#wonder how big the fanart market was

[heian-suggestions]

commission a handscroll artist to paint a scene from your favorite story

[shepherds-of-haven]

Happy New Year, everyone! I thought it would be fun to do a little retrospective on the game's progress over the last year... Shepherds of Haven has grown so much from the little demo I posted in January 2018, and it continues to steadily build and flourish in so many different and exciting ways! Here's a look at just some of the things we accomplished in 2023!

I added 143,151 words to the game (2.5 main chapters, 8 new character interludes) in 2023: the equivalent of writing the longest Lord of the Rings book in one year! We also broke our huge 1 million word milestone—without including code—meaning Shepherds of Haven is now officially twice as long as War and Peace, and almost as long as the entire 7-book Harry Potter series... and all in a single game!

A lot goes into game creation behind the scenes, including the coordination and creation of visual assets for the game—like character cards, codex entries, maps, portraits, and backgrounds—fun stuff for the fans (like the MC info template we created), and songs for the official soundtrack. As the game creeps slowly and determinedly towards its initial completion, that also means learning new things as a solo developer to prepare for the future, like learning to build an official website, researching business and tax practices, and beginning to think about how to conduct testing, publishing, and marketing down the road. Much of what I enumerate here hasn't been made public yet and will continue to cook in the background for a while, but I'm very proud of the work I've gotten done this year and will be excited to unveil more in the future!

And of course, for even more Shepherds of Haven content, I've added and completed even more stories for our little library on Patreon (which also has sizable word count at this point): The Bridge of Bones (a Trouble and Riel murder mystery), O Happy Dagger (a dark adventure featuring Briony, Chase, and Red), and The Hunt (a wild tale involving Tallys, Halek, Shery, and new kinds of spirits, fey magic, and Elves) were all serial stories completed in 2023, while Some Kind of Virus is a cyberpunk zombie apocalypse AU that will continue to be updated with new chapters monthly.

A full list of the Shepherd short stories and serial novellas (with links) can be viewed here!

I hope you enjoyed this session of Shepherds of Haven Wrapped! Honestly, this doesn't actually cover everything I've been working on, but some things can't be packaged and listed out neatly, or otherwise won't seem very interesting to anyone else but me! 😂 As we inch through Chapter 9 and get more interludes done (only a few more main chapters to go), I'm hopeful that I'll also be able to find time to work on my next novel, but we'll see if the Shepherds schedule ends up ramping up or settling down as we work steadily towards finishing the main story!

One important thing before wrapping up is to acknowledge your guys' role in this wonderful, wild journey. I want to express my heartfelt gratitude to each and every one of you for your invaluable contributions to the development of Shepherds of Haven. Whether you took the time to share links to the game, supported its growth on Discord or Patreon, left encouraging messages or asked interesting questions, reported bugs, or showcased your remarkable works of fanfiction or fanart, I am sincerely thankful for the unwavering support from this amazing community! Your collective efforts have played a pivotal role in shaping the world of the game into what it is today. Words cannot adequately convey my gratitude for your support, and I am truly blessed to have such a passionate community surrounding this project.

As we step into 2024, I am filled with anticipation for the developments awaiting Shepherds of Haven. Big things are on the horizon, and I am so excited to share these experiences with you! Thank you for being an integral part of this journey, and here's to the continued growth of our shared little world. Cheers to 2024—may it be a year filled with creativity, adventure, and joy! 🎊

[insertdisc5]

Devlog #19: THE LAST DEVLOG BEFORE RELEASE.

Hello everyone! Welcome to this month’s devlog!

If you just stumbled upon this, I am Adrienne, also known as insertdisc5! I’m the developer, writer, artist, main programmer, etc of the game. The game being In Stars and Time, a timeloop RPG, which is also the next and final game in the START AGAIN series, following START AGAIN: a prologue (available here!).  You can find out more about In Stars and Time here!!! 

LET’S GET TO IT. This month is THE LAST DEVLOG BEFORE RELEASE?!??!??!?! URGHH?!??!!

My goodness. Can you believe In Stars and Time will finally be out THIS MONTH? NOVEMBER? TWENTIETH? TWO THOUSAND TWENTY THREE?!??!?!?!? Yeah turns out ME NEITHER so WE CAN FREAK OUT ABOUT IT TOGETHER.

So, as previously mentioned, In Stars and Time will be out on November 20th on Steam, itch.io, GOG, Nintendo Switch, and Playstation 4 and 5!!! We mentioned this previously, but we cannot guarantee they will come out at a specific time, nor guarantee they will all come out at the exact same time and hour and minute, but we will do our best! Hopefully “sometime in the morning for Canada” is the time. Don’t hold me to that though!

And for our announcement, we prepared a wonderful announcement trailer, animated by the lovely Mimi Chiu! Did you see it?!? Well, have it again.

In preparation for the release, we’ve been bringing our marketing A-game! I (insertdisc5) have appeared on The Completionist’s IndieLand Stream, and it was an absolute blast. I also reiterated my Big Hope for this game, which is that I hope ISAT makes you feel so many feelings. 

We’re also doing a Fanworks Contest on Twitter, with the prize being a key of the game on release!!! If you have something in mind, why not participate? We accept EVERY kind of art, from fanart to fanfics to cosplay to animatics to memes to even pictures of food! As long as it’s ISAT related, GO FOR IT!!!

And finally, every Monday until release we’ll be sharing some ISAT character playlists made by yours truly (along with some VERY MUCH NEEDED HELP from friends and family. Finding songs is hard!) You can check them out here on Spotify!

And, finally for real, mayhaps consider joining the Discord channel before all hell breaks loose. Make some friends. Show some memes. Post your last minute theories. Or maybe just lurk! Up to you and your delightful little brain.

How weird to know this is the last devlog before the release! I WILL be posting a couple more monthly devlogs after this month- I want to talk about how the release went! And even after the game comes out, there will be some fun little things in store! So please stay tuned even after the game comes out :) And as always, don’t forget to wishlist the game on Steam!!! Ok!!! Wishlist numbers this close to release are SO IMPORTANT!!!! SO PLEASE!!! I BEG!!! ON MY KNEES!!! PLEASE WISHLIST!!!! (someone does a neck cutting motion off screen) I’m told to tone it down. So PLEASE WISHLIST but like, um, only if you want, teehee <3

Thank you for following this devlog all this time. I hope you enjoy the game when it comes out later this month.

See you next time.

[mrghostrat]

"He needed an internet connection so he could download an app to draw with, but the whole point of setting the thing up in London was because he knew Crowley understood all of this a whole lot better than he did."

Okayyyyy I just got violent flashbacks to the s2 finale this is evil 😭😭

But in all seriousness, I LOVED the new bnf au chapter, I mean the kiss??? I audibly gasped, it was soooo good

I was wondering if the witch and the witchfinder are a canon couple in the nice and accurate prophecies? Or are they just a very popular fanon ship? Or is it like good omens, where people saw the romantic subtext in the book and where it was made explicitly canon in the show?

I just think all options would be really interesting, given that Crowley and Aziraphale are both middle-aged queer people and the book came out thirty years ago. So they either would have had some representation back then, or they recognised themselves in the story and even though it wasn't canon, maybe those ideas would later explicitly be confirmed by Agnes Nutter nonetheless? Since all these options have really interesting implications for the way they both interacted with the source material, I'm really curious what your thoughts on the matter are.

Thank you so much for all the beautiful things you create for the fandom, both your fics and your art give me life and I'm so grateful for them ❤

omg you have no idea how excited i am about this question 😭 as i've written BNF, i've been quietly fleshing out more about their fictional fandom, and accidentally gotten reeeeally invested and am dying to talk about it 😭😭

i'm actually tempted to make some fanart of the witch & the witchfinder, using michael and david as facecasts to go full meta thphptftf. in b4 i write it as a fuckin book series for real

buttttt i'll put all my N&A thoughts under a cut so i dont ramble too long on your dashes 💛

The Nice and Accurate Prophecy: Agnes Nutter's book series (turned play, turned film, turned tv series); the fandom in my fic Big Name Feelings

the idea of using Agnes Nutter's "Nice and Accurate" book for the in-fic fandom was taken from @tawnyontumblr's fic New Messages (i just thought that would be a fun fanon consistency to follow), but all the details about the story and characters are me.

N&A takes inspiration from Good Omens (as a story, and as a fandom) but isn't intended to be a direct copy of it. the original paperback series is a few books long, and each adaptation of the books are considered good, accurate, canonical content. the tv show (a HBO series) is the most recent, highest quality, and most popular. The Witcher style, high fantasy quality.

agnes is loudly supportive of the lgbt community just like neil/david/michael are. but i imagine that for the series to be so "marketable" over the last 30 years, there isn't an explicit queer relationship between the witch & finder. there are canon queer side characters but the witch & finder are a little more nuanced.

the witch and the witchfinder aid each other through time, working together to defeat the evils in the story (like Aziraphale and Crowley from GO). there's tension between them, but boundless love, and plenty of flirtation, despite the running "we shouldn't, we're meant to be enemies" theme. they would canonically get together at some point in the story, probably towards the end after they've spent some time dancing around each other.

the thing that makes this vague is: the witch reincarnates through the story, almost doctor who style. they're a trans icon, much like how the GO fandom looks at Crowley and all his gender ambiguity.

when they finally tryst with the witchfinder, they're female. it's by pure happenstance that they're female presenting at that stage of the story, but still widely critiqued over the years. the thing that canonises the mlm relationship is that the witch is said to carry their consciousness through each reincarnation— they're not a new person like The Doctor is when he regenerates.

the start of the book series spends more time on "Crowley and Aziraphale's favourite male reincarnation", while the movie and tv show only briefly montages through some of the witch's faces. the mlm side of the fandom most definitely lost their minds over the brief few minutes of screentime that they got of the male witch, and has absolutely gifsetted it to death.

i've done it like this because so much of (every) fandom has always been seeking out representation and filling gaps where the original content lacks. there's something to be said about the solidarity of queer fans creating more queer content for themselves. except, in the case of N&A, they're getting to work from a source material that is genuinely queer supportive, unlike fandoms like SPN and BBC Sherlock that are fighting against the tide of queerbaiting and buried gays.

it also gives aziraphale and crowley a chance to band together in the next chapter when they talk to a dickhead at the party:

i haven't exactly decided what happens with the witchfinder, like if the story takes place over hundreds of years and he keeps reincarnating as the same lookin dude (like how jack whitehall plays both Thou Shall Not Commit Adultery and Newton Pulsifer) or if it's set over one lifetime and the witch just gets killed and regenerates a lot. i do like the idea of there being some "through the ages" shenanigans, and a canonical "modern day" setting like GO has.

but i gotta be careful bc i genuinely can't stop thinking about this fake story that's barely mentioned in my fan fic or i'll end up writing the damn thing myself

[killedbyfrank]

Inside Out Iceberg

Inside Out is an amazing movie with a deep message and a dedicated fandom, or what's left of it. While the movie explores Riley's mind far and wide, it still leaves a lot of questions unanswered, some simple, some dark and complicated.

So I made this iceberg to explore the dark side of Inside Out. The iceberg concept is a metaphorical framework often used to illustrate the idea that what we see on the surface is only a small fraction of a larger, hidden and often disturbing reality.

This iceberg includes some known facts, known and lesser known theories and even a couple of headcanons, just for fun.

The Surface

Emotions Shipping: Just like in any fandom, fans usually ship characters together and Inside Out is no different with ships such as Starnerve, Brickoli, Joyness and more.

Sleeping Quarters: A simple yet difficult question to answer. The emotions are shown to reside in a tiny little house up the ramp in HQ. What's in that room? How big is it?

Glow: Joy and Sadness are the only emotions that glow, with the former being much more visible. A theory states that Joy's glow intensity depends on her mood.

Fanfics: Inside Out has a lot of rich and diverse fanfictions, with a few becoming iconic such as Intercom and An Emotional School Year.

Mind Candy: Some simple but cute snippets of the emotions interacting alone or with each other.

NSFW: Artworks that depict the Inside Out characters engaging in sexual activities or gore and mutilation. Some should be banished to the shadow realm.

Below the Surface

Parents' names: Riley's dad is named Bill, while Riley's mom is named Jill. Nice one, Pixar.

Pixar Shipping: Even those at Pixar ship Inside Out characters together. I wonder if some ship Brickoli...

Surprise?: Surprise was supposed to be in the movie, but was cut off due to being too similar to Fear. Maybe Inside Out 2 will bring it back.

Riley's clothing: Throughout the movie and not only, Riley wears different shirts representing her state of mind. During the first day of school she's seen wearing a yellow jacket, forcing Joy upon her. At the end, her mood darkens, reflected by a black hoodie.

Easter eggs: It not uncommon for Pixar to put Easter eggs and cameos in their own movies. Hard to notice at first.

Advertisement Campaign: Inside Out had a pretty aggressive marketing campaign, sponsoring brands such as Clorox and Subway, even encouraging fanarts. Pixar was trying to hype it up.

Into the depths

Fear & Joy outside of HQ instead of Sadness: Originally, Pete Docter intended to explore Fear, since he as a teenager was mostly afraid.

Alternative Titles: In Latin America, Inside Out is known as Intensa Mente. In Spain, they called it Del Revés (Reverse). In Russia, it is titled головоломка (Brain Breaker), and in China, it is 玩轉腦朋友 (Fun with Brain Friends).

Emotions had names: Initially, Emotions were supposed to have proper human names. Fear for example was known as Freddie and so on. Joy is the only one that kept this idea. In the Italian dub, she's known as Gioia, which directly translates to Joy and is also a proper Italian name.

27 emotions: The movie initially was supposed to have many more emotions. This idea seems to have been picked up again for the sequel. Bad idea.

Unlikable Joy: Joy was supposed to be very unlikable, saying things as "We should spit on that girl's face". This was done on purpose so that the viewer would align with Sadness.

Nightmare Productions: Dream Productions is in charge of Riley's dreams and nightmares as well. In theory, they could give endless nightmares to Riley and all kinds of nightmares. Some may call this sadistic.

Into the Abyss...

The Subconscious: This is where Riley's worst fears are kept. They're locked behind a flimsy wooden door, lightly guarded and protected. This could mean Riley is weak minded or very susceptible to her fears. If everything escaped from there, it would certainly mean apocalypse.

The true villain: Joy's aggressive need of control, leaving behind Sadness, causing destruction within Riley's mind, forcing happiness upon every situation, using a ladder of imaginary boyfriends sentencing them to fall into the Memory Dump... These are just some of the things Joy did throughout her journey. Her philosophy crumbled like a house of cards.

Disgust/Joy rivalry: These two probably aren't the bestest of friends. They often have disagreements, and are the opposite of each other. As shown in some clips, Joy seems to enjoy it when Disgust is having a bad time.

Parents' jobs: We don't currently know what their jobs are, how they maintain the family. I've seen a theory that Riley's father used to be an US soldier, due to his mind resembling a Cold War nuclear submarine.

Genderfluid Riley: According to some individuals, Riley is genderfluid, due to her having different gendered emotions. This is highly unlikely.

Schizophrenia: Riley can actually hear her emotions talking, even see them. She's imagining everything in her mind...

Flesh mech: Riley has no control over herself... she's simply a meatbag controlled by her emotions, not guiding but controlling Riley's every single movement and action. This is especially shown in the "5 seconds rule" clip.

We all are the same: There is no divide between the mind workers and the emotions. The mind workers have probably never even seen them. There's no hierarchy, just work, work endlessly for Riley and nothing else matters. What exactly is everyone working for? What are they driven by? Are they all... expandable?

The Bottom...

Anger is the antagonist: He causes Riley to be angry, he often abuses Fear, yells at everyone, dislikes everything. He indirectly caused Bing Bong's demise by destroying the various islands of personality, making it harder for Joy and Sadness coming back, KNOWING that him touching the console would have destructive consequences. What if he did it on purpose?

Stalinist Dictatorship: Riley, Riley, Riley and nothing else. Everyone works for Riley. Everything else comes second. There are cards with her face on them, her initial on Goofball Island, everyone works constantly, every day, all day for Riley, with possibly no retribution. Endless amounts of workers, in a society where Riley is everything to them, similar to a socialist state.

Emotions can't quit: Quote by Disgust. They were never meant to leave Headquarters. They are meant to stay confined there, without ever having the chance to go outside their residence. Why else would the Headquarters be suspended on the Memory Dump, with one way in and out? There is no escape.

There is no happiness... none. Riley was never truly happy in her life. No happy life with only sad moments in between, but a sad life with only happy moments here and there. The true Riley was the one we saw at the end. Depressed.

[scales-n-art]

What advice do you have for someone hoping to start making money with art? I'm new to everything so building an audience and engaging with them feels like me shooting in the dark, let alone getting them to request commissions or join a Patreon!

Hi there!

I think you have the biggest part of it already figured out tbh. If you're aiming for it to be a side hustle kind of thing, then building an audience is definitely one of the best ways to go about it if you wanna stick to online. The way it's been for me, it's all been through fandoms and niche art. I drew a ton of fanart for Shadowhunters back in 2017, but it wasn't until I got into making fanart for Attack on Titan (mostly merfolk AU stuff) in 2018 that I really became more "visible" as an artist. Back in 2017 I had some commissioners, but from 2018 onwards is how I truly became a full time artist.

There's people who have the fortune of making it big with their own original art from the very beginning, and that's wonderful. But it's not something I can give you advice on, because I haven't figured that out myself, and it's not how I got here either. I know it's possible, however, so that's definitely always an option too.

As frustrating as it is, I think there's no real way around it. You need an audience who's interested in what you have to share, and a lot of it can become making art that caters to what your audience is interested in. So be very careful with how you go about it. I'd say just draw what YOU like, what YOU want to see. Most likely, there are others out there who want to see the same thing too. Algorithms online make it harder for people to find you, and it's very tiresome to adapt to them, but there's no way around it except keep pushing, keep trying, follow other artists, make friends with them. Comment on art, share art, join discord servers, talk with people. Interaction will take you a long way in this circle!

If you're not afraid of taking your art outside of the online market, there's always conventions, exhibitions and bazaars/markets in most cities, where you can take prints, stickers and other merch with your creations. They also work wonderfully as contact makers. You'll get to meet other artists in your area, and they can help spread word about your work, and you can do the same for them, aside from directly putting your work literally out there for people to see.

If you want advice on how to become a professional artist, getting studio jobs and such, I'm definitely not the right person to ask. I have no experience on that other than applying and getting rejected or "saved for later". Not that I've tried much tbh, I've been ok enough with freelance work.

I've worked mostly on commissions for individuals who just want a specific piece of their favorite character, and I've also worked on commissions for self publishing authors and one major awarded, published author in my country as well. All of it, just because I started an askblog about Merman!Levi when I was bored, depressed, and going through Big Shit irl. So an art journey can have many crazy looks.

I'm not sure how helpful this will be, because I'm honestly not the best example of How To become An Artist. I've had so many ups and downs, currently going through a major down. And the only thing consistent about my journey, is that I haven't given up. So I guess that has to mean something, as cheesy as it may sound.

I wish you the best on the journey though ❤️

[lanatusnebula]

I Want To Like Aeolus

I'm going to type "Helios" because I played a fan translated version of the game so I could avoid the eng voice actors. (I refuse to buy anything else Capcom releases related to Megaman because I physically own most of this stuff anyway LOL)

So, so good points about Helios;

he has a cool head on his shoulders (deisgn-wise)

he had model H (my favorite MMZ character is Harpuia and ZX I love Model H big)

I like his face and hair! It's super silly but the more I look at it, the more he reminds me of SOMEONE I can't actually put my finger on. It's funny. And he has... one earring? Hanging off the ear mechanic things? Not sure what to call them... audio enhancement device? Vestibular Enhancement Piece? I wish they got some nerd to official label the reploid/cyborg body parts...

He's pretty neat in that regard, haha!

Model H is super fun in ZX! I enjoyed it in ZX. In ZX it is my favorite! So good on him that he's a biomatch for pocket Harpuia.

--

From here downward i will slander Helios's name and everything he will ever stand for.

nb4, "dude if you dont like him, then ignore his existence like you do with everything else you dont like" bro you dont understand this is a struggle i must endure for the sake of my own completeness (self-torture)

This whole this is biased and abandoned by reason, but I will put on a brave face and embarass myself anyway...! ò 0 ó

Points to touch on;

his design

his writing

his personality

biomatching with Model H

background

moveset

Design

I hate his design so freakin much. He has a sleeveless vest (ok), the weird skin-tight extra padding (sure) a skirt attached to ABSOLUTELY NOTHING (ok) and PANTS (dress pants). Each of these things on a character in the Z series would be like "eh whatever". But looking at how everyone else dresses, I always wondered "what happened HERE???". I'm hoping that it was a mistranslation of the concept art to the official marketed stuff, and they added volume to the skirt when it was supposed to be attached to the torso piece. I just can't mentally comprehend his layers otherwise? Like I'm picturing he and Ciel had the same thing going on, except he has dress pants instead of tights.

I'm more than aware that fashion in the Z/ZX series is a bit unhinged and abnormal. That it might even be lore related or somehow touched on by the fact that every human is a cyborg. Maybe he's a reploid and we can't see it? I'm holding onto the hope that Atlas and Helios are reploids who hide this fact. (Unlikely)

His Writing

Because I am an ugly Harpuia fan, I was expecting more than the game actually gave. This section is my personal gripes that have no real basis for complaints. They are, as a whole, completely unnecessary and ignorable.

Siarnaq has a backstory that is briefly mentioned in his little disk thing. Okay!

Thetis has some sort of motivation that hints that something else could be there, but doesn't have a backstory in in the disk thing. Okay!

Atlas has a backstory that is briefly mentioned in her little disk thing. Okay! (she has been ruined by the fanart in select places and thus she does not exist to me LOL - same with Ashe tbh)

Helios has... a shallower motivation than even Thetis *and* lacks a backstory. I mean, sure I guess? I am biased towards Thetis because I figured for a reploid to have that much of an interest in oceans - something *happened*. It isn't even suggested that anything did happen, it's just... a good set up for me to fart out fandom crap. But Helios... I... man.

Man.

"Everything is imperfect and full of foolish fools I will kill everyone." His personality is so god damn bland. Harpuia was the highlighted guardian for most of the MMZ games and I ended up really enjoying how he evolved and how he struggled in the drama CDs. There was a lot to work with! Part of me thinks, "yes well Fefnir had jack shit going for him and you'd die for him". I DIG HIS DESIGN A REALLY LOT. But THIS GUY I simply struggle with! I want to like him because bootleg model H biomatch but I got nothing to workmwith! And that frustrates me. :(

Bland personality (I like Death the Kid ffs), shit motivation, no background - I know this is grounds for "blank slate, do what you want" but I just don't operate like that for this guy specifically.

His Personality

This section is biased.

Helios's personality doesn't really go beyond "I am a pretentious snob." He has... four lines? Maybe? I can recall four instances of dialogue off the top of my head.

"I don't have time for this lol"

"Fuck you, you imperfect crackhead" (I played as Grey).

"Fuck everyone on this planet for being imperfect."

"Self sacrifice is beautiful for friendship."

Maybe I can work with these? They are not obviously direct quotes, and are obviously played up for the hahateehee, but... I dunno man. It Should be enough to work with but I can't get into mindset of doing something with it.

Biomatching With Model H

This one is a little tricky. I assumed the biometals were either broken, muted somehow, or ditched by whatever personalities lived within them. Model Z kinda suggests to me that it IS the original inside of the biometal, but it's pure speculation based on a few lines.

I understandnthe relations some of the MegaMen have with their biometles, right

Atlas is powerhungry, which can loosely be connected to Fefnir in a very idiot way

Thetis has a "childlike innocence with attached cruelty" that we can poke ourselves in the eyes and say Leviathan had. Also ice water go brr

Siarnaq is a freaky little somethin ninja who is the complete opposite of what we assume Phantom is like based on the extremely limited dialogue he gives us. (but is substantially more to work with than what Helios gives us)

For Helios, we have to accept the "pompous homogeneous ruler mentality" as Harpuia's link. Which I don't get. What is the point of the entire Z series then? Aren't we supposed to look at Harpuia's growth and go "oh he actually is dedicated to his cause but was stuck in some muddy circumstances"? He had pride, absolutely (thinking about his post-repairs in Z3) but it's such a small part of who I thought he was personally? Granted, I did not write the game. I have no say in this; pride could have been his very essence. I just thought it was... justice.

We can say Helios is very much connected to justice - that he feels there is a sense of justice in nuking the flawed beings off this planet. (which is somewhat skewed by the fact that humans get bot'd after a while - what age? 13??? - and are basically cyborgs or robots themselves. So in a sense, they're already leaving behind their imperfect bodies) But... the super secret ending - the fact that he is present AT ALL makes no sense. If the goal is to put an emphasis on human bodies in the future, then... why is Helios present for this? Humans are the epitome of imperfection - we know this. It's blatant. It's why they do these mechanical enhancements to begin with.

Helios can't even commit to a cause right? I know all the MegaMen are exceedingly braindead and that's cool. But at least the others COMMIT to it. Thetis doesn't go "I'm gonna eliminate an entire race for the ocean" and then piss in the sea. Atlas doesn't go "Power is everything." and then break down crying and throwing away her biometal to embrace her weakness. Siarnaq doesnt go "HYPERFOCUSING ON TASK AT HAND" and then hold hands with everyone at the amusement park with a smile. THEY COMMIT.

Helios is stupid. He doesn't commit. Not if that is the truest ending leading up to this ZXC they planned.

His Background

Helios has no background. Okay. That is fine. Thetis doesn't have one either. Two focusing on the present and two focusing on the past.

But what could his background have been? Aristocrat? Poor? Feral child? Living in squalor? No parents? Abusive parents? Was he training to be one of the Sage Trinity? Albert came out of nowhere right? Maybe anyone qualifies - clearly they don't do background checks on anyone.

Maybe he was a sword enthusiast? Maybe the sword plays a part in this? Maybe he idolizes Thomas and felt his methods weren't extreme enough? I feel like the sword is very important to him as a character.

But why didn't they elaborate? They spent so much time making the Floating Islands a Shit Stage and Ouroboros absolutely mind breaking they didn't think to go "maybe we should add a line about his sword that he never actually uses." Are the writers andnstage designers different people? I don't actually know. Might be in the credits. Sure doesn't feel like it in ZXA.

His Moveset

AAAAAAAAAAAAAAAAAAAAAAAAAAAA

why is model zx's reach so short

AAAAAAAAAAAAAAAAAAAAAAAAAAAAA

[dearweirdme]

https://www.tumblr.com/dearweirdme/720858699962384384/everything-has-been-in-chaos-since-the-solo-era

han sohee rumor is hilarious because it’s showing u can connect just abt anyone who goes to the same city and comes back at the same time. how it escalated to something romantic/sexual so fast is a little disturbing

as for txt- i think original anger stemmed from jimin’s sabotage and the lack of transparency from the company’s side when everyone turned to them for an answer/help. jimin didn’t have to freefall off the charts if the company pushed for the song. but bang pd went on to have an interview with billboard, brushing over jimin’s achievement and talking abt ai etc instead, and weverse went on to publish an article highlighting a racist man’s “success” over jimin’s “partial success.”

Hi anon!

Oh, Tae and Jk will always be connected romantically to every women they are in the same area/setting/event with. Tae has been marketed as 'boyfriend material', and Jk has been marketed as 'the mysterious sexy one'. I feel you can even see this by looking at Jkkrs, because they too often emphazise Jk's sexual prowess. In the end it has to do with stereotypical ideas I think. Amongst Taekookers as well Tae is often partrayed (in fanfics, fanart, and even in analysis) as the more feminin one. I think that stemms from the way the boys are portrayed in the band. But it is hugely enlarged in fandom's minds (generally speaking), because by the way Jk prefers to dress in private... he does not show skin and his body much. And Tae has the ability to appear very mascuine one day, but leaning towards more feminine the next. Masculine bahavior often comes with the notion that men are womanizers and that is why they will always be connected to women in their proximity.

When looking at that Bang pd article through BTS eyes it does not look great I agree. I can see how that hurt people. He makes it look like BTS tought them how to grow big and feels like minimizing BTS I even wonder if he actually mentioned Jimin's succes himself, since the mention of Jimin reaching nr 1 is between brackets. I think the intend was to appear like he invests equally in all artists and bands though. And mostly to elaborate on how he intends to grow as a company. Yet, those things do not mean that they shouldn't push TXT.

[writingforfun0714]

So I just saw that a new trailer for Bad Batch just dropped and while it’s like 97% stuff we’ve already seen/heard, there is a short clip with Rex/Rex’s message to the Batch and of Omega saying ‘it’ll be fun’ as if trying to convince the rest of the Batch of something (probably going on a mission). There’s also a quick still of the Batch possibly on Kashyyyk.

The new info is so short I don’t wanna do a whole analysis about it. But I do want to point out that I heard about this from Tumblr. I didn’t see it on Youtube or anything (yes I did watch it, but I heard about it through Tumblr). I’d like to point out that even during S1 of BB, before it aired, Disney didn’t really market this show.

Why? Simple—

IT’S RACIST AF!!

While the clone model is extremely whitewashed (erasing ethnic features and replacing euro-centric features instead), the story/certain elements in the writing are extremely racist. While looking more like white men than the clone template—Jango Fett/Temuera Morrison, they all appear to have an ‘I’m superior’ mindset that’s even more evident than before.

Crosshair, CF99’s ‘fallen’ brother, even outright tells Hunter that they were meant for more and are ‘superior’ to the regular clones (who are noticeably darker skinned than CF99 including Omega). Echo, the ‘reg’ of the group is often not taken seriously and pushed aside and Wrecker, who looks the most like Tem out of everyone, is considered the ‘dumb brute w/ a childlike personality’ trope, a trope that’s harmful to poc. Tech has some sort of British accent that sounds completely off for a clone. Hunter is the one who actively argued with Echo and dismissed the ARC trooper’s valid concerns about working with Separatists. In some interview with Jennifer Corbett, she stated that there will be discourse among the Batch, specifically between Hunter and Echo (and it’s shown in one trailer where Echo tells Hunter they should be doing more). Omega doesn’t even look like a Jango clone anymore either. Her hair reminds me of Rapunzel’s after Flynn cuts it in Tangled. Rapunzel is a white teenage girl. Omega at least had some texture to her hair in S1, but her skin/features are too white.

I know I’ve talked about this a lot before, and I will continue to talk about it until Disney fixes it CORRECTLY (the creative team/Filoni claimed it was a ‘lighting’ issue but it absolutely is not). I’m incredibly frustrated that they put Cody in this show, clearly just as a way to get more viewers (especially since he was cut from Kenobi last minute).

While racism can show up anywhere, it’s important to recognize it wherever it may show up (whether in character design or the writing). I know most SW fans are looking forward for this new season, just from reading comments on the YouTube video of this new trailer, but I’d like to remind everyone that yes it’s a good story, but it’s racist. The only thing I have hope for at this point is the writing. I doubt the clone model is going to change. But I’d be incredibly happy if they did.

I absolutely hate how dirty the clones/Tem was done. Big thanks to all you creative, wonderful people that make incredible fanart of how the clones are supposed to look and the amazing writers out there writing Wrecker as the smart/careful demolitions expert he is or giving Echo the mourning process he needs, etc. Just, thanks to everyone out there who does right by the clones.

Thanks for reading my rant.

[bloomdigital]

Love the game, can’t wait to play, but I am curious. You have mentioned a few times how the gaming industry has not been to inclusive of the LGBTQ+ community, which is very true and as someone who is the fact that more are coming out is great. You seem to only concentrate on Marcel’s storylines which is great, but it’s the same as everywhere else every other LGBTQ+ show movie or game. It’s all about the gay male characters you can find hundreds of things for them. When it comes to lesbians it’s such a small percentage so I’m just wondering why?

Is Marcel the most popular option or just who’s easier for you to animate?

That's a good question with a few different components, let's break it down:

Marcel is definitely a fan favourite in terms of the dateable characters. There's a lot of fan love for Marcel in terms of requests, fanart and marketing, with Hanna as a close second, then Turkey and Nora, then Colin and Abby being the least discussed. Doesn't mean he's the only one we focus on in-game, he's 1/5 dateable characters in LongStory, and there was such a strong demand for her that in LongStory 2 players have the opportunity to date Hanna if they choose to, you can play the demo to see what a date with Hanna is like! So the breakdown for dateable characters ends up being three girls, two boys and one Turkeyhawk, plus a crush on enby Em if you choose! We're pretty happy with that.

Marcel never actually identifies as gay or queer--see what I wrote about bringing sexuality and gender variables into LongStory 2 for some more info on that! A playthrough of the demo shows that he doesn't really know what he is dating a boy player character, which is a very real experience at any age, questioning or curious. There's only a couple of characters that really outright state they might be queer, bi or pan. In LongStory, Abby states very upfront that she's into guys and girls, and Nora admits that she has a crush on one of her guildmates, a girl from Australia. Colin, on the other hand, isn't bothered one way or another about dating a boy, girl or enby person. Turkey just has a big heart and a lot of love to give to anyone. Human sexuality is huge, diverse and amorphous! No two people date for the same reason, or feel the same way about the person they're dating, that's an experience we very much want to capture.

Choice is the name of the game in LongStory. Kind of touching on what I wrote in that variables thing, every single player is going to come to a dating game with different expectations, and different reads on the characters, both the player character and who they want to date. Since we let players choose their gender presentation and pronouns, we wanted to make sure players could access the story of whatever character they were interested in without getting bogged down in "she/he/they wouldn't date you because--"

With our other game, Later Daters, we tried something different, our characters do have canonical preferences because they're older and have a history. For LongStory the philosophy was that younger people would be a bit more curious and open to different experiences in dating.

But don't take my word for it! Play the game for yourself, you can very much be a girl who dates girls! But be warned, if you date Hanna there will be an itinerary and an exit survey.

-MJ

BECOME A BACKER BY PREORDERING LONGSTORY 2 NOW! LESS THAN ONE WEEK LEFT!

[cyndavilachase]

I’m Looking Forward Now 💖Thank you and good bye

So, it’s been a little over a week since Steven Universe Future ended… 

I’ve been hesitant to write this, honestly, but I’m tired of holding myself back from properly expressing myself in fear of appearing overly invested in the media I consume, even in private. Writing helps me organize my thoughts and feelings, and I feel like these thoughts in particular may resonate with many, so I want to share them. I want to talk about what Steven Universe has done for me personally, both as an artist, and as a person.

I’ve been around since the day the first episode of the original series aired. I actually remember when Steven Universe was just a logo on Wikipedia’s “List of Upcoming Cartoon Network Shows” list, back when I was a freshman in high school. It piqued my interest, but when commercials finally dropped for it, I thought it was going to be bad because of the way marketing handled introducing Steven as a likeable character. There was still something about it that made me want to give it a chance though, so I went online and watched the pilot before the first episode's release. I was hooked immediately. I knew I was going to love it, and I did. I fell so absolutely in love with Steven as a character, and the world that he and the gems lived in. I became obsessed. I was always so excited for new episodes to come out. Little did I know what else it would do for me as I went through my adolescence alongside it.

As the show progressed, it was evident that what I wanted out of a western animated childrens’ cartoon was finally coming into fruition: this show was becoming serialized. There was continuity, there was plot, there was character development-- it was getting deep. It was pushing the groundwork that Adventure Time laid out even further (thank you, Adventure Time).  

I will give credit where credit is due: earlier western childrens’ cartoons I grew up with like Hey Arnold, and Rugrats, among others, also touched on heavy topics, but Steven Universe was able to take similar ideas (and even more complex ones, concerning mental health and relationships) and expand on them outside of contained episodes and/or short arcs. These themes, which were a part of the show’s overarching story, spanned across its entirety. Continuity was rampant. 

What did this mean? It meant kids cartoons didn’t have to be silly and fun all the time and characters weren’t just actors playing a part in 11-minute skits. Steven and the gems would remember things that happened to them, and it affected them and how they would function and play a part in their story. This was a huge deal to me as a teenager. I always wanted the cartoons I grew up with featuring kid characters to feel more. In my own work, I often felt discouraged when combining a fun, cutesy western art style with themes as dark or layered as anime would cover. I always thought it had to be one or the other because an audience wouldn’t take a combination of the two seriously enough, based on discussions I had with classmates, friends, and online analysis I read at the time. Steven Universe proved to me otherwise. This show was opening the door for future cartoons exploring in-depth, adult concepts. I felt so seen as a kid, and was inspired to stick with what I love doing.

I was actually very worried about the show’s survival. It was in fact immensely underrated and the fandom was miniscule. Then in 2014, JailBreak dropped, and it’s popularity exploded. Part of it was because of the complex plot and the themes it was covering like I mentioned, but also because of its representation. 

I remember when fandom theorized that Garnet was a fusion due to grand, tragic reasons. Turns out, she’s simply a metaphor for a very loving w|w relationship. This was huge. I cannot stress how important it is that we continue to normalize healthy canon queer relationships in childens’ media, and Steven Universe finally was the first to do that proper. Introducing these themes offers the chance for a kid to sit there and ask themselves, “Why is this demonized by so many people?” I asked myself exactly that. Ruby and Sapphire were my cartoon LGBT rep. They were the first LGBT couple I ever ecstatically drew fanart of. I was dealing with a lot of internalized homophobia at the time, and they showed me that I was allowed to love women and feel normal about it. The process of overcoming this was a long one, but they played a part in my very first steps into becoming comfortable with my sexuality. I could go on and on about it’s representation in general-- how it breaks the mold when it comes to showcasing a diverse set of characters in design, in casting, and in breaking gender roles. It’s focus on love and empathy. Steven himself is a big boy, but he's the protagonist, and the show never once makes fun of his weight, or any other bigger characters for that matter. It wasn’t hard to see why the fandom had grown so large.

Fandom was always a joy for me. It was a hobby I picked up when I was in middle school, like many of us here did. I would always cater my experience to fun, and fun only. I only started getting more deeply involved in SU’s fandom when I had just turned into an adult. During the summer of 2016, between my first and second year of college, I drew for the show almost every day non-stop when the Summer of Steven event was going on and posted them online. This was a form of practice for me in order to become not just more comfortable with experimenting with my art, but also to meet new artists, make new friends, and learn to interact with strangers without fear. I dealt with a ton of anxiety when I was in high school. When I was a senior applying to art school for animation, I decided I was going to overcome that anxiety. I made plans to take baby steps to improve myself over the course of my 4 years of college. Joining the fandom, while unforeseen, was definitely a part of that process. I started feeling more confident in sharing my ideas, even if they were fan-made. I fell in love with storyboarding after that summer, when I took my first storyboarding class, and genuinely felt like I was actually getting somewhere with all of this. I remember finally coming to a point in my classes where I could pitch and not feel hopelessly insecure about it. I was opening up more to my friends and peers. 

But this process, unfortunately, came to a screeching halt. 

My life completely, utterly crumbled under me in the Fall of 2017 due to a series of blows in my personal life that happened in the span of just a couple weeks. My mental health and sense of identity were completely destroyed. All of that confidence I had worked for-- completely ruined. I was alone. I nearly died. My stay at college was extended to 4 and half years, instead of the 4 I had intended. I lost my love for animation-- making it, and watching it. I could no longer watch Steven Universe with the same love I had for it beforehand. It’s a terrible thing, trying to give your attention to something you don’t love anymore, and wanting so desperately to love again. I dropped so many things I loved in my life, including the fandom.

Healing was a long and complicated road. I continued to watch the show all the way up until Change Your Mind aired in the beginning of 2019, and while I still felt empty, that was definitely a turning point for me with it’s encapsulation of self-love. I was hoping James Baxter would get to work on Steven Universe since he guest-animated on Adventure Time, and it was incredible seeing that wish actually come true. The movie came out and while I enjoyed it and thought highly of it, I was still having issues letting myself genuinely love things again, old and new. It was especially difficult because cartoons were my solace as a kid, when things got rough at home. I remember feeling sad because the show ended, and not getting the chance to love it again like I used to while it was still going.

By the time Steven Universe Future was announced, I was finally coming around. I was genuinely starting to feel excitement for art and animation again. I wasn’t expecting there to be a whole new epilogue series, but happily ever after, there we were! Prickly Pear aired, and the implications it left in terms of where the story was going did it. I was finally ready to let myself take the dive back into fandom in January of this year. My art blew up, something I wasn’t expecting considering my 2-year hiatus. Following this, I was invited into a discord server containing some of the biggest writers, artists, editors, and analysts in the fandom. I had no idea there were so many talented people in the fandom, some already with degrees, some getting their degrees-- creating stuff for it on the side just for fun. The amount of passion and productivity level here is insane, and so is the amount of discussion that has come out of it.

I didn’t realize it at first, but it was actually helping me gain back the courage to share ideas. I lost my confidence in pitching while I was taking the time to heal, and graduating meant there would no longer be a classroom setting I could practice in. This group helped immensely. 

I have made so many friends through this wonderful series, and I have so many fond memories talking to like-minded creatives, getting feedback and a myriad of sources for inspiration, as well as all of the memes and jokes and weekly theorizations that came about as we all waited on the edges of our seats for episodes to air. I needed this so badly, I needed to get back in touch with my roots, when I would go absolutely hog-wild over a cartoon I loved with people who loved it as much I did. Future has been a blessing for me in this way. I graduated feeling like I was back at square-one, but now I feel like I’m on my way again.

It’s 2020 and while I’m doing great right now, I am honestly still recovering from the total exhaustion that followed after graduating a few months ago, and finally leaving the campus where my life fell apart behind. Needless to say, watching Future was like looking into a mirror. Watching one of my favorite characters of all time-- one that grew up with me-- go through so many of the same things I went through not too long ago was absolutely insane to watch unfold. It’s such an important thing too, to show a character go through the process of breaking down over trauma and all the nasty things that come with it, and to have them go on the road to healing. Steven got that therapy. He wasn’t blamed. The gems were called out. The finale was everything I could have ever hoped for. The catharsis I experienced watching it was out of this world.

As I continue my own healing journey, I will always look up to the storyboard artists, revisionists, and designers that I have been following over these past 7 years, as well as the new ones introduced in Future. It's been such a joy watching these artists release their promo art for episodes, talk about their experiences working on the show, and post the work they've done for it alongside episodes airing.

Thank you Rebecca Sugar, the Crewniverse, and the fans, for making this such a truly wonderful and unique experience. Thank you for reminding me that I am, and always will be, an artist, a cartoonist, and a fan. Thank you, my followers, for the overwhelmingly positive response to my artwork. I have had so much fun interacting and discussing the show with you all again over these past few months. Steven Universe and it’s fandom will always have a special place in my heart, and it will always be a classic that I will return to for comfort and inspiration for decades to come. I am sad that the cartoon renaissance is over, but so many doors have been opened thanks to this show. I am so, so excited to see what this show will inspire in the future, and I hope one day I get the opportunity to be a part of that. 

Goodbye Steven, thank you for everything. I wish you healing, and I wish Rebecca and the team a well-deserved rest. ♥️

-Cynthia D.

[rhombusgirl]

I’m back?...

Hello my sweet dear followers! Thank you so much for staying with me for so long no matter I abandoned this place for almost two years! Those years were a giant roller coaster for me which are usually called “adult life”. Looking for a job, looking for a clients, thinking about renting, taxes, medical care, food, clothes, and work work work - that is pretty much the summary of my living in a big city for the past two years. It was feeling like I’m loosing myself. I forgot that I’m actually a dumb young nerd who likes to draw fanarts and building crazy theories for fandoms. Who likes memes and bothering favorite authors with my headcanons or weird comicses (sorry @theoriginalcarnivorousmuffin ​) . Who actually enjoys every day of their life like a maniac. Instead of it all I turned into a boring sceptic piece of garbage with no purpose in life or any will to live. Month ago I moved to the periphery of my country and finally I can feel that I’m safe and calm because I don’t need to participate in that money chasing anymore. Life here is peaceful an much cheaper, which means I can finally take less clients and think about my own realisation. I’m starting to feel alive again, I really want to make fanarts for Harry Potter, chinese novels, videogames, books, mangas and literally anything that comes in my mind. I want to cosplay, I want to travel around the country, I want to visit festivals and conventions, I want to print stickers and posters and sell it on art markets, I STARTED TO WANT SOMETHING! I was forbidding myself to do what I want because I hadn’t any time or strength for everything until I got used to it. Until I forgot how does it feels to want something. And, damn, wanting something feels wonderful! Yeah, it brings insomnia and mania up on my unstable mind but gosh, at least I feel alive. So yeah, be ready for my shitposts again at least once a week

[cutegirlmayra]

Hiiiiii, I rly like your writing X3 I was wondering if you’d answer this question: What is your interpretation of what SEGA is doing with SonAmy as of right now? Seems like it’s becoming more and more canon. I know you’ve done similar question before, but could you maybe just answer this for 2021? Thanks!💖💙

No problem! And thank you, lovely Anon~<3 I love writing for the feels~ But also for the accuracy to be as close as possible if I can manage it! First of all, they’ve always been canon? Maybe not ‘in-world dating’ canon but canon in the sense that they are a official SEGA advertised couple since the get-go.

Amy was created to literally be in the slot of ‘Sonic’s Girlfriend’ where she had feelings for Sonic and always a fun mystery as to decipher Sonic’s subtle ‘returned caring’ for her.

As for 2021 we are so FREAKIN’ HAPPY to hear that SEGA is FINALLY marketing the two and VISUALLY SEEING the sales of their ‘couple shirts’ and the like make some profit. Furthermore, we have long-time fans and professionals in the careers within SEGA also vocalizing that they don’t mind the couple and even support it. With less emphasis on the ‘fandom fanatics’ of the raging past and more so on the fantastic marketability and popularity the couple brings to SEGA’s exposing their main IP, it’s become almost common ground to expect more and more people liking romantic and suggested romantic couples in all ranging medias.

We need also mention the alarming rate of the worrisome numbers in Japan recently. Conducted studies have shown that most of Japan’s population is elderly, and in the very near future (About 5 years or so) a good chuck of Japan’s population will die. This means the Japanese Government is promoting more and more companies within both entertainment, advertising, etc. to be more ‘promoting family’ in their media. Japan needs more babies! And guess what?

Mario Odyssey comes out with a completely ‘Wedding themed’ video game.

Dramatic romantic underlying's in Zelda’s new game.

Final Fantasy 7 Remake’s focus on romantic underlying’s along with Cloud willingly saying (English version) “Do I have any say in this?” As though to fight the idea that romance can’t happen and-

Kingdom Hearts 3′s romantic underlying that literally has a song (Japanese) talking about rings and getting married called “Chikai” or also ‘Oath’ that in English is rewritten to a romantic song about going deeper into love called “Don’t Think Twice” but literally has the two ‘making their fates intertwined’ in a symbol of ‘romantic intentions’ such as marriage or even just fidelity in a relationship.

So? How does all this influence the latest Sonamy supersonic boom we’ve seen in the media recently?

Although Sonic is his own character, he’s also only 15 (But as many of you have seen in Anime, Japanese ages of appropriateness are different then our own cultures and societies) we see faint glimpses. In the mostly American-made Sonic Boom t.v series, the comedic moments of Sonic and Amy are very much to a genre of American audiences and how we view ‘funny love’ should normally be marketed as. (I don’t always agree with what they say, but that’s how they’re trained and believe the ‘trends’ go... so ... can’t argue with professionals? Eh? -I personally think they’re outdated *cough cough*)

Sonic is not one to express feelings in overly dramatic ways which is common place in American television and media, but he’s also got a ‘boy’s heart’ which means we won’t see a lot of things from him BESIDES ‘romantic underlyings’ that are probably going to be initiated and themed mostly and primarily in Amy Rose’s character (If at all shown or expressed.)

For these reasons, I believe SEGA is just hopping on the bandwagon and doing what they’re told, while also following the latest trends that the other big fellow companies are making a significant profit on. I know we wish and want SEGA to be ‘special’ in how they think, but they really are just a company that is trying to survive and outlast the competition.

It’s sad to think that way, especially when SEGA used to be so creative and always influencing the next best thing but that was YEARS ago and they’ve learned to tread water since then...

(Goku being a grandfather emphasizes family in this particular scene where they take his granddaughter before a big tournament fight to a fair/festival. We see Goku with his family too, or at least, a successful son with his wife and daughter, spending time with his Father-In-Law, and the like.)

We see it in Dragon Ball emphasizing family, we see it in more romance-themed animes (and those that have only recently done romance, when they--for the longest part--never indulged in such things before or previously) and we now see more japanese games and media centralized around that.

What does that mean for Sonamy? Hopefully good things! Because if you buy the merch, they’ll produce more content. It’s a basic ‘supply and demand’ formula. If the demand (meaning how much you spend and want Sonic and Amy couple merch) goes up, then they have to supply to keep their business afloat. If they don’t they sink, but that DOES NOT MEAN TO BE AGRESSIVE. It means just support when they do something you like, and positively, kindly mention what you liked and wish to see more of if the future allows. No one reads aggressive writing unless, they too--wish to be aggressive back.

SEGA’s had issues with aggressiveness before, please let them see that couples in the sonic world won’t have a negative impact on their branding with irrational and bad-media frenzies. (Now, after saying this, I know people will start to do just that, don’t feed fire with fire, just let the fire burn till it has nothing left to consume, and carry on happily posting fanart or fanstories of what you love. Ignore to extinguish, which is what SEGA will do to Sonic shipping fans if we don’t act somewhat reasonably, okay?)

My predictions are such: 1. Amy’s crush will sadly lessen in impact and become more of a novelty, something that is treasured when moments arise to reveal her crush on Sonic, which in my opinion, is not her personality, but due to the heavy influence of women’s portrayal (Especially in America) being overemphasized and not done well, this is how they will try and combat it... (No one does this right and you shouldn’t base a characters solely on political reasonings...) 2. Sonic will have moments of caring for Amy or doing something sweet that can and probably will be interpreted as ‘a couple moment’ but he’ll remain mostly about other things, and the ‘underlying romance’ will have to come through Amy Rose’s character. 3. SEGA will loosen some rules after seeing more and more of the productivity and trend associated with marketing romance, and to keep up with demand and growing times, will finally let small moments emerge between the two, but the fandom will not be satisficed since we will now be desensitized to overly avert demure and oblivious stereotropes that will date their characters. and won’t allow them to proceed smoothly into the new area of customers and audiences.

Children are becoming extremely observant and aware. They are clever, and they always have been. It’s time to market to Children and Young Adults, not babies.

My ways to avoid this, predictions 1: New employees will surface that will start to get a name and reputation in the Sonic Fandom, along with youtube and internet stars who will influence certain marketing schemes (as is starting to appear now, and I feel will be just like ‘star marketing’ or ‘influencers’ that will be popularized in fandoms that companies will slightly make use of.) that will encourage new ideas and bring about a sudden ‘boom’ not expected. (Especially after the lull of the pandemic, I feel there will be an abundance of things happening in the upcoming years... but nothing right now, unfortunately, but at least they’re forced to focus on working on things instead of just releasing to keep up with other companies.)--In other words, they will incorporate new blood with the old, and they will lead Sonic’s IP into a ton of nostalgia and new beginnings that will actually stick and become Sonic’s new brand identity. (This will resonate with fans old and new, but still be a fresh leap into the future for the franchise and fandom.) 2. Sonic’s negative popularity will start to decrease, leading and paving the way for fame and possible adjustments such as more romantic themes to keep up with trends and Japanese Government demands (especially when the population starts to wither and it becomes an emergency situation to start encouraging family ties). Other than sonamy or romantic things, I believe new characters will pop up to ‘test the waters’ and see if we like romance intertwined adventures. 3. Villains will become more sentimental and caring, less comedically, they will be redeemable entities so that the company can market them more. This can also lead into funny romances that help other romances develop and have more meaning. (In other words, they’ll dig into their vault of familiar and new faces, go off the trend of ‘redeeming the villain’ and have more heart-to-heart moments that may inspire more canonical couples... especially if a newer villain were to have a crush that ended up helping two canon characters get together and leave the audience sympathizing more with the villain. This is an actual trend starting where Villains have more character and roles other than just being evil and staying that way till death. I suspect this will be popularized in American and possibly foreign media as time goes on.)

(I actually have a lot of the sonamy shirts lol But here’s an example of the villain actually helping the canon couple have more ‘romantic underlying’ moments together <3)

Those are my current predictions, though I admit that some don’t sound all that hopeful. But hey! All my hopeful and positive predictions have already come true XD Sonamy is being marketed, the new media (Sonic Boom at the time) had subtle but more forward comedic hinting (that I don’t feel went all that well? But eh, that’s just me!), and SEGA continues to try and reface Sonic which his brand doesn’t need. I believe they will still try and rebrand Sonic continually until something sticks for them that they like. Sonamy may go through many iterations, as they are still hesitant with it, and we see that by only marketing their ‘younger selves’ as in Classic Sonamy, and are too ‘shy and uncertain’ if backlash would happen if they advertised a more mature-looking Sonic and Amy marketing. Again, I don’t know if they’ll fully grow out of this, so I predict they won’t.

(I have this one but in black <3 <3 <3)

That’s it for now! My positive last comments would be the more we buy/purchase Sonamy merch, the more we’ll start seeing it in their media and entertainment products. Until then, do your best and write, draw, and review -kindly- to keep those articles of enchantment alive with the sweet sound of--”When will Sonic and Amy finally have a love song AMV moment for us?” lol

[legionofpotatoes]

I love your art, it is very detailed in a neat way. Was wondering how you got started making it as a source of income? How did you get your first paid work, I'd love some advice on how to get started, if that's ok

Thank you. Of course it's okay, although I doubt I have enough work experience in art to really delve into this. I only went full freelance this year, and had been juggling art as a side hobby until then. If you're still interested in my somewhat narrow perspective, and are okay with my long-winded rambles, I'll give it a shot:

So to answer your question fully, I'll describe how I started and move into personal advice and learnings later on. As a disclaimer, I am a white cishet dude in my late twenties with a moderate cocktail of mental illnesses, but overall I can pass for a functioning adult so a lot I have to say may come laced with privilege I cannot fully identify.

So uhh I began drawing in around 2012? I think? Maybe halfway through 2011? And I mostly made fanart for things I enjoyed and tried to branch out in communities that felt nourishing to my style and interests (I caught a bug for alt posters and enjoyed mainstream movies so I spent a long time on posterspy early on). There were a handful of opportunities that came from there but I could only accept a couple because of primary workplace commitments. Still, it showed that networking in a focused community was definitely a good place to start; I myself have huge trouble committing to social networks and really staying socially active, but I knew it was an essential ingredient in succeeding so I tried to make myself be involved in challenges and art support trains etc. as much as I could.

In parallel to all that I also ran a few third party online stores (redbubble, teepublic) for disposable income and would sometimes, if rarely, hit around $100-150 a month from those sources combined. It is a sort of thing that requires helper accounts on other social media sites to promote it on, because the stores themselves have a huge volume of content that translates into low organic discoverability. Obviously it was never gonna be the way towards financial independence through art, and with community projects being few and far between, I opened private commissions in around uhhh 2017 I think, focusing on offering a few styles I knew I could do well, and sometimes operating in individual fandoms (it was mostly a bioware thing to be frank). But I had to close them back down after a year or so, again because of work-life conflict and how badly it was burning me out. The reason I kept trying to monetize this hobby is because I honestly hated what I did for my main job and wanted to see a way out in some shape or form in the future.

And then in 2020 I had to quit my main job altogether because of *gestures at pandemic* and deal with a mental breakdown from all the wonderful things it did to us and me specifically. I took a short break and decided to give art a shot full-time, and that was around May this year. I was planning on opening up commissions again (and I still am), but a few sudden opportunities that fell in my lap moved that timetable down and now I'm grateful to even be doing something I am getting adequately paid for.

So, with that somewhat limited perspective, here's what I've learned that I'd tell myself if I was just starting out:

1. Being a fan of something can be a shortcut towards effective networking kickoffs. Which are important evidently. If you love something and enjoy making content for it, join communities, settle into a combination of social media websites that feel right for those interests + your body of work + your inner rhythm, and try to play to content discovery as much as your mental health allows you to. Like I said, I know that I myself am incredibly bad at self-motivating to talk to people, so I found that synergizing common interests into fanart - which I enjoyed making anyway - could be a way to give myself a gentle nudge forward and build those bridges leading to community activities, which then net experience and coverage. Sometimes even freelance projects from official avenues. Again; picking the right spaces for what you're after is key. Companies roam twitter, concept art recruiters scour artstation or linkedin etc, instagram can land you private commissions and collab opportunities, so on and so forth. Find your niche and try to kick up dust. However...

2. I do not believe that any social profile can replace a good portfolio. The thing that made an immediate difference to me this year was building a coherent, simple website with my best work front and center and a contact form on top. Every single opportunity I got came from that form (maybe via twitter or instagram initially, but always sealing the decision after going through the website), so I firmly believe that showcasing your skills and portfolio in a visually arresting and user-friendly way is a big priority. I had some reservations about tackling that task but fortunately I had help from a savvy life partner and we slapped it together via wordpress in less than a day. Twitter/whatever social media is prevalent in your target groups is definitely important to get the right eyes on your shit, yes, but those eyes will then look for a second stop where your work and rates are more clear and concise. Simplicity is key imo, I cannot overstate this. So make a cute, simple portfolio!

3. Your skills and rates will grow and change as you do. Let them. Over the years I built several lasting professional relationships from my obsession over mass effect and kept getting opportunities both from bioware and their partner companies, some small and some a bit bigger. A one-off job earlier this year opened an unexpected door to another much larger commitment, and then the work I did there brought some attention from small businesses looking for commercial commissions. These were all incredibly different projects in terms of scope and budget, and I've been tackling them all on a case-by-case basis and slowly coming into my own irt my needs, rates, and SOW thresholds. It is still a work in progress (and a LOT of literal work as well), and very much a thing I struggle with in publicly marketing, which is why I felt a tad underqualified to answer your question in the first place (obviously I did not let that stop me). But what it means for me now is that I am rapidly developing into whatever my "version" of a functioning freelance artist is, and when the conditions for that guy are met, I need to be able to confidently plant myself and operate from that space despite past precedents. Do not let anyone bully you into downpricing what you yourself perceive as legitimate products of personal growth and development. Speaking of which...

4. The shitty challenge of turning envy into inspiration, and paddling outside your comfort zones in full riot gear. it is hard, but realizing that being a miserable, self-hating artist in my early days got me nothing but more misery back was the first real step I took and what truly blew the hinges off. I was just not pleasant to be around, I would badmouth my work all the time, and it all somehow made sense in my broken mind because the validation I sought was purely external and the way I sought it was through eliciting sympathy via self-victimization (even when I made something objectively nice). It all led fucking nowhere. Except perhaps to my own narcissism that I one day managed to identify and start managing. So I started looking at things that made me seethe with envy and calmly deconstruct and figure out their inner workings instead, do studies, and find nuggets of inspiration or discover new ways to approach rendering or building up specific elements. It was an application of analytical diligence to what I wanted to be a purely emotional, esoteric workflow, but that I deep down knew wasn't. Art is a discipline and a skill, and maybe it isn't a straight line, but you gotta find some line to thread nevertheless. Being self-hating was almost an identity I had to break out of, and despite it still being like, 4-5% there? I realize its cause and effect on me, my work, and those around me, so it is with a conscious choice that I gently set it aside when I work and especially when I learn. It won't always stay quiet, but the effort is the difference. Your doors towards accepting true growth and venturing into uncharted territories, art styles, and networking will really open from there. But there's a huge caveat...

5. Toolsets, accessibility, privilege, and all the good things that enable artistic expression and profitability are not given equal to all. you might do all the mental work I mentioned to be ready to rock and roll and learn and draw your way out of anything, but digital art is a fucking money pit that asks almost too much at times. I don't got a good case study here but identifying and ensuring accessibility to the tools you need to do your best work is, like, super important. The ergonomics can improve as you make money and settle into the job, but the basics have to be made available to you. And some of that might not even be under your direct control. That can be anything from pen tablets to software subscriptions to opportunities in hiring sullied by sexism or what have you. You gotta navigate all that through careful networking and money/time management. I don't do a good job of devoting specific slices of time to work/study, and my primary clutch is iPad software which went from a good deal to a nightmare scenario over the years. So all I can say here is do what I didn't; network, invest in a PC/tablet, and pick a software you'll learn that won't burn a hole in your pocket.

6. Be nice to work with? This one is hard to articulate and has landed my own ass in hot water in my early years because of how socially inept I am, but nothing is more worthwhile than being.. like. a good person to work with. That can be anything like meeting deadlines, or sometimes missing them but eloquently articulating why, being generous in early stages, being communicable and not too wordy in your emails, having a good grasp on abstract artistic concepts and how to describe them in simple terms, having a clear, laid out framework of your working rates in commercial and non-commercial projects and sticking to those guns with grace, understanding when you need to say no and saying it well, the works. Just being nice. Sometimes that might mean going headstrong with something you believe in, or simmering down and sucking up to the big man, all relative and adaptive. Part and parcel of the service provision dance that we all have to do in order to make bank. Know your lines here, obviously, and don't like. work for nazis. or uh.. *shudders* exposure. but be nice and empathetic and communicable and word will travel eventually. Skill may be in abundance these days, but good people are most certainly not, and capitalism has a way of bubbling up scarcity. Grim, but uh, them's the breaks.

I know I'm ultimately telling you to like. Have a body of work, make a portfolio, grow, and network. But that's really how I see it for now. And being nice can be a cherry on top that sets you apart, along with the inherent irreplaceable voice of your artwork. I think I rambled on enough, but if there is something specific you need my help with, even if you want to come off anon and talk in private, please feel free.

[angeloncewas]

Hi I know you're probably tired of talking about this so feel free to ignore this.

While I understand why the artist may have felt like their design was stolen and their feelings towards it are definitely valid. There are some things I wanted to point out because I find it hard to believe the narrative thats being pushed.

From a business/marketing perspective, it wouldn't make sense for the team in charge to view any fanart on social media. Not only would this give way to unconsciously copying someones work(for a lack of a better word, an implicit bias you can say), kind of like when writing a paper and wanting to avoid reading someone else's bc you can sometimes unconsciously copy a sentence or idea, but I don't see the point of having a design team being active on social media, because as a business functions, that team would be the social media team to monitor fan interactions for the purpose of keeping engagement not for merch. The reason a lot of big companies rip off smaller artists is bc they wouldn't face huge consequences. Big corporations have money and lawyers, and while I don't doubt Dream has lawyer contacts when necessary, i doubt he has them on payroll and would be able to fight a claim such as plagiarism, especially because it seems like the money he gets goes back in to the company itself and it takes sometime years for a business to ever see profit.

Not only that, but the way the artist drew their design was clearly meant to be for a retro style, as she states in her tweet. Whereas the dream design went for marketing it towards children, which again is clear. The fonts are not similar at all, both designed towards the theme they are intended for. And the colors are honestly common palettes for children. Like people have pointed out, it's something you would have worn as a child yourself, which again emphasizes what the intentions of the design are. I can keep going as to why I feel like they are different enough. But all in all, when you design something with as much simplicity as both designs have, there are going to be others out there who are bound to create something similar. There are only so many combinations and styles that can be done with something as simple as fonts and colors. Idk i just hate how many conclusions are being jumped to

I'm such a centrist here I need to buy a grill.

I think calling it blatant theft feels like an oversimplification of the situation to me. Because you're right, there are some key differences and outside sources from which some of the similarities may have been drawn. Do I think that's what happened? I don't know. I'm on the fence. But it's for sure not impossible like some people are making it out to be. I also agree with what you said about big corporations versus Dream's business - while Dream isn't hurting for money, they're not the kind of massive industry that can be careless.

Regardless of whether his team did or didn't do it and his responsibility aside, I stand by my initial statement that Dream didn't know. And I think this not because I know that he's a wonderful, moral person - I like him, yeah, but I don't know him like that - rather, it just doesn't make sense considering all of his past controversies. Dream knows how his fanbase is and how closely his every move is tracked; he was and is never going to get away with stealing ideas, much less art, much less art from a community artist, much much less art from a community artist that he apparently follows on his fanart acc. He's just not that stupid. Even if you hate him, I think that makes sense from a marketing perspective - he's gotta keep his fans supportive and placated. (I have a more positive opinion on him than this, to be clear - I'm just pointing it out for argument's sake.)

[thetrashsean]

“Why wasn’t Life is Strange 2 as popular as the first game?”

A lot of people like myself have wondered what exactly made Life is Strange 2 go so relatively unnoticed compared its predecessor, Life is Strange 1. And when you think about it, you may come up with the few obvious generic answers, such as the lack of Max and Chloe and just the original cast in general. However, I think there was a lot more at play here that prevented Life is Strange 2 from reaching the amount of success/popularity the first game had. So I want to take the time and break down what exactly happened to Life is Strange 2 and the things that hurt the game’s ability to really connect with the audience of LiS1.

Disclaimer: We do NOT know how well Life is Strange 2 was for Dontnod and if it was a success or not. No sales numbers have been given out to the public so there’s no way of knowing for sure how well the game did. What we do know is that LiS2 did not receive the same amount of attention/popularity as the first game. That can’t be denied, it simply didn’t. However, based on the fact that Dontnod have recently announced they are working on six new games at the moment and are now expanding their studio, even if LiS2 was a “flop” it doesn’t seem to have had much of an effect on them (most likely due to the success of Vampyr). Dontnod is going to be fine either way. Another thing I want to mention is that this is not a anti-LiS2 post and that I am a fan of the game. I’d consider myself a pretty big fan actually. I have my problems with the game of course and don’t agree with a lot of the writing decisions but I enjoyed the game very much overall. But for the sake of this post I will try to be as unbiased as possible, giving out only what I’ve observed when it comes to reactions from the fandom on different websites and forums. So with that all being said, let’s dive in to this.

Here I will be listing the many different reasons as to why Life is Strange 2 failed to reach the same amount of popularity as LiS1 or even BtS managed to achieve. This list isn’t in any particular order but some reasons are bigger/more important than others.

For some background, there was a lot of hype going into Life is Strange 2. The teaser trailer for it with the cop car trended at #2 on YouTube, a huge feat for the series. It generated immense amount of views and comments in a short period in time, completely surpassing Before the Storm’s announcement trailer in just a few weeks. So what exactly happened to all that hype? Where did everybody go? Well, let’s break everything down.

1. The lack of Max and Chloe: Yes I said that this list wouldn’t be in any particular order in terms of importance but I think it’s obvious this one is one of, if not the biggest reason as to why LiS2 failed to match LiS1’s popularity. When the protagonists Sean and Daniel were first revealed, the reception was pretty divisive. Specifically, a very vocal part of the community were baffled and disappointed at the lack of Max and Chloe present within the trailer and subsequently the game itself. This instantly turned off a lot of people from the game, as they couldn’t connect with the new characters or simply didn’t want to. At that point in the franchise Max and Chloe as well as the original cast from the first game had been the face of the series for almost three years. It’s understandable why it was hard for people to just…move on. To this day people are still asking for Max and Chloe to return. The Life is Strange subreddit is still dominated with Max and Chloe fanart. Whenever the social media accounts for Life is Strange post anything Max and Chloe related it gets way more attention compared to a post about Sean and Daniel. Whenever a post online goes viral about Life is Strange you can bet it’s most likely about Max and Chloe. Hell the only reason why episode 5 of Life is Strange 2 trended on Tumblr was because of the fucking picture of Max and Chloe. On the releas day of episode 5 of LiS2 the top post on the subreddit was the Max and Chloe picture. It was almost as if that one photo of them completely overshadowed the entire episode. Point is, Life is Strange 2 lost a lot of momentum the moment it was revealed Max and Chloe would not be present. Case closed, let’s move on.

2. The release schedule: Words cannot describe how frustrating the release schedule was for LiS2 when it came to it’s episodes. For those reading this who didn’t follow LiS2 until the game was finished, each episode took around 3-4 months to be released. This was because Dontnod bit off a bit more than they could chew with the road trip story in having to create new locations and character models from scratch. The reason why this wasn’t a problem for LiS1 was because Max was for the most part always in the same locations around the same characters (I’m pretty sure you roam around Chloe’s house like 4 times throughout the season), which made development a lot easier since the devs could just reuse a lot of the assets. Unfortunately, this wasn’t possible for LiS2 due to the nature of it’s story. The wait times between each episode made a lot of people leave the fandom due to loosing interest or simply forgetting about the game altogether. This also impacted youtubers/streamers as many of them either stopped coming back to play the new episodes or they’d not be as connected as they were in the previous episode due to the amount of time that had passed. One of the reasons why LiS1 gained so much popularity was because of youtubers/streamers and how they would bring in their audience and would pretty much make them fans of the series. With quite a handful of youtubers/streamers quitting LiS2, the game was not able to draw in as much of an audience as previous games did. This is how detreminetal the release schedule was for LiS2.

3. The marketing (or lack thereof): Square Enix really fucked up on this aspect. Due to the ridiculous wait times you would think Square Enix would try and advertise the game heavily when a new episode was about to be released, right? Well they didn’t. Not at all actually. Throughout the games release schedule from September 2018 up to December 2019, I had not seen a single ad for the game. Nothing on YouTube, nothing on reddit or any other websites, it was like Square Enix had completely forgotten about the game’s existence. Now don’t get me wrong, SE did do a few things with LiS2 like starting up the community series on their YouTube channel and also the dev updates that came after episode 1 (that stopped after episode 2 for some reason) but these went relatively unnoticed to people outside of the fandom and did pretty much nothing. I believe SE was trying to wait until the game was fully complete with all of it’s episodes released before actually marketing the game (and they DID start advertising the game after episode 5 came out) but that’s just WAAAY too long to go without any type of advertisement. I understand marketing teams have budgets and what not, but you’re telling me there was no way for SE to market each episode in anyway as they were about to be released? Seems a bit ridiculous, don’t you think?

4. The road trip story: I completely understand why Dontnod wanted to branch out and do something different with the story of Life is Strange 2 and I respect them for stepping out of their comfort zones. However, it can’t be denied that the road trip story where characters are cycled in and out as Sean and Daniel make their way to Mexico was a very…questionable decision. Seeing as how LiS1 was loved for it’s world filled with a reoccurring cast of characters that developed as the story went on, it’s really easy to understand why LiS2 was so off-putting for a lot of fans. It was off-putting for me, even. It just…wasn’t fun having to leave these truly interesting characters behind because the plot demanded it. This left a lot of characters feeling underdeveloped to many people and by the time you meet new characters you already know they’re most likely gonna be gone soon anyways, so it made it even harder to connect with them. Couple this with the fact that LiS2 lacked any type of mystery unlike LiS1, speculation and discussion fizzled out a few weeks after each episode was released. LiS1 kept people speculating and wondering about what would happen next, while LiS2 left a lot of people struggling to care.

5. Politics: Yeeeeaaaaah I think I had to put this somewhere on the list. While many of the people who tease and mock how LiS2 handled its political topics were most likely not fans of the series anyway (the type of people who called LiS1 “Life is Tumblr” and hate Chloe), I do think it’s important to realize that some people just don’t want politics in their games, period. I’ve seen people online come out and say that while they agreed with what the writers were saying when it came to the political topics, it overall still came off very forced and one-sided to them, lacking any type of nuance or subtlety. I could write an entire essay discussing if the politics in LiS2 were handled well and whatnot but this is not that post so I’ll just leave it at that.

6: Lack of a prominent female cast/wlw: This is a bit more tricky to talk about (for the record the person writing this is a black gay guy) but I will try and write about this the best way I can. For many women, specifically queer women, Life is Strange was a series they could expect representation from. Max, Chloe, Rachel, and Steph are all popular characters amongst the fandom and even other wlw ships such as Marshfield, Chasefield, Chaseprice, etc are popular. So when LiS2 was revealed to be about two (hispanic) males, the queer women within the community were understandably upset. It felt like DN were simply throwing away the community that for the most part made up the entire fandom. At the time I simply found the situation ridiculous and overblown as many people were dismissing Sean and Daniel as “generic straight males” (even though it turned out Sean was bisexual in the end) before really getting to know them. However, looking back I totally get why people were upset. A lot of the fanart/fanfiction that was made for the LiS series was mostly created by queer women, so when the franchise pretty much stopped giving them representation, they left in search of other media (like She-Ra, which honestly has better wlw rep anyway). LiS2 is also mostly male dominated in terms of its cast, and features no queer women as well, which is really disappointing in my opinion.

7. Price: This one is pretty simple. When Life is Strange 2 was first released the full season costed $40. This was a pretty big jump in comparison to LiS1’s $20 price tag (original price was $25 however) and BtS’s $16. Obviously people would be more skeptical about buying a sequel that is pretty much double the price of its predecessor and has completely new characters. With the pretty mixed reception from gaming communities I wouldn’t be surprised if a lot of people saw the price and decided to either watch a playthrough or simply not check out the game at all. With the first episode now free the base price has been lowered to around $30-32 I believe so yeah.

8. Daniel Diaz: Some people just don’t like kids, and I wouldn’t be surprised if people grew easily frustrated with Daniel early on and once he got more irrational and bratty as the story progressed they just stopped playing altogether. Even if you do like kids, or at least don’t mind them like myself, Daniel can still be quite a pain.

9. Not having control of the powers: This one is honestly really disappointing and I know it was to a lot of other people as well. In LiS1 Max had the ability to rewind time and do certain scenarios and conversations over and that basically acted as the more interesting gameplay segments. In LiS2 Sean doesn’t have the power, his brother Daniel does. This leads to the gameplay feeling much more boring and mundane. There are also no interesting puzzles this time around, most likely because Dontnod didn’t know how to implement them without the rewind power so they just…didn’t even attempt to add any. The power itself, telekinesis, is also much less interesting compared to rewinding time, according to a lot of people.

SO YEAH that’s basically it for me. I know this probably came off a bit rambly/incoherent but I tried my best to be as clear as I possibly could. I don’t doubt there are other reasons at play as to why LiS2 failed to meet LiS1’s success (such as liscensed music not being quite as good as LiS1) but I think I hit the main points I believe were key reasons. And the thing is, there isn’t just one main reason why LiS2 didn’t do as well as LiS1. It’s overall very unfortunate so many things went wrong with it that ended up making people lose interest in it. I think the lack of Max and Chloe hurt the game the most right off the bat, but the other reasons just led it to do even worse. Oh well.

I hope any of the people who read this enjoyed it (it was a BITCH to write). I’ve been wanting to get my thoughts down about this for SO long but just never had the motivation/time but I finally did it!

Again, thanks for reading! If you have any disagreements or just thoughts in general don’t be afraid to reply or dm me about it and I’ll be sure to reply! Now back to reblogging Marco posts….