#writing markets

[lvgaudet]

Poetry Submission Deadlines On The Horizon

Time to wax poetic. These Poetry Submission Deadlines Are Coming Upon Us

Sharpen your writing pencils. Here are a few markets whose deadlines are looming over us. Photo by Laura Chouette on Unsplash Time to wax poetic. These Poetry Submission Deadlines Are Coming Upon Us: 2023 Gival Press Poetry Award Deadline: December 15, 2023 (biennial, odd years). (checked Mar 21/23) “Original work, not a translation of someone else’s poetry. Open to any form or style;…

[sylvies-kablooie]

i do unironically think the best artists of our generation are posting to get 20 notes and 3 reblogs btw. that fanfic with like 45 kudos is some of the best stuff ever written. those OCs you carry around have some of the richest backstories and worldbuilding someone has ever seen. please do not think that reaching only a few people when you post means your art isn't worth celebrating.

[prokopetz]

The real top five causes of major character death in mainstream superhero comics:

Marketing stunt where it's clear that the writers put a lot more effort into figuring out how they're going to bring them back once they've milked all the drama they can out of their death than they did into figuring out how to kill them off in the first place

Publisher convinced themselves that the best way to establish credentials for their latest villain-of-the-week was to have them randomly murder a popular character, having failed to learn from experience that this literally never works

Big-name writer decided to end their tenure on the character's title by breaking their toys on the way out, thus ensuring that they have the final word on the character's development, and in their hubris they believe they're influential enough that it will stick (hint: it won't)

New editor with nostalgic brain rot wanted to reset the status quo to how they remember it being when they were a kid, and the easiest way to do that was to kill off every character introduced more recently than 1987

They just had rancid vibes

[k9wa]

𑣲 RILE HIM UP ! ft BOOTHILL.

⠀ — your least favourite cyborg is brought back to you a mangled mess.

⠀ OR

⠀ — being boothill’s mechanic when you lowkey can’t stand each other.

⚠︎ sweet sweet tension, a little suggestive towards the end, gn reader (no referring pronouns), can they fuck already, this was ib by his lightcone, wc 1.9k

boothill's eyes flickered to life, emitting a faint glow of red as his systems began to reboot.

a pair of familiar red pupils met yours, two crosshairs fading into sight as boothill regained his sight and— to your dismay— consciousness.

as the cyborg regained his motion he attempted a step forward, only to realise he didn’t have the feet or legs to do so. the only thing keeping him powered on were some metal claws screwed into his back and a few loose cables connecting to your terminals.

“sugar plum,” boothill's scruffy voice cut through the silence. “do y'care to explain where my legs might’a run off to?”

you actually cocked an eyebrow. how the hell were you supposed to know? boothill was brought back to you in a mess of scraps and wiring— the damn hunk of metal was lucky you made him as blast proof as possible and he was left salvageable. 

“care to tell me how the hell you got this roughed up?”

you asked in turn, crouching down to look at the detached and ruined internals of boothill's torso where the stand-in wires were connected. you ran a finger carefully along the edge of his shredded metallic stomach.

“guess i didn't make you as smart as i thought. time for a newer model, maybe?”

boothill's eyes flickered down to his missing lower half, then to your hand that was more or less caressing him. it was amazing how much annoyance they could show in all their artificial glory.

“look who’s talkin.” the cowboy grumbled, pointy fangs poking out in an irritated grin. 

“how ‘bout, ‘gee, boothill! i’m real glad y’ain’t get blown to smithereens beyond repair!’” 

“it would've been less work for me if whoever blew you up finished the job.”

you sighed as you stood up, putting a hand lazily on your hip.

“how’d it happen?”

boothill bit back another argument with a gruff chuckle.

“some real cutie-pies i was huntin’ down had a lil’ more firepower than i expected. guess they didn’t appreciate me spoilin’ their party.”

boothill visibly cringed as his insult was substituted with some cutesy nickname mid explanation.

“and can you fix my beautiful synesthesia beacon already? this thing is drivin’ me up the wall.”

the request fell on deaf ears as your fingers typed something on your laptop, likely another string of code.

“you’re more concerned about your censor than how long it’s gonna take me to put your legs back on…” you sighed to yourself, still leaned over your workbench, eyes focused on your screen.

“i'm not touching it right now. you’re lucky i’m even letting you stay sentient after this.”

boothill snorted at the remark, brows furrowing in a steady grimace.

“well, ‘scuse me for wantin’ to speak freely–  i’m a grown man!” his pointy teeth shone as they peeked out again in a grin.

“y’know what? just leave yer lil’ tools and all the pieces there— i’ll get my legs back on myself. don’t need no charity work from the likes’a you.” he laughed. “heck, may even give myself a new pecker while i'm at it!”

the mechanic had half a mind to listen, sit back and watch boothill struggle to reassemble himself just to prove a point and simultaneously bask in his embarrassment when the former realised it wasn’t possible.

(not that he would’ve admitted defeat– you would have begrudgingly stepped in and helped before he inevitably messed up his wiring more.)

you stepped back over to boothill, hands moving to hold his cheeks so you could tilt his face side to side to check for any more damage.

“cool it, cowboy.” your eyes squinted in focus as they looked at boothill's, lightly tugging up on his eyelid to check for scratches or cracks.

“i'll get you back up and running, just lose the attitude already.”

boothill's eyes narrowed as he felt your touch on his face. the temperature difference of warm fingers on his cold, mechanical body stirring an oddity where his gut should have been. though he tried to ignore it, the sensation was there, clear as day against all his artificial nerve endings. 

“real easy for you to say,” he huffed, avoiding your eyes as he was examined like a broken toy. “let’s see how peachy you are when yer all strung up and legless, love muffin.”

that censor really was gonna drive him insane.

“just get it over with.'' boothill muttered in annoyance. “and try not t’fuss anythin’ up.”

it took quite some time, as expected, for you to successfully reattach boothill’s legs and fix his mangled midsection. when you were finally finished, you tugged out any leftover wires that connected boothill to your terminals and pushed back in your wheelie chair to beckon the cowboy forward. you pushed your glasses up to your forehead, some hair getting swept out of your eyes with them.

“feel fine?”

boothill rolled his ankles and bent his knees, giving his legs a good stretch to test their mobility.

“mighty fine,” he responded, satisfied to feel they were weighted and moved the same as before. “though i can’t say i’m lovin’ the breeze up my backside.” 

boothill glanced down at himself, steel body completely bare and lacking any of his signature clothing. 

“got my pants lyin’ around anywhere, sugar plum?”

you pointed to another table in the room, where boothills clothes— (or rather the new ones you had to go and get—) were neatly folded, his hat placed on top of them. 

boothill went to get himself dressed, hoisting up his bell bottomed pants and sliding on his jacket. he stole a glance in your direction every so often, resisting the childish urge to roll his eyes at the mere sight of you.

the artificial man hit a small bump in the road as he went to zip his jacket (could you really call it that with how little it covered?) up—  his fingers weren’t responding as well as they should have been. he could open and close his fist, but lacked the precision to pinch and hold the zipper.

“hey, honeybun,'' boothill called over to you with a furrowed brow. “didn’t i tell you not to go fudgin’ anythin’ up?”

you, in all your overtired glory groaned, turning around in your chair and waving boothill back over.

“what are you talking about?” 

“my cute lil’ fingers ain’t workin’ that’s what i’m talkin’ ‘bout!”

boothill's footsteps were clunky and loud as he stomped his way back over to his mechanic.

you reached for his hand, an uncharacteristic gentleness in your touch as you examined five mechanical fingers.

“make a fist,”

boothill obeyed, curling his fingers into his palm.

“open it,”

he obeyed again, letting them open and relax.

“hold up two fingers,”

boothill tried, but his fingers got stuck halfway into the motion, locking at the joints.

“son of a bitch.” you sighed, turning for one of your tools. “sit back down.”

boothill grumbled and went to hoist himself back onto the workbench.

“least one o’us can say it…” 

“do you want me to fix you or not?”

“i'm sittin’ ain’t i??”

you pulled boothill's shirt off his left shoulder and popped open a tiny panel on the curve of his neck, sliding your glasses back on to the bridge of your nose. with a lean forward you began carefully looking at a few thin wires that filled the space.

boothill tapped his fingers against the tabletop while you worked, that same oddity as before settling in his now repaired gut. he rarely got messed up enough for you and him to spend this much time together, or for you to have to really be in such close proximity.

it’s not uncomfortable, but the feeling is by no means familiar. it’s actually a little embarrassing– a galaxy ranger, a space cyborg and expert hunter, feeling almost flustered at some close contact like some kind of shy little girl.

“something the matter?”

boothill nearly jumped as you spoke up quietly to check on him, voice quiet and so close to his ear he had to refrain from leaning both closer and away.

“nah, everything’s just dandy.” boothill’s voice followed yours– quieter and a little softer as a result of the closeness.

“you’re sure?” you looked up from the small mess of wires, eyes glancing up at your cyborg over the rim of your glasses. “might as well fix anything else that’s bugging you while i’m here.”

boothill would have swallowed if he had the need to lubricate his throat. he shook his head, turning to look somewhere— anywhere else.

yours lingered on him, albeit briefly, observing the clench of his jaw and the way he tried to shift in his seat without being disruptive to your work. he didn’t see the little smirk tug at your lips as you refocused on the task at hand.

boothill’s cybernetic limbs felt almost human in their sensitivity, sending faux shivers up a spine he didn’t even have. the mechanics fingers running down his forearm are doing him no favours as they move to hold his hand again.

“close your fist…open it…two fingers up…”

each command was obeyed, ten gunmetal fingers finally holding up a little peace sign.

“that should be it, come see me if they start acting up again.”

you stood up, tentatively reaching out to fix boothill’s jacket and begin to zip it for him.

boothill didn’t protest the act, but it was…confusing, to say the least.

“reckon i’ll just start seein’ those auto bots again,” he leaned back on his palms as your fingers fixed his collar, straightening it out.  “much as i love our lil’ visits.”

you only hummed, smoothing out a few wrinkles and neatly tucking his scarf into it’s neckline, as he liked. “you could,” you mused, hooking your finger lightly into his collar and giving a gentle tug forward. “they don’t take as good care of you as i do, though.”

this time boothill caught the little smirk on your lips, clear as day and enough to make him question if short circuiting was possible.

you’re doing it on purpose, he knows. the careful touches to his hands and body against the sensors you put there, quiet voice leaving him with a frisson you made it possible for him to have.

boothill returned the smirk, albeit a little wobbly.

“you tryin’a rile me up, sugar plum?” 

he entertained you with a lean forward, two white crosshairs looking right at you while he considered if a hand on your waist was too forward or the perfect cornering move. 

“just like watching you squirm.”

you were gone as quickly as you’d arrived, finger unhooked and going to pick up his hat.

“but say i was,” you didn’t bother with a glance over as you made sure the brim was straight and unharmed. “i hardly have to try.” 

boothill hopped down from the table, following your path and offering a scruffy chuckle when you reached up to place it on his head.

“yeah? and what makes y’say that?” his hand found a place on his hip.

you didn’t respond— not verbally, anyway. a quick flick of your eyes downwards was all he received. 

so he followed, looking down as well, to the very appendage he had insisted you give him over and over again pushing against his trousers. 

his own dream, now his downfall. 

boothill pushed passed you, pushing his hat further down onto his head while he stomped away. the profanities that left his lips filled the air— or rather their replacements. something something i love you blah blah peach cobbler something cutie-pie or meow!

“remind me t’settle for them lovely auto bots next time!”

he opened the door with a firm kick of his boot, stomping out with a scowl. 

as if he wouldn’t be back. you took better care of him, after all.

⠀ 𑣲 MASTERLIST / GOT A REQUEST ?

[bloodybellycomb]

Tumblr announcing that they are unbanning nudity immediately after elon musk starts burning twitter to the ground is like pouring gasoline into an already open flame and then spitting on the ashes. The vindictive pettiness is so entertaining to watch--just outstanding

[carolinanadeau]

"this female character is underdeveloped" TO YOU. I can read subtext and I know all about her backstory and her rich inner life. also she told me personally

[cy-cyborg]

Forgetting your character is disabled isn't a "good representation" flex: Writing Disability Quick Tips

[ID: An image with “Writing Disability quick tips: Forgetting your character is disabled isn't a good representation flex” written in chalk the colour of the disability pride flag, from left to right, red, yellow, white, blue and green. Beside the text is a poorly drawn man in red chalk looking down confused at his leg, one is drawn normally, the other is drawn to resemble a basic prosthetic. He has question marks above his head. /End ID]

For a while, I was involved in the booktok and Tik Tok writing communities, specifically parts of the community focused on more diverse books and authors. During this time, I noticed a reoccurring pattern when people were highlighting stories featuring disabled characters, or even promoting their own books, and that was how often people would say "I kind of forget they have [insert disability here] because they're such a badass."

The intention behind this statement is (usually) good, with people trying to show that their disabled characters are self-sufficient and don't fall into the tired old sad/helpless disabled person trope, however, you can - and very much should - do that without erasing your character's disability. If you find yourself forgetting your character is disabled, or your beta and pre-release readers are commenting about forgetting it, then there's a good chance that's exactly what you've done - and as a disabled person myself, if I see that statement being used in your marketing in particular, it's a giant red flag and a sure fire way to make sure I give the book in question a skip.

Remember, disabilities (especially major ones) are a part of your character's identity, and they're important regardless of the character's personal relationship with it. Even if your character doesn't specifically identify with the label of disabled or doesn't really care that much, it's should still be impacting their daily life, even in small ways. If you're finding yourself forgetting about a major part of your character's identity, it might be a good idea to check and make sure their disability is having an impact on the character.

I see this comment most often with amputee characters, and to me, it's a pretty consistently good indication that the author has treated their character's prosthetic as a cure rather than the mobility aid it is. It's far from unique to amputees, mind you (I talked about this a lot when I was discussing the character of Toph from Avatar), but it's when I tend to see it the most. Remember that mobility aids and other forms of assistive technology and assistive magic (if it's a fantasy story) are just that: they're aids, they assist, they shouldn't be cures.

Of course, this wasn't unique to Booktok, I've seen it on nearly every other social media site with a writing and book-focused community at some point, but Tik Tok was just where I spent the most time and it seems to be where I see the most people specifically gloating about it.

[heywriters]

The Fine Line Between Fan Art, Fan Fiction, and Finding Yourself Sued

This whole article is worth a read for fan creators, especially those of you trying to make an honest buck off your work.

(excerpt below)

How Do You Avoid a Lawsuit? Due to the popularity of fan fiction and fan art, many content owners have begun proactively providing guidelines to their fanbase. Wizards of the Coast (Dungeons & Dragons),[6] CBS and Paramount Pictures (Star Trek),[7] and EPIC Games[8] have all developed policies to inform fans of what they can and cannot do legally. Additionally, usually as long as the fan content is non-commercial, it is not a problem with copyright holders. Regardless, unless the work is completely original, fans should be careful about their creations.

Additionally, try to be smarter than this guy who attempted to sue Amazon for the rights to Lord of the Rings.

[uncanny-tranny]

Good news! You aren't required to make your hobbies and passions "marketable." In fact, your crafts, hobbies, and passions don't even need to be public if you so choose. You don't have to spend all of your energy becoming perfect if you aren't enjoying the process. You are not a product, you are a person, a creative, and your work also does not need to be a product.

[thewriteblrlibrary]

A Step-by-Step Marketing Guide so we can spite traditional publishers (and make people cry).

~ This is a guide specific for fiction/writeblr. All of this is for free and there is little social media posting/ads involved (unless you want to venture into that). ~

Within the writeblr spheres, there's this underlying hope that our stories will find their audience. Perhaps we'll have a fandom full of fanart and video essays, or maybe we'll be an instant classic and sit on collectors' beloved bookshelves. Our stories could sit within the deepest corners of someone's heart and maybe they never tell a soul about what's so special to them. Maybe our stories become those 'underrated masterpieces'.

Or we just want to see people ugly cry over our writing.

Whatever your hope may be, marketing is an important path to venture on (especially because traditional publishers are rejecting diverse books in favor of ones that are already famous + the whole sub-par machine thing they seem obsessed with.)

And thus, my childhood marketing obsession will hopefully be of use to you. This is all for free (unless you want to spend money) and you don't need to figure out social media platforms (unless you want to, and this guide works if you decide to take that route too.)

Step One: Characters

Marketing spheres will define these fictious people as 'avatars' or 'the target audience'. You could also call them characters. Because that's what they are: fictional people.

For this step, you shall create characters that would love your story.

And here's some great news: You've already done this.

Perhaps you wrote your story to comfort a prior version of yourself. Perhaps each character in your story holds an aspect of your personality. Perhaps you were ridiculously self-indulgent and made the story you would've loved to read. These are all possible characters you can reuse for marketing.

Write down 2-4 quick archetypes for these characters. You'll chose an aspect of your story (characters, themes, or the younger-self that you wrote it for) and write a thumbnail sketch. (Main issue, fears, wants, personality traits if they relate to the main issue.)

I'll do it for my story (the Land of the Fallen Fairies) down below:

Anuli-like (my MC): Overthinking and aloof. Wants a happy ending but thinks their current personality/character isn't good enough for one. The present stales in comparison to the past/the childhood they lost. The 'gifted theater kids'. Kamari-like (side character): Postpones happiness in favor of creating a perfect schedule/getting accomplishments. Heavy masking. Creative but doesn't create anymore. Promises themself they'll enjoy themselves later, when they've earned it. Workaholics. My younger self: Wanting a fantasy escapism to embody the traits they wish they had in real life. Dissatisfied and worried about reality. Perfectionists. Self-indulgent: People who love plants and forests and fantasy worlds far away from reality/humanity.

Great! Now it's time to find these characters.

Step Two: Setting.

(Let's assume you're using the internet for your marketing. But a similar method works for real life too.)

Where do the characters live?

In order to figure that out, we need to discover the characters' interests, what they watch to solve their problems, and who they find #relatable.

(You can do this for each character or for all the characters at once.)

For example:

Anuli-like -

interests: Stories. Analysis videos. Fantasy escapism. Things that remind them of their childhood. (so nature, warmth, comfort, play, imagination and the times they would actually enjoy learning.)

Places to look: Nature quotes, ambience videos, children's shows and fairytales (comfort shows). Fandom culture - fanfic video essays, fan art.

Solving problems (the problem being wanting a 'happy ending' but feeling that their personality/lifestyle/characteristics aren't right for one): Mindfulness things. Self-healing. Quotes and meditations and candles galore. Slow living. Nature vlogs. Self care. All that 'live in the moment' culture.

Places to look: Slow living. Nature vlogs. The 'softer self-help' (spirituality stuff. Magic/ overnight answers). Witchcraft. 'aesthetic nature' places. Guided meditations.

#relatable: Burnt out gifted kids. People who think so much that their life passes them by. Storytellers and creative who create to make sense of the world. People who like dark, gory things in spite of who they want to be. People who don't like reality.

Places to look: Those 'learn better and remember everything' places. (The 'burnt-out gifted kid' recovery places.) Stop overthinking spots. Those quotes on Pinterest from poetic people who think too much /aff. Storyteller places. Dark academia. Classical music. One off quotes/ poetry.

Okie dokie. Once you have this, find channels, social media accounts, blogs, songs, books, etc. that fit with the categories you wrote down. (They should appeal to the characters) You can search up some of the terms you listed into searches and see who pops up. Bonus points if you find people that overlap with multiple sections.

I know I didn't include booktube or booktok in here. You can if you want too. But those can be a bit... 'consume these 500 books'. You also want to find other places where people who would like you story live, even if they don't follow booktube or booktok.

Congrats! Now you know where your characters live!

Step Three: the scary part

Take everyone you found on your search for the settings and write them down a list. Make sure you get an email/contact info. (they usually list them somewhere under 'for business inquires') Also feel free to watch their content and get to know what attributes these settings have.

And now... we talk to them. about our stories. You can do it. I believe in you.

This called 'pitching your product' in marketing spheres. But you can be informal about it.

I know it can be difficult to talk about your work, so here's a tone to have:

'I made this thing I like and I think you'll like it too'.

What you'll do is send an email (or dm) that goes like this (inspired by Creative Hive on youtube):

Hi [name],

[Genuine compliment]

[Quick sentence or two about your story. Include the themes and who it appeals to. If you have a logline/sentence summary, include that. But I find that the underlying themes and 'who's it's for' is more engaging.

For my story, I might say something like.

I've written a story you might enjoy, since you like [interest]. It's called the Land of the Fallen Fairies. It's a nature-themed commentary on the pursuit of happiness and fixing yourself to deserve that happiness, told by an overthinking, unreliable, houseplant narrator. It was supposed to comfort me when I got frustrated with myself and my happiness chasing, and I hope it can comfort others too.

(That's probably a bit long and I can trim it down a bit.)

You can phrase it like a gift if you want too.]

[Call to action.

'If you like it, I'd appreciate a mention on your [platform].

I know this part may be difficult to mention (imposter syndrome is not fun.) But I promise that if they do like it, they'll be happy to mention it.]

If they don't respond within... four-ish days? (A week at most). then you can include a follow up. For this you can include a template with info about your story. This way it's easy for them to talk about your story.

The template:

title

genre

blurb

Author

where to find the book

Bonus points if you have an additional, physical thing to send them.

Congrats! Now do this pitching process a few times until you've covered most of your bases. (Pitch to as many people as you can. It will get more comfortable as you do it. Play your favorite song and don't let yourself think too hard about it.)

----------

The benefits of this process are that you find people that are already interested in the themes and vibes of your story (in comparison to to ads, which get shoved in everyone's faces.). Someone your audience already trusts will talk about it, which means you don't need to do all this trial and error to find your audience and make content for them.

It's basically a bunch of people talking about something they like!

AND you diversify your audience across niches, but with an underlying theme/interests. Booktok/booktube must appeal to everyone, so it's a hit or miss for recommendations. (Unless there is someone that specifically does one genre/type of story.)

From here you can do fun little things to build up hype and make the book launch feel like this fun event. (I love it when that happens so here's my thoughts about trying to create an event with your story... although that may require another post entirely.)

preorder goals

charity goals

Arg's and puzzles

fund with side plushies and trinkets

Book blog tour

book boxes

as many memes as you can make

rewards (like bookmarks or posters or smth) that people can get for supporting

Talk about the process of creating your story. I know this one channel called 'Dead Sound' that creates 'making of' videos for his short films and they are some of the best videos on youtube.

Okay dear storyteller! Now go forth and share your story with the world!

Additional resources:

Creative Hive <-- a youtube channel that goes through the pitching process.

This video is also very good <-- Haven't watched the rest of the channel but I assume it's also good.

One of the best marketing channels on the internet (the videos are actually entertianing to watch.

Seth Goldin <-- I read his book and took the parts I liked and modified for storytelling marketing.

Dead Sound <-- propaganda to watch the short film series he has (he did the whole 2-d 3-d style wayyyy before spiderverse did... and he's one person making these. One person. It's amazing.

Glitch <--- If someone can figure out how The Amazing Digital Circus was marketed then I will pay you money. It seems to be a lot of memes and funny things.

[insomniac-arrest]

Obviously, they have not been releasing Tumblr sexymen and gaslighting girlbosses at a rate sustainable to Blue Space demand. Goncharov reflects a failure in the market forcing Tumblr to fill the gap in supply by creating its own Tumblr sexyman from scratch. The terrarium is evolving. Niche-ing. Folding in on ourselves to become infinitely self-sustaining.

Honestly, I could probably write a Freaknomics book about this, checkmate Steven Levitt.

[lvgaudet]

Children's Submission Deadlines Coming Soon

Loose the fuzzy creatures, these submission deadlines are ready to play – children's markets. #amwriting

Grins and giggles. Here are a few markets sneaking up on us. Photo by Carl Jorgensen on Unsplash Loose the fuzzy creatures, these submission deadlines are ready to play – children’s markets: ROLLING Annick Press Deadline: ongoing. (checked Feb 27/23) Currently accepting submissions of picture books, middle grade fiction, YA fiction, and non-fiction for kids of all ages. Our stories feature…

[aquapede]

there's so much going on here. the horrible handwriting that skeptic confirms is his. the fact that it says if 'you' don't stop her instead of 'i' or 'me'. the narrator genuinely thinking this will convince him. he even has pockets. i could go on

[generic-whumperz]

Babe, stop bothering me, can’t you see that I’m busy daydreaming about putting pretty fictional men though hell?

[sukibenders]

Bridgerton states from season one, through Simon and Lady Danbury, to season two, with the Sharmas, to Queen Charlotte, from the beginning episode to the end spelled out clear as day, that racism exists in this world and many of the characters of colors have been impacted by it in some way. And, supposedly, I'm supposed to believe that Marina, that Kate and Edwina, that they all had more privilege and power than Penelope? No, I don't think so, a lot of things aren't right with that statement.

[night-market-if]

The Night Market

Welcome to the Night Market! The nexus point between all the worlds. Lost and confused, play a character searching for a way home. Uncover secrets of the world, meet a cast of vastly different characters, and remember, that not all is as it seems. Over a million word interactive fiction for your viewing pleasure, actively updated and passionately loved.

Book One is complete!

Book Two TBA

Demo 🌿Steam🌿Itch.io🌿 Patreon 🌿Discord🌿FAQS

Art credit to @mooreaux