Hello :D
I have been following you for the last year or so (a few days after I got my Tumblr lmao) and I absolutely love your art!
I have been wanting to study your art style for a while but don't really know where to start,,,
Could you please show me a small portion of your art process, if it isn't too much trouble of course. Thank you and have a nice day!
hello. oh my god. this took forever to find.
im sorry it took 2 WHOLE FUCKING MONTHS for me to respond to this but i wanted to put it off until i felt happy with my art process again, so here it is
my fall 2024 rendering tutorial!
(this will be very very long)
FLATS AND WHATEVER YOU WANNA DO WITH LINES GIRL. then make sure to recolor the lineart to better match your base. trust me it helps, bold dark lines are Not your best friend when rendering. wait for that post-rendering
i start off with a doodle or a sketch, and then filling it in with flats and other details such as blush
FIGURE OUT YOUR LIGHT SOURCE. FIGURE IT OUT GIRL YOU CAN DO IT you can make it as simple as possible, make it as big as possible, dont even THINK about the details.........just make it really fucking big so you at least know where the shadows and the light goes THEN add smaller shading details LISTEN TO ME. LISTEN TO ME OKAY!!!!!!!!
my key point with this is for you to learn lighting fundamentals.
it's SOOO ANNOYING but alas......they are all correct. it helps a lot.
one thing i also really want to point out is that i like creating a big shadow shape first before fixing up the little details (such as folds and whatever) because it helps me focus on the way the lighting actually works instead of tunnel vision-ing into making the shading make sense on the clothing.
contact shadows (i dont remember if thats what theyre called okay) theyre fucking ugly because im not actually thinking sorry 💔
okay so basically:
contact shadows (if that's what they're called) are the spots in shading and lighting where light will NEVER hit.
shadows are still influenced by the colors and lights around it (it's why a blue shadow and a yellow shadow feel completely different, despite both being shadows) so it's not always COMPLETELY dark.
BUT! there are small points in shadows where light never hits, and they're almost always super dark or pitch black.
it's hard to explain shadow and light so briefly for a tutorial, but you'll notice it when watching fundamental studies and when trying it out for yourself
YES i unclipped the multiply layer YES its ugly and terrifying but it makes coloring the multiply layer easier okay
the colors merged w multiply so now it looks cool and has depth
overlaying colors that actually make sense
so basically what i did was color the multiply layer that i used to shade the overall drawing
adding a band of red/orange/yellow around where the light hits, and blue where the shadows get big and wide, gives it a fake ambient occlusion effect in the way that a person would get if they stood under the sun with a clear blue sky
the colors don't have to make sense, especially because i never draw backgrounds, but coloring the shadows really help it give a sense of depth and extra subtle detail and effect that just helps make the painting look nicer
around the end, i also put in colors (in an overlay layer with a low opacity brush) that actually make sense in context of the drawing, which is the lit cigarette and the yellow eyelights
mostly because none of the colors were making sense and i needed to actually make use of the lighting that DOES exist in the drawing lol
adding a muddy golden yellow pin light layer (opacity turned down to like 40-50%) to make the light colors less ugly lol
i SWEAR by the fucking pin light layer style. it's so useful and so so underrated.
i used an almost brown-ish gold color on stop of all the layers, and with the pin light layer, it helped make the bright (almost blue-ish) white colors more warm and more yellow. it just helps make things more warm (something i prefer)
i could probably show what it looks like without adjusting the layer opacity to truly show off what i mean (like in the coming section) but i sadly forgot to do that lol
make a layer on top of your drawing with this color in these ranges YES the drawing is fully merged NO don't be afraid, the base was fucking ugly anyway 💔
make this layer into an exclude/exclusion layer style TRUST
turn down your exclusion layer opacity from a range of 10% to 40% literally until you're happy with the contrast and the way the color over the drawing. use your eyeballs. i know you can do it im so proud of you
this is pretty self-explanatory instruction-wise, so i'll go into why i do this instead
i really like art that seems like it has low contrast, with almost mid-gray shading and lines. i don't personally use dark and bold lines and shading, unless i find it necessary for the tone of the piece, so using this method helps lower the contrast of the art and make it look "pleasantly muddy" in the way that it's easier and softer on the eyes.
the inverted blue color also helps makes things warmer!
the exclusion layer style is still a bit of a mystery to me but i really like the effect it gives, even if i don't completely get how it works lol
if you want an alternative method to this, and if you have access to it (because i primarily use sai and sai only),
i absolutely encourage you to play around and experiment with gradient maps.
there are so many out there you can make yourself or even get from others that just give the painting an extra amount of depth and color variation. they're SO fun.
personally, if sai2 gets a gradient map update, it's over for y'all it will literally be so over no one will be able to stop me
then i merged everything and actually adjusted the contrast back up because it was looking too muddy for me 💔 but the color adjustments are still there so all hope is not lost
here's a comparison of the adjusted contrast in black and white
(adjusted on the left) (newly merged layer without adjusting the contrast on the right)
as you can see, i actually turned the contrast back up (despite talking all about how i liked things with less contrast lol)
i wanted to demonstrate that doing adjustments should be done in moderation, and is why i adjust layer opacity often when making color effects
you are free to play around with colors to help your style, but don't lose your initial idea and colors along the way.
you still need to trust your own colors and intuition!
along with that, i just want to say that it's completely okay to change your mind mid-painting, and it's okay to make somewhat drastic changes.
don't be afraid to change things you don't like or change your mind about certain aspects way later on
that's basically the whole thing of this!!! don't be scared!!!
now im gonna hold your hand when i say this..........but you need to learn how to render by yourself. it seems like i can teach you but i literally can't, because rendering is different on every piece and depending on how clean your base is. i have to render A LOT because of how fucking ugly my sketches are LMAO
to simplify it, think of it as obsessively cleaning up every detail you can see, but with a color picker and a clean, hard edged brush. if you have shit lineart, you don't have to redraw it cleanly over and over, just paint over it. that's basically what rendering is
THIS especially is where you need to be brave and stop being scared.
like i said, i can't teach you how to render, and it's something you have to discover yourself because rendering is something that will always be personal to every single piece you make. the way you render on every piece is different.
on one piece, you will barely need to render, and on another, rendering is more than half of your ENTIRE process.
don't be afraid to paint over your old art.
rendering is a process that's both very perfectionist yet also very careless.
find your balance and just go for it.
and then that's it……..u did it………..now yuo know how to paint and render. it's literally just layering shading and lighting knowledge until you think it makes sense and looks okay lol
additional note: since i render in only one layer (you don't HAVE to do this, but it'll be harder for you…), i also made slight adjustments with the transform (and liquify, if you have it) tool to make things more proportionate. (i drew the head too big lol)
if you compare the finished piece to the final unrendered base, you can see that a LOT changed, including a bit of subtle proportion adjustment.
particularly, the sleeves changed A LOT (because i really didn't like them)
but it's also over all cleaner and more coherent, instead of having haphazard colors and shading just thrown about.
rendering is when you finally use all 100% of your brain to finalize and figure out where the shading should go, where to clean up your lines, where to ERASE or ADD BACK in lines, and make sure all your colors look coherent.
it's not as intimidating as it seems, i only use a hard edged brush with a little bit of color mixing and my color picker.
it's like dragging and dropping colors to cover up mistakes, it's really quite fun when you get used to it
i wish i could explain it clearer but it's hard to describe without visuals!
i hope this helped, and i hope all my yapping isn't annoying (art as a special interest beloved)
have fun studying and trying to render in my art style!
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me when i find the PERFECT mtt song (yamitsuki,,,,,,,, maretu my king how did you do it,,,,,,,,,,,,, literally HOW did you do it why is this song weirdly accurate wtf and its for a completely different character 2??? HOW DID YOU DO THIS??? THE ENTIRE FUCKING SONG FITS??? THE ENTIRE SONG COULD BE MADE TO HAVE CONNECTIONS WITH ONLY MILD REACHING??? HELLO??????) (this translation!!!) (the translation is not.linking i will be shooting myself. its the on on the vocaloid wiki NOTthe video....)
literally like. 1/3 is horror. 1/3 is dust. and then the last is killer. in that order. the first 2 verses talk about bloodshot pain (bloodshot EYES.... HORROR'S EYE) and a rotting fatal wound (THE FUCKING HEAD CRACK!!! HIS GODDAMN HEAD WOUND!!!!). commiting brutality. i dont think much else is needed. wrong/right and judging biases,,,,, jesus fuck wtf. AND THEN in the next verse there's a mention of "starving for necessary evil" HELLO!!!! HELLO!!!!!!! him starving himself while also feeding snowdin human which totally sucks,,,,,, horror sans,,,,,,???? chorus of shrill voices (duh snowdin. or also could be undyne and royale guard. i like snowdin more). and then the last line of the second verse mentions sadism. nothing more to say. horror sans i mayhaps perchance mightve just encountered you in a song. or maybe the translation is freakily accurate and the song itself isnt that specific (probably but hey i can dream)
and then th next 2 verses r dust except i dont really know about the first verse but also a line that says "this is the death of the conflict, come and see me" could be referring to the human's death which like. man. and then the next verse is just dust sans but in a single verse. give me more excellent pain could be interpreted as LV but also the mental pain that comes with yk..... killing all you love.LOVE. LV. he needs more LV... anyways. mad off the beaten track. MAD. MENTION OF MAD LIKE CRAZY LIKE MAD TIME LIKE DUST SANS!!!! echoes of a haughty voice resound,,,,, phantom paps,,,,, "severe punishment, 100 renouned sights, i long for pure pessimism" i cant explain this one well i think but just think about it okay. this time you get to be the one coming up with the ideas (σ´∀`)σ
killer only has one verse that i can link this song 2 but i also think its th most freakily accurate. verse 1 is "through instantaneous joy, entertain me for my whole life, i'm cunningly"LUCKY". i get completely bored. give me pleasure without worry. and now, right away." and then "i'd rather head to eternal darkness. i'll abide by you always, emptily "HAPPY". i shed tears from my clear white eyes. come and show me your best smile!" HELP HELP HELP THEYRE SHOOTING ME HELP HELP!!!! THEY JUMPING ME (these lyrics) because WTFyhis isFREAKILY accurate. the entire first verse and its spiel on boredom and having someone else manage the entertainment/emotions,,,, and the cunningly lucky part is just. i think the word cunning is just really good to describe killer (sneaky little bastard) and then he's "lucky" emphasis on quotes because idk he got chosen for whatever the fuck his chara wants. what luck. really bad luck but whatever. and then MORE on the following another person and EMPTILY!!! EMPTY!!! KILLER FEEL NOTHING EMPTY!!!! fake happy too,,,, and killer has white eyelights sooo IM NOT REACHING!!! also he literally cries
in conclusion MARETU is a god amongst men and somehow this song managed to fit the mtt i have no idea how. next coming up: how NAMIDA fits horror. how thirst fits dust. how i'm high fits killer. idk if i already said this one probably did BUT JUST IN CASE maretu also has maegamist,,,,, maretu i knew i listened to you for a reason. so i could make totally irrational and unreasonable connections of your songs to the fucking murder time trio of all things. what joy
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In a timeline where Civil War didn't end in divorce and everyone lives in the compound:
Steve, walking into the living room: Don't worry Buck I think you'll really fit in around here. Everyone is super nice
Peter: Oh my god you're living here too?! Can I please look at your arm? Please please please please please-
Bucky: *turns around and leaves*
-
Clint: So... wanna test if your spider-sense defeats my perfect aim?
Peter: Oh my god do I ever
Tony & Steve: NO.
-
Peter: Hi. Big fan. Y'know we're like a spider duo. Crime fighting spiders. Arachnid pals
Natasha, staring blankly:
Peter: Web friends? SPY-ders?
Natasha:
Peter: Spinneret associates?
Natasha: Leave.
Peter: Yes okay sorry ma'am
-
During a meal:
Bucky: *glaring at Sam*
Sam: Ay Rogers come get your dog
Steve: Bucky, leave it
Bucky: *glares down at soup instead*
-
Peter: Mr. Rogers could you help me with my homework?
Tony: What the hell kid, I'm right here
Bruce: I have... so many degrees
Steve: Hey I know a thing or two myself. Sure Queens, what do you got?
Peter: Great! I'm just gonna ask some questions for my essay. What would you say the role of war propaganda was in your decision to enroll in the military? Was being poor a factor? Actually, how was the Great Depression for you?
Steve: Less depressing than this conversation.
-
Steve: Take a jacket, it's chilly
Wanda: Okay thanks dad
Steve:
Wanda:
Peter: Ha! That's so embarrassing, it's like calling your teacher dad
Wanda: Shut up Peter, you call Tony dad all the time
Peter: Yeah but I do it on purpose so it's not embarrassing. I'm very open about my daddy issues
-
Tony: I wanna punch you in your perfect teeth
Steve:
Tony: Looking at me with your angelic blue eyes, like a freak
Steve:
Tony: Stupid Dorito ass build. Making me wanna take a bite
Steve: I feel harassed but I'm not sure what kind
-
Natasha: Hey bird brain!
Clint and Sam both turn:
Natasha: Hm, that's a problem. You have thirty seconds to decide who gets bird brain. The other will be feather head
Clint and Sam: *start arguing*
Tony: I can't believe they're fighting to be called an insult
Steve: She has that effect on people
Peter: Aw man, I wish the Black Widow gave me a nickname :(
-
Peter: Hey old man
Bucky:
Peter: I'M SO SORRY SIR MR. WILSON MADE ME DO IT PLEASE DONT KILL ME
Sam: *cackling in the background*
Bucky: *stands up and turns to Sam*
Sam: Oh shit- kid you're not getting the money if you're gonna snitch!
Peter: That's okay, I'd like to think my life is worth more than twenty bucks
-
Bucky: I need your... help
Tony: Sure, what's up?
Bucky: *glances back at Steve who stands in the doorway and nods approvingly*
Bucky: Arm.
Tony: Ok... this conversation is killing you isn't it?
Bucky:
Tony: Say please
Bucky: Nope can't do it-
Steve: Do I need to get out the get-along shirt?
*Bucky and Tony share a look of alarm*
Bucky: Please fix my arm
Tony: Yep of course no problem buddy
Read Part 2 here
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