Ok final boss idea: an angel that suffers from delusions with a savior complex obsessed with the idea of restarting the world and guiding her believers to “the light” (excruciating world ending destruction)
AN INTERESTING IDEA !!!!!!! the current final boss beta actually isnt that far off from this idea!!! (im not sure if ive ever rambled about the witch king/final boss so here it is!!)
the tldr version of what the final bad guy is supposed to be is that its the first witch king who went through too much shit and also has too much power given to him by the gods of the stars, whose big ideal is that he wants to essentially cleanse the world of anyone who doesnt have magic !!!
from what i see it as in my head right now, magic was originally supposed to be used to HELP humankind (heal sickness, flourish crops, make life easier, etc), but something something selfish human nature, basically non-magic users got jealous and greedy and it turned into one of those "they have too much power, gotta kill them before they realize this and kill us first" kinda things that sparked a decades long war between the witches kingdom and other kingdoms. said witch king lost too many people he loved in the process (and you know how witches are with their love), so eventually the witch king went "fuck it, youre right" and DID go and kill everyone. decided "fuck those guys, we're gonna make it so that theres just no more normal humans left to eliminate this conflict altogether for now and for the future. everyone will have magic and the world will be better"
the cat witch at the time was his right hand and of course didnt agree with the idea at all. thought they should just suffer through the conflict instead of going scorched earth. and USUALLY when a witch goes off the rails (at least from what mochi knows in her time), theres a thing called the divine wrath of the stars where the gods strike you down (not subtly) for breaking your oath to not take life of another, but this didnt happen with the witch king and no one really knew why.,.. (some people think the gods of the stars loved him too much and couldnt do it)
either way, the cat witch tried to rally the other of the 5 major witches (crow/snake/frog/spider) to go against him, but the plan fell apart and the most she could do is use up all her power to seal him away. (quick aside: these 5 were the first witchs guild - the guild of the dragon witch king, so the title "the cat witchs guild" references mochis guild with her friends as well as the guild mochi HERSELF IS IN!!! the collective power of the guild is supposed to match the power of its respective witch for this purpose, in case said witch needs to be stopped, so she wouldve needed the other 4 to fully take him down)
another beta idea connected to this is that there was no time limit on when the seal would break, but the seal becomes weaker anytime you use the dragon witches magic, which later became the "dark/forbidden" magic!! i think ive mentioned before that there is no magic thats inherently evil, but there is magic that you shouldnt use and this is the reason. (timeline-wise, i think its when mochi uses that forbidden magic to save lime that the seal really starts to become undone. that was one of the last cracks in the glass, the beginning of the end)
for thousands of years following there were prophecies written that were supposed to point to warning signs of the witch kings return, one of the big ones being that there will be magic overflow in the witches of the time hes supposed to come (this is also the reason mochis magic is so powerful and grows beyond what tiramisu or pom thought it would. the way witches describe it is that the magic is trying to prepare (compensate?) mochi and the other witches for whats to come, equipping them with what they need, if you will!! murda and the other 5 also grew with unnaturally high magic power)
lime, while he acknowledges the gods of the stars probably exist, really doesnt like them during this whole thing going on. hes really pissed off that they did not follow their word to lay their divine wrath on the king when they shouldve and now mochi has to shoulder the problem, and he also hates that theyre using mochi and the rest of the witches to solve a problem they could do themselves. he has a whole thing against the stars, but unfortunately i dont think any of them ever have a chance to confront them. its going to be like that scene in botw where zelda is praying in the pool and the goddess remains silent. "oh, to know the hearts of the gods, something we puny and stupid mortals will never understand." he says in a bitter tone.....
(there was a very last component to the final conflict that im not sure i wanna go through with yet but its a beta idea: basically the witch kings power has grown so powerful over the years that his lifespan is connected to the magic itself, and they find out that killing him will essentially kill every magic being/user in the world too. but letting him live would mean the death of every non-magic creature, so then they get faced with the impossible choice of well, do we kill all magic creatures or all non-magic creatures - and this is still in beta because i havnt found a resolution to this that i liked yet)
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not to get into discourse mode on here but the recent shit w/ ao3 being once again called out for being run by racists/genocide supporters and seeing so many fucking Absolute Gormless Shitheads blindly defend OTW and going " dOn'T bRiNg FiCtIoNaL PoLiTicS iNtO tHis!!!111!1 " as if they are not immune to propaganda is wild .
my siblings in sin , ao3 is literally The Racism Fetish Fanfiction site , and propaganda via fictional work is exactly how racism perpetuates. ao3 and the otw are a part of the problem whether you choose to acknowledge it or not because they contribute to the cycle of violence , fetishisation and colonisation of marginalised groups via complacency (and sometimes even blatant PASSIVE ENCOURAGEMENT) , and then they cover it up by using soft cutesy buzzwords like " anti-censorship " and " free speech " and their dumb ass complex tagging system to appeal to white people , so when Actual Minorities and people affected by the shit they put on there speak up about it they're met with all kinds of bullcrap about "jUsT bLoCk ThE tAg If It'S a PrObLem1111!111" or "YoU'rE jUsT bEiNg a fAnDoM cOp!11!!"
You're a part of the problem if you support ao3 and actively continue to use it & donate to them , especially in the wake of the OTW being actively chockful of zionists who will , ironically , silence those who speak up and rally with Palestine for liberation . And If you decide to take this as me being hostile towards you or trying to " bring fiction into real world issues " , remember that at Any point in time you can go on ao3 for yourself and find thousands and thousands of raceplay fics and other various works that glorify and condone racism , and that the otw and their large userbase (primarily composed of white people!) has a track record of trying to shut up POC when this issue is brought to light .
Idgaf if ao3 is for " anti-censorship " , because there's a difference between anti-censorship and HIDING BEHIND the concept of free speech and the 1st amendment to do and say awful , horrendous things and believe you're above critique , punishment or consequences for it .
tl;dr: fuck ao3, fuck the otw, free palestine, and most importantly: you are NOT and will NEVER be immune to propaganda if you choose to ignore it because it benefits you.
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maybe its because i was really into kpop & a part of the community prior to QSMP so i always feel the need to wait for context, clarification, or an explanation before deciding how i feel about something a non-english CC says
i truly hope i can say this in a way that makes sense, and in no way do i intend any offense with this, but i feel as though a lot of people within this community, from all sides, need to truly understand that they are consuming and engaging with content and creators that speak a different language than they do. yes, majority of the CCs do speak a common language but the QSMP community needs to realize that they still come from a different part of the world so there are going to be things lost in translation and cultural context that we, as outsiders to that culture, are most likely unaware of until we learn otherwise
so it is even more harmful to immediately jump the gun and harass creators prior to any clarification
should we hold creators accountable? 1000%, absolutely
should we immediately dog pile them for something they said? no
if something makes you raise your eyebrows and instinctively go into 'cancelation mode', its perfectly okay to instead go "hey, what did this creator mean/what is the context?"
as the consumer it is up to you to acknowledge that at times, you will not have all the context, whether situationally or culturally. as the consumer it is up to you to acknowledge that at times, you will be ignorant. while not entirely impossible, it would be incredibly rare for any of us to completely understand the complexities of ALL of the languages and cultures involved at all times.
which leads into why the QSMP is so important: it's bridging the gap between cultures/languages/communities but that gap will be infinitely harder to close if we dont have the patience and humility to acknowledge other viewpoints and experiences of the world and to admit when we dont understand something outside of our own, whether its positive or negative
just because you dont understand something does not mean that your character or allyship is called into question--it simply means that youve encountered something outside your own word experience and is a good opportunity to learn about other parts of the world, other experiences and viewpoints and cultures
and at its core, qsmp is about learning to understand people that are different from you despite any sort of barrier, but you will not come to understand one another if you do not allow the time to ask questions, listen, and allow yourself to be educated on things outside of your own culture & experience
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PLEASE spill the Makoto cop tea. I'm always down to hear people's thoughts on that
Thanks anon! I do my best to keep this blog positive-vibes only, but since you asked I will answer. Warning: DO NOT read this post if you do not want to see any criticisms about Makoto Nijima from P5 + discussions of police. This is not hate towards the character or her fans. It's just criticism for the writing choices and their implications for her.
Makoto Nijima does NOT want to reform the police. There's a mandela effect in the fandom where everyone seems to think she does, but rewatch her rank 10. Reform isn't mentioned at all. I'm so serious. What she actually says is this:
Within her confidant, the context is the host that was preying on her friend Eiko. Wanting to stop situations like that is good and makes sense 👍 The writers framed her decision to become a cop as a response to the most clean-cut black-and-white situation ever.
But here's the thing though: what happens when the lawless and the victims are the same people? Because in the real world, crime tends to concentrate among the poor and marginalized. The real world is not black and white. And I try to separate my personal experiences with the law from the media/art I engage with, but that doesn't work here because the game at large doesn't portray society as black and white.
There are a number of people in this game that do wrong because they have been hurt or are marginalized or did not receive proper help. A lot of mementos requests are about 'lawless' people and yet many are portrayed as 'due to systemic issues' or a lack of support or developing mental illness. It's also not a coincidence that Akechi is the most marginalized of all the phantom thieves and he was the one who did the most crime. There is deliberate social commentary here. People do not become lawless out of nowhere. They are shaped by their circumstances. And the game itself sympathizes with these people, focusing on changing/ helping them. The game's conclusion is that providing support and rehabilitation is the solution. Rehabilitative justice > Punitive justice.
Police wouldn't achieve that. Police in the game are framed as corrupt and incompetent at their core. Our protagonist is one of their biggest victims to demonstrate how they are weaponized against the weak. Even Sae Nijima at the end of the story has shifted to become a defense attorney rather than attempting to reform it (best character arc btw) because she recognized that the system is broken. And you can't even blame it just on Shido controlling the police because we see that the problems persist beyond him. By the end of the story they remain useless or outright harmful. The police do not help or rehabilitate, they only punish.
So no, this isn't me projecting my personal issues with cops onto the story because within the game's own story, law enforcement is not the solution. If it were a question of reform, we could debate about whether police reform is possible, but again: Makoto doesn't care about reform. It never comes up. According to the writers, she wants to be a cop because she thinks not enough lawless people are being punished. You can argue that her wanting to 'head an organization' means she wants to be in a position of power where she can reform them, but remember that police only enforce the law. They do not make the law. If reform was her goal she would be a politician. (I honestly thought that's what she was set up to be, since she was student council president and all but I digress)
Also a small detail, but notice how she mentions destroying the lawless before she mentions helping victims? It's super minor but I think it's indicative of the cop mentality. There's greater priority on punishing than helping.
I also dislike this conclusion to her arc because it's net zero character growth. You're telling me the character that was rebelling against corrupt adults' orders is now becoming a cop, the biggest bootlicking profession of them all? She started the story being a well-intentioned pushover, and she's ending her story being a well-intentioned pushover. And it doesn't matter whether she as an individual is a good person or not. All cops comply to be active participants in a system that is designed to hurt the weak and prop up the powerful.
TLDR: You do not help victims by punishing the 'lawless'. You help victims by helping victims. Period. Makoto becoming a cop is a contradiction of this and her own character arc. Either the writers did her dirty by not thinking this through or this is meant to be who she really is, and both those possibilities upset me.
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ffxiv garlemald discourse is so funny because people will go "ugh people just cant stand it when things aren't black and white" and then you look at how the empire are portrayed in stormblood and shadowbringers and its like hm. that seems like a pretty intense and accurate display of violent imperialism to me! Wow I wonder why people in this day and age may find it hard to feel sympathy for them or even hate them on principal. god its such a mystery.
the games like 50/50 to me on how it tackles these themes because I actually like the garlemald arc in EW, I think it has a lot of horrific and powerful scenes depicting how self destructive fascist propaganda and beliefs are, but I also think it doesn't go far enough on some fronts. the garleans' xenophobia is most notably and obstacle to getting them to accept the contingent's help, which is what they're there to do,
but there's never an admission of harm from any garleans on the uuuuuuuuh massive amount of war crimes the nations around them are still suffering from they're just kind of like "we misjudged you...but you actually wanted to help us all along" like yeah thats great now can we get you all some deprogramming because you keep talking about returning to your prime and glory days and I think we need to unpack some stuff you really SHOULDNT return to. im not even really talking about EW proper but the patches where things are a bit more chilled out and people are recovering.
It feels like they wanted to have their critique of imperialism and also have things end with the beauty of human connection and reaching out and these things just don't mesh well because hey a lot of your modern day audience is not gonna like having to treat people yelling xenophobic things at the cast and your character with kid gloves after you showed them hours and hours of the awful things these people's beliefs have done. especially in the present day hoo boy.
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This part of the editorial from 2099 (pic sourced from this post) is so interesting to me because i don’t even think the idea of Miguel having these kinds of flaws is uninteresting or impossible, but I just personally would never have come to this conclusion just based on the text.
Like, when I personally look at how Miguel and Dana interact, I don’t see any indication that he emotionally condescends to having a relationship with her, when you’d think this strain of elitism should shine through in some part of their relationship at least initially in his arc.
I don’t look at Xina and Miguel’s interactions and interpret any sense him feeling threatened by her intelligence (even if we're just talking purely pre-spidermanning), when you’d think an element of that would be present, even in a flashback. He was a callous dickhead about the cheating explanation, but that alone without some corresponding behaviour to how he speaks to/treats Dana, even just as a flashback, just doesn’t offer the bridging piece to displaying what the authorial intent apparently was, at least for me.
Also, and by god we always come back to Dana’s writing being so damn lazy, but if Miguel - even if only at first - sought Dana out due to the emotional convenience she provided, what has prompted enough change that he is willing to bear and forgive actions like her seeking out the company of the man who drugged him when she wants to needle Miguel.
ALSO. PETER DAVID I AM SPEAKING DIRECTLY INTO YOUR EAR RN. ITS VERY SILLY TO ME TO POINT OUT THE MISOGYNISTIC STREAK INTENDED IN MIGUEL’S ACTIONS HERE BUT THEN LITERALLY JUST NOT BOTHER TO MAKE THE WOMAN THIS IS ABOUT MAKE LIKE. SENSE WHEN YOU WROTE HER. OFFER NO EXPLORATION INTO WHAT HER ACTIONS SPEAK TO IN HER PERSON AND DELVE INTO WHAT CONTRADICTORY ACTS MIGHT TELL US ABOUT HER.
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