushes his cock deeper into your warmth, and soon, your timid whimpers melt into soft moans as your initial discomfort gives way to pleasure.

Encouraged by the way your body starts to relax in his embrace, Sanemi tests drawing his cock out a few inches before plunging back into you.

Before long, the room fills with the lewd sounds of skin slapping against skin, and Sanemi’s moans join yours as he rapidly becomes lost in the euphoria of your wet, tight heat.

One of your arms jumps to lock around his ribs, your nails sinking into his skin as you anchor yourself to him.

His hand snakes across the sheets in search of yours. When he finds it, fisted against your sheets, he pries your fingers loose, winding them with his and he wraps your arm around his shoulders.

“Tighter,” he gasps. “Hold me tighter. Please.”

Your fingers dig into the muscles of his back and Sanemi groans his approval.

And then he’s rolling to his side, pulling you along with him until you’re stretched out across the length of your mattress, chest to chest.

His hand grips under your thigh, tugging it over his hip as he rocks harder into you. “Talk to me, angel,” the hand under your thigh moves to splay across your rear, pushing and pulling your hips in time with his as he grinds. “Tell me how you feel — tell me what you want.”

You cry out, mournful, as Sanemi draws out his cock nearly to its tip before he plunges back into you.

The fullness you feel is overwhelming. You can’t stand that empty feeling, even for a moment. So you hitch your leg higher around his hip, and dig the heel of your foot into the firmness of his ass, limiting his movements.

“Closer!” You gasp. “I — I need you closer.”

He needs that too, he decides; craves it. He doesn’t want to feel any space between your bodies. He wants — he needs — to be so enraptured with you that there is no point in trying to separate. That way, he might get to keep you for just a little longer.

Sanemi’s hand massages your backside, his cock throbbing with every push into you. “Deeper,” he confirms between throaty groans. “You want me deeper?”

You bury your face into his shoulder. Your teeth sink into his skin and with a moan, you nod.

He can do that; is more than happy to, as a matter of fact.

So, with a faint snarl, Sanemi grips the fat of your ass and spreads you wide, and he begins thrusting, hard.

The new angle allows the tip of his cock to bump up against a sweet spot deep inside you. Sanemi’s eyes narrow at the way your head drops back, a loud cry tearing from your throat.

Determined to hit that point within you again and again, he shifts his hips under you while hiking your leg higher up his hip, his fingers digging into the curve of your ass.

It’s a success; soon, your wails echo throughout your studio, punctuated by every punishing slap of his skin against yours.

Really, he can’t give less of a damn at how thin your apartment walls are. The sounds pouring from your mouth are the prettiest fucking thing he’s ever heard.

Something hot and electric mounts quickly in your stomach with each of his frenetic movements. You’ve come before with your own hand, but this — this is something different. Something far more intense, something that threatens to rip you apart from your very sanity until you know nothing but him.

You try and tell him you’re losing control but all that comes out is a pitiful whimper.

But he knows; he knows exactly what you need.

“I’m here, baby, I’m here. I’ve got you.” And with that, Sanemi rolls you back underneath him, settling into the cradle of your thighs and pushing his cock faster and deeper into you. His arms gently unwind yours from his shoulders, and he brings them up over your head, one large hand pinning them down.

“I’ll take care of you, sweet girl,” he promises, and he weaves the fingers of the hand keeping you pressed against the mattress with your own. “Just keep your legs around me.”

Your thighs squeeze his waist in silent answer, your mind far too suspended in the throes of your pleasure to do anything else.

With his lips trailing along your neck leaving hot, open-mouthed kisses in its wake, his free hand slides between your sweat-slicked bodies. He wedges it between where his groin is pressed to yours, and he searches along your sensitive, swollen folds, seeking the spot between your thighs that made you tremble and whine for him earlier.

You jolt under him as his fingers find you again, that foreign, electric sensation sparking deep in your abdomen. “Sanemi —“

“It’s okay,” he murmurs sweetly, pressing down on your clit until you arch further into him with a gasp. “It’s gonna feel so good, baby, I promise. Just focus on me.”

Each rotation of his hand against your sensitive bead matched the deep, pointed roll of his groin, with Sanemi capping the end of every powerful thrust with alternating pulses of his thumb. The pressure he uses mounts with every churn of his hips, and the moan vibrating in your chest as another surge of sticky wetness gushes from your thighs is the sweetest sound he thinks he’s ever heard.

A broken chant of please please please stutters its way out of you, spurning him to go faster; hit deeper.

And Sanemi only knows how to oblige you.

“You’re doing so fucking good, sweetheart. Just keep letting me take care of you —- that’s it.” He curses as you clench down around him, crying out in approval at his praise. “Yeah, yeah. You’re my fuckin’ girl, aren’t you?”

A single wail of his name is your only response, but it’s enough of a confirmation to damn you both.

“You are,” he affirms, his voice taking on the timber of a growl. “Mine. You’re fuckin’ mine.”

His thrusts grow sloppier with every second, though each is punctuated by a silent, recurring chant of mine, mine, mine. Though your eyes are closed, Sanemi can spy a faint sliver of white peeking out from between your eyelids.

You’re close; he can feel it. And he knows, as the walls of your cunt flutter and tighten around him, that your climax will be his undoing.

The hands he has pinned against the mattress over your head flex as you twist and writhe beneath him. your head tosses from from side to side, and the vibrato of your cries rises octave by octave. Every muscle in your body is tense; you are a live wire thrumming with a need to come apart that he knows you do not fully understand.

Sanemi grunts as he fucks you harder into your bed, no longer concerned with keeping his weight off you. He will show you; he will show you how to shatter, and then he too, will break.

But he needs to see you, first.

“Look at me,” his voice beckons you back from the precipice of ruin. “Look at me, Y/N.”

Your eyes open to meet his and suddenly you’re right back at that edge, only this time, you’re falling freely over it, plummeting down a drop that has no end.

“S-Sanemi —!” It’s all you can manage before the knot steadily building in your stomach unravels. Your back arcs sharply away from your bed, and Sanemi ducks his head to smother his own cry against your breast as he takes its tip into his hot mouth.

Your hips jerk and twitch against his, your cunt seizing around him with force that threatens to squeeze the life out of him. Above you, your arms strain and pull against his grip as you writhe and sing for him.

“That’s it baby, that’s it,” Sanemi’s praise is muffled against your sternum, though it is strangled as he nears his own end. “Fuck!“

He’ll have to buy you the morning-after pill tomorrow, he realizes as you continue to come apart so beautifully on his cock, a soft chant of his name the only thing on your lips. He will not force you to bear the consequences of his own selfishness; he will not saddle you with his burden.

But he’s also not strong enough to pull out; not when your body feels like it was made for him, not when your sweet cunt is gripping him this hard, is this wet — all because of him.

He is selfish and he is weak; it’s a toxic combination, and yet he knows cannot stop.

Sanemi’s hips snap a final time against yours, pushing them up and away from the mattress, pressing deeper than he thought possible. His eyes roll back as his own orgasm rocks through him, powerful and blinding, and the growl that built in his throat melts into a strained groan.

He holds you in place, his cock pulsing in time with your cunt while the two of you ride out the waves of your climax together, his cum steadily filling you with his warmth. Your hands skirt down the length of his arms, blindly searching for his hips. When you find him, you pull and tug, a faint whine sounding from the back of your throat. Sanemi answers your plea with a broken moan of his own and he rocks against you, your hips circling with his until he finally lets you collapse against your mattress, limp-limbed and exhausted.

He follows you down, smothering you with his weight as he clings to you like a lifeline, his face buried in the crook of your neck.

“Fuck, you did so good, sweetheart. So fuckin’ good.” He moans into your ear before he pulls back, his eyes searching your face as he pants.

One hand cradles your jaw and his thumb strokes repeatedly over the flushed curve of your cheek. “You okay?”

You don’t answer right away, your eyes shut tight, and Sanemi feels panic bubble hot in his stomach. The hand cupping your face tightens with his worried call of your name, his fear rearing its ugly head, ready to rip him apart, to turn him into the horrid monster he’s always known he was —

“I love you,” and then you’re peering up at him, eyes round and shining with emotion he does not deserve to feel. “I love you, Sanemi.”

It would’ve hurt less if you’d shot him.

Whatever wall remained around his heart cracks and crumbles under the weight of your confession. Sanemi does not answer, cannot find the words to adequately capture the depth of his feelings.

Instead, he snatches you up into his arms, crushing your body against his.

He kisses your lips and then your cheek. One hand cups the back of your head, his fingers burying into your hair as he presses your face into his chest. His arms tremble as he holds you close, every hard ridge of him cradled against your soft curves. He feels your smile against his collarbone, and the way your fingers dance up and down his spine that makes him melt.

It hits him, then. You aren’t waiting for an answer — you said it only so he would know, and you’d not expected anything in return.

All you’d done was give while he took and took. Your body. Your love.

He doesn’t deserve any of it.

Whatever or whomever came after this would never compare to you. Truthfully, Sanemi doesn’t think it would be worth trying anything different. Everything now began and ended with you — including him.

He twists his head to kiss you again and again, your lips meeting his with a sleepy enthusiasm.

He pants as he breaks away. “‘M gonna pull out — might be uncomfortable for a second.”

You wince at the sudden stab of cold left behind by Sanemi’s retreating warmth. He shifts back onto his knees and slides his hands down your thighs, parting them.

A low whistle blows past his lips. “Damn, I made a mess outta you.”

For a moment, Sanemi can’t tear his eyes away from the sight between your legs; the sight of him trickling out you, staining the sheets below. But some of that hot, possessive pride that wells in his chest tempers at the small smear of blood staining your inner thigh.

His fingers massage your legs in silent apology. “Let me clean you up.”

Your hands shoot to grasp at his shoulders, a pleading whimper on your lips. “Don’t leave — not yet.” You bite your lip, your eyes wide and anxious. “Please, can you just hold me for a bit?”

Sanemi’s eyes soften and his heart throbs painfully in his chest. He can’t imagine leaving you; not now, not ever. No matter how stupid and selfish that makes him.

He’d be lying if he said he didn’t know the source of your anxiety — or that you didn’t have reason for it. Sanemi isn’t known for lingering.

But this is different — you’re different. You’re not some temporary distraction. You’re everything. His everything.

“Shhh,” he maneuvers you easily atop him, settling you in against the length of his torso, his hands smoothing up and down the column of your spine. “I’m staying right here, sweet girl. I’m not goin’ anywhere.”

He seals his promise with a gentle kiss against your forehead before laying his cheek against your temple, cradling you to his chest.

Finally, you relax against him, convinced. He lays with you for a long time after, one hand on the back of your head, his fingers rubbing against your scalp until you fall asleep on against him, safe and sound and warm.

Minutes pass, or maybe hours. But Sanemi’s head does not quiet, not even under the soothing sounds of your deep, slow breaths as you dream.

He must have lost his mind. There is no other explanation for the way he’s disregarded every rule, every boundary he’s ever made sense of, all in the name of you. In a single evening, you managed to obliterate every last defense, every barricade he’d safely cowered behind, and now that the castle has fallen, he isn’t quite sure what he’s supposed to do with the rubble.

What he does know is that there’s no putting things back to how they were.

His eyes search your sleeping face because if you were able to make him question nearly everything that made sense in his life, then surely you must also have the answers he needs to re-strike balance in his tilted world. Maybe they lie among the lashes that tickle your cheek, or in the occasional twitch of your mouth between your deep inhales.

But Sanemi is only left feeling more confused the longer he watches you. Because, despite the way he feels vulnerable and exposed at how easily he has been stripped of his guard, he can’t quite bring himself to believe it was entirely your doing.

His eyes widen. There’s his answer.

Perhaps you are not trying to sink your nails into his flesh to peel it back, to demand he be stripped to the bone for you to inspect, to scrutinize and use as you please.

Perhaps that is what you’ve done to yourself, and you’re waiting to see if you will join you; to know if he can volunteer his vulnerability, rather than wait for someone to come and force it from him.

He cannot make any promises. He has spent so much of his life cowering behind the armor he crafted out of his scars and his sneers and barks that were always more ferocious than his bite, that he does not know how to take it off. He does not know how to navigate the world without its weight, both his safety net and his chain. And there is an understanding in your eyes that signals you know that, too.

But he can try.

He mouths I love you against your hairline — he does not voice it, not yet, though it’s what he feels. But your love is a compass that just might point him down the road the leads to a life he so desperately wants; to you.

And he’ll get there, maybe.

In time.

LIKES, REBLOGS, COMMENTS APPRECIATED!

[darkficsyouneveraskedfor]

WYD 1

Warnings: non/dubcon and other dark elements. My username actually says you never asked for any of this.

Summary: A fan makes an offer your can't refuse.

(based on suggestion he's been overworking himself for weeks if not months. He knows he needs a break but his work is too important. Maybe what he needs is someone to take care of him so he can focus more on work. from @thezombieprostitute)

Characters: Bucky Barnes

My warnings are not exhaustive but be aware this is a dark fic and may include potentially triggering topics. Please use your common sense when consuming content. I am not responsible for your decisions.

As usual, I would appreciate any and all feedback. I’m happy to once more go on this adventure with all of you! Thank you in advance for your comments and for reblogging.

You can’t help but grin as you scroll through the comments. There aren’t many but those that are there give you that rush of adrenaline. More so, the interaction is great for your wallet.

As a faceless creator, your interaction is limited. You prefer the smaller community. Your might not be the most lucrative account on OnlyFans but it pays your rent, just about.

It’s the only secret you’ve ever had in your life and it’s a big one. You don’t think anyone would believe it. Not you. Not the librarian’s assistant on part-time salary in her corduroys and stuffy oversized cardigans.

It wasn't exactly an opportunity you were fond of, more of a last resort. You don’t fantasize about the men on the other side of the screen, as flattering as they can be. They have a similar sort of desperation, but the crux of it is somewhat more pitiful.

It’s the private message waiting for you that surprises you. That alone is behind a paywall, a feature many users forego when they’re only there for the quick wank. You shudder at the thought, often avoiding that reality of your side hustle.

You’re nervous to check but alone in the stacks, with not much else to do, your curiosity gets the best of you. You tap the icon and bring up the chat from BB. No profile pic, no info, just a message.

‘Are you interested in a private arrangement? 5k/week guaranteed.’

Great, a scam. You roll your eyes and close the app. Stupid. But why would someone pay for content just to try to con you. It’s a pretty big gamble.

You tuck away your phone and sigh, pacing up and down the aisle. The soft flutter of pages and stagnant silence. It’s so dull, you’d rather deal with anything else for the minimum wage and uncertain hours. Still, the freedom lets you tend to your other business.

A few minutes later, out of habit, you bring out your phone again. You linger in the blindspot of the cameras and unlock it. The app pops up as you left it. Another message.

‘Don’t leave me on read.’

The demand startles you. You should just block but you know that it’s money in your pocket. You’re not gullible, more greedy.

‘5k? Okay, sure.’

You press send and hide your phone behind your back and wander on. Your insides squirm. You’re not stupid enough to believe it. You look again at the end of the next shelf.

‘If you want more, we can negotiate. We’d have to meet to do that.’

You scoff aloud and quickly look around. There’s no one there to be disturbed. You evasively sit at one of the desk and hide behind the wooden cubicle that encloses it.

‘I’m not stupid’, you reply.

‘No, but you’re gorgeous. Pick the place. Let’s talk.’

‘Good luck finding whatever you’re looking for but it’s not with me,’ you type, skin razed and speckly.

‘I mean it.’

‘You’re not real. Your 5k is less real. Save your money and stop messaging.’

You wait, watching the screen. Your ears prick as you listen to the lull of the forgotten library. You can hear a cart rolling a few aisles back. You can’t get caught on your phone again.

A new notification blips up in the app before you can black the screen. ‘BB sent a tip’. You click it without thinking and bring up the tip; $1,000. A thousand? A message pops down and you quickly flick the chat back over the screen.

‘Believe me now?’ He challenges.

You take a breath and lock your phone, tucking it up your sleeve as you stand and turn down an aisle, passing the approaching cart as you refuse to look at the employee behind it. You go to the catalogue computer and pretend to tidy the little paper slips and pencils. You wait until the wheels squeak onward.

You slide your phone out and press your fingertip against the censor. The screen opens and the next message taunts you.

‘Give me a place and time’.

You hesitate and peek around, paranoid that others could read your mind just by looking at you.

‘Send a pic. Then I’ll meet,’ you counter.

‘You first, doll. Face for a face.’

You don’t like this and yet, you’re messaging.

‘After you,’ you insist.

No answer. You shake your head and put your phone back under your cuff. You carry on and head up the stairs to the next level. When you look at your phone again, there’s a response waiting for you.

A man with bright blue eyes and a sculpted jawline. Handsome, almost breathtakingly so. Your surprise is undergirded by your insecurity. Well, might as well send your own and let him change his mind. You scroll through your miniscule collection of selfies that don’t make you cringe and send one off.

You can’t look away as you wait. You know what’s coming. Rejection. Finally…

‘Place, time. Make sure to buy yourself something nice.”

You stare at his answer, dumbfounded. Are you really going to do this?

[nihilnothings]

The Contradictions of Denji Hayakawa and why it’s humanly real

Introduction

“Why does Denji not learn his lesson, is he stupid?”

You’re not entirely wrong but you’re not entirely right.

One of the common gripes of some fans is that Denji appears to not have changed because he keeps falling for women with red flags in exchange for sexual favours, but honestly if anyone paid attention and not get let their emotions do the thinking, he actually has changed for the better in one aspect but he’s struggling for another:

Denji has succeeded in familial love but it doesn’t necessarily mean that it translates to his romantic life.

You can be a decent/good friend or good brother but that doesn’t mean you’ll not fumble with women or romance

What Denji Has Succeeded and How He Did It

One good thing that Makima (unintentionally) did was putting him with Power and Aki. They had a rough start but eventually as all people know he eventually saw them as surrogate family members and Power became one of if not the first close female character he viewed in a platonic sense than in a romantic/sexual sense as at least from his end.

Though they were gone from his life, the lessons he learned never left. Old Denji would only think about his own survival and the carnal pleasures of sex as well as basic necessities, New Denji however stepped up and took on the big gamble of raising the ticking time bomb that is the Control Devil, Nayuta. It can be implied that due to him being shown good examples, Denji was able to succeed in raising Nayuta.

This can strongly conclude that Denji learns by being shown and eventually doing it himself.

For all his setbacks he was a good brother because he had one himself

Interlude: A Common Trope Being Slightly Subverted

We and most of their mothers here know how Part 1 ended, Denji’s broken spirit is mended, he learns more about love and relationships, defeated Makima, and now focuses on living another day as CSM raising her so hooray no more issues right?

It even ended in a seemingly victorious note

I feel like when a long-running series has a continuation and replaces them with a new protagonist, people expect the old protagonist to act as some sort of “mentor” who has everything figured out and helps out the new protagonist in the ropes.

The thing is just because you have one thing figured out doesn’t necessarily mean it translates to everything, real life isn’t like that.

For all of its fantastic elements, Fujimoto characters tend to be praised for being “human” or “real”, it doesn’t exactly mean that it 100% translates to our reality but the way they behave at least resembles somewhat to us humans in real life. Like humans we are, we don’t move linearly forwards or backwards, we move in a haphazard direction that eventually, hopefully, takes us forward, only to repeat that cycle again for a different experience until we reach our inevitable death.

This is what’s currently happening to Denji, he hasn’t had all the things figured out (considering his background, pretty impressive tbh) and he hasn’t reached his goals of finding a good romantic partner. If he had succeeded, then we would be shown a “perfect” Denji that’ll eventually woo Asa without having his own issues or a character who acts as Denji’s girlfriend as a sign that he as a character is fully actualized.

Which is why we see him relapsing against his better judgement.

What Denji is Struggling Right Now and Why Old Habits Die Hard

One of the other things that Makima taught him right is that the activity of sex will be good when it’s done with someone significant and this usually means a romantic partner.

Therefore, when Denji wants sex he also wants a romantic partner along with it.

Now the problem lies in the fact that most of Denji’s romantic experiences weren’t really good at all, most of the women in his life tried to kill and use him, even Asa did once, but thankfully he was shown that she might not be all that bad after all and might lead onto something good for once even if the paths have now caused them to diverge putting that development to a halt. As it is strongly suggested that Denji learns by example, the fact that terrible examples were mostly shown is what’s probably causing him to blunder his romantic life which inadvertently blocks him from having good sex.Not only that but he was essentially mind-broken by Makima to the point of him losing any desire at all, considering how IRL abuse leaves scars, it cannot be denied that toxic patterns still exist within Denji in relation to romance and sex.

He used Chainsaw Man, an important part of him and the part that many people love (especially the ladies), as a means to hook women into a romantic relationship with him, though with Yoshida’s attempts and no sign of a girlfriend, it seems that tactic might not be as effective after all (ironically it did lead him to score Asa unknowingly).

Then, for the sake of Nayuta, he gave away that identity, and thus no longer had a tool to woo women because with all the things that happened in Part 1 and in Part 2, no women seemed to be interested in Denji Hayakawa, thus leaving him listless and desperate. With that he removed the intimate part of sex and hyper-focused on the carnal part out of boredom and desperation with Sus Girl.

However, him struggling doesn’t necessarily mean zero progress, Old Denji wouldn’t have thought of anything and just went with the flow but the fact that he did thought of it shows that he shouldn’t be doing it (he even has a look of shame of doing making the scene of 137 both hilarious and depressing, in the words of abridged Popo, deprerious).

Relapse is a bitch

If Fujimoto didn’t show the hypothetical scenario then we would’ve thought that it was just a cheap gag but the fact that he showed it means that Denji and he knows that this is what the character should be doing but instead he did the opposite making the scene both a gag and a message that change isn’t easy.

Relapsing is a real thing, ask any druggie, addict, junkie, smoker, etc. they all know that it’s wrong but they do it anyway because it’s been their “normal” for so damn long. Heck, let’s not even get to addiction, how many times do you know that procrastination is bad yet still keep doing it anyways? Some might already succeed but a large part of people still keep doing it because it’s been their “normal” even if being productive is better than doing useless shit like making an analysis of Denji’s contradictory behaviours instead of revising your thesis.

Conclusion

Denji’s constant back and forth on the surface looks inconsistent on the outside, but considering all that happened is it a surprise that he’s failing at romance and attempts despite his best in dealing with it? What he needs is someone to show him the right way of handling it, that person doesn’t have to be perfect, but at least teach him that relationships should not be completely transactory and is the work of two people, only then can he probably reduce his mistakes and develop healthier approaches.

Relapsing is a human experience and considering that CSM characters are said to be close to real life, maybe we should view his experience as someone who is struggling to be better but has no capable person to show him.

[archive-of-artprompts]

🍀Lucky day! Send in a number + character to have them drawn/written with that luck trope!🍀

(Tropes from tv tropes 📺)

13 Is Unlucky- The number thirteen associated with bad luck.

Bad Luck Charm - An item is deemed as being unlucky.

Beginner's Luck - The new guy will do better than the experienced guy because of luck.

Born Lucky - Someone is naturally lucky.

Born Unlucky - Someone is naturally unlucky.

Chain Letter - Bad luck is attributed to a chain letter.

Coincidental Dodge - Someone escapes being attacked or killed because they just happened to move out of the way without noticing.

Cosmic Plaything - Someone is so unlucky, it seems like some cosmic force is picking on him.

Dice Roll Death - Bad luck or random chance means you die.

Doom Magnet - Someone has bad luck follow him and those he meets.

Drawing Straws -Picking straws out of a bundle, usually to decide who has to do something.

Fixing the Game - It's not gambling if you cheat.

The Fool - A Too Dumb to Live character whose incredible luck prevents their stupid blunders from actually harming them.

Four-Leaf Clover - Four leaf clovers associated with good luck.

The Gambler - He's got a gambling theme going, and is often very lucky because of it.

Good Luck Charm - An item is deemed as being lucky.

"Good Luck" Gesture - A hand gesture used to gain good luck or avoid bad luck.

Heads or Tails? - Luck dictates what will happen through a flipping a coin.

The Jinx - They're a walking bad luck charm.

Lady Luck - Luck personified.

Lifesaving Misfortune - A case of bad luck preventing someone's possible death.

Lottery of Doom - Where to be lucky is to lose.

Luck Manipulation Mechanic - Game mechanics that let you re-attempt chance based elements to get a better result.

Lucky Rabbit's Foot - Rabbit's feet or rabbits associated with luck.

Lucky Seven - The number 7 is associated with good fortune.

Misfortune Cookie - A fortune cookie fortells doom or bad luck for the person who opens it.

Not My Lucky Day - A would-be lucky character misses the opportunity.

Paranormal Gambling Advantage - "Making your own luck" in games of chance through either paranormally knowing the outcome or affecting it.

Plague of Good Fortune - A character with so much good luck, they consider it a curse.

Professional Gambler - Someone who regularly deals with luck and probabilities.

Russian Roulette - A hard way to test one's luck.

Walking Disaster Area - So unlucky that disasters follow in his wake.

Winds of Destiny, Change! - Changing luck as a superpower.

[choicesmc]

Music Tag Game!

thanks @jerzwriter for tagging me!!

Preface: I don't listen to a lot of music. Like at all. Like I very very much have a handful of songs that I've rotated for the past several years that has remained pretty much unchanged. If anything I've stopped listening to more songs than I've started listening to.

Current Favorite Album:

Don’t crucify me but I don’t listen to whole albums. It’s just individual songs and it took an embarrassingly long time for me to learn that the songs weren’t published one-by-one but came in albums 😭Long story short: none.

Favorite Song Off That Album: 

Read prior answer. For the sake of the question though! I like What I Know Now from the Beetlejuice Musical, if musicals count? (I haven’t listened to all the songs there but I never got past What I Know Now, it’s such a wonderful bop, you know?)

Current Favorite Song: 

Devil’s Train by Lab Rats. I really like it! It’s super evocative and I love the storytelling element of it. It’s almost a comfort song? I know all the lyrics by heart 💙 it's been my favorite for a long time

Fav Lyric From That Song:

Went from a family man to ramblin’ man  A gambling man who burned both ends of the candle  Folded his hands in, it was too hot to handle!

Last Listened Song:

Shekini by P-Square. It came out a while ago and brings me soo much nostalgia!! I remember hearing it at so many weddings and events when it first came out xD At the time I was too shy to dance to it but now… when it comes on I feel ethically obligated to get on the dance floor (for this song in particular!!)  

Plus, it’s a real confidence booster! 

Fav Lyric From Last Song: 

Very little of it is in English and the part that is in pidgin English 😭 

Oya show, no wahala  You dey make enemy go madder  Baby go, go hala  You dey make me wanna craze  

The vibe is: doing great without breaking a sweat. Like to the point it makes your enemies stupid mad about it. 

taglist: (i don't know who's been tagged already) @dutifullynuttywitch @thosehallowedhalls @oh-so-youre-a-nerd

[ramrodd]

MAGA suddenly FURIOUS with Trump over this ONE post

COMMENTARY:

Well, here's the thing about Carter and Trump, before you were born, Carter's domestic czar, Stuart Eizenstadt, provided the guarantees for  the underwriting of Trump Tower that brought the project  to bed, Trump Tower was the leading edge of Carter's element of the Nixon0Daniel Patrick Moynihan Affirmative Action that led the renaissance of Nwe York City out of bankruptcy, The Theory behind Eizenstadt's strategy was that Trump Tower would act like an anchor project like an achor store in a shopping mall that would lead to the recovery of the neighborhoods around i And it worked, I was consuting to  the Community Services Administration in 1980  and reviewed a porject proposed by the South Bronx Community Developement Corporation, which was an social entrepreneirui entity doing grass roots development in the neighborhood where the Clinton Foundation is located today, Trump ended up doing 22 projects in Manhattan that were far more important to the response of NYC to 911 thatn anything Rudy Guiliani did, Rudy just happened to be in office when the airplances hit. January 19, 1981, America was a cunt hair away from   achieving the critical mass required to trigger the national obilization needed  convert the Star Wars economics of Wisehhower-Nixon processes to the Starship Capitalization illustrated by 2001:A Space Odyssey necessary to sustain a lunar colony for 100 years, if not forever. If Carter had been re-elected, we would have been to Mars by now. The  criminal agenda of Supply Side economics Reagan brought to DC with the nazification agend of Project 2025 stopped the mobilication cold. In 1986, Trump's Art of the Deal was at the leading edge of Reagan's Ne Federaalism, which was the final structures needed to implement Starship Capitalism, but Supply Side economics was passed into law with Bod Dole's 1986 Tax Reform which vacated several strata of the economy, including the George Bailey S&L sector of the economy essential to the New Federalism , the Junk Bond secotor and pulled the plug on the equity in all of the real estate properties owned by Trump.  and blew up the Art of the Deal, which would have assmbled the critical mass necessary for the national mobilization for WWIII Eisehnhower's 1956  Presidential Platform had put into motion, If you replace the Pan Am logos in 2001:A Space Odyssey with SpaceX, this is where we would have been by now if Carter had been reelected and A Trump Interstellar Hotel would have opened on the moon, The  precursor to Project 2025 prevented Reagan's New Fdereealism from maturing ann has stalled the space program at least 40years. The good news is that Trump founded the US Space Force, which   was a necessary structure of the New Federalism that makes Elon Musk's vision of going to the moon possible. The bad news is that Bob Dole's Tax Reform is the originn of the current housing crieses. All these MAGA crybaby assholes are full of shit about Carter, but they are as stupid about constructive economic policy as the Progressive bed wetters who forced Biden off the ballot. When GHW Bush called Supply Side economics a "great big River Boat gamble",, he neww whereof he spoke, The first big pay off for Supply Side economics was the Resolution Trust Corporation, which was the largest transfer of unerned wealth from the American middlclass to the Stanford-Silicon Valley axis of Oligarchs. Project 2025 wanst to do the same thing with the privitaization of the Veterans Administration with the dismantling of the administrative state Steve Bannon is flogging. Trump Tower is why Trump honored Jimmy Carter, He wouldn't exist as The Donald without Carter.

[orionsangel86]

SPN Conspiracies - Applying Logic to Chaos

Its been over 2 months now since the Supernatural finale aired. I am still so angry, hurt, and confused by it and I don’t think I will ever get closure unless someone like Andrew Dabb, or Jensen Ackles, actually opens up and gives us an explanation that makes sense.

What annoys me most right now is people trying to gaslight fans into believing that we should accept the narrative we have been given at face value: That the finale was always planned to be that way, that Destiel was never on the cards, that there was no Network interference, that the only changes made were due to covid and were minor at best.

This harmful gaslighting is FALSE.

NO ONE KNOWS THE TRUTH OF WHAT HAPPENED.

Look, I don’t agree with some of the crazier conspiracy theories. I don’t believe that there was some huge campaign among the CW Network execs to remove anything remotely gay out of homophobia. I don’t believe that the finale was changed because of some desire to make it into a Walker promo. I don’t believe that the finale was really bad on purpose in protest by Dabb for not getting to do an ending he truly wanted. I don’t believe that Dabb left us smart fans a bunch of secret messages in the finale to hint that he was on our side all along and that everything was fake.

I do, however, believe that all of these conspiracy theories have some elements in them that are plausible. At least, more plausible than the bullshit narrative mentioned above that some people are pushing in some desperate attempt to defend the Network (which imo is really strange behaviour anyway - why would anyone care about a TV network with a history of terrible behaviour?!?)

We have facts, based on information provided before the covid lockdown, which for some reason, people like Misha have since backpeddled on. So let me try to outline some of the information that makes no sense.

Below the cut I go on a deep dive into the conspiracies and statements I have heard about the SPN finale and try to make some sense of this whole fucked up situation. It gets long.

1. “Cas was never gonna be in the finale”.

False: We have many fan accounts of Misha confirming that he was filming the finale. We have video evidence of Misha confirming he was going back to film the finale after the lockdown. We have confirmation from fans in Misha M&Gs from March that he had about 5 days of filming left.

We also had fan accounts of discussions with Alex Calvert (I think) where he confirmed the final shot of the final episode was all four of them though I would LOVE if someone can find a source for this.

2. Okay, Misha was gonna be in the finale, but only as Jimmy Novak

False: I heavily side eyed Misha when he said this. But I think I can come up with a plausible explanation for it. Per above, Misha was supposed to film for 5 days. This does not align with the half a day he described of filming as Jimmy Novak. My own belief is that after Cas was cut from the finale (for whatever reason we don’t know) someone (probably Jensen Ackles) put up a fight and complained that Misha should be there for the final episode. The writers probably tried to come up with a way to bring Misha back without having to deal with Cas, and pitched the idea of Jimmy Novak being in Heaven. Misha, obviously annoyed about this, turned this stupid pitch down.

3. Destiel was never a thing, never planned, never part of Dabb’s ending. Bobo and Misha pushing the confession was the part of the season that was Wrong.

False: We have a SPN writer on record saying that Castiel’s confession was the first thing written for Season 15 when the writers returned to the writers room. If it wasn’t planned, why was it the first thing written, why does it align so well with the rest of season 15? Look I know some people either a. hate destiel and refuse to see it even if it slaps them in the face, or b. have major heteronormative goggles on, or c. are just homophobes in denial, but 15x18 fits in perfectly with the narrative of season 15. Everything Cas says, everything that happened in that scene was so in character it just works. It fit. If you just rewatch the season whilst applying some critical thinking skills and pay attention to the narrative and character arcs, trust me, the confession fits in with pretty much every other plot point, and character story in the season.

Also: We have known for a while that the network did market research into Destiel, wanting to know if it would go down well or not. They were well aware of its popularity and considering it. Where would this have come from if not pitched by the showrunner? Dabb must have at least been considering it. If you take all of Dabb era into consideration, starting with mid season 11, all the way through the season 12 build up, season 13 grief arc, and then Bobo’s Destiel break up arc in late season 14, early season 15, it is clear that there was some toing and froing on the issue of Destiel, but ultimately, I still believe that Dabb was on board. He wrote 13x01 for christs sake. No way he wasn’t taking it seriously.

 4. It’s always been about the brothers. The finale just stays true to what Supernatural is all about.

*rubs temples* Fundamentally FALSE: The show has time and again reasserted the message of “Family don’t end with blood”, as well as the messages of AKF and YANA. Sam and Dean may be at the heart of the show, but a heart can’t exist without a body to support it. Without bones, and lungs, and blood, and muscles, and a BRAIN. The finale abandons the shows core messages. It forces the characters back into their season 1 characterisations and the whole thing becomes hollow and souless. But I’m not here to complain, I’m here to lay down the facts. Dean’s heaven was supposed to be surrounded by loved ones right? We know OG Charlie Bradbury was gonna be in his Heaven, we also know CAS was gonna be in there. So this idea that the finale as it currently stands was how it was meant to be is wrong. Dean was supposed to die and reunite with his found family and loved ones. This alone would have been a far better ending than the one given. Do I think this was solely a covid issue? Fuck no.

The randoms that WERE in the finale are proof alone that they could have got people in and quarantined. We also have several actors on record saying that they WOULD have quarantined for the finale had they been asked to return but they WEREN’T.

Lies have been told. Samantha Ferris and Chad Limberg have confirmed that we have been lied to about the original plans for the finale.

This alone is proof enough that there is more plausibility in some of the conspiracy theories than any bullshit narrative some people are pushing in defence of the barbaric mess of a finale we were given.

So lets address some of the conspiracy theories now:

Conspiracy No.1: The CW Network reviewed Supernatural during the covid break, and due to homophobia, refused any Destiel arc that wasn’t already filmed, shut down any potential reciprocation from Dean, and forced Dabb to change his finale.

I don’t think this is entirely what happened. But I do think it is very strange how there is a such a huge disconnect particularly in Dean’s characterisations between what had come before the lockdown, and what came after. The one fact we have here, and please someone provide a source if you can find it because I know there is one, the finale script was still going through changes up to only 2 weeks before it was filmed. We know that there was some weird editing in 15x18 (which was still in post and uncompleted before lockdown) and we know from Jensen’s own mouth that there was more to the confession scene on Dean’s side that was cut. We also know that this isn’t the first time that Destiel heavy moments have been changed in post - the prayer scene is another big scene that went through a lot of changes and Bobo fought to have his script play out the way he wanted it.

There are certain things that in my own opinions, are basically true of SPN which I have put together from years of keeping one eye on the writers room, the network, and all the various comments made. My opinion is this:

The writers room has always been split on Destiel. Some writers heavily supported making it canon, others did not care, or were against it.

The Network considered it over the course of several years, did market research, green lit it, then changed their minds, possibly several times over the course of Dabb’s era. Destiel was pitched to the Network early in Dabb era.

The crew on set were also split. Some people heavily supported it, and worked to assist the reading, whereas others did not care/did not support it. The same can be said for the editing room.

Bob Singer supported the subtextual homoeroticism, but never supported bringing it into text (this is an opinion, but I think it aligns with everything we know about him.) IMO Bob Singer also supported subtextual homoeroticism between Sam and Dean - the guy is gross is what I’m saying. He isn’t exactly a progressive person.

Fun fact - a while back our old enemy Sera Gamble went on a Twitter rant about writers rooms and the ways a script goes through changes. I don’t think this was in relation to the SPN finale wank but she basically inadvertantly confirmed that the Network can step in and make sweeping changes to a script if they want to and if they decide they don’t like the direction of a story. Sera Gamble confirmed this as a fact.

Now. I’m not saying that this is what the CW did with Destiel. I just think its very strange how pre lockdown, the last thing filmed is a heartfelt homosexual declaration of love between Dean and Cas, and we have a finale script that Misha had not seen, but knew that he was meant to film as Castiel for 5 days (5 days on set is over half of an episode as far as I know). Then all of a sudden, Covid happens, and Cas is cut from the finale completely, a desperate attempt to bring Misha back only as Jimmy Novak takes place, which Misha rightly refuses, leading to a finale which makes zero sense narratively and appears in every way completely and utterly butchered.

The only explanation provided by anyone involved is that Covid meant changes had to happen - but that covid didn’t change the actual story at all.

But this makes no sense because we know that Cas was cut from the finale. This is FACT. Do not let anyone gaslight you into thinking otherwise. Misha was preparing to quaranting to return to set as Cas post Covid, so whatever happened to cut Cas from the finale, it wasn’t Covid.

I’m gonna have to Occum’s Razor this and say that the most logical explanation here is the one that is most likely true. Someone got cold feet with the Destiel story, and to prevent any possible interpretation that included Dean reciprocating, any hints of Destiel were removed from the finale script, including Castiel’s whole appearance.

Now, this isn’t me saying I think that Dabb’s original finale was full of Destiel love confessions and a homosexual kiss or whatever, but I am asking you all to really think about it and ask yourselves WHY Cas would have been totally cut from an episode he was supposed to be in at LEAST half of? 

We will probably never know the real reason Cas was cut, but he WAS cut. I’m not saying it was all homophobia, but some fuckery went down.

Conspiracy No. 2: The CW Network changed the finale to make it into a Walker promo because they only cared about raising up Jared and not Jensen and Misha as they were losing them anyway.

I don’t agree with this in terms of the finale being butchered solely to make it into a Walker promo. There are however moments in the finale that are clearly supposed to be Walker Easter Eggs and added to excite fans of Jared/Sam in particular such as Sam’s gratuitous and unnecessary topless scene, as well as the call on the “case in Austin”.

I will take this moment to say something pretty damn controversial though.

*Deep breath*

The fact is, Dean Winchester has been the “lead” character of Supernatural’s narrative for years now, with Sam often being sidelined and not given great storylines himself. Even in Season 15, right up until the finale, I myself felt bad for Sam sometimes because so much of this show has become all about Dean. Jensen Ackles is clearly the better actor when it comes to emotional story arcs, so the emotional heart of the story has most often leant on him.

So you can understand my confusion, when this is turned on its head in the final episode, to make Sam carry all the emotional weight, and have the most lines/screentime, and story resolution (even if his story resolution was just as crappy as Dean’s).

If we pretend that Destiel is not a thing, and ignore Cas’s confession, the story change in the finale from Dean focus to Sam focus is still rather suspicious. Again, I’m not saying I completely approve of or agree to the conspiracy theory that Walker influenced the butchering of the script, but I can believe that perhaps a note went down from the CW to someone like Bob Singer, to emphasise Sam/Jared more than they perhaps would normally, because the CW wanted to shine the spotlight on Jared to raise excitement for Walker.

I can also believe this note might have said something like “we wanna cater to fans of Sam/Jared the most - don’t do anything to piss them off.” but now I am getting into my own conspiracy theories so by all means dismiss this as me being bitter.

Conspiracy No.3: Dabb purposely made it bad, as a secret message to Destiel fans that he had been silenced, by layering meta clues into the episode that he knew fans would notice.

I doubt this one is true. Though some of the theories are quite compelling. The old vampire silent movie theory for instance starts off quite well, but loses me the moment it brings up Urban Dictionary slang.

Sometimes I have just had to accept that Supernatural is a bad show that is sometimes accidentally a masterpiece. However, some writers really did go That Deep with their stories - anything by Ben Edlund or Steve Yockey for instance, their episodes are meta masterpieces with a hundred different layers of beautiful subtextual storytelling and are a joy to analyse. Bobo Berens has certainly done some A+++ work especially now we KNOW that he was working hard all this time to bring Destiel to canon text (so any analysis of Destiel in the subtext in his episodes is very accurate). There have been many other key elements analysed over the years which have been confirmed true. Cas’s death in Season 12, Dean’s time as a demon in season 10, Season 11 ending in unity of dark and light, these were all plot points predicted by meta writers just by analysing the narrative. Sometimes the writers really have been very smart and they do add things to the show to aid us in our meta.

Richard Speight Jr for instance, confirmed that SPN has a visual library that the production team use to give clues and hints in the narrative. Pizza, for example, always means a lie has been told. Whenever Pizza is being eaten or even just mentioned on screen, there is dishonesty in that particular moment.

The beers also have a very specific message and the one thing I can’t let go about the finale, was that Dean was drinking El Sol beer. The beer his dad gave him, that was terrible.

El Sol has been used in the show to indicate something being wrong, a fake reality, or another lie, for the longest time. It is the beer of deception.

The fact that in the final episode of this entire show, Dean is in Heaven, supposedly at peace, and then he gets handed an El Sol beer to drink? Thats a HUGE red flag for any meta writer watching who can read SPNs visual library.

If they had given him the Margiekugel beer of family then it would make sense. Dean is in Heaven, with Bobby, his family, at peace. Margiekugel should have been the beer of choice. But nope. El Sol. Something is wrong.

I don’t know if it was Dabb, or Singer, or some disgruntled ADs and crew members who added these elements into the finale, but their very presence confirms some message of Wrongness.

I could go into a huge rant about Vampire Mimes not making sense and the very glaringly obvious symbolism of cutting out peoples tongues too, but that is high school level film analysis. It’s obvious. It means to silence someone. There is validity in interpreting this as Dabb saying he was silenced. I don’t know how true it is, but i can’t 100% dismiss it, because as I said, this is high school analysis levels of obvious subtextual storytelling.

So in summary, whilst I don’t think that Dabb intentionally went out of his way to sabotage his own script, and leave a breadtrail of secret messages for savvy fans to put together to confirm that he was silenced by an evil network into not getting what he wanted... I do think that there is validity in questioning these odd choices for the finale. Cutting out tongues? Vampire Mimes? El Sol beer?

The evidence is somewhat compelling is all I’m saying. I don’t believe the full conspiracy theories, but as I have said many times before, some fuckery went down.

So What Do I Believe?

That some fuckery went down and whatever company line they are pushing is bullshit.

I believe that the original script included Cas (since thats fact). I believe that the original script probably always had Dean dying on a vampire hunt (due to Jensen’s issues with it and in particular, his sarcastic comments about vampires in the past year or so which in hindsight are hilarious and prove he never really came to terms with Dean’s idiotic death). I believe Dabb’s original script was some less crappy version of what we got, which potentially included showing Jack rescuing Cas from the Empty and resolving the outstanding Empty plot points (potentially this was actually a 15x19 plot since Mark P commented that his final scenes were supposed to be with Jack and Cas), had Cas reunite with Dean in Heaven and had them have a discussion about Cas’s confession. I believe that there was probably a lot of back and forth over how to handle that with some people wanting Dean to obviously reciprocate and others believing they should keep it ambiguous. I believe that Dean and Cas would have reunited with Charlie Bradbury, and Bobby Singer, and possibly others (though if this was the case it must have been very early on since no one ever looped in Sam Ferris, Chad Linberg or any other Roadhouse people).

I believe that Sam’s ending probably didn’t change much, but I do feel that initially they were planning on him ending up with Eileen, because it is the only thing that narratively makes sense. Cutting Eileen and giving him a blurry wife is something I won’t ever understand and Jared’s bullshit explanations are quite clearly pulled out of his ass to appease bronly types. I believe the reunion on the bridge would have included Cas and Jack, with a final shot of all four of them together, at peace (as this aligns with Alex’s comments from around a year or so ago that the final shot was all four of them). (I also am not sure it was always supposed to be on a bridge since the foreshadowing in an earlier episode showed Dean, Cas and Sam all in the Roadhouse together).

I believe that script went through countless changes and redrafts, and not even production people or the types that some fandom people claim as their “sources” would even have seen those early scripts, since even Misha never saw it. I believe that these rumours of Dabb never having Cas in his finale and ignoring all Destiel elements likely come from people who only saw later versions, weren’t party to network discussions and felt bitter about the final scripts they did see (being the crappy butchered one that was ultimately filmed). Those “sources” are now spreading rumours to discredit Dabb.

I obviously believe Dabb is a weak ass pushover who either didn’t care enough to fight back, or gave up since he’s been stuck with fucking Bob Singer on his back for years, but I will NEVER believe he didn’t care about the DeanCas love story, because he has been one of the few writers who has championed for it for years. You can’t look back at Dabb’s episodes in earlier seasons and claim he didn’t care. Dabb was a writer whose creative ideas were beaten out of him by an unforgiving Network only concerned about where their future money was coming from. Do I think he gave up too easily? Yes. But I also have one other huge reason for not believing the bullshit about Dabb being this anti-Destiel villain.

Bobo. Because if Bobo truly believed Dabb was gonna fuck that up at the end, I don’t think he would have given us Cas’s love confession to begin with. If he had known it was gonna end like that, I think he would have reconsidered, because had Cas not confessed his love, I don’t think he would have been cut from the finale. Bobo - a gay man, would not have wanted such a horrible message for queer fans being put across in the show he worked so hard on. He started writing that confession scene the day they returned to the writers room. Dabb would have been there, would have seen what he was writing, probably discussed it with him, after all, other episodes were written with the confession in mind. No way was Dabb planning to fuck up the ending knowing what Bobo was giving us. Nope.

Something went very wrong over lockdown. Someone, somewhere up the chain of power caught wind of the confession scene in 15x18, realised that it demanded a resolution which would make Dean Winchester, their protagonist, queer, and pulled the plug. I believe this did not come from a place of homophobia, but of bad business sense.

The CW is constantly trying to win the approval and attention of the one demo group that they seem to fail at getting the most: young straight men. Supernatural was one of their only remaining shows that appeals to young straight men, and Dean Winchester is more often than not the fave character of those young straight men who project onto him. Making Dean Winchester, established Han Solo of Supernatural, queer and in love with his best friend in the finale would have come across as a betrayal to those young straight men. The CW probably feared they would lose that demo group for good, and with a show like Walker starting soon with Jared at the helm, they couldn’t take the risk.

Hence there was probably a whole bunch of back and forth script redrafts with the Network, with Dabb and Singer fighting to make a finale that would appeal to everyone. There was most likely no way that they could bring Cas back without addressing what had already been filmed, because any resolution of that plot would either a. make Dean queer, or b. address it awkwardly by having Dean reject Cas (this storyline would probably have been slammed by critics worse than the finale because it meant addressing it. It might have got the attention of LGBTQ activist groups and caused a bigger shitstorm than what we got). The best option was therefore C. Bury it and Cas, pretend it never happened. Never address it again and distract Dean with other things. Hope that Destiel fans will accept no answer from Dean as ambiguous enough to imagine a future reunion rather than shutting it down with a rejection, and still keep hold of the blissfully ignorant heteronormative straight boys so they can carry over to Walker when it starts.

I also believe (controversially probably) that there was concern that any resolution of Dean and Cas would have overshadowed network darling Jared Padalecki. If Dean and Cas had come together in the finale, with a very clearly textual homosexual reunion, then that would have been all anyone talked about. The reviewers, the critics, the audience, everyone. It would have been nothing but Dean and Cas (and look, if they did think this, they were right, Destiel trending over the US ELECTION.)

So what is the network to do, when they are losing the two stars who would get the most attention from this storyline? The one star they were holding on to and getting his own show, relegated to third place in the finale of the show where he was first on the call sheet? Nope. That’s pretty unacceptable. Even without Walker I can imagine people at all levels side eyeing the Destiel thing over the years. This IS a show about two brothers, and their relationship should be the core relationship, we can’t have one brother pushed aside in the finale to make way for a queer relationship that will get all the attention instead. It was never gonna get approved for this reason ALONE.

At the end of the day, if I look at it from a business perspective, it makes far more sense that the CW shut down Destiel, rather than “oh Dabb never cared and ruined it because he’s an idiot.” The writers cared, and had built on that story over years. But their mistake was leaving any Destiel resolution to the finale. If they had instead gone and got Dean and Cas together in early season 15, then they could have ended it in a way that satisfied everyone. Destiel wouldn’t have threatened pulling focus away from Sam and Dean, and the show could have gone out on a high.

When I lay out all the conspiracy theories, and line them up next to the cold hard facts, the conspiracy theories in some way or another, make more sense. To believe the company line, the narrative we have been fed, is to ignore your own eyes, ears, and memories pre March 2020.

All I’m asking people to do is take a look at the show, the narrative presented in the show, and the information presented above. I’m not telling you to believe what I’ve written here, half of which is just my own opinion. I’m asking you to ask yourselves if it makes sense to you. Because it sure as hell doesn’t make sense to me. I don’t think I’ll ever be satisfied.

[ct-multifandom]

Miracuclass Amogus Cringe

I was going back and forth about making this post, but then I saw @charming-mage ‘s and I was like screw it we’re doing this. This ended up 10x longer than I thought it’d be.

Marinette (crewmate) - tries to organize everyone into a buddy system to corner the impostors, gets frustrated when people agree to her plan and then start running rogue. When discussions start she’s leading the conversation and asking the most questions. She greatly prefers crewmate over impostor because she likes the mystery solving element of discussions.

Marinette (impostor) - whenever she kills someone she goes, “ahhhh” out loud and panics while her avatar sprints away from the body. She likes coming up with convoluted plans, especially when she can communicate with her fellow imp(s), and tries to make it seem like she’s in two places at once wether it be through venting or falsified testimony.

Adrien (crewmate) - he has to unmute and ask how to do like every individual task to the point where he’s been voted out over it before because cmon, you’ve gotta be lying about it at this point, just piece it together and stop unmuting during task time. He makes puns and sings little improvised songs while tasking. When he suspects someone but they don’t get voted out, he offers to tail them at the cost of his own safety. Same with fixing sabotages late-game. To him, getting killed is just part of the game progression, and it’s not a big deal because he trusts his fellow crewmates to avenge him and doesn’t mind ghost-tasking.

Adrien (impostor) - okay maybe he lies about not knowing tasks sometimes. But it also took him a while to learn imp mechanics and he kept asking about them out loud like, “what’s the red square task on the floor? Why’s my name highlighted?” And somehow nobody noticed while his partner(s) were like nggggg Adrien no... At least he’s good at playing innocent/fake-detective-ing in discussions. Whenever he kills someone he makes some stupid one-liner about it out loud.

Alya (crewmate) - we got Sherlock Holmes over here. She overanalyzes every tiny detail and isn’t scared to sacrifice the sus for the greater cause. When she finishes tasks, she likes to hang out by security and snoop in case of the rare satisfaction of catching someone red-handed. If there’s an emergency meeting, it’s probably because she probably saw something. She supports Crewinette’s plans to corner the imps. She thinks tasks wins are boring and that it’s a lot more fun to win through voting correctly. If they task-win or lose she stops before the new game and asks who the imps were and for a recap of their actions.

Alya (impostor) - a force to be reckoned with. She’ll wait for the perfect moment to strike someone, and then cover her tracks, join a group and win herself a strong alibi anyways. Her reputation as a ruthless detective protects her, even when the game is set to show that the ejected person was innocent. She always chooses someone to kill and someone to blame for it, but sometimes she gets carried away and they vote her off for pointing too many fingers.

Nino (crewmate) - he’s just tasking, man. If he gets killed he’s like, “oh mf” and just keeps ghost-tasking. He mostly hangs out during the discussions unless he has something solid to say, only jumping in at the end to confirm, “so we’re voting for _?”. He leads his own little crewmate squad around when he finishes tasks to protect them while they finish theirs.

Nino (impostor) - mostly plays off the strategy of his partner(s). He likes playing the protective team-player type “innocent diversion” role while the partner(s) get to killing, so when discussions start he’s totally in the clear, which gives him an opening to dodge suspicion in the future if he needs to take over killing. He pretends to fix sabotages all the time because people rely on him to do that as a crewmate.

Max (crewmate) - freakishly good at the card scanning task. People always ask for his secret and he’s like? It’s so easy? He has every map memorized to a t so he can point out the contradictions in people’s stories like an ace attorney character. It’s surprisingly really helpful. He’s the opposite of Alya in that he’s a big supporter of the “guys, stop voting off random innocent people, we have like five tasks left. Whoever hasn’t done them, just finish them” strategy.

Max (impostor) - he tries his best to protect his partner(s) in the discussion while laying low himself, and sometimes he gets voted out for it, but if he senses that there’s nothing he can do, he’ll throw them even further under the bus to build credit for himself. He doesn’t like sacrificing innocents as a crewmate, so his defenses are only sus when he’s caught being wrong. He sabotages a lot to control people’s movements and vents liberally unless he committed to a tasking group. That being said, he can go whole rounds without killing out of caution.

Kim (crewmate) - he’s the guy who calls emergency meetings early into the game only to say, “I miss you guys :)” He gets voted out all the time for doing troll-y crap and ignoring Crewinette’s plans. He’s also severely confused by some of the tasks and game mechanics, but fakes it till he makes it, until the discussion where he rarely says anything valuable and just jokes around. Sometimes, though, he’ll offer a tiny offhand detail and everyone’s like Kim, I hate to say it, but you’re a genius or that’s the piece we’ve been missing! And he’s like haha ok. He’s always behind on tasks, sometimes out of laziness, sometimes out of confusion, but he’s one of the people Max is impatiently waiting on.

Kim (impostor) - he gets caught in the act a lot and it’s hilarious, but other times he gets away with everything the entire time, which is kinda scary. He’s weirdly good at introducing so much confusion and derailment to discussions that everyone gets totally lost and doesn’t know what’s going on, allowing him to survive when they could’ve easily figured him out. Unlike Max, he knows literally nothing about the maps and always says he was at the “slidey thing” or whatever and everyone’s like idk wtf the slidey thing is, and if this were anyone else they’d be gone immediately, but it’s Kim so he might actually be telling the truth. He refuses to learn the names of anything because this really helps him out.

Alix (crewmate) - always trying to convince her friends to experiment with ridiculous game settings. Occasionally, she gets to them, and they get games with comically unbalanced imp:crew ratios, awful lighting, an overwhelming load or lack of tasks, or hilariously low cool downs. She revels in the chaos. When she tasks she usually moves from place to place alone but tries to hop in with groups to confirm her movements. She’s pretty good at sussing imps out when they offer enough information, but otherwise she just makes goofy comments with Kim.

Alix (impostor) - not too worried about killing people and venting. She moves fast and dashes from place to place, joining a group on the opposite side of the map from her last body. If anyone says, “I saw someone vent but I didn’t see who” it was probably her. She likes the “stand in a clump and watch the chaos ensue when one person drops” technique as well as the gambling “hope that the UI for the task everyone’s doing covers your killing and venting” strat. Sometimes she’s forced to vent to a dead end and gets caught, and sometimes the big brain detectives catch her, but she’s usually pretty smooth.

Rose (crewmate) - a big fan of hide and seek mode. She likes grouping up for tasks, protecting each other at the cost of efficiency. During discussions, she has a hard time believing anyone’s the impostor, and everyone’s like, Rose, we know there are exactly three of them, you can’t defend every individual person. Whenever she gets killed she is like *gasp* et tu, Brute? No matter who it was.

Rose (impostor) - runs around with her squad when... oops... looks like something got sabotaged! Uh oh, wonder who could’ve done that? She’s in a battle against that task bar more so than the players, and tries to stay away from killing. She emulates crewmate behavior perfectly so no one ever suspects her until really late. If she’s the only imp left and she has to kill, it’s like an Agatha Christie locked room mystery level of drama and betrayal within her squad. But we were all together the whole time... omfg no way... it was one of us.

Juleka (crewmate) - she secretly prefers when everyone tasks alone, but goes with the squad for Rose. She only talks in discussions if she’s 100% sure about something, and she often incomprehensibly mumbles vital evidence. ~10 minutes later when they catch the imp she’s like iItoldyouso and the crew’s like ??? If she gets killed and her tasks are done, she haunts that impostor relentlessly. Sometimes she even organizes ghost brigades in ghost chat and gets everyone to follow them.

Juleka (impostor) - definitely gets a kick out of the kill button. Whenever she takes someone down she’s like heeheehee. If she was peer pressured into a task team again, she’ll anxiously try to slip away unnoticed for a second to catch someone in the hallway outside, but if she’s alone, she’s on a hunt. Nobody is safe. When she defends herself on voice chat she also mumbles incomprehensibly and everyone’s like sure, fair enough.

Mylene (crewmate) - seasoned task group leader. She also sings little task songs like Adrien. She tries to organize people into chatting regular status updates so they can tell if someone goes missing. She reports every body she finds and actively participates in the discussion, but whenever she makes good points, she gets overlooked. Then, the crew’s like Mylene, why didn’t you say anything sooner? And she’s like agjdjdhh Either that or she gets voted off for always reporting and being too eager to discuss on top of it.

Mylene (impostor) - gets her partner(s) inside her team and tries to tag-team anyone passing by, only for all the impostors to have alibis when she reports. If the ratio is right, they can destroy their own group, and then immediately point the finger at whoever is left, which works about half the time. Mylene is a pretty convincing actress, but the high IQ tricks only work a couple times.

Ivan (crewmate) - he’ll take one for the team if he has to, especially in those sabotage cases where you’d have to be isolated and vulnerable. Otherwise he’ll protect his group. He has an “innocent until proven guilty” attitude when he runs into other people on the map, and skips during a lot of the votes.

Ivan (impostor) - we all know he can’t lie to save his life. He usually gets voted out really fast if he kills someone because he gets nervous and starts saying contradictory things when questioned. That being said, he’ll do what he can to keep his partner(s) in the clear. He never vents because the risk is too high for him, instead just running around and saying, “sorry” out loud when he catches a victim.

Nathaniel (crewmate) - he’s the opposite of Adrien in that he’ll do anything to avoid getting killed. He runs around tasking on his own, but he’s usually behind because he’s so focused on avoiding everyone, to Max’s frustration. He also never reports bodies. This causes him to be sus at all times, so he gets voted out a lot. Wild Nath sightings are rare and terrifying because he’s never in the clear and he’s just standing there, menacingly. Imp!Alix sees him as a fun combo of Where’s Waldo and Assassin.

Nathaniel (impostor) - the millisecond that cool down timer runs out, someone is getting killed. Hit and run. He’s good at entering a fairly crowded large space, striking, and staying in everyone’s blind spots while he runs away, especially when the lights are out. He likes venting to isolated areas and killing as many people per round as he can, laughing when someone finally reports and everyone unmutes to go WHAT!? at the number of deaths. He tends to operate separately from his partner(s) unless they have an actual plan.

Chloe (crewmate) - gathers every single person in medbay and makes sure they all watch her scan. Yeah okay, we get, you’re a crewmate. She feels personally offended whenever someone kills her, which is often, since people tend to jokingly target her. During discussions, she accuses anyone and everyone of being sus, even if she just walked past them or saw them tasking alone. She likes stalking people as a ghost and spilling tea in ghost chat.

Chloe (impostor) - reacts similarly to Marinette when she kills. She will throw her partner(s) under the bus if it’s more advantageous in the long run, and she’s great at shifting the blame to innocents. People vote her out a lot anyways, and she says she can’t believe that they even like this stupid little game. Ridiculous, utterly ridiculous. Unless she wins. Then it’s fun.

Sabrina (crewmate) - discussion detective supreme. She keeps track of every piece of evidence and testimony, every detail. She tails the sus at a distance, trying to catch them doing something. Sometimes it gets her targeted, but sometimes she catches them and calls emergency meetings to snitch. Somehow she manages to do this and finish her tasks at the same time.

Sabrina (impostor) - sabotages everything, and tries to get her partner(s) to do it too. Once she won because the crew just didn’t fix O2 in time. She avoids killing Chloe, but feels bad if she has to kill anyone else too. She typically just sticks to making other people seem suspicious, and likes the game mode where you can’t see if you voted correctly or not.

Lila (both) - she rarely joins these games. She isn’t even a member of the chat group they use. They occasionally invite her, and she usually lies about how busy she is, but she accepted a couple times to further her narrative. She pretends to be really bad at being an impostor to establish herself as someone incapable of trickery. Regardless of her role, whenever the body announcement pops up, she goes, “oh nooo, not [victim(s)]... nooo....” and Mari’s like stfu Lila.

Bonus Polaroid kids because,,, they <3

Kagami (crewmate) - hella efficient at tasks. Two discussions in and she’s done. She’s the interrogation specialist who stresses out the imps and crew alike with her barrage of questions. She likes moving either alone or in partners, three people maximum, unless Crewinette needs her, in which case she’ll stick to the plan no matter what.

Kagami (impostor) - you’re walking through the base / there’s no one around and comms are down / out of the corner of your eye you spot her / Kagami Tsurugi. She will have you cornered and you won’t be able to do anything about it. She always has a made up explanation for what she was doing, but sometimes it falls through solely because she’s always acting sus.

Luka (crewmate) - he likes crewmate a lot more than impostor. He’ll tag along with a task group until he’s done, and then he’ll go lurk in the corner and spy on people. He moves along the walls, and a few times this has led to him witnessing murders in the middle of the room while the imp only saw him after it was too late. Cue the mad dash for emergency meeting.

Luka (impostor) - works together with his partner(s) to perform some high level backstabbery. He rarely gets voted out unless he messes up because he builds bonds of trust with like half of the crew while he leads the rest into his partner(s)’ traps. He feels bad about killing sometimes, but he doesn’t mind sabotaging.

Zoe (crewmate) - she finds one or two other people she trusts and follows them around. She uses the logic of “well we could’ve both killed each other by now but we didn’t so they must be safe”. She immediately recounts everything that happened to her that round in discussions, even irrelevant details, just in case they might end up useful, and tends to bandwagon with voting.

Zoe (impostor) - tries to catch people in secluded corners or rooms with closable doors to kill them. She avoids taking risks, but sometimes she reports her own bodies and tries to act all surprised by the discovery. She’s a good actress, but she’s not the best bs artist, although the crew is used to her giving a ton of details right from the start, so they don’t suspect her unless there’s a hole in her story.

Marc (crewmate) - does tasks on his own but makes sure to stop near crowds when he can. Whenever he’s running around alone and sees someone else, he immediately turns around like ohmygodohmygod and anxiously dances around the other person who’s more than likely just another, equally anxious crewmate with places to be. He still gets killed a lot.

Marc (impostor) - he goes full anime villain mode. All according to keikaku. He’s one of those people who disproportionately rolls the impostor role and ends up with it like twice every five games. He plans out every move he’s gonna make, every complex lie and big brain play, and sometimes he gets that glorious evil win, but sometimes his plans are totally sabotaged by stupid things like Kim’s trolling.

[kaizokuou-ni-naru]

The Voyage So Far: Skypiea

east blue (1 | 2) || alabasta (1 | 2) || skypiea || water 7 || enies lobby || thriller bark || paramount war (1 | 2) || fishman island || punk hazard || dressrosa (1 | 2) || whole cake island || wano (1 | 2)

the bar scene in jaya is one i didn’t really get the first time i read it- like nami, i mostly found luffy and zoro’s refusal to fight back frustrating more than anything else. i didn’t realize the connection to shanks in the prologue until someone else pointed it out awhile later, but when i did, it made me appreciate the entire sequence and luffy’s choices a lot more. 

honestly, i know this is one of the pages that gets the most attention from jaya, and it absolutely deserves it. blackbeard here is effectively dropping one of the biggest main themes of the series- people’s dreams don’t end!!- and how interesting that we get that delivered by the antagonist to the protagonist, instead of the other way around? how often do you see a series do that? 

and the line hits. look at the emphasis. there’s absolutely nothing on these two pages except for the three strawhats, blackbeard, and blackbeard’s line, bigger than anything else. 

chapter 232, with luffy punching out bellamy in one hit is still, to this day, probably my favorite one piece chapter. it opens with the drunk pirate seeing the newspaper with luffy’s hundred million bounty and realizing just who bellamy was kicking around, and it hits on one of my favorite plot threads of one piece- the growing infamy of the strawhats and luffy in particular, and their rise in the world. 

the atmosphere of the whole scene is so good, the tension in their air, the way all the bar patrons jump when luffy yells for bellamy to come out- and when the hit comes, the satisfaction is visceral. 

i’ve talked about it before, but god, i LOVE the way one piece defines “romance”- the arthurian kind of romance, the adventurous kind, that romanticizes the world and its wonders- romance dawn. in an arc as thematically heavy as jaya, it makes sense that it, too, is explicitly brought up. can you think of a more romantic, impossible adventure than traveling to the sky?

nami’s confidence when faced with the task of navigating into the sky is so fantastic. 

the expressions, and the art in general, in skypiea, are really so lovely. look at the variety between the strawhats when they first emerge from the white-white sea to lay eyes on angel island. look how expressive they all are!! i have such a soft place in my heart for the art in these earlier arcs, honestly.

somewhat related to the above: there are so many little moments in skypiea where the strawhats just get to have FUN, and be stupid, and get fleshed out more as characters, and honestly it’s such a delight. also, everyone’s skypiea outfits were just really really good. cowboy hat robin... i miss u every day 

i really like the whole scene where robin is exploring the ruins, and these panels in particular have such a lovely sort of ethereal look to them. i love seeing robin doing archeology, i think for the same reason i love to see sanji cooking- the strawhats are all such cool and passionate people, and it’s really really nice to see them doing and talking about the things they love and excel at most. 

i’m sure i’ve said it before but i LOVE how logia powers are depicted, especially when used to avoid an attack. it’s so cool. ace’s cover story runs through most of this arc, and we get some great examples of it there as well. 

1. wife 

2. skypiea is SUCH a good character-building arc for robin- which is good, because the next saga is almost entirely predicated on how much both the audience and the strawhats care about her. it’s here where we learn about her passion for archeology, her reverence for history, and get a much better look at the softer sides of her personality and her fast-growing admiration and affection for the strawhats. 

man, enel has so many huge, terrifyingly powerful shows of force throughout this arc, but this right here, this little sequence where he appears behind raki between panels without warning and we see him reflected in her eye, communicates better than absolutely anything else just why he’s a nightmare.

“jonny you sure are posting a lot of panels of zoro being cool without any real commentary” yeah. he kicks ass in this arc 

conis is a very underrated character, i think. she’s pretty easy to overlook, but she also manages to completely break the indoctrination she’s been raised into and gambles her own life to save most of the population of angel island from complete extermination. she yells that she doesn’t recognize enel as god, an instant death sentence at any other time, just to get them to listen to her. 

there’s a moment, in this scene, where a boy throws a rock at her for insulting enel, and she just stands there, and lets the blood trickle down her face, and keeps making her case. honestly, i really like her.

look at this page. look how it’s framed. luffy in the foreground, taking up most of the page- enel in the background, tiny, inconsequential. 

now that’s how you draw god’s natural enemy. 

this is one of my favorite nami character moments in the whole manga. nami is a greedy person. she has a lot of things she wants. it’s one of her defining traits. 

but when faced with someone with godlike power, offering her absolutely anything she wants if she’ll just abandon her friends and come with him- she doesn’t want anything, for that price, even with her life on the line if she declines. she knows exactly what her treasure is. 

obviously this is an awesome panel, but sanji’s little smile just before enel strikes him is what really, really makes it for me. he’s about to get slammed with several thousand volts of lightning, but more importantly, nami and usopp are going to be safe. 

the skypiea flashback is one of my very favorites, and also the first time one piece ever made me cry. i nearly cried just flipping through it again for this post. it’s just so fucking devastating.

noland never stopped looking, and calgara never stopped waiting, and neither of them ever lost faith in each other despite how badly they fell out at the end, and wow, that just kills me. but at the same time, it makes the way the flashback and the main story come together at the end so satisfying and cathartic.

i do think skypiea has one of the best climaxes of any arc. the way all the disparate elements and plot threads- enel, the story of noland and calgara, the war between the skypieans and shandians, cricket’s search down on jaya- come together and tie up so perfectly that the entire arc can be ended by the ringing of a single massive bell is nothing less than genius writing. 

i really love the establishment of roger’s poneglyph message and all the things it implies here. it raises so many questions, most of which we’ve only now gotten answered, in wano. oda’s capacity for long-term storytelling is one of his greatest strengths, and this is probably one of my favorite examples of it. (see also, in jaya when sanji mentions offhand that he was born in north blue.)

i just really love seeing them all smiling, and i love the parallels to calgara and noland’s sendoff here. feels like a wound finally healing, after four hundred years. 

and, of course, it ends with cricket, asking what crazy, romantic dream they’re going to chase down next. because this is one piece!! just because you find the end of one rainbow doesn’t mean you stop looking for the next one. 

[quitethepirategal]

An Analysis in Threes

❥ TAGGED BY: @emcads​ like 30 years ago ❥ TAGGING: @riidcr​ @starsailingcaptain​ @covencrown​ @hookd​ @all-fleshed-out​ @evermxre​ @motherofredemption​ @bup1957​ @conquistadoradelmar​ @seaprofound​ @tcthinecwnself​ @withinycu​ @windguided​ @daevilhorns​ @concordia-cum-sinistro​ and YOU and I spent like 8 hours on this so pLEASE READ IT PLEASE I AM BEGGING I NEED VALIDATION I’M-

     repost don’t reblog. yall dont have to type this much.

MUSE: Captain Red Handed Jessica

Three Strengths:

     Her adaptability and resourcefulness.  Is she brave, yes.  Is she lucky, also yes.   But over all, she can roll with the cards she’s been dealt in a way that many would call inhumanly clever.  Her intelligence, her perception, and her charisma are all different ingredients of this indomitable characteristic of hers.  She can see the value in just about anything and anyone, can pick up on clues and tangents few others can follow, and can remember seemingly endless details, tho unfortunately not on command.  But even then, her patchy memory seems to contribute to this adaptability as well, as it usually allows for detachment.  If she can find resources everywhere, it means she can survive everywhere. There have been countless times where the wheel of fortune has suddenly turned on her and she’d lost near everything and her response was more or less Damn, ok I need food water and shelter lets go.  No food?  Grow food.  No water?  Ask someone if they have water.  No shelter?  Sleep outside.  No money?  Steal money.  Can’t hear anymore?  Cool I can use loud weapons.  Crashed on an island?  My island now.  Shot?  Free bullet.  She knows when to push, she knows when to quit, and sometimes she knows when to gamble based on her ability ( what a man can do and what he can’t do and all that ).  Strong she may be, she knows its foolish to rely on strength.  Survival of the fittest actually rarely means survival of the strongest. ( edit; this is the theme for the entirety of her character. I will say it 50,000 times. I am very sorry ).  And as a student of philosophy and biology, she understands that phrase better than most. Leading to our next point.

     Her understanding.  As I stated, her charisma is something unmatched, and is a key element in all three of her strengths.  This charisma might not exist as prominently were it not for her ability to understand.  She has limited ( I’ll get back to that ) but deep running empathy and while not terribly observant all the time, she is always perceptive.  Not only that, but she’s personally known abuse, hardship, and uncertainty, and understands that hate or anger can be rooted in similar pain.  She was schooled lightly in both Christian and Buddhist values before diving heavily into democratic philosophy, meaning she believes all being experience suffering and therefore kindness is a powerful sign of strength, but also that suffering while free and equal is better than comfort in oppression.  And between her sweet words and beautiful face, she can get most people to open up in ways they themselves my not have expected.  Being very good with people means she can learn from them, gain something from them, lead them, and/or use them.  But Jessica isn’t a manipulator in truth; her intentions are almost always kind or healthy ones.  She absolutely uses people from time to time but not EVER without them consenting to or being made aware of such because again, unlike a manipulative person, she understands that can ruin a relationship and therefore ruin a resource.  What it makes for is an excellent leader, a beloved captain, and a trusted ally at most and an excellent conversationalist at the least.      But her understanding isn’t just social, oh no.  It’s academic as well.  Armed only with his little library and the lessons of his own teachers, Jessica’s foster father tirelessly smithed her into a not just a girl who knew a lot of things, but a truly intelligent, thinking mind. He’d die before learning he’d succeeded tenfold.  Jessica isn’t one to just except things as they are, facts or otherwise.  She usually needs to prove it, experiment, see things from a new angle.  Debates with her are fun!  She has no issue admitting she’s wrong or confessing she’s never thought of it that way, and is actually wrong a lot of the time.  It doesn’t bruise her ego, it excites her.  It means there’s more to learn.  And her ability to constantly understand new concepts paired with her ability to overwhelmingly understand people combine to make for a very powerful core idea of hers:  We are fittest to survive because we all fit together.  Our humanity, our empathy, our community are our strengths because they keep us united, which keeps us the fittest.  No one is independent, no man is an island.  People are power. And thus her final strength is just that.

     Her power.  While she and I still firmly state that strength isn’t everything don’t be disillusioned; its very goddamn important.  And it’s something Jessica has plenty of.  She is durable and clever because of her rocky early childhood, she is quick and versatile from her youth in a pirate port, she is physically strong and mighty from her years training in martial arts, and she’s an absolute crackshot after years of diligent practice with her trusty pistols.  Her true strength may lie in her brains and in her allies yes, but even without them, Red Jessica is a powerhouse of a warrior.  She can end fights extremely quickly or run from them without a prayer of catching her ( no shame in the later, both skills keep you alive ).  And it may be in bad taste to say, but ever since loosing most of her hearing, Jess swears up and down it’s made her vision better, her reaction time faster, and her quick thinking even quicker.  Yes of course she’s slowed down with age, but a bullet shoots at the same speed no matter how old you are.  And you best hope she didn’t bring her firecrackers, because while sudden loud noises will absolutely temporarily discombobulate or debilitate an opponent with healthy hearing, it’ll hardly effect her at all and suddenly, you’re a sitting duck.  You see those thighs?  You see those calves?  She can crush PINEAPPLES with them!  People have seen her do it!  Do you know how many micro-fractures broke and rebuilt those hands?  Thousands!  She can crush a trachea like a fucking beer can!  She can kick you to death!  One ill placed curb stomp and you are DECEASED.  Sometimes she’ll just psyche you out because she KNOWS you know she can kill your stupid ass!       But while her strength, mental and physical, have always been there, her power is relatively new.  As stated before, people are power.  Not knowledge, not money, not strength.  People.  She’s a fearsome warrior but she’d be useless if outnumbered.  Shes a very successful pirate, but she’d never make it out of port without a crew on her ship.  She found a gorgeous island, but it’d still be wild without those who built it’s piers and buildings.  She manages orchards and tends to them and harvests them herself, but she would loose all of her crop without the helping hands of her employed farmers.  And like I mentioned, she deeply understands this.  Freedom is not independence or vice versa.  Did you make the clothes on your back or the fabric that made those clothes?  Did you write the books you read to make you smarter or teach you that skill?  Did you plant the seed years ago that grew that orange you’re eating?  No, of course not.  Jessica didn’t either.  Another human did.  We all need each other to fill the holes in our lives that we can’t fill ourselves.  Humans are puzzle pieces in that way, there is no bigger picture or prayer for survival on our own.  And because of this, we can do anything we as a community, as a SPECIES work together to achieve.  There is no knowledge if there’s no one to learn from, there is no money if a society don’t give it value, your money is worthless if those you’re paying decide to rise against you, your role as leader only exists at the consent of those you lead, and your strength won’t save you from a sinking ship.  People are, and always will be, power.       And as someone who is exceptionally strong and exceedingly smart, Jessica has slotted herself in the humanity puzzle thusly: The strong exist to protect the weak, the smart exist to educate, and the lucky exist so the unlucky may be given aid.  And it is with this fairness and compassion that she has won the trust of so many.  She has a great many friends and allies even outside of those in her crew or on her island.  And she can make many more with ease.  That kind of power is not a power to be trifled with, even if she can kick your ass six ways to Saturday without it. 

Three Weaknesses:

     She suffers ADHD.  Now before ANY OF Y’ALL SAY ANYTHING, I myself also suffer ADHD.  And yes I do say suffer because well that’s what it causes for Jessica and I, suffering.  Yes, it is ableist language to say ‘suffering from’ rather than ‘has’ or ‘is diagnosed with’ and yes it perpetuates a stigma against us but god DAMN IT in both Jessica’s case and mine, it make life much much harder than it needs to be.  At the end of the day, Red Jessica is a fantasy of mine; I pour myself into her whether I mean to or not.  She’s the adult I wish I was, the person I might be if I had no anxiety, or brainfog, or lived in a world were I didn’t need a credit score or a degree. And even then, I can’t say I know anyone else’s problems better than my own.  So if my character has problems, by sheer osmosis they are going to reflect some of mine.  Both of the characters I write have ADHD because I have ADHD and I couldn’t even begin to know how a non-ADHD mind works to write it properly.  And no, I’m not being dramatic when I say it causes me suffering.  I can’t drive, I can’t hold down a job, I nearly flunked out of school, I still cant read very fast or spell very well, I am constantly overwhelmed by mundane things, I’m a slow learner, I forget very important things or recent things, I forget about things that mean the world to me, I forget about people, I stumble through tasks, I procrastinate hobbies and basic hygiene, and everything I do takes all goddamn day and I can only really do one important thing at a time and in order of importance.  If I have a date at 4pm, I’m dressed and ready at 11am because I’ve gotta do the important thing first or else I will forget to do the important thing.  I started typing this at a little before 5pm.  It’s 7;30.  It’ll probably be 10 o’clock at night by the time I fucking finish ( edit: l m a o its 1am bitch you thought ).  I’m 26 and am just medicated enough to barely function.  So yeah.  Suffering is the word.       Though for Jessica, perhaps suffering is a tad strong of a word.  Her ADHD affects her ability to function in far less debilitating ways ( though whether that’s a result of a less severe diagnosis than me or the result of the society, situations, and responsibilities she functions in and around are far different from mine, who’s to say ).  For her, she has very consuming hyperfixations that can last anywhere between weeks to decades, a spotty memory that is detail and memento oriented,  she’s scatterbrained more often then not but can focus with amazing clarity on her interests or in high adrenaline situations, is is ABYSMALLY bad at math and EXCRUCIATINGLY bad with numbers ( as opposed to me, who is good at numbers but shit at spelling or reading ), she can forget anything no matter how important it is to her or to anyone, she’s bad with names and dates, is COMPLETELY time-blind, has trouble prioritizing, and of course, wile not actually that materialistic, she absolutely has the ol’ magpie instinct.       While her poor memory assists in her adaptability and ability to move on, it also means she forgets things she needed to remember, like when the last time she bathed was and who this person is and what happened between her and someone else or what conversation’s shes had.  Unfortunately this means she’s a very good friend and leader... while you’re around and interacting with her on at least a weekly basis.  It’s almost a lack of object permanence in both a social and very real sense.  If something is not right in front of her, odds are she’s not going to think about it.  And while its something she constantly kicks herself for and actively tries to be better about, it applies to people too.  Face to face is the best way to interact with her; she won’t think to write you and in her modern verse she won’t think to ever call and she’ll text you back in perhaps a few days.  She doesn’t value you any less, I promise.  She’s just either distracted or overwhelmed.  Also, for someone as understanding as her, she is surprisingly self-centered.  Not selfish, self-centered.  She’ll talk about herself more than she should, and will assume people understand that she’s doing so as a form of showing empathy rather than bragging when they may not know this at all.  Actually she accidentally assumes all the time.  It was far worse when her hearing was functional; she’d finish your sentence for you or guess what it was you were going to say ( again, not to talk over, you but to show she understands you and the conversation, tho it usually came of as annoying or patronizing ).  Sometimes she mistakenly assumes you believe or know the same things she does without even realizing it.  Maybe she perceives the right idea off of someone but isn’t observant enough to notice anything past that.  And while she is willing to change her mind about things, she might change her mind a tad too quickly.  She’s an over-sharer and is horrible at keeping any kind of secret.  Romantic relationships tend to fizzle out. Her impulse control is improving but has a VERY long way to go. She’s always chasing something new.       All and all, when you’re a pirate, a librarian, or even a captain, all of these things may be irritating and inconvenient, but are overall manageable in chunks.  ...But as a governor to her island, as a leader of an entire population... oof. In the position of leadership that she’s in, she can’t afford to make too many massive mistakes, and she knows this.  ‘There is no power quite like the power of being underestimated’ is a phase you’ll hear her say a lot but for her, there is a shift in connotation.  If people expect less and you do more that’s a great upper hand in any situation but for her, it was a safety net.  Having ADHD sometimes means going months or years being fine and then eventually you fuck up and everyone around you wonders how in the world you managed to do that.  She has only barely avoided disaster more times than she’d like to admit.  Even with the resourcefulness, the understanding, and the power she wields, she’s finally starting to realize that she’s bit off more than she might be able to chew, with the entire well-beings and livelihoods of others on the line.  And she fears that one day she’ll play her cards wrong and everything she’d built, everything she’s done, will all come crashing down in ruin.

     She is Hard of Hearing.  This one is literally as simple as it sounds: she has moderate and degenerative hearing loss and tinnitus after years of canons, explosions, gunshots, and a definitive, scale tipping attack in her early 30s.  Her ears just don’t work at all like they used to.  The whole world sounds like it would if everything was underwater: she can’t pin point the location of sounds, how far off or close sounds are, and barely registers changes in volume. And it only gets worse the older she gets; one day she won’t hear anything at all.  And while yes, again, it might be very harsh and ableist to say, the truth of the matter that being deaf a “ weakness ” more often than its a strength.       That said, it very well can be a strength.  I’ve already mentioned that trick with the firecrackers and let me tell you it is a DAMN EFFECTIVE TRICK.  Shes around explosions and canons and guns all the time and now she can focus while being around them five times better than she could in the past!  But unfortunately it also means she’s very easy to sneak up on, she sometimes isn’t aware of danger until it’s nearly too late,  no one can get her attention or warn her across any distance, it’s very easy to escape from her, and it’s easy for her to be just... left out of things.  She might hear you talking, but she has little to no idea what you’re saying without sign or lipreading.  Some people don’t have the patience or even just the courtesy to speak slower, or clearer, or repeat themselves a lot.  Though, those last too thinks aren’t weaknesses of hers so much as they are the weakness of others, but they still negatively affect her self esteem and her effectiveness as a leader.       All of this has taught her to pick her battles carefully, and plan around the elements of surprise and discombobulation.  And while communication was tricky at first, it only got easier, and now she can talk to you almost like anyone can, so long as she’s looking you in the face. 

     That damn bleeding heart.  We have established a number of things that should easily add up to an overly empathetic, trusting, fight-the-good-fight, martyr-some, idealistic pushover;  she believes humanity and kindness are strengths, she has taken on the role of leader and then a provider, she has known suffering and tasked herself with ending the suffering of others to the best of her ability,  she lacks the clarity of mind to assume people aren’t just as good or capable as her automatically, she can have poor impulse control at times,  she wants to have relationships, and ( while I never stated this outright yet it can be inferred  ), she believes that being able to see yourself in others is the foundation of humanity and ( as i did say outright ) humanity is what keeps us unified and unity is what makes us fit and strong.  Keeping up?  Good. Here’s the curve ball: How can she whole hardheartedly preach and believe all of this, to the point of it being the foundation of her character, WHILE BEING A VIOLENT THIEVING AND BLOODTHIRSTY PIRATE?!  HOW, MANGO? HOW IS THIS POSSIBLE?! MAKE IT MAKE SENSE!!  Ok, fine, sure, I will. I’m sure about one half of you are looking up from the screen and going “ Oh yeah, wow I totally forgot that bit. “ and the other half got about two and a half paragraphs in before squinting and silently calling bullshit. So let me explain.      In short, she’s a detached hypocrite and is well aware and unashamed of her hypocrisy while far less aware of her detachment. I’ll cover both:  Western culture as a whole seems to be under the impression that hypocrisy, despite context or importance, is automatically bad.  I don’t know where this comes from personally ( my bet is Christianity but I have exactly 0 evidence ) but its a very... flawed idea.  Take the freedom of speech vs racism problem; say you owned a bar where all could speak their mind freely over cold drinks.  Excellent concept without context, right?  Sure. ....Then a die hard racist covered in slurs and symbols walks in and orders- what are you going to do?  The correct answer is to throw him out instantly.  Not let him sit so long as he doesn’t cause trouble, not just ignore him and hope he doesn’t return, you throw him out.  Is it hypocritical?  Yep!  Sure is!  But it is also 100% necessary to protect your other patrons because if you don’t, the racist starts feeling safe and bringing his racist buddies, literally everyone else starts feeling unsafe and starts to hang out elsewhere, and two months later, ta da!  You now own a n*zi bar and there is literally nothing you can do about it. Jessica is in a somewhat similar situation.  You as a pretend bar owner need to make a decision as who to let into your bar and who to throw out for the good of all of your patrons.  Jessica too is faced daily with that decision.  If she want’s to help as many people as possible, the only realistic way she can do that are by protecting those under her leadership... only.  She is surrounded by hateful, angry, sneaky, traitorous, abusive, or otherwise evil people.  Piracy as a profession and poverty in general can do that to a person.  Of course there is a clear difference between those down on their luck and desperate, and the truly cruel and twisted, but unfortunately both types of people yield the same wrongdoings.  It’s absolutely her nature to extend a hand to anyone and everyone but.... she just can’t anymore.  Too many times has her trust been betrayed, too many times has she gotten in peoples business trying to be helpful, only for her to absolutely bite her in the ass.  Too many time the extended hand is bitten and once or twice, she’s actually made things worse.       Now, she will only help someone she loves, someone under her leadership, or someone who seeks her out.  That’s it.  And even then, sometime it manages to bite er in the ass.  But she had to set that hard limit for herself out of necessity, one she does her absolute best to adhere too and... these days she adheres a little too well. That leads us to our next point; what I was alluding to at the beginning of her Understanding essay when I said she has limited but deep running empathy.  That detachment again, courtesy of a very unattached mother and unchecked ADHD. ( It isn’t a strong enough characteristic to even rank as a strength or a weakness but damn if it isn’t an undercurrent to a lot of her motivations and experiences. ) Strangers are fair game that she tries to ignore, but if she even perceives you as a threat, you could be in danger. Like anyone used to violence or perhaps anyone trapped in an us verses them mindset, she can just... flat... turn her empathy off.  Not on command, she’s not a socio or psychopath persay.  But she has become totally numb to the horror of violence via her warrior upbringing that, in her mind, violence can actually be rather fun. Pair that with the fact that she purposely tailored herself to only be empathetic to her allies and boom.  You get a kindhearted killer.  Cops and soldiers in our world do it literally every day.  Actually anyone can do it really, even you if you tried. You don’t have to be evil or even angry to kill or steal or lie... you just have to believe you’re right.

Three Secrets:

     WHAT SECRETS?!  LMAO this bitch is the oversharing queen!! I’ve been typing and pondering her character for literal hours ( its currently 11:16, fuck you adderall ), and I still can not think of a single goddamn secret.  There is nothing about her that at least five random people don’t fucking know about!! The only secrets she has are secrets she knows about other people and even then she is!! literally the worst!! She spills her guts left and right and yet she wants to be a mysterious bitch SO BAD like BABE I love you, you’re precious, but you are a dumbass attention seeking validation chasing adhd CLOWN girl!! Stop telling random people about your hermaphroditism or your dairy allergy or your dead dad or that time you fell asleep in a barrel like that is literally your uber driver Jessica honey come ooooon. I’m skipping this section mom holy fuck.

Three Fears:

     What if she does wrong by everyone who trusts her?  As stated at the end of the ADHD essay, she’s terrified of failing those she leads.  Where it as simple as personal failure, she’d be fine.  Ever if her entire world came crashing down on top of her she’d either die or start back from square one.  Death is a fact of life and her adaptability means she can just dust herself off and move on, so neither her death nor her failures really scare her... But it isn’t just her life and happiness at stake, is it? Not anymore, right?  What started as a leader of a small gang of rebels became a full crew, then a crew became a slew of allies, then those allies built a town and now... now she’s the governor of the Crimson Isle and there are nearly twenty five HUNDRED lives at her mercy.   HER mercy.  One really, really bad mistake could ruin their livelihoods or spark disorder and disloyalty.  And if she died?  Would whoever it is that will take her place be as good to them as she is?  Is she good enough to begin with in the first place? Every day the paperwork gets a little bit thicker, every year there’s a new baby or two.  And the isle has fertile soil sure but will it last?  Are they prepared for a raid or a hurricane?  And if Jessica trusts the wrong people, where her people right to trust her?  ...can I protect them? Can I protect them?! CAN I PROTECT THEM?!

     Who am I if I’m not interesting?  This is, literally, an entirely subconscious fear.  She’s not at all aware it exists and therefor this entry is short. But between her short time with her very unimpressed mother, her own ADHD, she is constantly hungry for attention without even realizing it.  She must be interesting and intriguing and engaging, and I did mention she wants to also be mysterious.  She wants not so much your input or even your validation - but rather if shes not perceived then.... is she really there? Remember, she is unaware of any of this.  And fortunately she’d never been starved for attention to act out over it in the first place, even when her disinterested mother was alive. Look at her; she’s radiant, she’s beautiful, and she’s 6′4 / 195 cm shredded and covered in cool scars. Without even opening her mouth, without even her colorful clothes, she’s kind of automatically interesting.  So she’s never been so desperate for attention that she acts out because she’s never been without it for very long.  But it’s there. Hungry, aching, silent.  Those years after the M branding were horrible and she could never really explain why.  She still throws parties, organizes festivals, and talks to damn near anyone who will listen.  Look at my art!  Look at my library! Listen to how much I know! Let me tell you how lovely you are! Look at my scares! Look at my hair! Look at me haha, please, please look at me. 

     GHOSTS. NOPE. No. NO. Fuck ALL of that noise. Stay dead, go to hell, eat a dick.  Red Jessica is a scientist and superstitious atheist. As an academic and somewhat bi-cultural woman she simply thinks there are far too many religions with far too much history for any of them to be considered The One True Thing You Must Believe Or ElseTM and she tends to not truly believe anything until she finds some kind of proof.  Shes not afraid of the unknown, shes thrilled by it. She’s not afraid of death or the afterlife, that’s beyond her control. She’s only superstitious because she does believe in and value luck, and also its a bit of a cultural habit. BUT IF SOME SHIT STARTS MOVING ON ITS OWN OR IF SHE SEES SOME BULLSHIT IN THE CORNER OF HER EYE THEN SHE IS OUT OF THERE. OUTIE 5000. She has heard the tales of lost souls from purgatory or the eternally ravenous Pret or dangerous Phi Tai Hong or the tragic and startling Banshees or the creepy Santa Compana and she wouldn’t believe a word of it where it not for one thing.      SHE FUCKING SAW ONE. She’ll never forget it, it was the first and last time she EVER attempted to plunder a tomb all Skyrim style and at first she thought it was one of the crewmean being creepy as shit until she got a good look and he was SEE THROUGH AS SHIT AND SKINNY AS FCUK AND SHE GOT LITERALLY CHASED THE FUCK OUT OF THAT JOINT. She does not CARE that some ghosts are just apparitions she does not CARE that some are friendly and trying to warn her of something if you are MOVING and DEAD at the SAME time get FUCKED. If any of y’all cringe try-hards bring a Ouija board to the party you are getting SENT HOME and BLOCKED. NO CAP.

Three Goals:

   She really only has one left. Listen its... almost 1am and ive been typing since like 5pm i think i covered goals somewhere in here but ive gotta throw in the towel but even then I’m kinda being serious.  Her only remaining goal is to find a suitable heir of some kind.  She wants what she’s built to fall into worthey hands but she could never seem to find a good parter and even when she did she couldn’t sustain a pregnancy ( you’d think that would be a huge deal but it hardly mattered to her oddly ).  So at 50 the option of having kids is out but there’s still plenty of hope for either adoption or a protege.  But then again, she’s so busy these days that she hardly prioritizes it like she wants to.  

                                                                               holy shit i need some water...

[wherearemyglassesbro]

i saw that you play genshin impact, so i’m kind of curious... what’d be the axis and allies’ vision and weapons?

Uh oh...now you got me started. Be warned, it’s a long one cause I have no self control

Some key terms for those who don’t play genshin impact and want to be included!!

Cryo -> ice, Hydro -> water, Dendro -> nature, Geo -> rock, Pyro -> fire, Electro -> lightning

Hilichurls: a common enemy found in the wild. Despite looking like hairy trolls, they have a district language as well as texts, art and song that they share together making them an advanced species!

Ruin guards: another enemy. Giant, scary robot...they scare me...

Knights of Favonious: an organization of knights within Mondstat that keep order and peace :) very nice guys and gals over there!!

Mondstat: modeled after Germany

Liyue: modeled after China

Alfred: pyro, claymore, Springvale Mondstat

Alfred would be a super heavy hitter in battle but his drawbacks are that despite his energetic nature, he’s slower because of the weight of his weapon

He blows stuff up a lot and sets all of the grass around you on fire so if you fight with him...His teammates will take damage from him Jeez Louise!!!

Since we don’t have all of the nations of Teyvay unlocked, I don’t know where he’d be from! I’d have to explore to get a sense for it so for characters that don’t have a place on the map yet, I’ll mark them with an asterisk from now on! :)

Idk where he lives but I do know that he’d be a devoted member of the adventurers guild! He’s always willing to offer a helping hand to anyone in need! Wether it be helping Granny Ann make hash browns or taking comissions to go kill a huge ruin guard who’s terrorizing the town!! He’s always leaping into new jobs! He isn’t even in it for the money or rewards! He just loves helping out!

Arthur: Dendro, archer, Mondstat

Artie is a beast in battle! Shooting vine Aries at enemies to tie them up or temporarily blind them??? Sick as fuck. Keep in mind, Genshin doesn’t have any Dendro characters that are playable yet so idk how they’d fight but I think I can guess :)

Artie is technically part of the knights of favonious because he works in their library. He translates books written in ancient texts into the standard language so historians and others can read what the old civilizations had to say

Instead of having normal eyes, they’re slit like snake eyes. And he has leaves instead of hair :)

He has a little seelie that floats around at his side. He talks to it but it doesn’t really do anything but provide company to a lonely guy :’) he needs more friends

Matthew: Anemo, catalyst, *

It’s always good to have a catalyst on your team! Ningguang is a great example of an underestimated catalyst cause she can do INSANE damage man!! So I think Mattie would be the same way

Matt isn’t violent and doesn’t enjoy fighting so his in-game voice lines would say that lol

Mattie is an alchemist! Well...A student alchemist. He didn’t take up an interest in alchemy until like, 3 years ago so he’s got a lot to catch up on still! He’s doing his best!

He gets very annoyed with Alfred since Mattie is detail oriented and gentle...Alfred is not any of those things. But he still loves his brother and on rare occasions, he’ll assist him with his commissions

Ivan: Cryo, catalyst, Liyue(temporary)

Ivan would be a support character for sure but he’d do a damn good job of doing it

He’s buff but he doesn’t do hand to hand combat, he’s mastered magic for a reason

Ivan spends most of his time studying hilichurls. He writes books about them, translates their texts and acts as a peace keeper when he can. He gets information from them about the Abyss Order in return for free reign of small portions of protected land where they can live without fear of being killed

Because he’s from Schneznya(spelling?) he’s kinda expected to be a bad guy but he left a long time ago. But he still sounds like he’s from there and...He’s super pale too so there really is no mistaking where he’s from

Ivan can’t stand how ignorant humans are towards hilichurls so he does everything he can to advocate for them. He’s covered in scars from when he first started engaging with the beasts. A huge scar runs down his face but he doesn’t mind it

He’s got big, sharp teeth!! So he doesn’t often smile cause he thinks he looks weird

Francis: Hyrdo, long sword, *

Fran is underestimated when it comes to combat (like Kaeya...I see you slandering this man) but he has so much potential!

Since he’s a hydro, he is so useful for elemental reactions! If he’s paired with a cryo or pyro user, he’d totally boost them!!

Fran is a traveling entertainer, he goes between the 7 nations as a singer and actor for small stage plays. He has a crew of friends who travel with him, they’re one jolly bunch!

He always acts all nonchalant and stuff but once he’s in a battle, he’s wild. Especially if the abyss order holds up his crew on their way to their next tour destination “We need to be in Liyue Harbor in four hours you are NOT holding us back!” *tidal wave*

He’s a regular tavern hopper! A very recognizable face since he’s been banned from a handful for getting too rowdy

He can make not one, but 2 special dishes :0

Yao: Dendro, polearm, Liyue

I just imagine him as a shorter, richer and cooler version of Zhongli

He’d do that kick move that Zhongli does with his polearm oh man that looks SICK dude!!!

Yao would shoot vines out and they’d strangle enemies for a few seconds before disintegrating but if he’s leveled up enough, they’ll totally strangle those stupid hillichurls lol

Yao sells rare gems and other miscellaneous items for very high prices in Liyue where he grew up. His shop is upstairs by the Fatui bank. Rich people enjoy looking at what his shop has to fifer and will argue prices with him. They’re getting scammed for sure. He’ll list a set of cor lapis earrings as $50,000 and the rich will be like ‘I’ll pay $25,000, no more than that’ and he’ll take it!!....Cause thise earrings are worth $5000 at most >:)

Hes close with a lot of the higher ups in Liyue and is often invited to fancy lunches or dinners where they discuss policy, contracts and vendor permits. He doesn’t really get a say in any of that but he benefits from listening

Kiku: Electro, claymore, *

Kiku would be SUCH an awesome electo user are you KIDDING me??? I can see it now, him swinging that huge sword around, purple lightning bolts flying all around and he looks like a total badass? Amazing vibes

When paired with cryos???? He’d do an insane amount of damage fr

Kiku runs a small restaurant where he...runs the place...but doesn’t cook. His restaurant is extremely exclusive and people often throw fits when they can’t get in cause the wait list is over 5 years long. He’ll rest his hand on their shoulder and smile ‘is something wrong? I’d love to take a complaint if you have one’...No one has even dared to complain to his face lol

Behind the restaurant front he deals with the Fatui, buying and selling minerals or artifacts. That’s where his knowledge is at, not with food. He pays his staff to ignore what goes on behind the scenes and the locals are too busy enjoying the restaurant to question what goes on after dark

Gilbert: Pyro, long sword, Mondstat

Gil would be one of the free characters given to you at the beginning of the game but hey, I’m not complaining

He’s highly destructive and very chaotic in battle, he can do that spin move even though that’s meant for claymore users

He’s Mondstat’s biggest trouble maker. He runs an underground gambling room that sits underneath a tavern. He isn’t really into gambling but he makes a lot of money by running it

The only knight who knows is Ludwig which is not good cause...Gil pretty much bribes his brother into not telling the knights of favonious (peace keepers of Mondstat)

Gil never got his gliding certificate cause he kept flying into buildings. He broke his nose doing that lol

Lovino: Pyro, catalyst, *

I can’t add anymore images so imagine a floating, red and black orb. Lovi doesn’t get a book catalyst cause he doesn’t read :) That’s the catalyst thing I’m talking about 😅😅

My guy has the angriest in game voice lines, he’s inconvenienced by every battle, every enemy is ugly and a fuckin disaster. He’s just. Angry.

He’d be a super weak character if he needed to rely on hand to hand combat but he learned magic for a reason babey

He owns a flower stand in his country and makes all kinds of beautiful flower arrangements. He even picks his own flowers in the fields when he can (but usually pays the town’s children to do it for him to ‘teach them the value of hard work’).

Everyone knows he’s a total hothead and will piss him off on purpose just cause it’s funny lmao. But then somehow...Their hair or clothes will just...catch on fire. So is it really worth it to tease him? :/

Feliciano: Hydro, archer, Mondstat(temporary)

I feel like Feli would also be a free character, not cause he isn’t good or anything! But you always need an archer on your team!

Feli has healing properties for his team and doesn’t do an insane amount of damage but when given the right resources, he’d be a pretty sick healer

He moved to Mondstat to join the church there. He leads prayers in front of the church and sings in the choir inside.

He is the sweetest and has never committed a crime in his LIFE but he’s afraid of the knights lol he’s terrified that he’ll get in trouble and be kicked out of Mondstat forever! That would never happen but he’s a worry wart cause of his brother

Ludwig: Geo, long sword, Mondstat

Lud is the only one that I could really think of as a Geo but Geos are awesome :)

He’s a hard hitter but has like...No shield so he’ll take damage fast if you don’t give him those artifacts with shield in them or whatever lol uhhhh I wouldn’t know anything about that cause I suck at building my teams ;-;

He’d totally be in with the knights of favonious! (I think that’s spelled right lol) but he’d take his duty as a knight very seriously!! He’s a familiar face around Mondstat, the elderly absolutely adore him and the local teenage girls swoon over him which he finds super embarrassing lol

He has to work hard to keep Gilbert in check cause even though Gil isn’t a knight, his actions reflect negatively back on Lud very often... :(

Please ignore the spelling errors and terrible photo cropping on my part lol this was so fun!!

By the time you’re seeing this, ive already made full outfit red sheets for everyone mentioned above!!!! :D

[words-in-air]

00:00

Mikan sets her phone down on the nightstand and rubs her eyes, keeping them closed as she stretches. It's been a long day. Mikan looks next to her, where her boyfriend grunts peacefully. In his sleep, Natsume looks like an angel, the juxtaposition within him of elegance and something raw and ethereal.

As if he can sense her eyes on him, Natsume's eyes flutter open. When he sees Mikan very much not asleep, he props himself up sleepily on one elbow, his eyes asking a question.

Mikan obliges. The kiss is salty. "I'm nervous," she admits.

"I wish you would have let me done it."

"It wouldn't have worked, if it was you. Hotaru and I have a special connection that can't be explained, just like Alices can't be explained."

"Still, I'm the one who owes Imai," Natsume says quietly. "I owe her my life."

"No," Mikan smiles. "I owe her my life. I get to go to bed and wake up in the morning to this bad breath. Go to sleep already."

"Only if you spoon me, Polka," Natsume smirks.

"Big baby." Mikan tugs the bedroom lamp, plunging the room into darkness. She wraps her skinny arms around Natsume’s hot skin. I love you, she mouths against his back.

“”MmLove you too,” Natsume mumbles. He’s already dreaming. As usual, Mikan is in his dreams. They are sweet.

06:00

When Mikan and Natsume arrive at the Alice Academy Hospital Wing, Narumi and Yuu are there to greet them. “Narumi-sensei!” Mikan cries, running into his arms.

“Mikan!” Narumi crows, hugging her tightly to his chest. He catches Natsume’s eyes playfully. Natsume glares and ignores him: “Hey, Yuu.”

“How are you feeling?”

“Like shite.”

“Language.”

The two men share a laugh. “You know what I remember?” Yuu says, almost wistfully. “That time my Alice was stolen, and how Hotaru got shot, and how you and Mikan and Ruka and Tsubasa-senpai tried to find the antidote. You were all trying to out hero each other even then. I hope that you know you don’t have to do anything. Hotaru wouldn’t want that.”

“You know Mikan. It isn’t about debt or trying to be heroic,” Natsume replies. “It’s about love and necessity. That Hotaru is Mikan’s soulmate I’ve already known for a long time. Because I know she needs to do this, I’m standing back and letting her make her decision. Because I understand. It’s like me and Ruka.”

Yuu is raising his eyebrows.

“What,” Natsume says, a little embarrassed at the passion he put into that little speech.

“Just waiting for you to say no homo.”

“Yes homo, dude. I love Ruka. No need to hide anything.”

“I love how humorous you’ve become after dating Mikan,” Yuu remarks.

Meanwhile, said subject is going over paperwork. “Mikan, are you sure?” Narumi sensei asks. He thinks of Mikan as his own child. He also thinks Mikan has never resembled Yuka more than in this moment, determination emanating ferociously from her expression.

Of course, her response is relaxed and chipper. “Yes, sensei. It’s not that she’s done so much for me. It’s that I don’t know who I am without her. And I don’t want to know who I am without her, either. I’m sick of living a half filled life. I want to live with Hotaru by my side.”

Before Narumi can say anything, Mikan cuts him a look. “Please don’t say anything about her body and soul still being in the hospital. I know. I come here to see her everyday. And I also know that she’s not going to get better by herself at this rate.”

“You don’t know that though,” Narumi finds himself arguing. “This is a gamble. You’re gambling half of your organs away, not to mention a significant portion of your lifespan—“

“Sensei,” Mikan says kindly. “I know it as well as I know Mr. Bear, or Jii-chan, or Natsume — I feel it in my bones — that it will be fine. Me and Hotaru, we will make it work.”

12:00

Natsume is allowed one last hug before Mikan disappears behind the double doors. “I love you,” he whispers gruffly.

“Love you,” Mikan says, remembering the way that his heart beats. “I’ll see you soon, so stop looking at me like that.”

“I always look at you like this,” Natsume says, but he’s averting his gaze. Subaru’s coming his way, and he’ll be damned if he actually cries in front of someone. Why couldn’t Imai be like her brother, he thinks not for the first time.

Subaru and Hotaru were successfully brought back from the time warp a few months ago, after nearly half a decade of studying and experimenting with the full efforts of the Academy, who made the Imais’ return a top priority. Subaru recuperated quickly, the only traces of the time warp now left in his head as memories, because he has the Healing Alice. As for his younger sister, well... once again she was on life support.

Natsume thinks of the way Mikan had looked the first time they visited Hotaru’s room. He coughs. Yuu pats him on the back.

“She said she was coming back,” Natsume reasons.

Yuu finds that watching his friend is too painful. He can only silently nod.

Inside the room, Mikan begins the procedure of removing her clothes. Subaru goes through the clipboard, marking errant notes awkwardly.

“You can speak, Dr. Imai,” Mikan laughs as she puts on the hospital gown.

“I just don’t understand you girls.”

“I don’t understand what you’re about to do to my body, but as long as Hotaru gains consciousness, consider it a job well done.”

Subaru shakes his head. “Anyhow, thank you for doing this.”

“Thank you,” Mikan says. “For helping me do this.”

18:00

Hotaru is alone, walking on a beautiful garden filled with flowers made of metallic petals. Penguin is here, next to her.

So I’m dead, she thinks bluntly. Then: why is death so boring?

She has been walking this same path, listening to the same electronic hum, for the past few months. At least she thinks it’s a few months. She didn’t know how to keep track of time when she first arrived, but then her instincts clicked into place after a certain amount of time and she built herself a clock.

It’s boring, she thinks again. Penguin heees. “What’s that, Penguin?”

“Hee! Hee!”

“Mikan? What about Mikan? She’s in danger?”

Penguin only hees again, urgently. It must be this place messing with its reception, Hotaru thinks frustratedly. Stupid place. Stupid Penguin. Stupid—

“Hotaru. HOTARU!” She hears, and looks up right as a dark mass drops onto her.

For one split second, Hotaru thinks she’s died again. And then she hears something: “Oh my god. Oh my god. Oh my god. Hotaru, it’s really you...”

Hotaru knows this voice. She hears it often in her head, in her memories that surface like gifts in her dreams. “Mikan?”

“Hotaru!”

“Mikan...!”

21:00

“This place is so weird,” Mikan says. She sniffles. The first hour she wouldn’t stop crying, and the past two hours she has gone over everything that’s happened in Hotaru’s absence. When it was Hotaru’s time to share she took Mikan for a stroll along the path.

“I know,” Hotaru says.

“It’s very you, though. Look at the robotic flowers. Look at these baby robot bees. Where even are we?”

“I don’t know,” Hotaru said. “I’m still amazed you even found me.”

“It’s the power of our love,” Mikan smiles. “Right, Penguin?” Penguin hees.

Hotaru feels a surge of emotion for her best friend and she combats it by taking out her Baka Gun, Heaven Edition. “Look what I made.”

Mikan shakes her head. “Of course you did. Oh my gosh, Hotaru, look!! There’s a turtle!!”

The two girls watch as it leisurely crosses the path ahead of them.

Hotaru takes this chance to say what’s been on her mind: “Mikan, what if we’re stuck here?”

Mikan doesn’t even miss a beat. “Then at least I’m stuck here with you.”

“Mikan...”

“Hotaru,” her best friend says. “I think the reason you haven’t come back Earthside yet is because.. you don’t want to. And that’s okay, as long as I get to he by your side. When you’re ready we can go back. But we have all the time in the world, so there’s no rush.” Mikan pauses. “Do you think we get to bring Penguin back?”

“No, you idiot,” Hotaru replies. “I think this is a place for wandering souls. Like in a time warp, but not in the sense of time. Like you said, there’s an element of indecision, I agree.”

Mikan peeks over at her best friend.

“What?” Hotaru feels compelled to ask.

“Don’t you think I’ve become, like, smarter? And more intelligent? Subaru said— OW! Hotaru!”

“The Baka Gun Heaven Edition thinks otherwise,” Hotaru says. “My sincere condolences.”

22:30

“Hey, what’s Ruka been up to these days?”

“Why’re we asking? OKAY okay, no need to pull out the cannon. He’s a vet. In France. He’s flying back this week to see us though. By us I mean me and YOU.”

“...”

“Why do you ask—Hotaru! Stop running! Wait up!”

23:15

“Do you think we’ll remember this when we wake up?” Mikan wonders. “It’s so beautiful. I want to remember this.”

“Probably as a dream if we do,” Hotaru says. “We’re actually really close to the real world. Hear that electronic hum? It’s hospital equipment, I think.”

Mikan’s mouth makes an O. “Hotaru, you’re so smart!”

“Damn straight.”

23:45

“It surprises me that Hyuuga hasn’t asked to marry you,” Hotaru remarks. She and Mikan are laying down now, watching the periwinkle sky ripple with color.

Mikan hums. “Even if he did, I wouldn’t say yes.”

Hotaru turns her head to look at her best friend. “What if I never woke up? You never were going to get married?”

“Yep,” Mikan says cheerfully. “It’s okay, Natsume understands.”

“You’re crazy,” Hotaru states simply.

“You’re my most important person! And don’t lie to yourself, Hotaru. You would do the same!” Mikan exclaims.

“No,” Hotaru argues. “I would find a way to wake you up way sooner because I’m a genius.”

Mikan sticks her tongue out and shuffles closer to Hotaru, draping her arms around her best friend. “Was it lonely?”

“No,” Hotaru thinks. “Just boring. I might’ve been lonely if you hadn’t found me sooner, though.”

“What were you thinking?”

“I was thinking that when I come home, I want to be brought home on an elephant. The time warp once dropped me and Onii-chan in India once, and that’s how they carried royalty.”

“That actually sounds really nice.” Mikan muses.

Penguin hees softly. Mikan snuggles in. Hotaru smiles. She’s content, in this moment.

She’s ready.

“You’re ready?”

Hotaru squeezes her best friend’s hand. “Yeah, let’s go back.”

00:00

“Natsume,” Mochiage urges. “You need to stand up straight. Natsume.”

The entire class of 2B is congregated in the hospital’s waiting wings. Natsume’s face is gray. Mikan’s been under operation for 12 hours now, during which Natsume has refused to eat or drink or move from his spot.

Ruka shakes his head. “Leave him be. It’s been a long day.” Mochu sighs, throwing his hands up.

In another corner, Sumire is pacing, biting her nails. Koko pulls her hand from her mouth, encircling it within his own hands.

“I’m not nervous, because there’s nothing to be nervous about,” Sumire declares sharply, looking at her husband.

Koko only smiles. “I know, Mire. I know.”

“They’ll come back. Where’s Anna and Nonoko? Anna! Nonoko!” Sumire pulls her hand from Koko’s grasp and marches purposefully across the room. “I swear I told them to...”

Koko sighs. He doesn’t need to be a mindreader right now to know what everyone’s thinking. He wishes he had an Alice limiting bracelet, because at a hospital especialy, everyone’s thoughts are so damn loud. His hearing is amplified to an exponential amount.

Hey, Hotaru, Koko suddenly hears.

What? Koko thinks, alert. That was definitely Mikan’s dumb voice.

What, you idiot.

This voice is so familiar and heartbreaking to Koko that he falls to his knees. He’s spent the past few years trying to remember and memorize this voice, as proof that she had existed. Hotaru Imai had existed, because she had a voice in his mind.

“Koko?” Yuu rushes over. “Koko, what’s wrong?”

Natsume knows. Natsume knows, and his head whips up and focuses on Koko with a burning intensity.

Do you remember? Mikan now, her voice clear, a little weak.

Yeah. Hotaru responds, quiet. Yeah.

So it wasn’t a dream. Then, I’m glad.

Koko nods at Natsume, who is up on his feet in less than one second just as Dr. Imai appears through the doors. He’s sweaty, exhausted. His bangs are sticking to his head. Natsume thinks he’s never seen anything more angelic when he speaks.

“The operation was a success.”

Subaru finally cracks a smile.

“You can go see Hotaru and Sakura now.”

｡o° ✧༺ ✿ ༻∞ ❀ ∞༺ ✿ ༻✧ °o｡

It’s been a week since the two girls’ release, and every single day Mikan has fallen asleep next to her best friend. Natsume, grumbling, has been relocated to Ruka’s place in Tokyo. Today, though, Hotaru is moving out. Mikan sits as Hotaru goes through her suitcase one last time.

“Do you have to move out,” Mikan says, for the umpteenth time.

“Hyuuga—“

“Don’t lie and make this about Natsume.” Mikan is petulant. “We spent so many years apart, the least we could do is—“

“No,” Hotaru breaks in. “You are a slob, you never clean up after yourself, there are crumbs in the bed. Plus, you drool, and you move around in your sleep. And you sleeptalk. Only Hyuuga deserves to put up with this. Not someone like me.”

Mikan pouts. “Where are you going to stay?” Upon seeing Hotaru’s face, horror dawns upon her. “Hotaru, no.”

“Nogi was kind enough to offer, who am I to refuse his hospitality?”

“Is Ruka not going back to France?” Mikan is shocked. “He’s just leaving his entire house to you?”

Hotaru looks into her luggage. “Well, it appears that he’s staying in Japan for the time being. To open a Japanese branch for his clinic.”

Mikan is scandalized. “So you’re willing to be roommates with him, but not with me? Hotaru!”

“He’s not going to bother or distract me. I have a multi billion dollar corporation to launch. I have all these years to catch up on. Stop pouting, you look ugly.”

“Hmph!” Mikan snorts. She takes a different angle. “At least let me visit.”

“Twice a month.”

“Hotaru! Twice a day.”

“Twice a week.”

“Seven times a week.”

“Seven times a week for half an hour each.”

“One hour. I’ll be quiet. I can be quiet, you know.”

“No, I don’t know,” Hotaru smirks. “Fine. You have yourself a deal.” She closes the suitcase and secures the clasp, pulling it as she drags it out of the room. Mikan follows, a little woefully.

“How are you getting there, at least?”

“Oh,” Hotaru smiles. “I called in a few favors.”

Outside the house, a familiar blonde Frenchman sits atop a big, grey elephant. The two of them are happy, playing around, unawares of the gaping brunette and the pair of unimpressed violet eyes.

“It’s just as sickening as I remember,” Hotaru mutters.

“You’re insane, Hotaru!” Mikan whispers.

When Ruka notices them, he blushes. “Hi, Mikan! Hi, Imai! Are you ready to go?”

“You heard the man.” Hotaru turns to her best friend. “Wanna ride with me?”

“HOTARU! I love you!” Mikan leaps and crashes into her best friend. “You know the answer’s forever yes.”

Yes, it was forever Mikan and Hotaru, and Hotaru and Mikan. They had found ways to be together no matter how big the obstacles that faced them were. The future was going to be no different — there was undoubtedly going to be a great amount of uncertainties, but Hotaru and Mikan would find a way to be together through it all. Because it was Mikan and Hotaru and Hotaru and Mikan. They belonged to each other.

—

For @crimsoncitrus who requested a Hotaru and Mikan fic! This got so much longer than anticipated, sorry (*´ω｀*) hope you enjoy!!

[wickedgxmes]

SEONG HA-NA TASK 01: Character Development

To Die Would Be An Awfully Great Adventure

THE BASICS

Full Name: Seong Ha-na (成 하나)

Nicknames: Hana

Face Claim: Moon Ga-Young

Age: 26

Birthday: July 31st

Gender: Cisgender Female

Pronouns: She/Her

Romantic Orientation: Panromantic

Sexual Orientation: Pansexual

PHYSICALITY

Details About Appearance That Differ From FC: (i.e. hair color, hair length/cut, height etc.) N/A

Perfect Vision or Glasses?: Perfect Vision

Scars/Birthmarks?: Hana has her fair share of scars that litter her skin from healed over cuts from a training her fellow crew to (TW abuse) marks across her palms from where her tutors growing up had reprimanded her. She also has a crescent shaped birthmark located behind her left ear.

Tattoos?: Hana has tattoos littered across her body- collecting different pieces like art as she details her life story across her skin

Piercings?: Yes. Hana has multiple pierces up around both of her ears as well as that of her belly button.

Posture: Hana has a relaxed ease about her. She will on occasion call about her regal background to adjust her posture depending of which role she’s playing, but typically Hana is the type to make herself far too comfortable where ever she is- kicking back in her seat, slouched shoulders, putting her feet up on some table and cocking her head mischievously to the side.

Dominant Hand?: Ambidextrous

Activity Level?: Above Average

Physical Strength: Average

Speed: Above Average

Agility: Above Average

Accuracy: Above Average

Stamina: Above Average

Can They Swim?: Yes! (What kind of Pirate Lord would they be if they couldn’t?)

Clothing Style: For a pirate, Hana is incredibly fashion forward. She’s always on the look out to pinch a pretty garment or two. As for her style, black is her signature color and she enjoys clothes that show their fair bit of skin, that command authority and are easy enough to move around in.

Accessories: Hana is not one to skimp on the accessories. Besides the numerous rings and earrings she wears, she is also known to accessorize with a hefty amount of weapons on her at all times. From different sets of daggers to poison dipped hair pins, the pirate lord is prepared for a fight at any given time.

Any Allergies?: Raspberries

How Do They Sleep?: With one eye open. Hana can fall asleep just about anywhere, but she is a light sleeper. The slightest creek of the floorboard or sound of a breath sending her brows quirking up at you in question.

Any Additional Details?: N/A

MANNERISMS

Languages: Hana speaks english and the popular languages of Shīqù Hǎi'àn (Korean, Mandarin, Japanese etc.) fluently, but she also knows bits and pieces of a number of different languages that she has picked up over the years from traveling Ashbourne and conducting trade.

Do They Curse?: Yes and often

Favorite Word?: Fuck ;)

Least Favorite Word?: Bastard

Good Habits: As tough as Hana would like to seem, she is far more generous than she lets on- giving her portion of diner on occasion to starving children on the streets or to those of her crew. She never forgets a face and has a habit of ‘taking in strays’, finding herself looking after those who seem to have nobody else and donating some of their wealth to the impoverished.

Bad Habits: It is a long list ranging from arrogance to a habit of mocking and teasing just about anyone she comes into contact with. She’s someone who doesn’t often take things all too seriously and yet doesn’t tolerant stupidity, who laughs at other’s expenses, is far too blunt for her own good, and tends to become defensive or misdirect the conversation when it becomes far too vulnerable for her own liking.

Any Specific Ticks?: Hana can often be caught mindlessly twirling her own hair or fidgeting with on of the rings wrapped around her fingers - twisting them back and forth especially when she’s deep in thought or wants something to set her eyes on rather than the floor.

FAMILY & UPBRINGING

Which Dukedom Do They Reside In?: shīqù hǎi'àn 失去海岸 (The Lost Coasts)

Birthplace?: Shīqù Hǎi'àn 失去海岸 (The Lost Coasts)

Social Class: Hana was born into the Upper Class, but now spends her time surrounded by the underclass- preferring to associate with thugs and criminals

Biological Parents/Parental Figures: Kim Hye-Kyo (Mistress of the Late Duke) & The Late Duke of the Lost Coasts (Name - TBD as of now)

Additional Family Members: (Siblings, Cousins, Aunts & Uncles etc.): Sibling: The Duke/Duchess of the Lost Coasts

Pets?: haru (a messenger hawk) & joo (a black cat)

CONNECTIONS

Person You Can’t Seem To Forget?: Her Father

Person You Can’t Seem To Forgive?: Her Mother

Any Additional Connections Your Character May Be Looking For?: {I’ll put together a connections page at a later date but all of the things ;D }

STATUS & OCCUPATION

Current Occupation: Pirate Lord

Dream Position: Pirate Lord

Past Jobs?: Pirate/Lady of the Lost Coasts

Spending Habits: Hana is a frequent spender- taking what she wants when she wants it. She very rarely pays for anything herself and when she does, it is questionable whether the money she is using was stolen or out of her own pocket.

In Debt?: No. She isn’t one to owe a debt or borrow without paying it back.

PSYCHOLOGY

Intellect: Above Average

MBTI Type: ENTP

Enneagram type: 8. The Challenger

Moral Alignment: Chaotic Good

Temperament: Quick Tempered

Element: Fire

Introvert or Extrovert?: Extrovert

ASTROLOGY

Zodiac Sign: Leo

Birth Stone: Ruby

TRAITS & PERSPECTIVES

Drives/Motivations: To look after her crew and protect her ship/make-shift family first and foremost. But, she is also driven to be the antithesis of her brother as much as she can. If they are the great Duke of the Lost Coasts, then she is an outlaw, a scoundrel and a criminal so that no one can ever question her sibling’s right to rule or pin them against each other out of their own free will once more.

Hopes: To protect those she cares about and live her life to the fullest in whatever capacity that may be

Fears: Irrelevancy and being incapable of looking after those she holds dear

Dreams: Hana doesn’t allow herself to dream for more than that of tomorrow or live in anything greater than the moment, since the things she may have dreamed about once upon a time - a family that isn’t bond by the laws of politics or a great love of her love of her own- seems like a fairly impractical wish at this point. Now, she just wants to have a good life before she inevitably goes down with her ship.

Sense of Humor?: Between her teasing smile and quick-witted remarks, it is rare to see Hana being serious.

Most At Ease When?: When she’s set sail, overlook the waves from a perch on one of her ship’s masts

Least At Ease When?: When speaking openly about her past or having to ride in an enchanted lift

Talents: knife throwing, sword fighting, drinking, dancing, playing cards, gambling etc.

Shortcomings: A short attention span, a tendency to act on her impulses, a disregard for authority besides that of her own etc.

Have They Ever Committed A Crime?: (If so, did they ever get caught?) Hana has created far more crimes than she can count and has been caught for a couple of them, but if she has been caught, she’s either managed to escape being brought in or allowed herself to be caught intentionally in order to do business with the Royal Navy to meet face to face with that of her family.

Are They A Team Player?: Depends on the team. They can be when it comes to their crew.

Can They Play an Instrument?: Yes. Hana was trained to play a handful of instruments such as piano, harp etc.

Braid Hair?: Yes

Tie a Tie?: Yes

Pick a Lock?: Yes

Cook?: Hana would say yes, but anyone whose tried her cooking would probably disagree

Drink?: Yes

Use Drugs?: Yes

Are They Prone to Violence?: Yes

Prone to Crying?: No

Believe in Love at First Sight?: No, but they do believe in lust at first sight

FAVORITE

Color: Black

Food: Galbi or Okonomiyaki

Beverage: Anything with alcohol in it

Flower: Cherry Blossom

Scent: Citrus

Mode of Transportation: Pirate Ship

Season: Summer

LEAST FAVORITE

Mode of Transportation: Enchanted Lifts

Season: Winter

EXTRA

I finally got around to making her a pinterest board- https://pin.it/3hd9EaK

[trifoliate-undergrowth]

This year I lost my dear husband, James (QUIT TELLING EVERYONE I’M DEAD)

Putting this on Tumblr too bc it’s a oneshot (~3,000 word?), and I know Tumblr eats links, but if you want it on AO3 the link to my account there is in my blog header. 

It was a perfect day for the Lonely, damp and cold and foggy, and he knew Peter would be doing something interesting now that he was back on land, but he hadn’t thought it would be this.

Elias had expected to find him lurking outside the Institute, looking searchingly at everyone who left until he got some sign of recognition (okay, maybe Elias had fantasized about that a bit, and about coolly ignoring him for a few days before pretending to meet him for the first time, pointedly asking if he was lost). Or, if he felt like doing something sensible, maybe trying to identify the new Head of the Magnus Institute, not that Elias thought his nonexistent research skills and horror of human interaction would get him far there. More likely he’d pretend nothing had changed and simply go about his usual lonely business, waiting for Elias to contact him, too proud in his carefully cultivated self-sufficiency to seek him out at all.

But none of this had happened. Instead, he had scared the new tenant at James Wright’s flat half to death by appearing suddenly in her living room (she was convinced he was a ghost and had come to the Institute to give a statement, hilariously enough), and then, after a few hours of frenzied attempts at figuring out where his husband had gone, he’d finally found his obituary in a newspaper and disappeared into the Lonely to… sulk, or whatever it was he did in there. It took too much effort for Elias to watch him in there, and besides, it was impossible to do without making his presence felt, and he wanted to maintain the element of surprise, so he left him alone.

The next time he was able to find him, Peter was sitting on the still-bare mud of James Wright’s grave with a bottle of whisky, the mists clinging to him like the hands of ghosts.

Huh. Well, that was new.

Pothead filing clerk Elias Bouchard did not have good clothes, and the new Elias was still working on replacing his entire wardrobe with things more suitable for a Head of the Institute, but he could manage. He had his suit, and he’d kept one of James Wright’s long black coats. He flung it over his shoulders at the entrance to the graveyard.

He couldn’t see Peter from here, at least not with his human eyes, and that was all he was using.The fog thickened around Peter. But he Knew where he was, so he started walking. The grass squelched under his shoes when he stepped off the path, and he grimaced, placing his feet carefully to avoid slipping, trying not to get any mud on his shoes.

Slowly, as he walked deeper into the mist, a human figure appeared, slumped against one of the headstones.

He Knew that if he hadn’t had preternatural sight he wouldn’t have been able to find him at all, so it wasn’t surprising that Peter, who would usually hunch himself a bit deeper into the mist and will himself to be unnoticeable, looked up, confused by the intrusion.

Elias made a conscious effort not to Look at him, but only to meet his eyes and give a brief nod. Not a trace of Beholding. Just a man wandering the graveyard, intrigued at finding a drunken sailor sprawled across a fresh grave.

He couldn’t stop himself from staring a bit at the place where Peter’s legs slumped against the wet earth, mud soaking into his trousers. Why would he sit there. Sitting on the wet grass would have been bad enough, but right in the mud, really? And since when did Peter own a black dress shirt? Was he… he was. He was wearing all black. He was wearing all black, crying on James Wright’s grave. He was crying. He’d been almost certain he’d Seen it wrong before. After all, it was a wet day, he’d assumed it was rain. Peter would never let himself enter the real world in such a state. But here he was…?

Peter scrubbed his cheek with a muddy hand and screwed the cap off his bottle, clearing his throat with a distinctly dismissive sound. Elias, disregarding his implicit plea for solitude, walked closer.

“Friend of yours?”

Peter glanced at him briefly, coldly, before tipping the bottle back. Probably cursing himself for not noticing when someone broke through his shroud of mist, for not isolating himself better. But that was just a guess. Elias couldn’t look into his mind; the mist made it a gamble at the best of times and anyways Peter knew what it felt like. He couldn’t give himself away yet. The mystery was so exciting.

“I knew him,” Elias commented, looking at the fresh new headstone, granite shining under a pale coat of water. Peter was leaning against it, obscuring most of the inscription, but he knew what it said.

“Lots of people did,” Peter grunted. “Think I’m the only one who didn’t hear about it when he died.”

Ahaha! Was Peter Lukas lamenting his lack of connection to the rest of humanity? That thing he so carefully cultivated and was so very very proud of. That thing? Hilarious. Or, maybe he was just malingering to feed the Lonely. That was probably it.

“No?” Elias prodded. Peter sighed.

“I was away. No one took the trouble to contact me.”

Had he assumed that one of the more socially-integrated Lukases would have gotten in contact with him if something important happened? Funny. He was pretty sure the Lukases expected Peter to give them updates on Elias, if anything.

“That must have been hard. When did you find out?”

“Yesterday. What do you want?”

Elias considered introducing himself as Head of the Institute. Seeing his reaction would be lovely, but he wanted to drag it out a bit more, see if Peter could figure it out himself. If not, he could mock him later for not being able to put the pieces together.

“Some privacy,” said Elias, leaning one arm against the headstone, “but it seems you had the same idea as I. How did you know him?”

Peter considered this for a moment. “Work,” he said.

Hah. That was amusing. Did he really see it like that? It had been a long time since they had dropped that pretense. Not that the Institute didn’t still rely heavily on the contributions of the Lukas family, but their last several marriages had been private, more for personal reasons than for, as he so eloquently put it, work. Even when they were estranged, he and Peter stayed on decent terms, and after so many years he trusted Peter not to cause problems for him with his family; especially as he continued to offer them any useful information (and any lonely statement-givers) that came his way. The Institute and the Lukas family were allies. That didn’t mean that the two of them had to be married, yet they kept doing it anyway. It was stupid but Elias had long ago resigned himself to it. They both had a weak spot for the other, and like good allies they’d silently agreed never to talk about it. But here Peter was lying in the mud and grieving.

“Interesting, so did I,” said Elias. “Best place to meet him, I believe. The man hardly left the Institute.”

Peter chuckled softly. “Sounds about right.”

Elias thought about interrogating Peter about where he worked and how he’d supposedly met James, but decided not to. If he made him too uncomfortable Peter might just disappear before he could reveal himself, and that would be a shame. And he hadn’t come here to catch him in a lie, he’d come to ask him about James Wright.

“Did you know him well?” asked Elias.

Peter stared into the mist.

“Pretty well, yeah.”

“I think I did too,” said Elias, tracing the headstone’s inscription with his fingertips. “We… yes. We were close.”

He’d hoped to get some reaction with that. Peter considered for a few moments, then silently offered him the bottle. Elias, who’d tried Peter’s whisky before, knew better.

“Thank you, no.”

Peter took the drink himself, and Elias was… concerned about the amount of liquor he was consuming.

“Not planning on joining him, are you?”

Peter just grunted. “…You liked him, huh?”

Elias laughed softly. “Anyone would,” he said sappily, and was pleased to see him carefully not react. He was getting the message, and oh, how he wished he could see how he was reacting to it under that mask. Surely he wouldn’t keep the stoic act too long, he was already daytime drinking on a fresh grave, there wasn’t much lower he could fall. Elias let his voice drop. “I… loved him.”

“Mm,” commented Peter. He placed one hand on the mud beside him, gently pressing into the earth, and kept it there. “I wasn’t around much,” he said quietly.

Well what on earth was he supposed to make of that? He was trying to make Peter jealous and he had very rarely failed at something so completely.

“Do you know, was he alone when he died?” asked Peter.

“Yes.”

“Pity. He was terrified of death.”

“Isn’t everyone?” asked Elias, perhaps a little sharply.

Peter shrugged. “It scares me enough, I suppose, but it doesn’t bother me the way it did him… it seems restful. Resigning yourself to the way of things. I’m not rushing to meet it, of course, but there’s a kind of unflinching beauty in death. No one’s immune, much as we might pretend. In the end, we all face death alone.” He stretched one leg out in the mud, pressing his hand deeper into the earth so that his fingers started to disappear. “And frankly it would solve a lot of problems. Wouldn’t have to turn in budget reports, for one thing.” He chuckled. “yes, it seems peaceful.”

“Not to me. Have you seen people die?” said Elias.

“I have. Many times. The fear is felt by those who are left watching, the dead are beyond it.”

“Because they’re gone. Doesn’t that scare you?”

Peter tilted his head back, let it rest against the headstone, and looked at the dimly-visible silhouette of bare branches against the pale sky. His hair lay in damp strands across his forehead, and Elias Did Not think about brushing them back.

“In the eyes of death I’m already gone. Aren’t we all? We exist for a moment. Like bubbles in the stream. Here a moment, then breaking; always in motion. I’ve always known how… transparent it all is. You can’t really touch anything without falling through,” Peter said.

Well that was new. He was babbling, words starting to slur. Elias decided that he’d have to reveal himself soon, before Peter drank himself so deeply into incoherence that he wouldn’t be able to react to the surprise. That would be a waste.

“I’m sorry,” said Peter after a pause, “I doubt others see it the way that I do. But death has never held any particular terror for me. I’m more afraid of pain, or sickness. Being deceived. Those are things that happen when you’re alive.”

Especially that last one, thought Elias. Peter started to set the bottle down (thank goodness), thought about it for a moment… and started to unscrew the top for another swig. Elias, acting on impulse, swiped it out of his hands. Peter turned to glare at him.

“Listen, I know we’ve only just met but I’m not watching you drink yourself to death over some man you barely knew.”

Ah, finally, a reaction. A spark of rage appeared in Peter’s face, but passed before it could translate into motion. Elias, who’d been tensed for a fight, slowly relaxed.

“You’re right,” said Peter quietly, looking off into the mist. “I didn’t know him. No one really does.”

“What?”

“Know each other. You just… see the outside of someone, and you guess about what they’re really like, but you’re never quite right. People exist apart from you. And that’s very lonely. Almost as lonely as death.”

Elias muffled an exasperated sigh.

“Well, if that’s your belief, surely it can’t be hard to replace someone who’s left you. One person must be as good as another if you can never really—”

“No. I still miss him.”

A warmth spread through Elias’ chest. There, he had it loud and clear in plain words. He was going to hold on to this memory and the next time Peter tried to pull that “oh I’m an emotionless avatar of Forsaken incapable of human bonds” he’d beam it directly into his brain so hard he got a fucking nosebleed from the sheer amount of raw, human, embarrassing grief. Elias wondered if this would be useful blackmail material.

“I know that smile.”

With a start, Elias realized that Peter had leaned back and was looking up at him, frowning. Ah, he’d blown his cover. Well, this was as good a time as any.

“Do you?” he smiled. Peter looked intently at him. At his eyes.

“Jonah?” he said in a small voice.

Elias laughed.

“Took you long enough.” And as proof, he showed him a memory; James Wright’s stilled body with empty eye sockets, image blurred with pain as his new body adjusted to him. Elias Bouchard’s eyes, bloodshot, in his hand. Placing them in James Wright’s body and washing his hands, vision slowly clearing.

Peter sighed, closing his eyes. “Jonah. Were you trying to make me jealous of your narcissistic crush on yourself? I mean, it’s accurate; I’m just not used to that level of honesty from you.”

“Oh, “Jonah”? You must really be angry at me.”

“No, you just haven’t told me your name yet, handsome stranger.”

“Elias. Elias Bouchard, new Head of the Magnus Institute. Pleased to meet you, sailor.” Elias walked around the headstone to crouch closer to Peter, who was almost laughing.

“El-lie-as,” he said slowly, as if tasting the name syllable by syllable, and a chill ran up Elias’ spine. Huh. Very sensitive new body. Yeah, that was it. “It fits you,” said Peter. “Musical, pretentious, has the word lie in it.”

“Oh, shut up.” Elias leaned in for a kiss and Peter stopped him with a hand on his chest.

“Elias, dear, why does this body smell like weed?”

“I’m… still airing the flat out.”

“Why does your body’s flat smell like weed?”

“Take a wild guess.”

“Hm! Didn’t have you pegged for a stoner, Jonah. I’ll have to introduce you to some of my crew…”

“Don’t you dare.”

“You’re right, I don’t remember anyone’s names. You’ll have to introduce yourself.”

“Listen, I don’t think you have any right critiquing the habits of my body’s former inhabitant when I just found you lying in the mud trying to drink yourself to death.”

“Shut up. I thought you were dead.”

“Oh, that’s cute. Me? Really? You thought I was dead?”

“You’re not immune to heart attacks, Elias! They said it was a sudden heart attack, I thought you really died!”

“What, you think a little heart attack could kill me?”

“That is exactly the kind of attitude that makes me think your hubris is going to catch up to you one of these days.”

He was right, but Elias didn’t want to admit it. He tried to pick healthy bodies, but the thought that despite all his centuries of care and planning, one might just… break down on him…

“C’mere,” said Peter, tugging on his tie. “I’d better start getting used to that smell.”

“I’m not joining you in the mud, Peter, get up.”

“Too drunk. C’mon, you’re already muddy.”

Elias remembered that that was the hand Peter had gotten all muddy before touching him. Looked down at his shirt. Groaned.

“Oh, for—”

Peter chucked him under the chin, deliberately smearing mud on him, then grabbed him by the shoulders and yanked him down in the mud while Elias was busy glaring at him. Elias swore.

“Oh, shut up. I think this is a very lenient revenge for letting me think you were dead.”

“Well that’s your fault for not being smarter.”

Peter pinned him against the solid cold of the headstone and kissed him and oh he could not let him know how much he was enjoying this or he’d never live it down. Peter was cold and smelled of grave dirt and whisky and still, faintly, of the sea. It was a new experience, but still Peter.

“You’re a mess,” said Elias, resigning himself to his muddy fate with a sigh. At least he’d fallen on top of his coat, and it was keeping the worst of it off him.

“And? I’m assuming your new flat has a shower,” said Peter.

“It does. Only a shower,” Elias complained. Peter laughed.

“Oh, noooo, no bath? You’ll survive, you spoiled Victorian. I’ll even show you how it works.”

“I know how to take a shower!”

“Turning down the offer?”

“…No.”

“Good.” Peter traced the shape of his face with a muddy finger. Elias grabbed his hand and pushed it away.

“Could you at least use your other hand? The one that’s not caked in mud?”

“No, I don’t think I will. This mud was the closest I thought I’d ever get to you.”

“And that bothers you? Really? Mr. Lonesome, Eternally Alone Lukas?”

Peter got an odd expression. He didn’t like Elias calling him out on his many contradictions. He could argue quite convincingly if he was in the mood, but he apparently wasn’t. “Shut up,” he said, and kissed him again.

This little experiment had gone well, Elias decided.

[fimflamfilosophy]

Characters: Tearing Each Other Together

After the world-sweeping success of my previous article (forty notes on Tumblr, wow!) and being driven out of my house due to mold for the second time in two months, I think the time is right to add another essay to the subject of character design and writing. But what’s left to say after having definitely solved the entire process of character writing the last time?

Well, suppose you can figure out the emotional state of one person. That’s well and good, and oddly harder for people than you might imagine. And I think the reason it’s so hard is because in virtually any show you’re not going to be given a character in a vacuum to learn that process from. They have some story, something they’re trying to overcome, and other characters they’re bouncing off of, and the actual process of conflict is more complicated than knowing who your characters are.

Hate, Love, or Indifference, It’s All A Struggle

So what’s the essence of a story? There’s some motive that’s trying to be achieved. A conflict. And I can’t stress this enough. Conflict. Because it’s one thing if you say your main character is a kid who wants to be the best Poke’mon trainer and completely another to have that be a concrete objective with a satisfying story and conclusion. Wanting to be the “best” isn’t actually conflict. It’s a dream. Being forced to travel the known world to acquire eight gaudy pins that probably cost twenty-five cents each to manufacture? That’s conflict.

And not only do you have to travel the world, you do so with a shrill red-head who explicitly hates you because you trashed her bike, and a sex-starved pervert whose life dream is to make Poke’mon mate with each other for a living. And that’s important. Without Misty and Brock, Ash’s journey is a lot less interesting for a lot of reasons. Misty calls Ash out every time he messes up, and aside from being on a watch list, Brock is a helpful older character who tells Ash, and therefore the audience, what’s what.

But let’s back up, because people understand the benefit of Brock and Misty at a basic level, but when you’re starting off, how do you know who those people should be? Well, every show, from sitcom, to comedy to drama, does its best to balance personalities against each other so there’s always some sort of conflict possible between them.

Now, “conflict” doesn’t mean they’re trying to kill each other. It could mean they’re falling in love with each other. Maybe it means they don’t have much in common but have to work together over long hours in isolation. The idea is simply that there’s something to overcome between these people. Misty thinks Ash is stupid - that’s a conflict which is often leveraged to push Ash forward. Brock, however, has a reactive role in the show, only functioning in conflict when a womanizer who grovels at the feet of ladies Ash is already helping anyway.

It’s odd because if Misty were older she would be set up very well as kind of an “opposites” romantic torture device with Brock. They’re even depicted as professional equals, which would have made their levels of expertise and experience more balanced. Had they been closer in apparent age, a “will they won’t they” romance would have fit adequately, with Brock’s constant hitting on other women serving as a major, hopeless, long-lasting roadblock to a serious relationship between them; it would work especially well because Misty is established to have an inferiority complex to her prettier sisters. It also might help explain why Brock hung around so long. But as it was, Brock’s main contribution to the inner dynamic was to act as a mediator, caretaker, and mentor.

But circling back to Brock’s dream of Poke’mon husbandry. Well, on the meta level that’s why he doesn’t leave. Because it’s not a motive, he’s not taking steps towards it, and it’s not going to happen, it’s just a dream. Until it does happen, anyway, and then they wrote him out of the show - but we’ll dig more into this later.

Balancing Imbalance

The best place to look to see good conflict set ups between characters are popular sitcoms. Consider the show “Frasier”: it ran for eleven seasons and revolved mainly around the personal spats of Frasier, his brother Niles, their dad, and the dad’s caretaker, Daphne. Frasier was arrogant, Niles was insecure, Dad was an earnest roughneck, and Daphne was well-meaning. Frasier and Niles were also elitist pricks at times so they couldn’t even always agree where to eat together, much less with their father who was happier having a burger with ketchup.

Every episode had some central motivator; an ice fishing trip, a joint investment, an awards ceremony - but these things were just catalysts to the main conflict, which was almost always something between characters. We’d seen it time and again, that Frasier and his Dad would come to blows over differences in taste. Niles would try to court Daphne while torn by his commitment to his failing marriage, over and over. But the pithy banter and the way they resolved it would always be new, so people watched this show, episode after episode, for over a decade.

And the simple beauty of it all was that each of the characters had something to do with each other. Whether it be filial obligation, lust, sibling rivalry, friction between introversion and extroversion, or taste in food, they always had some source of conflict to make a show out of. Niles and Frasier were both psychiatrists, but from different schools of thought and different working environments, so they even had chances to butt heads academically and professionally. It was rich with writing opportunities and it’s not any wonder it lasted so long.

Another sitcom, “New Girl”, which was about a group of roommates, had a good dynamic set-up between two characters, Schmidt and Nick. Nick is a messy slob and Schmidt’s a type A neat freak, creating a really obvious source of conflict to work with. But then they had a third character, Winston, who they lampshade as the token black guy. 

Now, the joke that Winston is the “black friend” has pretty much no legs, so in the early seasons you see him acting as kind of a third party mediator, or maybe a wild card, and it winds up being funnier when Winston is unhelpful. So as the seasons went on, Winston gradually lost his damn mind. He becomes a cop and meets a woman so that he’d have some character growth and dynamic, but also develops into a man who would burn a building down as a prank. The writers had no idea what they were doing with him and he gradually flew further and further off the handle.

Don’t get me wrong, I really liked Winston as a character. Aside from being funny in the show, watching the writers gradually unglue him from sanity was its own meta comedy above that. I knew they were doing it on accident, but having such a good time with it that it was just going to keep getting worse. In fact a major component of the finale for the whole show is an insane thing Winston does. They wrap the show on the note, “Winston is crazy”. And it all happened because they didn’t figure out what Winston’s conflict was at the start. He didn’t have a source of conflict with anyone, so the man became a living breathing embodiment of conflict in general.

Your Story Ends With the Conflict

Now, the catch is, in any type of fiction, whether a video game, a roleplaying session, or a sitcom, the story ends when the conflict does, because if the conflict is over there’s nothing more to tell! It used to frustrate me to no end back when “My Little Pony” was popular and the other nerds on the internet used to ask, “How many times must Fluttershy learn not to be shy, or that being shy is okay? When will she overcome all that she is and eliminate the core element that creates conflict for her?”

The answer should always be that the character will learn their damn lesson when the show ends or when they’re written off it. If you are sick of seeing a character and don’t want to see them any more, the best thing to do is close out their issues, because once they have no conflicts, they have no story, and there’s no point in doing a show about them. Asking Fluttershy to stop being shy is asking to say goodbye to her, because she's a cartoon and her job is to entertain kids by being neurotic and yellow.

People think they’re so smart when they say they’d solve all a character’s problems if it were them. In the finale to the first season of Poke’mon, for example, Ash decides to gamble his whole championship run on Charizard, who’s a self-absorbed bitch of a creature that ultimately throws the match and leaves it an open question whether Ash might have won if he’d left the team primadonna sitting on the bench.

Some viewers see that and complain it’s the dumbest possible thing Ash could have done, but it’s probably one of the single most brilliant things the Poke’mon writers did in the grand scheme, because think about where it left us. Ash didn’t achieve his goal of proving he’s “the best”, but it feels like a fluke and if he got another shot, he might make it all the way. This gave the show a gateway to more episodes with Ash still having something to prove and a dumb mistake indicating he still had a lot to learn. Because he didn’t win, his story hadn’t ended.

In some cases shows can end characters just by addressing some dream goal they’ve been expressing since the first season. In the case of Brock, they intentionally removed him from the show by introducing him to some girl who was willing to work with Brock in the animal husbandry business. He’d been traveling all this time, his dream opportunity fell into his lap, and he was gone. What reason would he have to refuse, and why would anyone stop him? And of course, Brock’s dream job was incompatible with the central plot elements of the rest of the show, so that was it!

The Format Informs the Conflict

If you want to write something but you aren’t sure when it’s going to end, you need a concrete, long-term conflict that’s not just going to go away. For example, in “Scooby Doo and the Thirteen Ghosts”, there were thirteen ghosts. By design, that show should have ended after Scooby Doo found all thirteen ghosts. It actually ended earlier than that because it was cancelled, but you get the idea. When you have a finite goal, your run time is going to be finite as well.

At least in theory. In “JoJo’s Bizarre Adventure” they establish at the beginning of one season that everyone’s magic powers were based on the Tarot. Now, I don’t know the Tarot off hand, but as the show went on I knew that sooner or later they’d run out of Tarot cards, and in my mind I assumed the season would be over when the Tarot ended. But then I got a good chuckle when a guy showed up and his powers were based on a totally different theme, because I knew the writer had realized he’d stumbled into something good and wasn’t ready to end it. He invented a cheap excuse to keep going! And I think if “Scooby Doo and the Thirteen Ghosts” had been successful they’d have managed to unleash a whole lot more than thirteen ghosts because Hannah Barbera was not exactly a studio with a lot of shame.

Character conflicts like those in sitcoms are a great way to have conflict perpetually, because people don’t really change that much and there’s no reason why most of the fundamental friction shouldn’t be there indefinitely. But of course, character-driven conflict is going to be secondary in an event-driven show. “Jojo” actually does have a lot of character conflict, but the plot is primarily about the battles and the journey - if all the fighting ended Jojo’s characters probably couldn’t carry a sitcom, at least not without some serious hard work, a little genius, and a touch of elbow grease.

For event-driven conflict, you’ll want to establish a target - a moving target if you don't know when the story ends, and that can be pretty difficult. Old action shows and comics used to do it by having a rotating cast of villains, so that after one was defeated another would show up tomorrow, and it was assumed these guys regularly broke out of prison, or they escaped in rocket pods, or whatever, and they’d be back later with a new goofy scheme. In these cases you tend to find reactive heroes; they patrol the streets until a lunatic in tights and a garden-themed hat shows up and transforms everyone into people-shaped topiaries somehow.

For active heroes, you need to establish something that requires a lot of structure, like Ash’s journey to win the Poke’mon League. In every country he visits, they all have this asinine rule that you have to go to eight unique locations and kick the ass of someone who disadvantages themselves with an easily-countered mono team that all have the same exact weakness. You can’t be accepted into the League if you haven’t proven you own a water Poke’mon to utterly flatten the fire gym! Let’s be real, this nonsense is probably designed intentionally as a money gate - most people run out of cash before they qualify. Either way, it ends when Ash wins the league, and he lost the league so the show could keep going.

For roleplaying games, the same rules apply. With your players, you’re either going to establish a reactive goal - an adventuring guild hires a bunch of colorful salarymen with silly accents to go to a dungeon as part of their nine to five job - or you need players to set an active goal for themselves and keep the realization of that goal beyond their reach until you’re ready to end the game.

The Active Hero Acts

In my younger years, I learned to roleplay in almost exclusively player-driven games where we were expected to come up with our own goals and pursue them ourselves, but I’ve discovered that is stunningly rare in most roleplaying circles. Your typical D&D player likes to play the salaryman with a funny accent who doesn’t have to worry about the venturous part of adventure. His boss told him to go to the Cave of Everlasting Wonders and Torturous Screams, recover the Sword of Bad Portent, and then hand it over to the department of magic items where they’ll file the paperwork to get it delivered to the patron that wanted the sword for some reason. No need to have your own motives.

But what if you want to play a crime fighter who actually, you know, busts up all the crime? Clearly you can’t just wait for crime to happen passively - you’ve got to go after people. Act instead of being reactive. Purse snatchers are small time and in a more grounded setting the guys you’ll catch by being passive are just grunts being hired out by someone - usually kids in a lot of cases. You have to seek out the bosses.

Making an active character to fit into any setting can be challenging, and I’ve seen quite a few pitfalls. I think one of the funniest motives is always “the guy who wants to go home” due to its obvious failure condition. A lot of stories are about everymen who just want to get out of trouble, but those stories end when they get out of trouble! In many books, movies, shows, or roleplaying games, you’re almost always going to find opportunities to send that guy home, and you’ll have to either conveniently ignore it, switch motives and decide not to go home, or end the whole story with going home. These characters only work where the story is happening to them and it's all out of their control.

I’ve also seen my share of the “quirky genius inventor/scientist”. When someone designs a character mistaking a dream for a motive. They dream of building a better mouse trap, you see. That’s their inner conflict. And while this is a real world conflict, it’s difficult to make it a good story because actual science and invention involves a lengthy quantity of controlled experiments. You breed hundreds of fruit flies, expose them to nicotine, and try to isolate the gene that causes nicotine resistance. It can be fascinating work at its level but sometimes the most exciting part of your day is when you give yourself a steam burn cooking the fly food. The “quirky scientist” in fiction is usually more of a mentor, and if he insists on staying in his lab doing his work then he’s not even a main character - he’s a guy who explains fruit flies to the audience and then is never heard from again. Other times he’s the asshole who invented the story’s whole problem.

I once played in a game with “the quirky scientist who wants to go home”, and man was that a frustrating ride. The game itself was about occult magic and demons, and for most of the game the scientist was experimenting with teleportation magic to go home and was focused on that above the goal of finding and eradicating demons (the game’s premise). And when he finally met a boss demon that could teleport him home to his lab, he went! We wound up retiring a character who, to be honest, was barely even interested in the main subject of the story. Had he been in a film or a show, they’d have cut the character after the first draft because he served no purpose and wasted screen time.

So how do you make sure your character has a working, proactive goal, in a nutshell? Establish a goal that can be achieved by the character within the framework of your story through action by leaving his house (or after burning his house down so he can’t go home), and then make sure the goal is big enough that it will take many broad steps to get there - those steps need to be concrete and visible, not things that would happen off-screen. Most importantly, tie that goal into the main premise of the story, so that reaching the end of the story generally may achieve what the character wants.

If You Aren’t Trying, It’s Not A Trial

Okay, I understand that last bit probably requires more unpacking. But think of it this way. There’s a writing structure referred to as the “Hero’s Journey”. Basically it goes like this: the hero is forced into adventure, he meets friends and goes through trials, he hits his lowest point, he is reborn into a better man, he ends the conflict, story over.

What I’m talking about specifically right now are the trials. The “wacky inventor” is usually presumed to do all his research off screen because most media likes to focus on the results of the invention and the conflict. But if you were to focus on the trials of a scientist, it’d actually be about procuring research grants and potentially materials. You wouldn’t watch a show about a man who checks gene A-235 for nicotine resistance in flies, then goes on to A-236, then A-237.

If I were to write a story about a researcher, here’s one thing I might do: the researcher fails to find what he’s looking for in gene A-235, and when he goes to seek a grant to look at A-236, he finds one of his colleagues has convinced the university that the protagonist’s research is a dead end. Hearing this, the researcher realizes he’s about to lose his lab, so he writes a bit of a lie into his report on A-235. He says it may prevent cancer.

Now, the protagonist is, deep down, a good man. He thinks this will generate some buzz at the university and get him more funding, but he’ll do a follow-up and show the data doesn’t hold up. After that he’ll ask for money for A-236 and everything goes back to normal. But disaster strikes. His article, which was only supposed to show up in an obscure research journal, gets picked up by a major news network and winds up being spread all over. Suddenly he’s “the man who cured cancer”.

And as he’s trying to figure out how to navigate the issue, another researcher comes out and says that under peer review, he was able to replicate the results. He too shows that A-235 cures cancer! Now the hero isn’t sure. He becomes a celebrity and simply lies about his research because he has no real data, but try desperately as he might, in private he just can’t get the results the peer review insisted were there.

He struggles and struggles, coming to blows with his colleague who’s scrutinizing his research notes. Throw in a love interest who’s impressed with what this guy did, and actually I think I’ve just described the plot of some movie I saw a long time ago about faking cold fusion. I think Albert Einstein was a supporting character in it. In my version the twist would be the peer reviewer was also trying to get a grant by lying. Point is, the central conflict of the film certainly isn’t the scientific process, it’s all the crazy crap that happened on the way from point A to point B.

The story is in the trials. If nothing changes, if the character doesn’t have to change their way of life or go through anything special, it’s either not a story or it’s not your typical story. There are plenty of experimental films or well-regarded books that can make a certain banality become interesting. Stories that explain the simple struggles of day to day living for people on hard times. But the trials, the palpable challenges, that’s really the meat of it all. When you think of what your character should be doing throughout the story, he should be going through these efforts, these steps, these trials, all in the name of whatever his broader goal is.

Where You Start Affects Where You End

It also matters quite a lot when and where characters are introduced. A lot of tales follow some basic notes, and one of the more common elements is “crossing the threshold”, which prevents your characters from going back to their life before the adventure. It’s used because it compels the characters forward, as they have no other direction they can go. It can be anything: the character’s home town is destroyed, the character commits a crime, he accepts a contract, his mother dies - so long as it prevents him from going back. It’s especially useful in roleplaying games where you really need everyone to be driving forward.

In one such roleplaying game, I got in a spat with the guy who wanted to run the game because I was trying to make a leader character, but the game master wanted to base his game around a movie he’d seen with a single main character. He’d elected another player to be that main character, and explained to me he’d be starting the game after that character had already crossed the threshold and had begun his journey. This meant that everyone else were supporting cast and could go back to their normal lives at any time, because they were coming willingly from where they were and not really facing any drastic changes to their personal status quo.

I eventually resolved not to play in that game at all, because none of the character dynamics I wanted were going to work. It was supposed to be a “wannabe” superhero game, with the premise that everyone wanted to be heroes, except one player had already started the journey and it turned out another had already reached the end of that arc and was going to play a character that had been a hero going on years before the story began. There was no plan to really reconcile the narrative clashes.

If that game were to work as it was, without me being present, then the person playing the pre-established hero would have needed to take the mentor role. The other players besides the main character would have needed to be comfortable in auxiliary roles, and the group would have to play as though they were part-way into the story. Still learning to be a team but well past the initial stages of a plot, and they’d all need to think up reasons to be in this group individually on their own, because the threshold had already been crossed and they didn’t cross it together.

The friend running the game was actually dismissive of my advice here, arguing that I was overcomplicating everything with a meta analysis of narrative and structure when all we need is a basic drive to play, and I don’t think he realized he’d set himself up with a much more complicated game and less cohesive premise by going about things as he had.

The already established hero couldn’t be the mentor because a mentor character had already been created as an NPC. The auxiliary players weren’t really informed at the outset they’d be auxiliaries - especially not me who’d wanted to play the team leader. The player who’d been designated as the central protagonist didn’t want to lead or be the central protagonist. It could have worked, but it would have taken a lot more planning and many more concessions than a typical game.

In a more recent game, I’ve got another bit of an issue with the start misleading the general goals of the players. It’s a sci-fi game, and first, one player is doing “the quirky inventor scientist”; his current stated dream is vaguely to create transhumanist technology. He also wants to play the leader, so he established himself as the most important man nobody has ever heard of. He has spies in every major institution in the known galaxy and is a genius beyond comparison. He’s currently based in a rusting pirate ship in the middle of the space boonies doing nothing with his life save being the most important man.

Meanwhile, I set up a disgraced military officer with a revenge quest against his own nation. But the pirate crew my character joined turned out to not believe in structure nor leadership and they killed their last commander to have a system of “democracy”. My structure-minded character has tried to take the lead and drive us forward, but he runs into general deconstructive resistance and the “quirky scientist” wants to be the leader, but hasn’t yet expressed self-motivated goals.

It’s not exactly my most harmonious game and there’s quite a lot going wrong here, but here’s how it could have worked: first, establishing that the crew of the pirates respects no leadership places the entire crew in the precarious position of being “chickenshit” at the outset. That kind of incohesiveness is why a band of rogues gets easily defeated; it’s not the behavior of scrappy men of action, but hopeless men of inaction. A corrupted “democracy” collectivises failure while awarding success to whoever actually has the most power in the group structure - it protects the weak leaders from responsibility and disincentivizes good work by allowing those same men to reap rewards while offloading the burdens to those lower on the ladder. In essence, “If things are screwed up, blame the democracy. If things are good, I did it.”

What should have happened was the “quirky scientist” should have been in charge to start with, because otherwise he has no reason to be on board the ship. He’s the most powerful man in the galaxy, after all. If it were because he was financing the pirates to go on raiding and salvage missions relevant to his research, then it would make sense. He’d have a purpose and a position of leadership just as the player wanted. It would also establish the pirates have some command structure and a level of respect for it that allows them to function.

And the power struggle between the disgraced officer and the scientist? Perfectly reasonable character conflict that would drive actual, meaningful roleplaying and story. The scientist may bankroll the operation but the officer is the tactical talent and the two pull in opposite directions, as power-hungry men often do.

However, the opportunity to start with a sensible and meaningful social dynamic has passed, and on top of that the “quirky scientist” keeps his galaxy-wide power a secret, so it’s all kind of messy and “badly written” in the sense that most audiences would be generally rooting for the crew to fail, and they’d find the grand reveal of the scientist’s galactic power to be frustrating and unrewarding because it’s more of a plot hole than anything. So close on so many counts and yet so very far, and the opportunity to pull it together eventually is present but a more challenging and uphill battle than getting it right at the outset.

In The End, Did We Even Learn Anything?

Creating a character is easy, in my opinion. Creating a working story with a group of self-driven characters can be a lot harder. This is especially true of roleplaying games or of cooperation with multiple writers, where you need to be on the same general page with a committee. It can help a lot to establish the exact conflicts at the beginning, but as can be seen with Winston from “New Girl” or the later seasons of “My Little Pony”, what you have can morph beyond your control as things go on.

Sometimes you never had control in the first place. Sometimes you lose control because you conclude the original conflict of your story and struggle to find a new one - the brand is too successful to let go. Maybe an executive comes in and injects an idea that throws the entire balance of everything totally out of whack and now nothing works. Sometimes your friend thinks story structure is overrated. It’s a difficult juggling act.

So at the end of this essay did we even learn anything? It depends a lot on what you’re trying to do and what you wanted to learn. If you’re the more typical Dungeons and Dragons group, you don’t need to think much about this. Just make your characters and passively react to activities handed out by Dungeons, Dungeons & Co - your conflict is event-driven. Are you writing a sitcom? Well, balance a tangled web of conflicting character habits and write the ensuing disaster. Want to make a complex film about a group of highly motivated, proactive people with sophisticated individual goals that ultimately converge while still respecting their rich, conflicting, inner politics, and do all that writing as part of a team? Well, good goddamn luck, but with the right start and enough care you can make it happen.