#ya recommendation

[itsbooktimepeople]

House of Hollow

★★★★☆

Do you enjoy twisted sibling dynamics, wonderfully disturbing writing styles, and complex morality? Do you like to get creeped out? Are you looking for something that won't take long to read but will have a profound mental effect?

If you answered "yes" to any of the above questions, please read House of Hollow by Krystal Sutherland. It's so good and gripping and I read this sucker in one sitting and was still hungry for more.

Side note: the ending might disappoint you but what in life doesn't

[belle-keys]

The Ultimate Dark Academia Book Recommendation Guide Ever

The title of this post is clickbait. I, unfortunately, have not read every book ever. Not all of these books are particularly “dark” either. However, these are my recommendations for your dark academia fix. The quality of each of these books varies. I have limited this list to books that are directly linked to the world of academia and/or which have a vaguely academic setting.

Dark Academia staples:

The Secret History by Donna Tartt

If We Were Villains by M.L. Rio

Dead Poets Society by Nancy H. Kleinbaum

Vita Nostra by Maryna Dyachenko

Dark academia litfic or contemporary:

Bunny by Mona Awad

The Idiot by Elif Batuman

These Violent Delights by Micah Nemerever

White Ivy by Susie Yang

The Cloisters by Katy Hays

Never Let Me Go by Kazuo Ishiguro

The Lake of Dead Languages by Carol Goodman

A Separate Peace by John Knowles

Black Chalk by Christopher J. Yates

Attribution by Linda Moore

Dark academia thrillers or horror:

In My Dreams I Hold a Knife by Ashley Winstead

The Maidens by Alex Michaelides

Ghosts of Harvard by Francesca Serritella

Catherine House by Elisabeth Thomas

Plain Bad Heroines by Emily M. Danforth

They Never Learn by Layne Fargo

The It Girl by Ruth Ware

Never Saw Me Coming by Vera Kurian

Dark academia fantasy/sci-fi:

Babel: An Arcane History by R.F. Kuang

The Atlas Six by Olivie Blake

Ninth House by Leigh Bardugo

A Lesson in Vengeance by Victoria Lee

The Starless Sea by Erin Morgenstern

Vicious by V.E. Schwab

A Discovery of Witches by Deborah Harkness

The Betrayals by Bridget Collins

Dark academia romance:

Gothikana by RuNyx

Alone With You in the Ether by Olivie Blake

Dark academia YA or MG:

Truly Devious by Maureen Johnson

A Deadly Education by Naomi Novik

Ace of Spades by Faridah Àbíké-Íyímídé

The Raven Boys by Maggie Stiefvater

Legendborn by Tracy Deonn

Crave by Tracy Wolff

Wilder Girls by Rory Power

The Harry Potter series by J.K. Rowling

Dark academia miscellaneous:

My Dark Vanessa by Kate Elizabeth Russell

Disorientation by Elaine Hsieh Chou

Alphabet of Thorn by Patricia A. McKillip

[fellhalcyon]

...What if love's the only word I could say, and I could only say it a certain number of times? A hundred times or less. I would have to be careful with it. We are never careful with the number of words we use, are we? I would have to be careful with love.

For instance, you, because you're nice, ask, "May I buy you lunch at the Astro?" I would have to say, "Love."

Wait—: lunch? That's not important enough, is it, if I can only say love fifty times in my life?

Six loves, three each, when my parents die. Two loves for Julius. One now and then for nature, and maybe even one for this city—at night, the skyline and all the lights, while we're standing on the bridge...

...You would get most of them, I think. If I ever find you crumpled up on the floor bleeding or crumpled up and crying, I'll say, "Love." Maybe I'll have to say love five or six times, close together, to bring you back.

When you're very old, and we've had a life together, and I never went completely and forever insane, just a few times for a week or two, and we raised a daughter, and I knew you were about to give everything up and die, I would stand next to you, and—even if it were my last one, and I knew I could never speak again, my only last word—I would say, "Love."

You know I would.

But what if, right now, while talking about this, on this walk, I use up the rest of my loves without knowing it—?

I'm so ridiculous. If I live a thousand years and want to say love with every breath, I would never run out. At the end, I would weigh as much as dust, and that one word would be half my weight, and.

I would die with a whisper: "Love."

— Nest [Ten Miles One Way, Patrick Downes]

[theartofangirling]

part 2 of the 2023 version of this post: young adult books!

part 1: middle grade books | part 3: adult books

this is a very incomplete list, as these are only books I've read and enjoyed. not all books are going to be for all readers, so I'd recommend looking up synopses and content warnings. feel free to message me with any questions about specific representation!

list of books under the cut ⬇️

aces wild by amanda dewitt

the chandler legacies by abdi nazemian

bruised by tanya boteju

juliet takes a breath by gabby rivera

picture us in the light by kelly loy gilbert

when we were magic by sarah gailey

iron widow by xiran jay zhao

the rise of kyoshi by f.c. yee

jane unlimited by kristin cashore

summer of salt by katrina leno

the wicker king by k. ancrum

the dead and the dark by courtney gould

wilder girls by rory power

i kissed shara wheeler by casey mcquiston

her royal highness by rachel hawkins

tell me how you really feel by aminah mae safi

the weight of the stars by k. ancrum

you should see me in a crown by leah johnson

last night at the telegraph club by malinda lo

the grief keeper by alexandra villasante

crier's war by nina varela

how to excavate a heart by jake maia arlow

imogen, obviously by becky albertalli

in other lands by sarah rees brennan

carry on by rainbow rowell

cemetery boys by aiden thomas

felix ever after by kacen callendar

i wish you all the best by mason deaver

little thieves by margaret owen

technically you started it by lana wood johnson

the gentleman's guide to vice and virtue by mackenzi lee

the infinite noise by lauren shippen

bonds of brass by emily skrutskie

the darkness outside us by eliot schrefer

simon vs. the homo sapiens agenda by becky albertalli

what if it's us by becky albertalli and adam silvera

aristotle and dante discover the secrets of the universe by benjamin alire sáenz

like a love story by abdi nazemian

different for boys by patrick ness

history is all you left me by adam silvera

twelfth grade night by molly horton booth, stephanie kate strohm, and jamie green

across a field of starlight by blue delliquanti

heartstopper by alice oseman

check, please! by ngozi ukazu

bloom by kevin panetta and savanna ganucheau

laura dean keeps breaking up with me by mariko tamaki and rosemary valero-o'connell

the princess and the grilled cheese sandwich by deya muniz

if you'll have me by eunnie

on a sunbeam by tillie walden

the girl from the sea by molly knox ostertag

always human by ari north

rust in the root by justina ireland

dread nation by justina ireland

pet by awkwaeke emezi

the darkest part of the forest by holly black

elatsoe by darcie little badger

i was born for this by alice oseman

loveless by alice oseman

i hate everyone but you by gaby dunn and allison raskin

you know me well by nina lacour and david levithan

the black flamingo by dean atta

spinning by tillie walden

dreadnought by april daniels

a lesson in vengeance by victoria lee

all the bad apples by moira fowley-doyle

clap when you land by elizabeth acevedo

summer bird blue by akemi dawn bowman

the miseducation of cameron post by emily m. danforth

we are okay by nina lacour

radio silence by alice oseman

we used to be friends by amy spalding

a neon darkness by lauren shippen

i hope you get this message by farah naz rishi

are you listening? by tillie walden

alone in space by tillie walden

all out edited by saundra mitchell

out now edited by saundra mitchell

out there edited by saundra mitchell

[fosliie]

The best friends, the pals, the rotten soldiers, the sweet cheese, the good-time boys

Just finished watching the gameplay of the 1st telltale game of theirs! Took quite a bit but was worth itttt, here’s some doodles while watching through it

[m-kyunie]

do not ask me about the plot of JJK

[checkoutmybookshelf]

The Quartet That Started It All

As followers of this blog will note, this is not actually the quartet that started it all for me, but it DID launch author Tamora Pierce's career in the 1980s, and Alanna remains absolutely beloved among Pierce's heroines. Let's talk the Song of the Lioness Quartet.

In a classic case of "if I can't do this as a girl, then I'll do this as a boy and I have a handy twin brother to go full Twelfth Night with," Alanna of Trebond begins The First Adventure by dressing as a boy to train as a page in Tortall's royal court. This book introduces all our main characters and establishes Alan the page amongst his peers and Alanna as she finds herself and her place in chivalry.

One of the other amazing things about Alanna's story overall is that she begins it absolutely terrified of her own magical gift. Her arc includes learning to work with her magic rather than to fear it, and that's a twist on magic users that I really appreciated. We often get overly confident magic users--indeed, we'll get TWO of them later in the series--but it's rare that we get magic users who are fully aware of their powers and are still absolutely terrified of them. So of course, the story and the world and Pierce herself keep throwing Alanna into situations where she has no choice but to develop and use her gift. It's so, so good. This first book covers Alanna's page years, and we move into her squire years in book two.

In the Hand of the Goddess really expands on Alanna's key relationship with Prince Jon on Conte, Duke Roger of Conte, and Geroge Cooper. Alanna moves into a wider world of adult politics and stakes in this book. From being able to defeat an older, stronger, and more experienced opponent in a duel to developing her healing skills when a wound puts her out of commission during a war, Alanna cements her skills, connections, and position in society. This culminates with unmasking Roger as an attempting regicide and the accidental reveal of her gender.

This book is really, really good, and extends Alanna's childhood fear of magic to her fear of Roger specifically in a really natural, logical way. I could say more about the details, but these two books have an episodic vibe to them, so I won't spend too much time exploring every single key plot event.

The Woman Who Rides Like a Man sees Alanna spending her first year as a knight in the desert, with a Bazhir tribe. She becomes their shaman by way of self-defense; she murders their first shaman when he tries to murder her for "being unnatural." Then it falls to Alanna to train three magic users for the tribe, and this is where we see more nuance into how different magic users relate to their powers, from sheer hubris to fear to "this is just part of me, let's do this." It's a phenomenal experience for Alanna, and she learns as much from her students as they do

Book three also sees Jonathan bitching to hell and back about having to be king, which is not a great look, and it's one Alanna calls him on. He spends most of the book alternating between pitching a hissy fit, begging Alanna to marry him, and training to take over as Voice of the Tribes. The interesting thing here is that Alanna refuses to marry Jon. He is trying to fit Alanna into his own fairy tale, and she very much goes "That isn't our relationship, I can't do that. We aren't meant to be like that, and that's ok." If I could inject that lesson into humanity's collective head, I would. It's well done and it's great.

Lioness Rampant picks up on Alanna's travels after she leaves the Bazhir, and eventually sees her return to Corus with a magical artifact to help secure Jonathan's position as king.

There's also the teeny tiny complication that Alanna's twin brother, Thom, has resurrected Duke Roger. Absolute chaos ensues, and Roger almost manages to take out the entire court during Jonathan's coronation. Nobody should have to kill an evil sorceror twice, but Alanna did.

If you want to dive into Tamora Pierce's Tortall Universe, starting with Alanna is absolutely a good choice. These books hold a very soft spot in my heart, and they're never not engaging.

[thatsmybook]

"It's been a month since Young Royals officially ended and, if you're like me, you're still sobbing over that beautiful finale and missing Prince Wilhelm, Simon, and the entire squad from Hillerska (and Bjärstadt).

Don't worry, I've got some royally good YA book recs for your favourite characters from YOUNG ROYALS that you can add to your TBR to fill the space we're all missing after watching this fantastic series."

From YA author Julian Winters on IG @wintersjulian

[reedreadsbooks]

Book Review: Dreadnought by April Daniels ✨🏙️⚡️

rating: 🌕🌕🌕🌕🌕

(5/5)

After Dreadnought, the world’s greatest superhero, is killed in combat, closeted trans girl Danny Tozer inherits his powers and is transformed to have the body she’s always wanted to have. Now she has to deal with having superpowers and being an out trans woman, all the while hunting down the supervillain who murdered her predecessor.

This book was phenomenal, and I’m kind of at a loss for words to describe how much I liked it.

To start, I love the world of this book. This is such a classic superhero story. Daniels uses the conventions of the genre without making things feel like a parody and subverts tropes just enough to make the story distinct.

I also really love Dreadnought as a trans narrative. This book doesn’t shy away from transphobia. Between Danny’s parents, kids at her school, and other heroes she meets, we get a pretty broad and realistic representation of the types of abuse a young trans woman might face. There’s also so much trans joy in this book. It was really nice to see Danny come into herself, and it was cathartic to watch her realize that no one could take her transition away from her. This is the type of story that will give trans kids hope for the future.

I would recommend this book to literally everyone. In fact, I plan on recommending this book to literally everyone. But because that’s not helpful, I’ll be more specific and say I highly recommend this book to fans of Andrew Joseph White. Obviously, it’s very different from his work, genre-wise, but I think the themes are really similar. If you like Hell Followed with Us and The Spirit Bares It’s Teeth, I can definitely see you liking Dreadnought.

[graceshouldwrite]

How to Write Political Intrigue (with book recs)

POLITICAL INTRIGUE! Intrigue in general! What is it?

For the purposes of this post (as well as how it's usually used in the writing/reading community), think: scheming. Plotting. Conspiracies in the shadows, bids for power and survival, secret plans, masterful illusions, all of that stuff.

It could be on any scale that you'd like, from a duel of wits (think Light's and L's game of cat and mouse in Death Note)

...to a large-scale plot involving entire countries and their people (like any espionage networks during any major wars, such as the American Revolutionary War to World War II, and so many more)

...or even medium-sized conflicts (families, like in The Godfather, or smaller national disturbances like the Watergate scandal).

Below are 4 core tips on how you can successfully write (political) intrigue plots:

1. Read + Research

Despite how hard it may sound, it's actually pretty easy to craft a realistic yet thrilling intrigue plot—with so many examples in real life and fiction, you can easily base your plot on an existing one and just change a few things like the characters, setting, and maybe a few plot points.

History and current events are always great places to look to, but here are some books that are chock-full of great politics + intrigue:

Leviathan (Thomas Hobbes): one of the most famous treatises of politics + human nature and their intersection. The book is an in-depth exploration of human nature, government, politics, and all of the root causes of why they exist. While it does take a specific philosophical angle (you might not agree with Hobbes' ideas), they are detailed explanations of how things work + why they are required from one perspective.

48 Laws of Power (Robert Greene): GREAT BOOK for helping you plan out the means by which you want the intrigue to happen. There are lots of simplified rules that tell you why people plan and scheme (e.g. "control the options; get others to play the cards you deal," or "pose as a friend, work as a spy"). There are LOTS of really great small stories of when a rule is applied in real life that are also general plot inspo!

The Godfather (Mario Puzo): very very good, intricate, and more emotional because it deals with the intrigue surrounding families

Joseph Fouché: Portrait of a Politician (Stefan Zweig) (biography): Fouché is absolutely insane. A genius at political intrigue. His life is literally one of the craziest stories of scheming, betrayals, survival, and a general vying for power, especially behind the scenes.

The Prince (Machiavelli): obviously, I can't leave out the original tips + tricks book with explanations of WHY intrigue matters as a means, especially in terms of protecting your power.

Trust Me, I'm Lying (Ryan Holladay): a large part of intrigue plots (you need to cover up the actual game you're playing) is the manipulation of information, creating illusions and spectacles for other people to believe. This book goes in-depth about media manipulation and information wars.

Empire of Pain (Patrick Raden Keefe): takes a rather different angle, through the personal/corporate manipulation of government, as well as how wealth dynasties (especially within families) are established. Remember the opioid crisis? This book explores the generational politics of money and power that led up to that.

Prince of Thorns (Mark Lawrence): Look! Fiction! Anyway, I'm biased because it's one of my favourite works of fiction of all time, but it explores political intrigue not only through an actor participating in it, but through the lens of the common folk. I.e., the consequences all that power play has on the populace due to a lack of actual good governance...

A Song of Ice and Fire (George R. R. Martin): I haven't personally read/watched anything GoT, but it's pretty much obligatory to put this series down in a post about political intrigue. It's famous for doing it well.

2. Plan. Like, meticulously

First of all, decide what scale you want your intrigue to be on: large-scale government/international affairs type, a corporation thing, something between two people, or even within a family? There are so many possibilities.

Intrigue plots are like mysteries; they must be tightly logical to be satisfying. One of the best ways of ensuring this is through analyzing each involved party—the actors.

Each actor has their own motivations, goals, and psychologies. After you establish what they want OUT of their intrigue, think about how they'd go about achieving it: a naturally hot-headed person might try to intimidate their way into getting what they want, or they might learn through the course of the story to cool down a bit.

A naturally imaginative and analytical person might come up with all sorts of scarily genius plans, and near-flawless execution. Of course, they would also react in different ways, depending on personality. Character consistency alone will make your plot seem that much more logical.

However, cracks in logic will happen because humans are inherently imperfect and not always rational. These cracks must be DELIBERATE and realistic and must seem planned out; they can't seem more like the author forgot a detail, or didn't know how to explain something (e.g. something happened and the writer never included the consequence of it because they forgot). It must be clear that it is a flaw on the character's part.

3. Never write intrigue for the sake of the intrigue

The incentive of all scheming comes down to mainly two things: gaining power and keeping it. Of course, you could choose to explore more unusual things, such as characters exercising intrigue to satisfy boredom... (think Light and Ryuk from Death Note).

But, the bids for power, security, and survival can be used to highlight things about human nature. Themes to explore include ambition, sacrifice, the pursuit of happiness, the corruption of character, the preservation of innocence in a cruel system, etc.

4. Explore through a narrow lens

Most intrigue plots are full of complex motivations, characters, goals, and the means they use to achieve said goals.

You should gradually let your intrigue plot unfold through the POV of a few characters, preferably one or two. An omniscient narrator for this type of story is INCREDIBLY difficult to pull off without confusing the reader.

However, more POVs work if you use all of them to focus on ONE or a few intrigue plots only—it can provide a multi-layered effect, exploring the same line of action and consequence through different perspectives. But, if everyone has their own intrigue plot, it's too easy to create a tangled mess where readers can barely delineate one plot from the next.

∘₊✧────── ☾☼☽ ──────✧₊∘

instagram: @ grace_should_write

Sorry for the massive hiatus—I have officially started college!! I've been pre-occupied with settling in, classes starting, a social life, extracurriculars etc. etc...life has been super busy, but great :)

I've started working on my books as well as poetry more recently, and I'm glad I'm getting into a new workflow/lifestyle. It certainly is different, but I'm starting to enjoy it.

Anyway, I'm surprised it took me this long to do a post about this topic, considering the fact that it's basically my writergram niche and my entire personality IRL, but I think it was mainly because I was trying to find a good angle to approach this massive topic. But, stay tuned for (probably) a part 2 because there's SO MUCH MORE to cover.

Hope this was helpful, and let me know if you have any questions by commenting, re-blogging, or DMing me on IG. Any and all engagement is appreciated :)

Happy writing, and have a great day!

- grace <3

[itsbooktimepeople]

Girls of Paper and Fire

★★★☆☆

In the fantasy land Ikhara, Lei lives a happy life running an herb shop with her father until demon soldiers arrive with terrible news: Lei has been chosen to become a Paper Girl, one of the concubines that serves the Demon King. But everything changes when she sees the chance to fight back and gets involved in a plot to kill the king.

SO, let's start with the stuff I liked. Namely—and don't shoot me here, because I know a lot of people hated it—I found the writing enjoyable. The descriptions of settings and emotions made me feel like I was there, and, even though I'm kind of iffy on my opinions towards Lei, her voice was distinct and did cause me to empathize with her.

And speaking of Lei and the writing, most of the time first person present tense narration is a surefire way to get me to hate the protagonist, but Ngan manages to pull it off. I mean, I didn't love Lei. I didn't have any strong emotions towards her. But she was bearable, which is more than I can say for a lot of YA protagonists.

And, sue me, but I liked the romance. Wren and Lei were so soft and sweet and respectful to each other. The scene where Wren took Lei to the tree so they could grieve together was really thoughtful and well-written, and while the romance progressed a little quickly for my tastes, I think it did a good job of remaining a core part of the novel without being overpowering.

But I think the best written aspect of Girls of Paper and Fire was the portrayal of power dynamics. The way the Paper Girls are stripped of power is shown so well: they get no privacy, no free time, almost no control over their future, and are treated as objects by the Demon King. The rape and prostitution featured is never glorified; instead, it was terrifying reading about the Demon King and his violation of the girls.

Now, onto the things I didn't like. There actually isn't much I haven't already gone over—the reason this is a three star book is because almost everything about it was good but could have been better. Only one thing I can think of was wholly bad, which was the ending, which I am going to rant about and spoil, so proceed at your own risk.

***SPOILER***

WHY DID THE KING END UP BEING ALIVE? I mean, I'm all for protagonists failing, but. But. He was dead. He was visibly, concretely dead. If he got up again while Lei and Wren were making their escape, that's one thing, but when it's revealed as a cheap end device to make you want to read the second book? It has the opposite effect. It's so unnecessary. Don't throw in weird and meaningless twists like that in the end because holy smokes is it annoying and redundant.

***END SPOILER***

If I had to find another piece of criticism, I'd say that the whole paper metaphor was a little bit overused. I thought it was a good idea and a good way of turning the demons' terminology against them, but it didn't have to make an appearance in every single chapter. That being said, it didn't detract from the story very much.

Does Girls of Paper and Fire live up to the hype? No. But is it still worth your time? That's up to you. I don't regret reading it, and because I bought both this and its sequel at Half Price Books in a fit of I-ran-out-of-library-books-during-spring-break desperation, I will be progressing onto the second book.

[bluedietcoke]

books i would sell my soul to read again for the first time:

the way i used to be - amber smith

the seven husbands of evelyn hugo - taylor jenkins reid

house of salt and sorrows - erin a craig

if he had been with me - laura nowlin

these violent delights - chloe gong

dance of thieves - mary e. pearson

the silent patient - alex michaelides

caraval - stephanie garber

all the light we cannot see - anthony doerr

[echosong971]

I DONT KNOW WHAT LIES OF P IS BUT KEEP DRAWING THAT BOY PLEASE I BEG

OKAY o7

[murasaki-cha]

My honest reaction as I am currently reading Powerless (my friend lent it to me).

This is peak romance if you ask me!

YOU KNOW YOUR GIRL HERE LOVES A GOOD ENEMIES TO LOVERS!!