I think it’s interesting how as time goes on Zoro kind of becomes more and more like mihawk in some ways whether that’s just because if you spend time with someone for 2 years you’re bound to pick up their habits or a deliberate attempt to emulate him is a conversation for another time. And Mihawk and Zoro where already pretty similar at the start so it’s a little hard to notice now.
But yeah whether unconsciously or consciously Zoro is becoming a bit more like Mihawk and it’s interesting to think that while this means maturing in some ways (he’s swordsmanship for one but he’s also just quieter much more assured of himself) it also means deaging in some others.
Despite their significant age gap and general dispositions, when it comes down to it Zoro is just a lot more emotionally mature and developed than Mihawk is. And a big part of why is because he found something larger than himself to devote his life too, hell Mihawk himself even kind of acknowledges this when he agrees to take Zoro on as a student when Zoro begs for the sake of his captain and crew. He acknowledges that putting aside his own ego and dreams for the sake of someone else isn’t something he can do and sees it as a fault in himself and a strength in Zoro.
Mihawk may be outwardly mature and his skills defiently did not stagnant but I’d wager that Mentally Mihawk is still stuck at the same age he was when he took over the title of world’s strongest swordsman. Honestly maybe even younger. And it isn’t until training Zoro, letting Perona stay with him, for probably the first time in his life taking charge of lives outside his own did he finally unarrest his development.
If Zoro is purposely trying to emulate Hawkeyes, which it wouldn’t be a surprise if he was that’s who he’s trying to be Afterall, then it would honestly set him back emotionally because fundamentally as he is now Mihawk’s attitude doesn’t work in a crew. It’s too singular, too abrasive. And while that abrasiveness can be useful in Zoro’s role as Luffy’s first mate sometimes it makes him a little too callous a little too apathetic, like with his disregard for Luffy’s sadness over vegapunk.
But Zoro has his crew to temper that, they are honestly just too ridiculous to ever stay serious around. And try as he might to hide it Zoro is also just a silly dude who likes to be horrifically petty with his opponents. And zoro still has so much fire in him, so much he has too prove and so much he wants to protect to ever really fall into Mihawk’s apathy. Zoro has Luffy who even after they reach their dreams will probably still continue to turn the world upside down forever keeping Zoro in some kind of trouble and his life interesting.
Zoro can’t be Mihawk because even Mihawk can’t be Mihawk anymore. Being with crossguild and crossing with the Red hair pirates and the strawhats is going to change him, it has too. if Mihawk is going to live after losing his title he’s probably gonna have to become a little bit more like Zoro.
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thinkin' about dancing with eula, in your favourite place to be with her—
it's cold out, it always is. dragonspine's climate is harsh and unforgiving, but to those of steel will, the wintry terrain is easy enough to temper. her hand is gentle around yours, the slightest flex beneath her gloves as she steadies you at the slightest hint of ice upon the ground.
(don't worry. she'll catch you, before you so much as harm a hair on your pretty head upon the snow.)
there's a precious spot—well, several, really—that you both come to often in search of refuge and respite from the trials of society. the snow is pure and untainted, untouched by the unjust jeers of those who call mondstadt home; it's quiet, here, a shelter in some ruins with evidences of your prior visits. a memory to return to with fondness.
you share a drink by the campfire, some dandelion wine fresh from the tavern. you watch as she prepares it, skilled and delicate, the slightest furrow in her brow as her cryo vision pulses and cubes of ice form in her palm. cheek on hand, you can't help but smile as she deposits the ice into the cups she'd brought: goblets, really, stolen away from the stash at the lawrence manor.
"so much silver gone to waste keeping up appearances. at least, with these, they'll serve a more priceless purpose," she huffs the first time she brought them, engraved with sapphires and dappled with gold embellishments. you should've felt like royalty then, as you swirled the wine; like nobility as you took a tentative sip. but the sight of her, tufts of silken arctics and sunset eyes and tender smile, made you feel like a witness instead.
(a witness, you remember thinking, to divinity itself.)
eula glanced at you when she concluded, then. an unspoken message that you already understand, that already warms you. much of it took time to learn, the little tells that gave her away (with some help from amber, of course), but you relished memorising each: her indignant scoffs and denying looks away when she's flustered, the furrow in her brow as she ponders her next strategy.
you thank her when she hands you a goblet, the dandelion wine chilled to the perfect cool. she wouldn't normally go through the trouble and hassle of the tradition, but for you, she would dredge up every crumb of history branded upon her skull.
it makes you appreciate her all the more. you smile, and she looks away, and you know her fair cheeks are already rosy before she does.
eula drinks less often, when she's around you. every moment is too sacred to be enjoyed drunk; you are a thorn in her side, but you are also the plaster and the sweet kiss and the tender touch that mends it with care enough unworthy for a pariah such as her.
you find that she sets down her cup, after no more than two sips. eula slips her gloves from her hands, tucking them into her sleeve, before extending her palm to you in wordless invitation.
it's soft, but firm as you take it. you can map every scar on her skin in your mind's eye, born of fumbles in her ascent to knighthood, her sisyphean struggle to be as the roil of waves: free, and unbridled. liberated from her guise, a pursuit of vengeance.
you brush your thumb over her knuckles, knowing the strength in them; these are the hands that have clawed their way out from the grave her ancestors dug for themselves, the hands that cleave a path towards a breeze-ful future. hands of a captain—the hands of the woman you love.
there's a twitch in her lip that you want to catch with your own, but she's already tugging you onto your feet.
"may i have this dance?" eula murmurs, bowing some. she has never been one to abide by her clan's customs, yet she shares the sanctity of her favoured past time with you. her favourite person.
and you laugh, because she doesn't need to ask, she never has to, because your answer would always be yes.
yes, of course i will.
yes, always.
her face colours, and you beam, radiant as the unsullied snow. you are her peace, and her trouble, and her quiet and her noise.
"yes, you may."
permission given, eula lets out a misting breath of relief, as if this wasn't already something she had done many times before with you. one step, and another, just to close the distance, lithe arm slipping around your waist to tug you flush against her, and your breath leaves you.
your clasped hands entwine, and eula brings them to her lips, soft petals brushing over your flesh. she has a way of that, stealing the air in your lungs, but you'd let her. every single time.
her lips trace the bone in your wrist, your inner forearm, through the sleeve of the coat she'd tucked you into before your hike through the snow. eula is cold but she's everything warm, the dawnlit sun and the duskfall's set; she kisses to your elbow, to your bicep, all touches reverent in every capacity. worshipful.
mondstadt's archon has never been her god, for you were the visage and her oath.
your eyelids flutter, your smile unbidden as eula finds her way to the curve of your shoulder, her breath warm against you. with a turn of the head, your nose brushes against her jaw, and you nestle into her, pressing a kiss of your own there, too.
"i thought you wanted to dance?" you murmur, soft with a hint of play, and she scoffs in your ear.
"that i did," eula exhales. "is this not our own?"
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Genuinely so curious who Mike thinks is gonna be buying The Cage or the new DCTL GN bc with the way he tweets as far as he's concerned, it's not gonna be:
The queer people he has actively admitted he will never show any representation of in the games.
2. The POC he has actively fought against representing in his franchise. [Who he also mocked for thinking they would be represented in his franchise]
3. The Bendy fandom which has always been concerned with topics of diversity esp in the sense of queer people since its creation. Who he has responded to really poorly esp in regards to the GN.
4. The fans who critique him. [He blocked me for doing so lol]
5. His fans in general who he tweets about like this currently. [He's being vague about why people were mad at him or sent him 'nasty messages' because if you actually looked into why you'd see he was in the wrong. Either way, a very hateful way to speak abt ur own fanbase.]
Reminder while Mike is trash talking his fans he has always treated them rather poorly. The fans who won the fanart contest for Chapter 5 never got their posters actually in game due to it being rushed. Not only was chapter 5 a big slap to the face story wise, but it was literally so rushed he couldn't be bothered to add in the art his fans gave him for his game FOR FREE. [Meatly blames this on a crazy timeline, reminder him and Mike are the literal ceos of this company. The proposal of future updates here is also pretty cruel considering Mike nowadays happily admits he corrupted Chapter 5's source code and therefore literally can't update it At All currently. Because he is a moron]
At least they got to be in Boris and the dark survival, and by that I mean that was the Only game they got to be in so far, isn't that just treating your fans like you love them? Shoving their hard work into a spin off game almost nobody has played or addresses much. [Hell, who knows if with the Lone Wolf rebrand they'll even stay there. In which case they'll be in None of the games, only in the credits of BATIM]
6. The Bendy fans who just generally disagree with him on stuff. Like the new ink demon design where there is literally a public poll showing people generally prefer the old one.
7. The Bendy fans who can see he is actively lying to them. To their fucking faces.
He says this has always been the case, but screenshots and links to tweets regarding the books being canon prove it was not. Does he really think bendy fans are stupid or something? [Unless he's admitting here he lied to Kress when he told her the books were canon which sounds worse!]
8. Anyone who doesn't like the idea of giving money to a guy who laid off tons of employees then afterwards thought it was a great idea to express his anti-union views! Also brag about how good of an employer he was, according to his employees, he was not!
So in summary; Mike is an awful person who has not learned anything from the awful things he did. I will not be purchasing The Cage because, combined with this and his absolute refusal to take any kind of critique or see any differing interpretation of his franchise, I have no reason to think my problems with the franchise will ever be addressed or fixed. I probably will pirate The Cage along with any future Bendy Products [Including the movie] and will do my best to avoid giving it any kind of monetary support. Unless this changes any time soon, I can't see myself making anymore positive Bendy posts soon.
Mike has just managed to make it so hard to speak positively or optimistically of this franchise when he's so willing to broadcast how little he cares about it or its fans. I'm at the point where I refuse to pull any of my punches with my problems with it. What's the point of trying to play nice with my critique when either way the people creating it don't care?
So with this post, I want to invite anyone who feels similarly about the franchise to tell me, make a post or send an ask talking about how all of this makes you feel. It may not change how things are, but genuinely seeing other people share my feelings of anger makes me feel better. It feels nice to see when other people share our same concerns and worries. I'd also love to know if anyone else thinks they'll be avoiding purchasing Bendy products over this.
I'm not forcing anyone to participate in it nor trying to say anyone who doesn't supports mike but genuinely maybe if we can collectively decide to boycott things like the movie, graphic novel and The Cage... It might at least make the bendy devs acknowledge how much they have destroyed their own fandom's faith and trust in them.
The way Mike tweets about his actions like he had no control over why people were mad at him at least proves to me he takes NONE of it back nor regrets it. If you didn't know about his actions and only went off his tweets, you would be led to believe Mike has been needlessly picked apart by fans over things he couldn't control [or in his own words, had his words twisted and taken out of context]. That is not how you speak about your actions if you have actually learned better from them.
anyway, that has been my bendy dev callout post. This is an open invitation to anyone feeling similarly upset about the way the franchise is going to talk about it. It's genuinely nice to see how people feel about this and the more we talk about the more it's likely the bendy devs are forced to address our concerns. I don't think they will but hey, that's why I'm not gonna support them with my money anymore nor am I gonna be nice to them in any content I make critiquing Bendy. I mean I'm also basically making this post just in case anyone asks me Why I feel this way towards to bendy devs/as a way to respond to anyone who thinks I am too harsh in my critique in the future.
As always, it seems the best part of Bendy isn't actually anything about canon but about what the fan's are creating with the ideas Bendy failed to do anything interesting with.
Also the books, the books slap.
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